your fever is going up? 😳well then
false disposition is a song by ferry, the second song in the parties are for losers vocaloid series, released not long after the first one. it centres around sanya and her relationship with yura and sergei (sorta). it is a series of flashbacks. the next pafl song will also focus on sanya, i suspect
the first flashback is of sergei telling sanya that the world is a cruel place to people like her (shes albino), that he'll keep her safe. he has a very "it doesnt matter if youre not happy it matters that youre alive", although he also cares about her happiness still. he prefers she'd be alive tho. their parents are dead, so, hes had to take care of her for . around a decade? almost completely alone, with the help of nikita (loser) and kolya (we'll learn about him next song i think). she does care about sergei, but dear god she wishes he'd at least let her go to school (shes homeschooled)
now, homeschooled. she gets tutored by yura in math, who sergei is also preparing to become a stalker. she loves hanging out with him. hes her only friend - he doesnt rlly consider her a friend at this point, just a weird teen he tutors. that sucks at math. she likes hearing about how his days are going, and, they don't even rlly talk about math lol they just talk about random shit. one day, sanya asks yura to take her to a party, and! after a bit of surprise he does!
she does not like it there:( more specificaly, she sees yura flirting with a girl, and she goes outside, kicks up and punches trashcans all "ohhh this world is a cruel place to people like me, he told me so- i wont give him that, damage control wont help me now- i wish i felt nothing at all" bc like, i dunno, her and yura have a weird crush thing going on. but they also don't. weirdos. yura however comes to find her n goes Oh Man i hate this town. and starts beating up the very same trashcans with a baseball bat. n they bond then and there ... besties ... their fates, sealed as buddies ....
anyway, the song ends like it started- with sanya running after yura who is going to the zone for his stalker trip, and going "its not like im saying goodbye, but just in case, i wanna tell you i-" but yura interrupts her. tells her that he'll come back, not to worry. gives her his jacket. and thats it boyyy. check these images out
heres your saff boss
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i want the whole SEASON of bucktommy
i want buck being wooed - flowers and being taken out and a little protective hand on the small of his back
i want to hear all the soft ways tommy can say evan and the look on buck's face when he does
i want to see them at tommy's karaoke trivia place because holy shit buck would love it (and didnt oliver say that we're getting buck singing this season cause uhhhhh)
i love that this is such a fling, such a happy thing for buck - he is finally feeling that puzzle piece click into place and it is freeing
and i cant wait to see all the small ways we see that play out!!!
let buck be happy challenge 2k24!!!!
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he.....is.....MY.... MEOW MEOW!!!!!!!!!! *my telekinesis throws all the furniture into the walls*
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KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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I guess that this is as good of a time as any to remind people that WRITERS MAKE THE STORY!!!! I cannot count how many times I see posts praising tv directors for things that are simply not their doing. That iconic line of dialogue? Yeah a screenwriter wrote that. The characters you love? Screenwriter. The places, the plot lines, the developments? Writers.
A show CANNOT happen without a script because a script is necessary for EVERYONE to do their job right. It dictates what set to look for/create, the filming schedule, the casting calls, the costumes and so on. It's not just words on a paper, its the backbone for all of production and it deserves to get recognised as the integral part of tv and film as it is.
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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