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#hobie doyle
babyjujubee · 5 months
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Alden Ehrenreich plays Hobie Doyle in Hail, Caesar! (2016)
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denimbex1986 · 9 months
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'Alden Ehrenreich is being celebrated for giving one of the best performances in Oppenheimer. Portraying a nameless Senate aide to Robert Downey, Jr.'s Lewis Strauss, nobody went into the movie expecting him to shine as brightly as he does. He steals every scene he's in, as his naïveté and reactions to the horrors he's seeing mirror those of the audience. Not only that, but he gets to drop one of the film's best lines at the end. However, this isn't the first time the young actor has held his own amid a truly star-studded ensemble -- nor is it the best.
Ehrenreich plays a major role in the Coen Brothers' 2016 comedy Hail, Caesar!, which boasts Scarlett Johansson, George Clooney, Frances McDormand, and Josh Brolin. With an ensemble cast like this, excellent performances that make the most of their limited screen time are guaranteed. Yet, Ehrenreich, who was relatively unknown when he joined the project, kept audiences talking long after the film was released.
What Is Hail, Caesar! About?
Admittedly, Hail, Caesar! is a bit out there, even for the Coen Brothers, who have built their career on making odd films. It follows Josh Brolin's Eddie Mannix, a Hollywood "fixer," as he tries to manage the issues of a whole host of eccentric clients such as well-known film star Baird Whitlock (Clooney), highly regarded European director Laurence Laurentz (Ralph Fiennes), tempestuous leading lady DeeAnna Moran (Johansson), and, of course, resident singing cowboy Hobie Doyle (Alden Ehrenreich). Each comes with their own problems, and perhaps none are as problematic for Mannix as Doyle. Things go even more awry when Whitlock suddenly disappears at the hands of a group of screenwriters blacklisted by Hollywood, and Mannix has to find a way to get him back.
Hobie Doyle has built his career on Gene Autry-type Westerns, but suddenly, the studio casts him as the lead in a Jane Austen-esque comedy of manners, which goes terribly. Though Laurentz attempts to train the Western out of him, he can't seem to shake his accent or quirks, leading Laurentz to request his removal from the project entirely. Mannix convinces him to let Doyle stay, and after Doyle tells Mannix about how insecure he feels about taking on the role, Mannix tells him about Whitlock's kidnapping. Of course, Doyle ends up embroiled in the search for him, and Coen-typical hijinks ensue.
How Alden Ehrenreich Steals the Show in Hail, Caesar!
Ehrenreich's role in the film lends itself effortlessly to comedy, and luckily for him, he has impeccable comedic timing. He particularly stands out in a scene early in the film when Laurentz is trying to break his old habits, and he can't seem to get rid of his accent as he tries to deliver a line. They repeat it back and forth to each other in a gag that, if executed by anyone else, would get old quickly. However, it's a testament to Ehrenreich's acting prowess that he can seamlessly pull it off so early in his career, resulting in a scene that remains a standout throughout the film.
Not only that, but Ehrenreich carries much of the weight of the film on his back, which is very impressive for such a young actor. Doyle essentially takes on the entire case to find Whitlock himself -- and playing a role that large is a gamble for both the filmmakers and Ehrenreich himself, as they're placing the film's fate on one relatively unknown man. It would've been easy for the Coen Brothers to entrust that task to someone much more well-known (and they had their fair share of people to choose from). However, they choose Ehrenreich, and it pays off. He's the film's breakout star, just as he is in Oppenheimer, and arguably, he's even better in Hail, Caesar! for the incredible range he brings.'
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dicapriho · 9 months
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Alden Ehrenreich as Hobie Doyle in Hail, Caesar! (2016) dir. Joel & Ethan Coen
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batneko · 8 months
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What made you choose the name Hobie? Also, how is that pronounced, because I'm currently reading it as being the same as hobby?
Hoe-bee. Years ago I watched the movie Hail, Caesar! with my partner and we both got attached to the character Hobie Doyle, and they said "He is our son now." And that's been in my head ever since.
The character Hobie Brown from Spider-verse is just a bonus.
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rebeltofu · 1 year
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Edisi sedang di perpus #1
Hubunganku dengan perpus sudah jalan hampir separuh usiaku (14 tahunan coy !). Semua bermula dari tugas presentasi di mata pelajaran bahasa daerah yang mengharuskan tiap kelompok untuk presentasi tentang tempat-tempat umum di Kota Malang. Kelompok lainnya memilih untuk membahas tempat-tempat wisata terkenal sebagai tema presentasi mereka sedangkan kelompok kami masih kebingungan memilih tempat umum yang unik untuk dibahas. Aku pun iseng mengusulkan perpustakaan umum sebagai topik presentasi kelompok kami. Sejujurnya aku iseng aja karena dari lahir hingga umurku hampir 14 tahun, belum pernah menginjakkan kaki di perpustakaan umum sama sekali. Budaya membaca bukanlah budaya keluargaku hahahahahah.
Dan berawal dari tugas presentasi di matkul bahasa daerah itulah, timbul kesenangan untuk terus terusan mengunjungi perpus kota ( kami menyebutnya PU) hampir tiap minggunya. Biasanya aku akan pergi di hari sabtu atau jumat, lalu pulang ke rumah sebelum jam 5 karena takut gak kebagian angkot hehehehe. Thanks to PU karena memperkenalkanku kepada orang-orang keren seperti Agatha Christie, Arthur Conan Doyle, Stephanie Meyer, Beatles, Sydney Sheldom, W. Irving, RL Stine, dkk. Selain itu, mata dan otakku jadi terlatih untuk tahan membaca dalam waktu lama dan terbiasa membaca terjemahan yang tata bahasanya bagus dan baku.
Ngomong -ngomong soal perpus, intro sepanjang dua paragraf itu sebenarnya tidak terlalu berhubungan dengan tulisanku di paragraf berikutnya heheheheh. Akhir - akhir ini aku menggunakan perpus sebagai tempat untuk berdiam diri sambil nulis manuscripts. Bukan lagi untuk membaca novel atau ensiklopedia seperti yang dulu sering aku lakukan waktu SMP. Dan disela-sela menulis manuscript, aku biasa mendengarkan lagu-lagu tertentu dan surat Yasin. Lagu - lagu tertentu itu kebanyakan didominasi oleh deretan lagu populernya Pink Floyd. Entah kenapa, cuma Pink Floyd yang bisa bikin aku duduk anteng berjam-jam nulis dan baca paper tanpa jeda. Berikut adalah deretan lagu - lagu tertentu yang bikin duduk anteng di perpus :
Pink Floyd - Another Brick In The Wall
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Lagu yang berjudul Another Brick In the Wall di album The Wall 1979 ini dibagi menjadi 3 bagian, yaitu part 1, 2 dan 3. Masing - masing part ini sambung menyambung menjadi intro, isi dan outro. Bagian paling kusuka adalah part 2 karena terasa lebih rebel dan rame aja. Terasa rock n roll sekali namun entah kenapa membuatku lebih tenang. Aneh. Lagu ini juga cocok untuk menemanimu masak mie malam-malam sambil nonton Bioskop Transtv.
Pink Floyd - Shine On You Crazy Diamond
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Pink Floyd emang hobi pamer skill main musiknya ya ? Hampir 75% lagu ini diisi sama intrument dan hanya menyisakan beberapa menit untuk lirik. Lagu yang sangat cocok didengarkan saat naik bis ke warung mie vege sendirian pas hujan-hujan.
Pink Floyd - Wish You Were Here
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Dengan judul yang sama, wish you were punya avril dan punya david gilmour ini bisa menyuguhkan dua makna yang berbeda. Kalo versi Avril lebih ke rasa penyesalan saat ditinggal kekasih, kalo versi Gimour lebih ke ungkapan rindu, sedih, kecewa sekaligus sayang kepada sahabatnya yang memilih jalan hidup lain. Secara personal, lagu ini selalu memberikan kesan yang berbeda tergantung di usia berapa kamu mendengarkannya. Ketika pertama kali mendengarkannya di umur 19, aku terkesan dengan intro gitarnya yang ikonik namun masih gak ngerti liriknya tentang apa. Maklum ya toefl cuma 480 wkwkwk. Tapi ketika mendengarkan di umur 25, aku jadi galau karena keinget orang yang pertama kali memperkenalkan lagu ini. Lagi apa ya orang itu sekarang? apakah dia bahagia dengan jalan yang diambil? Seandainya aku bisa ketemu dia lagi, aku akan pamer ke dia kalo aku bisa main intro lagu ini pake gitar. Kemudian, saat aku mendengarkannya lagi di usia sekarang, aku jadi sedih. Ternyata sedalam itu maknanya lagu ini. David Gilmour menulis ini buat Syd Barret yang memilih pergi meninggalkan band karena masalah kesehatan mental dan obat-obatan terlarang. Gilmour menggambarkan hubungannya dengan Syd seperti two lost soul yang berenang di aquarium, tak peduli seberapa jauh berenang tetap saja akan berakhir di tempat yang gak bisa menghilangkan ketakutan mereka akan kehidupan. Jadi maksudnya si Gilmour ini berusaha untuk menyadarkan Syd yang mencari pelarian dengan memakai obat terlarang, bahwa katakutan, kesulitan, kekhawatiran, masalah dan hal-hal gak enak lainnya dalam hidup itu pada akhirnya akan selalu kita temui, gak peduli seberapa keras kita mencoba menghindarinya. Jadi ketimbang tersesat sendirian, mending kita melangkah bersama - sama sambil saling menguatkan.
How I wish you were here with me, on the same path, walking side by side, growing old and running over the same old fears together.
Duh jadi melow.
Lagu berikutnya menyusul ya, karena lagi gak mood hehehehe
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Hail, Caesar!
Or, What if Natasha Romanoff was a mermaid?
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a joint review...
We feel like we should address this first. We chose this film because we both absolutely love it, but our star Scarlett Johansson isn't in it quite as much as we remembered her being. This bits she was in were divine, and we remember each part so clearly, but on reflection we do feel we've done her slightly dirty on the screen time. So we apologise.
@cassandrafey: Maybe we should class this as a Thanos film?
@becksxoxo: NEVER!
@cassandrafey: What if Thanos carried on being a dickhead only he worked in the pictures?
We then got slightly distracted over a gif set of dear Frank in Endings, Beginnings, which Becks hasn't seen but Cass has filled her in on why she should. We're both a bit flustered, but we're going to push that down now and get on with the task at hand.
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Let us tell you why we love this so much. We really had to choose our words so carefully for this. It’s a comfort, but it’s not a comfort film. It’s a shared love of the Hollywood Studio System, our fond remembrance of a time we never experienced but were ingrained into as film student babies. It’s the rumours, it’s the grandeur, it’s the backlots, it’s the people. We feel like we know them, and each scene is just perfectly presented, and we just fucking love it.
We were joined by a guest for this watch through, who finished the film by saying:
"I felt not one single emotion. I may as well have sat staring at the wall."
Anyway, we will be cutting her out of our lives, so don't worry too much. Here instead are all the emotions we had...
We both started our notes with "Is that Dumbledore?" The second film we've watched that's been narrated, who knew it was such a big thing. Anyway, it was Dumbledore and he tells us all about what Thanos is up to. Being punished in another life for all his past crimes in the MCU, no rest for the wicked you fucker.
We'd do well in Hollywood.
@cassandrafey: What would we do there?
@becksxoxo: You know, things, and stuff, and people would just appreciate us.
@cassandrafey: ah Tinseltown.
We're going to go for a character based narrative of thought this week, because the plot dances around a delightful amount and may become unwieldly.
DeeAnna Moran
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We're going to start with the perfection that is Scarlett as DeeAnna Moran. We love her rising out of the water, a goddess, and then unleashing her full blown rage at the conductor, flinging that crown with a panache that we haven't seen since the finale of Miss Congeniality. We both really loved the synchronised swimming, we were mesmerised by the shapes and colours. Cass had a wild moment of abandon and thought it might be something we should have a go at, but then could only see the French and Saunders ballet scene in her head, and soon decided it was a terrible suggestion. The whole premise of her being this silent beautiful starlet, and the reality of her being this potty mouth broad is just so perfect. Her secret sleazy marriages, her questionable baby daddy choices, we just love her. We also love how interested she becomes when she finds out just how reliable Joe Silverman is, a legal personhood. And most of all we love her removal from the mermaid's tail. After her eye rolls at Chris Evans saying how easy the Black Widow outfit is to slip on and off, Becks likes to think it was much more like this each time she had to get in and out of it. And who doesn't love the yelling the line:
"So you go and strap on a fish-ass and marry Arne Seslum."
She's just so good at being this character. LOVE LOVE LOVE LOVE LOVE
Hobie Doyle
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Hobie Doyle is a wholesome little puppy. Not our usual type, but we are terribly fond of him. Cass has suggested it’s his prowess with the lasso. Other than our absolute favourite scene in the whole film, which we will discuss in a moment, what we love most about him is the fact that he sat and listened to Eddie have a small breakdown about the shit going on, thought about it for a moment and then took it upon himself to help.
"This is bad. Bad for movie stars everywhere."
And he did. The solemn way he says:
"You got Mr. Mannix worried sick."
is just too much. We don't think Eddie was at all worried about Baird, but we just love how much Hobie cares. We completely ship him and Carlotta Valdez. Their little date, no matter how set up it was, was just so cute! Her little dancing, his little spaghetti lasso, HIS TEETH! Totes adorbs. We were also very impressed by his horse acrobatics, you know Cass and horses. Also he was shovelling away a mighty large portion of beans.
Now we have all that out of the way we shall share his part in one of the most perfect scenes in cinematic history, alongside the wonder of men, Laurence Laurentz.
Laurence Laurentz
"Would that it were so simple."
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Words cannot describe the perfection of this sequence. We can't write everything that we loved about it, because it is literally everything. It’s just perfect, and it’s hard to imagine anyone involved in it achieving anything better in their careers.
The differences of the two of them, and they're trying so hard. The names, the words. It’s just so good.
You'll be glad to know we're both sat here trying to say the word suit now (in the way that a posh person at Cass’ work says it rather than the nice normal way anyone else does. Very hard to do, makes our voices go quite high for some reason).
Laurence is being so kind, but you can see him dying inside. A struggle we've all faced from time to time.
Also when Hobie is told to look serious and pouts Becks got heavy Sebastian Stan vibes. And ladies, is that ever a bad thing? What a mouth...
What a perfect scene. We can't think of anything else to say other than it’s just so perfect.
Baird Whitlock
Severe himbo energy. Didn't seem at all bothered being dressed as a Roman, being kidnapped, and getting offered finger sandwiches. Just another day in the life of a Hollywood Movie Star. He was just happy to be there, thrilled to be part of a club. Imagine just being at that much peace with your life, either getting your end off or being brainwashed by a cult. Must be nice.
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Our friend, who didn't like the film, also doesn't understand people being attracted to George Clooney. Another reason for her continued bafflement.
We don't really know how convincing the communists were, although you know we're all for it #jointheunion but they seemed just as pleased to be able to listen to him tell his stupid stories as to share with him the whole economics business. What a nice little study group, discussing all sorts of jolly things.
Until he is slapped round the face by Mannix, and told to get his mind back on the job. Movies don't make themselves you know.
"Squint. Squint at the grandeur."
Burt Gurney
Now, we're not ones for Channing Tatum. We're neither for or against him, we're just indifferent. However, singing and dancing commie Channing Tatum, quite good fun. The whole bar scene is great, the singing, the dancing, the homoeroticism.
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Becks has a small fantasy revolving around this scene and the Howling Commandoes. So she'd just like to leave that gem of a thought in your minds, let it go whereever you wish it to.
We also love the little twist of him being the leader of the Hollywood Communists, off to defect to Mother Russia, with such flair and drama as he springs onto that submarine. Submarines are a difficult subject matter for Becks due to that time she was depth charged as a child, so this part of the film could have taken quite the turn, but the leap and the dog saved it.
C. C. Calhoun
C. C. makes Cass very nervous, with the whole room being a smoke filled danger zone, the cigarette, the machinery, the scarf. And she was proven quite right about this. (Becks' notes just read choking kink? so we won't give her a voice at this stage...) It’s a good little scene with her, Frances McDormand is always a treat, it’s very atmospheric, and we get treated to a flashback of our favourite scene, so what's not to love.
Thora and Thessaly Thacker
Isn't it a treat when you forget about Tilda Swinton and there she is, twice! She's so fucking good. Such a wonderful woman in fact that Cass made no notes, she was so caught up in watching her. Becks waxed lyrical about her hats, and her tenacity.
Eddie Mannix
To be honest, we always forget that really Eddie is the star of the film, because we're so caught up in all the other little stories, which we suppose really is the point of Eddie as a fixer. He isn't there to be the star, he is there to make sure everything works, everything stays right and no one knows the dark and shady underbelly of what is truly happening.
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Neither of us are Catholics, but we really felt for that priest. That poor man just wanted to go home, and haven't we all been there? Someone just constantly pouring their troubles out on you, demanding you to pardon their soul for their stupid little actions. Although we bet the gossip you get from a confessional must be great, but we suppose that's not really the point.
"Baird, go out there and be a star."
Cass and Becks like to pretend to be Patsy and Eddie, so we've just hissed Eddie, Eddie, Darling, Eddie, Sweety, Eddie, at each other and Cass is now going to spend her afternoon drunk and carry on with that. (Truly, I will in fact be wearing a little black leather mini skirt that has Patsy all over it - and perhaps I’ll have a Stoli…)
All in all, a cracking film. We will have to do another with ScarJo in it, because she wasn't in it that much, but she did steal the show. The whole film just works as a good story, but also as a homage to the golden age of cinema.
Hollywood is God.
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The cinematic quality may take a slight nose dive next week, as our chum Clint joins us in a little fairy tale romp, all this to say we're watching Hansel & Gretel : Witch Hunters next week. Strap in kids, it’s gonna be great, or not, who knows, not us!
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spockvarietyhour · 3 years
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Get you a friend who will make you a fan cam when you are drunk rambling about cowboys @cottagecore-cryptid-cowboy
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lobstertalk · 4 years
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Alden Ehrenreich as Hobie Doyle in Hail, Caesar! (2016) dir. Coen Brothers
his lassoing skills. off the chain.
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gettheetoapunnery · 4 years
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It was a cultural reset!!! 🤠
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cowboyghosthunter · 6 years
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Alden Ehrenreich
Reblog if you agree
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babyjujubee · 5 months
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Alden Ehrenreich as Hobie Doyle. Hail, Caesar! (2016)
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denimbex1986 · 9 months
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'How do you pick the best performance in a film defined by literally dozens of them? Christopher Nolan assembled a murderer’s row of talent for "Oppenheimer," his grand historical drama about the birth of the atomic bomb and the consequences of its power. It contains a veritable smorgasbord of leading icons, character actors, former child star favorites, and faces you forgot you love so much. There’s certainly a case to be made for so many among this ensemble: the steely-eyed determination and rattled conscience of Cillian Murphy in the title role; Robert Downey Jr.’s charisma shattered by the petulance of bureaucratic squabbles; David Krumholtz as the warm friend whose pragmatism punctures his ideals. However, the face you leave the film remembering for days afterward comes from an actor whose character isn’t even given a name.
Alden Ehrenreich plays a Senate aide, a figure who is one of the many government workers standing behind and to the side of the head honchos helping to grease the wheels of power. He has been tasked with guiding Lewis Strauss (Robert Downey Jr.) through Senate confirmation hearings on his nomination as Secretary of Commerce to President Eisenhower's cabinet. Ehrenreich is essentially a PR guy, a guide for Strauss and the audience through the tangled web of Cold War-era D.C. and the front-stabbing figures who have turned politics into a battlefield. He is, by design, not that important. Dozens of other nameless aides are waiting around the corner to do this job. Ehrenreich just so happens to be there at the right/wrong time.
Being an audience avatar is often a thankless role in any film, and it’s a trope that Nolan often struggles with. Discussions of process and ideas often weigh down his films and inserting a figure of relatable naivety into this risks disrupting the narrative flow. "Oppenheimer" often gets away with not having one during the glut of the story since it’s so heavily focused on conversations about science, ethics, and consequences. The scenes with Strauss and Ehrenreich are a break from this, an insight into a post-Oppenheimer world and how it has impacted the system that helped to create him in the first place. Ehrenreich is not unaware, nor is he expected to play catch-up with Strauss and company. Rather, he’s the constant reminder that scientists did not do what happened at Los Alamos alone. That he is unnamed and a fictional creation of Nolan (a sharp contrast to a film populated by real historical players) hammers home the disposability of such an aide. Ehrenreich’s job is to blend in, to keep a straight face against the peacocking Strauss. It’s a role that could, too, have disappeared into the background, but Ehrenreich knows that the best scene stealers are the ones who react to the carnage.
Ehrenreich, a character actor with the face of a 1950s leading man, has always excelled in parts where he tempers his natural charisma with a dash of something sharper. In "Hail, Caesar!," he steals the show from one of the Coen Brothers’ starriest casts as Hobie Doyle, the adorably clueless singing cowboy the studio tries to reinvent as a Noel Coward-esque debonair leading man. He’s the safe port of sincerity in a storm of Hollywood cynicism. As the younger brother of the tempestuous Tetro in Francis Ford Coppola's indie drama, he is appealingly innocent yet imbued with the abrasive arrogance that only a dolt of a teenage boy could truly possess. Even in "Solo: A Star Wars Story," the unfairly maligned prequel of the new Disney/Lucasfilm era, Ehrenrich’s Han is less concerned with traditional hero expectations. Audiences seemed furious that he didn’t look or act exactly like Harrison Ford. Still, Ehrenreich understood the giddy enthusiasm of the pre-jaded space cowboy and how the character doesn’t work if he’s always cool (which Ford never was in the original trilogy, something fans often overlook.) The best Ehrenreich performances allow him to dig into humanity's absurdities and petty mundanities, offering either the freaky flipside or a welcome dose of warmth. It’s never as interesting to be cool when you can be weird, dark, or earnest.
The Senate aide is clearly used to being the quiet man in the room, the punching bag against whom others launch their egos. His smile is halfway between charm and smarm, with Ehrenreich excelling with those side glances at Strauss as he enters another rant about his battle of attrition with J. Robert Oppenheimer. Everything the aide says feels loaded with subtext, the ruthless efficiency of a worn-down Washington professional. He’s also used to dealing with political players with more bluster than substance, most evident when he has to appease Strauss without rocking the boat. There’s a deadpan quality to him, as though he’s used to being a babysitter more than an advisor. When Strauss reveals his hand and his selfishness thoroughly exposed, Ehrenreich's subtle reaction most effectively conveys the weight of this moment. It’s not so much that he feels betrayed—he’s clearly too much of a D.C. man to have ever been optimistic—but rather, he’s underwhelmed that years of machinations and supposed patriotism have boiled down to the equivalent of a playground tiff.
And it is Ehrenreich who gets the best line in the film. As Strauss gets ready to face the scrum of ravenous press after the Senate rejects his confirmation, Ehrenreich subtly hides his pleasure, but reveals enough to let Strauss know his feelings on the matter. Strauss is consumed by the possibility that Oppenheimer turned the scientific community against him, including Albert Einstein. He repeatedly returns to a perceived conversation between the two that must have made Strauss Einstein’s enemy. Before opening the door to the wolves of the media, Ehrenreich says, "Maybe they were talking about something more important." Uttered with such casual devastation, the nail in Strauss’ coffin confirms how the fate of the world often means little in the face of one man’s petty grievances. It’s probably for the best that Ehrenreich chose acting as his profession because he would be far too good as a politician.
"Oppenheimer" is, indeed, about far more important things than a politician’s job interview and the concerns of his nameless aide. The Manhattan Project exacerbated humanity’s inevitable self-annihilation, but for rooms full of suits and cigarettes, it was just another day at the office, another tool to be wielded less for destruction than personal bartering. It’s the aide, the one without a name or background or tangible connection to Oppenheimer’s work, who exposes that reality with a crooked smile and killer one-liner. Like a great scene-stealing supporting player, the aide is the one who cuts through the crap to seek the truth. Ehrenreich has long been great at that, and "Oppenheimer" is a welcome new zenith of his career. Here’s hoping there will be many more in the future.'
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Like damn!
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sigurism · 7 years
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Headcanon:
Hobie Doyle is asexual.
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