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#if they lose their hubris will be their downfall
the-eeveekins · 17 days
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I'm so proud of how Sulemio fans have come togther to support these girls, but also defend them from the flood of misinformation and bullshit. We're pouring post after post of love explaining who they are, why they're important and why we love them.
I'm familiar with Destiel because of the memes and it being one of the most infamous cases of Queerbait/Bury Your Gays around, but never interacted with the fandom (why would I?). And man like... the arrogance? They're so dismissive of Sulemio as "generic anime girls I've never heard of" and act like we should vote for them and hand them the win on a silver platter because of something like tumblr history or a the number of A03 fics. Those "generic anime girls" you've never heard from are currently kicking your ass, and it just show how much you underestimate the competition. Competition that beat Hannigram, Avatrice, Bubbline and Ineffable Husbands. The way they're so dismissive of anime and don't even know what Mobile Suit Gundam is is very telling that they look down on any form of media outside a very western/live-action sphere.
The majority of them can't give a reason why you should vote for Destiel beyond Tumblr History, like any of us should give a damn about that? I care about media with queer couples being important FROM THE START, and getting happy endings married to each other. Destiel's history has nothing to do with my fandom experience, especially as a sapphic women who loves yuri.
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asideoftrashplease · 2 years
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Detangling JC, his motivations, & his feelings on WWX (i)
JC and WWX have a very fraught history, and while WWX’s role as the narrator makes it very clear what his feelings towards JC are, JC’s feelings towards WWX and motivations seem a lot murkier. He goes from treating WWX as a brother, to mounting a siege in a concerted attempt to take his life. His actions and motivations in the aftermath of WWX’s resurrection are also subject to interpretation. This meta provides argument for my interpretation of his feelings and motivations throughout these events.
LOVE AND BROTHERHOOD
It is clear from the outset that JC cared deeply about WWX (I wish I did not have to make a case for this because it should be obvious, but there are some who believe that JC did not love WWX). Although he holds bitterness and resentment towards WWX due to his family situation and their rivalry, he cares about WWX and is protective of him. This shines through especially in times of mortal peril. 
When WWX was trapped in the Xuanwu cave, he travelled without stopping to find people to rescue WWX. The trip should have taken 10 days, but because he drove himself to exhaustion in his desperation to save WWX, he only took 7 days.
When WWX is in danger of being discovered by the Wens after the burning of Lotus Pier, he uses himself as bait to draw them away from WWX despite the risk to his own life, which eventually leads to his capture and the loss of his core.
SO WHERE DID THINGS GO WRONG
Things started to take a turn after the Sunshot Campaign. I believe a few key events caused resentment and confusion to build and grow in JC over time:
WWX’s refusal to carry his sword, which put political pressure on YMJ
His decision to break out the Wen Remnants, without consulting or informing JC, with put more pressure on YMJ
His decision to defect from YMJ, effectively (in JC’s mind) picking the Wens over YMJ and his brotherhood with JC
His actions at Qiongqi Path which killed JZX — while we know from WWX’s POV what happened, JC and JYL have no idea what went down except from the claims of the surviving Jin cultivators
His attack on the 4000 cultivators at the Nightless City, which ultimately cost JYL’s life
It’s evident that JC is increasingly bewildered, angered, and hurt by WWX’s actions. It’s clear that he’s confused, and just CAN’T UNDERSTAND WHY WWX IS ACTING THIS WAY. All the while, resentment is building in him that he has to clean up WWX’s messes, all while WWX’s actions undermine him as a leader and brings up childhood insecurities and jealousies. But his love for WWX drives him to continually stand by WWX and believe in him — even grudgingly, complainingly, and with growing resentment. Even up to the attack at the Nightless City, even after JZX’s death, he still seems to believe in WWX.
This last event, the attack at the Nightless City, seems to be the turning point where he stops believing in WWX, so I want to cover this particular event in more detail:
A “pledge conference” is being attended by QHN, GSL, LLJ, and YMJ. This conference is a ceremonial affair, centered around their pledge to eradicate WWX and the Wen remnants. It begins with them honoring the fallen with a toast, but while the other three sect leaders make the toasts, JC goes through the motions of the toast with visible unhappiness, and then conspicuously says nothing to honor the dead.
I feel this action needs to be understood in the context of the ceremony. They are standing in the Nightless City, where their comrades died in the final battle to take down QSW, a battle which WWX contributed to greatly. They are pouring the wine on the ground where the bodies lie to honor the fallen: “Here we honor our fallen. Rest in peace.” (Uncontroversial) “Now in the name of our fallen, we will eliminate the Wens who killed them — and the Yiling Patriarch!” (Controversial because WWX was brother in arms to these soldiers, and JGS is stirring shit because he wants the Yin Tiger Seal.)
JC knows the controversial bit is coming, so while the other sect leaders one by one say things like “rest in peace” and “may they live on” he dumps the wine on the ground and refuses to say anything. He is the only one, of the four with cups, who does not speak.
When WWX appears, the others all draw their weapons, but JC reaction is different: “JC’s pupils shrunk. Blue veins lined the back of his hand.” From this sentence alone, it may not seem clear what he’s feeling, but based on the rest of his actions in this scene, I would guess that he’s shocked and appalled that WWX would dare to appear before such a large and hostile mob, A MOB THAT IS CURRENTLY PLEDGING TO KILL HIM AND SCATTER HIS ASHES, thus recklessly and what seems like arrogantly endangering his own life.
After an increasingly hostile exchange between WWX and the mob, JGS calls for everyone to set up the battle arrays to seal WWX in, with the intention of killing him there. But when WWX calls up the corpses buried under them to defend himself, it’s stated that all the sects were in disarray, except for YMJ, which seems to indicate that WWX’s corpses were not attacking the YMJ delegation — and the YMJ cultivators were not fighting the corpses either.
This all seems to indicate that despite JZX’s death, despite the fact that JC has NO FUCKING CLUE what the hell happened at Qiongqi Path, despite the fact that he’s no doubt been fed lies and biased reports from the surviving Jin cultivators, and despite the fact that WWX is currently unleashing an undead army on all of them — he still believes that there’s another side of the story. He doesn’t even know WHAT that story is, but he believes in WWX— grudgingly, and with growing disbelief, confusion, and incredulity—  he still believes, BLINDLY, in WWX.
THE TURNING POINT
In the ensuing chaos, JYL is killed, and WWX finally snaps in his grief, unleashing a hellish and completely uncontrolled bloodbath upon the assembled cultivators. It is estimated that this killed three thousand people, severely decimating the cultivation world’s population.
The siege begins after this attack, and we know from the prologue that the siege was headed by JC, and that he was the one behind key tactical maneuvers (designed using his intimate knowledge of WWX’s weaknesses) that allowed them to eventually sack the Burial Mounds. In the aftermath, he was the main person credited by the cultivation world for the defeat of the Yiling Patriarch. When WWX meets JL at Dafan, he corroborates this by revealing, through the narration, that JGS was the second-biggest contributor to the siege — after JC, who was the biggest contributor.
I know that there are other popular interpretations of JC’s motivations here. I will name two:
He participated in the siege only due to political pressure — after what WWX did at the Nightless City, he couldn’t NOT condemn him or the cultivation world would have turned on YMJ too
He participated in the siege hoping to take WWX alive and bring him back home to discipline privately
But I don’t subscribe to either of these interpretations. I believe he FULLY intended to kill WWX. Firstly, if he was only participating in the siege due to political pressure, why contribute so vitally to the siege, why take a leading role and design tactical maneuvers to bring WWX down? He could have just done as he’d done previously, which was to participate perfunctorily in “opposition” against WWX, but contributing as little as possible, or nothing at all.
Secondly, some may argue that he was trying to capture WWX alive. But before this, he had always given the impression of being extremely cautious, to the point of inaction when maybe action would have been better. JC is VERY risk-averse. His characterization before the siege is that he’d rather do nothing than do something even potentially risky. The intention of everyone else was to kill WWX, NOT to capture him. As such, the risk that WWX would be killed in battle is extremely high. Even if by some miracle, he managed to capture WWX alive despite the best efforts of everyone else to murder him, it would be really difficult to stop the other sects from executing him, and getting permission to take him home and keep him under house arrest. It would be a safer bet to try to sabotage the siege from the inside, which is not what he did. In fact, he did the opposite. He was leading the siege viciously and with intent.
So I believe that he fully intended to kill WWX, which means the turning point was JYL’s death. Up to her death, JC still believed in WWX. After her death, however, the very last we see of him is him clutching JYL’s body, completely in shock, having not yet processed her death. I believe his last words to WWX should hint to us what caused the snap from blind faith to blind hatred. These words were: “Didn’t you say you could control it?! Didn’t you say it would be fine?!” To which WWX (who is having 99 fucking breakdowns all at once) finally admits that he was wrong, and that he can’t actually control it.
My belief is that this incident made JC realize that JYL’s death (and JZX’s as well) was largely caused by WWX’s loss of control over his demonic cultivation, and IMPORTANTLY, JC’s inaction re: WWX’s method of cultivation and his seeming descent into violent radicalism. Despite all the warning signs, the growing escalations, the increasingly violent confrontations with increasingly large death tolls— he continued to believe in WWX, even when he could no longer understand or predict WWX’s actions. Everyone told him “you need to reign him in” “he’s going off the rails” “he’s a danger to us all” and JC didn’t take them seriously because he BELIEVED IN and TRUSTED WWX.
And now his sister is dead, his month-old nephew is an orphan, and WWX has massacred three thousand people in a single night, likely including members of YMJ, in a total loss of control and conscience. I think that was the turning point, the crux of the betrayal.
I believed in you. I defended you. I stuck my neck out for you. But you scorned my help. You rejected and discarded me. You betrayed my trust.
You don’t give a shit about me.
You don’t give a shit about anyone else.
I BELIEVED in you, and YOU BETRAYED ME.
NOTE: Right now this meta is getting a little long, so I think this is a good place to maybe cut it in thirds? Part II should cover the siege, WWX’s death, and the 13 years in between, and Part III should cover JC’s actions and motivations after WWX’s resurrection. As the next parts have not been written, I can’t link it! But when Part II is done, I will edit the post to include a link below the cut:
[Part 2 is still in progress!]
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robbed-ghost · 16 days
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“Damian isn’t ooc what are you talking aboutttt he’s only 14 and wants to trust his dad so badlyyyy guyssss don’t get upsettt” have you never read a comic with Damian in it in your life
#I FUCKING HATE TJISHDJDHF#WHAT IS GOING ON AM I INSANE???? AM I LOSING IT???#Damian trusting his dad despite BRUCE acting so out of character EVEN IF ITS TO PRAISE DAMIAN AND MAKE HIM FEEL SPECIAL#HAS HAPPENED BEFORE#AND HE HAS SPOTTED THAT SHIT AS STRANGE A MILE AWAY#AND HE WAS LIKE. 12. AT FOURTEEN WE’VE ESTABLISHED DAMIAN AS MORE OBSERVANT AND PREPARED FOR THIS#it can either be taken as retrofitting him into ‘normal’ developmental periods which again. we’ve established Damian has as the antithesis#or as a way to put down his character in the robin mantle in order to make Tim’s run look smart and perfect in comparison. which is gross.#Tim has been Robin and even moved past it and became even better and now we’re what? missing the good ol days?#Tim became Robin in 1989. NINETEEN EIGHTY NINE GUYS#THATS 35 YEARS AGO#I KNOW ITS NOSTALGIC FOR YOU BUT YOU HAD A LOT OF STUFF WITH HIM IN IT AND HES JUST A SMART LITTLE WHITE BOY#Damian became Robin in 2009 and we’ve barely tapped into his psychology because comics is so hot buttoned right now#that they don’t know which aspect to deal with first and foremost and always choose Bruce’s relationship as an easy out#Damian was Robin for barely 15 years and yet the guy that got DOUBLE his time is back for round 3. ok.#and here we are again.#Damian has proven himself to be so capable and smart his only downfall is his own hubris and inexperience#he has been trained SINCE BIRTH to use his head guys. a few years in America didnt take that out of him.#anyway. plz pick up a comic. damian would know better cause he’s not an average 14 y/o and he’s not just a traumatized little boy.#‘ohhhh he craves his dads attention and praise so much he’d believe anything he saiiiddd’ WHO TOLD YOU THAT??? ZDARSKY??#WHAT WAS ALL OF HIS YEAR OF PENANCE ON THAT ISLAND FOR#WHAT WAS HIS ARC WITH DISTANCING HIMSELF FROM HIS FATHER A BIT IN THE WAKE OF NEEDING SOME TIME TO HIS OWN REVELATIONS#WHAT ABOUT IT. DID IT JUST NOT HAPPEN SUDDENLY#whatever.
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comradekatara · 2 months
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Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?
okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.
no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.
that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.
yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.
aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.
azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.
her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.
yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.
we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.
and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.
everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.
zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.
they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.
of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.
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hwnnqa · 24 days
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Just re-read The Secret History and came across this one line on the first page of chapter 6: “What we did was terrible, but still I don’t think any if us were bad, exactly; chalk it up to weakness on my part, hubris on Henry’s […]” and of course i had to look up hubris bc it’s a big word, what can i say.
But what’s interesting is that hubris doesn’t only mean ‘excessive pride or self-confidence’, which I’m pretty sure Richard meant to some extent. It also is a term used in Greek tragedies meaning excessive pride towards (self-worship) or defiance of the gods, leading to nemesis (a downfall caused by an inescapable agent).
Spoilers!!!
Henry, utterly self-absorbed, believing himself to be above (almost) everyone was the one who wanted to do the bacchanal, the one who killed the farmer, the ‘mastermind’ who tried to play god, disposing of those who weren’t of use to him. (excessive pride towards/defiance of the gods)
All of this led to a downward spiral, making him slowly lose the trust of his friends and, at last, of Julian, the one he worshipped like a god, the one he loved above all. Abandoned by the only one he probably ever saw as equal, he killed himself and met his downfall. (nemesis)
So it’s pretty safe to say Richard was kind of foreshadowing the ending at the beginning of Book II because if there’s one thing he’s aware of, it’s Greek tragedies.
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kurain-genealogy · 8 months
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i said i was gonna post about it and i am. i don't think william afton hates his kids. i don't think william afton is a mad scientist that kidnapped and put children in hallucinogenic gas chambers. whatever the fuck dittophobia said about afton doing all that, plus not stopping/furthering the bullying between michael and cc, is just dumb & wrong. william wanting his kids to fight, even die, is comically evil in the "bad writing" way. him being characterized as someone who experiments on children (including his own with no regard for their lives) in order to achieve immortality or whatever his supposed motivation is, is just really... nothing? as a character there is nothing to make him feel real. in an attempt to flesh out this character, they made him into a cartoon villain with "evil" being his only defining trait. whatever, i could talk for so long about how dumb i think all the dittophobia stuff is but i think most ppl on tumblr are on the same page regarding that.
to me, william afton is best characterized as someone who, at the Very Least, Doesn't Want His Own Children To Die. he can be a shitty father all around, or he can be a genuine loving father who is also a serial killer, as long as he Cares if they Die? most of what makes william afton an interesting villain, and where a lot of people interpret his motivation comes from, is how despite all his best efforts, he cannot prevent the death or downfall of his own family. he is in a tragedy of his own making, a self-imposed hell crafted by his hubris and violence. if you take this away, why should i care what happens to him? william afton was scariest when he was just purple guy and we knew nothing. william afton is most interesting when we have all these relationships and dynamics where we can seriously study and speculate the circumstances behind/around his actions, when he has something to lose (and will lose). william afton is most stale when more things are added to his story without purpose, filling in gaps that were better unfilled or we didn't even know were there – anything after UCN, basically. bro isn't scary anymore because he's either peepaw afton who's brought back despite his story being over, or he's cartoon network's newest over-the-top villian that you can't take seriously.
okay anyway. ANYWAY. william doesn't hate his kids. even if he's a shitty father, i think he still loves his kids. why else would he try and scare his kids away from the robots if he didn't want them to die? why would he design circus baby after his daughter if he didn't care for her, adore her, even? if you believe the theory that he talked to cc through the fredbear plush (idr if that's actually canon), why would he be trying to protect/comfort him?
i don't think he's a perfect, or even a good father, by any means. if you interpret him to be on the better side, that's great and fine. i'd love to hear how other people interpret/characterize afton if you wanna share! continuing on for this post, i'm going to lay out how i personally see william afton.
to me, he is someone who is very concerned and preoccupied with his image and how others view him & his family. even if he's super shitty and awful towards his kids, he at least cares that they all look good as a family unit, that they're well behaved, that he can send family portrait holiday cards to all his business partners and investors.
he strikes me very much as the typical authoritarian parent of the 80s. harsher on his sons because "men don't cry," wants his kids to say "yes, sir," and "no, sir," believes in "tough love," often says "my house, my rules," he has the final say in everything, maybe thinks hitting them from time to time is a normal, necessary punishment. not all entirely malicious, but thinks he's doing what's best, what's right, acting like a parent and father Should act, perhaps how he himself was raised. unfortunately, a very common parental mindset (even outside of serial killers). maybe he was a little scarier sometimes though, a little more unhinged or violently angry. who's to say.
but he's still just a guy who could exist in real life. he still eats dinner with his family every night, hangs his kids' drawings on the fridge, had to turn the car around because they wouldn't stop fighting in the backseat, attended awkward parent-teacher conferences, everything. he was once a new father who happily came home with his first newborn, lost countless nights of sleep over the course of two more, loves them because they're his.
meticulously and senselessly killed children, then came home and tucked his own into bed and kissed them goodnight.
he can be abusive and still love his kids. he can be a murderer and still care for his own kids' lives. maybe the loss of his own kids is what triggered his actions, or maybe it was something else. i'm fine with not knowing because we don't need to know everything, and it's more interesting when we don't.
Something Is Seriously Wrong With This Guy And We Don't Know What or Why. when acquaintances find out he's a suspected murderer, it should be shocking and upsetting. he's such a great man and father, he wouldn't murder those kids! when michael discovers his father's crimes, he should be in denial. sure, he could be scary sometimes, but he wouldn't kill anyone... right? there's a great cognitive dissonance between who he appears to be and who he actually is.
whether william descended into grief-induced madness and obsession, or was just always some kind of freak, or both, i don't think he saw his own family as disposable. even if he didn't truly love them, he at least needed to keep up his own facade as a friendly family man. personally i like to see him as someone who was a shitty father but still loved his kids, because people like that exist, and it makes him a much more interesting, realistic, and nuanced character than if he just didn't care about them At All.
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alllsunday · 1 month
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A few thoughts on how Portgas D. Ace is the epitome of the Tragic Hero. For one, his entire life was a tragedy.
“A tragic hero is the protagonist of a tragic story or drama, in which, despite their virtuous and sympathetic traits and ambitions, they ultimately meet defeat, suffering, or even an untimely end. They are often imperfect or wounded with some sort of fraught experience, and typically have some sort of fatal flaw.”
He fits the criteria :
1.) “High status/noble”
Ace is the sole heir of the notorious Pirate King and the only known female Will of D carrier. Yes, he’s not a noble, but he is obviously a high status pirate and a person with the “noble” qualities Aristotle was talking about even if he wasn’t literally one. Honourable, generous, polite.
2.) “Flawed”
The fatal flaw (hamartia) that brings about the hero’s downfall, destruction caused by their own hands. In Ace’s case … well, if I had to narrow it down, I’d say wrath, arrogance, and never backing down were the most key to his downfall, but the title of #1 has to go to his hubris (excessive arrogance/pride). It was because of this he went to Wano to challenge Kaido, the monster not even Oden could slay. Izou himself pointed out Ace’s arrogance. It was because of this he challenged Whitebeard, went after Teach, and ultimately ended in tragedy. Ace had been the strongest almost his entire life, losing was.. new. It doesn’t matter, cause everytime Ace is in a situation where he fucks up he always gets himself out of it, and when it comes to fighting as a whole, strength is his one constant. Even in the face of Teach’s power, he underestimated him, thinking that he’d win, which brings me to my next point :
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3.) “A reversal of fortune”
“The character should suffer a terrible reversal of fortune, from good to bad. Such a reversal does not merely mean a loss of money or status. It means that the work should end with the character dead or in immense suffering, and to a degree that outweighs what it seems like the character deserved.”
Ace was a traumatised and heavily wounded character who spent his childhood suffering. It was not quite a childhood. As an older teenager, he was tearing up the world of piracy (the first pirate of the new generation, super rookie, all at an insanely fast rate, even much moreso than Luffy) before joining Whitebeard and settling down. Though not eradicated, his internal struggles cooled down slightly. Maybe by the time he was a fully wisened man and not a boy fresh out of his teenage years, he could have been on the road to healing - but his belief that he could obviously beat Teach, his subordinate, was the catalyst for the events that were to come.
It was seemingly going alright - Ace had fit in, made friends, had the family he had so needed.
That flipped over almost instantly, and ended in his painfully premature death. During the fight, Ace realised he’d been overconfident. But this time he couldn’t back it up. Teach had won.
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On his deathbed, Ace finally realised that he wanted to live. Death was the thing he’d wondered about for his entire life, and now that he was actually on the brink of it - he had changed his mind. After 20 years, he genuinely wanted to keep going for the first time. Yet it was snatched away from him.
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To add insult to injury, Sabo’s death, one of Ace’s many traumatic experiences, ended up being a misunderstanding. Sabo was alive and didn’t remember him… until he had died.
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edenmemes · 1 year
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tloz: tears of the kingdom starters
WARNING: spoilers !
❝ there doesn’t seem to be any danger at the moment. ❞ ❝ history and legend sometimes blur together. ❞ ❝ i think you’ve caused quite a stir since your arrival here... ❞ ❝ i think you do look weird. so there, chew on that. ❞ ❝ i feel like i should apologize for dragging you into this mess. ❞ ❝ there’s no need to get so worked up. ❞ ❝ you allowed your heart to falter. that is the quickest way to fall on the battlefield. ❞ ❝ i’ll fight by your side till the very end. ❞ ❝ as with any leader, it is my duty to safeguard and protect my people. ❞ ❝ you are burdened with a mission of monumental importance. ❞ ❝ it was my hubris that set us on this path. ❞ ❝ i get it, you’re young --- you feel invincible. ❞ ❝ i thought you had harder bark on you than that. ❞ ❝ this little village used to be as quiet as a dusty old tomb. ❞ ❝ i don’t know who you are, but i’m sorry you have to see me like this. ❞ ❝ i feel a lot better after talking to you. ❞ ❝ you should have seen the look on your face. ❞ ❝ please, no need to look so petrified. ❞ ❝ you’re alone too, right? alone is good. ❞ ❝ you have disgusting, unwavering commitment to do ‘good’. ❞ ❝ i apologize. i keep getting lost in my thoughts. ❞ ❝ you’re finding this all a little scary, aren’t you? ❞ ❝ did you hear me singing? how embarrassing. ❞ ❝ you might want to make other plans...if you value your life. ❞ ❝ i suppose fate really wanted the two of us to run into each other again. ❞ ❝ you use your power to crush the weak...to serve evil. ❞ ❝ you will die knowing that you failed. ❞ ❝ you heard that strange voice too, right? ❞ ❝ this is a lot to learn all of a sudden, i know. ❞ ❝ did you know if you put your ear to a well, you can hear the wailing of the dead? ❞ ❝ i see the shadow of death upon your face. ❞ ❝ it seems skill and confidence is in short supply. ❞ ❝ that pride will be your downfall. ❞ ❝ i’ve gotta say. your stories are always so wild. ❞ ❝ did i manage to keep a smile on my face? ❞ ❝ you take for granted the godlike power you have in your hands. ❞ ❝ nevertheless, i can’t shake this strange tightness in my chest. ❞ ❝ why do i get the feeling we’re being watched? ❞ ❝ sorry you had to listen to me go on and on like that. ❞ ❝ anyway, i’m sorry for teasing you. ❞ ❝ uh...what’s with the face? ❞ ❝ what was it you wanted to discuss with me in private? ❞ ❝ were you looking for me? i’m honored! ❞ ❝ one cannot accomplish great feats without allies at one’s side. ❞ ❝ it’s important to help each other in times of need. ❞ ❝ i hate the way rain feels, but i don’t mind how it sounds. reminds me of waves crashing on the beach. ❞ ❝ you look distracted. what’s wrong? ❞ ❝ things with ‘legendary’ in the title are usually just stories. ❞ ❝ do you really think i hadn’t realized your deceit? ❞ ❝ what are you doing in a place like this? ❞ ❝ i never thought i’d see such a marvel with my very own eyes. ❞ ❝ thank goodness. if something had happened to you...i... ❞ ❝ how did you find this place? what cruel ploy are you plotting? ❞ ❝ it seems that the world is still in a wretched state. ❞ ❝ enough is enough! you are not acting like yourself! ❞ ❝ i can see right through you, whether you want me to or not. you are yielding to the fear of losing someone you love again. ❞ ❝ i can see it in your face. i don’t hold that special place in your heart. ❞ ❝ light and dark - one cannot exist without the other. ❞ ❝ do not get lost in the past. you must keep moving ever onward. ❞ ❝ it is best when those who care for each other are open and honest, even when it is difficult. ❞ ❝ push yourself too hard and you become your own worst enemy. ❞ ❝ look at all those scars...you must have fought a lot in your life. ❞ ❝ i am hesitant to admit it, but our success was thanks to your support. ❞ ❝ you look very pleased with yourself. ❞ ❝ i was giving in to my fear of once more losing someone i love. ❞ ❝ hold still, and don’t fret. i’ll take care of everything. this won’t hurt a bit. ❞ ❝ did you think i’d deceived you? perish the thought. ❞ ❝ i’m always here. should you ever have need of me, you need only ask. ❞ ❝ it’s amusing, isn’t it? our little back-and-forths. ❞ ❝ i just don’t want anyone to drop dead right in front of me. that’ll give me some nasty dreams. ❞ ❝ there it is. that inexplicable smirk upon your face. ❞ ❝ what were you praying for? long life? wealth? ❞ ❝ you get even cuter when you’re blushing. ❞ ❝ it is all right. i swear it. i am not going anywhere. ❞ ❝ i never thought...never dared dream...that i’d live to see the day we could all laugh together again like this. ❞ ❝ i’ve seen enough faces in this job that i can tell from looking at one if someone’s lying to me. ❞ ❝ you’ll come visit me again, right? ❞ ❝ i hope that ours will be a long and profitable relationship. ❞ ❝ this must be what the end of the world looks like. ❞ ❝ there’s nothing wrong with asking if you can help, you know. ❞ ❝ i knew there was a bright smile in there somewhere. ❞ ❝ let’s not pretend it won’t look absolutely dashing on you. ❞ ❝ no matter. you will not live to see another sunrise. ❞ ❝ you cannot hope to escape your fate. ❞ ❝ i’m sorry. i know i’m always throwing you into dangerous situations. ❞ ❝ hear my name and tremble in fear. ❞ ❝ it seems you have met with great danger once more. ❞ ❝ i actually...secretly followed you. ❞ ❝ there’s no shortage of strange happenings these days. ❞ ❝ anyone tell you it’s rude to stare? ❞ ❝ sitting here feeling sorry for myself won’t solve anything. ❞ ❝ at my age...well, very little surprises me. ❞ ❝ there are more mysteries waiting for us down here, i know it. ❞ ❝ i’m only telling you this because you seem like a trustworthy sort. ❞ ❝ we are bound by fate, you and i. ❞ ❝ i’d have preferred to stay with you a while longer. ❞ ❝ you will have to do something about that fear eventually. ❞ ❝ now i live for vengeance. ❞ ❝ so you’re our saviour, eh? i thought you’d be tougher looking. ❞ ❝ sorry about that. the sadness just gets to me sometimes. ❞ ❝ you were involved, weren’t you? ❞ ❝ i’m sorry, i’m just surprised. i mean, you don’t seem all that strong. ❞ ❝ did i...see what i thought i saw? ❞ ❝ just forget it. it’s not important. ❞ ❝ we cannot afford to stand still at a time such as this. it is imperative that we act. ❞ ❝ disappointed that i wasn’t shocked and aghast at the very sight of you? ❞ ❝ you must be pretty strong beneath the surface. ❞ ❝ what happened? is this your doing? ❞ ❝ i can see right through you, whether you want me to or not. ❞ ❝ just watching you move, i can tell you’re no ordinary person. ❞ ❝ whatever is troubling you? why are you hesitating so? ❞ ❝ good...evil...that’s the futile perspective of narrow-minded beings. ❞ ❝ are you here because you’ve heard about me? ❞ ❝ one difficulty has been overcome, and yet another has appeared in its wake. ❞ ❝ once i rest up, i’ll be hitting the road again. i’ve stayed here too long as it is. ❞ ❝ we have to train. we have to get stronger. we have to get ready for what’s next. ❞ ❝ is everyone all right? nobody’s injured? ❞ ❝ i’m the one who made such a mess of things, after all. ❞ ❝ it is a mighty opponent, certainly, but we must not falter. ❞ ❝ what’s with that look? you don’t think i can do it? ❞ ❝ what’s the matter? you can tell me, weirdly handsome dude. ❞ ❝ why is everybody so quick to believe the silliest things? ❞ ❝ i dearly wish that i could believe what you are saying. however, at present...i simply cannot do that. ❞ ❝ wow, listen to me. with every breath, i spew out brilliance. ❞ ❝ for a long time, i have been concerned that you are holding yourself back. ❞ ❝ i feel like you weren’t getting what i was going for there. way to kill the mood. ❞ ❝ can’t talk my way out of this one... ❞ ❝ this is normally where i’d give you a chance to respond, but i’d like to talk about me instead. ❞ ❝ never forget that we are all standing beneath the very same sun. the only distance that matters is the distance between our hearts. ❞ ❝ i lost my head a little there. i’m not too proud of the way i behaved. ❞ ❝ i’m sure an answer will come to you. wisdom takes time. ❞ ❝ i must truly be getting on in years to have allowed a mere monster to catch me off guard. ❞ ❝ you really don’t know your place, do you? ❞ ❝ do you really think we hadn’t realised your deceit? ❞ ❝ you heart is like a chicken’s egg --- easily given but easy to break. ❞ ❝ your wounds were severe...i am relieved to see you escape death. ❞ ❝ i’m told that your skill in swordplay is unmatched. ❞ ❝ what, you’ve never heard of me? ❞ ❝ where were you? you disappeared on me so suddenly. i was worried sick. ❞ ❝ oh my. i’m surprised to hear you say such a thing. ❞ ❝ i wonder how many times we’ve met in our past lives. ❞ ❝ so what if you don’t say what you really think. i won’t hold that against you. ❞ ❝ though our time together has been brief, i am so happy that we finally met. ❞ ❝ what’re you thinking, strolling into this war zone? ❞ ❝ you’ll keep your trap shut if you know what’s good for you. ❞ ❝ i sense a fierce battle ahead, the likes of which we have never before faced. ❞ ❝ i can feel the moonlight pouring down, cleansing my spirit. ❞ ❝ you’re not needed round here any more. ❞ ❝ that mystery just leads us straight into another. ❞ ❝ it is very difficult to rest peacefully when things like this happen. ❞ ❝ sometimes i’m so smart, i scare myself a little. ❞ ❝ ever try getting info out of a boulder? well, that boulder’s ME. ❞ ❝ i prefer to keep work and my personal time separate. ❞ ❝ sure, you look like a strong breeze could blow you over, but you are solid as stone. ❞ ❝ that pride will be your downfall. ❞ ❝ i’ve been abandoned by love...by luck...by happiness. ❞ ❝ at last...i have been waiting for you to arrive. ❞ ❝ i am stunned. i am in complete and utter awe with you. ❞ ❝ despite all we have endured, my feelings for you have never altered. they never shall. ❞ ❝ am i some sort of villain? or a force for good? ❞ ❝ i’m just fated to be unhappy. steer clear or you’ll catch my misfortune. ❞ ❝ you’re your own worst enemy sometimes. ❞ ❝ i will crush any opposition. i will rule. ❞ ❝ that’s an old dangerous road absolutely crawling with monsters. ❞ ❝ now that you’ve seen it, i can’t let you live. ❞ ❝ you look like a gentle soul who wouldn’t hurt anything. ❞ ❝ my body...my mind...everything. i’ll sacrifice it all to destroy you. ❞ ❝ i had almost forgotten the thrill of battle. that feeling as blood surges in my veins... ❞ ❝ i bet evil always scatters when you show up. ❞ ❝ it’s important to remember that luck and love aren’t things that run out. sometimes they just take the long way to get to you. ❞ ❝ i’m gonna make my ancestors proud today. ❞ ❝ this world should be shrouded in darkness, not bathed in insufferable light. ❞ ❝ it would have been more...satisfying to overcome a worthy foe. ❞ ❝ a mere mortal will not stand in my way. ❞ ❝ you’d walk away...from someone in need? ❞ ❝ you have proven yourself, and you no longer need me. ❞ ❝ i have some heartbreaking news to share. this will be tough to bear, but i ask that you stay strong. ❞ ❝ you might think of this as ‘hush money,’ and...yes. that’s what it is.. ❞ ❝ now, let’s both pretend like this never happened. ❞ ❝ you might think i’m a hopeless coward...and you wouldn’t be entirely wrong. ❞
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quasitsqueeries · 5 months
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The Emperor wasn't 12 feet tall
I see this meme a lot in my Instagram feed and it really grinds my gears:
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Not because it seems to be trying to shame a fictional antagonist for being "wrong" (although that really doesn't help), but because whoever made it seems to have missed that depictions of the Emperor as superhuman are meant to be Imperial Propaganda.
Now, I realise I'm going to be fighting an uphill battle here because there seem to be people working for Games Workshop and producing their media who also missed that memo, and for a while now the studio has started producing actual depictions of the Emperor, and some of those depections show him as 12 feet tall and immortal. This might be controversial but I think what this shows is that Games Workshop don't understand Games Workshop's source material.
Here's a picture of the Emperor from the original Rogue Trader rulebook.
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Even this is obviously meant to be a propaganda image, but here he looks like just a regular guy in armour, he's about the same size as the people around him. Not a superhuman, just a guy with an excess of hubris.
There's this literary construct called the unreliable narrator. When I studied literature we were given this short story to read called Bartleby the Scrivener. It's told from the point of view of an employer about a clerk who was apparently really difficult to manage. The subtext is that the narrator is trying to manipulate the reader to make themself look good.
For a long time, that's what Warhammer 40,000 did, the Imperium was made out to be an unreliable narrator. Stories about the Imperium's "glorious past" were told through the haze of ten thousand years of unending war, by an ecclesiastical class with a vested interest in keeping Imperial citizens committed to feeding the war machine. To the Imperium, the Great Crusade and the Horus Heresy serve the function of myths, more than history. I've gone on before about how important heroic figures like Siegfried and Perseus and Prometheus were to the Nazis. The Imperium, being a fictional state that draws on the aesthetics and ideology of Fascism, uses the figures of the Emperor and Primarchs the same way.
Basically what I'm saying is that when Imperial sources state that these people were twelve feet tall and immortal and could, um, turn a giant ork into a lightbulb on a whim, it's not because they had these powers, but because they've been ascribed these powers by their priesthood, who have total control over the flow of information in this setting.
And I get that this is hard, because most people don't get taught this stuff, and often people are probably looking for escapism from their fiction and why would the book I'm reading lie to me? But I think it really makes the setting more interesting if you look at it this way.
Also, I realise that since 2006 there have been books around that describe the Emperor, and they do show him as superhuman, and I think those depictions are based on the writers misunderstanding the material they're working from. I guess Tolkien wrote the existence of The Hobbit into Middle Earth as the Red Book of Westmarch so I can tell myself that the Horus Heresy novels are meant to be in-universe Imperial propaganda.
ADDENDUM: I need to add this because I've been reading about Perpetuals, which is apparently what the Emperor is since the Horus Heresy series was published. Apparently these individuals are human mutants that are both immortal and invincible. I remember Mechanicum heavily implying that the Emperor and St. George are the same person. Here's the problem with that. There are two themes that I think are really important in Warhammer 40,000. One is the Emperor's hubris, the idea was that he was playing god, genetically engineering monstrosities in the form of the primarchs. In the Greek tragic mould, it's this hubris that leads to his downfall. This kind of loses its sting if he's just trying to recreate what what he already is.
The other theme is the Imperium's superstition. This one is really the core of 40K. The Imperium has taken the corpse of a man who tried to rule the galaxy, told themselves he's not dead, plugged the corpse into a machine that "regenerates" him, and founded an intolerant, violent and expansionist religion around this husk. This theme changes significantly if the Emperor actually was as powerful as the Ecclesiarchy makes him out to be, and actually isn't dead, and has somehow been regenerating for the last 10,000 years. There's a question here about what would make an entity worthy of worship, or being called a god, and I probably shouldn't get into it but this is my blog so I'm going to. It seems like there's an assumption among some writers that if something can be rationally explained then it's not a god, because gods ipso facto don't exist. They've incorporated nonexistence into their definition of gods. This is where you get the idea that the Chaos gods aren't gods, because the setting explains their existince "rationally" with its internal logic (nevermind that there's nothing rational about the warp). If there were gods in a rational sense, then our model of the universe would have to change to accomodate them. I think the upshot of this is basically that if what the Horus Heresy novels claim about the Emperor is true, then the Ecclesiarchy are right and he is a god within the logic of the setting. That doesn't justify the genocide and expansionism, but maybe it does justify the worship, and that's something that I think takes away from the setting.
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md-confessions · 1 month
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sort of in response to that one ask about doll not being 'uzi if she never met n.'
both her and uzi were changed through grief and disconnect from their peers even if it showed in different ways. both of them have themes of loneliness & both of them have an intense festering hatred that fuels their motivations.
the difference between them is that through the connections that uzi formed after being forced into a situation where she had to open up, she deterred herself from the path she was slowly going down.
like her quote en quote villain arc was stopped before it started because of the connection she formed with N but doll never had that.
doll refused to form connections despite the chances she was given because it happened too late. her anger festered for so long that she wasn't able to make a comeback. her hubris was her downfall. she became the very thing she sought to destroy.
the point of promening and her 'hypocritical murder plan' was that she was so blinded by her anger and hatred, she didn't really think too far about the logics of her plan; she probably fantasized killing v and then took the first chance she could to actually do it.
she has some kind of tunnel vision, focusing on her goals until she's gotten them; no matter the cost, no matter who or what she has to get through. (another similarity between her and uzi, imo.)
Uzi basically stated "hey we should stop fighting cause there's bigger shit at play and we can deal with it better if we team up" and Doll responded with "No I can do this on my own also die"
sort of. imagine you spend years upon years seething and imagining ways you're going to kill this sky demon that killed your parents in front of you and lead to the activation of a virus that has plagued you for years since that point. you have to actively kill and eat people from a young age & you are alone in your struggles; presumably the singular person who is aware of them finds your trauma humorous to an extent, and even if she sticks by your side, you feel like she doesn't really get it. i reiterate; you are alone in your struggles.
one day, you finally get your chance. you fantasize this moment for years, to the point where it becomes the only plausible solution to your problems. you don't plan it out thoroughly, because you know the universe will deal its hand correctly and allow you catharsis after years of festering that hatred. it finally happens. you have her in your sights, you have her pinned, she knows who you are now and you're about to kill her, to inflict all the pain on her you have wanted to for years; no matter who may have gotten in your way, you will have this, it's all you want, its all you HAVE wanted.
and then someone stops you. she tells you some things that if you were in a clearer mind, you would have thought deeper about, but you're so fucking angry right now and you want her to get out of the way. you don't listen.
you fight. you lose. you come back.
she has the same virus as you. you're not alone anymore. and that's when the conflicting feelings start. but despite that start, they never quite come to any meaningful conclusion because you have more important things to do. perhaps she inspired you a little to understand that the fate of the planet is more important than your fantasy for revenge, but you're so set in your ways you can't quite admit it yet. and again; when you get that chance again, to enact revenge, you take it.
and in the end, it ruined her & she died. she died as she lived; alone.
essentially, 'doll is uzi if she never met n' doesn't mean that exactly; it means doll is uzi if she never formed meaningful connections. the friends she had in school don't count in my eyes. literally the very first proper interaction we see between her and lizzy is lizzy playing doll's traumatic experience off as a joke. no hate towards lizzy also just to specify i love them as friends i just don't think it is on the same level of healthy as n and uzis friendship is?
okay.. i can't add any more to this it's so fucking long also it's 1 am GOODNIGHT i hope this doesn't look weird or aggressive
.
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galemancer · 8 months
Text
the dekarios folly
MAJOR BALDUR'S GATE 3 END GAME SPOILERS.
[ short monologue. — first person from gale's pov. — past and present tensing. — angst.]
In the pursuit of greatness, he lost who he was.
Godhood... is lonely.
ao3 link: https://archiveofourown.org/works/50362192
---——-
Victory isn’t the first word that comes to mind at the mention of Baldur’s Gate.
We defeated the Netherbrain, but somehow victory is not the word I associate with it. There is no happiness, only temporary respite. There is no celebration. There is only defeat, because those memories are plagued by the loss of you.
I thought that you would be proud of me.
I thought that claiming this crown would prove worthy enough, man or god alike.
And yet, it seems I have fallen short...
Was I to forgo the opportunity to ascend to greatness? While I stand on the precipice of power, relinquish it? The gods refused to aid us no matter how often we cried, prayed, begged. A mortal with the power of a god to help mortal kind… I could have prevented the pain the Absolute wrought while the gods cowered.
‘Your hubris was your downfall once, Gale.’
Your voice resonates clearly despite all these years past, laden with hurt and fear. I can still see your face, stark as you attempted to keep me grounded. I couldn’t accept your inability to see the potential for good, and I wasn’t to be held back any longer.
I left you distraught, stunned on the docks as I departed. I remember the crease in your brow and the hurt in your eyes, the sparkle I’d fallen so deeply in love with dwindling. I remember my heart pulled back by your pleas, and I almost acquiesced. The restraint of your grip on my hand as I pulled away, silently begging me not to go.
But you let me.
And by the gods, I wish you hadn’t.
For some time after, I sought you in your adventures along the Sword Coast, Tara in tow. “Mr. Dekarios, is that you?” She’d call out, ears perked up in anticipation, saddened eyes turned hopeful as they followed the trails of my magic. She wished to talk to me, to scold me likely, and deservedly so.
In my absence she’d found a new companion, and there was no choice better than you. You were good for each other — two kind hearts to look after each other amidst the aftermath of it all.
She brought you to Waterdeep where you spent time with my mother. I could feel the hesitation in your voice as you spoke upon meeting her, the too familiar features sending you back to the dock. You told Morena the tragedy of her son whose hubris consumed him, under the guise of an ambitious wizard reaching his full potential. Even in my most grave mistakes you spoke of the good you saw in me.
I visited you in dreams, visions, every possible sign besides the blatant, and they remained unanswered. Could you see the glimmer of magic calling out to you by name? Was my existence in your life as this divine being one you wished to reject?
In your deafening silence, I found time to reflect on every decision leading here. The prodigal Wizard of Waterdeep spurned by Mystra herself. He who managed to piece together the Karsus Crown and in turn control the Karsite Weave, at the cost of losing the only real love he’s ever known.
It is sure enough to say that the realization of my own folly proved devastating.
Now every waking moment, I wait patiently for you to summon me, call me out by name so that I may appear in front of you. Waiting in an endless timescape is excruciatingly painful, and yet I continue to subject myself to its punishment. I remain hopeful that some day you would willingly be by my side again as my Chosen, and better yet, lover.
It’s... quiet without you. The pain of your noticeable absence never fails to astound me, and wracks my heart with immeasurable regret. I miss you quite terribly, and yet there is no one else to fault besides myself. Of all the things learnt in our time together, of all the things conquered… the only thing I failed to overcome was my own pride.
And now I’ve damned myself to an eternity without you.
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thebrightestlodge · 10 months
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People liked my Laurence, so I did a better portrait. I based him off that one statue in the Research Hall. I like to think it's him in the helm and beard. I just do the beardstache for pre-madness him.
He's not malicious on purpose. Long ago, he truly wanted to help and sought to use the blood for that, but in his urge to do better, ambition and drive were his downfall. Laurence loses himself in his research. A twisted shadow of a scholar creating sciences, so ravaged by the urge to learn, he drags others down with him. Kos's assault pushes him to the brink, and when the Moon Presence came to visit, the saint becomes the sacrifice. A sacrifice and example of hubris. A blood-drenched Icarus who flew too close to the moon.
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a-random-whovian7 · 6 months
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*Doctor Who Spoilers*
So the 60th Anniversary specials have just finished and, for the most part, they were pretty good. David Tennant was as good as ever, the villains felt far more threatening than in recent years and Wild Blue Yonder was pretty close to perfect imo. But something has been lurking in the back of my mind since the final scene of The Giggle. Something that just hasn't let me enjoy the specials as much as I could
My problem is they fucked up 10's arc.
Now, as a person who absolutely loves the 10th Doctor’s era and story arc, 14 felt like a complete smack in the face. 10 was the most human Doctor, and his story is a brilliant deconstruction of who the Doctor is. Yes, he always tried to do good, but his hubris, vanity and selfishness led to his downfall, all of which was spearheaded by him losing Rose, driving Martha away, having to wipe Donna's memory and in the end having to sacrifice himself for Wilf. Was it tragic and sad? Yes. But not everything needs a happy ending. The fact that 10's mistakes came back to bite him was one of the many reasons why I loved that era so much, as whilst he was redeemed by sacrificing himself, his regeneration still held such an emotional impact due to the fact that he'd lost so much and had fallen from grace. It was sad, but it worked. It had weight because it was permanent. It was a unique arc in Doctor Who that should have been left alone.
But then 14 and the specials came along and kind of undid that. Turns out Donna was fine, she just needed to let the Metacrisis go. Turns out all 10 really needed was a holiday. Now he's had a happy ending, just relaxing whilst 15 goes and does all the hard work. Plus, it now means we have an excuse to call back David Tennant whenever we like (look, I love David Tennant and hold nothing against him, it's more the fact that Doctor Who has been blatantly using him as a crutch since 2019). The bi-regeneration also kind of robbed 14 of accepting death and allowing Ncuti to immediately take centre stage. 10's arc just feels cheapened in hindsight, as the weight of his actions isn't really reflected in him getting an "everything was right again" ending.
Of course, it's not all bad, and I'm probably just being incredibly picky. People seem to be really happy that 10 had a happy ending, and I wish I could fully enjoy that too. If we absolutely had to have this ending, then this is the best possible way to have it, it could have been done far more lazily. After all, not everything needs to be depressing and serious. Plus, I did like the specials overall and the fact that David Tennant managed to add more emotional weight to the Flux arc and play a far more experienced and mature Doctor. RTD screamed trans rights, mocked modern Internet culture and gave us the creepiest episode in years, all of which is absolutely fantastic. I just wish that RTD hadn't added more onto 10's arc and tied up the loose ends that didn't need tying up.
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metalomagnetic · 9 months
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In terms of power levels, where would you put Grindelwald, Dumbeldore and Voldemort? In Oruboros Grindelwald gave Marvolo a run for his money, but in other fics the disparity between Voldemort + Dumbeldore and Grindelwald is much more significant. Voldemort is definitely the strongest, but where would you put them all in relation to eachother?
I'd say Dumbledore is clearly more powerful and skilled than Grindelwald, what with the famous duel and whatnot.
With Voldemort, it is a bit more complicated, because of the age difference. Of course, a 16-30 year old Voldemort is going to probably lose to both Dumbledore and Grindelwald, simply because he's half a century younger. However, his age also starts working in his advantage, once he hits 40ish-50ish- because then Dumbledore becomes too old to keep up with him, if that makes sense.
I think canon Voldemort is more powerful than Dumbledore in the seventh book (when he's 70 and Dumbledore is well over 100), and also more powerful than Grindelwald, since Dumbledore is better than Grindelwald.
We know Voldemort was on the cusps of winning the First Wizarding War, that NO ONE could stop him, until Harry did- and that is why Harry is such a Big Deal, because he was the one to finally put an end to Voldemort, when no one else managed and wizarding Britain was doomed.
In the second war, they lucked out- Voldemort clearly lost his marbles somewhere in Albania (he is not the man described prior to his appearance- we hear how intelligent he was, how charismatic, how powerful, yet that is not what we get when he finally shows up, so I must assume he lost his mind in Albania). Even so, in the duel at the Ministry he was not injured, and he did not tire, and where it not for Fawkes he would have killed Dumbledore- Dumbledore that was in possession of the Elder Wand, no less. So I'd say it's pretty clear he was more magically powerful at that point, only he went insane, and Dumbledore outsmarted him in that regard.
If we put them all in an AU where they are the same age- I guess I'd still rank Voldemort as most powerful, but Dumbledore would probably still win, simply because no matter what dark arts they know or how overpowered V and G are, their downfall will be their arrogance, pure hubris, and Albus would outmanoeuvre them in one way or another.
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goldenteaset · 6 months
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I'm having so much fun with Virche Evermore! It's exactly the level of Gothic Romance I wanted, and often more romantic than I believed it would be. Scien is currently my favorite, but perhaps that's to be expected from someone who continually got "Pragma" (or "Ludus") on Cupid Parasite's love quiz. XD
On that same token, though (just unlocked Yves' route): am I doing sci-fi "wrong" if I'm considering the science as a vehicle for emotion and character rather than something "plausible"? Because I keep seeing people complaining about that and I'm so confused.
Analysis and spoilers for Lucas and Scien's (pre-Salvation) endings under the cut!
For example, I started with Lucas' route first. I went into it expecting this quiet, grief-filled story of a man struggling to choose between dying as himself VS continuing the vital community role he loves (teacher) at the risk of losing that passion for teaching. As the route progressed, the conflict became more, shall we say, "man vs man", but to me it didn't seem to lose much in that switch? If anything, it became clear that sometimes in this story love "comes too late", but it's worth feeling and sharing all the same. The themes of cults and Weird Science (tm) are there to enhance those emotions and that sense of loss--they're almost metaphorical that way.
Where that does fall apart for Lucas' route specifically is how he as a character feels very focused on the spiritual, not science and medicine. "What is the nature of the soul? What makes us human?" I think the antagonist chosen for him falls flat because of this: Cappuchine acts in accordance with those spiritual conflicts for 99% of the route until he's suddenly The Most Science Person. His way of "loving/preserving" is genuinely fascinating if viewed as a foil for Scien, but as a foil for Lucas specifically? They don't quite mesh. (Love the evil lair and outfit switch though, very classic and classy!)
To wander back to my point: I think Scien's route (pre-Salvation Ending) gave me more Feelings because the spiritual and science themes are better woven into his and Ceres' relationship. Both of them have these suffocating, abstract mantles placed on them by others, and through each other they learn to embrace and reject those mantles simultaneously. "To err is human", and yet "what a piece of work is man". Scien never stops thinking of Ceres as a human being, even when things spiral. Ceres has her sky-high expectations of Scien dashed to pieces by his hand, and as a consequence can point out his flaws with impunity. Their love is exhilarating, born of madness and hope. They're nothing less than devotee and God, offering and receiving tribute and acceptance at their lowest points...but they're also nothing more than a man and woman who respect and love each other.
When Scien says to Ceres "If the world will not forgive you, I will," it feels like the first time that mantle of Godhood has worth. And so it's not surprising when right after this comes his huge moment of self-discovery: "to forgive is divine", but "to err is human", after all. His downfall in his Despair Ending comes from hubris--but also, fittingly, from Lucas, the one character (so far) who adores Ceres like a devotee but can't accept her flawed humanity.
The science of Reliver technology and Death's Curse are like spotlights shining down on them--whereas for Lucas and Ceres, those same concepts get in their way as much as they help illuminate their love. And yet I can't find it in myself to discard the writing in the latter's case. I'd rather a story be as flawed as the humans that made it. That way, the emotional high points can be that much more exhilarating when they hit as hard for readers as they must have the writers when they realized, likely mid-sentence, it's working.
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effloradox · 2 years
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I’m a Fire and I’ll Keep Your Brittle Heart Warm (I)
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Aemond Targaryen x Dragon Rider!Reader
Series Masterlist
Notes: I’m really excited about this fic! I’m hoping this will be about four parts in total, maybe five depending on how things pan out. Hope you enjoy it!
Taming a dragon is by no means an easy feat. They're fickle creatures, and easy to anger so it's understandable that so many people have burned in their attempt to control such a creature. You've watched several men burn in their quest to try and tame one of the few remaining wild dragons left in Westeros. All of them were cocky Lords of the realm that thought they could bend nature to their will in the same way that they bend man-made laws. They're all fools for thinking dragons will bend the knee just because someone has some gold in their pocket. The dragon did not care for their gold, it cared for their flesh.
The trick, you've learned, is that you need to accept that you're never actually in control of your dragon to be a good rider. Dragons aren’t creatures that can be tamed, and to believe otherwise is a fool's endeavour. You might be able to form a bond with one to the extent that you will not be incinerated upon getting close to it, but that’s not the same thing as taming a creature. It's hubris that gets dragon riders killer, nothing more. They forget what it is they're riding and their lapse in judgement gets them killed. It's something you've been careful to keep in mind whenever you ride Grey Ghost, lest it result in your downfall.
It may be the fact that you're an anomaly to dragon riding that makes you so cautious, after all it's exceedingly rare for dragons to accept riders who are not of Valyrian blood, it’s been all but unheard of until your time on this planet. The only other rider to be in the same situation as you is Nettles, and even you question how she managed to get Sheepstealer to accept her as its rider. She’s a sweet woman, if a bit dull, and upon first impressions one would never imagine her capable of seeing a dragon without fainting, let alone riding one. Looks can be deceiving though, you suppose. Just take yourself as an example.
You come from no family of major consequence, born to a family with minor influence in the Riverlands. There was enough food and money to get you and your siblings by, but when the threat of your marriage to an elderly lord came about (something that would have massively increased your family’s standing in the politics of the Riverlands) and your refusal to go ahead with the marriage was not taken with any grace, you decided to run away before you were forced into a life you would rather die than face. It was the hardest thing you’ve ever done leaving your family and everything you knew behind, but no part of you regrets it when you think about how your life could’ve been.
It's quiet by the coast. Over time that's something you've learned to appreciate the sound of the tides as they ebb and flow in front of you. Over the years it’s become easy to lose several hours of daylight just sitting on the beach watching the tide. You’ve always found comfort in the water, as ironic as that is now you ride a creature that can breathe fire. Maybe it’s just a Riverlands thing, but bodies of water have always had connotations of home, of safety. They’re consistent, and that’s been very reassuring whilst your life has been so tumultuous. It’s why you stayed by the sea when you left home. It’s also been useful in keeping yourself alive. The patch of land that you've comfortably described as your home for the past three years has versatile enough wildlife that keeps you satiated, and the sea provides copious amounts of fish to keep Grey Ghost satisfied enough that she won't turn to you for her next meal. It’s also close enough to a town that should something go amiss you’re not too far from civilization but it’s not so close that people would wander by and happen across you and a dragon.
It's not an easy way of life, but it's a better life than one of servitude to some old bastard who only views you as useful for birthing children so you're more than happy with the occasional wet clothes from the tide coming in unexpectedly. It also helps that you have access to anywhere in the realm if Grey Ghost is around. You’ve been able to travel to far off ports that many you grew up with could only dream about, and you’re hyper aware of just how lucky you are. There's nothing in the world like riding a dragon and soaring through the sky, it makes you understand why the houses of Old Valyria have fought wars in order to keep such tight reins on the dragons in their possession. With the wind whipping against you, it's no wonder why the Targaryens describe themselves as being closer to gods than men. There's a weightlessness that comes with it, and a freedom that you know few in the world have the luxury of experiencing. It’s a privilege to be able to do so.
Trouble is brewing in Westeros though. Even with the nomadic life you've been living for the past seven years, you've heard whispers in the taverns you've frequented on occasion about matters of succession and of who is to rule once the ageing king finally passes. Talk of a female heir has been spoken with such disdain through your life that it’s no surprise how quickly people are taken in by the quick coronation of Aegon the Second when his father died. From what you've heard it's caused quite the problem between the royals. To be crowned in the Dragon Pit only to have a dragon break through the floor and kill many of the common people bearing witness makes for quite a story.
With the distance between your home and King's Landing, you'd like to imagine that such matters won't be too influential on you and your way of life but part of you is concerned about the war that’s brewing. You know there are rumours about your existence and Nettles' drifting around the realm, the nobody's that did the impossible and tamed wild dragons. You've heard yourself referred to by many names, some are better than others. You're particularly fond of the Grey Lady if you're being honest with yourself. It makes you feel closer to Grey Ghost, like you're a shared force rather than just someone who got lucky and didn't get incinerated when you stumbled upon a wild dragon. If the royal family were to hear about such rumours, or worse believe them to be true, then it could destroy the life you've built for yourself. Nettles once told you that the time would come when the houses of Old Valyria would come to collect what they believe to be theirs but you didn’t think it would happen so soon. You want more time. Maybe you put too much faith in an elderly man not dying before you were finally ready to bid your homeland goodbye. Despite everything, you’re still not ready to turn your back on your homeland.
The tide coming in and brushing against your bare feet brings you back to the here and now. That, and a deep rumble that feels like it reverberates through your very soul. A while ago you would've thought it was a storm blowing in but you've grown wiser with your age. It's a feeling you've come to know well enough; it happens everytime Grey Ghost returns to you from wherever she flies off to but this is to a lesser extent. A dragon's coming, and if the feeling is anything to go off, it's bigger than Grey Ghost is. A lot bigger. That concerns you.
You've heard stories about the dragons that the Royal family have claimed, and some of them are the biggest dragons alive. The mere shadow of the dragon called Vhagar is rumoured to cast the entirety of King's Landing into darkness when she flies overhead. The idea of a Targaryen finding you makes you blanch. Your soul is screaming for you to jump on Grey Ghost's back and just fly as far away as possible but the sole rational part of your brain that's not rattled with anxiety knows that it would be a futile endeavour. A dragon that big would catch up with you in seconds, and would definitely be able to knock you both out the sky. You’d be lucky if you came away from that encounter alive. You could be torn into shreds before you even realised the dragon was near you.
That leaves your only option as running away on foot which means you won't get far, but you'll be harder to follow if there is someone searching you out. You can get to the nearest village in forty minutes if you hurry and you're friendly enough with some of the people there that you can lay low and hope that whoever the royal family sent after you will conclude that you're just a myth and not bother heading this way again. You don't want to leave without Grey Ghost, not with another dragon on the way, but it's too difficult to get away with her so you have no choice but to leave her here and hope no ill falls on her.
You’re aware that this could just be some awful string of fate and it’s merely coincidence that’s bringing this dragon towards your home. If you lived closer to an important lord then it would be a logical assumption that a convoy of royals on dragonback would land further out so as not to disrupt the town that was hosting them. There’s a traitorous part of you that knows it’s not coincidence though. There are lords in this area, but no one that would warrant an in-person visit from a Targaryen. Whether they’ve come for you or for Grey Ghost you’re not sure, but you could guess with a degree of certainty that they’ve come for one of you, if not both. Even if it’s just to find out if you’re real.
You only grab your essentials before making your way inland, and you can only hope that when you return, it will be like nothing has changed. Maybe for once in your life, things won't turn to absolute shit.
When you make your way into town, you realise almost immediately that it was the wrong decision to make. It's crawling with members of the royal guard, and whilst you have a few friends here, there's no guarantee that you've not already been given up. There’s a lot of people who would cross a stranger for a hefty reward from the crown. Coming here may just have been you handing yourself over on a silver platter. None of the guards look at you twice as you make your way to the tavern for which you’re thankful for, at least it means you aren’t immediately suspicious. You almost feel like you might get through today alive. Almost.
“She’s the one! There! That’s the woman you’re looking for!” You can make out the face of a man you beat in a game of dice a few months ago ahead of you, red in the face and pointing straight at you. Fuck. The effect of the yell is instantaneous as everyone around you turns to stare at you, including multiple guards. You quickly turn on your heel and break out into a run but you’re almost immediately surrounded by members of the King’s Guard who move to grab you.
You try to struggle against the multiple arms digging into your biceps but it’s no use. You get one good kick aimed at the knee of a guard that looks at you with an uncomfortably familiar leer which you're proud of but you have to resign yourself to the fact that escaping them is no longer an option. Now that they have you, none of the guards seem quite sure what to do with you
“Take her to the Prince. He’ll want to see this.”
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