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drac-kool-aid · 9 months

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Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.

And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.

Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).

Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?

Probably not.

His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!

I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).

It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.

So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.

(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)

#dracula daily #jack seward #re: dracula #i think im rambling #but this kind of hit me #Jack's trapped in the asylum too in a way #only difference is his place of power allows him to take out that frustration on others #and i think it speaks VOLUMES that one of Jack's first entries was about how he regretted exacerbating Renfield just to study him #and as the sleepless nights and days filled of performing a job that he hates (and cannot bring himself to admit he hates)#as well as the depression from rejection #he stops feeling guilty

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dizzybizz · 7 months

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finally got around to finishing a sketch from last year 🎉🎉🎉

aug '22 -> mar '23 -> oct '23

#EYAHH HHHHHH im so tired ahahha #:3c im rlly rlly rlly happy w how it turned out 😌 sometimes you gotta take a one year break from a piece ahdghashgdgha #i popped off ngl #genshin impact #cyno #i love cynoooo ooo so much i should play with him more audghfh #my art #yknow what i like you *transes your cyno*#going back to old wips when you dont have any creative juices is a good idea why havent i done this before smh #im rendering another old wip aodfjdhggdk i love rendering so much and i hate it with a burning passion #like its always the thing i look forward to the most but it also fills me with dread.. yknow??

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mortysmith · 6 months

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In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.

The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".

Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.

#rick and morty #again i dont hate ricks therapy arc i just hate that morty doesnt have a parallel AntiTherapy arc #not to mention how. even if morty IS more bitter it usually only lasts for like an episode #there is no smooth progression or development. the show is just ping ponging between him being an idiot vs him being capable #this is why im sooooooososososo badly hoping the roy machine comes into play again.#otherwise this is genuinely offensive treatment of a main character #genuinely at the moment i feel like fandom understands morty better than the writers.#this is a half vent post to be honest im just so tired of the rick bias within the staff. Like make. a new show at this point #i also have thoughts on the way rick has been written these past few seasons and um .#well it feels lile fans are in the writers room and im afraid this is a negative. it sort of seems like the show is trying to-#sweep ricks past actions and behaviors under the rug #as if he isnt literally the worst person ever. up until recently i guess.#like its just frustrating seeing mortys abuse being handled so haphazardly? like the s5 2 crows episode #it just feels like the writers are trying to fill out a checklist instead of writing them as people.#“what we had was abusive dont you see?” who talks like this #okay im over it(lying)#rick sanchez #morty smith

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axeknee · 29 days

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First art in a while, it's Whenver! I had a lot of fun trying to match the style of the originals when filling out the template by red spring studios.

Can't wait for Touchstarved to be released!

#whenver would pribably be drawn most to Ais then Kuras then Leander #Ais bc he is the most clearly related to the occult #Kuras whenever the angel revelation happens #and Leander for his ability to cast without all the hallmarks of a mage #Whenver would definitely be the Alchemist #i also cheated a little on the line work bc i hate linework and im very happy with the result #i did the lineless layers and then duplicated them #lowerwd the brightness resized and moved them about to make a black outline #then i filled in the internal lines and cleaned up a bit #touchstarved #touchstarved game #touchstarved mc #whenver

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tennessoui · 5 months

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For the prompt list, nanny/single parent obikin would be amazing!!

(from this prompt list)

(the first time I answered this prompt two years ago, the nanny anakin au was born)

so to do something different, here's some gffa widowed anakin, nanny (sort of) obi-wan!

(2.5k)

It is hard to find time to grieve. There are too many things to do. Too many appointments to make, too many decisions Anakin isn’t sure he’s qualified for. Some decisions are easier than others. For example, the funeral will be on Naboo. There will be two services: a public one to honor Padmé’s public service, and a private one to honor who she was as a person. The casket will be closed, because his wife died when her cruiser exploded. There isn’t much left to bury anyway.

But some decisions are harder. Which flowers should go on her casket. What songs would she want sung and who should sing them? Would she prefer her grave closer to her ancestral home or the home she created in her adulthood?

If she told anyone the answers to these questions, it wasn’t Anakin. But then, the people who knew her best, who loved her most, died with her. Sabé, Rabé, Saché, Yané, all of her handmaidens—an assassination such broad strokes that it was impossible for it to fail.

So Anakin chooses Yali lilies, because Leia’s eyes linger on them the longest. He chooses a small Nabooian folk band to play after her service because their music is the first thing to make Luke lift his head from his coloring books in days. He formally requests that her body be buried among her ancestors, and the Nabierres agree immediately.

And he keeps telling himself that he will grieve, but there is so much to do.

And then—then there’s after the funeral. Then there’s the rest of his life, sprawling out before him in a long, hazy road.

There are more decisions to be made.

There are people who have opinions on them now, people who sat back and let Anakin muddle through flower arrangements and kriffing seating charts, who now step in to peer over his shoulder, monitor his every breath.

Should he really move the children back to Coruscant? Does he truly plan to continue to work as a mechanic in the Mid-Levels? Should he not think of the children, their needs? How can he support them on the thin amount of credits he makes? Would it not be better for the children to live on Naboo in the care of their grandparents and their extended family?

It would be what Padmé would have wanted.

Anakin cannot care about what Padmé would have wanted, because she isn’t here. Not to argue with him, not to make her wants known. She is dead. She doesn’t get to haunt him in the waking world too.

“What do you want?” he asks plainly, sitting down across the table from his two children. The twins blink back at him. Leia has finished her cereal. Luke has barely touched his.

“Bacon,” Luke says.

Anakin hadn’t meant for breakfast, but he figures it’s as good of a start as any. “Alright,” he agrees.

He stands once more and goes to the kitchen. It’s not exactly his domain. It was never Padmé’s either. The way Padmé grew up, food was made once you requested it—by droid, by cooking staff. Not by the hand of a Nabierre.

The way Anakin grew up, food was cobbled together carefully, sparingly no matter how much you requested it. And no matter how you cooked it, it always tasted a little like dust, which took the joy out of experimentation.

But the serving staff have been dismissed for the past two weeks to give the family time and space to grieve in private.

(Padmé’s parents have been given a schedule for visiting hours for that exact reason.)

Anakin locates the pan; then, he locates the package of bacon strips.

When he glances up, both twins are watching him over the edge of their barstools, tiny faces showing both skepticism and incredulity.

“I want to know what you want to do,” Anakin says, raising his voice as he places the pot over the heating plate, the meat in a moment later. “Do you want to stay here with your grandmother and grandfather? Do you want to go back to Coruscant?”

The twins are quiet. Anakin twists his neck to look at them again, and they’re looking at each other, silently communicating the way only twins can.

“Where will you be?” Leia finally asks, looking at him with narrowed, suspicious eyes, bottom lip already jutting out.

Anakin blinks. “Wherever you are,” he answers.

“You won’t leave too?” Luke asks rather tremulously.

Anakin takes the pan off the heated plate and turns it off with a decisive flick of his wrist. “Of course not,” he says. “Come here.” He crouches down and barely has enough time to open his arms before the twins are there, pressing in as close as they can get to him. He holds them back just as tightly in return.

“I’m not going anywhere,” he promises into Leia’s hair. “Not without you two.”

—-----------------

It becomes apparent fairly quickly that this is, by necessity, a lie.

The twins don’t want to stay on Naboo, which Anakin is secretly incredibly grateful for. He doesn’t want to either, but he knows he’d just be called selfish should he express the opinion.

But the twins don’t want to go back to Coruscant either. This makes sense as well. It would be incredibly jarring for them to go back to living in the quarters they shared with their mother, her Upper Coruscanti apartments in the nicest district of the planet, without her there.

Anakin wishes it were as simple as sticking a pin on a planet and deciding to uproot the entirety of his family to live there.

But it’s not.

Perhaps if he were still young, nineteen, newly free and in love with the taste of that freedom, it would be.

But he’s a widower now. He has his children to think about, their futures. Any planet he chooses must have what they need as well.

And they are four year olds who have just lost their mother. Their needs are numerous.

What makes the decision for him in the end is that his boss knows a man from Stewjon, who is willing to hire him. Who is willing to pay a premium for his expertise with mechanics.

Anakin doesn’t know the first thing about Stewjon, other than that it’s an ocean planet in the Inner Core and his dead wife always said the Senators from Stewjon were so frigid and tight-lipped because they spent the first few days of each visit trying not to be seasick on the Senate floor.

Anakin isn’t sure why this is the very first thing he tells the man—his potential boss—he meets behind the counter in the mech-shop on Stewjon.

He’s left the children with their grandparents for the week—long enough to fly from Naboo to Stewjon, meet with his potential employer, interview, apply his work practically, and fly back out.

He’d explained to both twins why they had to stay on Naboo. He’d explained many times. That hadn’t changed the betrayed look Leia had worn as she saw him off. It hadn’t wiped the tears from Luke’s eyes.

“Ah, well, I can’t say I’ve heard that one before,” the mechanic says. He sounds amused, and Anakin is incredibly shocked to hear a Coruscanti accent. Everyone he’s spoken to since arriving planetside has had such a heavy brogue that he’d honestly struggled to understand their directions to the shop—Kenobi & Sons.

Anakin lets himself look again at the man behind the counter. He’s rather clean for a mechanic, he decides. His beard is red, a common factor around these parts apparently, but his beard is short and neat, trimmed to accentuate the strong lines of his jaw. His eyes are a stormy blue, the kind of blue that matches the Stewjoni ocean.

“Between you and me though,” the man smirks and leans onto the counter with his elbow. His tunic is dark gray, white starchy fabric peeking out beneath the v-necked collar. “I’ve never been a fan of Stewjoni politicians anyway.”

“Oh?” Anakin asks, sidling a step closer to the counter. The man has the beginnings of gray at his temples, and his eyes are lined with wrinkles. They don’t make him look old though, Anakin decides. They make him look…well-lived.

“I’ve not a head for politics much at all,” his future employer shakes his head slightly with a small smile. His eyes flick up and down Anakin’s face, lingering on his lips and then lingering longer on the scar over his brow. Anakin feels rather flushed under the inspection, and he shifts his weight forward until he’s leaning up against the counter too.

There’s something about this man that’s rather…magnetic. It pulls him in. It makes him want to linger.

Good characteristic for a shopkeeper to have, though Anakin privately decides that the man before him has a face that’s wasted on mechanics, buried under some ship’s underbelly in a backroom.

“Me neither,” he admits, a moment too late to sound anything but highly distracted. It makes the man smile again though, a flash of straight white teeth.

“Is there anything you do have a head for then?” he asks. His tone is light, airy, rather teasing.

This is the strangest interview Anakin has ever had.

“Um,” he says. “Well. There’s mechanics.”

“Oh?” The man’s eyebrow lifts at an elegant angle. He props his chin on the palm of his hand and looks up at Anakin through his eyelashes. “Then why come here to us then?”

“Um,” Anakin says, and not because the man looks rather unfairly flattering like this, amber eyelashes in sharp relief against the blue of his eyes.

They’re interrupted by the sounds of clattering in the backroom, stomping and cursing. The man before him straightens with a slight sigh and picks up the closest flimsipad. “And what brings you in here today, sir?” he asks rather loudly, pitching his voice back to the other room of the shop pointedly. “Problem with your speeder? Serving droid? Cruiser? If it’s your astromech droid, I regret to inform you that I’ll have to refuse you service on account of the fact that I don’t particularly care for them.”

Anakin thinks he splutters, but whatever noise he makes is definitely drowned out by the rather irritated shout of Obi-Wan! that comes from the back.

A moment later, a man storms through the door, looking annoyed. "We will service an astomech if that's what's broken, Obi-Wan."

Now this is a man that Anakin can believe is a mechanic. His nails are blackened with oil, and his bare, burly arms carry smudges of the stuff. He’s much broader than the man—Obi-Wan—that Anakin had been talking to. He’s bald with a reddened scalp and a rather large red beard that’s the antithesis of the other man’s in every way. His clothes are dirty, loose, and the color of ash. He looks older too—whereas Obi-Wan could easily be in his thirties, this man must be pushing fifty.

He snaps at Obi-Wan in a language that Anakin doesn’t understand. Obi-Wan shrugs and hands over the flimsi pad without argument.

“Um, actually,” Anakin says, feeling incredibly wrong-footed. “Which one of you is Kenobi?”

“I am,” both of them say. Obi-Wan’s smirking slightly. The other man’s voice is louder, carrying that Stewjoni accent so obviously lacking in Obi-Wan’s speech.

The older man closes his eyes as if he’s praying for patience. “We both are,” he says. “Though if your ship’s malfunctioned, sir, I’m the Kenobi you want to see. This one’s good for naught but magic tricks.”

“I have been told I’m rather good at other things,” Obi-Wan turns his smirk full-force at Anakin, dropping his eyes to Anakin’s lips once more.

“My name is Anakin Skywalker,” he says very quickly in a very normal tone of voice that is most definitely not a squeak. “I’m here to interview for a position. As another mechanic.”

“Oh,” the older Kenobi says.

“Oh,” the younger Kenobi says in a much different tone.

The older Kenobi pinches at his nose for a moment before turning around the counter and offering his hand. “Ben,” he says. “Ben Kenobi.”

Anakin takes his hand and shakes it, eyes traveling back to Obi-Wan. Is he supposed to shake his hand too?

“I’m the Son in the sign,” Ben says gruffly as if that answers his question.

“I’m the reason it’s plural,” Obi-Wan adds, busying himself with the contents of the counter. From what Anakin can tell, the man is just messing up the carefully organized piles of receipts.

He decides that he would rather not get the job than point this out to Ben.

Ben huffs out something in Stewjoni that sounds downright insulting, but that doesn’t stop Obi-Wan from smiling sunnily up at Anakin. “My brother enjoys bitching and moaning that I came back home when I was seventeen, but he’s awfully quick to foist his children off on me when he’s called to shift at the rig offshore and Marci’s off-planet too.”

Anakin blinks. He feels like that’s the safest answer.

“Only thing good that blasted Jedi Order ever taught you was how to handle younglings,” Ben says, and then spits on the ground as if the words themselves have left a bad taste in his mouth.

Anakin blinks and wonders if he should say something to remind the brothers that he’s here. For an interview. “And my magic tricks,” Obi-Wan rolls his eyes slightly before catching Anakin’s eye and winking. With a wave of his hand, a flimsi-sheet flies over the counter and into Anakin’s chest. He catches it unthinkingly. “Would you like to sign in, sir?” “Get out of here,” Ben barks, snatching the flimsi from Anakin’s hand and pushing it back to the counter. “Like I said, the only one’s impressed with that is the younglings.”

“I don’t know, your man looks impressed,” Obi-Wan says slyly, even as he pushes himself away from the counter and around the edge of it.

Anakin isn’t sure what he looks like. He doesn’t think impressed is the word he’d use though.

When Obi-Wan brushes past him, the static electricity in the air jumps between their shoulders. Anakin feels as if he’s been shocked.

Obi-Wan must feel it too because he stops only a few inches away and looks at Anakin. For the first time, his expression is open. Curious. Considering.

“Get!” His brother insists, and Obi-Wan obeys, throwing one last look over his shoulder at Anakin before he slips out the door.

The shop feels somehow much bigger now that the other man has left. Ben sighs and rubs a hand down his face. He looks older now. More worn. “So that was my brother,” he tells Anakin wearily. “Who you would most likely see frequently if you were to take this job. I would understand completely if you would like to start by talking compensation.”

#asks #prompt fills #obikin #so he's not a nanny YET #i absolutely got too into the exposition lol #but in my mind he looks after luke and leia while anakin is at work #and then after a few months anakin is asked to do a few week stint at a rig off shore #(thnk of it either like oil rig or like the underwater station in the kenobi show)#and he goes and obi-wan looks after his kids #ok mostly i just wanted to write obnoxious little brother obi-wan #he leaves the order at 15 to go to melida/daan #and isn't allowed back in so he fights and rebuilds #but eventually leaves and goes to stewjon where he finds his family #and his brother both hates him and loves him more than anything else in the world #and hates the jedi order for rejecting him and letting him fight and risking his baby brother's life #and obi-wan finds this amusing and also secretly touching #you can tell i thought way too much about this brother dynamic lol #but just imagine the you hurt my brother speech this guy will give to anakin #and obi-wan's in the back like im thirty nine

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fishcann · 13 days

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This is how I've been feeling the past couple of days

(Dw yes man I still love you)

#yes man #i have no mouth and i must scream #ihnmaims #allied mastercomputer #AM #i love robots #im going to kiss the hate filled super computer idc #hes my worst hear me out so far

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catastrophiccerealkiller · 2 months

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The Hofas bonus chapter fulls me with so much rage like hello cassian fucking get off ur ass and do something??? Like ur gonna wait for a literal HUMAN stranger to defend ur mate (no hate to ember i love her sm) before u do it urself😭😭 where is the fucking logic??

Also i can’t help but question (i literally dreamed this last night) : Would Rhysand ever let Cassian speak to Feyre the way he speaks to Nesta????!!!!!

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rosalinesurvived · 1 year

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HOTD 1x07 was where I knew I would be Team Hightower forever. Team Green. I wanted to get my opinions out about That Scene.

Lest we forget, Aegon and Helaena were in the room there. Aemond's eye had been ripped out and nobody gave a fuck. Those children watched their mother, the Queen of Westeros be forced to cry and beg their father for some sort of justice, beg for their Father to give a shit once in their lives. Those three were confronted with the fact that their father not only let the one who ripped out Aemond's eye go free but defend their older sister's mistakes. They had to listen as he threatened to rip out the tongue of people who spoke the truth. The king of Westeros would mute people, his own family who spoke the truth. Imagine what his children would've thought of that? What would Aemond think, who refused to rat on his mother? What would Aegon, with alcoholism already, who had just been blamed by Aemond, screamed at by Viseys and slapped by Alicent think, after he too showed a brother's solidarity for the first time and also refused to tell on her?

For the first time we see a correlation between the Green brothers for their traumatised, gaslit mother against the king in the face of this Injustice. They alongside Helaena realised that in this world they could only trust themselves, as they watched the proof of their mother willingly drawing blood from the Princess for her children. Aemond's step into power here and his calmness sets the way for his role as the family's protector in the future, comforting his mother after she fought for him. You could feel that this was the moment the Green Siblings stepped away from their childhoods, however unwillingly.

#this probably makes no sense #im filled with emotion over them they make me sick #they love each other and they hate each other and theyre the reason their lives are ruined but theyre the only ones who care for each other #their family roles are so wack though like #otto's the grandfather but he's the conspirator and manager so hes almost another father #like his and alicent's fight for aegon in 9 also felt like a marriage spat over their son #aegon and helaena are siblings and married obviously so thats weird and freaky and they have kids #aemond was shoved into maturity too early and hes more ridgid so hes almost like the older brother but also the protector as he has vhagar #and is a master swordsman mirroring criston #and criston and alicent are the image of courtly love and clearly dear to aemond and halaena #hotd #house of the dragon #team green #pro team green #alicent hightower #aemond targaryen #aegon ii targaryen #pro alicent hightower #anti viserys i targaryen #otto hightower #helaena targaryen #anti rhaenyra stans #anti rhaenyra targaryen #rhaenyra stans dni

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bonefall · 5 months

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Feel free to ignore you've probably got a lot going on right now, but considering you know a lot about DOTC and Clear sky, I had a question...

We know that he's a terrible, misogynistic, woman beating and war mongering lunatic who was excused of all his actions because his equally misogynistic brother said " But-But he's nice! Deep down! This isn't the real him! "

But! In a world where the Hunters could write such a character, what do you think Clear Sky would look like as an actual sympathetic villain?

Idk if that makes sense, but what I've thought of doing is taking purely cannon Clear Sky and attempting to change him enough that he's still an antagonist, but not too far where only Reddit defends him.

I don't think he works as a sympathetic villain, on any level, ever. I think you're making a huge mistake to even try, and I have never seen an AU where it was done well nor am I interested in entertaining the thought.

Characters. Are. Tools. They exist to tell a story. The story that people tell me, by obsessing over some alternate universe where he was "ACTUALLY sympathetic and had a REAL redemption arc," is that they're not fucking interested in his dozens of victims. Nor do they actually care about the abusive impact he had on the minds and feelings of his family. They're JUST interested in Clear Sky himself.

Just like the Erins. Everything that happens in DOTC revolves around him. Everything. All his wives die so he can be sad about it. His brother defends all of his actions and BEGS you to sympathize with his pain so he can be 'redeemable.' One Eye comes out of nowhere so that there can be an example of "real" evil to contrast Clear Sky so he's less bad in hindsight.

The first three books of DOTC are bad, but the last three are fucking insufferable because SUDDENLY all that Gray Wing apologia pays off, and they take their main villain and throw him out a window. You CAN'T have "redeemable" Clear Sky and the plot of DOTC without dragging in someone else to drive the conflict, to BE the bigger threat to "unite" against. Slash and One Eye have to be conjured up out of thin air so Clear Sky can WHINE about how people only suck his toes instead of deepthroat them after he killed all their friends.

And yet, in spite of this absolute failure of an attempt, we continue to see this bullshit "redemption" be a mistake because Clear Sky is a fantastic villain, with major antagonist roles in nearly EVERY bit of follow-up material for DOTC that came after.

He's the most consistent monster in all of Warriors.

He's a fragile, egotistical, self-absorbed megalomaniac who ALWAYS sees himself as the victim, REFUSING to self-reflect and blaming everything else for all of his terrible choices. He will USE your love of him against you like it's a chain through your nose, step out of line and he will yank you into place with guilt trips, manipulation, public shaming, and violence.

He's a child abuser. He's a tyrant. He abandons the sick and disabled as soon as they're of no use to him, with grand speeches about "illness" and "weakness." He's a murderer who stands above the shredded corpse of his victim and bellows, "I'M NOT GREEDY! I'M JUST STRONG!"

And you'd write a "good" redemption arc for this, why?

Why are people so chronically unable to accept that there are LOTS of people like him, and you can't save your abuser? Why don't you ask yourselves why you're not interested in exploring Thunder, or Petal, or Gray Wing, and how his toxic influence impacts them? Why does the sympathy fall on Clear Sky? What about the DOZENS of victims who are dead by Book 3, and how THEY could have been saved?

Why ruin a perfectly good villain?

What's behind this trend where a billion people say to me, "Yes Clear Sky is a walking cavalcade of fucked up abuse apologia, and an incredibly realistic depiction of an abuser, but how would you change this while keeping it all the same?"

I wouldn't. You can't. It wouldn't be the same story, or it wouldn't be the same character. Never seen it done well, and I have seen it a lot. So I don't entertain this deeply frustrating "Well What If Clear Sky But Nice" impulse.

#The closest I'll ever get to that is Fallenleaf. And she lost it all #And spent years in the time-out tunnel #BAD KITTIES GO IN THE PEAR WIGGLER TO BE SUFFICIENTLY WIGGLED.#I don't think people in power typically change. If they do it's so rare it's not worth entertaining. Camel through the eye of a needle shit #and I mean ALL powers. this goes for abusive relationships too. I think they need to lose that power before they change.#When you have power. REAL power. You can fill those holes with it. You can force people to not leave.#so im actively hostile to stories that winge and cry about giving powerful people endless sympathy and chances #You've already shown me what you want to do with your power and as long as you keep it you haven't seen your consequences.#Power reveals.#It doesn't corrupt. It reveals.#DOTC hate #clear sky's redemption arc #If you're in an abusive relationship or under a terrible boss or in some other bad environment. You won't fix it.#You are not responsible for fixing it.#You can't fix it.#And they will not change. so GET OUTTA THERE #And that's who he functions best as. To me.#He's the bastard you need to escape.#And that's infinitely more compelling to me than Nice Clear Sky Attempt 32324 #I don't write stories that beg you to sympathize with tyrants and keep your heart open to some maybe-change on the horizon #I write stories where they ruin everything they touch and have to be forcefully yanked out of power before they hurt more people.#And also screw every related take that's like 'ohhh after 5000 years of having his toes sucked he regrets it a bit :('#no he fucking wouldn't. he had his toes sucked for 5000 years. He's vindicated by how fondly he's remembered.#You can't fucking tell me that he doesnt REVEL in how violent the culture became. That him being offended about the clan's exile-#--was anything but him being offended his namesake was going away. That he wouldn't parade around like every choice he ever made was right.#''I made some vague mistakes which I will never name. BUT Im never wrong and always did it my way even if it was hard''#If you haven't met a person like that I envy you.#bone babble #Nothing makes me mad quite like this character #Again I yell about his brother a lot because he's widely loved by the fandom

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townslore · 10 months

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watching the miraculous movie has done irreversible damage to my brain. hands you miraculous shuake au.

#i said it before and i'll say it again. i never liked aus until these 2 came around. i really do not know how or why it happened #i see them in everyone and everything #persona 5 #miraculous #miraculous ladybug #squeak squeak #idk why i drew that weird pose for goro i wanted to show off his cape but then i realized i'd have to draw his like. backside #and im not good at that. oof.#i like the akira drawing so much more Oh well #they cant all be winners #anyway the movie. i really liked it.#i watched the show often in the past and loved it but then all the weird shit happened and like #i still liked watching it even then but then my brain switched #and i couldn't fucking STAND it anymore #i genuinely hated seeing anything about it. filled me with rage. but this movie? did not.#might have to do with the fact that astruc or whatever his name is didnt influence it as far as i know #goro akechi #akira kusuru #shuake #idk if everyone can read my handwriting i wanted to actually have like the. au details on the drawings #and i dont like writing so much on my tablet.... gets a jumbled mess after a while

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junesprince · 5 months

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just take this

#persona 5 tactica spoilers #persona 5 tactica #p5t #toshiro kasukabe #im not gonna tag all of tjem im lazy #BUT #eri natsuhara #eritoshi #because we must fill their tags more #i feel like marie and eri would have insane beef #not marie and erina i mean like irl they would HATEEEE EACH OTHER #eri could treat him way better anyway #i hate marie and she made me kinda uncomfy but shes a very good antagonist!#got literal chills when it was revealed that marie and toshiro are in an arranged engagement #idk im just throwing random thojghts out cuz tumblr is the only place i can go to talk spoiler stuff #i mighf post more detailed observations later #goodnight

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ratinayellowbandana · 9 months

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Hi! Number six of the drabble prompt list, and if I may suggest, with a sad jealous Laudna.

hi! I'm sorry this one took a few days. I um. got a little carried away with it again. these were only supposed to be like 500-word prompt fills, and this is uh, slightly more than that. so I hope that's ok.

for those who don't want to find the prompt, it was: "You just didn't look for me." naturally I went ep 64 with a healthy splash of canon divergence, some good old-fashioned hurt/comfort, and pate as a thinly veiled metaphor.

length: 2k

~~~

Laudna whirls on her, snaps, “We looked for you. And the others. Every fucking day.” She holds Imogen’s gaze, holds her piercing stare until Imogen tilts her head. “You just didn’t look for me,” she whispers.

Imogen steps forward, quiet but insistent. “No, sweetheart, no, we did. I did. Every day.” She does not reach out, afraid, not of Laudna–never of Laudna–but of herself. Of what she might do if given the chance at the wrong time. Her heart pounds an unsteady rhythm.

“I want to believe you,” Laudna says. She toys with the brass ring on her left hand, twisting it around her finger anxiously, twin snakes coiling. “I do, truly, it’s just…”

Imogen studies her, searching for answers in a frame both foreign and familiar. Laudna is pale and gaunt, cheeks drawn in, though that’s hardly unusual. Her stringy dark hair lacks luster in the eerie light of the red moon, crispy and clumped together in places by something Imogen can’t identify. Cast in the long shadows between buildings, Laudna is on edge, ready to claw and screech and lash out with those wicked talons if provoked. She is wild, and she is beautiful, and she is frightened.

“I understand,” Imogen speaks slowly, gently, distinctly aware of each word’s weight.

The others are still in the inn, consorting in the tavern. The Hells and their new friends, chatting, laughing, and drinking the night away, simply happy to be home. Introductions were made, and tales of grandeur waited to be spun.

Laudna had been unnervingly quiet after the initial elation wore off. Her hands remained folded in her lap or picked intently at the skin around her nails. Pâté’s silence was even more concerning. He had been coaxed out of hiding in Laudna’s hair with the promise of scratches and nudged his beak into her wrist until she began stroking his greasy fur.

She spoke when spoken to, adjusting in her seat and responding eagerly when prompted. The moment the attention shifted, though, her forced smile would drop. Every so often, she sent a furtive glance in Imogen’s direction as if to ensure she was still there, then looked away just as quickly. Exhaustion crept at the corners of her eyes, and her gaze would fall to her lap whenever the conversation turned to the adventures in Wildemount.

The group from Issylra hadn’t said much about their travels, but Imogen gathered their transplantation had not been as, ah, pleasant wasn’t quite the right word. Illustrious, maybe, Imogen considered, fussing with a seam on her new dress. Laudna’s blouse was tattered and stained with a thick substance that did not match her ichor’s usual viscosity.

Laudna had stood abruptly, muttering something about air, and disappeared outside. After making puzzled eye contact with Ashton, who tossed his head at the door and sighed heavily, Imogen followed her.

She had found Laudna around the corner, curled into herself against the wall of the Spire by Fire. A feral thing, hardened and reshaped by whatever circumstances found her while they were apart.

She has not calmed yet, and Imogen is reluctant to curb the swell of emotion that has Laudna dangling by a thread. She is tangled in it, ensnared in a knotted web, and Imogen is unsure how to extricate her. She is all jagged pieces and raw edges, a tempest of fury and loss that Imogen cannot rely on her mental connection to unravel. Laudna is something of a mystery to her now in a way she has never been, and it’s all Imogen can do to not toss her circlet to the winds.

Instead, she waits.

Laudna is muttering to herself, tugging at her clothes. Pâté flaps about her head, wings of sinew and bone making an abominably wet sound Imogen hadn’t realized she’d missed. The tip of one wing tangles in Laudna’s hair, and she swats at him irritably, sending him tumbling through the air until he manages to right himself. Imogen extends a hand, and he flies to her, settling in her palm on his hindquarters. He gives a disgruntled shake, and his wings squelch back into his body, tail coming to rest around his paws. He peers up at Imogen, then looks back to Laudna.

“I tried,” he croaks in that gravelly way of his, and Imogen strokes his disgusting little head with one finger.

“I know,” she assures gently. He could be referring to any number of moments across a lifetime, a few weeks, mere seconds ago. She sets him on her shoulder and feels pinprick claws pierce the fabric of her dress for stability. Crass and wretched as he is, Imogen can’t find it in herself to hate him. He is an extension of his maker, creepy and ungainly and off-putting, so Imogen must love him a tiny bit. She scratches under his chin, ignores the feeling of magic-touched bone, murmurs, “Thank you for keepin’ her safe.”

“Boss didn’t have the best of times without you.” He pipes up, a little rueful, in a manner Imogen assumes is meant to be quiet. Laudna, only a few feet away, catches it.

“Pâté,” she snarls. He squeaks and tucks himself into Imogen’s collar.

“He’s just confirming what I had already guessed,” Imogen defends, an attempt at lightness that doesn’t quite land. “It’s not his fault you haven’t told me anything.”

“He ought to have stayed in my head. Then he might leave well enough alone,” Launda warns.

“You don’t mean that,” Imogen counters calmly.

Laudna spits, “He should have stayed dead.”

“Hey.”

She huffs a sardonic, dry laugh. “Not everyone deserves second chances.”

Imogen inhales sharply.

There it is.

“Laudna…” She softens. She cups Pâté protectively. His fur oddly damp against her skin. She takes a cautious step forward.

The pieces begin slotting into place, building the frame for a jarring picture of something severe enough to reopen this old wound.

The fight sapped from her limbs, Laudna slides her back down the wall until she sits in the filth and dirt of the alleyway with her knees drawn close to her chest. Imogen winces as rough stone drags across jutting bone and paper-thin skin.

“Are you… Do you want to be alone?” She asks–because what else can she do?– and half-fears the answer.

Laudna’s head jerks up, and something Imogen can’t decipher flashes in her eyes. After a moment, her head shakes minutely, and Imogen lets out a relieved sigh.

Tense silence leaches from the pores of the building’s rocky exterior.

“We tried to find you all. Every day. We didn’t–we didn’t know where we were. Where anyone was, and–” Laudna breathes at last. “Orym was… was angry. Vengeful. And Ashton…. He was our friend.”

“Ashton?”

“I hurt him,” Laudna continues as if Imogen hadn’t spoken at all.

“Hurt who?”

She shudders. “I killed him, not Prism.” Inky tears well from eyes pressed shut. Her voice is impossibly soft, hollow, seeming to ask, Do you hate me yet?

The narrative is convoluted at best. Imogen fruitlessly attempts to splice together the fragments of memory slipping through Laudna’s teeth like snowflakes, to arrange them into a cohesive whole among the scraps she gathered at the table. The Issylra group returned rattled, apprehensive and tense, but this is deeper. Laudna is shaken.

“Wasn’t he a member of the Ruby Vanguard?”

“He was confused, just like the rest of us. Angry at the gods.” Laudna’s eyes flicker to the glowing red moon. Her fist, clenched in her hair, tightens. “And I killed him.”

Imogen steps closer. “We’ve all killed people.”

Laudna shakes her head. Her voice hardens once more. “I don’t begrudge you the shopping or fraternizing with royalty or, or whatever else it was,” she says lowly, “But we didn’t have that. We didn’t save a toy store or home-cooked breakfasts. We spent every moment fighting to get back to you. And now,” she swallows, “we must reckon with the cost.”

She is utterly exhausted; Imogen can see in the dim light. Although bone-weary and at her wits’ end, Laudna’s elegant cheekbones curl with shadows that twist and hide in her skirts. Hunched and fearful as she is, Laudna is still hauntingly beautiful. Something warms in Imogen’s chest.

“You did what you had to do to survive,” she says, “No one can fault you for that.”

“I’m sorry.” Laudna’s voice breaks, fracturing in tandem with Imogen’s heart, and she sobs. “I’m sorry.”

“No, Laud, no–” Imogen crouches next to her, yearning to touch, to take Laudna in her arms and bite and hiss and growl at anyone who dares approach. She restrains herself, carefully plucking Pâté from her shoulder and setting him on the ground between them. He turns to her skeptically as if to say, Really? After what she said? Imogen nudges him in Laudna’s direction. He sniffs, beak in the air, and ruffles his fur before bounding to Laudna’s ankles and putting his weird, cold little dead rat toes against her shin. She ignores the pawing fragment of her soul, ashamed.

“I’m sorry,” Laudna mutters, “I must seem…I’m sorry.”

“You don’t have anything to apologize for.”

Laudna begins incredulously, “I–”

“You survived,” Imogen reiterates, “against gods and people powerful enough to destroy them.” She sighs, “I sent you a message every day, you know? Sometimes more than once, if I’m honest, ‘till my nose bled and Deanna had to patch me up.” Imogen offers a half-smile. “All I got was static. I just had to hope you were out there, somewhere, lookin’ for me, too.”

Laudna looks as if she might melt into herself, refusing to look at Imogen. Her shoulders shake, and she confesses with a gasp, “She’s back. I brought her back.”

Imogen’s blood chills, but her tone remains neutral. “Who, Laud?”

At last, Laudna meets her gaze, eyes wide and wet and horror-struck. “Delilah.”

The name hangs between them like a stone ready to drop and shatter and bury itself into their flesh. Searing rage erupts in Imogen’s veins.

“I’m sorry,” Laudna shrinks back, “I’m so sorry. To all of you. You all gave so much to–to find me. And–”

“It’s not your fault,” Imogen interjects.

“–and I wasn’t…I was weak. I lost control.”

“Laudna,” Imogen cuts her off with the steely calm of a thunderstorm on the horizon. She cannot afford to process this now, not when Laudna is trembling in an alley. Not when Laudna, unmoored and terrified, needs her to be an anchor. No, Imogen will save her questions and unfiltered anger, for another time. A time when Laudna is safe and warm and at no risk of coming unraveled in her hands. When Laudna is in a place to know Imogen’s wrath is not, could never be, directed at her.

“Laudna,” Imogen repeats, because she cannot bear the thought of her not understanding, “this is not your fault. None of this.” She does reach out, then, offering a lifeline should Laudna choose to accept it. She does, hesitantly, as if waiting for Imogen to recoil. Her fingers are cool, bird-light against Imogen’s red-scarred palm. Laudna seems to notice at the same time.

“Imogen,” she exclaims, words still tear-tinged and quivering, “your hands. They’re–are you alright?”

“Oh, they–they don’t hurt, usually. Promise. I’m fine.”

“I should have–I’m sorry, I suppose I was–”

“Laudna,” Imogen interrupts again, not unkindly, “please.”

It’s then that Laudna seems to notice Pâté clawing his way up her skirt. She scoops him up and holds him to her, murmuring apologies into his fur.

“‘S’okay, boss,” he rasps, squished against his maker’s chest, “I can’t hold a grudge.”

They sit like that, hand-in-hand, hand-on-rat, until the easy stroke of Imogen’s thumb against Laudna’s has smoothed out the worst of the jagged edges. Until the tension falls from Laudna’s spine and she relaxes into Imogen’s touch.

“The others are surely wondering where we’ve gone.”

Imogen shrugs, snorts, “There’re so many people at that table I think they’d hardly notice two missing.”

“Still,” Laudna says, “we ought to get back.”

“Do you want to?” It’s her choice. It always will be if Imogen can help it.

Laudna considers. “I think I’d rather like to hear the end of Chetney’s story from the Savalirwood.”

“Oh gods,” Imogen groans, flushing at the memory, “no, you don’t.”

“Fearne and Deanna, hm?”

“Best to let them tell it.”

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