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#i was going for background but also main character vibes
spicymancer · 11 hours
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What was the process like for designing the ActiRangers, their civilian and suited forms? Their suits look so cool, it’s definitely clear you have a lot of familiarity with the genre while also having great ideas on how to innovate and add your own unique elements! Did they go through lots of conceptual iterations, or did they come pretty naturally? Any particular teams that inspired you, like SPD or RPM with their numbered members?
So the Actirangers started out as characters designed for a private little Tokusatsu OC jam I did with some friends! The design I submitted was Pink, (hence why she's kinda the main character of the story)
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(Real name and certain background elements redacted for spoiler reasons)
So Pink's suit was the first one designed, hence how she's kinda the most basic of the Rangers. I had just got done watching Birdie Wing and Love After World Domination and thought it would be kinda fun for a golf themed sentai hero.
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She was originally going to be ActiRanger 5 before I thought of the "Four/Fore" golf pun.
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The rest of the team was then designed from there with each of their sports in mind and some general vibes.
I don't think they went through all that much iteration, though I will say since I tend to draw them in Black and White I sometimes mix up which parts of their suits are their color and which parts are black.
I wanted to give them each some kind of Power Weapon so I stuck to stick sports and also Table Tennis. (I am still weirdly fond of the old Penny Arcade Paint the Line comics)
As far as Power Ranger teams that inspired them, Mighty Morphin' is obviously the biggest inspo. (The Dan Mora run on the Go Go Power Rangers comics is awesome.) Time Force, S.P.D. and RPM were all on my mind as well.
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For the Gambit Gang I was struggling to come up with a fun villain theme and eventually figureod out that the enemy to the "Sports" team had to be the "Chess Club". (Insert joke about polycules and board games)
Gray in particular was conceived at this point when I and wanted an Evil Ranger on their side. Chess Knights having a vague horse theme, he obviously had to be Polo! His design draws pretty heavily from Mystic Force's Koragg which is still IMO one of the sickest designs Sentai has ever cooked.
Wow that got a little more long winded than I inteded but I hope y'all enjoyed this little peek behind the curtain of the ActiRanger's development!
Thank you all for enjoying my silly OC comics and doodles!
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yowlthinks · 2 days
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Dead Boy Detectives: a no-spoiler review
So I have finished DBDs last night, and frankly, I would have probably finished it in one or two days if not for time limitations. So I wanted to write a review without spoilers and in a Q&A format, so here we go.
tldr: I LOVED IT!
Q: Do I need background knowledge to enjoy it?
A: No, just dive in.
So first of all, a disclaimer: I have not read the Sandman comics, I have read one volume of the DBD comic just after the show was announced, but that did jot even cover the complete case, and I have watched the Sandman on Netflix.
If you are worried that you won't get what is happening, I can assure you, you will. You will get sucked into it immediately and will not want to leave.
Characters from Sandman (it is the same universe) that appear there are a bit like easter eggs: you'll get a kick out of it if you saw Sandman first, but otherwise you just watch them in DBDs and then if you decide to watch Sandman you will get a kick out of seeing these familiar faces there.
Q: What is the general vibe of the show? Is it spooky?
A: The show can be described as a heart-felt mystic detective story. It is funny, sweet and a tiny bit spooky (at a guess, PG13). Overall mood is.. joyful and optimistic.
You know how sometimes you want to watch something exciting, but not too scary?
Dramatic, but optimistic?
Light, but also quite profound and philosophical?
Personally, to me, this show ticks all of the above. And as I watched it with interruptions, at times I felt even lucky to have these because there are just so many big topics this show touches. It was often done by one line of the dialogue, but it would stay with you for the next couple of hours, getting you into this delicious state of philosophical exploration. I feel like at a re-watch this will come forward even more.
Q: I am a GO fan, will this tickle me?
A: Oh yes, it will and despite yourself you will be searching for Clues.
Let me just say that the main characters are another throught-the-ages duo, and you will have a lot of fun comparing and contrasting them with Aziraphale and Crowley, as well as Dream and Hob (these are from the Sandman and are also adorable).
One of the two protagonists wears a bow tie.
Another one is... well, Crowley would love him, I have no doubt in that.
Q: Does it deal well with queer representation? Are there neurodivergent characters?
A: Yes and (I would say) yes
Neil Gaiman was involved, what did you expect? Personally, I think this is one of those instances where the world itself basically treats queer as normal. It is just something that exists, and the world as it is now accepts it. The characters may have inner struggles / self-discovery journeys, but the present world at large accepts them fully and without judgement.
Q: Will it pass the Bechdel test?
A: Yes, with flying colours!!
All the characters are absolutely delicious, and I am not gonna give any more details because I don't want to spoil anything, but you do have all flavours of female protagonists, and you will love them all.
Q: What else did you like?
A: The way it was filmed, the title sequence and music, the humour, the costuming, THE CHEMISTRY between the characters!!
Look, I loved this show, please go and watch it, it is amazing and we need another season of this!
Also, there is a CAT KING!!!
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@c-rose2081 inspires me constantly ive drawn so much within the past month because of her lol
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amatres · 11 months
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gonna be honest, while she is a wonderfully played character, i do not like karna as a person at all lol. usually i love morally grey characters but i think im too attached to amangeaux to appreciate karna's character. like the scene where amangeaux had to beg karna on her knees just to be able to flee for her life with her child made my skin crawl and was probably the final nail in the coffin for me
and that on top of karna without remorse offering up amangeaux's child's life, which she didn't even have conformation was the heir to vegetania, and then her speech of getting 'drops of recognition' from amangeaux for 'her own protection and happiness' i had no sympathy for her after everything she did. it felt like she was getting mad at a woman she was trying to take advantage of who decided to prioritize herself and her year old child, who karna just agreed to kill
like yes, theres the political standing difference between them, but by that time amangeaux had no political safety and was discarded by her allies, and only a few hours ago in the game's universe was it proven by their own actions how even with supposed political advantage means nothing anything anyway and just
her careless 'im damned to rot so i have no care what suffering i put people through to get to my goal' just rubs me the wrong way along with everything else
this is no hate towards aabria, she's playing the character wonderfully and every move she makes makes sense for the character she has made, it's just karna makes me so inherently uncomfortable
#ama mumbles#dimension 20#the ravening war#karna critical#dimension 20 spoilers#i dont even know if that will work but whatever#she just. she is so close to being a character i would like but i just cant. she makes my skin crawl and i rarely like the moves she makes#not bc theyre bad moves as a player irl aabria's making but bc shes just so. horrible.#sorry i know its not articulate but *gestures*#if i had more insight into her background it might elevate things but she just makes me uncomfortable#the only characters i genuinely like are amangeaux and collin. deli is interesting and raphael is funny at times same with karna#tho tbh he also makes my skin crawl at points. which is fitting i suppose both raphael and karna have a similar 'my goals are number 1'#approach so 🤷‍♀️ if raphael kicked it it wouldn't be the most upsetting thing to me#karna doesn't owe amangeaux anything but in the same vein if thats how she sees it amangeaux doesn't owe her anything either#and amangeaux was going to offer karna to escape with her! it wasn't like she was saying 'sucks for you lol' she wanted to take her with he#until karna rolled her eyes at her and was threatening her. only then did amangeaux stop#they're both littlefinger like characters i suppose if that makes sense? and he makes my skin crawl too#who knows maybe with time i can look at it more objectively but for now. bad vibes#also sorry for this being in main tags i'm doing this for categorizing and so my followers can block the tags#will say tho while the scene did make my skin crawl them yelling over zac was very funny
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whoslaurapalmer · 2 years
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the 2004 movie has very few things that are good in it BUT those things -- the soundtrack, hurricane herman, the fact that briny beach gives off big 'clusterous forest if it flooded' vibes even though it was 2004
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maythearo · 5 months
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" Welcome back to Night Raven College's 'Ghostly Gossip'! The school's unofficial main online source for the latest news, articles and trending topics circulating around campus! "
" I'd usually describe this as a super exclusive entry, but who am I kidding? If you've spent more than five minutes in this school, you've already seen his shadows lurking around in the background at some point (I mean, he's like. super tall.) "
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Navigation:
R. Rosehearts ▪︎ T. Clover ▪︎ C. Diamond ▪︎ A. Trappola ▪︎ D. Spade ▪︎ L. Kingscholar ▪︎ R. Bucchi ▪︎ J. Howl ▪︎ A. Ashengrotto ▪︎ J. Leech ▪︎ F. Leech ▪︎ K. Al Asim ▪︎ J. Viper ▪︎ V. Schoenheit ▪︎ R. Hunt ▪︎ E. Felmier ▪︎ I. Shroud ▪︎ O. Shroud ▪︎ M. Draconia ▪︎ L. Vanrouge ▪︎ S. Zigvolt ▪︎ Silver
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Man I've been postponing this for so long, I don't even remember half of what my process with this one was like. But I concluded that if I don't post this now, the loss of my mental notes will only get worse with time, so here you go, putting this out there once and for all lol
For a general picture I wanted Malleus' vibes to be more fairy tale-like. (He ended up reminding me a bit of Faybelle too, in a way.) The colors of those iridescent black feathers go well with him, I think. And did someone mention Howl's moving castle? Yeah, Howl's monster form.
I got this one ask before, reccomending the Cockatrice monster for Malleus, and searching a bit about it, is apparently also often taken as a synonymous with the basilisk? So like, Wyvern meets Basilisk, but it is also giving fae, idk. Listen, the idea inside my head is like, if you're asked to imagine a mythical creature that roams around a dark forest, outside the castle of a cursed princess, it's him. He's the creature.
And I'll admit I have not been catching up with the Diasomnia's chapter :( so give me 50 years at least so I can make up some more in-depth lore for his MH au counterpart (or maybe I'll just read a resume out of the wiki). Malleus enjoyers are free to drop headcanons onto him, you guys' knowledge of his character are always so astronomical it never fails to impress me /gen
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bweirdart · 2 months
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#mARTch 2024
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text version (with more info!) under the readmore! please check it out if you're confused about anything <3
F.A.Q
do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!
can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry
what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!
wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!
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INTRO WEEK
this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:
1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!
2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine
3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)
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STUDY WEEK
this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out
4 🤍 plant
5 🤍 body
6 ⭐ animal
7 🤍 object
8 🤍 food
9 🤍 face
10 ⭐ hand
these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!
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COLOUR WEEK
this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!
11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!
12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)
for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!
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13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!
14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!
15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married
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16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?
17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!
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CREATIVITY WEEK
this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!
18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!
19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!
20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!
21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!
22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?
23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!
24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?
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FUN + GAMES WEEK
this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!
25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!
26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!
27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!
28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!
29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?
30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3
31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!
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please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!
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bettsfic · 2 years
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writing cheats
i know i’ve probably written about these all individually but i’m putting them together in one post. these are writing tricks that are extremely cheap and dirty; when you use them it feels like cheating and honestly by posting them i’m probably exposing all the easy moves in my own work, but more than a writer i am a teacher, so here you go, some writing cheats that have never steered me wrong.
quick character creation
what’s really annoying is when you have two characters sitting at a restaurant or something and the server has to come by. to what degree do you describe the server so that it’s clear they’re just a background character but that they’re not just a faceless form, so that the world has texture without taking up too much space on the page? rule of three, babeyyy: two normal things and a weird one.
she had pale skin and blue eyes but her hair was dyed black like a 2010 emo kid.
he was tall and broad, and he wore a sweatshirt with an embroidered teddy bear on it.
the woman stood there comparing the prices of toilet paper. she had a short angled bob and carried a keychain the length of a trout.
why does it work? it gives the reader something to hang onto, a brief observation that shows the world exists around your narrator. it also works when introducing main characters, but there’s so much action going on that you can’t take time to write a rich long paragraph about them. all you need is a little hook.
quick setting creation
i used to TOIL over descriptive paragraphs. for years i was like, description is my weakness, i must become better at developing imagery. i believed this because a famous writer once projected a paragraph i had written onto a screen and asked my cohort, “count how many images are crafted in this paragraph.” there were none. none! my friends were sitting there like, “we are TRYING” but they couldn’t find any.
i would say that after years of studying imagery development at the sentence level, i am, perhaps, competent at it, but what was more helpful was for me to shrug and tell myself, “i’m just not a writer who does that.”
anyway. my cheat is thus: 
there’s not much you can assume about your audience. the audience is not a homogenous whole. but your ideal audience is something you can guess at, and that means you can play around with their existing knowledge and expectations. 
if you say your characters are in a tacky shit-on-the-walls restaurant, if your ideal reader is an american who went to restaurants during the maximalist era of franchise design, they will conjure their nearest memory of one of those places. and for those readers who aren’t familiar with it, they’ll use other context clues to conjure that space. the point is, you don’t have to list every single stupid license plate nailed to the wall. you can leave it as one detail of one sentence and let your reader extrapolate from there.
if i say the dentist’s office looked like a gutted 90s taco bell, maybe no ideal audience would have ever seen a place like that, but a lot of people can mentally conjure a dentist’s office and a 90s taco bell and overlay them together to create a weird and fun image.
you can go even simpler than that: a bathroom the size of an airplane lavatory. a tiny studio apartment with a hotplate instead of a stove. a mansion with a winding stairwell. the point is that you want to define the size of the space and its general vibes.
in some ways detailed description can be overrated, because your reader conjures images even in absence of them on the page. and for those readers who can’t mentally conjure images, it doesn’t matter anyway; they take you at your word. the trick is to figure out what details are unexpected, relevant to understanding the story and its characters, and those are the things that you add in.
one other note: after working with hundreds of writers on drafting, for *most* of us it’s difficult to develop images and establish setting in a first draft. it’s nearly always something to be saved for a second or later draft. i think it’s because while we’re writing we tend to put character and action first.
nail the landing
there’s a joke i heard once from a writer i really admire: “you know it’s literary fiction if the story ends with a character looking at a body of water.”
and god it’s so painfully sad and true how easy it is to nail the landing of a given story by ending on a totally irrelevant piece of imagery. the final beat of a story followed by your character looking up at the sky and seeing a flock of birds in the shape of a V flying past. or maybe they’re sitting in their car and they count the rings of a nearby church bell. or maybe they watch an elderly couple walk down the sidewalk hand-in-hand. i don’t know!! when in doubt shove an observation, an image, whatever, something neutral at the end and it’ll sound profound. 
(this cheat is the only one that can really bite you in the ass because if the image is too irrelevant you risk tonal incongruity. for use only in the most desperate of times.)
sentence fragments
when writers ask me how to punch up their writing or start developing their own style, my go-to advice is to give up the idea of a complete sentence. fuck noun-verb-object. if you have a series of character actions, knock off the sentence subjects like in script action. if the clause at the end of your sentence is particularly meaningful, don’t separate it with a comma but a period and make it its own thing. if your character is going through something particularly stressful or heinous, that bitch is not thinking in complete thoughts so you don’t have to convey them that way. make punctuation bend to your will!!
rhetorical moves
this one opened a lot of doors for me stylistically. remember that famous writer who called me out on my lack of imagery? i always thought his prose was beautiful, that he’s one of the best living prose writers, etc. once i learned more about rhetoric though, i realized he just employed it a lot. 
usually when we talk about beautiful sentences it means a sentence that uses rhetorical devices. the greeks were like, you know what, when we give speeches there are certain ways to phrase things that make the audience go nuts. let’s identify what those things are and give them names so we can use them intentionally and convince people of our opinions.
i love shakespeare, i really do, but one of the big reasons he’s still a household name today and his plays are still performed is because every sentence of every goddamn play utilizes a rhetorical device. the audience is hard-wired to vibrate at the sound and cadence of his writing, like finding the spot on a dog that makes their foot thump. for five hundred years, william shakespeare has been scritching that spot for us.
i have no idea why, cognitively, rhetorical devices are so effective. i’m no rhetorician. all i know is that well-deployed anaphora makes a reader want to throw their panties on stage. my intro to rhetorical devices was the wonderful book the elements of eloquence by mark forsyth, a surprisingly fun read! hopefully that will open some doors for you the way it did for me. 
the downside to this is that once you know rhetorical devices, it’s like learning how the sausage is made. on one hand, as a writer, you’ll have a lot stronger grasp of style, but as a reader good prose loses some of its magic.  
pacing it out
many writers, myself included, rely on the tried and true “he bit the inside of his cheek” or other some such random action to help pace out dialogue. one time my thesis advisor sat me down and said “you’ve got to take all of those out.”
“all of them?” i said.
“all of them,” she said.
i thought, but that will weaken the text! it didn’t. once i cut what i came to call cheek-biter sentences i never went back. and now when i edit for other people i’m like, look i know where you’re coming from but just cut all these out and see how the scene stands. if it doesn’t feel right you can put some back in. a lot of times when you’re drafting you put those in the way some people say “um.” they’re just sentences you jot while you’re thinking of what the other character says, so from a writing perspective it seems like you’re pacing, but readers don’t read it that way. they just want to get to the next line of dialogue.
but sometimes you really do need to pace out a scene and i think there are other ways to do that that don’t rely on banal physical movements, such as:
interiority: a sentence or paragraph of relevant cognition, bonus points if you weave in background context. good interiority defines the voice of your writing.
observations: i know i just said description is overrated but idk sometimes you just need a character to note the back and forth clacking of one of those desk ball toy things.
character texture: maybe your character notes something about the person they’re talking to. a wilted pocket square. a mole that looks like it needs looked at by a dermatologist. a scar on their forehead. some detail that deepens or complicates our understanding of a character.
narratorial consciousness and access
this one is less a cheat and more a problematic opinion i have that doesn’t win me any popularity in writing circles.
i believe that if you’re writing in first person or close third or any narration which is dedicated to the mind of one character, you are only ever obligated to convey the experience of that character’s consciousness. and nothing else.
by that i mean, if your point of view character is unobservant? then they’re not going to even notice the flight attendant is missing one of their canine teeth. if your pov character is focused and obsessive, they’re going to think lavish, detailed paragraphs about that which they’re obsessed with and have no acknowledgement of the rest of the world. if your pov character has no understanding of time, does your story even need to be linear?
defining the scope of a narrator’s cognition early on can give you parameters in which to work. even if you don’t consciously do this, you still do it. if you write in third person limited present tense without really thinking about it, that’s your scope. i’m just pointing out you can choose to do it differently. you get to define your narrator. 
whenever we talk about narration we also talk about information access and the order of information being revealed/conveyed. writing must always be in order; even if you’re writing multiple concurring things, it still has to be rendered on the page in order one after the next, because the human mind can’t read two sentences over top of one another. 
if we’re restricted to the mind of a character, that means we’re also restricted by their knowledge and experiences, and this can be used to your benefit. i don’t want to take too much space for this but i do talk more about the relationship between narration and reality here.
in short, you the writer get to choose 
what the reader knows,
in what order they know it, and
its relationship to the presumed real events of the story, which develops the (un)reliability of your narrator
okay going to cut this off now before i go on more rants about narrative scope. i hope you found this helpful and go on to put some of these nasty lifehacks in your own writing!!
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teencopandthesourwolf · 10 months
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yeah so my brother was over tonight and after we'd had a heart-to-heart and a gossip i stuck TEEN WOLF on—which he is aware of and knows it's one of my shows, but has never actually watched himself—just for a bit of background bc it was there in my 'continue watching' as i'm never really not watching it lol.
ANYWAYS we continued chattering through it for a while (the majority of eps 1&2) but then he started sporadically paying it more and more attention, till he was eventually commenting and asking me questions etc.
here are some of the veritable golden nuggets he dropped:
“well, that coach fella's my new bestie.”
“the hammy lad with the face (jackson) is giving me such biff from back to the future vibes.”
“why is clark kent (he knows hoech from superman & lois) being an autistic male model with serious pmt?”
(still taking about hoec) “oh, bloody hell, he's actually really good looking, isn't he?!”
"the sfx in this are so fuckin bad they actually double back to being terrific.”
“so, are we, like, supposed to not give a shit about the main guy then, or what?”
(more scott talk) “although i do actually kind of want to hug him—but i feel that's somehow unrelated to his character.”
“pretending to do back flips off a roof is cool af i don't care what anybody says.”
(about k*te argent) “hoho, she's gonna turn out to be a massive cunt, isn't she?”
“this is fucking brilliant, they (the wolf transformations) look like were!fonzies!”
“jesus, we're like, 3 eps in and there's already what looks to be the beginnings of quite intricate character arcs? this show should honestly not be this intriguing, wtf.”
(commentary on the acting chops) “oh, wow, so the one that's playing scott is pretending to be scott... while the one playing stiles just IS stiles!”
(scene at the start of magic bullet where stiles is talking to scott about derek):
stiles: okay, sorry, no more talk about alphas or derek; especially derek—who still scares me.
my brother: yeah, that's because he quite clearly makes your willy hard, mate.
also my brother: OH, SHIT! THAT'S STEREK, RIGHT?! well, it's no fucking wonder that that's a thing.
AND HE HAS NOT EVEN MET PETER YET
so yeah my hope is now obviously that he'll go home and get obsessed and spank the entire 6 seasons in 4 days and become one of our most prolific fanfic writers.
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bestanimatedmovie · 1 year
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Choose your favorite!
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Vote in the other polls!
What fans say:
Kung Fu Panda:
Honestly iconic. The progression of story, the message, the acting.
The way this movie balances tone is nothing less than astonishing to me. It's funny and lighthearted but also intense and dramatic and neither ever take away from the other. Every joke and emotional beat lands excellently. Not to mention. The fight scenes SLAP. And so does the score!!
It's just GOOD. I love how all of them were insanely genuine. Po genuinely wanted to be a Kung Fu master. The Furious Five genuinely wanted to be the very best like no one ever was. And Tai Lung genuinely wanted to kick the shit out of anyone that even looked at that dragon scroll. But seriously one of the best movies.
Treasure Planet:
The setting and focal relationship!
WHALES IN SPACE. Second best treasure island adaptation (#1 is muppets). The song The Song!!
Where do I begin with this movie? It blends CG and hand drawn animation beautifully. All of the backgrounds are gorgeous. There are so many cool alien designs. The score is absolutely perfect. The amount of detail put into the design and worldbuilding shines through. All of the characters are so much fun to watch, especially Long John Silver and Captain Amelia. This movie takes at least partial responsibility for my love of space/sky pirates. Also it was actively sabotaged by Disney so I need to vouch for it at every chance.
Space pirates in a classic novel. It's gorgeously animated with a blend of 2d and 3d. Also, LONG JOHN SILVER HAS A 3D HAND thats hecking impressive for a main character to be a blend of the two in 2002. Did I mention the twink protagonist and malewife for the rich halfwit son? The aliens are beautifully unique, and a mantis guy floats off into space. from a pirate ship. because they aren't just space pirates, they're aliens and cyborgs on pirate ships going through space. Which fucking rocks.
It's a genuinely creative adaptation of Treasure Island that has so much heart and incredible animation. It helped pioneer 3D animationa nd it was the first feature animated film to utilize both 2 and 3 D animation
The animation is so good, and the way that the antogonist isn't black and white, he genuinely cares for the protagonist <3
Pirate ships in space!
Watched this on loop as a kid, gave me solace for not growing up with a dad
It fucks
The ☆A n i m a t i o n☆!! And captain Amelia
It's so fun looking, cool character design. It's funny, it's emotional. I love it so very much please aaaaaaa
How this movie looks is absolutely amazing. A space-steampunk pirate story with fantastic visuals and (mostly) great characters. The vibes this movie has are off the charts. Jim is the bad-boy-good-heart kid, the doctor is a silly-goofy-but-oddly-competent support and Silver is a complex father-figure-who's-made-mistakes. Also MORT the cute little jelly that won me over in 0.5 seconds flat. I am also a slut for a good soundtrack and this one SLAPS. I will stand by my opinion that the Russian version of the song I'm Still Here did a better job of fitting the montage and the mood. That's a hill I will die on.
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yzy-dragon · 8 months
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I absolutely ADORED S2E9 "Three Stories" of Link Click and was a bit surprised to see the discontent here on Tumblr, and I totally understand the reasons why people didn't like it, especially in the context of the pacing of the rest of S2 (which I also have some opinions on but I won't talk about that here), but I also felt the need to just get my heart out why I love it so much. A bit of background, I'm Chinese American but have lived in and visited China numerous times.
Music and theater. As a western classical musician and an amateur Chinese opera singer enthusiast (I saw someone else post about the possible inspo this episode got from Chinese opera), I VIBED with the artistic direction of this episode SO much. The three-part structure was almost like a sonata/symphony (and remember that one scene where Qian Jin was air-conducting in a previous episode!!) or scene changes in a Chinese opera. Nothing needs to be said about the animation style that hasn't been said already, but I like how scenes from the three individual "stories" were interwoven and reused like leitmotifs. Especially that crazy, tortured laughter. Idk if any of the parallels were intentional on the part of the director, but it's what I got from it due to my personal experiences. I know that's a highly subjective takeaway though, which brings me to my next point....
Qian Jin's "tragic" backstory. I know a lot of people were upset that the extent of Qian Jin's tragic backstory was "oh his wife cheated on him", but I think the "basicness" of his struggles was the whole point (by the way, this segment displayed various attitudes towards work, family, marriage, individual pride, and life in mainland China so subtly but so well!). I also don't think sympathy was the main thing we were supposed to feel for him, although of course there is some. The whole "tragicomedy" aspect of Qian Jin's story is that it's not some horrible, terrible, rare thing that happened to him, but a common problem faced by so many hardworking but busy married men trying to provide for their families: infidelity. But Qian Jin sees himself as the main character of an elaborate play that rivals the great dramatic classics (which, funnily enough, often depicted very DRAMATIZED versions of a rather basic series of events). And his viewpoint is validated when....
Qian Jin meets the twins. That segment is still largely from Qian Jin's perspective, because we still don't really know how LTC and LTX even feel about him. But for Qian Jin, it's a stroke of fate and fortune that could only possibly happen in theater. He's very far removed from reality at this point. Reality is that a cop whose job it is to investigate violent crime comes across two kids who are the victims of a violent crime. Again, nothing particularly special or even coincidential. It's comical like that.
The fairy tale section.  Unlike the first two, I think this segment is from Xixi’s perspective, which not only justifies the cartoony artstyle but also makes it heartbreaking, due to her childlike innocence.  Like Qian Jin, she also perceives her reality as something it’s not, but unlike him, she doesn’t have delusions of grandeur of being a tragic protagonist.  It’s just a little fox trying to survive in a forest full of predators and hunters.  
All that tortured laughter. I’ve actually noticed in a lot of Chinese media that they like to use laughter as a way of signifying a person’s complete mental breakdown due to the tragedies they’ve suffered.  It’s a very internal thing that has people on the outside going, “WTF?”  In this episode we have a lot of characters crazily laughing together at the same time and it seems like they’re relating to each other, but in reality they’re all trapped in their own nightmarish hells and motivated by selfish purposes. 
Back to the topic of Qian Jin, even though he (innaccurately) may see himself as the hero of his own story, it's not enough for him. He wants to use Cheng Xiaoshi to change the past. He wants to become the director of the play.
I know a lot of people were disappointed this episode didn't advance the plot, especially in regard to Cheng Xioashi and Lu Guang's storylines, but I was actually prepared for a backstory episode and couldn't have been more satisfied. Again, I have other opinions on the rest of S2 but at least standalone, I think this episode was nearly perfect. And I really wasn't expecting this, but it's really elevated Qian Jin to one of my top characters.
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fabrickind · 2 months
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Finding Cosplay Photoshoot Locations: Part 1
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📸Want to do cosplay photoshoots but don't know how to find that perfect place to shoot? This tutorial covers how to brainstorm a location for your shoot, logistical and cost concerns with shoot locations, and how to actually find your dream location.
📸This tutorial can be applied to shoots of all types, including but not limited to self shoots, shoots with friends, and shoots with hired photographers. Self shooting or shooting with friends only requires a camera (a phone works!) and possibly a tripod.
Part 1: Location Types
Coming up with the general type of location you want requires some brainstorming about what you want from the shoot. Think about your specific goals and types of photos you want and how certain types of locations would work for your goal. Remember you can always do multiple shoots for the same costume with different concepts!
For example, if you want big, sweeping shots, you will need a location that allows for wider framing and still looks good, while if you are primarily after shots with closer framing, you can go with a location with only a small usable portion. If you are looking to primarily showcase the costume itself or your posing, a flatter and simpler background works better than a busy background, but if you want cinematic shots or shots where you are existing in the environment as the character, somewhere that can show off the location itself as well as how you exist in it would work better.
Types of Locations
There are three main types of locations for cosplay shoots in relation to the cosplay itself. Of course, you can combine these types and there is a lot of overlap, but thinking of these three location types will help you conceptualize your shoot.
The first type is locations that are similar to something in the series, or an exact location from the series. My cover image is an example of this, where I took photos at the location of the climactic battle of the manga. Most fictional locations don't exist in real life so exactly, however, so think of locations that look similar to where this character might be found. The example on this slide shows a cosplay at a nature preserve with grassy fields and oak trees, which is similar to the locations the character traverses several times throughout the game she is from. This category can also include locations with similar vibes, such as a studio made up to look like a fancy European castle for a character from a series about European royalty, or a shoji screen backdrop for a character who lives in a Japanese-style house.
The second location type is locations with symbolic meaning. These locations showcase something about the themes or character arcs present in the series, and this can be accomplished with anything from specific props and setpieces to the entire background. One shoot I'd love to do with this concept is of Lady Blackpearl staring into a mirror -- this would symbolize her dual personality nature -- or of Lady Oscar wrapped in thorns, with the rose thorns symbolizing her glorious but fragile life. I chose to represent this location type with Ultimecia, a sorceress who wants to compress time so she is the only one who can live in the combined past/present/future, set among ruins. The ruins aren't accurate to the game, but show her crumbling reign marked by the passage of time.
The third location type is locations chosen for pure aesthetics. Obviously all locations are chosen for aesthetics, but these are locations with no deeper meaning and may not represent anything from the series at all. These can range from a simple colored wall backdrop to a sweeping landscape that simply looks good with the colors of the costume. Some examples are the Yasuho Hirose ocean shoot on the slide, where it doesn't represent a particular scene or location in the series but simply looks good with the cut and colors of the costume and the sailor theming, or my Princess White Rose milk bath photoshoot, where again the character never takes a milk bath, but a bathtub full of milk and roses shows off the detail of her floral hat and showcases the opulent nature of a rose-themed princess.
Requirements of your Shoot
Once you have a general concept, think of what is required to fit that concept. This can be as general as specific backgrounds or types of backgrounds to as specific as particular items at the location or particular lighting setups. Some shoots might need specific props, such as furniture to sit or lounge on, and props that won't work in a public location, such as realistic weapons that may cause panic or worse. Also keep in mind any accessibility needs, whether it is an accessible location in general to accommodate a disability or a need that is caused by the costume itself. Check not just the specific area you want to shoot, but how to get there from the parking lot or transit stop. Finally, keep in mind that unsecured outdoor locations, such as a park or beach, are locations where you can't change things about the location and you may encounter other people. Discussion of how to be respectful of such locations is in part 5.
Stay tuned for the rest of the parts~!
Links to other parts: 1 Location Types, 2 Discovering Locations, 3 Indoor vs Outdoor Locations, 4 Location Permissions, 5 Location Logistics
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datingabigshot · 23 days
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Meet your SpamSim team!
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Hiiii I'm Blue! I'm on the aro/ace spectrum and I go by she/they. I'm 24 and a college grad for illustration and creative writing. Here's a cardd for social links :]
It was love at first sight with this little thing. The uniqueness and the creativity of his character made him very appealing to me. Might have... analyzed him too much under a microscope
I'll be do a little of everything! I'm in charge of backgrounds and writing the Romance route. I'll also help out with character sprites and refining story beats
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hiiii im liya! im on the aroace spectrum and i use she/they pronouns. im 20 and currently doing college remotely.
here's my carrd with the places you can find me!
i surprisingly didn't like spamton (almost hated him) at our first meeting, but i blame that on a bad day. once i got to know the guy, he became one of my favorite little dudes! he helped me get through some tough times, and i owe him my life (savings).
i may have started the dating sim, but im NOT the boss lol (there is none).
im in charge of the main talking sprites, storyline setup, and the BAD ending route.
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Hi hi hi! I'm Ray! I'm 21 and I use they/them and I'm in school for 2D Animation! I'm Ace/Pan, rounding out the ace Spam team, so you know he's in good hands. I have all my links on my carrd!
I'm not necessarily a Spamton smoocher, but I love this silly little guy and his weird and off-putting vibe. Shoutsout to WayneradioTV and Jerma for fueling my weird love for this guy. (I'm also a dating sim lover RAHHHHHH)
I'm anything but the boss and I'm working on the neutral route and maybe some additional character sprites (WHO SAID THAT...)!
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butterflydm · 2 months
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Kinda jumping off a discussion I was having with @markantonys and @sixth-light the other day, I am really feeling excited about potentially bringing in most/all of the rest of our endgame love interests next season because I think they'll pretty much all benefit with the jump from book to screen.
(contains some book spoilers through Knife of Dreams)
I really enjoy a lot of the choices that the show has made so far, and I think they've done a lot of good set-up for the romances as well. To start with the characters who are locked in already, I really loved that Rand's three love interests all got to spend some extended time with (at least) one of his friends in season 2. Elayne being close with Egwene and Nynaeve is book canon, of course, but I like that the show essentially did that with Aviendha & Min too -- Perrin and Aviendha were so funny together, Mat and Min were also funny but had some great depth and angst. We got to see all three of them shine as individual characters before we got into any romance elements.
Especially with Min, I really loved the choice for them to take Min's self-reported past struggles with her ability and make it a current thing for her. It gives Min an active emotional storyline that is about herself and not centered around Rand, which is a big plus for me.
For next season, it's fairly well confirmed that we're getting Faile, and I think the show is set up to do really well with her:
a. the fact that we're not getting Perrin's internal narration will do so much to combat the 'constantly possessive and jealous' vibe that she often has in the books, because she frequently does not act on it but is just feeling something and if Perrin didn't basically have telepathy, no one would know.
b. Perrin's previous marriage provides a good reason for his relationship with Faile to be much more of a slow burn than it was in the books, and also provide background on why he'll be over-protective of her without falling into Jordan's "Women Are Precious Frail Flowers" trap (which Jordan did realize was a flaw in his writing -- we see him trying to interrogate it over the course of the series. But sometimes he would fall into the trap anyway).
c. And Faile and Perrin's relationship being more of a slow-burn would also make Berelain be a less ridiculous character (if they choose to still have her & her pursuit of Perrin). I'm also fond of the (from reddit!) speculation that maybe Berelain will be Graendal in disguise, which would have the potential of working really well to bring Graendal in sooner and give Perrin a proper Forsaken nemesis.
We are likely to get Gawyn, and if he's our main PoV for split in the White Tower, rather than it being Min (who is going to be in the Tanchico storyline with Mat, if that leak from a couple of weeks ago is true), then the audience will be more inclined towards being sympathetic towards him. We're also not likely to have the huge slow-down in pacing that happened in the second half of the book series, so it won't feel like Gawyn is just marching in place for forever. He's definitely one of the characters who suffers the most from how slowly the plot moves in The Slog.
Less likely but still very possible (especially if the leak about Mat is true) is that we may meet Tuon next season, and the show has done so much to make Mat & Tuon more plausible as a romance, even before we get into anything like character development.
Partly in the difference in Mat's background, in his relationship with his parents, and also in the way his dynamics with characters like Liandrin and Ishamael were played out.
Plus the set-up for what the show is doing with damane & sul'dam is promising in terms of Tuon because the show has established that the sul'dam are very weak channelers (as opposed to being learners), which means that Tuon actively beginning to channel wouldn't be plot-breaking in terms of her capabilities and would just affect her on a narrative level, which makes that feel like a much more likely path for them to choose to go with her and which opens up some avenues for some genuine character growth from her, which would be an exciting change from the books.
And, on a more subjective note, I feel like Jordan really fell down on the writing of Mat and Tuon, especially in CoT & KoD, so basically anyone else taking them over is probably going to be an improvement for me.
The show also really established a strong personality for Mat off the bat, which is something that Jordan was pretty inconsistent about. 'Mat' doesn't really gel as an individual character until the third book when he gets a PoV; and then he changes in several ways between the end of Winter's Heart and the start of Crossroads of Twilight (which is only a week later); I think that 'Crossroads' Mat could have been plausible (if depressing) as a character if Jordan had actually worked up to him over the course of CoT & KoD rather than him abruptly becoming this New Slavery-Neutral "both sides are valid" Mat in-between books (in WH he has an actual ethical & visceral objection to slavery, while in CoT & KoD, he only seems to object to the idea of being personally enslaved and views it neutrally if other people are enslaved). But I've talked about all that before, lol, so I will just say that it feels like the show already knows who they want Mat to be and has taken a pretty bold stand on the subject (re: being a Hero of the Horn), so I don't think we'll see them dumping his brains and empathy overboard between seasons.
So, yeah, I know s3 is still filming, but I am already anticipating it so much!
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berlingotesque · 4 months
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What are your ships for Batim? :D
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VERY GOOD QUESTION- I know my answer should be rather straightforward but I feel I have to put some context to my answers since they may seem contradictory/paradoxical otherwise, so bear with me-
Sammy x Norman : Well. I think that one was pretty obvious, anyone who's seen more than 3 of my posts knows that I'd die for these two. They're just so PERFECT for each other, from their complementary personalities to the fact that their relationship allows us to delve deeper into batim's historical and social context. Sammy and Norman have one of the few relationships that develop the most during the game's lore : Norman originally complains vehemently about Sammy's frenetic behavior, only to end up lamenting to Buddy and Dot how 'Sammy isn't the same anymore'. What's interesting about this statement is that he says it in relation to Sammy's strange behavior : clearly, the two men have grown close enough for Norman to differentiate Sammy's extravagant habits from his ink-influenced behavior.
Furthermore, Sammy is a very gray character morally, a perfectionist who is extremely socially maladjusted (surely due to the fact that he's coded on the spectrum and autism wasn't properly diagnosed at the time), naturally ostracizing him. For his part, Norman comes from a rural background (which surely earns him the animosity of the people at the studio, given the historical context and the fact that he could very well be poc) and also seems ill at ease socially : to me, it's fascinating to see two characters excluded from their peers because of differences they can't change (being autistic or poc and gay) getting closer to each other, to the point where Sammy, who is deeply misanthropic, naturally compliments Norman by describing him as very bright. To me, Norman is the perfect partner for Sammy : ready to apprehend him as he is, since he's completely free of social conventions, without taking any shits from him.
I think Sammy and Norman can really get the best out of each other, during a historical period when being different was strongly proscribed. I think I'd have trouble enjoying Batim as much without their dynamic at its heart (considering how narratively rich it is) : Norman is Henry's confidant, Sammy is Joey's, both remain morally gray deuteragonists fundamentally opposed to the ink machine, while remaining fascinated by its powers. And who wouldn't love a good old enemies to lovers ending tragically with the unwitting murder of one by the other ? After all, Norman's main flaw is that he's too curious for his own good, and it was Sammy who inevitably led him to his doom..
Allison x Tom : what more can I add. She's everything. He's just Tom. I've always been drawn to characters/ships with a vibe completely opposite to the vibe of the work they originally came from, and the 'turning poison into positivity' energy that Tom and Allison bring to Batim has always fascinated me. In a world as tragic as their own, I find it touching to see these two find beauty in all the ugliness and manage to ask themselves 'what if we were happy after all ?' It's really striking and brings a narrative richness to the work, since they directly mirror what failed with Sammy and Susie : Allison is perfect, but that was never what was at stake in Tom's eyes. Tom was looking for humanity, not perfection, and he managed to go beyond the image of the muse to discover a friend, unlike Sammy with Susie. They're literally Romeo and Juliet but, well... Not dead.
Joey x Henry/Henry x Linda : oh boy. These three... Let me get it straight right away : Henry and Linda are perfect for each other. She's exactly what he needs to be happy : she's present, patient. There's no denying that he loves her immensely. But Joey... oh Joey is undoubtedly Henry's soul mate. The subtlety is that Joey can't bring him the stable happiness Linda can : Joey tugs at him, pushes him over the edge. He knows exactly what to do to push him beyond his own limits. The love Joey offers Henry is an uncomfortable but unconditional one, one that would allow Henry to go beyond what he thinks he's capable of achieving because no one knows Henry better than Joey ! And let's be honest, Batim only exists because Joey refuses to move on, to live his dream without Henry in it. He's stuck in unrequited love and refuses to learn to live with it. And that's the tragedy of this trio : Henry sincerely loves Linda but is truly himself with Joey, which prevents him from hating OR loving him (And Joey exploits this information by remaining extremely toxic and convincing himself that he can wear him down lmao). Henry is stuck with this dilemma : Existing peacefully with Linda or living painfully with Joey. And that's why I love the dynamic of this love triangle : because there are no solutions that will satisfy everyone.
Joey x Sammy : okay, don’t get me wrong : these two are HORRIBLE for each other. Does Sammy periodically want to quit just to piss Joey off? Yes. Isn't Joey's fascination with Sammy intimately tied to his refusal to forget Henry, who was a genius like Sammy? Yes. Nevertheless, it's impossible for me to read The Illusion of Living without feeling embarrassed and like I'm reading Joey's diary : whether you ship them or not, Joey is practically canonically smitten with Sammy. I sincerely don't think Joey and Sammy can sustain a healthy relationship with each other, but oh boy, surely that won't stop me from exploiting their bizarre obsessive love-hate relationship, where it's hard to determine whether they're going to throw hands or make out.
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niftukkun · 11 months
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New from RECAP Weekly!!! An Exclusive Interview from Hermitopia's Emperor?!?
for the third week of @shepscapades ’s hermitcraft character design event, i offer grian as an empires smp member!
ok so first off, that head. thats just p03 from inscryption. but grian. it fits! but also! go play inscryption go go its on sale Right Now (until june 30) go play it its so good then go watch this video afterwards join my fandom please please please join us
ok back to hermpires! so i originally was gonna take an empire from s2 and just insert grian into it, but while browsing through the esmp s2 wiki i came across/remembered hermitopia and my brain went yep! this one. so i thought a bit about what grian would do if he was an empires smp member and how hermitopia would happen, and i think grian would crash the economy on purpose. i mean it almost already happened when the hermitpires crossover happened so i dont think im too far off. i think grian originally exported something simple, like maybe sugarcanes or mud, something easy to farm yknow, but then i dunno got bored or something so he made a couple more farms. then kept making more farms. then the hermitopia we all know and love happened!
actually maybe hermitopia isnt grians first empire. i think grian has a separate empire but decided to invite his friends to help him make some farms and then it just kept going. then hermitopia happened. i like the collaboration aspect of hermitopia so i think thats how that happens. hermitopia isnt necessarily grian's but its under his command so it gets called his. (isnt there a word for this? was it vassalage? i think its vassalage)
with that in mind i went with a robot-y grian because grumbot and a snazzy cool suit because business man (sidenote im looking over my pre art notes and one of them is just capitalism man and. yeah! not wrong). i gave him more steampunk-y wings than the usual feathery ones cause that fit better. i gave him a crown not really sure why but it fits since without it the design was more Just A Guy but with it he's more Emperor yknow. the buttons have a g on it because he would and an (attempted) gold trim cause that looked nice and fancy. originally he was gonna have four wings cause fun fact four wings is part of my base grian design but four wings kind of crowded the drawing so i didnt include them (sad) and i also didnt include the tail hes supposed to have because i couldnt find a good way to add it in with the pose. but in my heart he has both four wings and a tail
now why magazine style artwork? i 'unno. i thought itd look cool. and it does!! it looks SO cool!!! im so proud of it. recap magazine!! because of course im gonna make a hermitcraft recap reference are you kidding me recap is practically already a magazine reporting what gossip is happening on the hermitcraft server on any given week. its very specifically volume 9 issue 34 because thats when the crossover happened season 9 week 34 babey we love little esoteric details hell yeah!! i looked up how magazine covers work and its supposed to be like, main article big and smaller supporting side articles just kinda floating around so i did that!! and i made them funney references because of course i did! local bard catches scurvy because you cannot convince me that oli orionsound would not catch scurvy he would. does god is gay is a reference to that does bruno mars is gay nonsense article that makes me laugh everytime specifically in reference about mr smallish bean because he. has so many children. and none of them as far as i know from the lady server members theyre all lovechilds from gay lovers its hysterical and hilarious. quit your job join our sun cult is about the dawn empire because thatse the vibe that empire gives me and i think its funny. also!! thats hermitopia!! in the background!! i got the image off of the empires smp wiki and just Biggen'd it and it makes a bomb ass background hell yeah ^-^!!
also version with no text here lookit it!!
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