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myrddin-wylt · 1 year

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Tag Game To Better Know You! Send this to people you’d like to know better!

[ambles in 3 hours late with Starbucks and an outdated meme] I got tagged by @cicadatalia and @acemapleeh, thank you~!

What book are you currently reading?

aaaaahahaha, you mean, what books have I been ignoring?

uh, I’m still reading through 48 Laws of Power, and maybe eventually I’ll finish Matthew Stover’s Star Wars Revenge of the Sith novelization because it’s honestly really, really fucking incredible both in terms of Star Wars content and in its own right.

What’s your favourite movie you saw in theatres this year?

Robert Eggers’ The Northman is really, really fucking good, holy shit. admittedly it’s also the only movie I saw in theatres this year, as I’ve been trying to limit possible covid exposure.

What do you usually wear?

bro I don’t even know. usually black leggings, and 3/4 of my shirts are some shade of red, burgundy, or pink. a few dresses in the summer. oh I do wear a lot of skirts of all colors though, especially long skirts. I’m also slowly adding more and more vyshyvankas to my wardrobe, but they can be pretty pricey.

How tall are you?

more like how short am I. 5′3″ or 5′2″, I don’t remember.

What’s your Star Sign? Do you share a birthday with a celebrity or a historical event?

Taurus, and May Day, I guess. uh, May 1, 1328 is the ending date for the Wars of Scottish Independence. incidentally, May 1, 1707 is the Act of Union between England and Scotland to form the UK. the more you know.

Do you go by your name or a nick-name?

middle name, actually. gotcha!

Did you grow up to become what you wanted to be when you were a child?

lmao absolutely not. I’m happier this way though and, strictly speaking there’s still time for me to pursue a phd in history if I want. I just need the money. but tbh, I just really enjoy not having to be in school.

Are you in a relationship? If not, who is your crush if you have one?

nope and nope. I broke off an engagement early last year and haven’t been up for dating again until somewhat recently.

What’s something you’re good at vs. something you’re bad at?

listing my strengths and weaknesses. I’m actually very good at structuring and writing essay-style arguments, and that kind of analysis. I’m horrible at having the motivation and self-discipline to actually do it though.

Dogs or cats?

I’m allergic to cats, so dogs it is. though tbh I think prefer the temperament of cats.

If you draw/write, or create in any way, what’s your favourite picture/favourite line/favourite etc. from something you created this year?

this year? I haven’t written as much as usual this year what with all the..... events. well, hm. let me see. all my best writing is going to be from my Star Wars fics and so won’t make sense without context but

Certainly, Shan has no chance. She has spent months on end with your old master, after all. No trick of the Force, no Jedi Master could ever change what Revan is at his core or keep the pull of its influence forever at bay. No one - Jedi, Sith, Mandalorian - could, once taken in, escape the event horizon of that black-hole heart.

(Not even you.)

No, Shan has no chance, not after whatever Revan has done to corrupt or soften her. Maybe he’s convinced her to embrace attachments after all, embrace familial attachments, romantic ones, adversarial ones - the number and nature of the attachments are irrelevant as long as the strongest among them is her attachment to him. But the ropes Revan ties around the necks of his victims have millions of threads, and you resolve to follow them to their far ends. Scores of your agents have met their death trying to retrieve Bastila Shan. [...]

What’s something you would like to create content for?

Vampyr. Hetalia. Vampyr/Hetalia. orz

What’s something you’re currently obsessed with?

for now, Hetalia. unfortunately.

What’s something you were excited about that turned out to be disappointing this year?

several irl current events turned out to be such a letdown. I wanted fucking justice, dammit.

What’s a hidden talent of yours?

I can be pretty fucking good at manipulation when I want to be tbh.

Are you religious?

yeah I’m actually a nun. nunya business.

What’s something you wish to have at this moment?

more brain, less hormones. related, I wanna visit my baby niece.

tagging @sunnylolli, if you haven’t already done it.

#tag game

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writingwithcolor · 4 years

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B’nei mitzvah in spaceship without Jewish community | Jewish character celebrating Christmas

Hi! Thank you so much for running this blog. I appreciate how much time and effort all the mods have put into it. I finished reading through the whole Jewish tag a few days ago, and I’ve learned so much! I’m writing a Voltron fic (I *know* lol) and decided to make one of the protagonists a white nonbinary Ashkenazi Reform Jewish girl. Her astronaut brother mysteriously disappears in space and is presumed dead, so she runs away from home a couple of months before her b'nei mitzvah to find him. Now, she’s in a group of rebels in space fighting against an Empire. I have two concerns:

1. Everyone on the ship misses home, so part of the way they cope is through getting in touch with their cultures. They’re gonna celebrate (a mostly non-Americanized) Christmas because it matters a lot to some of the characters for non-religious reasons. To what extent can my Jewish character participate in the celebration without it being weird? I want her to enjoy herself more because she’s with her friends than because Jesus etc. They’ll also celebrate Chanukah, if that helps. I know Chanukah isn’t a major holiday, so I also want to have her celebrate a more significant one like Rosh Hashanah and/or Purim with them. Is it okay for gentiles to participate in those holiday celebrations, or should she do that alone?

2. Throughout most of the story, she’ll struggle with choosing whether to prioritize fighting the Empire or finding her brother and bringing him home. When she eventually does find her brother (who also turns out to be a rebel), he lets her decide whether they stay or go home. I thought it would be nice if she decided to stay and keep fighting for the greater good after she finally has her b'nei mitzvah. Her friends and other experiences are also a big part of why she decides to stay, but the b'nei mitzvah would be what gives her the final push she needs to decide. I don’t know if it would be okay for me to write the ceremony itself or if she can even have one if only two of the eight people on the ship are Jewish. I read that not everyone has a b'nei mitzvah and that it’s not required, but I feel like it’d be a big deal to her character. Should I keep the b'nei mitzvah idea, or am I heading towards appropriative territory here?

I want to make her Jewishness a big part of her character’s growth, and I really want to make sure I do it respectfully and accurately. I plan on finding a sensitivity reader when I’ve made more progress with actually writing everything out. Thank you for any insight you might offer!

It feels off to me to join a community symbolically when you’re far away FROM the community. Why not just have had her already have done the ceremony before she has all these adventures? That way it could just be a straightforward story about a Jewish teen having exciting heroic adventures in space, rather than a story about what happens when you have to miss aspects of Jewish life because you’re in space. It would also make the “….well, I guess I’m around for Christmas” bit less weighted because then that would be the only one of those instead of having two of those.

–Shira

I’ll cover some other territory here. For those who don’t know, b'nei mitzvah is something you just automatically become at the correct age, the ceremony is simply to celebrate that with the community. Not all people have the ceremony, but if you are Jewish, and of age (for religious purposes), your status changes with or without it. Personally, I’m comfortable with showing a Jewish character finding a way to have a Jewish celebration when the circumstances are less than ideal, for me the other aspects of the story are more troubling.

On the subject of having a Jewish character celebrate Christmas with their friends… look I don’t like this trope. There are many Jewish people, who are completely secular, who don’t celebrate Christmas, because it is explicitly a Christian holiday, and secular Jewish people are still Jewish. Some Jewish people (secular or otherwise) do choose to celebrate other holidays, and I am very comfortable with those folks telling their own stories. What I’m not happy with is the push from outside of the community for every Jewish character to slide into assimilation.

Some Jewish people will go to Christmas parties and not eat the food, because they keep kosher, or won’t stay for a tree-lighting, because that feels like it goes too far, or will give presents but not receive them. There are a huge number of ways we might handle Christmas, and I appreciate that you plan to show holidays other than just Chanukah (and yes, it’s fine for non-Jewish characters to join her in her holidays, if she invites them), but I always question why a non-Jewish writer is so keen to show Jewish characters celebrating Christmas. The most generous version of me wants to assume that you get so much out of Christmas that you want to share it, but the part of me that knows about the pressures to assimilate, and the history of increased antisemitic violence around Christmas thinks… just leave this kid alone. She missed her celebration, she’s far from her community, and now she has to go put on a Happy Assimilated Smile for the culturally Christian folks around her. From a nonbinary Jewish perspective, it’s a little unusual for your nonbinary character to use she/her pronouns, and use b'nei mitzvah as a gender neutral alternative to the gendered bat mitzvah. In secular life, at least in the US, it’s not uncommon for people to use multiple pronouns, but I haven’t met, or even heard of, a single person using gendered pronouns secularly, and using new neutral alternatives religiously. It absolutely could happen but, because it is so unusual, to me it reads as either invalidating the character’s gender, or tokenizing her in the religious sphere.

–Dierdra

Shira, I think that’s a really good idea to make the character post-b'nei mitzvah. That way you just have a Jewish character having adventures rather than her culture being The Conflict. (And also, a pre-b'nei mitzvah seems a bit young for this storyline? Can she really consent to fighting alongside the rebels? Do they habitually take unaccompanied children on their ship? To me a teenager would make more sense, but hey it’s not my story!)

Dierdra, your answer regarding the Christmas aspect was awesome and really thorough. Thanks for your thoughts on the pronouns as well, it also jarred with me but I was waiting to hear your opinion as you have lived experience. My worry is if you use gender neutral terms for one but not the other, you risk falling into to the stereotype that only marginalised religious folks have to change our language etc to be inclusive to LGBTQ+ people, but everyone else is fine.

I wanted to come back to the point about Rosh Hashana. First of all, thank you for acknowledging that we have holidays that are more important than Chanukah! Sooo many OP’s don’t know that. In terms of how she would celebrate it, I agree it’s fine to invite non-Jewish people along. However, given how community-based Jewish life is, making her keep Yom Tov on her own feels a bit like a torture story, especially when others have people to celebrate Christmas with. I wonder if you’ve thought about giving her a Jewish friend on the ship? Especially if you want her Jewishness to be part of her growth as you mentioned, an older Jewish friend and mentor could be a huge help :)

–Shoshi

As you can see, we have a wide range of possibilities for “what happens when you ask a Jewish person about celebrating Christmas.” I didn’t mind hanging around it as an outsider myself until a certain subset of Christians started being mean-spirited about it in the news plus some personal trauma that time of year, as long as everyone involved was clear that I was just participating from the outside and this didn’t somehow change me. (If I may make an analogy: compare it to going to a baby shower when you want to support your friend or family member but also really don’t want kids of your own. You’re going to have a whole different experience if your decision is respected vs. if all the other guests treat you like you being there means you’ll change your mind about not wanting kids.)

That being said, it’s still all over the map. Some people IRL are okay even going to mass with their partner’s Catholic family (without participating in communion obvs.) Some would never, ever do that and are sitting here with shocked faces that I even typed that. But what becomes important is the way it’s written. Sitting around listening to the Christmas story is probably a bad fit for your fanfic, but helping other people bake Christmas cookies or put ornaments on a tree could work. The ornament thing could remind her of decorating a sukkah, and she could point that out to the others.

I guess I’m saying is

keep her participation secular, and

keep her participation from leaning into the idea that we’re unhappy with our customs and would prefer to do it their way.

I have literally never in my life felt jealous of the kids who “got to do Santa” (for example) and while I’m sure some kids were and they’re valid too, I think it’s important to show that it’s not a universal phenomenon.

–Shira

#jewish #non binary #B’nei mitzvah #holidays #Christmas #Jewish Holidays #submission

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harpersplay · 3 years

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What's your opinion on Rios and Nick's dynamic? I think MM and Ignacio have chemistry. I wish we got to see them work together and have a healthy family relationship but thats def not what we got. I still wouldn't mind if they had this complicated relationship. What's rly not sitting right with me is the way that Nick is abusive towards Rio and dont even get me started on this sick "love" triangle. Would love to know how you see it?

I think the whole storyline is a stupid mess.

Nick's "Power" He told Beth he was a caddie before he became a councilman. So after 15-20ish years, he hasn't risen higher than that? Councilpeople don't have that much power. If they had played it like Nick had made a lot of connections and simply passed info along to Rio (who also had his own connections), then fine. Still rewriting a lot of canon, but passable. But Nick mysteriously has all this influence. Cool. Where was he when Rio continued to work with the woman who got him busted? Where was he when Rio was "killed" and out of action for months? He obviously doesn't try to hide his connection to Rio (picked him up right in front of the police station, openly visits his bar, attends family functions together), but the show posits none of his political opponents dug up that dirt on him and used it. Please. Rio's (first) Beth-fueled arrest was on the news.

Nick & Rio dynamic It has only been a few episodes of Nick/Rio interaction and the writers are all over the place. The flashback episode made it seem like Nick was the brains and the driver of the criminal enterprise. Young!Rio's reasoning for going along was because......the one gym wouldn't take him back? That's it. So Rio was "forced" into crime by Nick, which is not at all how the character was written previously. Then the stool incident. Rio was needling Nick, so it wasn't like he was fearing retribution. He was shocked when Nick's bodyguard restrained him. But then he just brushes it off when Beth gleefully asks about it. And he doesn't seem upset about it the next time him & Nick interact. They tease each other, but sometimes Nick does actually seem to value his opinion on things.

The "love triangle" I've said since the first spoilers came out that I don't like love triangles. I especially don't like M-F-M love triangles because the woman is ALWAYS written as an object to possess. It's gross. And actually misogynistic. Although you wouldn't know that from fandom's hypocritical reception to this storyline. (psst: they like it because all they care about is Beth being desired by everyone.) And that's how it has played out—gross, misogynistic bullshit that objectifies Beth. Rio is acting like a tween with his first boner. And Nick is acting like a total creep. And for what? Beth never should have trusted someone she met thru Rio. I don't care how "clean" he's supposed to be. He openly admitted to Beth that he knows (at least) that Rio is up to shady stuff. So why did she trust him at all? And she most certainly did until the Secret Service showed up and set her wise. Nick has seen how Beth has ruined Rio's life. One thing that has been consistent with his characterisation is how savvy he is. So why is he getting involved with her at all? Because the writers want this dumb storyline. That's it.

"Family" I was over this brother/cousin nonsense after Nick's first appearance. Why is it a secret? It's not funny. It's not clever. And unless there's a Chinatown twist, it's pointless to keep dragging it out. If their relationship doesn't matter, then don't make it matter. You know? No one is clamoring to figure out Mick & Rio's relationship because "Mick works for Rio" is sufficient. So this is just more unnecessary drama that also shows how little thought the writers put into anything involving Rio. (I & some other haters called it. We've learned more biographical details about Nick in his scant time in the story than Rio in all 4 seasons. Krebs says: MYSTERIOUS!!!)

Additional points: If Nick had to be in politics, having him be a senator who spent a lot of time in D.C. and around the state would have been much smarter. Then the writers have an explanation for why this apparently actually in charge other presence (I wuv u, billy!) hasn't been around for really really really important moments on the show. And it would show a trajectory from caddie to local to state to national politics that is much more believable than "The Great and Powerful Councilman."

The ambiguous family stuff is low key high key stereotyping of Latine families.

The story would have been SO MUCH BETTER if Rio's boss was a woman. I would have preferred non-relative, but once I saw that they cast Marlene Forte as the grandma, I was fully ready to embrace her as the boss (I was stupidly—because I should know better by now—shocked by how they underutilised her). It would have opened up such interesting territory; especially in the face of Beth's continued use of her motherhood as a shield. And it would have been much more unique than this insulting men vs women thing they are doing.

Fuck! This got long. I hope I kinda answered your question 😬 You should definitely check out @jade-marie because she's written a number of posts about Rio & Nick and their relationship.

#anon asks #nbc good girls #good girls nbc #good girls season 4 #councilman nick #rio christopher kowalski #rio no last name

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wordsnstuff · 4 years

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Guide To Plot Development

Patreon || Ko-Fi || Masterlist || Work In Progress || Studyblr || Studygram

Where To Start

Start with the zero draft. Honestly, the only thing you need to know about your story in order to complete a solid zero draft is the basic timeline of events and 2-3 main characters. Zero drafts don’t need to include any minor characters, backstory, world building, subplots, anything. They’re just a rough estimate of what your story is going to be and where it’s going to go.

This way, you have something to work with when you do approach the task of maturing your story, which is a lot easier to do when you have already gotten the garbage ideas onto paper, seen them, realized they’re bad, clipped out the good parts, and developed a better understanding of your story’s trajectory.

Placing The Climax

The climax is two things; the apex of built tension and the turning point of the conflict. Recognizing that as a definition makes pin-pointing the climax of your story much easier, especially if you’re the kind of person who likes to start with a solid premise and work forward from there, rather than build a sturdy skeleton and fill in the blanks as you write the first draft. If you’re still having trouble, the climax is usually one of, if not the most exciting parts of the plot, and that comes from anticipating a massive shift in the story.

Outlining For Discovery Writers

I know a lot of people out there will read this article and question whether they can put it to use because they’re not an intense plotter who relies on outlines, character sheets, etc. A lot of writers prefer to let characters grow on their own and the conflict present itself naturally, which is less predictable but very exciting, especially when brand new ideas hit you out of nowhere. If you’re one of these people, fear not. An easy way to settle the slight nervousness that comes with diving straight into a blank page is to write down all of the basic or specific ideas you have in one spot where you can see it all and as you go along, refer to it for inspiration or answers when you hit a snag in your story’s flow. It’s not exactly an outline, but it’s a lead, and it’s worth doing.

Balancing Planning With Pantsing

A lot of writers who decide to take their stories seriously and commit to finishing a large project make the mistake of thinking that means they have to plan like a professional (which, spoiler, most professionals don’t do). What happens in these cases is that writers plan so meticulously for so long that the story becomes... boring. We all get kind of tired of stories when they take up too much of our imagination, but getting tired of a story before even a word of it is written should be avoided.

I have a personal rule that I never give myself more than 6 weeks to plan a story. That seems like a lot to most people, but I also zero draft all of my stories before I plan them, so I never start a first draft with a blank page. I suggest that if you frequently run into this issue, you try this method and between each serious draft, you give yourself at least a month of space from it in order to refresh your mind.

What Comes After Drafting

Foreshadowing, symbolism, subplot integration, and micro-development. These are all examples of things that writers try to plan before their first crack at a draft and end up betraying their ability follow through with writing the story at all. When it comes to complicating the story, these elements all come into the picture much later, when the main plot, character profiles, and structure is solid and ready to be finalized in the interest of moving forward in the writing process. When you’re plotting, shove these things out of your mind. You can’t input symbolism into a story that doesn’t exist, and you can’t develop characters that haven’t been born.

Common Struggles

– The common struggles section of my “guide to__” posts are general questions sent in by readers on the topic at hand. If you have a question that has not been addressed thus far, you’ll probably find the answer in this section. As always, you’re welcome to send other questions to my inbox if you don’t find the answer in this post. –

~ How do I correctly pace a story?... The pace should depend on the genre and point of view, as these things are the framework of every plot. Generally, anticipation should be a slow burn and the big moments should be snappy and explosive, rather than drawn out. The exposition, climax, and resolution should take up the least amount of time in your story, and the rising action should be the majority of the rest of it.

~ What needs to be in your beginning, middle and end?... The answer to this question is answered when you choose a definitive structure model to either follow or build off of. I have a whole post about it here: Plot Structures

~ How can I know if I’ve resolved my major conflict enough?... The resolution of your story should leave the reader feeling satisfied with the protagonist’s overcoming their obstacle, but still leave enough room to anticipate more to come.

~ How should the plot close?... This is entirely up to you, but I would take into account the possibility of a sequel. If it’s 100% a standalone story, give it a clean ending and tie up the loose ends, pat yourself on the back for all of the clever foreshadowing everyone missed, and leave the protagonists and beloved secondary characters’ futures looking bright.

~ How do you write a plot around a theme?... Most stories that have a central theme are born from answering a tough question. George Orwell’s 1984 asked “What would the world look like if totalitarianism ruled society?”. Ray Bradbury’s Fahrenheit 451 dealt with censorship and questioned whether bliss only belongs to the ignorant. Bottom line is, pick the theme you want to explore, and then ask yourself the tough questions. The story should be the process by which you find the answer.

~ What is the best way to handle a large cast within a plot?... You have your main conflict and the plotline that surrounds it, and then you have various subplots, around 2-3 where you explore the world/characters further and immerse the reader in the stories. You can convince the reader to become invested in a large number of characters by making them heavily involved in the subplots. They should all touch the main plot considerably, but the bulk of their development should be in the subplot, and if you were to have 15 characters, you’d want around 3 subplots where 3-5 of them were important players. However, large casts that reader’s have trouble keeping up with is a problem that usually results from a writer’s inability to make cuts or combinations. Remember: the reader’s experience is the most important thing. It’s better to downsize your ideas than lose your readers altogether.

Other Resources From My Blog That Help With This:

What Do You Do When You Over-Plan?

Resources For Plot Development

How To Write A Good Plot Twist

How To Foreshadow

Writing Long Stories Without Filler

Writing Stories About Your Own Experiences

Novel Planning 101

Tackling Subplots

Things A Reader Needs From A Story

How To Turn A Good Idea Into A Good Story

Planning A Scene

When To Stop Planning

How To Outline Outside Chapter Structure

Tips on Mapping Out A Series

Outlining By Chapter

How To Outline Effectively

Tips On Starting A Scene

How To Start A Novel

Character Driven vs. Plot Driven Stories

Plot Structures

Planning A Scene In A Story

Effective Ways Of Planning Chapters

Writing Meaningful Stories

Finding Your Own Writing Style

How To Write A Story Timeline

Making A Story Come Together

Tips on Planning A Series

Coming Up With Scene Ideas

General Resources For Plot Development

How To Engage The Reader

Coming Up With “Original” Ideas

Building Upon A Good Premise

Pacing Appropriately

–

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#writing #writeblr #writespo #writing resources #writing tips #writing advice #writer #writing reference #writing inspiration #writing motivation #writer's block #creative writing #wordsnstuff #authorblr #character development #world building #plot development #guide

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ingek73 · 3 years

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Fairytales for fuckwits: Meghan, a children's book, and the school bully tactics of the British tabloids...

Piers Morgan's obsession with Meghan Markle continues, while Mike Graham appears worried there may be too many big words for him to understand.

Mic Wright

May 6

On May the 4th, there was a great disturbance in the force, as if thousands of tabloid reporters and talk radio pundits cried out at once: The Duchess of Sussex had announced she was writing a children’s book.

Since the earth-shattering news that Meghan has written a story about the relationship between father’s and their sons — apparently based on a poem she wrote for Prince Harry — the tabloid press and talk radio stations have gone into meltdown.

The Sun has managed to crank out seven hysterically-pitched stories on the announcement since it dropped — the book isn’t out until June 8th — with each more unhinged than the last:

MEG TO PAPER Meghan Markle writes children’s book inspired by Prince Harry and baby Archie about ‘bond between father and son’

MEG-A MOVE Meghan Markle’s first priority should be mending broken relationships with royals not writing kids’ book, expert claims

SOUNDS A BIT WOODEN ‘Schmaltzy’ Meghan Markle ‘on dodgy ground’ with kids’ book celebrating fathers ‘after own bust-up with dad’ says author

DOUBLE DUCH Meghan Markle accused of copying her kids’ book The Bench from another story – but author defends her

NOT WRITE Piers Morgan slams ‘hypocrite’ Meghan Markle for kids’ book on ‘father-son bond’ after ‘ruining Harry and Charles’ ties’

'RIDICULOUS' Meghan Markle using Duchess of Sussex as author name ‘laughable’ after she wanted to cut Royal ties, says royal expert

CUT PRICE Meghan Markle’s kids’ book has price slashed already at Amazon and Waterstones

You’ll notice that Piers Morgan — a man who has turned one drink with Meghan after which he claims she “ghosted him”, which took place in 2016, into a five year and counting obsession — gets his own story there. That’s The Sun filleting Morgan’s spittle-flecked Daily Mail column on the book for its own news piece.

Morgan, who trails his columns on Twitter like they are exciting new releases rather than the tabloid equivalent of a letter scrawled in faeces forced through your letterbox, dashed out his thoughts on The Bench with the indecent haste of a man running along while his trousers fall down.

Image description: “Twitter avatar for @BreeNewsome

DEFUND & ABOLISH POLICE, REFUND OUR COMMUNITIES

@BreeNewsome

Piers Morgan’s obsession with Meghan Markle is genuinely disturbing. He’s really just using the guise of journalism to be a public stalker and harasser.

May 5th 2021

1,414 Retweets10,252 Likes”

Beneath a typically screaming Mail headline — How the hell can Meghan 'I hate royalty but call me Duchess' Markle preach about father-child relationships when she's disowned her own Dad, and wrecked her husband's relationship with his? — Morgan howled:

… she continues to cynically exploit her royal titles because she knows that's the only reason anyone is paying her vast sums of money to spew her uniquely unctuous brand of pious hectoring gibberish in Netflix documentaries, Spotify podcasts or children's books.

Of course, her equally cynical publishers don't give a damn about any of this shocking double standard.

Forget the fact that Meghan had a good degree of personal fame before she ever met Prince Harry, Piers Morgan accusing anyone else of being a cynical fame chaser is beyond parody. From his earliest days as a gossip hack, Morgan has muscled into pictures with the rich and famous, desperate to be someone.

When Meghan was willing to indulge him, he showered her with praise, but once she stopped taking his calls, he turned into the Tinder match from hell. That he has been married to his second wife, fellow controversialist columnist Celia Walden since 2010 seemingly did nothing to dampen his obsession.

Having repeatedly interviewed Meghan’s estranged father Thomas Markle — another man aggrieved because a woman would rather not spend time with him — Morgan sneers:

If she really cared about father-child relationships, she'd take a chauffeur-driven limousine on the hour-long trip to see her own father who's never even met either Harry or Archie.

It’s projection again: Piers Morgan’s ego is so egg-shell thin that after Meghan decided that one drink was more than enough, he’s spent 5 years seeking revenge and convinced that he’s been wronged, just like her ‘poor old dad’. That’s the ‘poor old dad’ that insists on talking about his daughter to journalists at every possible occasion.

At the end of an article that implies Harry and Meghan contributed to the death of Prince Philip — he died of natural causes — and rants on about “the woke”, Morgan ends with this:

But then as we've seen from her gruesomely self-interested behaviour during a pandemic that's caused so much devastation and pain to billions around the world, Meghan Markle doesn't really care about anyone but herself.

Remember, the Duchess of Sussex’s only ‘crime’ here is to write a children’s book which people will be free to buy or ignore with equal ease. But, as ever, Piers Morgan treats the news with all the proportionality of a US drone strike.

The real story here is about how Morgan — the bittiest of bit-part players in the narrative of Meghan and Harry’s lives — is so desperate to upgrade his place in the cast list that he will rant and rave to stay relevant. His departure from Good Morning Britain came after his last stream of invective about Meghan and he knows this schtick gets him the attention and money he craves.

Image description: “Twitter avatar for @MariaLRoach

Maria Roach

@MariaLRoach

Meghan Markle inside the tiny space called Piers Morgan’s head. #duchessofsussex Tap Dance GIF by Miss America

May 5th 2021

122 Retweets1,619 Likes”

Aside from Morgan’s column, MailOnline has published 9 other news stories on or related to the book announcement. The most telling of them is one that links the Duchess of Sussex’s book to another one… by the Duchess of Cambridge.

Headlined Bookshelf battle royale! Kate Middleton shares a glimpse inside her Hold Still photobook just a day after Meghan Markle unveiled her own £12.99 children's story, the story unsurprisingly treats Kate with kid gloves while continuing to imply that Meghan is the kind of person who would make gloves out of kids if it suited her devilish schemes.

There’s no shade thrown at the Duchess of Cambridge for revealing further details of her book just hours after Meghan’s announcement. Instead, the story — lavishly illustrated with images from the book — gushes:

The Duchess of Cambridge has shared a glimpse of her photography book Hold Still ahead of its release on Friday…

… Kate, 39, a keen photographer, launched a campaign during the first lockdown last year to ask the public to submit images which captured the period.

It even includes a mention of an image of a BLM protestor saying:

Over the course of the project, the Duchess shared a number of her favourite images on the Kensington Royal Instagram page, including a Black Lives Matter protester holding a sign reading: 'Be on the right side of history.'

If Meghan had done the same she would have been decried for “supporting extremists”. Remember the contrasting way their mutual taste for avocado was covered?

15 Headlines Show How Differently The British Press Treat Meghan Markle Vs Kate Middleton | Bored Panda

Over at The Daily Telegraph, Spiked alumna Ella Whelan offered her thoughts on a book that isn’t released until next month under the headline Meghan Markle’s fun-free children’s book may put an entire generation off reading, which makes it sound like a grimoire full of dark magic rather than a gentle children’s book about kids and their dads.

Just as with the Mail’s story on Kate’s book, it’s worth imagining what Whelan would say if the Duchess of Cambridge had written The Bench. Look at the following section…

It reveals something of the political superficiality of Harry and Meghan’s activism that an “inclusive” book would use the military father as its promotional message. Perhaps it’s a cultural thing, but if my kids have to read about soldiers, I’d prefer Hans Christian Andersen’s tin version rather than the woke posturing of a former royal.

… and notice that because Meghan is the author including a father who is in the military is “political superficiality”. If Kate had written a story that featured an analogue for Prince William — who also spent time in uniform, though in less dangerous circumstances than his ‘spare’ brother — Whelan would likely deem it a ‘touching tribute to their love’.

Similarly, Sarah Ferguson — the ex-wife of Prince Andrew, top Yelp! reviewer for Jeffrey Epstein’s houses and noted avoider of FBI questioning — uses the title Duchess of York on her many execrable children’s books.

Now that Meghan is the tabloid’s new monster in the monarchy, Fergie’s antics are pointed to as a positive with her books flattered even as Meghan’s as-yet-unpublished book is panned.

Image description: “Twitter avatar for @talkRADIO

talkRADIO

@talkRADIO

Meghan Markle is releasing a new children's book about father-son relationships.

Mike Graham: "It's so juvenile. This is somebody who acts like she's still in high school... it's not exactly Tennyson, is it?

@mrmarkdolan | @Iromg Image

May 5th 2021

36 Retweets221 Likes”

Over on talkRADIO, Mike Graham — a melting mass of expired meat — ranted about a children’s book, worried perhaps that it will contain too many long words. Speaking to his colleague, Mark Dolan — Dennis Pennis without the charm — Graham crowed:

It’s so juvenile. This is somebody who acts like she’s still in high school… I don’t have anything against her for any particular reason, other than she’s a bit too American, you know. She thinks everything is just great and cheesy. Rhyming the words ‘joy’ and ‘boy’. It’s not exactly Tennyson, is it?

Ah yes, that famous children’s author, Alfred, Lord Tennyson, known for such devastating rhymes as this one from The Lady of Shallot: “She left the web/ She left the loom/ She made three paces through the room.”

I’m not saying The Lady of Shalott is rubbish — though I do still hold a grudge against Tennyson after some very tedious teaching in high school — but that focusing on one rhyme in a poem is an easy trick if you want to say its shit. That Graham cannot see the irony in decrying writing a children’s book as “juvenile” is just one of the reasons he’s employed by a station with less than 1% reach.

Image description: “Twitter avatar for @NadimJBaba

Nadim Baba

@NadimJBaba

Piers Morgan ranting about the one who got away in 5, 4, 3.......

Media Guardian @mediaguardian

Meghan wins copyright claim against Mail on Sunday over letter https://t.co/cJZTgDMvgz

May 5th 2021

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There’ll be a new round of these columns, stories, and talk radio segments when the book is released, particularly as The Mail on Sunday just lost the second part of Meghan’s copyright claim against it.

There’s nothing that either Meghan or Harry could do that wouldn’t drive these rats in a sack rabid. If they did nothing, they’d be called lazy. When they make things, take jobs, or really say anything the very media that benefits hugely from stories about them scream that it’s a cry for attention. And yet Piers Morgan regularly pissing himself in public is “commentary”.

#meghan markle #prince harry #duchess of sussex #duke of sussex #piers morgan #brokenbottleboy #toxic tabloids #uk press

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woman-loving · 3 years

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Ernestine Eppenger: A Black Homophile and Lesbian Activist

Selections from The Deviant’s War: The Homosexual vs. the United States of America, by Eric Cervini, 2020.

Below is a selection about Ernestine Eppenger, who became the vice president of the New York branch of Daughters of Bilitis. While DOB is often remembered as a more cautious and respectable lesbian organization, this passage reveals that alternate visions and strategies were promoted by some members.

I also included a passage that touches on the failure of the white Mattachine Society of Washington to build meaningful solidarity with gay/bi and straight black people. This was in spite of the fact that MSW members frequently used analogies to anti-black racism and antisemitism to condemn discrimination against (white) homosexuals, and used the black freedom/civil rights movement as a model for homophile activism.

When Ernestine Eppenger moved to New York, her college best friend came out to her. Ernestine, do you know that I’m gay? he asked. Do you know the term gay?

“All of a sudden, things began to click,” she later explained. She knew others like her existed. As a black lesbian woman, she reasoned there must also exist a movement for homosexuals, something like the black freedom movement.

She had already left the NAACP in favor of the more militant, demonstration-friendly Congress of Racial Equality. “I always had the impression that the NAACP’s chief aim was to create a sort of pad for outstanding Negroes that they could get ahead,” she admitted to Barbara Gittings for a Ladder interview. It did not seem to care about the black man or woman on the street.

Eppenger soon found the DOB and joined it immediately, choosing “Ernestine Eckstein” as her pseudonym. But the DOB, she soon realized, cared too much about the individual lesbian, focusing only on social and educational events. The group had a ridiculous name, and it even eschewed picketing, which she believed to be a relatively conservative activity. After growing frustrated, Eppenger even considered starting her own lesbian organization.

But she had faith that the DOB would evolve. Someday, the DOB would embrace picketing and legal battles. Then, once all homosexuals were fighting properly for themselves, they could turn to “the question of transvestites,” as she explained to Gittings.

“I’m surprised you threw that in,” responded Gittings. “The transvestites. You mean we should think about their right to dress as they please without discrimination?”

“The homophile movement is only part of a much larger movement of the erasure of labels,” explained Eppenger. “And I think the right of a person to dress as he chooses must necessarily follow when we expand our own philosophy of bringing about change for the homosexual.”

When Eppenger learned of a homosexual picket in Philadelphia on Independence Day [1965], she agreed to march, thus becoming the first lesbian of color to march in a homophile demonstration. In October, when she learned the MSW planned to host a final picket of the White House, she agreed to march there, too. [...]

On October 23, only forty-five homophile picketers—thirty men and fifteen women—marched in a large oval outside the White House, stepping on the fallen autumn leaves. Eppenger arrived from New York wearing chic white sunglasses. DENIAL OF EQUALITY OF OPPORTUNITY IS IMMORAL, said her sign. Gittings, wearing aviators, arrived from Philadelphia and carried her sign, SEXUAL PREFERENCE IS IRRELEVANT TO FEDERAL EMPLOYMENT.

CBS, still shooting its documentary on homosexuality, attended the picket, as did two FBI agents. And, for the first time, the picketers encountered a counterdemonstration. Two teenaged males, separated from the homosexuals by the police, carried their own signs:

ARE YOU KIDDING?

GET SERIOUS.

After the march, the picketers walked one block to the Chicken Hut, where they ate in the restaurant/bar’s upstairs section. They discussed tactics, gossiped about the upcoming national conference, and drank.

The next month, Ernestine Eppenger won the vice presidency of the DOB’s New York chapter, gaining office as part of a militant, pro-picketing ticket. She immediately invited Kameny and Gittings to speak to the DOB-NY’s members, with the hope of getting “these people to realize there is such a thing as the homophile movement.” [...]

For two years, Barbara Gittings had worked full-time in the movement, surviving on a modest inheritance. By the summer of 1966, The Ladder looked little like the publication she had begun editing three years prior. She gave the magazine a subtitle, “A Lesbian Review,” which became larger and larger beneath The Ladder until the title and subtitle were exactly the same size. Gittings had featured three more lesbian faces on The Ladder’s cover during her editorship, including a smiling Lilli Vincenz marching at the CSC, another close-up of Vincenz, and a close-up of Ernestine Eppenger in June 1966.

That same month, the DOB’s governing board fired Gittings. Her magazine had become too militant, too pro-picketing, too provocative for the education and information-focused Daughters of Bilitis. For the first time in nearly a decade, she was cut loose from the DOB, free to take projects of her choosing. Ernestine Eppenger, frustrated in her efforts to bring militancy to the DOB chapter in New York, quit that month, too. [...]

---------

Only days after demonstrated against the war, MSW members received an “ANNOUNCEMENT OF SPECIAL SPEAKER(S) AT DECEMBER MEMBERSHIP MEETING.”

R. D. Carter Jr., a representative of the Committee for Black Economic Determinism, had written to the Society. “Our philosophy and struggle for liberation identifies with yours. We are fighting the same enemy, the value system. Values which are warped yield job discrimination, pressure on individuals because of their ideology, and oppression.”

Article II of the Society’s constitution, after the prodding of Jack Nichols in 1961, declared that the MSW would “cooperate with other minority organizations which are striving for the realization of full civil rights and liberties for all.” It was a promise “we have never meaningfully put into action,” admitted Kameny. The Society, after all, had always been white. From the beginning, Kameny had noticed the entirely white faces at the Society’s meetings, which took place in a city with a majority black population.

The executive board discussed how the Society could attract more black members, and in the early years, its members even distributed a flyer at black gay bars, titled “THE NEGRO AND THE HOMOPHILE MOVEMENT.”

“The white homosexual has only one burden. The Negro homosexual has two,” it began. “Do you know that there is someone to work with you and something to work for? You are invited specifically to join the homophile movement, composed of Negroes and whites, which is trying to improve the social status of the homosexual—of all homosexuals, black and white.” It provided the Society’s address and phone number, and it came attached to the group’s statement of purposes.

Black homosexuals never joined the MSW. “While Blacks were struggling to obtain jobs and status, Gays were struggling to maintain jobs and status,” explained one black bisexual man who lived in Washington during the 1960s. “No one was trusting anyone for fear of losing everything or never being able to obtain anything.” If African Americans risked damaging their pursuit of racial equality by attaching themselves to the homophile movement, why would they join? Black homophile activists like Ernestine Eppenger were outliers, and even she had abandoned the DOB for the black freedom movement, where she saw true progress being made.

Except for the flyer, the MSW made no major effort to attract African American members, no outreach to black organizations or civic groups, no invitations to its homophile conferences. Once, when a black man appeared at a public MSW meeting, sitting alone among a sea of white, the other members stared at him, wondering if he was a federal agent.

With the 1969 letter from the Committee for Black Economic Determinism, a straight black organization spurred the once-passive group of homosexuals to meet the constitutional promise it had made in 1961. “Let’s open some doors far too long closed!” Kameny urged his members.

On December 4, 1969, Carter spoke on behalf of his organization in the homosexuals’ St. Marks basement meeting space. “We the Committee,” he wrote, “vow our support to you in any campaign you might wage in the future.” Though Kameny had been emulating the black freedom movement for nearly a decade, a formal alliance between the two minorities, two identities that often overlapped, seemed possible at last.

After the meeting, however, Carter never heard from the homosexuals again.

#ernestine eppenger #daughters of bilitis #mattachine society #homophile movement #lgbtq history #united states #the deviant's war #racism #race #black women #black LGBTQ history #women of color

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freddieofhearts · 3 years

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Bye bye, dears (for now!)

I know there have been a lot of rumours and some posts about me leaving, so here I am to set the record straight and say a quick ‘au revoir’. This post is long, and I don’t expect everyone to read the whole thing—if you just want information on how to keep in touch, or about access to my removed fics, scroll to the bottom. ⬇️

Why are you leaving?

Firstly, of course I’m not leaving Freddie. This is just an ongoing hiatus from the social side of fandom, because while I have some incredible friends here, who have done all they can to support me and have made this experience wonderful in lots of ways—it’s also true that the social space has become more and more toxic for me.

I get a wild amount of hate. Despite never having my ask box enabled on here, people create new accounts just to message me and tell me all the problems in this fandom are my fault, that I’m faking being sick, that I should kill myself, that I’m fat, etc. I also very regularly get hateful comments on AO3.

Obviously I realise that I’m not the only one who receives these cruel attacks, but it’s become increasingly hard to handle them—especially as some people (‘real’ accounts, not faceless anons) do continue to blame me for wider problems in the fandom. It makes me feel consistently sad, anxious, and paranoid, so that I can’t focus on anything Queen-related that I enjoy.

More pressingly, it’s affected my mental health, which is—imperfect at the best of times. As I’ve occasionally alluded to in older posts on this blog, I have a history of anorexia, OCD, PTSD, and some other overlapping issues. Most people who know me in the fandom are also aware that I’m ‘clinically extremely vulnerable’ to Covid-19, significantly immunocompromised, and have been isolating at home for eleven months.

The combination of all of these things + the constant toxic messages has really been triggering me, and leading to an uptick in disordered behaviours, which my body cannot sustain. Every new instance of hate from an anon—every time there’s another indication of groups in the fandom wanting to ostracise me further—my reaction is deeply self-punitive and unhealthy. Ultimately I need to be out of this environment for, at least, a protracted period. My therapist, my partner and my close friends in the fandom support this decision.

So, what went wrong?

In 2019, I expected to be an absolutely tiny blog in the Queen Tumblr landscape. The fandom was already well-established, and I have never worked to ‘build a following’ on here—I think I’ve linked my own fic a maximum of three or four times!—in fact, more or less the opposite. As I mentioned above: ya girl is nutty as a fruitcake. As a result, I often avoid extremely niche things in daily life which cause severe anxiety for me, Relevant examples here: I never look at my timeline. I never intentionally look at my follower number. Yup, it’s strange, I fully admit it, but it’s best for me to go with these things—usually. In Queen fandom, however, this avoidance both of analytic stats and of most direct engagement led to some problems... My followers grew without me realising, and way more people were reading my blog than I was aware of. I was still in a—“Wow, this fandom is very frustrating, and rife with ableism, racism, etc., so how do we fix this???”—mindset, and I wanted to share my opinions, sure! but I also thought I was sharing them with 15-20 like-minded people.

Now, intent is not impact, and I recognise that I was brusque, didn’t phrase things particularly sensitively, and absolutely did hurt some people by criticising the fandom so freely. I still regret this—and I regret just as much the fact that some assholes have used my criticising the fandom on my own blog as implicit justification for attacking authors. I have said on here many times that I don’t condone that behaviour—but I also think there’s some truth in the presumption that these anonymous malcontents felt my critiques somehow ‘permitted’ them to engage in abuse. For the first few months, though, I genuinely had no idea there was a link at all—and so I was initially slow to condemn this abusive behaviour in public, because I was taking it for granted all authors agreed it was shitty. It took someone directly telling me (shoutout to @a-froger-epic) that people had identified a connection between my posts and the anons, before everything fell into place.

I would like to offer my apologies to the fandom at large for not being more quick on the uptake about this, because I feel that had I realised sooner that these people were taking ‘inspiration’ in some way from me, it might have been easier to put a stop to it. It does seem that there is still a lot of confusion about whether I support them and which of their views I agree with. Let’s be 100% clear on this: I do not support the anonymous commenters on AO3. At times there is some, limited overlap between parts of their views and parts of mine, but even that is less than you may think—I often see anonymous comments from so-called ‘Freddie fans’ that I substantially disagree with.

Perhaps even more importantly: I do not support anyone who sends anonymous hate on Tumblr.

What’s all this about ‘overlap’ with the anons?

Let’s do a mini-summary of the myths vs. the truth. There are views I hold which are genuinely unpopular in the fandom—but which I own up to completely, and have never tried to hide in any way. I’ve never needed to use anonymous to share my opinions because I’m completely open about them! What people who don’t know me tend to have ‘heard’ about me, though, is usually a drastic distortion of my real opinions.

What people think I think:

- Freddie should never top.

- It’s okay to send anon hate if someone writes Freddie ‘wrong’.

- It’s more important to correct ‘wrong’ portrayals than to respect other writers.

- It’s inherently wrong to be more interested in band pairings than canon pairings.

- Freddie should be overtly written as a r*pe survivor/victim (and not doing this is wrong).

- Freddie should be overtly written as having an eating disorder (and not doing this is wrong).

- Kink fics are wrong.

What I actually think:

- I believe Freddie did have a strongly defined sexual identity with marked preferences, but I don’t think Jim Hutton lied when he said that Freddie topped. I believe Freddie did top, but this isn’t the time or place to get into my thoughts on why/when/how much. I do believe that my analysis of the sources relevant to this subject is as historically accurate as one can reasonably be in matters of sex (where historical accuracy will always be particularly limited and imperfect)—but I don’t think it’s morally wrong to write Freddie as topping more than he probably did.

- I don’t believe there’s only one ‘right’ version of Freddie (all others being ‘wrong’). I do believe it is possible to be more right or less right—but I’m also conscious of the fact that this scale of value is not one by which everyone measures fanfiction. As a result, then, I don’t think that any perceptions surrounding ‘right’ or ‘wrong’ justify sending anonymous, non-constructive criticism, or outright hate.

- I do believe constructive criticism is a good thing. I welcome and appreciate it myself; I have received it on my fics in Queen fandom, and it has made them better. I have been in writing workshops which included very forceful criticisms, and the value of such feedback has been intimately and immediately part of my life as a writer for years. However: in this case, I have accepted that my opinion differs from the general community preference, and so I no longer offer any constructive criticism (outside private beta-reading). I haven’t changed my view, but I’ve changed my practice to align with community norms.

- I do not think any single, individual writer has a personal responsibility to write about Freddie Mercury in any given way. That ranges from including the more distressing topics to which I’ve devoted attention (such as trauma)—to concentrating on ‘canon’ pairings like Jimercury—to, even, focusing on Freddie at all.

“Now, that doesn’t sound like you, @freddieofhearts,” you might be thinking. And I know it doesn’t; I think something I’ve done a poor job of articulating is the difference between how I view each individual fan—namely, as free to shape their creative experience at will, even in ways that I might find distressing or offensive; even in ways that you might find distressing or offensive—and the way I view the Collective. I think people have interpreted some of my critiques of ‘Queen Fandom’ as meaning something like: “You-in-particular, a specific Queen fan, are doing it wrong and should change everything about how you do it; also you don’t really care about Freddie.”

And—that’s not it. What any given fan, as an individual, does, isn’t a problem. And that can be true alongside—concurrently with—a multivalent critique of how the fandom is lacking in representation of Freddie’s life, with all that that (wonderful, deservedly celebrated, but also profoundly traumatic) life entailed. I still hold that view; I still have myriad problems with ‘the fandom’ (structurally, collectively, historically and presently—from the 1990s to the 2020s). Some of what I want to work on (away from the social life of fandom) is expressing those critiques with greater nuance, in ways that can’t be misinterpreted as shading any particular fanfiction author or subgenre of story.

In brief: I haven’t changed my mind, but I think Tumblr is an untenable environment in which to discuss the things I want to analyse, especially as there is an ever-present danger of hurting someone.

Can we keep in touch? Where is the fic?

I will drop by this account periodically to check out posts that friends have sent me, so you can always sent me a private message to ask for my contact details on the other app that I’m using now for fandom friends. Multiple Freddie conversations and projects are going on over there, off-Tumblr, with a much ‘gentler’ environment and no bad actors—I personally love it!

All my fic has been downloaded and saved. I don’t want to deal with constant harassment on AO3, but I’m happy to share a copy with anyone who missed it and wants to read/re-read something. I also saved everyone’s lovely comments and thoughtful con-crit, so none of that has been lost or erased.

Thank you to everyone who welcomed me to the fandom, made me think, taught me, shared with me, sent me into fits of the giggles, collaborated with me creatively, and otherwise made this one hell of a ride! Love you all. ❤️

#au revoir my dears #lil gay bby

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twixtandshout · 3 years

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Tagged by @pidgeonpostal! And not tagging anyone else because I have SOILED the original template (soiled it!!) in deference to my [brushes off skirt] mostly clean public-facing appearance.

...I’ve been making a lot of Spongebob memes lately for someone who has not seen Spongebob.

How many works do you have on AO3?

71!

What’s your total AO3 wordcount?

...306,834. Jesus.

How many fandoms have you written for and what are they?

Uh. Many! I do a lot of one-offs (and/or start long things I never finish) in many different places. My top three fandoms by fics written are RWBY (29), Undertale (25), Gravity Falls/Transcendence AU (4).

Bet you can’t tell where my hyperfixations have fallen.

I’ve also got some Pokémon and Sonic the Hedgehog fics back on my ff.net account, or I think I still do, anyway, but let’s never go back there pls

What are your top 5 fics by kudos?

1. Sweeter Than Honey (Undertale): Taking a Completely unsurprising first place, with over 600 more kudos than the runner-up, the haphazard Underswap fic featuring a post-college self-insert I wrote just after high school! I shake my head some at how overblown and ridiculous the gap between this and all my other stuff is (c’mon, guys, I’ve written way better fics), but this is also the fic which prompted me (and at least one other person!) to start using they/them pronouns. I’ve gotten a lot of really sweet comments about how seen and appreciated it’s made people feel, so I can’t get down too far about it.

2. To Be A Hero (BNHA): I don’t count myself as part of the BNHA fandom, for a number of reasons, but for something that’s arguably the main motivation for the entire plot, Midoriya’s quirklessness is something I’ve never thought has been handled well. This fic marked the first time I (somewhat tentatively) claimed the disability label (thanks again to Sweeter Than for prompting that realization) to hold that lens over canon. It also really shot up my chart, dang! It’s the only thing here I’d consider “recent.”

3. Three-Sentence Shipping (Undertale): Self-explanatory.

4. Brothers Beyond Bonedaries (Undertale): Ah, the way-overcomplicated AU³ I got nowhere close to finishing. One of the things I really like about Undertale is the interface screw, how Toby Fox uses the medium of the video game to pull off crazy things and enhance his game, but most of the fic written for the fandom seems dedicated to explaining it away, grounding it, rather than taking it to the next step and messing with the medium of fanfiction when you keep the story going. I tried to do something cool like that here, playing with questions like narrator and authorship and breaking the fourth wall, even taking the “final boss” fight to a “totally separate” fic reached through the first by link – but, well, then I never finished it, which probably didn’t make anything less confusing for the poor folks who missed the intent.

5. Spirit and Such (Gravity Falls: Transcendence AU): A whole fic written to line out a particular image I had, which, naturally, never made it to the page. I consider it a bit of a cautionary tale for myself when it comes to writing (near-)original content; there’s a lot I look back on and cringe. I still love the characters, though – well, the important ones – and I think just stepping away from the tried-and-true Mizar formula nets it a star sticker here.

Do you respond to comments, why or why not?

>w>; I try, but a lot of the time I just don’t have anything to say? Like, oh, you liked it? Neat. There’s not much to respond to in comments like that, and then I’m weighing falling down on an ~obligation~ to respond to every message in my inbox vs annoying people with copy-paste fluff responses all down the page. Plus I know I make more of an effort to comment on things that didn’t get the attention I feel they deserve, so if I’m driving up my own comment count with nonsense, am I preventing myself from being in a position to receive more comments later? And then if I do comment, am I being too effusive or running people’s ears off explaining things they don’t actually need to know? Sometimes people just want to express interest or admiration and don’t necessarily want a whole peek and guided tour behind the curtain.

Can you tell I have anxiety? x3;

Anyway, I do respond when I can. And I keep most of the comments I’ve gotten to go back and reread.

What’s the fic you’ve written with the angstiest ending?

Hm, hmm. Lots of stuff in the TQ Nonsense series would probably qualify! I’m thinking of Unfixable, Wolfsong, and Ethanol. And there’s Bursting Through A Blood-Red Sky (I Can Live, I Can Breathe), of course, but that was always intended to have a fix-it epilogue. It’s just that I wrote it in a couple of hours day-of, stared at it, and decided I didn’t wanna just then. But now that’s As Long As You’re Still Burning Bright (I’m Still Awake), and that’s probably the best romance I’ve written, so that one worked out.

Do you write crossovers? If so what is the craziest one you’ve ever written?

Now and then! When the urge strikes. Uhhh, I’ve got a series of Doctor Who x Undertale crossovers I actually made a whole dang verse for that never made it to print. Get a couple great comments on that every few months or so. I think the World Trigger x Undertale crossover is probably weirder, though, by virtue of WT being a very small fandom. My enthusiasm kinda sputtered out on that one.

Mostly I just daydream crossovers with whatever happens to catch my eye at any given moment. I have a lot!!!! Though odds are out on whether I manage to remember any of them once the initial thought’s passed, lol.

Have you ever received hate on a fic?

Gotten a couple eyebrow-raising comments, but I think mostly I’m just too small a writer to draw that kind of attention.

Have you ever had a fic stolen?

I don’t? think so? Think my tastes are a little niche for most people to bother ^^;

Have you ever had a fic translated?

I had someone apologize once for any language mistakes in their comment cause they had to run it through a translator! That’s not what you asked (the answer is no), but it’s very flattering to think that someone liked my fic enough to read and comment despite the language barrier.

Have you ever co-written a fic before?

Yes! :D @pidgeonpostal was gracious enough to agree to co-write Five Nights at Denny’s with me off an idea about shoes. This has fulfilled a long-held dream of mine (collabing with someone, not the shoes) and also introduced me to some lovely people.

What’s your all time favorite ship?

Who has time for just one? ;3c Honestly, I care more about the characters and how the relationship – any relationship – between them changes them than I do about ~A Ship~ as a solid, bounded noun-object. I’ve got characters I like more and less and feelings about who does and doesn’t have chemistry in which directions with whom, but finding anything that agrees with those preferences is hard, harder when you take alloromanticism into account. I’ll play in any sandbox with cool toys, especially if other folks have already built sick sandcastles there.

What’s a WIP that you want to finish but don’t think you ever will?

[kicks every single unfinished fic further under the bed] What nooo no WIPs here, everything on my account is either finished or does not exist

I’ve got a couple extra chapters of Sweeter Than floating around unposted, but 1. that fic’s a mess 2. high school Twixt and post-college Twixt are different people and trying to contort myself into three other me-shapes just cause people Like this fic is not something I’m super interested in 3. it’s headed for an emotional dip and I’d rather leave it where it is than post two chapters, stall out again, and leave folks with a bad end.

As for other fics... it’s looking more and more likely that v7 of my Yellow Brick Road AU will never actually make it out. >w>; I’ve got some really great ideas, but not enough to make me feel like I know what I’m doing, and that’s a big roadblock. Plus trying to engage with RT’s Atlas-Mantle worldbuilding in any serious capacity is... a headache. I can’t recommend the Happy Huntress Cinematic Universe enough, but it leaves some pretty big shoes to follow! And I’ve got small feet. <w<;

What are your writing strengths?

Dialogue’s fun, probably as an extension of characterization. I love tearing into what makes people tick, especially against the backdrop of their environment, the story they’re in, and the people they’re up against. Voice is a double-edged sword; I’ve been told my writing is really recognizable and individual, but on the other hand, I’ve been growing frustrated with with the limits of my narrative ability. There’s a strong rhythm I keep when I write (you might notice it here, even) but that leaves me feeling predictable and stale. I’m not sure I’m great at setting as a matter of course, but I’m pretty good at describing setpieces where the need comes up; that comes from my background in poetry, as does the fun I have with sublimating and abstracting complex imagery. And I think I bring some needed nuance to the universal. For good or ill, I don’t do what “everyone else” is doing.

What are your writing weaknesses?

Well, writing, for one thing. If I don’t know how something’s going to go and don’t have the urge to write it, it isn’t getting done, which means there’s a billion things that will never see the page and a few hundred more that are never getting finished. I lose momentum easily and have a hard time getting started, and I put way too much standing on finding a foothold with other people; as critical as I am of my work, I have high expectations for the stuff that passes muster, and it never seems to measure up. I’m also really uncreative. Yeah, I can mix up elements and extrapolate events, but coming up with things wholesale is really hard, which is why I avoid it wherever possible and steal/reskin stuff from other places instead.

What are your thoughts on writing dialogue in other languages in a fic?

Something along the lines of “Hoo boy, I am Not qualified for this but hopefully it’s decent anyway.” Maria’s Spanish lines haven’t been a big deal – I’ve used it sparingly and, as a Latin language, it should be easy for English-speaking audiences to pick up on the gist – but I’ve had a harder time with Tai’s Chinese, both because I have Even Less background there and because it is, of course, an entirely different language system. If I write it out in English or Romanized italics, am I colonizing it or changing the meaning? If I write it out in the presumed-original characters (presumed because it’s Google Translate and who knows if I’m even barking in the right forest), am I confusing or alienating my presumed-majority-English-speaking audience? Where should I put the translations? Should I put the translations? And for Frisk’s sign language, thinking back, are the brackets I used instead of quotes alienating/infantilizing? I like that different characters give the text between a different feel, but I’m not an ASL speaker – and I’m pretty sure the word is “speaker,” which would only reinforce that that demographic would rather I didn’t do that. It’s important for all these characters, I think, that they use non-English language where it makes sense; it’s part of who they are. But as a white monolingual English-speaker, I don’t think I can really weigh in.

What was the first fandom you ever wrote for?

Thaaaat’d be Pokémon, followed closely with Sonic the Hedgehog. Whether those fics are still on my ff.net account or not (pretty sure I’ve purged them, but you never know) I’ve still got a couple saved to a folder on my current laptop, ostensibly so I can look back and see how far I’ve come and more practically to allow for the possibility of furthering group cohesion through public shaming.

What’s your favorite fic you’ve written?

I still like the idea behind The Man Who Is Atlas, and Burning Bright (Still Awake) gets props for being my current fic, though it’s currently in that spot where I’m excited to get new chapters posted but also quietly marking everything up in red pen. I think Harbinger gets the crown here, at least for now.

#answerin' stuff

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academiaipromise · 4 years

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Hello!

This is a series that was inspired by some stressed-filled Zoom calls that I’ve been having with some underclassmen for both my extracurricular organizations and peer mentoring programs. If you’re still reading this, chances are, you’re either going back to college soon or starting college for the first time in the year that is 2020. While we all are probably focusing on the safety of ourselves and our loved ones (as we arguably should), many incoming freshmen I’ve been talking to are also stressed about college things: emailing professors, study tips, how to balance virtual classes. So, in case you feel like reading a series of tips written by a 4th year undergrad who at least pretends to know what she’s doing, click below to read the second entry. Click here for the first.

Tip #2: Zoomin’, or Keeping a Life/Work Balance During Online or Hybrid Courses

When trying to figure out the order in which to post these tips, I was struck with the realization that I start school in a little over a week. So, if anyone is in this same boat, I figured it would be important to talk about class registration tips when there’s still time for you do something about it. This post is a long one, but here’s hoping you can find some advice in it.

So something to clarify right off the bat: when everything started moving to a virtual format, everybody and their mother on the Internet starting coming forward with tips on how to work from home. And while that’s kind of what’s happening here, I take issue with two things: working from home is not the same as working from home during a global crisis, and working from home is not the same as virtual college. So I’ll try to get as specific as I can, but also try to throw in some tips that might work better for you than they do for me.

Part One: Registering for Classes

Okay so this part you might have already done, but it’s good to keep in mind. While the recommended hours at every university is different, in my experience the average recommendation is 15 credits hours per semester. It’s important to note though that this is only an average: if you plan on taking courses in the summer, graduating early/later than 4 years, or taking on multiple majors, all of these things affect the credit hours you should be taking.

The unpleasant reality of registering for courses is there’s really no way to know how a specific class will be. There’s always RateMyProfessor.com or other tools, but who’s to say that professors will be like they normally are if they’re trying to figure out how to teach online/hybrid classes? Also, it’s a good thought to keep in mind that typically only two kinds of people leave public reviews of a professor/course: those who really loved the class, and those who really hated the class. So read and figure out what exactly they’re saying, not just how they feel about the course. And just know yourself - if someone from a humanities background says a statistics class is too hard, but you're great with numbers, that’s not always the best advice to heed. Listen to your gut instinct, both when registering and during drop/add week.

My advice for registering for classes right now? Whatever your instinct is, go a little less if you’re able. The reason I say this is because studying in 2020 can be...a lot, in the same way doing anything in 2020 is. I was only registered for 12 credit hours last semester, and even that became difficult to manage toward the end (moving back home suddenly, people you know getting sick, trying to protect high risk loved ones/yourself, all of which can and probably will happen again this semester). I would just say to go in overestimating how much time you need for yourself vs classes - there will be other semesters, and it’s better to take less classes now and not burn out or struggle mentally (or even just academically) in your first semester of college. Please just be kind to yourself.

Part Two: Zoom, or the True Necessary Evil

Maybe you used Zoom all throughout your last months of high school; maybe your university is using Microsoft Teams or something to that effect. Either way, here is what I’ve found to be helpful during my unforeseen five month foray into Zoom, seemingly with no end in sight.

1. Zoom is a tool. Yes, I kind of hate Zoom, and you may also come to hate Zoom if you don’t already, but there are benefits. You can send in written questions or raise your hand through Zoom if your professor allows that feature, both of which are very helpful in trying to show engagement while also trying to respect any kind of Zoom decorum. This post is going to be long enough, and my next post will have more to do with extracurriculars and virtual opportunities, but if you ever need to host a Zoom and want to just use all of its features, I’m more than happy to answer DMs. I’ve had to sit through so many Zoom tutorials for Student Involvement, and if I can spare anyone from that, I would love to.

2. Balance what you keep digitally versus what’s on paper. Okay, so this is definitely, definitely up to personal preference, but speaking from experience, I just don’t view online or hybrid classes as the opportunity to go fully digital if you’ve never been fully digital before. For me, I always take handwritten notes, mainly because when it comes to remembering things, I either have more of an auditory memory, or I can remember the way that I wrote something when I was taking notes. Considering online classes usually decrease the auditory memory aspect a lot, when things moved virtual I made a point to keep taking handwritten notes. However, something that I’ve found particularly appealing is using Google Calendar (or iCal, Outlook, whatever it is you prefer) to an excess. When scheduling Zoom calls, I always save the Zoom link in the description of the event on my Google Calendar. Trust me, this is a lot better than trying to go through your email to find the link that professor sent. So I would advice to think about your learning preferences and figure out a way to still play to your strengths, even if it might technically be a little less convenient.

3. Schedule screen breaks. This is so important for so many reasons. While I’ve invested in some blue light glasses because I am slowly losing my vision after years of reading books by flashlight or AO3 fics on my phone until late at night, I still get fatigued being on a screen for so long. Because it’s not just school that’s on the screen; it’s your clubs, your social interactions, maybe your job. I would recommend scheduling screen breaks that coincide with some sort of physical activity (I don’t necessarily mean an intensive physical activity, although if you want to feel free; I more am referring to getting up out of your chair and walking around your room or apartment. Or going outside. Ride your bike. Do some yoga. Eat some food. Etc.), but if you’re feeling particularly busy or overwhelmed, taking notes from a physical book works just as well. Even if you feel okay at the moment, scheduling breaks and following that schedule can save you from screen fatigue hitting all at once - it will take a lot longer to get over a headache between your eyes/your eye twitching or your neck and/or shoulder locking up than just allowing simple short breaks throughout your day.

4. Schedule time between Zooms. This may sound like the same thing as taking screen breaks, but what I’ve found is that Zoom is a lot more draining that in person classes. I used to schedule Zoom calls back to back like I would classes (again, personal preference, but I was always the person who would take all of their classes from 9:30-3:30 on Tuesday/Thursday, and no classes on Monday/Wednesday/Friday), but found out pretty quickly that I was wrecked after two or more Zoom calls in a row. Honestly, now I won’t schedule any two Zoom calls within a half an hour of each other - between calls, I like to walk around, grab a snack, stretch, close my eyes and try and suppress the social anxiety that seems to accompany every Zoom class or meeting I’ve ever had. (Tangent: I’m thoroughly convinced southerners were not meant to operate Zoom calls. No one knows how to hang up the dang call without being rude because we were taught to have 30 minute conversations in a doorway on our way out.) Maybe there are people who can go on Zoom calls for three hours or so (and I’ve done that with friends, whether just working on group projects or hanging out), but my personal recommendation would be just to space it out more than normal if you’re able.

5. Create an ideal weekly schedule. This is not “your most productive week ever,” or “this is the rigid schedule you will follow for eternity with no deviations.” One of my most difficult adjustments in college was the changing schedules; maybe you were planning on finishing an important paper on Thursday night, only for your group project to decide to meet that night instead. And that will happen, even with virtual meetings (maybe especially with virtual meetings, as people definitely tend to overestimate your availability when it’s digital). What I’ve found that helps is to create an ideal weekly schedule, both in general and a more specific one at the start of the week, because that means that when things get shuffled around, you actually reschedule that thing that you wanted to do, whether it’s homework, yoga, or just...being alone for a bit. It allows you to still feel like you’re prioritizing your time and activities, even when your schedule changes with little to no warning.

Part Three: Some Final Thoughts

If you can invest in a second monitor, now might really be the time to do it. If you’d prefer, I used a laptop riser for most of college before this all happened (yay nerve damage in my neck!) and an external keyboard and mouse. I would just compare models and figure out what works best financially if that’s something you want to do.

Ultimately, if this doesn’t come across in every tip I post, please just be patient with yourself this semester. This is a weird time, and I know that starting your first semester you might be 100% committed to starting off strong or making a great first impression. And that’s awesome, but sometimes that just might not be realistic. Look at last week’s post on contacting your professor, and reach out early just to introduce yourself. Establishing a relationship early on is always good, but especially considering that this semester really might have moments where you need some extra time or grace from them. Can’t focus? Can’t find motivation? That’s understandable; we’re in a global crisis right now. Just listen to yourself and always put your health and the health of your loved ones before school. I hope that these tips can at least help you navigate your first year with a little less trepidation.

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So that’s it for this entry! As always, if you have specific questions, please don’t hesitate to ask. Again, I am a student at an SEC university in the United States, so I’m not claiming to be an expert in all things, but I have TA'ed multiple freshman seminars, and will be making this series for the freshmen that I know starting at my school this year anyways, so putting them on this blog is no big deal. Next post (which will hopefully be up sooner than this one was) will specifically be on extracurriculars and virtual opportunities, so if you have specific questions on that as well, I’m all ears.

#studyblr #college tips #study tips #academia #first year of college #first year advice #first year tips #academiaipromise #zoom tips

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how-to-portuguese · 3 years

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Review of Practice Portuguese Paid Content

The Practice Portuguese team produce a lot of amazing free content on YouTube, their podcast, and their website. But is their paid platform good value for money?

I finally decided to pay for a one-month subscription to access the Practice Portuguese paid content. I give my initial thoughts on the pros and cons below.

(Disclaimer: this post was originally written in Jan 2021, but was added to my queue to post at a later date. The current prices and content may differ.)

What the platform offers

Pros

The scope of the content

The platform has very solid A1-B1 content and is expanding their B2+ content. It currently gives at least an introduction to every verb conjugation, which will get you through B1 and started with B2. Their introductory and elementary material is definitely more developed than their intermediate and advanced material, but they are also expanding their content as their community grows. They seem receptive to suggestions and the needs of their users, so it might be a good time to get involved in their online community to help shape the way that the platform evolves.

Quality of the content

The website has very clear and extremely detailed explanations. The learning notes are WAY more detailed than grammar explanations on DuoLingo. In particular, I think they have very good lessons on clitic and tonic pronouns, including rules of when to include the clitic pronoun before, after, and in the middle of the verb. They also have great lessons and learning notes on pronunciation, including a whole lesson dedicated to open vs closed vowels with examples of minimal pairs and homophones (with audio recordings).

Plenty of audio content

Every word or phrase in Portuguese has an audio recording. Simply hover above the word or phrase, and you will see a speaker icon to play the recording and a turtle icon to slow down the recording. They use a variety of native speakers in their lessons, so you will hear multiple accents of Portugal. They also have a mix of clear recordings and recordings with background noise (e.g., in a café or train station). There is always an additional clear recording is always available when they have audio content with background noise. This is all in addition to their free audio content on YouTube, their podcast, and their social media accounts. With the combination of paid and free content, it is definitely possible to develop solid listening skills.

Verb conjugation practice

There is a section of the website where you can practice verb conjugations. You can practice each tense individually, a combination of indicative (past, present, future), a combination of conjunctive and imperative, or a combination of all verb tenses. It provides all the benefits of flashcard apps without having to make the content yourself.

Multiple ways of reviewing material

You can revisit each lesson as many times as you need, the platform automatically creates flashcards as you start more lessons, and you can review in quiz mode if you prefer this to flashcards. They have a smart review feature that adapts to how well you have mastered a word or phrase. You can also manually manage the words and phrase that you review by moving them between "short term memory", "long term memory", "mastered" the lists and you can remove them from all lists. The app is focused on mastery and not gamification, so you won’t get constant notifications or lose progress on basic content just because the app wants to keep your level of engagement high.

Full access to all the content

Once you purchase access to the platform, you can click through all content and do lessons out of order. You don't have to unlock levels or master a concept before moving on to the next. This allows you to focus material you need to know and learn at your own pace. This is a nice experience for those who already have some knowledge of portuguese and don't want to go through another set of introductory lessons just to get to the elementary and intermediate content.

Tailored for expats, not tourists

A lot of online introductory material is tailored for tourists, who only need very superficial knowledge of Portugal. This platform includes grammar and vocabulary lessons tailored for immigrants (e.g., immigration office, getting residency, renting an apartment, buying a house, etc.) AND lots of lessons around culture, which is good for those who are interested in studying or living in Portugal. The platform includes so many idiomatic expressions and interjections!

Building a community, not just a platform

There is a pretty active forum for paid members. Members can ask questions and comment on individual lessons. Overall, this is similar to the DuoLingo forum. However, when I tried to ask questions or comment on EP vs BP differences on the DuoLingo forum, it was not well received. Some people were quite hostile, with at least one person saying that all the best American universities teach Brazilian Portuguese so there’s no point trying to learn European Portuguese. This was really disheartening, so I quickly stopped posting and it set me back at an early stage of my studies. I think it would have been really valuable to have a supportive community specifically dedicated to EP, so new language learners would really benefit from this.

No ads, no gamification

In my experience, gamification doesn’t make something more fun. It just feels like a poor attempt to generate more advertising revenue or incentivise you to buy add-ons or purchase a paid version. I like having a sense of completing something to mastery, so gamification that results in constantly losing lives, losing progress on lower levels, having to redo an entire tree five times, and being sent constant notifications to practice actually makes me want to use the app less.

The Practice Portuguese platform doesn’t have any of this. No gamification. No ads. Just mastery of topics you want to study, at your own pace, with no added pressure. It is much more affordable than a lot of other paid language-learning software. I am working full-time now, so I am in a position where I am able to pay for this. And I definitely appreciate the ad-free environment that focuses on learning and not getting users to spend more money.

Good value for money

Can get you from A0-B1 (with some intro to B2 content) for €15 a month or €153 if you buy an annual subscription (15% discount). This is far cheaper than any classes or private lessons I have paid for myself or seen elsewhere, and it is much cheaper than most other paid language-learning software. For basically the price of a monthly streaming service, you get unlimited access to the platform with no limit on the number of devices you can use.

Cons

Note: Not all of these are inherently cons or things that I think Practice Portuguese should change. This post is more of a discussion of what is and is not available on the platform. The platform does have cons if you are looking for specific tools or features that are not offered.

Content is paid with no free trial

The paid content does not come with a free trial. Practice Portuguese is a small company with a small team AND they produce a ton of free content, so I get it. They need some source of revenue to support content production and web hosting.

But, some people may be hesistant to commit to a subscription without knowing what they will be getting first. Honestly, one of the main reasons I didn't sign up sooner is that I wasn't sure if they would have lessons dedicated to learners at the B2 (or higher) level. I was also somewhat concerned about the quality of the content, given the poor quality of so many of the other European Portuguese apps. After seeing the Practice Portuguese team consistently produce high-quality free content, I decided to give the paid platform a try.

They offer a €15 one-month subscription that automatically renews each month. This is what I went for just to get an overview of the content. The website says that they will refund you within the first 30 days if you want to cancel, but I can't say anything about how smooth this process is yet. They also allow you to cancel the monthly subscription at any time.

If I decide to keep using this tool (which is highly likely at this point), then I plan to cancel the one-month subscription and will then purchase the annual subscription to take advantage of the 15% discount. Hopefully, they will have a more elegant and cost effective way to transition from a trial to a full membership in the future.

Elementary lessons may contain some advanced content

At times, more advanced content is sometimes included in elementary lessons. For example, all of the rules on clitic pronouns are included in one lesson, which is placed just after the lesson on the past continuous tense. This is fine for simple clitics, but you need to know future indicative and conditional verbs for some of the clitic pronoun uses in the lesson. Users don't learn about these verb tenses until after the lesson on clitic pronouns.

I think this is something that the Practice Portuguese team could change that would improve the learning experience. Learning about clitic pronouns in general can be quite overwhelming, and this lesson could be very overwhelming for those who are learning entirely through the Practice Portuguese platform.

You can always go through the easier parts of the lesson and then come back at a later stage, but I know that I like the feeling of completing a lesson in its entirely and feel frustrated or disappointed when I am not able to do so. Users might benefit from two separate lessons on clitics placed at different learning stages.

Limited speaking practice

Like DuoLingo, each lesson has a section that ask you read a phrase out loud. You can compare your recording to a recodring by a native speaker. The system also evaluates your pronunciation and gives you a score from 0-100%. I always wonder how good these are systems are at actually detecting the accuracy of the pronunciation. Are they merely the aural equivalent to Just Dance and Sing Party? OR do they actually work?

These types of lessons also don't work as well for those with speech impediments. I have a bit of a lisp, and I always do poorly on exercises when there are a lot of S and Z sounds. I know my S and Z sounds aren’t correct. I’m more concerned with whether my open and closed vowels, lh's, etc. need to be improved. The 0-100% scale simply isn't going to convey this information in the same way an interaction with a native speaker would.

These kinds of exercises are also not going to prepare for you an actual conversation. Being able to compare your recording to the official recording very useful when you are getting started with a language. But, it is possible to have excellent pronunciation but terrible conversational skills. If you mostly just want to improve your conversation skills, this particular platform isn't right for you.

No option for a private tutor

The Practice Portuguese platform does not offer private tutors or private lessons. I don't think this options would fit well with the current aim of their platform, so I also wouldn't expect the Practice Portuguese team to change this. But, if you are looking for private lessons or having access to a private tutor, then this isn't this tool for you.

The Practice Portuguese team do engage the users in their YouTube videos and podcasts, and they occasionally post to the forum. But, don't expect them to be heavily involved in your day-to-day study. The platform is designed to develop a strong community base. Users can post questions and comments on each lesson (similar to DuoLingo's desktop site) and there is a discussion forum, so you will probably get your questions answered by community members at some point.

No CEFR levels, No test prep

The Practice Portuguese platform is not designed to be test prep for any of the exams certifying proficiency in Standard European Portuguese as a second language. If this is what you're looking for, then the Practice Portuguese platform may not be what you need. It is probably a good tool to supplement your test prep, but the platform is not designed around the language exams.

Unless you are very familiar with the content of the exams themselves, you will probably not know the CEFR level you are at. The content is designed to be continuous, and the site doesn't have any numeric measure of progress or proficiency (no crowns, no arbitrary scores, no CEFR levels, etc.). However, I can see why some people prefer having a levels system or may want to know the exact CEFR level they are working towards.

It seems like most apps use these measures of progress as ways to gamify the app in order to increase the monetisation. For me, it is a relief to be able to learn casually without feeling the pressure of leveling up or facing the threat of moving down a level or losing progress if I don't use the app enough. So, while not having levels or test prep may be a con, there is also the trade-off of not having excessive monetisation / gamification.

Limited B2+ content

The content for advanced learners (CEFR B2 and higher) is pretty limited at the moment. The team is continually expanding the content, so this is likely to change in the future. For example, they added lessons on the o modo conjuntivo in July 2020. These are pretty basic lessons, and they could add more content on various uses of the conjunctive form so their users can build more solid B2 skills (e.g. conjunctions + conjunctive). There are also no lessons on pretérito mais-que-perfeito, which is necessary for C1 and C2 learners.

I am trying to reach a more solid B2 level, and so I think the platform will be a good way to solidify my grammar skills while also providing a refresher for grammar skills that might have forgotten. I am also happy to see the section with verb conjugation practice. I have exposure to all of the conjugations, but I definitely need more practice to be able to use them more fluently in practice.

But, I don't think I could use the Practice Portuguese platform alone to pass a B2 (or higher) language exam. There would definitely need to be more advanced content.

#european portuguese #portuguese language #portuguese langblr #long post #practice Portuguese #european portuguese resources #portuguese resources #review

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a-tad-bit-peculiar · 4 years

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Thoughts on Book Five.

WELCOME TO THE SHITSHOW EVERYBODY BUCKLE THE FUCK UP (spoilers and some capslock under the cut, lads!)

Alright, I have too many thoughts, so I’m going to sort them into a list, starting from ten and counting down to one. Also, as a disclaimer: I really enjoyed this book! I can’t wait to see how the series ends, but I have lots of things to complain about. So, here we go!

Also, no hate to anyone who liked these parts. This is just my personal opinion!

10. The Kids

I LOVE all of the content focusing on the kids and their personalities! The dinner scene where everyone is talking about the resurrection soup is a really good Enoch scene, plus there’s SO MUCH good Hugh in this book!

On the other hand, I noticed a few negative things about Emma and Millard.

Millard felt really bossy and arrogant, or at least, Jacob thought he was. Multiple times throughout the book, his enthusiasm and passion is twisted into something annoying and condescending. On top of that, Emma was turned into nothing but her relationship with Abe. She doesn’t do anything but mope over her failed relationships, which brings me to my next point.

9. Jemma vs. Portdesh (aka the romance plot)

What the actual fuck.

Jacob Magellan Portman, please quit thinking with your dick. It’s okay to be single. You don’t need to get into a relationship with every heartbroken girl you find, okay?

My main few problems with Portdesh are these:

For one, Jacob just dropped his feelings for Emma far too quickly to be reasonable. For instance, I’m a teenager around Jacob’s age, and I just went through an incredibly messy breakup (not going to go into details due to privacy on my partner’s part). It’s been almost two months--which isn’t a lot of time, mind you--and I’m still dealing with the repercussions. Jacob dropped Emma far, FAR too quickly, rendering an ENTIRE BOOK SERIES OF EMOTIONAL DEVELOPMENT completely null. I’m not saying that Jacob and Emma should get back together, I’m saying that Jacob isn’t dealing with his feelings in a realistic way. He’s a teenager, and an incredibly dramatic one at that. Love is messy and imperfect. It’s okay for him to be heartbroken and single. Let him have negative feelings.

Also, there’s the whole thing about him doing the exact thing Abe did to Emma. Again.

For another: NOOR’S CHARACTER IS SQUANDERED BY JACOB.

Noor Pradesh has the potential to be an amazing, relatable character--it’s just that Jacob is in the way. Instead of being her own person and allowing for solo development, Noor is thrust immediately into the role of “love interest for protag.” Instead of Noor reacting on her own to situations, she always traces it back to Jacob, because Epic Teen Romance. Please, Jacob. Quit making her into this perfect trophy girl. Nobody wants to read about that.

This book barely passes the Bechdel test, and the only reason it does is because Miss Peregrine exists.

8. Caul and the Prophecy

I’m honestly really disappointed. Caul was dead and gone. The ‘oooo he knew all along’ thing feels lazy and bland. I would’ve much preferred if Leo was the main villain; the dangers of peculiar America were much more interesting to me than reviving Caul. Also, Leo just being suddenly chill feels like a total letdown. I really hope he’s planning something nasty in secret, otherwise the whole Niece Monologue would have been for nothing.

About the prophecy, I have a single thought: cheap. I’m honestly not too interested in where it leads at this point, as it feels impossible to resolve well in a single book. I mean, come on. There are SIX MORE saviors to find. In ONE. BOOK. Riggs better have something great hidden up his sleeve.

7. Hugh’s desperation

Now HERE”S how you write some heartbreak, folks! Jacob needs to take a few notes from this man, because Hugh definitely cares more than Jacob seems to.

Despite what Jacob tells the reader, however, I feel that Hugh’s completely justified in his feelings.

NOBODY gave two shits about finding Fiona in books four or five. Everyone just accepted it, gave a sad little nod, and moved on with their lives. Hell, the only mentions of Fiona were when Hugh was upset and Jacob felt bad for him.

Miss Peregrine wore black forever because of Victor, and yet here we are. Not caring about Fiona.

As much as I love Miss P, I smell some unintentionally written favoritism.

6. Abe

Are we gonna just never tie off all of the loose ends related to Abe? Like, what the fuck happened to Leo’s niece? Is there anything else he’s hiding? Was Emma rightfully jealous of V? Are there any other agents who worked with him? Are there any more peculiars mad at him? How does Jacob feel about him? Is Abe just...a bad dude now?

Abe being written off as a bad guy seems wrong to me. He tried so hard to protect people, and this is how he’s repaid. Such a damn shame.

5. V

(Haha, number five is V. I’m hilarious.)

Oh, want a new and interesting character who’s revealed to be an ymbryne with a badass shotgun? One you’ve been looking for for literally the entire book? Who was arguably more important than the titular event? Who you can already tell you’re going to love, just by how she’s written?

Oops, too bad, she’s dead now.

4. Horace’s cravat

The best goddamn thing in this entire book.

3. The Deadriser Loop

Jacob should’ve taken Enoch with him instead of Noor. Bonding opportunity: wasted.

2. Sharon and the Anti-Ymbrynes

Now we’re fuckin’ talking. The loop protesters are SO intriguing, I really want to see more of them! But please, Ransom Riggs, don’t just write them off as fools!

Jacob needs a reason to act so reckless. One of the reasons the fanbase is beginning to dislike him is because he acts so selfishly all the time. If the protesters were used as a springboard to drive Jacob into going against the ymbrynes, he’d be much more justifiable. ESPECIALLY if the protester group is gradually shown to be bad, not immediately.

1. Fiona

Fiona Frauenfeld I missed you so goddamn much.

Fiona is LITERALLY my favorite character in this entire series. Yes, even in front of Enoch and Horace. She’s so interesting and complex, and the fact that she’s coded to be neurodivergent (PTSD) and is CANONICALLY MUTE is so, so great!

It’s just...even with her being so wonderfully reintroduced...

She feels like a scapegoat.

Who was the one to go missing? Fiona. Who was the one presumed dead? Fiona. Who was the one who got her tongue cut out by wights? Fiona.

I know I’m not explaining my thoughts well, so I’ll put it this way:

It feels like a bit of a cop-out to have the mute person lose their tongue, but maybe that’s just me.

Despite that, though, I missed her and Hugh so much.Their reunion broke my heart into a billion pieces! I’m glad she’s back, and I really hope she gets lots of screentime in the next book! Her tongue being gone seems like a great opportunity for character development, and my fingers are crossed that Riggs plays with that in book six.

Fiona I love you sweetie mwah...

And that’s it for my thoughts! Once more, I really enjoyed this book! I’m just picking it apart because I love this series so much. Ciao, dudes!

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by-mana · 3 years

Text

Commissions Redux

Hi Folks!

This has been copied from my main blog and cleaned up a bit, since I’m trying to separate the fan stuff from the main to keep something like a semblance of an order. Commissions are therefore moved from Mana-chan’s Corner to here. They are still open and perfectly free, just read the rules, please. In case you wish to support me, you can do either of these things:

» Leave a Tip

» Buy Me a Coffee

As I am currently jobless (thank you Corona) every bit is appreciated.

» Full Update

For a long time I didn’t take any commissions because the fandoms and pairings I have inspiration for is a limited fraction of my active fandoms (i.e. the fandoms I engage with via reading fic, commenting, enjoying content, reblogging, etc.) and I didn’t want to disappoint.

Recently, in an unexpected strike of utter genius (which only took me like... 5 years to work out), I had the epiphany to compile a list of fandoms+pairings I’d be more than happy to write as you desire.

» Commission Rules/FAQ. Please read before commissioning.

» For full list of available fandoms/genres click below.

» Fandoms

» The Untamed | Mo Dao Zu Shi

The most recent fandom, also the one that currently dominates my mind.

Including: CQL, Novel, Movies. I haven’t read a lot of the source material, but I’m intending to and I already did some research. For now I think I prefer a mix of canons.

» Pairings

» Lan Wangji/Wei Wuxian

» Jiang Cheng & Wei Wuxian (mostly gen, but I believe I could do something sexual/romantic as well, but please ask first if you have any specific ideas)

» Jiang Cheng/Wen Qing (please read the rules)

» Jiang Cheng/Wen Ning (tentative)

» Nie Mingjue/Wei Wuxian

» Nie Mingjue/Lan Xichen (tentative, though I mostly see myself as writing them on the side)

» Any version of the 3zun (same as above)

» Lan Xichen/Wei Wuxian

» Jin Zixuan/Wei Wuxian

» Specific Canons / Prompts

The Untamed basically exploded over my head and didn’t leave me alone. In the past few months a few plotbunnies developed which I’d all love to write at one point. You can chose to prompt me either of these or pick any general prompt, or anything you’d like to read, as long as it aligns with what I can write.

» The First Witness

Genre: Case Fic, Modern AU, Canon retell, Drama, Tragedy, Romance, M/M

Pairings: WWX/LWJ

Includes: Forensic Medical Examiner Wei Wuxian, Inspector Lan Wangji, Single Dad Wei Wuxian, Wei Sizhui / Wen Yuan, the dead ones are dead, Badass Grandmother Baoshan Sanren, Yunmeng Bros Reconciliation, Businessman Jiang Cheng, Murder Mystery, Pining, Getting Together, HIV positive character, past off-screen rape (mentioned only). It’s basically what it says, a canon retell wrapped in a modern day case fic. It was the first thing that I had inspiration for.

» Nurse Wei Wuxian slice of life Modern AU

Genre: Modern AU, slice of life, recovery, drama, tragedy, adoption, M/M, hurt & comfort, getting together, romance, fluff

Pairings: WWX/LWJ

Includes: pediatric nurse Wei Wuxian, pediatric nurse MianMian, elementary school teacher Lan Wangji, pediatrician Lan Xichen, intense care nurse Jiang Yanli, intense care doctor Wen Qing, teacher’s aide Wen Ning, Yunmeng reconciliation, only some are dead, Wen family+WWX living together.

Premise: Former convict Wei Wuxian, fresh out of nursing school, applies for a job at Dr. Lan Xichen’s pediatric practice. Lan Xichen (who sometimes takes pro bono foster children abuse cases) isn’t quite sold on the idea of a former felon turned nurse attending to already traumatized children, but upon interview decides to give WWX a chance. Not only does he never regret it, it turns out it’s to be the best decision he’s ever made, not only in regards to his practice. Meddling ensues, love blossoms, truths are revealed, happy end. Probably the fluffiest story on the list.

» ABO Yunmeng Shuanjie Fake Marriage AU

Not what you think. Does not involve pseudo-incest (at least not for a long time, haven’t decided on the end results yet). First ABO I’ve ever considered writing, but all the more exciting, since I know now what I want of it.

Pairing: WWX/LWJ (temporal, non-endgame - so far, platonic), WWX & JC (gen, ruling partners)

Includes: fake marriage, extra marital affair, male pregnancy, abo (mostly non-traditional, I think?), not actual pseudo incest, adoption, canon divergence, not everybody dies, Wen Chao being a monster, sexual assault (interrupted), golden core loss, NO golden core transfer, misunderstandings, complicated political situations, the Wens are saved and live in Lotus Pier, a-Yuan is still adopted, “sometimes love is not enough”

Premise: shortly after concluding the studies at Cloud Recesses LWJ starts courting WWX. Engagement is discussed between the two clans, but the Wen indoctrination and the burning of the Cloud Recesses gets in between. When LWJ refuses to lie in order to save WWX from Wen Chao’s assault, JC steps in and pretends to be the one engaged to WWX to save his brother from a forced bond. To prevent this from being debunked and to ensure a future marriage (which will now be more challenging to achieve, given the state of Cloud Recesses), LWJ and WWX mate and bond in the Xuanwu cave. Then Lotus Pier is sacked, JC loses his golden core, the Jiangs are dead and the Yunmeng siblings flee for their lives, find refuge in Yiling, etc. Plays out as in canon except they find out WWX is pregnant and transferring the golden core would cause an abortion. WWX still says do it, but changes his mind in the last minute, leading to JC finding out about his plan upon waking up and remaining coreless. They flee to Meishan and marry to protect WWX’s reputation (since a marriage would now be impossible for a long time on both sides - Gusu and Yunmeng, AND JC needs WWX more than ever and WWX is not abandoning his little brother) Sunshot happens, WWX invents the control tower & still saves the Sunshot campaign. The sixteen years that follow are utter chaos.

» Nie Mingjue/Wei Wuxian arranged marriage AU

You know what this is inspired by.

Pairing: Nie Mingjue/Wei Wuxian, Lan Wangji/Wei Wuxian (unfullfilled, for a long time)

Includes: arranged marriage, some characters die, Nie Mingjue dies but later, revenge, wwx adopts a-yuan, canon divergence, slow burn, learning to love, the Wens live, political intrigues, wwx and nhs teaming up against jgy

Premise: To save the Wens and himself from qi deviation Wei Wuxian marries Nie Mingjue (in spite of being in love with LWJ). Slowly some truths are revealed and feelings blossom but some tragedies cannot be prevented. NMJ realizes the feelings that are between WWX and LWJ, but they both marry regardless. Later WWX realizes that NMJ is similarly in love with Lan Xichen. With time they learn to love and respect each other, NMJ learns about what WWX did for JC, WWX learns clarity to play for NMJ when JGY nearly succeeds killing him (WWX suspects but he has no proof). NMJ still dies (disappears) and widower WWX spends the next decade or so seeking revenge and searching for his husband’s body so that he can rest in peace. It’s all very bittersweet, but there’s a happy ending.

» Hakuouki + Extended Universe

The longest active and steadiest fandom. I know exactly what I’ll write and what not.

Including characters from: Urakata, Toki no Kizuna, the most recent overhauls (Kyoto Winds, Edo Blossoms). I’ve seen all three anime seasons, played a few routes of Kyoto Winds and read some walkthroughs. I’m not completely done with all of them, but I’ll take the time to research if the commission demands it.

» Pairings

» Harada Sanosuke/Nagakura Shinpachi (I lovingly refer to them as my naval battle cruiser)

» Harada Sanosuke/Shiranui Kyou

» Shiranui Kyou/Takasugi Shinsaku

» Kondou Isami/Hijikata Toushizou (tentative)

» Hijikata Toushizou/Saitou Hajime (tentative)

» Nagakura Shinpachi/Saitou Hajime

» Saitou Hajime/Toudou Heisuke

» Yukimura Chizuru/Sen-hime

» Ibuki Ryuunosuke/Kosuzu (please read the rules)

» Specific Canons / Prompts:

I’ve had a number of inspirations for this, which I’ve never written, but would love to delve into. You can chose to prompt me either of these or, of course, pick a general prompt.

» Fabulous Family Series

The one in progress, you can check it out on AO3. You can prompt me in this, if there’s something you’d like to read.

Pairings (current and planned): Harada/Nagakura, Kondou/Hijikata, Okita/Chizuru (casual), Heisuke/Saitou, Takasugi/Shiranui, Chizuru/Sen-chan, Ibuki/Kosuzu, Ibuki->Saitou (one-sided crush), Saitou/Chizuru (temporal)

Tags: adoption, modern AU, lgbtq+ issues, M/M, genderfluid character, disabled character (future), teenage pregnancy (future), slice of life, sexual assault (future), child abuse (future reveal), romance, ace/aro character, casual sex, underage sex,

» Gender Swap AU

Main Ship: Harada/Nagakura

Side Ship: Ibuki/Kosuzu

Summary: Sannan secretly tests a version of his experimental Ochimizu on a few of the captains. The result is that the new day dawns with some drastic changes to their bodies that have nothing to do with white hair, glowing eyes or bloodthirst, but with a whole other set of complications.

Premise: Original story was supposed to be about Shinpachi developing and unexpected attraction to Sano, them “experimenting” together and Sano falling pregnant. While the others manage to turn back to their original bodies, Sano doesn’t and it is all very complicated. Eventually he does (after giving birth), but instead of it being a good thing it just makes things more complicated. In the end, he choses to live in a female body instead of death and marries Shinpachi. Would include trans issues, gender dysphoria, friendship vs. love, the nature of attraction, respect, feminism and female issues. I wanted to write it as a multi-chapter, but never got around to it. But I’d love to put it out there in any form I can.

» Prince of Tennis

Tentatively putting this down as one of my oldest fandoms. I never wrote for it as cosistently as with other fandoms, but a few years back I rp-ed it for quite a while and could probably still write for it, if the pairing’s right.

Including: ShinTeniPuri characters up to Pirates and Black Holes (I haven’t read much further, but I’ll probably catch up at one point? I always do.)

» Pairings / Characters (mostly Shitenhouji and Higa centric)

» Oshitari Kenya/Shiraishi Kuranosuke

» Oshitari Kenya/Chitose Senri

» Oshitari Kenya & Oshitari Yuushi (gen, ask me about cest)

» Shishido Ryou/Oishi Shuuichirou

» Oshitari Yuushi/Kikumaru Eiji

» Oshitari Yuushi/Hirakoba Rin (this relates to that rp)

» Kai Yuujirou & Hirakoba Rin (both gen and slash)

» Kite Eishirou/Hirakoba Rin

» Watanabe Osamu/Sakaki Tarou

» Higa gen

» Shitenhouji gen and casual relationships (ask me about specific ones)

» Hara Tetsuya/Taira Yoshiyuki

» Mori Juuzaburou & Hara Tetsuya (mostly gen, but I probs could do casual slash as well)

» Ochi Tsukimitsu/Mori Juuzaburou

» Marui Bunta/Hara Tetsuya (you will never get this, but it derives from that rp I did and would still def write it if people are interested)

» Tango Pair (Sanada Genichirou/Atobe Keigo)

» Specific Canons / Prompts

Most of what I had in my head has faded but a few things remained. Of course you can also come with your own prompt at me.

» College AU, future fic

Premise: Everyone has grown up and moved on. The Oshitari cousins are now rooming together, both studying medicine at Tokyo University. They’re upper neighbors with Shishido Ryou (paedagogy) and Oishi Shuuichirou (medicine), who both miss their doubles partners, but have seemingly moved on from their middle school days and broken hearts. No such thing can be said about Kenya, who can’t get over his break up with Shiraishi following their graduation, or Yuushi, who seems to hold secrets of his own.

I haven’t developed much for this, most of it are scattered ideas, but I’d love to explore it. I’ve thought of some pairings for it, but none of them final. It would also leave a lot of room for casual stuff or one-night stands. It’s actually an ideal prompt premise, from that standpoint.

Pairings (at start, no necessarily final): Oshitari Kenya/Shiraishi Kuranosuke (past), Oishi Shuuichirou/Shishido Ryou (current), Oishi Shuuichirou/Kikumaru Eiji (past), Shishido Ryou/Ootori Choutarou (past), Oshitari Yuushi/Kikumaru Eiji (current, secret),

» It takes two to Tango / Tango towards Destruction

An old fic that was supposed to be a series which I never finished, but could pick it up and remaster it. It’d be a nostalgia project.

Pairing: Tango Pair

Premise: Atobe’s father finds out about him and Sanada dating and threatens to disown him if they don’t break up. In the original Atobe runs away, but I’m thinking now he simply might not take it seriously enough and then it would escalate. He ends up moving in with the Sanada family. Your typical rich boy loses everything and struggles through poverty, finding meaning, building a life for himself, coming off age.

» One Piece

A fandom older than even TeniPuri it’s been with me the longest. Unfortunately it doesn’t inspire me anymore the way it used to, but I’d still be able to write some things for it, if the right muse struck me. I kinda want to. Nostalgia, you know.

» Pairings

» Zoro/Sanji

» Ace/Zoro

» Ace/Sanji

» Luffy/Law (tentative, like, I ship them hard but I don’t know if I’d be able to write something for them? Oh but I’d like to try)

» Mihawk/Shanks

» Mihawk & Zoro & Perona family dynamics

» Zeff & Sanji adopted family dynamics

» Usopp & Yasopp gen

» Izo? I’d like to try an Izo.

» Canons

» Canonverse

Set in the original canon of the fandom.

Including (not limited to): backstory - past canon, present canon, future fic (please specify), canon divergence

» Modern AU

Including (not limited to): no powers, modern with magic (potential, please ask), slice of life, mystery, case fic, ‘job AU’ (coffee shop, doctors, idols, etc., please specify/ask)

» Sci-fi AU

Including: original sci-fi canon, Star Trek, Star Wars, Firefly, Cowboy Bebop, Dune (tentative), Hyperion (tentative), for everything else ask. I know a lot of sci-fi, but not enough lore for each of them to set a story in. I might be interested but it'd necessitate research.

» High Fantasy AU

Including (not limited to): original fantasy canon, Lord of the Rings, Harry Potter, Witcher, but overall I’d prefer if you ask about this. I haven’t read/seen a lot of the most recent and popular franchises (mostly because I’m writing my own high fantasy and don’t want it to be too influenced by other things, and someone already told me it sounds like Game of Thrones, so that one’s a big no. Sorry...)

» No Powers, other than modern AU

Including (not limited to): everything that doesn’t fall under the modern AU list, but has no powers in it, i.e. historical AU (specify time & culture), future AU (near & far), cyberpunk dystopia (possibly), post-apocalyptic (possibly). I don’t write zombies.

» Superpowers / Hero AU

Including (not limited to): X-Men, Avengers, Wildstorm Universe, original superhero canon

» Genres

I do mostly serious stuff, like drama, tragedy, intrigues, arranged marriage, tragic backstory, etc. I like to put my characters through a lot of suffering. I always joke that it’s very easy to spot my favorite character by the amount of torture I put them through. I feel that it makes the happy ending weigh even more. Sometimes I even prefer a bad ending, if it gives the story more meaning (I mean, imagine LotR trilogy have a happy ending. It would totally take away all the development and the lessons the characters went through.) I wish I could write light stuff but so far I have not succeeded. I use a lot of sarcasm and irony though?

My shorter fics tend to be fluffy and sweet rather than funny, if full of playful banter and teasing. Relationships are usually depicted in a naturalistic rather than romantic way (I’m ace/aro myself, and I have lots of opinions about the nature of love and attraction, and how a functioning relationship ideally looks like and it tends to seep into my writing). Instead of traditional romance I like to write a non-traditional one. Slow burn, instead of love on first sight. Learning to love instead of falling hard. But it also depends on the pairing. I can write most things if I put my mind to it, so don’t hesitate to prompt me and I’ll let you know whether it works for me or not.

I’m not shy of dealing with child abuse, assault, suicidal ideation, trauma, disability and other difficult topics in my writing, so if you wanna request any of these or something similar I’m a-okay with it, as long as you discuss it with me. I’m not knowledgeable in everything so it’s likely I’ll need to do research, but I’m more than alright with it. Honestly, it’s very probable that I’d love to try.

» Kinks

I’m okay with most stuff. Where I draw the line is the really hardcore stuff like scat and kinks involving feces, some forms of humiliation, zoophilia, necrophilia, mutilation, stuff like that.

I’m alright with both dub-con & non-con (although I refuse to depict is as normalized, or glorified), bondage, s&m, dom/sub, light bdsm (ask me about the harder stuff. I’m not against it, I’m just not always in the mood or right mindset for writing it), omorashi (tentative, ask me), daddy kink, breath play, age play, spanking, verbal humiliation, dirty talk, edging, come eating, orgasm denial,... all the good stuff.

#commission me #fandoms #genres

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purplesurveys · 4 years

Text

997

survey by deirdrelove

What is today’s date? October 26th.

Do you have any plans for tomorrow? Just work. All weekdays are for work.

Do you wear perfume or cologne? Usually, perfume. I have colognes too, but I like the scent of my main perfume far more so that’s what I choose to wear most of the time.

What kind of computer are you using? I have a Macbook Air.

What colour is your mouse? I haven’t used one in years. A trackpad has been reliable enough.

Is it sunny outside? It’s not. I’m not updated on the news but I think we’re supposed to have a really powerful typhoon pass by for the next few days, so the wind has been violent and howling all morning. Some of my co-workers have had power outages at home only used their mobile data today so yeah, it’s not looking too good. I’ve closed my windows for the meantime so that they don’t smash just in case the wind blows too hard.

What has the weather been like lately? It’s been very cold all weekend because of the rain, but it also gets humid every now and then. Still, it’s cold enough for me to turn off my fan all day which is good enough.

When was the last time you cried? Last night, I think.

When was the last time you sincerely smiled? I don’t remember. Maybe last night or yesterday afternoon.

When was the last time you laughed freely? I can’t tell you. I really can’t remember when the last time was. I’ve chuckled here and there, of course; it just hasn’t been hearty for a while now.

Do you eat breakfast regularly? No. I only have a cup of coffee so that I can get properly awake for workkk.

Do you take vitamins? Not regularly.

When was the last time you took aspirin or some other pain reliever? Saturday. I had a headache and was feeling a little dizzy so I had to take a Biogesic.

When did you learn to tie your shoes? Kinder 2, when I was five. One of our ‘exams’ was for the teachers to check if we can already tie our shoes, so my grandma had to teach me. I’m super awful with my hands though, and to this day I still struggle with tying my shoelaces and I still take longer than anyone I know.

What was your favourite grade in elementary school? 5th was fun until things fell apart by the end of it; 7th was great throughout.

Do you like clouds? I like when it’s cloudy, but I don’t lie on the ground and look at clouds.

What colour are your shoelaces? I have several shoes, but I think all of their shoelaces are white.

How many states have you been to? 0.

How many different countries have you been to? 6.

When was the last time you deeply regretted something? September.

Do you go to other people for advice or do you deal with things on your own? I like hearing what my friends have to think because whenever I’ve done things on my own I always fuck it up one way or another, and that sensation gets tiring at some point. Having other perspectives and voices helps as well.

How long was your longest relationship? 4 years.

What is your favourite brand of gum? I don’t have one considering they all lose their taste after a few chews. Whenever someone has gum and shares a piece with me, I just take it regardless of the brand.

What is something that you regularly wear that makes you stand out? I don’t know if I have anything like that. I hate standing out, anyway.

Do you own a debit card? Yuh.

A credit card? Nope.

Are you in debt? I am not.

When is your birthday? *sigh* Again, April 21st...

How old will you be? I’ll be 23.

What kind of cake is your favourite? Cheesecake! Flourless chocolate cakes and red velvet cakes are also great.

Do you prefer small birthday parties or big ones? For parties held by relatives I like them to be big, because it’s always nice to reunite with distant family members that I never get to see. With friends, small and intimate parties do the trick for me.

What song are you listening to now? No music, and I have a YouTube video paused.

Do you download illegal mp3's? I used to convert YouTube videos of audio tracks into MP3, if that counts. I never directly downloaded MP3s though; I always heard horror stories of those things containing viruses or the downloaded file not even storing the actual song.

What was the most traumatic experience of your life? [trigger warning] Being the main witness to my drunk grandfather beating the ever-living shit out of my infant cousin in his stupor when I was 9, and bearing the responsibility to tell that cousin’s mom, who was cooking dinner. I’m pretty sure I aged like 15 years from that moment alone.

Have you ever lost a friend to drugs or alcohol? No.

Who was your childhood best friend? Angela.

Are you still friends now? Yeah, for sure. I just asked her for dyeing tips an hour ago.

If not, why?

Are you sitting at a desk right now? Yes.

Are you eating or drinking? Nope, but I’ll be having dinner in about an hour or so.

How many surveys have you taken today? This is the first one.

Have you ever made a survey? No. I’m not the best in coming up with interesting random questions, so I’ve never given it a shot. Others are way better at it.

If you haven't you should. Its fun. =] I’m sure it is, but I really don’t think I’m creative enough for it.

Did you ever have any sort of collection? Nah.

Do you believe in Karma? I don’t subscribe to the entire concept as it’s defined in Hinduism, but yeah sometimes I’ll refer to its more informal description whenever someone does something that upsets me.

What do you thinks happens to us when we die? Permanent sleep.

What age do you think you'll die? My late relatives all passed between the ages of 70 to early 80s, so maybe by then. But idk, I hope I get my great-grandma’s longevity (she died at 95) because I’m still competitive when it comes to age and I wanna make it to that high a number, ha.

If you knew you had one more month to live what would you do? Well first I’d give out a sigh of relief because thank fuck. After that I’d probably spend the whole month eating all my favorite foods and traveling, at least to the cities that are now accepting visitors. I’d write down instructions for Kimi so that he’s properly cared for, give away my stuff, try to see some friends before it all ends.

About how long was the last book you read? It’s around 600 pages but I’m barely 50 pages in.

Have you read any books by V.C.Andrews? I don’t think so.

Have you ever read a play before? Yes.

A play not written by Shakespeare? Yes.

Have you ever read a play outside of school? Yeah, I have.

What is one career you don't think you could do no matter how much it paid? Engineer.

Would you want to live in the country or the city? City, without a doubt. I like the countryside and it’s certainly relaxing, but I need things to be constantly going on; I like my environment to be hectic, be loud, be busy. Too much quiet isn’t good for me.

Do you prefer large cities or small ones? Large.

Do you/Did you ride the school bus? Yep.

If not how did you get to school?

Do you have iTunes on your computer? Yeah but only because I’m on a Mac and I’m not sure if I can remove the app from my laptop. I haven’t used iTunes since high school though, and if I could I’d get rid of it.

Have you ever edited Wikipedia? Yeah, when I was like 10 lol. It wasn’t to mess around with an entry though; I saw an inaccuracy and genuinely wanted to help out.

Have you ever edited any other wiki? I’m sure I edited more than one page.

Is there a website [besides social networking] that you check almost daily? I don’t think so.

Are you procrastinating? Nope, all my homework for the day’s been done.

Do/Did you make good grades in school? In college, yes. I paid less attention in high school and my grades occasionally showed it.

What is your relationship with your parents like? It’s very casual and not very deep at all. I don’t confide in them, and the thought actually makes me squirm. I’m still skeptical of my mom and I don’t let myself get invested in her after the hurt she’s put me through in the last few years, but at least we don’t yell at each other as much anymore.

Do you have a better relationship with one parent than the other? You can say that. I get along better with my dad.

Do you look like your mom or your dad? Mom. But for some friends, my dad.

Do you write things on your hand to remind yourself? This is what I did in high school, but I haven’t done it since.

Do you use your phone as an alarm? If I need an alarm, yes.

Do you listen to music while you sleep? Nope, but similar. I turn on videos because talking sounds make me sleepy much faster.

Do you get scared when you know some virus or sickness is being passed? I mean if it’s like a plague then yeah, obviously. But to connect this question to today’s situation - after getting used to Covid stats and seeing the ratio of those who die from it vs those who end up healing from it, I’ve highkey stopped being afraid of it lol

Are you realistic? Yes.

Do you sing in the shower? Nope.

#survey #surveys

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