FERAL HAS A RED AND BLACK ARMBAND TATTOOED AROUND HIS LEFT BICEP AND I JUST NOW FUCKING NOTICED AND I DON'T KNOW HOW I FEEL ABOUT IT WHAT THE ABSOLUTE SHIT.
my art style is too simple for this but just know that when i draw post-ttt hunter, in my mind he has central pink-brown heterochromia. like this, kinda:
so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS]
an unfortunate loss! atleast he has his friends.
cramming some of these prompts together to be silly <3 they spent a lot of time back then keeping some rich up-and-coming little salesman entertained, he’s one of their best customers. maybe you’ve heard of him...
How was to be in a gay relationship (klaine) on screen?
“It was fucking awesome man. I mean the main thing here, like not because I’m trying to be blasé about the obvious thing in this question because we are saying that this is a gay relationship, nowadays, we just call it a relationship on tv, but to contextualize it, a gay relationship on mainstream Fox Network, that’s a pretty cool thing to be a part of. I often equate my relationship to that whole experience to Slumdog Millionaire which is, if you are familiar with Slumdog Millionaire is a kid that gets ask a bunch of questions and he just so happens to have the experience to answer this very specific things, now being cisgender straight kid you go 'oh oh what? are you going to allow this guy to talk gay shit?', I’ve been so culturally queer my whole life, not because I’m trying you know, actually, I was gonna say not because I’m trying to be cool but I’m gonna erase that, is because I am trying to be cool. All the sh— in my life that I have tried to emulate, learn from and be inspired by are one hundred percent queer as f—. It was in queer communities that I’ve found people that I idolize, that I want to be, to learn something from. And I’d say that’s a gross generalization, that’s a lot of things and a lot of people. But I grew up in San Francisco in the ’90s. I watched men die. There was an awareness of the gay experience that was not a foreign concept to me. So, it was a narrative that I cared deeply about. I wasn’t like a f— saint or like 'I’m the man for the job', they hired me and they said, 'You’re the guy,' and I said, 'Okay, I’m the guy I will do my best, I will do my best to talk about it in the way I believe and a way that I’m passionate about'. So in many ways I’m glad that it was me because it was a thing that I really like showing up for and it meant a great deal to me that it meant a great deal to other people. Because when people say they were affected by that show or that relationship, it’s not because of me, it’s because of that relationship on a TV and the risks that people took to put that on TV and most important of all it took the people watching it to have the "aptitude" for seeing beyond what was maybe given to them in other avenues of culture. People of all ages, all spectrums of awareness say, 'I didn’t grow up with a show like that and it was a really meaningful thing for me to see,’ and I go ‘I didn’t grow up with a show like that’ and that would’ve been very meaningful for me too, you know?, regardless of the fact that I’m a straight kid. That has value. For anyone who’s been an underdog, we all know, in any shape or form — sexual, religious, biological, whatever — it has value because there’s going to be a lot of people who see that and go, 'Okay, I can now understand this in a context that maybe I wasn’t able to before'. So short story long, what was it like? It was a fucking privilege and I love talking about it and I’m so grateful I got to do it." - Darren Criss at the Chicago Comic & Entertainment Expo Q&A | April 27th, 2024
wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?
& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?
and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?
and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.
just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof
Was once again fooling around with clips from Adventures in Turtlesitting and Good Genes Part 1 (basically, I was seeking all the major "Leo being protective of his double mutated brother" moments) and just
After the turtles show up at April's apartment, Raph attacks Don, who ends up attacking him in retaliation; Leo kicks Don, causing him to drop Raph. At that point, Donatello turns around to his brothers and spends a good couple of seconds just...standing around and growling at them before he notices the hole in the wall and runs away.
Then later when the turtles are searching for Don, April calls Leo and alerts him that not only did the motion tracker on the Battle Shell pick up something large enough to be Don, but that he appears to be making his way back to the new lair in Central Park.
The thing is: there's actually absolutely nothing wrong with modern/university/highschool or whatever AUs that take characters originally from japan or china or korea or any other country and plop them in america. There's a huge and varied disapora population in the us, and if the (usually usa) author wants to write about characters in a setting familiar to them that's perfectly normal and fine.
But what gets really jarring is when a fic clearly takes place in the united states but it doesn't know it takes place in the united states. Characters are just going to us-style schools and colleges and eating fluffy pancakes with maple syrup but they're also still using honorifics like -ge or -hyung or -kun and names are said last name – first name so you think ok they live in the usa but speak their native tongue around each other. That makes sense. Except it's never actually mentioned or talked about and no one ever switches to english in public, no one is relieved to have friends from the same ethnicity, no one has family that still lives overseas, no one talks about not being able to get certain ingredients at the grocery store to cook their favorote childhood dishes, and no one in general seems to be even be aware that they're diaspora. As if the fic isn't even meant to be in the us.
It's like the reverse of ace attorney's japanifornia, instead of a los angeles with an incredible amount of japanese cultural influence they live in a japan where everything just happens to be usamerican.