#i think there's some ambiguity here but like

[markrosewater]

Elegance

Here’s my original article for Elegance.

 This is a topic I’ve wanted to write about for a long time.  Ironically, the words needed to explain the concept kept the column from being elegant. So I did what all artists do.  I found a way to say a lot in a little space.

 Enjoy,

 Mark Rosewater

 [NOTE: EACH OF THE ABOVE FIFTY WORDS IS HYPERLINKED.  BELOW IS THE FIFTY HYPER LINKS.  THE HEADERS SHOULDN’T BE ON THE LINKED PAGE.  I’M JUST INCLUDING THEM SO YOU KNOW WHAT EACH LINK IS.]

 ELEGANCE

 Merriam-Webster’s Collegiate Dictionary has five definitions for elegance:

 • refined grace or dignified propriety

• tasteful richness of design or ornamentation

• dignified, gracefulness or restrained beauty of style

• scientific precision, neatness and simplicity

• something that is elegant

 The common elements appear to be dignity, simplicity, and taste.

 THIS

 Elegance requires thinking, but it also requires feeling.  Elegant prose is judged by how it makes the reader feel. It needs to generate a sense of calm that puts the reader at ease.  Everything in your writing should feel as if it was carefully positioned to create the proper effect.

 IS

 Pound for pound, the writer’s greatest writing tool is the verb.  Nouns add substance and adjectives add flourish, but it’s the verb that drives the sentence.  Choose a strong, descriptive verb and the sentence has flair and purpose. Choose a weak one and the sentence lacks any sense of drama.

 A

 Here’s a little game to test an elegance relevant skill (based on an old game called Inklings).  Randomly choose a noun.  Try to convey that noun to the other players using the least number of letters possible. You’ll be surprised how much you can communicate in just a few letters.

 TOPIC

 One of the greatest stumbling blocks to elegance is the inability to choose a single focus.  Elegance requires simplicity.  Simplicity requires a single purpose of thought.  This means that elegance starts before you write a single word.  A good sculptor must know his image before he picks up his chisel.

 I’VE

 One of the common misconceptions of elegance is that it requires a writer to be fancy. Elegance though is more about familiarity than formality. You shouldn’t be afraid of friendlier language such as slang or contractions, assuming that such language adds an element of ease rather than one of laziness.

 WANTED

 An important element of elegance is a sense of passion.  Brevity does not mean pulling away emotionally from words, but rather the opposite.  When you find yourself limited to fewer words, you must pack each individual word with extra emotional punch.  You are not reducing your message, simply your messenger.

 TO

 A good tool in understanding elegance is studying poetry.  Poetry is the most concise of all written art forms.  It strives to maximize impact while minimizing expression.  Each word carries the burden of evoking some essence of the poet’s message. If it cannot carry its own weight, it is excised.

WRITE

 To be an elegant writer, you have to become a student of prose.  You have to study the mechanics of language to understand how it can be shaped.  Once you have learned how to transfer the feeling in your head into meaningful words, you are on the path to elegance.

 ABOUT

 Be careful not to fall in love with ambiguity.  While intoxicating in its beauty, it is the enemy of elegance. Remember, the goal is not to make the reader struggle for comprehension.  Rather it is to lead them to the obvious conclusion. Elegance should be used to illuminate, not confuse.

 FOR

 Elegant prose requires connecting with your reader.  To do this, you have to understand who that reader is.  Nothing should come before this task.  It needs to be done before writing can begin. I like to compare this to planning a trip.  Maps are useless until you know your destination.

 A

 Another major key to elegance is the understanding of the importance of the tiniest detail.  Just as a chain is only as strong as its weakest link, a piece of prose is only as tight as its messiest detail. A good writer doesn’t stop at the nouns, verbs and adjectives.

 LONG

 Don’t confuse elegance with brevity.  Elegant things are short not because they have to be but because the difficulty to craft an elegant piece of prose combined with the limitations of time forces writers to be brief.  Elegant novels, for example, do exist, but they are few and far between.

 TIME

 To quote Roman orator (and letter writer) Marcus T. Cicero, “If I had more time, I would have written a shorter letter.”  

 Simplicity takes more time not less.  Anyone can get a point across with ten thousand words.  But a true artist can do it in ten (or possibly fifty).  

 IRONICALLY

 Irony is a potent tool for commentary.  Its genius lies in the fact that it comments not on what is, but rather on what isn’t.  Like all good humor, irony makes you laugh.  But like the best type of humor, it also makes you think.  It’s both funny and funny.

 THE

 Elegance in writing is about more than words. Equally important is how the words are woven together. Tempo, pacing, rhythm – these are the tools that set the mood for the piece.  Try reading aloud your text.  The natural beat of language is more suited for the ear than the eye.

 WORDS

 To realize the power of words, you must first understand how they work. Art is expressive; words are connotative.  That is, words draw their power from their ability to extract different ideas from different people.  A circle is a circle, but the concept of “scary” varies from person to person.

 NEEDED

 Elegance is not the result of any one attribute.  It is the combination of numerous factors coming together in harmony. This is why it’s such a hard skill to master.  Most people can pat their head or rub their tummy.  But put them together and it’s not quite so easy.

 TO

 An elegant piece of prose needs to hit the reader at a gut level.  Often they won’t know exactly why they like it, but they will recognize that something about the piece moves them.  There are many types of writing where subtlety is lost.  Elegant writing isn’t one of them.

 EXPLAIN

 There are many ways for you to explain an idea.  The most elegant one though is not through definition but by example. By connecting your idea to one already known by the reader, you’re leaving the work of teaching to someone in the past.  Education is hard.  Comparison is easy.

 THE

 If writing is like building a house, the structure is like the foundation. Its design will dictate how the house is built.  If it’s faulty, no amount of fancy brickwork will undo the damage.  So take the time to ensure your structure is building the kind of prose you want.

 CONCEPT

 Never underestimate the power of a concept.  An important part of elegance is condensing big ideas into little words. This is far from an easy task.  It often takes a genius an entire lifetime to create a truly innovative concept.  So take advantage of all their hard work and inspiration.  

 KEPT

 A common barrier to elegance is the belief that only one way will work. Often a writer is unable to abandon a beloved piece of prose even when evidence demonstrates otherwise.  If something doesn’t add to the larger sense of the piece, you have to learn to let it go.

 THE

 Readers notice things at a minute level far beyond their mind’s ability to interpret. This means that although they may not consciously notice many of your tiny details, they will do so unconsciously. Aesthetics teach us that it’s this unconscious structure that will determine whether or not it feels “right”.

 COLUMN

 All communicators, whether through speaking or print, need to find a voice. A voice provides familiarity and it teaches the listener or reader how to more quickly absorb the information. Elegance is all about the conservation of ideas.  Having a pre-learned voice to guide you is a very valuable tool.

 FROM

 I’ve spent some time talking about understanding your reader.  But there is one more person who is even more important to understand – yourself. Writing is about sharing your ideas with others.  If you haven’t spent the time to figure out what you think, how can you possibly communicate it?

 BEING

 “A picture is worth a thousand words.”

 Or so the saying goes.  What the cliché forgets to mention is how many words a single word is worth.  For example, take the word “being”. To capture the essence of what “being” represents is tens of thousands of words if not more.

 ELEGANT

 What is the value of being elegant? Why should you care? Elegance adds aesthetics. It evokes poetry.  It grants beauty.  Elegant prose draws the reader closer because it gives them something to not just learn but to admire.  Good prose stimulates the head, but elegant prose resonates in the heart.

 SO

 Who, what, where, when, how - all important questions.  But for a writer they pale next to why.  If you don’t understand the reasoning beneath the surface, the other details are irrelevant.  The act of elegance is cementing the why.  It’s taking the purpose and engraining it into the piece.

 I

 Elegance is a very personal thing.  If something doesn’t resonate with you, there’s no way for it to resonate with your reader.  Writing is an art, not a science.  There is no rulebook for how things must be done.  If your instincts are telling you that something isn’t working, listen.

 DID

 An important tool in your toolbox is time. Elegance cannot be rushed.  Mental ruts only get deeper the harder you focus on them.  Make sure to work time into your schedule so you are able to walk away from your writing. An hour next week is worth a day today.  

 WHAT

 Don’t let attention to detail pull you away from having a larger sense of what you’re writing.  Take this column as an example.  While I spent a lot of time fine tuning each entry I never lost sight of the effect they created when all the entries were put together.

 ALL

 Elegance requires taking a holistic view of writing.  Every word, every sentence, every paragraph is a piece in a larger puzzle. It’s not enough to understand the impact of a single element. You must understand how any two elements interact if you want to understand the potency of your text.

 ARTISTS

 Elegance and art are very intertwined.  Both seek to achieve a similar goal: to illuminate and inspire with a conservation of expression.  If you’re trying to be elegant, I think it helps to think of yourself as an artist. The instinct for the latter mirrors the needs of the former.

 DO

 An important part of any writing is understanding the feeling you’re trying to evoke.  And then realizing what mechanic tools you have available to evoke that feeling. Diction, verb tense, sentence length, alliteration, word flow, phonetic juxtaposition – each of these will control the mood and tone of your piece.

 I

 A writer’s life is the ultimate fodder.  Don’t be ashamed to plumb your own experiences.  You understand them deeper and more personally than anyone else.  No painter would refuse to use his finest paints. And, as a bonus, by using your own experiences, you will become better educated about yourself.

 FOUND

 Don’t forget that the act of revealing is also an act of exploration.  Don’t be afraid if you learn more than the reader you’re trying to educate.  Writing is not an exact science.  (Or even an exact art.)  Often you will find that the road to salvation has a fork.

 A

 Your future is paved with your past.  If you want to learn how to grow as a writer, you need to look back at what you’ve written. With time and a detached eye, your will find your mistakes become clearer.  Remember that it’s failure, not success, that bests drives education.

 WAY

 The problem with looking for a single solution is that you’ll never find more than one.  And the first one isn’t always the best.  But if you’re open to the possibility that every problem has an infinite number of answers, you’ll have the freedom of choosing the solution you want.  

 TO

 Sentences are filled with freeloaders.  Because writers seem to love overwriting. (I include myself in this camp.)  Make sure to create time for the editor side of you to prune unnecessary words.  If a word can be excised without any harm to the sentence, it has no right being there.

 SAY

 I’m spending my time today talking about elegance in prose, but most of what I’m saying is applicable in speech.  The key difference is that prose has less defining attributes like appearance or tone.  The key to elegant speech is making people focus on the words rather than everything else.

 A

 It’s ironic that something designed to be so simple can be so complex.  But that, my faithful readers, is the joy (and mystery) of elegance. Like an onion, elegance has numerous layers that reveal themselves as you slowly peel them away.  Oh yeah, and it can sometimes make you cry.

 LOT

 An interesting exercise is to look at each word you’re using and think about how much content is loaded in that word.  Then explore what other words exist that fulfill the same role but with added content.  Once you’ve found the word you can’t best, move onto the next word.

 IN

 A good way to get better at understanding elegance is to look for it in every day life. I think you’ll be pleasantly surprised where and how often you find it.  Study each example carefully and try to see if you can put your finger on what makes it work.  

 A

 Writing is a shared endeavor.  No one owns the words.  If someone uses a technique that works, there’s no shame in borrowing it.  Like science, writing creates technology that’s brought back to the group to spur further advancements.  Elegance is hard enough to accomplish without refusing to use the toolbox.

 LITTLE

 How big should a piece of text be if you want it to be elegant?  The answer is as big as it needs to be – and not a word more. Just think of it as playing the game Jenga. Keep pulling words out of your prose until it collapses.  

 SPACE

 One of the most important lessons in art is learning the value of negative space, the idea that the eyes are equally drawn to what isn’t there.  Prose has a very similar quality.  When writing pay careful attention to what you aren’t saying. Often it will speak the loudest volume.

 ENJOY

 For some reason people tend to equate dignity with seriousness.  And as such they come to the false conclusion that elegance has no room for humor.  Ironic as humor is one of the most elegant of styles.  A good joke is no longer than is necessary to do its job.

 MARK

 As is always true when I head off the beaten path, I am curious to hear your feedback.  What did you think of this article?  Was it entertaining?  Was it educational? Did you actually read all fifty links?  And if not, why not?

 Tell me.  Inquiring mind wants to know.

 ROSEWATER

 I couldn’t end this week’s column without my trademark closing.  I mean, how inelegant would that be?

 Join me next week when  I go from being a letter man to a Letterman.

 Until then, may you learn to appreciate now just the “what” but the “how” and “why”.

 Mark Rosewater

[writteninlunarlight-years]

Busy days give cute ideas-

Since the Hotel was rebuilt, Lucifer has stepped up and has started doing Kingly things again. Talking to the Sins- helping them sort out arguments basically- but also helping Charlie brainstorm ideas for bringing in Sinners and activities.

He forgot how busy being a King made him-

Then Reader, a Sinner that came after the Extermination because they saw the King Himself saying to try redemption -plus free room!- grabs him one day without warning, and throws him into bed. Just full on waits on his every need, watches a movie he hasn't seen before but does like, makes lunch and dinner for him, plays card games-

They do everything Lucifer has been seen enjoying. And Reader remembered? He barely spoke to them, but here they are. Being kind to him.

Basically a full day of reasons why he deserves a break, Lilith wasn't anywhere near as caring as he falsely remembered, and that he REALLY needs to get to know Reader now-

Lazy Dayz in a Dreamy Haze

Busy Lucifer x GN!Reader

TW: Overworking, relationship issues, sad feelings

(I am almost positive I made this completely gender ambiguous. Please tell me if I missed something or gendered the reader at all!)

Your fall from grace wasn't anything to really write home about. You were a grade-A lazy person in your mortal life, and that inevitably led to your less-than-amazing death. You could sleep wherever and whenever, find the best binge-worthy shows, and overall, you know how to relax for a good time. 

You were a little confused when you saw Charlie's original broadcast for the hotel. How could you ever be redeemed when your sin is just simply enjoying your free time? This seemed like too high a task for a mere princess to accomplish, not to mention that once word got out that the Radio Demon was helping her, it was even more of a put-off. 

You followed the story, though; Kattie Killjoy documented it every time something happened in Charlie's unsuspecting life. You also were one of the lucky few to witness the downfall of Vox’s pride due to the Radio Demon. 

When the extermination got pushed up to only a couple of days away, you had even more doubts about this redemption policy the princess wanted. When the broadcast showed Lucifer there, ready to strike down, the angels soon to torment more than just the hotel if they didn’t win; something moved in you. 

The following day, you packed up your small things and made your way across the city to the hotel. You didn't expect much when you joined the Hazbin Hotel. You saw that the king endorsed it, and if the king said it was cool, then why not? You didn’t reasonably expect your whole life to change, though. 

Not only did you gain a little family of friends, but you also got free room and board so long as you completed Charlie's exercises and you got to see him. Lucifer Morningstar was a pragmatic character in the grand scheme of things. Where his daughter had illusions of grandeur, he was there to make things happen and make things work. Doing this, however, cost him what looked like a great deal.

Lucfier worked day in and day out. Even though you lived in the same hotel as him, you hardly saw him not doing something for Charlie or one of the other inhabitants. Seeing someone doing so much to make a dream come true and not take care of his own was sad. Maybe this was when the first inklings of your feelings for the king kicked in.

Growing close to the others in the hotel, you eventually learn all about Lucifer's problems in his past, from harboring poor feelings towards his fellow angels to having to deal with losing Lilith and his daughter. Luckily, he and Charlie rekindled some of their relationship, but it was clear Lucifer worked himself to death to avoid thinking about the missing person. Lilith, though a once prominent figure in hell, was still not found, causing a lot of people, including Charlie, to assume she just never was going to come back.

You got confirmation about Lucifer's depression one rainy night sitting at the bar. You were busy talking to Husk about Charlie's upcoming bonding retreat when a groggy Lucifer came down to get a drink. While he sat next to you, the bags and lines around his face were as clear as day. For an immortal being, he looked like he was knocking on death's door. He had been working long into the night to ensure Charlie’s next adventure went on without a hitch. 

You had nothing against Charlie and immensely enjoyed her company. You can only assume Charlie hadn’t given her father a break because he was never this vulnerable around her. You knew Husk had a way to get people to open up, but you were surprised he was opening up in front of you. He looked exhausted, as if sleep had invaded him for nights. You wanted to hug him, wrap him in blankets, and tell him to sleep.

While looking over the man, you noticed a band of gold on his hand that he awkwardly fidgeted with. Taking the context clues and knowledge from those in the hotel, you'd bet that was his wedding band. While watching him drink his fourth glass of whiskey for the night, you leaned over and placed a comforting hand on his. “I know you don’t know me well, but Lucifer, you are doing an amazing job. It’s okay to stop and breathe a little. You won’t be letting anyone down if it’s to help yourself.”

His look was no less than shocked; from what you gathered, no one ever really talked to him in a comforting manner. “Uh, well, thank you, Y/N;  you know I am happy you joined the hotel. You will be an excellent Winner if we can ever redeem a soul.”

That statement struck a cord in you again. Why did he know that you would make a good Winner? He had barely even met you when you joined the hotel. He was always so busy and working that the most you two said to each other on a given day was a small hello. Yet he knew enough about you to tell you would make a great Winner. You didn’t know that Lucifer was paying attention from the beginning of your journey at the hotel. He always said his job was to help make dreams come true, especially his daughters. So when you came along and started helping everyone with your calming aura and comforting ideas, he took extra notice of you. That's why he knew all your favorite napping spots, how you put self-care and rest above everything, and how you wanted to help others as much as he did. 

From that day forth, you looked at the King of Hell differently. Instead of wondering why he was so busy and never saying no, you looked for all the times he grabbed that band. In doing this, you learned he liked to make rubber ducks, enjoyed the circus, had a fixation on apples, loved to sing randomly, and had a knack for helping others. 

Honestly, the last part wasn’t that surprising. Charlie had to have gotten that trait somewhere. With Liltih being AWOL and the stories you heard in passing about the woman, you figured she wasn’t where Charlie's helping streak necessarily originated from. Taking this knowledge, you devise a plan to help the King of Hell finally get some reprieve. 

Executing this plan flawlessly took a couple of days. From finding all the proper materials to convincing Charlie to make sure no one called on Lucifer, you had your work cut out for you. You didn’t know why you cared so much about what happened to Lucifer other than it tugged at your once-beating heart that he was so overworked and undervalued. 

The day finally came for you to stop the overworked man and get him to slow down. As he started his day bright and early, you were already downstairs waiting. His arrival was right on time, and everyone knew that when he asked the dreaded ‘what can I do for everyone today’ question, they all had to say nothing. 

When he heard he had nothing to do, Lucifer returned to playing with that ring on his finger. This was your cue to help him find a better way to distract himself than taking on millions of small tasks. You stood before Lucifer, hand outstretched with a broad smile, “Do you trust me?”

You were met with little hesitance, and before you knew it, you had taken Lucfier up to the day room on the top floor. You had set everything up for the first half of your relaxation day. There was a giant pillow fort taking up center stage of the room. 

Lucifer was taken aback. This was the sweetest thing anyone had done for him. It is a little cozy retreat away from having to work, a welcomed distraction. He was excited to see what your mind came up with. The whole interaction left a warm feeling in his chest, one he didn’t know if he was ready to explore yet. 

Crawling in, you beckoned Lucfier to join you inside and get cozy. The magnificent fort was littered with various comfort foods, cozy blankets, and a TV with what Charlie called his favorite shows. Turning on the fairy lights and TV, you immediately saw the tension in his shoulders begin to relax. 

You two stayed there for hours, watching shows, eating good food, and talking. Lucifer didn’t know when the last time he allowed himself to be this free with another person. You were content making sure he understood how valued he was, but you couldn’t deny the proximity, and the ease of the conversation was beginning to make you feel some type of way. 

When the final movie was put on the TV, you let out a slight yawn. You had never disrupted your sleep schedule and nap time for someone else before, and your body was beginning to disagree with you. Lucifer took note of this and scooted a little closer to you. When you looked up at him, he just patted his shoulder, and you understood he was offering assistance to you.

You laughed gently in your hand, shaking your head. “No, mister. I am supposed to be helping you, not the other way around. Come here.”

As you said this, you repositioned the situation, so Lucifer rested against your chest. Your arms were wrapped around him, and you were gently playing with his hair. Lucifer hadn't complained about this, so you deemed it safe to continue. His hair was soft, with a little gel from when he woke this morning. Eventually, your hand stopped moving as you drifted off to sleep. 

Lucifer was content like this. He hadn’t been held in so long. This was something he only dreamed of doing with Lilith once more. He thought about all these things and felt your hands slow and your breathing even. 

Lifting his head slightly to look at you and not wake you, he realized you were lovely. The thought initially scared him as he hadn’t thought of another since Lilith, but your compassion and kindness were a refreshment. Slowly, he rested his head back on your chest and took a much-needed nap. 

You had woken first, feeling Lucifer tighten his grip subconsciously around you. Smiling, you stroked his hair again as you pulled out your phone. There was still an hour before the final stage of relaxation day could continue. You closed your phone and realigned your attention to Lucifer. 

He looked so beautiful, almost angelic if you were allowed to say that. He let out tiny snores, and you could nearly not see the bags under his eyes. You gently caressed his cheek without thinking, and when he nuzzled your hand, your face lit up. You told yourself he wasn’t ready and to diminish these feelings immediately. 

Once the hour was up, you gently woke Lucifer with a light shake. He rubbed his eyes and stretched, looking at the now-darkened TV. Once he was situated, he got out of the fort with you, ready for you to lead him on the next adventure. 

You strategically chose the top floor for the fort retreat so everyone else could set up downstairs. See, your plan helped kill two birds with one stone. Charlie wanted a fun way to bring in more sinners, and you wanted to help take the stress off Lucifer's plate. In doing so, the Hazbin Hotel Annual Carnival was born. 

As you arrived downstairs, the carnival was in full swing. Flashing lights, games, food, and even a circus event were happening. You turned to look at Lucfier and shouted, ‘Surprise!’ He was astonished that you not only considered giving him a brain break but also made sure to add something physically fun. 

This was particularly useful in two ways: he loved the circus and would be tired when he went to bed if he got worn out at the carnival. You showed him around the carnival with a broad smile on your face. All the regular inhabitants of the hotel were the carnies and some outside friends Alstor enlisted. 

As soon as you explained everything, Lucifer had your hand in his and dragged you around. Though you were still exhausted, seeing this man so happy was well worth it. You participated in the games and the face painting. Lucifer laughed hard when he saw you get his Iconic makeup done. 

As you made it to one of the last games, you found Angel managing the Apple Bobbing contest. With a broad smile, you drug Lucifer over and place your bets on who could get the largest apple. You hoped the newly painted makeup would withstand this trial as you went first. Coming back up with a tiny apple, Angel had to make one of his inappropriate jokes. 

Next, the king himself went for an apple, not before blushing at the lewd comment Angel had made about you. He really needed to teach him that it's okay to keep thoughts inside. As he went down for an apple, he found a golden one and took his chance. Popping his head up, Angel rang a bell, signifying the grand prize. 

Lucifer was handed a giant white snake plushie with a top hat as his winnings. He smiled, holding the cute item, and then turned to you. Gently, he wrapped the snake around your arm and shoulders, smiling wide. Your heart fluttered at the notion that he had given you his grand prize, no questions asked. 

Over the loudspeakers, an excited Charlie could be heard asking everyone to come to the big top for the show. Lucifer was excited that his daughter, as a ringmaster, would entertain all these guests. As you two took your seats in the crowded room, the lights dimmed, and Charlie, in an adorable outfit almost identical to her father's, came out. 

The smile on Lucifer's face when he saw Charlie look and act like him was heartwarming. You could almost see tears in his eyes. Lucifer was notably the most involved watcher of the show, answering questions, raising his hand for volunteer options, and even performing a song with Charlie. It was a fantastic event that left many impressed. 

As the circus act ended, Charlie approached you and thanked you for taking over this task. She had already gotten many people asking to enroll in her redemption program. While Charlie was talking to you, it was missed by all the knowing soft smile Lucifer had while staring at you. He realized that he hadn’t gone to rub his band once this entire day since you showed up.

Looking down at his hand, he moved the band from his left finger to his right. He wasn’t fully ready to let go of Lilith, at least not in the semblance of her being the mother of his child, but he was ready not to let his past hold him back anymore. He walked over to you and Charlie and gently interrupted the conversation, asking to steal you away. 

Charlie said yes, giving you a big thumbs up before she went on her own way, too. You gave Lucifer your full attention again as he led you to the Farris Wheel. Climbing aboard, you two faced each other and began talking like earlier that day. The conversation seemed so fluid for you two, making this a beautiful moment. 

Once at the top of the wheel, there was a sudden jolt, causing you to move forward and land in Lucifer's lap. Both of you laughed gently as you resituated back in your seat. In doing so, however, you noticed his left hand was bare. You panicked, “Where did your ring go? Did it fall when I moved? We have to look for it.” 

Lucifer just laughed at you and shook his head. He showed you his right hand now adorning his wedding band. You calmed down and looked at Lucifer as he explained, “I have never been so well taken care of, Y/N. To say I appreciate you would be an understatement. For seven years of my life, I have lived in this dark shadow that I was at fault for losing all I held dear. Though Charlie has been there trying to help, I still drown myself in work to forget Lilith.”

Lucfier repositioned to sit closer to you, looking you in the eyes, “However, you have impacted my life since the day you arrived. I have been watching you and find your efforts to comfort and help those around you refreshing. I find it so amazing you even took time out for me to plan all of this.”

Lucifer gently touched your cheek as he continued, “I have loved every minute of this day, and as I began to love it more and more, I realized I couldn’t let Lilith control my life forever, especially if she wasn’t here. I am not ready to completely let go; she is the mother of my child, and I hope she is alive and well. I am saying, though, that I am ready to move on and try to live more carefree again. You, Y/N, have been a dream come true.”

Tears welled up in both your eyes as you took in the words. You smiled and reached your hand out to hold his. Hand in hand, you two laughed and looked over all of hell from the top of the wheel. You were happy he finally accepted being free from his past and taking self-care and love for himself seriously. It was also astonishing that you were the one to teach him this. 

As the Farris Wheel ended and let you two off, the darkest point of the night finally hit. Grouping up at the front of the hotel, Lucifer's arms wrapped around you. A beautiful array of fireworks went off while you looked up to the sky. Turning to face Lucifer, you felt like you were living a dream. Who knew Lazy Days would result in a beautiful Dreamy Haze.

#x reader #hazbin hotel x reader #hazbinhotel #hotel hazbin #hazbin #hazbin hotel #hazbin lucifer #hazbin hotel lucifer #hazbin hotel lucifer x reader #lucifer morningstar #lunarwritings #moons #alastor the radio demon #hazbin alastor #hazbin hotel alastor #alastor x reader #lucifer hazbin hotel #lucifer x reader #hazbin hotel charlie #hazbin hotel husk #hazbin angel dust

[hauntingrabbits]

More Batman/My Little Pony au art because these are ridiculously fun to draw. Part 1 here!

More info under the cut!

1. Sweet Talk/The Harlequin (Harleen Quinzel)

Originally contracted to work as a psychiatrist for the Tartarus villain redemption program, Sweet Talk had a unique relationship with the Joker. This relationship was proven to be even stranger than her coworkers had originally assumed when she broke him out and joined him in his life of crime.

Devoting herself entirely to her new life and relationship with the joker, she covers her original cutie mark at all times. Snce her horn was snapped she can no longer cast precise spells, leaving her magic mostly emotion-based and intensely volatile, (typically manifesting in the form of sparks, zaps, and explosions).

Other Notes:

-Using Tartarus as a substitute for Arkham Asylum for this au because why not.

-The villain redemption program did NOT go well. Sorry Twilight.

-Mostly based on BTAS Harley because I adore the original costume.

-Her horn was cracked by the Joker

2. Pudding Pie/The Joker (The Joker)

Batpony’s most notorious foe. Said to have been just a regular pony until he fell into a vat at an Ace Potions factory during a conflict with Batpony.

He doesn’t have a Cutie Mark, but it’s unclear whether this was always the case or instead a result of his accident. The effects of permanent Cutie Mark loss—the only known cases of which occurred via long-banned magic and/or traumatic injury—are largely unstudied, and it’s ramifications are unknown. Some ponies theorize this may be the reason for the Joker’s mental state and general disposition.  

Sundown has a different opinion on the matter.

Other notes:

-Based mostly on BTAS joker and the ‘89 Nicholson joker.

-His name is just based on Harley’s “pudding” nickname for in in a lot of versions, but I think it would also be hilarious if he was a distant relative of Pinkie Pie.

-I could leave it ambiguous but. Yeah the potion vat didn’t actually do anything beyond slightly altering his physical appearance. He’s just like that and he never got a cutie mark in the first place.

3. Gadiel/Scarecrow (Jonathan Crane)

Raised among ponies, Gadiel was relentlessly bullied for being gangly and birdish, earning him the nickname “Scarecrow” in his youth. Though he later successfully became a professor and psychologist in Gotham, Gadiel was eventually fired when he was found to be testing his fear-inducing potions on his students and purposefully putting them through terrifying and dangerous situations. Deciding to take his experiments to the masses, Gadiel donned the mantle of Scarecrow and weaponized fear to become a career criminal.

As the Scarecrow, he’s known for his skill in manipulation, psychological torture, and crafting dangerous potions and gas. The effects of fear on magical creatures are unique and intense, much to Gadiel’s delight and interest.

Other Notes:

-I wanted to make his front half a crane but I couldn’t get the long neck to work right with the mask, so he’s more crow-like instead.

-according to the wiki 1/3 of Griffin names start with a G so naturally I was extremely tempted to name him Gonathon and you should all be very grateful I did not. The name Gadiel has origins in the bible as the name of an archangel which I thought was fitting given the insane religious trauma some versions of the scarecrow went through. I thought about trying to do something similar for this version but given that the mlp universe uses Princess Celestia as a replacement for God in expressions like “Celestia knows where” and “Oh my Celestia” I wasn’t really sure how to go about it. There’s probably some kind of sun-worshipping thing in equestria idk.

-I spent a long time on the mlp wiki but from what I could find the only “fear” magic in the show is just used by one guy and its just called “dark magic”. I thought for sure there would’ve been some random plant or magical creature they dealt with at some point that maybe did something similar I could use for his blurb but unfortunately there was not.

4. Mandible/Falseface (Basil Karlo/Matt Hagen)

Hungry and deeply resentful of the changeling queen for forcing her underlings to share what little stolen love they had with her, Mandible went rogue early on and split off from the hive to pursue his own ventures. Finding success under the name Claypose as a pony actor in Gotham, he was sustained primarily by the one-sided love of his fans for years, despite the false identity having no real prior personal relationships to leech from. 

After a magical special effects accident on set revealed his true nature, he went into hiding and immediately started crafting a new persona, but soon found in his distress and rage over losing his identity as Claypose that he could no longer sustain any disguise long enough to keep up a long-term facade. Blaming the accident, he targeted the unicorn responsible by posing as his wife to leech his love, but ended up killing the pony in a panic when his disguise failed much faster than he’d anticipated it would. Unable to keep up a new identity or return to the hive, Mandible turned to a life of crime instead, doing dirty work for the bigger criminal names in Gotham and leeching love from his employer’s targets to survive.

Other notes:

-Clayface being a changeling was an obvious pick given his power set but I really wasn’t sure how to tackle the main issue of him being unable to keep a solid form for long. I went with his distress and frustration being the main thing keeping his disguise flimsy (so he gets put in kind of an ourobouros cycle where his disguise being bad makes him upset but him being upset makes it harder to fix his disguise), but the magic accident probably also contributed somehow.

-Why are all the changelings straight up just named after body parts in this show whats that about. The “Clay” in Claypose is obviously a reference to his title/schtick in the comics while the “pose” comes from both his job as an actor and the fact that he’s posing as a pony. Mandible is the name for the jaw part of an insect.

3. Winglon/Killer Drake (Waylon Jones)

Originally intended to be used in an entrance exam, his egg was stolen from a Canterlot delivery cart on its way to Celestia’s school of magic and sold on the black market to a Pony Island circus. Raised to be part of the freak show, Winglon was pitted against circus performers and overconfident challengers in ring fights for money and entertainment. Enduring abuse and injury throughout his life from ponies that he was always fundamentally stronger than, it was only a matter of time until he snapped. Garnering the name Killer Drake for his actions, Winglon escaped into the Gotham sewer system.

Not knowing how to return to the dragonlands or whether he’d even fit into dragon society at all, he continues to lurk in the dark away from any life, deeply resenting ponies and all other manner of magical creatures that make friends with them.

Other notes:

-I like silly names ok. Winglon Jones. -I like the theory that the dragon egg used for Twilight’s entrance exam was actually fake/meant to be a no-win scenario, but I also don’t think it would be that hard for enterprising ponies to get their hands on dragon eggs. The practice probably stopped in the later seasons when they made friends with the dragonlands or whatever though.

-Given that dragons threaten to eat or kill ponies at multiple points in the show, the cannibalism is actually kind of understandable. And also not even cannibalism anymore. Still murder though.

#harley quinn #harleen quinzel #dc joker #joker #dc scarecrow #jonathan crane #dc clayface #Clayface #Basil karlo #matt hagen #waylon jones #killer croc #Batman #Batman au #mlp #mlp fim #mlp au #mlp art #My little pony #this isnt even all of it yet Im working on the riddler as we speak #my art

[class1akids]

The current conversation is really interesting about the importance of framing in the story. For the savior squad, why do you think Horikoshi went towards drawing the child versions of each duo? Do you think that it represented how the hero & villain saw themselves/ each other in their clashes or was that more to sway the audience to the emotional stakes in the battle?

I think it's a bit of everything:

The story seems to tell us that heroes and villains in their current form can't understand each other because their lives are two different.

2. But that if you look deep enough, every villain is eventually a human with something inside them - an origin.

3. So even if it's impossible for heroes and villains to understand each other, they can dig down to that "humanity" (which by implication is deeply dehumanizing of the villains) and try to reach that.

I think that's partially what the kid images try to reflect - that human origin that can be recognized (but apparently not necessarily saved).

Having said that, the kid images I think in the 3 fights functioned a bit differently.

Dabi vs Shouto

This fight by far has the least kid imagery, and some people think that it's because Touya is the least redeemable.

But I think, for me, it has more to do with each stage of the fight.

In stage 1, Shouto asks Touya to reveal his backstory, which ends with Touya talking about how when he want home, "Touya died and Dabi was born". So the stake in the rest of part 1 is to see if there is still a Touya inside. Which evidently there is. But showing them like this, also draws attention to their backstories, to how it was Endeavor who did this to them which helps frame the Endeavor fight.

2. In stage 2, we get kid Touya image, to show Touya regressing mentally, but also to emphasize Endeavor's crushing guilt.

3. This again is emphasising Touya's regression and his child-self's need being filled. He's at Sekoto peak, but this time the family is here.

4. The most ambiguous child-self image is crying Shouto, which I think is clearly Touya's pov. And I'm guessing, that's Touya internalizing that Shouto is his brother, desparate to reach out and save the family. It's meant to show some kind of perception flip of Touya.

I'll do the other fights in a separate post.

#c1a asks #bnha manga spoilers

[yuurivoice]

not really a question, but I LOVE the little staticky glitchy sound effect that you’ve been adding to the end of your videos lately!! It scratches my brain so nicely !!

This probably isn’t intentional, but I find it to be so weirdly versatile. It’s loud enough that you can tell when the audio’s ended, but not so loud that it’s startling or upsetting. In a way it sort of enhances the feelings of any given audio? Like, hearing it at the end of a comfort audio feels like a warm hug goodbye, but hearing it at the end of something like the Withered Finn audio makes it eerie and foreboding.

I’m just an audio nerd who enjoys some good sfx. You, sir, have chosen an excellent noise lol

I can't take too much credit for that, because Thoo was responsible for the specific selection! When I was giving her notes on what I was thinking for the outro video, I had three possibilities.

Complete silence.

Subtle queues, potentially with softspoken outro by character.

Gentle background music.

I think she found the perfect transition sound. It doesn't intrude, but is distinct enough that it's doesn't go unnoticed. It's a very ambiguous sound, like you've mentioned here, you can attribute a lot of different vibes to it. The big thing was just making sure it doesn't aggressively rip a listener out of the scene, because audible whiplash when you might be balls deep in imagination land is a bad time.

I'm hesitant about things like intros too, a ~10 second bump at the start wouldn't hurt anything, but I feel like it very rarely adds anything. Something that is flexible and showcase-y without being a big jerk off session would be cool. Not to double down on Marvel references today, but their intro that showcases various characters and moments as we pull out to see the big Marvel title card, with the music, is pretty fucking great in that regard. What could essentially just be nonsense (ironically I feel that way about the Star Wars helmet thing they do now, because it's entirely restricted to Droids and Helmet havers, if I recall correctly), is now an anticipatory part of the intro. The score, the visuals, all contribute to telling the story while reminding the audience that this is YOUR shit. They already know, but if it's done well enough, it builds hype. The lights are dimming, everyone has put their phones away, and the show is starting. I love digging into stuff like that and trying to figure out why it works.

I don't think my brain is big enough to come up with something quite that dope for my own stuff at the moment, but it's certainly a thought. lol

#yuurivoice

[tobiasdrake]

Okay after that ask about Ranma at a Tenkaichi Budokai, I have been haunted throughout my entire day of work by this concept. So this occupied my mind instead. And now I have a tournament bracket.

Please note that this is not based on, like, Versus Feat Analysis and stuff. Just thinking about what would make for an interesting crossover tournament arc.

Note: I am not a writer so this is all probably pretty janky but these are just the broad strokes ideas I had.

Also please note that it's been like a decade and a half since last time I read Ranma 1/2 so my memory's pretty fuzzy on a lot of things. But like here are some vague notes for what I think would make a fun and interesting Dragon Ball vs Ranma 1/2 tournament arc.

Some narrative considerations to take into account:

We want every match to be a Ranma 1/2 vs. Dragon Ball fight, so that means two characters from both have to win their matches in the quarterfinals. This is a bracketed tournament so in story terms it wouldn't be specifically these four guys against those four, but for the purpose of storycraft that'd be the intent nonetheless.

Goku and Ranma have to be the final, so they're on opposite halves of the bracket. Both of these guys are going to fight their way through 3/4 of the other guy's cast, including each other. That's just how tournament arcs go.

Dragon Ball cast are at an ambiguous placement in ability. Somewhere after 22nd Tenkaichi Budokai but before Raditz landed on Earth. Somewhere in the general ballpark of 23rd Tenkaichi Budokai.

Ryoga is Ranma's biggest rival so it would be sensible for him to make it to the semifinals, but we have two women in this tournament and I don't want them both to get creamed in the first round.

Instead of a Tenkaichi Budokai, this may work better as some other undefined tournament to allow use of weapons. Ryoga, Ukyo, and Shampoo all utilize varying degrees of weapon fighting in their arts, so standard Tenkaichi Budokai rules would be a significant nerf. If the DB cast get to fly, then the Ranma cast should be allowed their weapons.

There should be a sudden inconvenient rainstorm that sweeps in, timed at a moment when all the cursed Ranma characters can be forced to shapeshift but not in a context where it will decide the outcome of the fight. Like. Three of the four Ranma characters here have curses, and I don't want Ryoga or Shampoo to lose because they turned into a pig and cat respectively in the middle of their fight. So it should start pouring during one of Ranma's matches, preferably quarter- or semi-final.

The Kamehameha is generally portrayed as unimpressive compared to other ki techniques in Dragon Ball; It's pretty basic but its versatility allows practitioners to do tremendous things with it. For his part, Ranma's self-taught Moko Takabisha, a variant of the Shishi Hokodan he invented because he can't get as depressed as Ryoga, is powered by his own self-assurance. So I think it should be treated as stronger than the Kamehameha when Ranma's cocky but weaker if a fight's turning against him.

So, brackets and some vague outline notes.

QUARTERFINALS

Round 1: Ryoga Hibiki vs. Son Goku

If Ryoga's only going to get one fight then it should be a good one. An opening quarterfinal match worth of a semifinal or final round, to set the stage for the fights to come and establish Goku as the Guy To Beat for Ranma's cast.

Fighting Goku would give Ryoga a great opportunity to pull out all the stops and unload everything in his arsenal. Bandana missiles, using his heavy umbrella like a sword, his Breaking Point technique, and of course, his signature Shishi Hokodan.

Ryoga's Shishi Hokodan is shown to be tremendously powerful, potentially rivaling Tenshinhan's Kikoho. The qualifiers would be a great place to show off its full might and set up tension for this match. Ryoga blows away a formidable Dragon Ball character, maybe Jackie Chun, by blasting them with a full-power Shishi Hokodan.

But I think his reason for losing the match would be because he can't bring out its full power. It's fueled by depression ki; The more Ryoga allows himself to be absorbed in depression, the more powerful it becomes.

But Goku historically is fucking fun to fight. He has always had a knack for not just enjoying his matches with others but being enjoyable to face off against. Most of his rivals were redeemed specifically by how much they enjoy fighting him. Even the ultimate evil Frieza has made suboptimal decisions out of a fascination with matching fists against Goku.

Even if you don't like to fight, it's hard to be unhappy when you're trading fists with Son Goku. He is the embodiment of pure martial arts enjoyment. Despite himself, Ryoga would simply be enjoying himself too much to unleash a full-power Shishi Hokodan, and be undone by how fun this fight is.

Unable to access his ultimate technique, Ryoga opts to remove Goku's options. Using his Breaking Point technique, Ryoga destroys a corner of the ring under Goku's feet, but when the dust settles, Goku managed to make it away from the corner and avoid ringout. Implied but not directly shown that he used Bukujutsu. Ryoga keeps it up, destroying chunk after chunk of the stage until there's only a little bit left. Goku baits him with a Zanzoken/Afterimage into destroying that as well, appearing behind Ryoga and striking hard enough to send Ryoga out of the ring and into the dirt.

Round 2: Ukyo Kuonji vs Krillin

Okay gonna be real with you at first I was gonna put Shampoo as the other Ranma character who makes it to semifinals but then I was thinking about Ukyo's abilities and realized I wanted her to fight Goku so, so bad you have no idea.

Krillin's built around sucker punches and unpredictable techniques. For her part, Ukyo's culinary fighting style is fucking weird and difficult to read. From tempura bombs to flour smokescreens to adhesive batter and yakisoba binding ropes, Ukyo's got her grill and her giant melee spatula (plus smaller throwing spatulas), and she's here to cook up a victory.

Krillin mistakes Ukyo for a boy? As a flip-flop reference to when he thought Upa was a girl by way of Ukyo's canonical androgyny and non-binary presentation? Is this something? IDK.

For the first exchange of the match, Ukyo brings out her grill and cooks up some tasty okonomiyaki, then gives some to Krillin as a gesture of good will. It's a bomb, comically exploding in his face; Ukyo draws first blood before Krillin even realizes the fight has started, and they begin trading blows from there.

Krillin has Ukyo on the ropes for the first portion of the fight. He surprises her with his quick movements and distracting ki blasts, every move and exchange meant to pull attention away from where his next punch is going to come from. Physically, he's tough; Ukyo clonks him on the head with her spatula full strength in an early attempt at a KO, but he's just too strong. But he starts losing steam as the battle progresses.

He only realizes what's happening too late, as the adhesive batter that the okonomiyaki bomb covered him in sets in. The heat from his own ki attacks makes the batter harden more quickly, slowing his movements over time.

Once Krillin realizes he's mired in glue, Ukyo detonates tempura bombs around the ring for her victory plan. Then she lassos Krillin with her yakisoba and ejects him from the arena before he has a chance to break free from the batter.

Round 3: Ranma vs Yamcha

I had to. It's tradition for Yamcha to go down in the first round against one of the major plot characters, typically the main rival to Goku. One of Yamcha's two main jobs in these tournaments is to act as a yardstick to establish how tough the other guy's going to be.

But he still usually gets to put up a good fight. The 22nd match with Ten had him debut his Kamehameha, while his 23rd gave him some solid moments too. Yamcha's going to lose this match but he should get to apply some pressure to Ranma while he's at it.

This might be a good place for the rainstorm. IDK. Would need to seriously consider how Yamcha would react to Ranma sexshifting mid-battle and whether that would make the fight more or less entertaining.

One image I have in my head for this match is Yamcha using his Rogafufuken/Wolf Fang Fist, only for Ranma to match his moves. The technique is based on a relentless assault, an overwhelming flurry of attacks. But Ranma's Chestnuts on an Open Fire training - cultivating striking speed by grabbing chestnuts out of a firepit without getting burned - taught him incredible manual dexterity, allowing him to parry each and every strike of the Rogafufuken.

Yamcha needs to break out the Sokidan/Spirit Ball in this fight, surprising and pressuring Ranma with his ability to remotely control his ki bullet. Ranma eventually stops dodging and uses a small Moko Takabisha to deflect, but this distraction opens him up to Yamcha rushing in with Rogafufuken. Yamcha admits that he borrowed this idea from his bro Krillin.

This is where we see Ranma's chestnut training allowing him to match Ryoga's strikes, and he starts backing off from the assault. Letting Yamcha push him back while pulling Yamcha into the spiral motion. Then, right at the crucial wolf-bite moment that ends the Rogafufuken, Ranma lands his punch instead and blows Yamcha away with the ensuing tornado. An ironic end to a technique that, in Japanese, is called "Fist of the Wolf Fang Hurricane".

Thus setting the stage for how formidable Ranma truly is, and giving Goku a chance to start doing the analysis for what he'll need to beat in the finals.

Round 4: Tenshinhan vs Shampoo

This is going to be such a weird match. Tenshinhan's got all the bizarre techniques: Taiyoken/Solar Flare, Shiyoken/Four Witches, Shishin no Ken/Multiform, enhanced three-eyed perception, etc.

For her part, Shampoo is highly proficient in a variety of weapon styles. Since weapons have been permitted here, she's got an endless supply of blades and staves and polearms to bring to fore. However, her most dangerous arts are what she's capable of when she gets up close, as she has an encyclopedic knowledge of bizarre pressure points that can do anything from memory erasure to instant KO to puppeting someone's body.

I don't remember if it works like this. But I have this image in my head of Shampoo sitting on the shoulders of a Tenshinhan copy and Ratatouilling him against the other Tenshinhans. And I would be very happy if that is a thing that is possible to happen in this fight.

In any case, Shampoo's weapon arts and pressure point techniques give Ten some trouble. She has potential instant-wins if she can get her hands on him, which he's able to learn about after using Shishin no Ken to tease out her abilities at the start. But after reforming back into one, he counters her with Shiyoken, using the extra dexterity of four-armed fighting to parry and counter her weapons while keeping her at arm's length and getting hits in of his own.

While also baiting her into mistakes by using Zanzoken/Afterimages. This is a pretty straightforward fight, and Ten's weird abilities let him clinch the victory.

SEMIFINALS

Round 1: Son Goku vs Ukyo Kuonji

For the first exchange of the match, Ukyo brings out her grill and cooks up some tasty okonomiyaki, then gives some to Goku as a gesture of good will. He ravenously devours it in seconds. The bomb explodes in his stomach and he comically opens his mouth to belch out the smoke from the blast.

This sets the stage for what the fight is going to be like. It's Ukyo's culinary martial arts vs Son Goku's bottomless stomach. He eats her tempura smoke bombs. He eats her yakisoba ropes. He eats her adhesive batter. He eats and he eats and he eats everything she has to throw at him.

He just. He won't stop fucking eating her moves. Finally, she goes to her grill and, in seconds, comically cooks up the largest okonomiyaki ever made in history and slams it down on the arena stage, crushing Goku beneath it. It spreads out so far it even reaches the audience stands.

As Ukyo watches Goku inhale her giant okonomiyaki, she concedes defeat and forfeits the match. Goku shakes her hand and thanks her for the most delicious fight of his life.

Round 2: Ranma vs Tenshinhan

Ranma's chestnut training allows him to parry attacks from Ten's Shiyoken, not unlike how Goku's Hasshuken once did. Still, I want Ten to really pressure Ranma for the first half of the fight in hand-to-hand, much harder than Yamcha did. Ten is stronger, faster, and better trained than Ranma, is the vibe.

First appearance of a killer move is when it works; Second is when it's thwarted. With that in mind, this is a good place for Ranma to pull the Hiryu Shoten Ha again, only for Ten to catch himself in midair with Bukujutsu and continue the fight; Forcing Ranma to grapple with the complexity of fighting an opponent who can freely levitate. With attention drawn to Goku on the sideline, studying Ranma's technique.

This leaves Ranma in the unenviable position of having to fight a Tenshinhan who is able to levitate in the air out of reach and fire Dodonpas. Ranma returns fire with his Moko Takabisha, but Ten easily floats sideways to evade the shot.

But then Ranma brings it back, landing a surprise hit on Ten's back. He's had time to think about Yamcha's Sokidan and how he can incorporate its remote-control movement into his Moko Takabisha. Once this reveal is made, Ranma raises the stakes with his Double Moko Takabisha, controlling each with separate hands - while filling one with hot ki and the other with cold ki.

Ranma harasses Ten in the air with his twin Moko Takabishas while Ten takes shots at Ranma with the Dodonpa. Unbeknownst to Ten, Ranma uses the two shots to form another spiral in the air, concluding by crashing them into each other and creating a new Hiryu Shoten Ha - This one snatching up Ten and drilling downward, driving him into the grass outside the ring.

FINALS

Final Round: Son Goku vs Ranma Saotome

Having devoured Yamcha and Tenshinhan, Ranma brings everything to this match. They fight up-close in quick and brutal melee exchanges where both give as good as they get, and they fight at range with ki blasts and Moko Takabishas.

There's a lot of I Know You Know I Know to this match. It's as much a chess game as a fight, with Ranma and Goku matching and devouring each other's skills. Goku takes Ranma by surprise with a Zanzoken, but Ranma figures it out pretty quickly and gets in a Zanzoken exchange with Ranma, flickering attacks in and out at each other. (Goku wins that exchange because of his superior sensing of an opponent's presence).

Ranma hits Goku hard enough to knock him up in the air, but Goku catches himself with Bukujutsu. Ranma attempts his spiraling remote-Moko Takabishas against Goku, but Goku's been watching his fights and is ready for this. He avoids the shots while following their motion and quietly building a pair of Kamehamehas, one in each hand. When Ranma's ready to collide his shots, Goku flies up between them and fires outward in both directions, dissipating the two Moko Takabishas with his twin Kamehamehas.

After landing back in the ring, Goku and Ranma go at it again, with Goku taking the upper hand and overpowering Ranma enough to hurl him from the ring. At which point Ranma catches himself in midair, revealing he's worked out the principles of Bukujutsu himself after going over that fight with Ten in his head. Neither opponent will be easily rung out. Ranma and Goku then take to the sky, pummeling each other.

The fight rages until both combatants are exhausted, left standing in the ring and unable to muster the ki for Bukujutsu - though not completely drained. This is Ranma's moment. All their blasts and heated fighting has filled the arena with lingering residual ki. Hot ki.

Meanwhile, with the last of his strength, Goku takes his stance and begins to intone. "Kaaaa meeee"

Similar to the Hiryu Korin Dan, Ranma uses a small spiral of cold ki to draw in all of the residual ki floating in the arena around them. He's two steps ahead of Goku, spinning all this floating energy up into what amounts to an energy grenade. The hot ki of Goku's Kamehameha will be drawn in with the rest of it, and the impact force will detonate it into a Hiryu Shoten Ha, firing back on Goku and blowing him out of the ring.

"Haaaa meeee"

Ranma hurls his grenade at the same time Goku fires his Kamehameha. And then Goku begins to curve his beam, twirling it in a large circle and getting steadily smaller and smaller. Rather than being drawn into the cold ki of Ranma's bomb, Goku's Kamehameha is drawing in all of the hot ki from it as it approaches.

Because Goku's been watching Ranma. And he's figured out how to adjust his ki's temperature from seeing Ranma do it so many times. Goku's Cold Kamehameha collides with Ranma's bomb, reversing its intended effect and detonating the Hiryu Shoten Ha back at Ranma. The blast hurls Ranma into the back wall, ending the match.

Goku ends the match on a friendly note, helping Ranma to his feet and showering him with praise for what a great martial artist he is and how cool it was to fight him. This fight really came down to the wire!

CHAMPION

The Winner: Genma Saotome

However, when it comes time for Goku to take his prize, it turns out Genma already plundered both the prize winnings and the trophy. Racing out the door, he physically picks a confused Ranma up and books it over the hills.

The Saotomes did not win the championship trophy. Nonetheless, they proudly have it in their possession.

#dragon ball #ranma 1/2 #son goku #tenshinhan #yamcha #krillin #ranma saotome #shampoo #ukyo kuonji #ryoga hibiki

[twinsarekeepers]

do you genuinely think people who draw/write book annabeth are racist?

This could be a disingenuous ask but okay, I’ll bite and answer honestly.

First of all, “book” Annabeth can be black. That is how I see her and have seen her even before the show casting was announced. A lot of people reading the books now see Annabeth as Leah. Everyone has a different interpretation of Annabeth’s physical characteristics in the books and to try and say “book” Annabeth is synonymous with “white” Annabeth is wrong.

(And no you cannot use the book description or official art as an excuse. Rick is awful with consistent physical descriptions. Multiple characters have changed hair color and eye color throughout the series. The official art has literally been changed twice. The recent book had no physical descriptions of the characters and was literally dedicated to Walker, Leah, and Aryan. Rick has also said that when writing the characters now, he sees those three kids as them. This is not me defending Rick, because he’s still a coward that plays both sides of this, but if you want to say the book character is white then that is simply wrong now. She, at the very least, is ambiguous enough for everyone to choose what she looks like. There is no definitive “book” Annabeth now.)

“Book” Annabeth and “TV” Annabeth are the same character. There are no significant personality or backstory changes between the book and the show character that can justify separating the two of them like that. The only reason people are separating them is because they want to hold onto to the white version of the character. (I know there’s going to be stupid people with no media literacy who don’t know how adaptations work in my mentions “explaining” the differences, but no. The show has done a very good job at taking the character on the page and finding ways that are suitable for the screen to depict the same characteristics).

Before y’all say that people do this with TV Percy and book Percy too: it did not start that way. “Book” and “TV” Annabeth began when the show was in production, before anyone could even see how the show would handle Annabeth’s character. When some of us pointed that out, people started trying to separate “book” Percy and “TV” Percy. It was literally a tactic to hide their racist intentions. (And again, there are not enough differences between the book and tv show character to justify this separation, especially when this started happening BEFORE the show even released to the public).

So that’s a little context to how this separation even started. I know what y’all are going to say. “But just because it started as racist, doesn’t mean it’s racist now!” And to that I say, sure, but that’s not the case here.

White Annabeth fanart has been consistently used to hate on Leah, a real girl. We all know how much Leah has been getting harassed and bullied for her role as Annabeth and when her casting was announced, people used fanart to discredit her. Artists who continued to draw white Annabeth refused to monitor their comments and they were filled with people hating on Leah’s casting. Not only that, but artists who started drawing Annabeth as black would get hateful messages and comments as well. Accounts were going as far to take fanart of Leah’s Annabeth and whitewashing it (and then putting it in the leahisourannabeth tag). This is still happening today. You can find comments under fanart of Walker and Leah’s percabeth saying “I prefer the originals” or “the originals are better”. That’s very obviously racism.

For this reason, we started saying to stop drawing and writing white Annabeth. It’s being used in a direct and tangible way to harass a real young girl. If enough people in the fandom refuse to engage with white Annabeth then the hate will significantly decrease. There are the obvious excuses to this: “people will be racist no matter what so what’s the point of even trying?” That’s not true. Racists are cowards, especially people who harass children. They are emboldened only by others. If they see people continuing to support the separation between the book and show characters, and drawing white Annabeth fanart, they’re going to DO racist things like get Leah’s account banned on tiktok.

And this is where the active racism occurs. People know that this harassment is happening and that the fanart that they produce is going to be used to harass Leah. Instead of deciding that they’ll do their part to lessen that harassment, no matter how small that is, they decide that engaging with white Annabeth fanart is more important. They can say that they condemn what’s happening to Leah and that it’s not their responsibility what people do with their fanart, but that still makes the action racist.

Y’all say that you condemn what’s happening to Leah, but then when given the tools to help lessen it, you refuse to do it. All because you want to hold on to a white version of a character. You spend more time defending that choice than going into your own mentions and deleting any and every comment that may become hostile to the kids, especially Leah. That is racism.

#percy jackson #percy jackson and the olympians #percy jackon and the olympians #pjo #pjotv #pjo tv show #percabeth #annabeth chase #leah sava jeffries #walker scobell #aryan simhadri #leah is our annabeth #leah is the only annabeth #protect black girls #my asks

[fictional-orphan-smackdown]

ROUND 4, MATCH 1!

All propaganda and what each competitor is from under the cut

The Baudelaire Orphans (A Series of Unfortunate Events)

The epitome of orphans, they’re the best

“I’m having a very terrible childhood right now”-Klaus

The story deadass begins with them being told that their parents died in a fire and that they're orphans now. They then bounce from guardian to guardian who tend to always meet a gruesome fate at the hands of Count Olaf. Not only have they been orphaned once, but have been orphaned multiple times and are called "The Baudelaire Orphans" by not only characters in the book but by the narrator himself. They're called "The Baudelaire Orphans" so many times that it might as well be a defining character trait of theirs, and honestly it sort've is. The series doesn't even end with them finding a home or guardians of any kind, it ends with the Baudelaires fate being completely ambiguous with them literally sailing away from the island they were stranded on in the final book (yeah this series is quite the journey, I highly suggest it). These poor three kids are probably the most orphaned kids of all time since their orphaned in a new way almost every book and they deserve at least one win in their unfortunate tale.

These guys are like the poster-child of orphaning, we open the series with them finding out that they're orphans and also have no access to their money so now they hop around from place to place from weirdo caretaker to another weird/crazy/murderous caretaker and it's all fun and games and murder and decieving and surviving and thriving and---my point is, these three are a wonderful trio of siblings who love and rely on one another through all their trials and tribulations.

Literally every single one of their problems come from being orphans. They’re continually referred to as orphans and the plot of the first half of the series is them being shuffled around to guardians.

These kids are so orphaned they never even get a found family outside themselves. At least most stories featuring orphaned kids see them fulfill some sorta epic destiny or have them find a new home or set of loved ones of sorts. The Baudelaires? They're thrown from one fucking failure of a home into the next, ignored, hunted, etc.. It's been years but like, even in the end, they still have to set sail alone. As individual characters, they aren't bad either. Violet's the dependable big sister who's knack for inventions comes in handy, Klaus is a well-read chap and Sunny is a lovely gremlin. They make a good trio.

Every single guardian they try to obtain throughout the series turns out to be someone who wants the large inheritance left for them and is willing to do whatever it takes to get it.

They basically fend for themselves the whole series when no adult will listern to them. The whole series is them being resourceful and clever the whole series despite the misfortune. Violet is a brilliant inventor, Klaus reads and collects knowledge, and Sunny learns to be a good cook over the series

their parents die tragically in a fire and then everything awful proceeds to happen to them

I haven't read these books in years but if any orphans deserve to win a smackdown it's these fools, they are constantly in the trenches in those books goddamn. Also that baby is like a shredder they have that on their side, I think that beast literally solo'd a snake?

(This one was specifically for Klaus, but I'll put it here still) He and his sisters being orphans is kinda the point. As in many books, it's the trigger for them to change lives and navigating hardships. The thing is, their hardships just grow worse and "unfortunate" (read "dreadful") events keep happening to them as they stick together instead of the story getting better. Klaus and Violet become Sunny's subtitute parents and get through their more and more miserable lives together keeping hope things would eventually get better

Arguably more famously orphaned than Bruce Wayne, if not for how their story happens while they’re orphaned children versus an orphaned adult. Definitely have the most famously tragic post-orphaning story. All three are incredibly brilliant in their own way, including the literal baby. Pursued relentlessly by the leader of a maniacal theater troupe and letdown by a slew of adults, so it’s all the more impressive how amazing they each turned out to be. Book series was so good it got turned into a pretty great movie and then a successful TV show years later. Also can’t forget how these three are orphaned repeatedly as the distant relatives who take them in get killed off in increasingly inventive manners. Let’s be honest, ain’t no characters out here orphaning like the Baudelaire orphans.

this series taught me so many cool words and phrases and I love each of the 3 main characters so much

Violet, Klaus, and Sunny are peddled from caretaker to caretaker over the course of 13 books, always being chased by the evil Count Olaf who wants to steal the Baudelaire fortune that the children are meant to inherit once they reach a certain age.

Spoilers ahead, the Baudelaires siblings story starts with them going from being the Baudelaire kids to the Baudelaire orphans, after their parents pass away in a mysterious fire. But they arent the only paternal figures that they lost, they go from tutor to tutor, almost all the good ones dying in front of them, and even the ones that survive at first their future is uncertain since the last time the kids see them they are blindfolded in a burnind building, and we never found out who make it out alive and who didnt. Even the main villian, Count Olaf their first tutor, and the only constant adult in their life after their parents death ends up dying in front of them. These three are orphans ten times over.

They are THE orphans. They have lost not only their parents but multiple guardians that they went to live with as well.

They're THE Orphans. The childhood book orphans we all read, Orphans Prime if you will. They lose their parents, every caregiver who's ever kind to them, then say fuck it and live on a deserted island on their own to raise themselves abd fully embrace their orphan status. On the island, they learn their parents survived the shipwreck then died again - double orphaning even.

OH MY SWEET LITTLE CHILDREN THAT FUELED MY LOVE FOR READING AND THE MACABRE Violet- Won her first of many invention competitions when she was five with an automatic rolling pin (comprised of a window shade and six pairs of roller skates). Extremely innovative and genius, foiled by her kindness to others. And she knows how to make a Molotov cocktail. Klaus- Absolute monster of a bibliophile, conducts research for fun, and has a photographic memory. He is known to want nothing more than "a good book, a comfy chair, and the warm glow of a reading lamp". He also is a Herman Melville fan, which is points for him in my book. Sunny- Most people know her only for her penchant for biting, but Sunny is a distinctly distinguished character. She has sharp wit (as long as you can read it through her babbles), her poker skills are phenomenal for a baby, and she has quite the knack for cooking! Also yeah, the teeth. She climbed an elevator shaft with them once.

They are constantly going through it, give these kids a break for real

Mina Murray/Harker (Dracula)

IIIIIIII Loveeeeeeee Herrrrrr, she's learning shorthand, she's the group scribe, she writes in her diary about her and lucy seeing cows on a walk, AND she's a train fiend. She's everything to me fr

#poll #a series of unfortunate events #violet baudelaire #klaus baudelaire #sunny baudelaire #dracula #re: dracula #dracula daily #mina harker #mina murray

[fideidefenswhore]

What are your thoughts on Jane Boleyn, and the role she supposedly played in the fall of 3 Queens (Anne Boleyn, Anna of Cleves, Katheryn Howard)? Do you think she has been too maligned by historians for centuries, especially when it comes to the relationship with the Boleyns (it seems she got along with Anne)?

Now that I've read both works and compared them side by side, I suppose I would say my stance on Jane Boleyn falls somewhere in between that of Julia Fox and James Taffe ('Somewhere in between' is not, btw, Alison Weir); although closer to the former than the latter. Offering critique of both biographies, I would say that of JF is too apologetic (smoothing out wrinkles that exist in her arguments rather than acknowledging them) and JT is too severe.

Especially when it comes to the relationship with the Boleyns? Yes and no. Obviously she was married to George, she sent him a message of comfort while he was in the Tower, and wore only black the rest of her life, which was quite the potent statement. However, I would allow for the possibility that she potentially, inadvertently implicated him or AB (ie, testimony of hers was twisted to suit the crown's case). This is where I think there are flaws in the arguments of some of her defenders-- they cannot allow for even that possibility and so make claims that disallow it; some of which are untrue. 'Jane was only blamed as a means of absolving Henry in the whitewash of Elizabethan propagandists' is not true. Johannes Sleidan in 1545 claimed that Anne and George died by her 'false accusation'. Sleidan was a Reformer, so he would have been more sympathetic towards the plights of these two than the average person, and would have spoken to others that were as well, but the motivation to vindicate Elizabeth did not yet exist; she was at this point the very unlikely third in line to the throne.

I do appreciate that you said 'got along' with Anne, not 'besties', because...it's possible they were very close, certainly, but we must also allow for the possibility of animosity. The linchpin for the argument of closeness is the report from Chapuys that they 'conspired together' to banish Henry's mistress from court. Was this the precise truth? Considering the source I'm doubtful. Probably there was a lady Henry was serving at this time (although that we never have a name makes the story somewhat suppositious), but did they need to have 'conspired together' against her for Jane to be banished from court (which is what happened instead)? Jane might have merely made Anne aware of her, and Henry finding out that she'd been the source would have been enough for banishment. Or, as was presented plausibly in Adrienne Dillard's fictional rendition, Jane might have dropped hints to Cromwell that this mistress was a supporter of the two exiled and contumacious royal women that were Anne's adversaries, Cromwell might have passed this along to Henry, and Henry might have banished Jane for shattering the illusion that this woman had no independent ambitions or ulterior motives and merely let him hit for the sheer pleasure of his company.

If this was evidence of closeness, and it might be, then we also have to remember that the end result was Jane's banishment from court, and that there is, as JT fairly pointed out, no evidence that any of the Boleyns spoke in her defense, favor, or for her return. It would take an extremely magnanimous person to accept all that with equanimity and not feel any resentment whatsoever. So, if there was intimacy, there might have also been rift.

That leaves the question: enough 'rift' for her to seek vengeance? I doubt that much for all the reasons Fox outlines in her biography, but at the same time I wish there was not this relentless push to only defend women that we assert 'deserve' defense, on the premise they were entirely selfless, accepted every insult with grace, never kept any grudges, never had personal ambitions (the actions she took during the queenships of those you mentioned would suggest otherwise), mixed emotions, or conflicting loyalties; that we could acknowledge that acknowledging the agency of historic women also means acknowledging they were capable of making mistakes.

#anon #it feels like an 'overcorrection' to some degree. if that makes sense? #altho that's generally what ppl say about AB too and i generally think they're wrong lol #'waaah AB apologism waaaaahhh joanna denny wahhhhhhhhhhhh h/ayley nolan' #bitch. no one serious is taking those seriously. if joanna denny was the definitive AB bio that would be one thing #the definitive is eric ives who oh no said in his personal opinion that his favorite was more attractive in personality and appearance #than the other...oh my god that is the worst thing anyone has every said in the HISTORY OF TIME #are y'all this sensitive in real life bcus fr. #how do you bitches SURVIVE.................. #anyway what i was initially going to say after coming back to this: #*ever #like the way this figure is used to have it both ways really bothers...me? #i think there's some ambiguity here but like #i read someone claim that JS must have been 'so sweet' bcus otherwise JB would not have been her lady in waiting.... #which is like. be fr? if JB loved george and anne she would have hated her lol #or at the very least have been uneasy in her presence (there's a great scene with this in adrienne's sequel btw) #but like...idk man. ppl just don't seem to get how humans worked? or have any sort of emotional; media; literal; literacy? #this was my thing with BSR too 'how dare THEY say henry NEVER loved coa how dare THEY say jane was to blame for anne's miscarriage' #like right...were 'they' saying that or was anne? or was that what anne believed? was the show perhaps from her (gasp) POV and so #these things were portrayed? i mean ffs.... by our literal primary sources those were the things she said. #someone's emotions and beliefs /= infallible unassailable entire truths #nor are they necessarily 'fair' and the same with our judgements. welcome to being a human being #so yeah like re: JB.... #*that she felt like that? was it entirely fair to blame and resent the seymours? #is that necessarily fair? no. how much she did or didn't was probably dependent on how accurate chapuys report was about JS #the extent to which she had disparaged anne #as for the why as JF theorized ; the need of income and the possibility that since cromwell had helped her with income #this was the favor he wanted in return (so her as a spy in the household) #and re: conflicting loyalties ; i mean ...goddamn; people are complex #i think it's entirely possible that JB loved anne but also had this innate sympathy for coa and mary too.

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is pretty much essential prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t #get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me #As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it #I’m doomed. I’m getting lost in the sauce. #dungeon meshi #delicious in dungeon #falin touden #analysis #character analysis #meta #autistic reading #aroace reading as well. Sort of. It’s mentioned #The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to #As always this is just my interpretation blablabla #Spoilers #dungeon meshi manga spoilers #She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor #Laios touden #he’s here too bc they are an unit #If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo #Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down #Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out #I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity #Will 90% for sure edit stuff in if i find more to say. #Fumi rambles #Crazy style #I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think

[gen-toon]

#tadc #the amazing digital circus #tadc jax #jax #tadc ragatha #ragatha #bunnydoll #I need to pathetically explain myself here and say this was just one of those go to bed thoughts I've had for a while. #It was an idea for the sake of daydreaming and I never intended to ever draw it but then it happened and I got carried away. #I'd honestly call this a bit of a un-headcanon lmao #None of us know at this point so any one of them could be close or not close to losing it. #Saying that I feel Jax seems like one of the more stable of the group and out of the both of them Ragatha is closer to abstraction if at al #But it's interesting to think if he actually isn't to some degree and there's more behind that grin I can't lie #And I wouldn't portray abstraction like this either I'd go about it differently. again just one of those fleeting throw-away thoughts #It ends ambiguously but you can decide what you want. I know how it ends. #I just got really into portraying the mood or cinematics without any dialogue.

[chitinleg]

"Mister Bashir, what a pleasure it is to finally meet you."

Julian, why in god's name would you invite him to play the villain?

#my art #ds9 #julian bashir #elim garak #star trek deep space nine #garashir #image desc in alt text #pencil #ok so on the outset it may look to some viewers as though julian invited garak to play the villain to get dommed by the scary lizard #this is not the case. not in my heart #in my heart julian felt a burst of something funny when Garak asked him ''what if you'd killed me'' #and he responded ''what makes you think i wasn't trying'' and garaks face blooms into a sudden understanding and respect. ooh. #That's that heady shit. catching garak off guard. ooooh. that's that High Quality Endorphins Happening. but. gotta pack that up for later #(he will not unpack that later) because garak also just threatened to kill 5 of his friends who are STILL IN DANGER. NO TIME FOR THIS. #so after everything. and MONTHS after OMB. he invites garak to something like a playful rematch. sort of. #after all theres only so long that garak can stomach being a sidekick u know? he needs to be able to do his own machinations. #so they make a character for him thats a villain. a little more cerebral than falcon. a little more ambiguous in his motivations. #now there's also. a secret game at play here (there are always games. doctor) and its actually between garak and his own self #you see garak Also wants bashir to defeat his character. he also wants to be shocked. challenged. a little dismantled even (state forbid!) #and because garak wants that for himself? hes going to fight tooth and fucking nail to make sure it doesn't happen. #that Gayle clip from ''COMPANY IS COMING'' but its garak yelling ''WE CAN'T LET THEM KNOW WE [WANT]!!!'' #and its a horrible idea for both of them but. oh so so exciting #you understand. #these rituals arent intricate so much as they are transparent but all encompassing. a fish doesnt know its swimming in water until its out #you understand? you understand. #thank you to anyone who found the time to read these tags i hope you enjoyed yourself and/or found what you were looking for #also garak is dressed so boring bc hes hiding himself u know how it is

[3-aem]

MY BRAINS NOT WORKING AND THE CUTE BOY I WORK WITH KEEPS CORRECTING MY GRAMMAR THIS IS SO AHAIWIAKSDHDGRRRRHRNE

#dhakaksdjs fuckdwkufeisfjsjajsueei #im using a translator and it keeps outputting 您 instead of 你 and he keeps calling it out like bro ur making it awkward #AND IM LIKE SORRY I CANT ACTUALLY WRITE IN THIS LANGUAGE IM REALLY DU M. BB #also he offered to take over the last part bc i was like hi its almost 9pm here and i literally cannot think anymore #like i am certain its a very easy last part my brain is just finished #i feel so bad bc i wanted to push this proj over the line #this company is so intense i am so baby i am so tired #hugging my cat and rubbing my gross face all over his gross body #me in vc trying to figure out how to say: it was broken earlier idk how it was fixed u saw it was broke tho right #but all that came out was: in the past it was….problematic… *20 yr silence* #before he awkwardly went: um its okay i dont think this is necessary also u have lint issues #and i was just like ya….i know 😭 #its ambiguous to some of my teammates if i just dont understand them or if im fking dumb #its probably both im ngl #the blank stare i have on my face is first from trying to comprehend what the actual words they are saying mean #and then to comprehend what technical concept they are trying to convey #using like 50% of the information i managed to parse out #also im used to literally spending 30-40% of the working day talking smack #now i try to crack and joke and everyone is like three this isnt the time #three we are all gonna be hear past 9pm working this isnt the time

[momonokopan]

4/20/2023

happy birthday kyuubei!

she is so important to me

#gintama #gintama fanart #銀魂 #柳生九兵衛 #gntm #gtm #yagyuu kyuubei #my art tag now bish #she has such an important part in my Bizarre Gender Adventures #its a good thing sorachi didnt go ambiguous route w kyuubei like how dangan did chihiro cue mass confusion #the main thing about some jp trans narratives is being true to who you are despite sex and gender #and thats the same w kyuubei’s being raised masc all her life and has only now reconciling w her more feminine side #but it doesnt make her a woman. sorachi even discarded his original idea for kyuubei abandoning this narrative #and made her so much more realistic in a sense #the nonbinary narrative here is very jp-like and he did it p well i think #kyuubei solidarity frfr #color palete challenge

[comradekatara]

my "no canon interactions" gfs. and yes they smoke weed

#id in alt text #avatar the last airbender #atla #toph #smellerbee #smellerbeextoph #figured i may as well draw my most obscure ship for #atlasapphicweek #oldergaang #since everyone else loves throwing random dykes together heres my favorite example because it actually MAKES SENSE #also this is like the second time ive ever drawn smellerbee #so ive never actually given thought to her older design #but at the very least i think she'd have to outgrow her makeshift armor #and maybe she steals some of longshots shirts #and my older design for toph just has her looking chiller and dykier bc duh #also yes she would cut her hair. uninternalizing those confucian values #anyway. we need more femslash thats like. grimy morally ambiguous dirtcore dykes that smoke weed #and less ultra feminine princesses supergirl kissing or whatever #baby butches getting high in a forest!!!!! thats what its about babey!!!!! #its MY house and i get to choose the femslash #art #mart

[igixri]

honestly even as a #vincehead I’m not an el camino fan lol. like it was pretty good but I stand by that it just didn’t need to exist…like the finale of breaking bad tells you everything you need to know about what happened to jesse, what happens after the fact is just window dressing

#I don’t think it was necessary! I just don’t think it was necessary. and I liked the ambiguity of it #the original ending I mean #Jesse literally left the narrative making him go thru another 2 hours of torture was just like ok #you’re only showing us this because it’s what people wanted to see. I guess #cause I had FAITH in Jesse. I knew he could make it wherever he wanted to go after felina #it didn’t benefit the story at all to have him eke out another couple moments of closure #when I knew he could do all that and whatever else needed to be done!! that’s what the finale makes clear!! #Jesse and his unbreakable spirit 🥺 #even at the end he could’ve shot walt. and walt would’ve accepted it wanted it even #but Jesse said no. the cycle ends here #and then el camino made me watch him do gun tricks with some randos? #idgaf!!