GENUINE (Robert Wiene, 1920)
Wiene's follow-up to The Cabinet of Dr. Caligari.
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The Love of Zero (1928) - dir. Robert Florey
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
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Apollo-Theater (1928-30) in Emden, Germany, by Beilicke & Gehrkens
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(via The Grim Gallery: Exhibit 4574)
Paul Wegener (December 11, 1874 - September 13, 1948)
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On October 30, 1928, the synchronized version of The Man Who Laughs debuted in London.
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just want to take a moment to thank all my mutuals for sticking with me through my edward hopper phase. it will happen again. but also i love you guys
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i'll never let them hurt you, i promise
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31 Days of Horror 2022: Nosferatu (1922).
With some details changed Nosferatu was basically an adaptation of the Bram Stoker novel Dracula.
The heirs of Stoker sued and a court ordered all copies destroyed. Fortunately some prints survived and the film is considered an important horror classic with several iconic scenes that have rarely been successfully reproduced.
Unlike the Stoker novel wherein vampires are rendered weaker or discomfited by day Count Orlok was fully disintegrated by exposure to sunlight.
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DO YOU KNOW WHERE YOUR CHILDREN ARE?
PIC INFO: Spotlight on the final moments of little Elsie Beckmann (though she didn't know this yet), from the critically-acclaimed 1931 crime film/thriller "M" (1931), directed by Fritz Lang. Written by Thea von Harbou and Fritz Lang.
Cinematography by Fritz Arno Wagner.
"We're doing our job because we have a living to make. But this monster has no right to live. He must disappear. He must be exterminated, without pity… without scruples."
-- DER SCHRÄNKER (The Safecracker), Played by Gustaf Gründgens (1899-1963)
Source: www2.bfi.org.uk/news-opinion/news-bfi/features/fritz-langs-m-blueprint-serial-killer-movie.
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Fritz Lang's "Metropolis" (1927)
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As many of you probably know, I am a huge fan of silent films. I could not just pass on this magnificent 4k version of one of the most iconic horror films of the silent era, The Cabinet of Dr. Caligari. The film turned 100 years old in 2020, can you believe it? I feel beyond grateful that we still get to enjoy this masterpiece of German Expressionist cinema today! This version includes a small booklet with facts about the film, behind the scenes, how it was filmed, information on expressionist cinema, and so on. It's by far worth every penny. Courtesy of @cinemalibre.filmstore ❤️ . . . . . . #me #personal #film #films #horror #horrorfilm #movie #horrormovie #thecabinetofdrcaligari #dvd #4k #4kdvd #silentfilm #silentcinema #cinema #silentera #germany #german #expressionism #expressionist #expressionistart #expressionistcinema #robertwiene #cesare #wernerkrauss #conradveidt #lildagover #horrorfilms #horrorfan #horrorjunkie (at Athens, Greece) https://www.instagram.com/p/CpF25MWt6TU/?igshid=NGJjMDIxMWI=
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Emil Jannings in The Blue Angel (Josef von Sternberg, 1930)
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