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sashi-ya · 4 months

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ㅤㅤㅤㅤㅤㅤㅤㅤ 𝑾𝑨𝑹𝑹𝑰𝑶𝑹𝑺 𝑶𝑭 𝑻𝑯𝑬 𝑺𝑼𝑵ㅤㅤ january free requestsㅤ ㅤ trafalgar law x f! reader

🕊️ request: @leftladyluminary ⋆｡˚ Hello ( ^ω^ ) I was wondering if I could request a Law x fem!reader exploring a temple together that turns out to be a uh “procreation” temple the strongly affects those who enter? Please and thank you~ （╹◡╹）♡ 🕊️ tw: mdni. raw, rough sex. vaginal. nipple play. pregnancy ideas implied. cream pie. wc: 1650 🕊️ masterlist

Zou is a humid place, very muddy as well. Your boots are dirty, and your clothing soaking wet. Those “Eruption Rains” become pretty inconvenient throughout the day, but they are necessary.

“I shouldn’t have worn a white shirt…” you tell Law, crossing your arms over your breasts.

“I would say you shouldn’t have worn it without a bra, (Name)-ya” Law says, squeezing and twisting his hat to drain it from the excess of water.

You sit down on a rock. Was it really necessary to say such thing? At best he should be a little bit happy to see your body through semi see through fabrics. What Law has just said felt painful to you, to say the least.

“You are right, I’m sorry” you mumble, walking away to find a proper place to hide and change your clothes. You are sure the ones in your backpack are as wet as your current ones, but something darker will do to cover up.

When the rivers formed in what are usually trails on top of Zuneesha’s back are finally dried, you find a very interesting construction ahead. Curious, as always, you come closer to discover it is a shrine.

“What a beautiful place” you comment in awe. Law seems to be anywhere else. He is probably near, but not close to you.

Curious, you put a step inside the shrine. It isn’t necessarily different from the rest of the temples you have attended in this long journey of piracy. However, somehow in the aura feels unusual to you.

The scent of incense smells more flowery, sweet, maybe even a little bit spicy. The Vitreaux windows create incredible depictions of Orchids on the ground, as the sun filters its rains through them. And the altar has a very distinctive little statue that calls for your hand to touch.

“I wonder what’s this shrine about? What god is meant to be built for? In fact, do Minks have gods?” you ask yourself, making mental notes to ask Wanda once you are back from your expedition.

Your eyes scan the golden sculpture, it looks like two creatures tangled into each other. You would lie if you said you didn’t think of them having sex, and in fact you giggle for your “witty” thoughts.

There isn’t much to discover besides what you have just seen, but a little sign engraved in an old piece of wood.

“you shall keep your blood flowing; the warriors of the Sun must never disappear; they will fight for freedom and unity during this dark night”

You smile; and immediately after reading you remember Luffy. Even Law recognizes he is as shiny as the Sun itself. You don’t really think much of the true meaning of the sign, and soon after find Law looking at you from the very entrance.

“I turned around and you were gone, I didn’t know where you were” he asks, still soaking wet like a cat left out in the rain and looking a little bit mad at you for disappearing.

You could have picked a fight; you probably could have just brushed it off. But neither of those were your reaction, and unconsciously you lift your arms to stretch. The white shirt, still soaking wet, kept the transparency and with that the show off of your hard nipples presented to Law in its full beauty.

“I’m sorry, I was looking for a place to change” you tell him, with a rather sexy tone.

Law’s sun burnt cheeks turn red, golden eyes widening, pupils getting bigger. The little hints of black eyeliner smudge on his already dark tinted under eyes, the juicy pale lips of your captain slowly separating.

“You thought of changing on a shrine? Getting naked on a temple, (Name)-ya?” he asks, coming closer to you as he lets his yellow bag fall on the floor. Law walks like a snow leopard, slowly, menacing, sexily…

You swallow. That’s not his usual self, not at least with you. He looks like he is about to fight you, or even hurt you.

“L-Law, I wanted to put on a shirt over this one so that my breasts won-“ you shut up, as he strikes you and pins you against the altar.

You put your arms back to get a grip of something as you lose balance. Your hand reaches something cold and tiny and immediately after, his warm inked hand falls on top of yours.

Both, at the same time, touch the little statue behind and it feels like a new energy begins to run through your veins. It doesn’t take you long to finally succumb into a lustful, inappropriate kiss. His hands, all over your waist, lift the wet shirt that’s begun to get hot and too heavy on your skin.

“I have no idea what force is making me do this, but believe me I am not mad about it, (Name)-ya” Law whispers, in between panting and with his lips grazing yours.

“I have no idea either, but don’t you dare stop…”

The Surgeon of Death attacks your lips once again, this time while freeing you completely from your wet coverings… even if, something else in you was getting wetter by the moment.

Maybe it was the force of doing something so incorrect, so unholy on a sacred place… or maybe it was your love? Or even, both? Who knows, perhaps it was something else but the more you kiss, the more your bodies slide down until your back hits the red carpet covered floor.

Law’s tattooed hands squeeze and play with your breasts, almost like a beast ready to engulf his prey. “You wanted me to do this, don’t you?” he asks, reaching for one of your hard nipples, kissing the erected surface and then trapping it with his lips.

“Honestly, yes. I missed your touch…” you moan, realizing you are finally able to indulge in sex. It’s been long enough since you could touch each other, since you could be this intimate.

“I know, I’m sorry…” he whispers, planting a soft kiss on your chest.

You know there is nothing to forgive, and immediately after you notice his stitched arm holding the weight of his body on top of you.

“Law… can I be on top this time?” you ask, kissing the scar of his biceps.

His golden eyes shine brightly, apparently he loved the question and nods energetically, even if he felt embarrassed seconds after for doing so.

Soon, you take his place, undressing him faster and straddling your hips on his lap. He is hard, and the grey underwear completely soaked let nothing to the imagination. Deliciously tempting, you feel the impulse to your use your mouth before anything else, but the need of having him inside you is stronger… something invisible is making you desire his seed would fill your womb on and on and on.

You lift your ass from his lap, just a little for your hand to pass through your moved to the side panties and his hardness.

Law gasps when he understands you are not there to waist time on any other type of pleasure that his dick deep inside you.

“Now? but I don’t- I don’t have prot-“ he stutters, fighting in between the need of fucking you rough and reproduction health matters.

“You don’t really need it, I want you raw and rough in me…” you purr, guiding his sex towards your dripping entrance.

Your labia devours his tip, engulfing it with a warm slippery sensation. Law’s neck muscles tense, his head gets thrown back, a moan escapes his lips that resonates all over the shrine.

You do the same as you let yourself fall on top of him for his shaft to be finally entirely inside you. A whine so loud that mixes with his, and it becomes never ending as you start to hump on top of him.

Your hips move up and down, back, and forth and also in circles. Law’s fingers carve marks on the side of your hips and sometimes travel to the small of your back to press you against him with divine force. His hips, who up until now where immobile as pleasure struck him harder than he could ever expected, begin to move too.

“Nggh… let me fuck you faster…” he moans, using all of his strength coming from his core to impale you harder and synchronized to the rhythm of your jumps. The sound of wet sweaty skin slapping against the other become a sacred melody all around, while your nails carve marks as you grip from his heart tattooed pecs.

It doesn’t take you longer for your climaxes to arrive, and while your fingers intertwined with Law’s, your spasming walls milk him so violently… so needy, desperate for his release…

His frown intensifies, he even bites his lower lip but his eyes never shut as his pupils only fix into yours. As if his gaze was trying to anticipate something both knew, willingly to do whatever it takes to make his seed plant on you… deep, inside, of you.

“Fill me up…” “Keep it all inside…”

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ...

“Wanda, may I ask you something?” you tap on her soft furry shoulder.

“Yes, honey. Tell me, what is it? Are you ok? You look very tired” the mink says, curious and perhaps a little worried about your state… truth Law wasn’t satisfied with just one round.

“So, I found a Shrine on the forest. It had a little statue; I didn’t get exactly what it was representing. But I remember reading a sign that said something about the warriors of the sun should prevail” you explain.

Wanda giggles. “Well, now I know why you are that tired… you went there with Trafalgar, didn’t you? it’s the procreation shrine, ruled by the sun lovers. That’s where we go to pray when we wanna bear children.. it said to be special forces that help us get pregnant”

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ“Oh…”

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celluloidbroomcloset · 5 months

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I was thinking about the idea that homophobia doesn't exist in the world of Our Flag Means Death. I think it's clear that this is not the case, but it is a more complicated issue than what we think of when we discuss straightforward homophobia, and is closely aligned with how the different worlds represented in the show perceive sex, love, and desire.

(Before I get going, I want to be clear that I'm discussing the world of the show itself, not the world of the historical Caribbean in the 18th Century. Our Flag Means Death primarily uses history as a useful lens through which to filter our own time period and the things it wants to discuss, and so only uses history when it serves the show's purposes. These are all just my thoughts - I'm always happy to discuss them!)

There are two major worlds at play in the show: the English gentry that Stede comes from, and the pirate world. In neither world is homosexuality explicitly treated as illicit or unacceptable, though it is never mentioned or shown in the English world. Most of the homophobia expressed by characters lies in the perceptions of the "right" and "wrong" ways of performing gender and sexual roles. I talked about this a bit here in regards to Izzy's homophobia.

In both the English and the pirate worlds, Stede's gender presentation is openly questioned. Stede is a fop - not necessarily a sexual marker one way or the other - but he's also, in the words of the show, soft. His father labels him a "weak-hearted, soft-handed, lily-livered little rich boy" who has never done a "man's work," blanches at the sight of blood, and is only inheriting his power from better, more masculine men.

Within the world of the show, Stede occupies a role typically reserved for female characters, in which he's sold in marriage to build his family's wealth. His romantic desire to marry for love is knocked down; it doesn't matter if he loves Mary or she loves him, or if there is even any desire on either side, because the whole point is to unite their wealth and produce heirs to carry on that wealth.

In Stede's memories, the shift from getting married to having children is instantaneous. Sex is implied, but it barely exists for him - it was simply something that he had to do to fulfill his part. Again, this casts Stede in a role often reserved for female characters in fiction. The function of sex, in the English world, is procreation. Desire hardly enters into it, and love certainly doesn't. So it is likely that Stede's only sexual experiences are ones without desire and without love. They are simply to fulfill a function.

Pirate society is significantly more open when it comes to expression of sexuality, but it is still steeped in sexual roles and requirements. Stede's outward queerness marks him out, but it's his inward queerness and how that integrates his emotional core that makes him unacceptable within the masculine hierarchy represented by Izzy and Calico Jack.

I've gone into Izzy's toxic masculinity and hatred of Stede's gender presentation elsewhere, but to reiterate briefly - Izzy's biggest problem with Stede is that Stede does not occupy the correct gender role within the masculine hierarchy, nor does he occupy a properly defined sexual role. He is, in Izzy's view, supposed to be submissive to a dominant male, and he's anything but. He breaks the rules of piracy and he breaks the rules of masculinity, without seeming to be aware that there are rules to break (at least in the pirate world). Stede is "wrong" in Izzy's understanding of masculinity and homosexuality, just as he is wrong in the Badmintons'/his father's understanding.

It is Stede's breaking of those rules that attract Ed to him in the first place. He doesn't act like a pirate should. He's strange. He's off-script. He's...queer. That queerness draws Ed in - far from being repelled by it, as Izzy thinks he should be, he's fascinated by it. Stede's softness and gentleness are things that Blackbeard should either reject or attempt to dominate, and he does neither.

What comes out in Stede and Ed's interactions is that Ed himself doesn't just desire softness, but is soft himself. Beneath the masculinity he puts on, he wants to be touched with kindness, he wants to be embraced. One of Stede's first questions is if he "fancies a fine fabric." When Ed says he does, Stede doesn't laugh at him or view this as un-masculine. He shows Ed as many fine fabrics as he can, excited to finally have another man with whom to exchange this love.

Ed also wants to be submissive without being hurt. He gets Stede to stab him in a performance of sex, but the act implies even more than that - that sex and pain are closely related in the pirate world, tied to sexual roles (men who penetrated and men who are penetrated). But Stede, once more, is a gentle man who penetrates. He doesn't see the stabbing as a sexual act, nor does he get a sexual thrill from causing Ed pain. Ed submits to a man who cares that he's being hurt, and it is this softness that Ed wants and is, as yet, unable to ask for.

(It is notable that, when Ed recalls the stabbing in "Fun and Games," his main memory is of Stede's look of concern.)

The role of sex, love, and desire in the pirate world is made clearest with Calico Jack, far and away the most explicit representation of a pirate's toxic masculinity, who also highlights the reading of sex as about power and pain, not love. Calico Jack and Stede's conversation is the first time that sexual relationships between men is actually raised, in explicit and vulgar terms as Jack asks Stede if he and Ed are "buggering each other" and tells Stede "Blackie and I have had our dalliances."

Jack views Stede's response as being ashamed, but we see clearly that it's not shame but anger. Stede doesn't like who Ed is with Jack, and he doesn't like Jack's vulgarity, simplifying sex, and especially sex with Edward Teach, down to pure functions, not expressive of love or desire, just as they are in the English world. Jack's attitude that this is simply what men do to (not even with) other men when they are at sea, and he's proving his dominance by telling Stede that he's done it with Ed.

Stede is not ashamed at the assumption that he and Ed are having sex, but angry at the implication that sex between them would be "buggery" and "dalliance," not love (and, what's more, that Ed would be treated as a thing instead of a person by another man).

Stede's queerness is part of his emotional core - it is not a whim. It is not something he can discard or mask, regardless of how he dresses or behaves. It is not something that just "goes at sea," or that can be reduced to functions. It is integral to himself, and so he's been completely unable to conceal it from being perceived in either the English or the pirate world, though he has tried very hard to conceal it from himself.

Ed has also tried to conceal the emotional reality of his queerness via his performance as Blackbeard, turning it outward as violent games between men, without softer emotions. It is with Stede that his own emotional core is revealed, and the big mean pirate is shown to be a man who wants to be held and touched, to be submissive without being shamed or harmed.

They allow each other to be vulnerable, to move beyond their worlds' insistence on sex as being purely a function and to unite it with love and desire. Their romance develops out of friendship and a powerful emotional understanding that claims softness as strength.

Neither Stede nor Ed are acceptable in worlds dominated by toxic masculinity and controlled by rules of masculine hierarchy and power. But they are acceptable on the Revenge, filled with a crew of the "worst pirates in the world," all of whom openly, and increasingly, express fluid gender and sexual roles and identities that shift with relationships and feelings. Both are aligned with the queer liberation of the Revenge, itself shaped by Stede's ethos of kindness and breaking the "culture of violence" of piracy, but they have to break out of their worlds' underlying homophobia to find their way to each other.

#ofmd #ofmd season 1 #stede bonnet #edward teach #ed teach #gif #ofmd meta #our flag means death #queer liberation #rhys darby #taika waititi #my wee thoughts #long post

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tarjapearce · 10 months

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Iridiscent

PirateAU! Miguel x Mermaid! Reader

Thanks to @sarapaprikas-blog for the idea ❤️✨. Been loving to experience with different AU'S lately ✨. Hope you like!

Warnings: Mild angst and historical figure mentions, implied mysticism ~

Prologue ✨

Pt. 2

As far as history was told, the sea had been the biggest grave in the world. Countless men, nations and civilizations perished under the might of the ever infinite sea. Not many dared to venture, after all, the stories of countless ships sunk under behemoth waves reached through all dry land known.

But that didn't stop the greatest empires to expand and colonize newly discovered lands thanks to years of observation. Many thought of the sea a living being, a being that could be tamed or at least controlled enough to small civilizations to be born in lands people only dreamed of.

However, as the sea earned it's title of a living creature, the mysticism around it grew. Many believed the sea was a she, and bringing a woman on board only made her jealous. A common belief among outcasts and pirates. Something that was debunked as the golden age of piracy advanced.

But even so, the word spread around was that the sea favored female pirates better than men. Lagertha, Mary Read, Anne Bonnie, Zheng Shi, Grace O'Malley, to name a few of the most iconic pirates that against all, conquered, navigated, commanded and plundered at their contempt.

Many believed that they had done a pact with the devil himself, but others strongly believed that there were creatures below that left no trace once the women settled for a target. Mermaids.

Creatures often described as the beauty of death itself embodied. Beautiful women luring men to their inevitable deaths. Something, that some men longed for, and feared by others. The rumor was that if you caught a mermaid alive, the creature was bound to grant you a wish.

But for Miguel, they were nothing but myths and lies. A once young and naive self had ventured in the sea to find one, so he could cure his daughter once the land medics had abandoned all hope. And so he did, once his little girl had closed her twinkling innocent eyes, full of dreams, forever.

He was a changed man after that. He didn't allow his men to talk about such nonsensical things in his ship, Reina Gabriela, and poor of the man that was caught red handed. Reason had gotten him where he was, a feared outlaw among the Spaniards and English folk alike. Not by his overall intimidating looks, but the ruthless and cunning of his attacks.

The Red Eyed Demon, they called him.

------

Miguel had settled the route towards an island that promised a proper restock of his resources. He would let his men unwind, he'd probably spend the night away with a well prepared courtesan. The type of woman that knew how to entertain him beyond the physical ways, once they were on land.

By sunset, he would be landing. The island itself wasn't a problem, the inhabitants of it were. At least for him, full of highly superstitious people, that were always showering him in foul smelling concoctions, lung itching fumes and heavy charms of protection to "cleanse the spirit of anything that could drag you and your ship down".

Isla del Sol, or Sunny Island as many called it, was like a secret hideway-paradise for Pirates that stopped by to rest. Opposite from what the Spaniards and English believed, the Island was run under the command of a council of five.

A retired English commander that did better as a pirate than a law enforcer named Edward, A Spaniard pirate well versed in the arts of administration named Xavier, A jamaican man which eloquence only rivaled the Queen's erudites themselves named Toussaint, An asian woman trained in the arts of killing and weaponry named Sheng Hyun, and a white haired chaman whose wisdom was often seeked by the rest.

So far the island had worked and thrived under their command. They had even asked Miguel to join them, because of his strategic and cunning mind. But of course, he refused. A man like him wasn't easily bound to bureaucratics, even though, ironically he had strict rules in his ship.

His men were loyal, after all, Miguel took proper care of his crew. Well fed, healthy, well armed, and now, well rested. Reina Gabriela approached the docks and soon the men worked. Some put the extended sails away, others put the weaponry in their place, others cleaned and so on. Everyone had a role aboard, and Miguel made sure for them to accomplish it.

He threw a small pouch of gold to a nearby man to watch over his ship as he was out. The island felt like another city, but difference was, that inside land there were no guards, no laws that didn't benefit them. And if anyone caused a ruckus, Sheng Hyun was sent to deal with it, personally.

His men scattered around, except for the quarter master, the cook, weaponry master, Navy Engineer and doctor. They discussed briefly the upgrades for the ship, new dishes to the menu, and new places to get weapons, medicines and sturdier woods from. He dismissed them once everyone had their list, then he was alone.

His feet took him nearby the merchants as they exposed their goods to everyone passing by. Guards uniforms, royal weapons and wax seals perfect for an unsuspecting ruse, medicines, a new type of powder that was a bit more waterproof, Chinese explosives, sedating darts, portraits of naked royal women, some gemstones, and of course, luck charms and talismans.

He scoffed as his eyes rolled at the various trinkets. He had to admit that whoever came with these ideas had found a gold mine that relied in people's blind faith, probably would shake their hand if he ever knew who it was. One trinket stood out from the rest.

It was an iridescent pearl, a quarter size of his palm, along some black and pearly scales protuding ontop. There was no chain around it to be worn, the merchant noticed him staring at the trinket and smiled.

"Good if y'wanna catch a mermaid. They love shiny things."

Miguel looked at him with an eyebrow quirked and a skeptical look.

"You seem confident enough to sell these... crafts."

"Ah, another nonbeliever. Tis'fine mate. I've dealt with so many like you before. Mostly of the non believing part roots from something denied to you in the past. Am'i'rite?"

Miguel's jaw clenched softly at the boldness of the man. He looked like the typical merchant with shady business on the side.

"Leave this man alone, Joseph." The chaman of the council spoke behind Miguel as she took the pearl in her old, wrinkled hands.

"Come" He motioned Miguel to follow. Despite being a highly spiritual woman, the council's chaman did not pressure him into believing, but rather spoke to him sometimes in riddles. Riddles that he grew tired of eventually. He followed.

"A surprise to find you watching these sort of trinkets, Miguel."

"Hard to not when they get stranger and colorful each time I come here."

The elder lady hooked her arm on his as she supported on Miguel, that secured her as he walked next to her.

"I'd be grateful if you wouldn't speak about anything mystic tonight."

"Wasn't my intention, boy. But I must say, you've got quite the eye for these things. It's a real pearl, if you wish to sell it."

Miguel kept walking, being led by the chaman.

"Or I could gift it to a mermaid" Miguel chuckled and the lady looked at him with curious eyes.

"Well, to do such thing, you'd have to find one first."

"I won't, cause they're not real."

The chaman smiled smugly at him.

"What would you do if your homeland got infested with rotting bodies, blood and so many other unpleasant things continuously?"

"I'd look for a new home." he humored, but the lady only nodded in approval.

"And what kind of home you'd look for?"

"One that wasn't near the cities or civilization. Probably a secret manantial or even a virgin island"

The lady smiled

"Congratulations, Miguel. You now have the first lead into finding a mermaid."

"You can't expect me to believe such things."

"No lo espero, pero sé que tu curiosidad por dichas criaturas ha aumentado. ¿Qué es lo deseas tener?" (I don't, but I know for sure that your curiosity for such creatures have peaked your interest. What is it you long for?)

Miguel looked down at the lady, wistfully and she rubbed his arm comfortingly. Like a grandma would.

"My dear. Mystical creatures can only do so much, Miguel. Sadly, bringing back the dead isn't something they can do."

"No sabes de lo que hablas. No me conoces" (You don't know what you are talking about. You don't know me)

He seethed the last words as his grip abandoned the lady. His body tensed when the chaman reached out again to take his large hand.

"Loss is part of our lives, Miguel" Her wrinkled hands put the pearl in his hand, hers covered his warmly, pushing the trinket further in his hands, "And we all move on eventually. Life is full of wonders, and who knows, maybe what you find ahead in your path is exactly what you need"

He nearly growled as another riddle was added to the list.

"Te dije que te dejaras de-" (Thought I told you to quit the-)

His mouth gaped slightly, the lady was gone. He was left alone with the pearl in his hand, "Acertijos..." (Riddles...) he sighed and stared at the pearl, to then tuck it back on his pocket.

What was he longed for?

#miguel o'hara #miguel o'hara x you #miguel o'hara x reader #atsv miguel #pirate au #mermaid au #spiderman 2099 x reader #spiderman 2099 #female rader

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virgo-79 · 6 months

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I feel like people are taking a different message away from Anne and Mary's situation than what the show was presenting. Now, yes, they're absolutely deranged, no argument there. But it's implied some of that is just...Anne and Mary (Mary's fond story about Anne rescuing her while wearing a guard's face).

Anne burns the house down because she doesn't care about her beautiful things in the end -- she just loves Mary and wants them to be together. Their story shows that Mary's cynicism is WRONG. There is ALWAYS more to life and love, always another adventure. It's meant to demonstrate that what was wrong wasn't where they were living or what they were doing, but that they weren't talking about what they wanted. And ultimately what they BOTH wanted was to be together and for the other to be happy.

I feel like people are drawing the parallel between their house full of antiques and Ed and Stede's inn, and I don't think that's accurate. I think the parallel is with piracy/The Revenge. Ed was spiraling worrying about Stede having to give up his passion and success as a pirate. But Stede came back for Ed, not piracy -- those two things just happened to be in the same place at the time. Stede and Ed contentedly watching The Revenge sail away are in the same place as Anne and Mary embracing while the house burns down around them. The point is not "domesticity and quiet are a doomed venture;" it's "I don't care what we're doing as along as we're together and happy."

#gentlebeard #ofmd #ofmd spoilers #anne bonny and mary read

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avelera · 7 months

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I saw a really cute post the other day imagining scenes where Ed protects Stede. It was sweet and funny and heartfelt and for some reason landed all wrong with me.

Then I figured out why: I don’t think Ed has ever protected Stede. It’s actually kind of a big plot point in the show. Even when he should have. But when Stede protects Ed is when Ed fell in love.

It’s a bit of a nuance and I’m too tired to quite remember all the ways I’m probably wrong but… Ed often rescues Stede. But he doesn’t protect him. He doesn’t prevent him or try to prevent him from doing things that would harm him.

I think that was another reason the post nagged at me. Because the funny examples were around Stede’s failures at piracy. But Ed, unlike everyone on the show, including the viewers!, doesn’t see Stede as a failure. It’s almost weird how much he doesn’t. It’s endearing too. It’s why the romance works.

Ed thinks Stede is unorthodox. New to the game. A bit rough around the edges. But all those skills come with time and practice. Ed is bored of skilled, practiced pirates. He wants flare. He wants daring. He wants a person who does it their own way. The rest will come. But you can’t teach creativity. Ed doesn’t give a shit about a perfectly skilled pirate, that’s boring as fuck. He wants to see a creative one.

To go back to protectiveness… Ed doesn’t protect Stede because he doesn’t see Stede as incompetent. He doesn’t prevent Stede from doing things before the fact. But sometimes after the fact like on the Spanish ship or against the English, he’ll come in after Stede fucked up and chooses to join him in facing the danger and consequences.

In comedy terms, Ed is very “yes, and…!” with Stede. Whereas protectiveness implies a certain amount of ending the bit before Ed can see the crazy places it’s going.

By contrast, Stede is protective of Ed and when he’s protective, Ed melts. Stede tries to prevent Ed from being hurt by the nobles and corrects his errors and very publicly destroys them on Ed’s behalf. Ed fell or fell harder in love right there. But Ed never tried to prevent Stede’s run in with the Spanish.

Ed’s a bit selfish, a bit blind to how to take care of others. Part of it’s the life he led. It’s part of why he’s so fascinated by Stede and his brand of piracy. He doesn’t want to stop the craziness before it begins. He really only steps in if death itself, something that might end Strede’s craziness, gets close but even then. He doesn’t protect Stede against Izzy. He lets those consequences play out. He can’t bear to look but he doesn’t stop it.

I think there’s more nuance and a lot of scenes I’m sure I’m forgetting where Ed is more protective but my overall sense is that this is actually an interesting nuance between them. Stede acted out of protectiveness when he left Ed on that beach. Ed didn’t go looking for Stede. He didn’t and doesn’t try to protect him. Unlike everyone else, Ed always assumes Stede’s choices are deliberate and competently made.

#ofmd #our flag means death #Ed teach #Stede bonnet #I saw the same thing with Bilbo and Thorin in the Hobbit fandom and it made me crazy

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makos-ribcage · 1 month

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No one loses ㅡ ༝ ˚ ｡⋆ 𓇼 ⋆｡ ˚ ༝

[] - You make Sanji jealous with the help of Zoro

𓇼afab!reader, she/her

! - Toxic relationship, hard language, sanji angst, soft nsfw and implied harsh nsfw

so ive realized how many ppl dont add the fact that sanji is a player when writing stuff about him, so i wanted to write smth based on it, i rlly like the start, enjoy :) if this get enough love ill write a second part :o

You knew what you were getting your ass into. You just didn't expected for it to be so bad from time to time.

You've been dating Sanji for a little longer than 3 months know, but knew him for years. You knew about his issues when it came to women. The fact that he would become a total dumbass, blindfolded, stupid ass man the second a woman appeared in his sight.

You knew that, but you also knew you really loved him, he would make you really happy, you loved the way he was such a gentleman, how he kept himself motivated despite his tragic past and every single little detail about his personality and looks that made him unique.

He also loved you deeply, more than any other woman, he thinks you're the prettiest and best woman out there. But that doesn't stop him to go back to his brainless self in front of women every now and then. You would usually just scold him a little, touch him or just talk to him and he would remember that he was taken and that he had to control his ass.

But not that night, you didn't even recognized him.

Once the Straw Hats became popular, a good amount of pirates and even just random people became "fanatics" of you. Fanatics of Sanji as well.

That blonde cook was good looking, with a deep sensual voice mixed with his height and his ability to cook, enough to make any woman fall over heels to him. Now that his popularity grew, women would even let slide when he was borderline a pervert just to get close to the straw hats or being able to fuck anyone that was part of the crew.

You were at a fancy bar, taking a lil rest from the piracy. Each one of the Straw Hats had a small group of people come around them as they entered the place and each one of them got rid of them in their own way.

Zoro ignored women until they grew tired, Nami stole every single men's wallet, Robin freaked them out with her hands, Luffy acted like Luffy, Usopp told a few lies so obvious that women realized it and you insulted any guy that approached you.

But Sanji? Oh, no. He totally forgot the fact that he was in a relationship the second more than 3 women surrounded him. Flirting with them, telling them that he can cook anything that they wanted, using that deep raspy voice that he knew you loved and place his big soft hands on the women's thigh.

You tried to get him out of there but he would make a comment about "Being enough for everyone", when you called him he basically ignored you, when you touched him he barely noticed. You felt terrible,

After that humiliation, you decided to seat down, your sadness quickly being replaced by anger. You stared at him from the bar with your drink in one hand. He was sitting on the opposite side of the bar with a bunch of women, one on each side of him, the rest surrounding him, massaging his shoulders, giving him compliments, making sure their boobs touched his arms.

You snapped when you saw one of those girls grab his cheeks and playfully kiss his lips. Him just accepting it with a big dumb smile on his face. What the fuck was he even thinking about? You came to the conclusion he wasn't thinking at all.

If he wanted to play a jealousy game, you could play too, and you were going to be the best at it. You knew how to hurt him, you were his girlfriend after all. Zoro.

Zoro and you were quite close. You were strong and independent and he really respected that coming from a woman, specially considering his childhood. You both saw each other as the same, you used to train together, you knowing he wasn't going to hold back because "You're a girl".

It wasn't something unknown that Sanji hated Zoro for some reason, he hated the fact that you trained together, getting to a point where he would just sit and watch your training sessions just to make sure he wasn't going to try anything on you.

You approached him on the bar. He was drinking one of the many drinks that he had planned for the night, slightly drunk but so were all of you. He stared at you as you came closer.

"I need help." You told him, an angry expression on your face that he mimicked right away, thinking it was a dead or life situationship. "Help me get Sanji jealous." His face relaxed.

"Are you serious?" He whispered, feeling like you were teenagers at school.

"Very. Look at him!" You pointed at him, knowing that you could be yelling his name and he wouldn't notice, he was staring directly into some women boobs as he grabbed her waist. "I'm mad as fuck, and you hate him, let's make him mad. No one loses" Besides of Sanji, of course, but he deserves it.

Zoro considered it for a second. He did hated him, he did wanted to help you and you were hot. He gets to be drunk, flirt with a hot girl and make his nemesis mad, he truly don't loses anything.

He chugged his drink, then stared at you. "'Kay, what's the plan?". You smiled.

He put one of his hands on your hip, his hand lingering to your ass slowly. Both of you stood next to a wall near Sanji, you against the wall and Zoro in front of you. Now that you had him so close you realized how big he was. Sanji was tall, sure, but Zoro was big, he covered your body completely, and you felt tiny with his hand on your waist.

Zoro put a happy hand on one of your thighs again, playfully sticking a few fingers under your skirt, wanting to make the best of the situation now that he was at it. You placed a hand on his chest, and he drew you closer with his free hand. Talking to each other while being very near of each other faces. You could breathe the alcohol on Zoro's mouth, and he had a nice view of your cleavage.

Sanji stared at both of you in confusion, he was jealous of you simply talking to him back in the Sunny, seeing both of you so touchy definitely called his attention. But not enough for him to put a stop to his playful flirting with the women.

"It's not working..." You whispered to Zoro, directing your view to Sanji, slightly pouting. He stared into your eyes. "How jealous you wanna make him?". He grabbed your chin, making you face him again. Oh, he was drunk drunk.

His hand drifted to your neck, squeezing it slightly, enough for you to open your mouth slowly to breathe better. Not even trying to dismiss it as a romantic kiss, he licked your lips slowly, kissing you and quickly turning it into a french kiss.

Out of surprise, and maybe something else, you slightly moaned in his mouth, and you felt his lips curl up into a small smile. His hands kept you in place by your waist, you touched his chest not being sure what to do, deciding to hug him by the neck and pull him closer as well. That heated kiss lasted longer than you expected. Zoro's hands explored your body confidently, the hand on your neck slowly going down until reaching one of your boobs.

You grabbed his wrist, not sure if it was being too much. But his hand didn't stopped at all and you didn't knew if Sanji saw you.

It was something childish and dumb, you didn't just wanted to make him a little jealous, you wanted him to feel bad, as bad as you felt watching him not pay attention to you just get some other girls boobs on his face. It made you feel terrible, feel like you weren't enough, like you were replaceable and you were just some girl he said yes to being her boyfriend just to have some pussy that he was certain he would have available always.

Zoro broke the kiss first, staring directly to your red lips, not because of lipstick but because of such type of kiss.

You felt a presence next to you, when you turned your head, Sanji was there, clearly really mad.

"Oh, you're here, I thought I'd had to fuck Zoro to call your attention." You said, probably as mad as him, but keeping a calm nonchalant expression. It was obvious his actions affected you, but you didn't wanted to show that they did, yet.

"I don't mind." Zoro said, back to his usual, less hot, self, also staring at Sanji.

Sanji pushed both of you aside, deciding to deal with you first and then beat the living shit out of Zoro after he was done with you.

He grabbed your hand dragging you out of the bar. Being cornered in a wall once again on an alley a few streets out of the bar and near the docks where the sunny was, now by your boyfriend, you stared at him straight into his eyes.

"What the fuck is wrong with you?" He said, clear anger on the sound of his voice. "Out of all the men on that bar, It had to be Zoro, of course." He was mad, you could tell, but you decided to play your little act of not caring for longer.

"Yeah, but they were focused on how you were almost fucking every single girl in the bar, I bet they were jealous." You said, staring right into his eyes, he seemed to feel ashamed of his actions, just for a few seconds, a feeling that faded quickly as you kept talking. "But Zoro didn't seem to care, and since you were experimenting with girls hotter than me, I thought I'd do the same with someone hotter than you."

His face turned red quickly. He grabbed your face with one hand harshly. A grip tight enough to make your face hurt a little.

"What the fuck is wrong with you?" He yelled at you, startling you for a second, but you were sure he wouldn't hurt you, either because you trusted him, because you were drunk or because you were mad, you weren't too sure.

"I don't know, you tell me, you've been an asshole to me all night!" You answered, as harshly as him, quickly getting more and more heated by his lack of excuses, you knew you were wrong, but so was him. And he started the whole deal so he had to apologize first.

He released your face, placing his hand on one of his hips as the other one rested next to your head against the wall. "Of course not! I'd never do such thing! You were the one almost fucking Zoro." Now he was treating you like you were insane. Flirting with other girls was already bad enough, but acting like you hallucinated everything and faking dementia was going to make you genuinely insane.

"Yes you did such thing!" You mocked him, watching his gaze get madder and madder. "I even saw you kiss one!"

"Nope, I don't remember that" He played dumb, and you stared at him dumbfounded.

"You're unbelievable! I can't believe I even started dating you!" You turned your head way from him.

He stared at you in surprise, he knew he had a problem, but he did love you, as much as his stupid behavior allowed him. "What the fuck do you mean?" His expression of surprise was quickly replaced by the same stare of anger you saw directed to you all night. You were forced to face him again as he grabbed your forearm with a little too much strength. Pulling you closer where you could feel his familiar breath. "I mean that I hate you!" You replied quickly, not giving it a lot of thought, probably going to regret saying that as much as he's going to regret not paying you attention that night.

"Fine! I hate you too!" He answered, not letting you go neither pulling you away despite of his words. You stared at him, his blue eyes that looked at you with a hatred that you didn't believe was genuine at all, he probably thought the same of your own stare of hatred.

"Fine." You whispered, looking down to his lips for a few seconds, as you licked yours.

"Fine." He mirrored your expression. Staring into your lips.

Before you could even process that you "Hated each other", you pulled him closer, pressing your lips into his own. He placed a hand on the back of your head while the other one got around your waist.

You gripped his shirt as the kiss continued, unbuttoning the first buttons of his shirt while Sanji's hand on your waist lingered lower and lower.

"Let's go to the sunny." You felt that deep, raspy voice that you loved against your lips once again.

"Yes."

#sanji x reader #vinsmoke sanji #sanji angst #one piece #they both suck #one piece angst #one piece x reader #makO's works #angst #toxic relationship

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izzyhandslightofmylife · 4 months

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Official statement on why Izzy's death affected me so much

Our Flag Means Death, is, at it’s core, is a show that focuses on queer joy- a form of therapy for those that have been raised on queerbaiting, shipping minor side characters, or watching, when nothing else is available, queer tragedies. You know how it goes- the two main characters, both male, have chemistry. They say things to each other that seem weirdly like declarations of love. They look at each other with love in their eyes. You see these things and the main man gets married off to a badly written, unfinished female character and is left feeling empty. The best friend dies for the main character to live. When everyone talks about how cute the main couple are, you want to scream all of a sudden, because nobody can see this love story play out except you. It’s queer, it’s tragic, and nobody else can understand it.

Not Our Flag Means Death. From the moment it aired, it was praised as a show with unabashed queer joy, which means more than I can possibly say. The two main male characters meet, they have chemistry, and they fall in love. It’s not implied, or hinted at, but blatantly obvious. Their romances and the queer romances around them attracted so many queer fans who felt that after so many years, this type of show was a vindication for what they had been through with other media.

In this show, piracy itself was that of a found family. Though Stede Bonnet and the crew of the Revenge start off with many differences, the core of the show centers around a theme that many queer audiences are attracted to: found family. The Revenge was depicted as a safe space, where everyone could express themselves freely, a refuge from a world of judgment. Queerness was not only accepted but normalized on The Revenge. No homophobia, no coming out, no typical complications of queer romance. Just love and safety. Warmth, which was Ed Teach wished for in purgatory. Which was what he found on the Revenge. The ship was a safe space that so many queer audiences had dreamed of.

Well, a safe space except for one person: Izzy Hands, Blackbeard’s First Mate, who was a man painfully stuck in the wrong genre. This is the general consensus by both fans and the cast: Izzy, Edward and their crew had been in a gritty action movie, whereas Stede and his crew were in a muppet movie of sorts. While the majority of Blackbeard’s crew quickly acclimates to and celebrates the change, Izzy doesn’t.

And right away, many fans felt a deep attraction to Izzy. The reason that Izzy couldn’t get Edward to love him was because, in the end, the only way that Izzy knew how to love was through blood. To give and receive pain in an action movie is one of the greatest forms of love, but Izzy fails to realize that Ed is not in an action movie anymore. He is happy with this stability, and the reason that so many people felt Izzy’s presence so was strongly was that he wasn’t.

So many queer people are, in a way, addicted to tragedy. Tragedy is all that is represented in queer media for the most part, or was until very recently. Take Achilles and Patroclus, one of the most celebrated and recognized queer love stories of both ancient and modern times. Why that one? There are other greek love stories, many of them queer. The tragedy of it- Patroclus’ death and Achilles’ rage- made it all the more appealing. Many in the audience of Our Flag Means Death were not comedy fans, they were horror or drama fans, attracted to a comedy because of the love story. But Izzy, to them, was a physical representation of who they were, carrying an awareness of homophobia, of blood and pain that so many queer relationships had previously been illustrated by (i.e. Hannibal). Though Ed may not have understand this type of affection, the audience did- Izzy’s Otherness from the crew despite it’s safety, his expressions of love and his unrequited love story were all things that the audience were familiar with feeling.

If Ed and Stede were good queer representation, Ed and Izzy, for example, were a foil of that. They were evil, messed up, and fed into the worst parts of each other because it brought them closer. This is a theme present in a lot of queer media, and by extension, queer lives: “if you love me, Henry, you don’t love me in a way I understand”, is an excerpt classic queer poem about unrequited love that fits the situation. The very reason Izzy stuck in people’s heads because he was of a different genre. His grittiness and bitterness made sense to the audience. They saw Izzy and saw what was familiar. He was exquisitely written, simultaneously making even casual audiences both hate him, and against all odds, find him oddly endearing. The idea of this man sacrificing every inch of himself for an unrequited love was a concept of tragedy, leaking into a comedic show.

So fans projected onto Izzy. He was a catalyst for the heartache, for the audience’s sheer inability to have a happy show. For one reason or another, some of the audience simply couldn’t live with a show that was all fantastical, which I theorize is because they couldn’t see themselves in it. So Izzy became the epitome of queer suffering: pining longingly after another man that couldn’t understand him. This projection of suffering, however, led to a new wish: happiness for Izzy. If Izzy in Season 1 was a tragedy, assimilating him into the found family in Season 2 would have elevated the safe sense of the ship all the more. It would have proved to so many of these Izzy Fans that yes, even though you view yourself as unloveable, even though you see yourself as Israel Hands, Villain, even he can be loved too. Why can’t you be?

And Season 2, for the most part, delivered beyond our wildest dreams. Izzy had people who cared about him. And though the genre shifted into the darker, Izzy himself shifted slightly to the comedic side as well. His life, which had been centered for so long around a man that didn’t reciprocate his feelings, was gone. He started a new life, and this life, again, focused on queer joy. The queer joy from Season 1 was suddenly for everyone, even those like Izzy that couldn’t have understood it. He sang, he whittled, he talked about feelings, he dressed in drag. Many elder queer fans also saw Izzy as another metaphor, too: that queer joy can be attained overtime. You don’t have to have had it the whole time, but you can accept yourself even when you are older. The message of Izzy was one of resilience and stubbornness, one that the queer community needed to hear: that you don’t have to be like this, you don’t have to create pain for yourself. You don’t need to watch tragedies all the time. You, too, can heal from the past.

And then, the season finale happened. By this point, many argued that Izzy had stolen the show. Con O’Neil’s acting mixed with his general arc of self acceptance had made him a fan favorite. In the last episode, it is Izzy himself who sums it up perfectly, accepting that he belongs somewhere despite his pain and flaws. Despite the darkness within him, he was still accepted and loved. He says it right to the face of Prince Ricky, who thinks himself above it all. That piracy, a metaphor for otherness, wasn’t actually about being alone; it was about finding others that understood you when nobody else could.

Listen, this show is known for it’s nonsensicality. In the finale of Season 1, Lucius is thrown overboard by Ed and survives by simply swimming to another ship. Stede reunites with his crew by sailing a rowboat. Buttons turns into a seagull. Stede stabs Ed for a comedic bit. Earlier in the season, Izzy himself gets shot and survives. This queer joy show was celebrated for being, well, joyful. Even when things like getting thrown overboard did happen, they were, ultimately, a blip in the character’s journey towards acceptance, healing, etc, which was what made the show unique. Our Flag Means Death, whose audience had been living for years off of the “Bury your gays” trope, was adored because it illustrated a world where things didn’t have to be that way. A place where the impossible, such as Izzy Hands being loved, could happen. This show was one of survival.

But not for the one person that was seen to struggle with this concept the most. Not for the one person that was a metaphor for belonging in this place, who became, over the course of a season, the embodiment of the message itself. Not for the Unicorn, the very symbol of this magical, nonsensical ship. Not for the most stubborn, most indestructible, most enduring (queer) person in the show. Not for Izzy Hands.

This trope, honestly, was one that many have seen before, both in mainstream and queer media. A character, previously shown to be a villain or else to have gone through a lot of pain, is shown to heal, to get better, and then to die in order to “complete their arc”. This trope is common: Loki, Cas. even Ted Lasso, who doesn’t die but goes back to the very place that broke him in the first place. But the reason that Izzy’s death, while it might have been expected in another show, felt like a betrayal in this one is because it was known for subverting those tropes. From the “Bury Your Gays” to the “Up For Interpretation”, it was known to look those tropes in the eyes and say “fuck you, these people deserve to be happy”. And this did happen! Except for the one character who’s healing journey was one of the most relatable, at least to queer audiences.

What also made it so jarring was that all the other characters got to be happy, except for the one that had struggled with the idea of happiness the most. In the scene immediately after Izzy is buried, Lucius and Pete get married. In the scene after, a montage of queer joy and found family is shown amongst the whole crew. In the final scene, Ed and Stede, our main queer couple, are shown healing themselves and starting a new life together. The last shot, however, showed Izzy’s grave, visited by Buttons the seagull while Ed and Stede had dinner. A tragedy in it’s finest. It wouldn’t have been difficult for Izzy to live. Because, in the end, his death meant nothing. His healing meant nothing. He died and was moved on from in a matter of seconds. He was, as I mentioned, the catalyst for tragedy, more specifically, queer tragedy. But because of this, of his genre, Izzy didn’t get to live. He had to die in order for the rest of the characters to keep living in this fantasy world. This death was, in a way, a preservation of these other love stories.

I maintain, however, that it would have meant more if Izzy had lived. If he had been able to show to us that yes, despite what you have been through, despite what you may have inflicted upon yourself, you can switch genres. It’s possible. Izzy’s survival up until that point had been a profound testament to many that it is possible to heal, that queerness does not have to mean sadness. It would have continued to be a testament to that if only Izzy had lived. And so, this pirate that we latched onto, not in spite of his darkness but because of it, was buried on land on the side of the road.

As a side note, many previous incidences in the story point to the idea even though Ed and Stede will definitely stay together, it’s uncertain if the inn would have worked out. It’s likely that, being a whim, those two might have chosen to move, or go back to the sea, or sail to China. If this is true, they would have left Izzy’s grave by itself, like a family pet buried in the yard. If this is true, Izzy Hands, a metaphor for belonging, would rot alone.

Long live the tragedy addicts. Long live the Richard Siken poems. Long live Izzy Hands.

*When I talk about the "fandom" I am referring to the canyon.

#izzy hands #izzy hands apologist #izzy canyon #our flag means death #ofmd finale #ofmd #izzy hands death #izzy deserved better #ofmd fanfic #i guess #ofmd canyon #con o'neill #tragedy #oh uh happy new year #ofmd meta

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bemusedlybespectacled · 4 months

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Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

#ofmd critical #our flag means death #writing #izzy hands #ofmd meta #askbox #personal

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veeagainsttheday · 4 months

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Two lines from OFMD s2 have been rotating around in my head for the last few weeks.

The first is from s2e3, when Ed is speaking with Hornigold about his sandals, and Hornigold tells him that he always has to have an angle. Ed responds by saying, ‘Nah, mate, I’m actually just a very simple man’ before sharing his thoughts about opening an inn.

The second is in s2e7, after Ed left Stede, when Stede and Izzy are in Jackie’z. Izzy says to Stede, ‘You know what he did when I told him I loved him? He shot me,’ as Stede says, ‘He shot you. I know.’ Izzy continues, ‘He’s a complicated man.’ Stede doesn’t respond; they look at each other for a moment and then the scene ends.

First of all - that line of Izzy’s about Ed shooting him when Izzy told Ed he loved him makes me want to start ripping my hair out in frustration. Ed shot Izzy when Izzy announced in front of the crew that vibes were bad because of Ed’s feelings for Stede Bonnet. Ed responded to Izzy saying he loved Ed by making a noise of disgust and walking out of the conversation. So it’s fascinating that Izzy has reframed the event in this way (and not the first time we hear him reframe it - as he tells Lucius a shark took his leg). Stede obviously heard that Ed shot Izzy (he says, ‘shooting people’s legs off’ in the list of reasons why Ed’s in the sackcloth at the start of s2e5), but we have no idea where he heard it from or who told him why. The way he says, ‘I know,’ to Izzy in s2e7 gives me the impression that he’s heard Izzy say it a number of times - he sounds weary. I’m guessing Ed’s never told Stede what really happened, nor any of the crew who witnessed it. But if I could ask the writers about one line from s2, I really think this would be it - I just don’t know how to interpret it (and if anyone has any ideas, I’d love to hear them below!).

Anyway. Back to those two lines. Ed says he’s ‘actually just a very simple man’ in response to being misunderstood by Hornigold (actually his own self-consciousness). For two seasons, Ed’s been attempting to communicate that he’s got a simple, reasonable desire to retire from a dangerous, violent career and be with the man he loves. Izzy’s response has been to deny Ed that, to call Ed insane, try to keep him in piracy by whatever means he can, and of course try to get Stede killed. By the time Ed’s in the gravy basket, he’s arguing even in his own head that he’s a simple man, with a simple desire for the future.

Then we come to s2e7, and Izzy still doesn’t get it. He still thinks Ed is a complicated man, he still thinks Ed is acting in a way that doesn’t make sense or requires some convoluted explanation. It’s notable to me that Stede doesn’t agree - we know from s2e3 (and, ya know, the rest of the show) that Stede understands Ed deeply. Then I think about Ed talking to the ‘wolf’ in s2e4 - ‘It’s a very rare thing to find someone who understands you,’ he says, tears in his eyes, obviously missing Stede but also - fuck, man, that scene with the rabbit is so funny but makes me so sad for Ed, because he really does have a pretty simple desire and he’s spent months - implied years - being told that he’s crazy for having it.

#ofmd meta #ofmd s2 meta #ofmd s2 #edward teach #edward teach meta

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meddling-in-horror · 8 months

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Giving Them the Moment: How Our Flag Means Death and it's Portrayal of Black Men is the Most Important Thing on Television Right Now

Note: written April 20, 2022

Media is an incredibly distinct way of communicating. It has a wide reach, and each person has their own interpretation of what they see. That’s the beauty of the medium as a whole. However, there are often downsides, especially when it pertains to the West. In the US in particular, there is a trend within popular media to lean towards propagandization. Whether it’s the idea that communism and socialism are products of the ‘Evil East’ or the lingering effects of the Motion Picture Production Code - also known as the Hays Code, the media monopolies have a firm grasp on what we as a society watch and enjoy.

When you begin to play close attention to how the media portrays Black men, this becomes abundantly clear.

It is a rare thing when we see Black men whose characters aren’t portrayed as being the object nor the perpetrators of violence. In fact, only one mainstream popular show comes to mind: The Fresh Prince of Bel Air. But even then, the given circumstances of Fresh Prince revolve around Will’s escape from the violence of the ‘urban’ inner city. This vilification of Black men dates back to the 1910s with D. W. Griffith’s Birth of a Nation, and continued into the 1930s, where Black people were often personified as the monsters, representing the ‘exciticism’ of the world beyond the West. It is the ‘exoticism’ that has played a huge part in the dehumanization of Black men as a whole. But as a Black Queer person watching Our Flag Means Death, it is breaking that mold in an incredibly important way.

The Black men in the show are allowed to have fun.

This show is breaking barriers left and right. Of the major recurring cast of 15, over half of them are people of color. It’s overt and unflinching portrayal of Queerness when so many of its older viewers - myself included - have lived through the Bury Your Gays and Dead Lesbians tropes time and time again is overwhelmingly refreshing. Nearly all characters are Queer until proven straight and represent all parts under the umbrella, including Leslie Jones’ polyamorous pirate queen and Vico Ortiz - a non-binary actor - playing a non-binary character.

But in a world where the narratives of Black men are so often framed around violence and brutality, the Black crewmates of the Queen Anne’s Revenge - Frenchie, Oluwande, and Roach - are allowed to be funny and vulnerable. Each one of them is starkly different from the other with identifiable characteristics that allow the audience to humanize them. The trio quickly became my favorites among the crew, with Roach being the stand-out amongst them. Samba Schutte’s often deadpan delivery never fails to draw a laugh from me, in particular the assertion that “meat is meat”. Frenchie, played by Joel Fry, is the quickest on the draw where his intellect is concerned, being posited in the show’s fifth episode as having had a hand in inventing the pyramid scheme while spouting the wildest of conspiracy theories and being afraid of cats (they’re witches, they steal your breath, and have knives in their feet, you know). The softness and constant vulnerability of Samson Kayo’s Oluwande may be one of the most important aspects of the show, as it establishes him as a reliable and trustworthy confidante to not just Jim, but to Rhys Darby’s Stede Bonnet as well.

They exist in their own separate spheres on the ship, going about their own separate business completely unbothered. While it is implied they lead violent lives as pirates, this violence isn’t used to define them as characters. In fact, Oluwande stated that both he and Jim engaged in piracy because they “had no choice”. The brief mention we get of Frenchie’s backstory implies that he lives a life of servitude, though whether that was as an enslaved person or a freed Black domestic worker is not mentioned. While there is little known about Roach so far, it is implied that his culinary skills are far beyond the levels of what is needed aboard a pirate ship.

The friendships and relationships they form within the crew aren’t built on violence either, but on open and honest communication. Most notably, the friendship of Frenchie and Wee John Feeny, played by Kristian Nairn. Fry and Nairn are an impeccable comic duo when their characters become ‘room people’, and the scene where they begin to design their new space is a personal highlight of the episode. Oluwande and Jim’s romance - played to perfection by Kayo and Ortiz - is one that revolves around both characters being almost devastatingly open with each other. Both actors play the emotional vulnerability of the characters well, and it is important to emphasize that it is Kayo’s Oluwande that moves to meet Jim where they are.

While the show allows all its men to show varying levels of emotional vulnerability - an exception being offered to the emotionally constipated Izzy Hands, played by Con O’Neill - there is something so special about seeing that luxury afforded to Black men. This show has, in just ten episodes, has become a game changer for the television industry. It has proved that a show with explicitly Queer characters can become a massive sleeper hit, and that sometimes the best kind of historical show is one that is historical fiction. But it has also proved that you can create a narrative with Black men that doesn’t include their stories being framed in violence or brutality, that they can be funny, charming, witty, vulnerable, intelligent, complex characters with their own narratives that serve a purpose outside of a device of exoticism. It is this rare thing that makes these characters, and indeed the show as a whole, so important to its viewers.

We deserve more vulnerability, more humor, and more humanizing content from these three men, and this show is one that is truly deserving of a glorious second season.

Sources:

Donaldson, Leigh. “When the media misrepresents Black men, the effects are felt in the real world.”

https://www.theguardian.com/commentisfree/2015/aug/12/media-misrepresents-black-men-effects-felt-real-world.

Kumah-Abiwu, Felix. “Media Gatekeeping and Portrayal of Black Men in America.”

Opportunity Agenda. “Media Portrayals and Black Male Outcomes.”

https://www.opportunityagenda.org/explore/resources-publications/media-representation-impact-black-men/media-portrayals.

Our Flag Means Death, (2022-). HBO Max.

#not horror but its relevant #our flag means death #ofmd #ofmd s2 #roach #frenchie #oluwande boodhari #david jenkins #black men in media #let black men be silly in things!!!!!!#our flag means death season 2

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subbyp · 11 months

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I have this idea for an AU wherein Sanji’s physical Germa modifications kick in during his time starving on the rock, and when he’s like 14 Judge finds out and decides to take him back by force, because if the physical modifications took then surely the mental ones will too and if not there’s always psychological conditioning like what he did to Reiju, right? So Germa rocks up to the Baratie, burns it to the waterline, slaughters the crew (almost) to a man, and drags Sanji back. they don’t realize that Zeff survives, and they probably wouldn’t care if they did. (more fool them)

the mental modifications never kick in, but Sanji learns to act like they do, developing this false persona as a vicious shallow hedonist. he also leans hardcore on his growing resemblance to Sora to get Judge to indulge his whims (no, there’s nothing actually sexual about it, but it is deeply uncomfortable and it’s supposed to be). this is because he’s waiting for a very specific kind of opportunity…..

five years later, the Straw Hat Pirates are in Loguetown, getting ready to scale Reverse Mountain when Luffy fucks up the storefront of a shabby little seafood shack off the main square where Roger was once executed and is enlisted into chore boy duty. he gets to talking about dreams and piracy and sailing with the owner.

“do you have any dreams?” he says, failing to mop the floor.

“I used to have a few,” says the owner.

“not anymore?” says Luffy.

“none of your business,” says the owner.

“you should be my cook!” says Luffy.

“not a chance in hell,” says the owner.

then the shit goes down that leads to Luffy being put up on the block and almost executed. when the Straw Hats flee to the Merry they find the owner standing there waiting for them with a book under his arm.

he explains that he can’t be their cook—he’s too old and too broken, he’s had enough of the Grand Line, and besides staying in Loguetown is the best shot he has at achieving his dream (“I knew you had a dream!” yells Luffy. everyone ignores this), but he’s got a cookbook and nutrition guide he’s been working on and the Straw Hats can have the first draft so they don’t totally die of scurvy and shit if they swear to do him one favor—to, if they ever, out there on the sea, meet a nineteen-year-old kid called Sanji, tell him that Red-Leg Zeff is alive.

“yeah! of course!” says Luffy. “if you tell me what your dream is.”

“to see him walk free,” says Zeff.

—

Zeff’s cookbook keeps the Straw Hats properly nourished. but they barely make it to Sabaody in canon, and here they have one less combatant, so Kuma decides to split the team at Thriller Bark, and instead of sending Zoro to Kuraigana, he sends his unconscious just-bore-Luffy’s-pain ass right onto the Germa 66 flagship.

Judge wants to vivisect Zoro to figure out how a regular human non-DF-user could be so freakshow strong and then turn his head in for the bounty, but Sanji recognizes him as one of the Straw Hats (and thus, one of the liberators of Alabasta) and improvs on the spot that he wants him as a swordsmanship coach (“after all, sir, you want me to improve my swordsmanship”) and, he heavily implies, bed-warmer. thus Zoro wakes up in a Germa 66 infirmary, wounds bandaged, swords gone, and explosive collar on his neck, as the third-born Prince of Germa demands to be allowed to see his new toy alone. (“yes, I’ll be careful with him. I don’t want to break him when I’ve just got him!”)

zoro, having deduced what sanji is alluding to, is about ready to kill him with his bare hands on the spot, but as soon as they’re alone in the room together sanji starts immediately and profusely apologizing for being such a creep. he says he’s not into men (“especially not unwilling ones”) but it was the only way he could think of to get them even occasional privacy, and btw he is probably going to have to claim that he’s doing some unsavory stuff or else Judge might possibly have Zoro killed, but he’ll never lay a hand on Zoro without his consent besides what is strictly necessary to fake it around the Vinsmokes—

at this point Zoro starts to wonder what the hell he’s going on about. Sanji explains the whole thing and says that he’s planning on somehow getting Zoro back to the Straw Hats as soon as he can, and in the meantime he’ll make sure Zoro gets food and medical care and that nobody sells off his swords or anything, but he needs Zoro to do something for him in return:

“I’m going to feed you every bit of knowledge I have about Germa 66, and when you leave here, you need to give that information to someone who can destroy us until not even memories remain.”

#So basically it’s a ‘’fake slave and actual hostage of insane relatives to friendly rival to lovers’’ sort of deal #one piece #roronoa zoro #black leg sanji #zoro/sanji #zosan

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queerfandomtrifecta · 6 months

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How Izzy’s Death Could’ve Made Basic Storytelling Sense

Just to be clear, Izzy is my favorite and I wanted him to live more than anything. This isn’t about that, and that is NOT why I hated his death. Had it served the narrative in a way that made even the most basic storytelling sense, while I’d admittedly have been devastated in a different way (i.e. the character whose queerness was relegated to the subtext in s1 and as soon as it’s textual and his whole arc is that he’s killed, but that’s a whole separate post…), but at least there would’ve been a correctly crafted arc from a surface level narrative standpoint that ended in the death of my favorite character. But that’s not what this is about. It’s is about how the show could’ve actually made the death actually make sense and work effectively. (Also, if you want my unasked for thoughts on how most of the existing plot of s2 (minus 7-8) could’ve easily been adjusted to fix the narrative as a whole and keep Izzy alive, I wrote this)

But. For those in the fandom insisting that Izzy HAD to die, including DJenks who has said as such in interviews (for reasons I do not understand), from an objective developmental editor standpoint, this is what I think needed to change to make Izzy’s death serve the narrative, character arcs and dynamics, pacing, structure, and thematic elements correctly.

It’s about 2K words just so you know what you’re gonna get into. Spoilers under the cut.

Issue 1. Izzy’s relationship with the crew and how they truly became his family this season totally vanished during his death scene. The same crew who he protected from Ed during the later, worse parts of the Kraken phase. The crew who banded together to save his life by hiding him from/lying to Ed about it, and amputating his leg to save him. The crew he saved by crawling up those stairs during the storm, hobbling out into the rain with one leg and shooting Ed before he could shoot a cannon ball through the mast and kill them all. The crew who called him “our dick”. The crew that then banded together with Stede’s half of the crew to him the leg and the new unicorn (aka the figurehead of the ship). That crew didn’t cry a SINGLE tear when he died. What?? Fang sobbed most of episode one and really lost it when Izzy got shot. Where was that when he died?? Izzy’s last speech to Ricky had something along the lines of: piracy is about belonging/family. We are Good. (Forgive me, I’m paraphrasing, but that’s the gist). Izzy truly did find his family in the crew outside of Ed. That was absolutely fantastic, especially in the first four episodes and episode six. It VANISHED when he was dying and dead.

The fix: To make the death impactful, effective, or even to make it make sense on a very basic acting and writing level, the crew should’ve been utterly DEVASTATED. At least heartbreaking music and like 30 seconds of everyone breaking down and holding each other. At least some of them crying and holding each other in the background when he was dying. Come on.

Issue 2. Thematically speaking, is piracy Good or Bad? Again, Izzy tells Ricky that they (the pirates/his crew) are capital G Good. Yet Ed has spent a lot of time maintaining piracy is capital B Bad. He tells the urchins as such. Here’s some money that I never had, now you don’t have to be pirates. Don’t be pirates. He doesn’t want Stede to kill Ned Low in cold blood. Ed just doesn’t want to be a pirate. Even at the end AFTER Izzy dies telling Ed he’s with his family (implied that this is the crew) and they love Ed, Ed LEAVES THAT FAMILY AND LEAVES PIRACY IMMEDIATELY. We’re left with him and Stede watching the family Izzy swore was Good and loved Ed sail away because Ed thinks piracy is Bad. Which is it?? The death served nothing in convincing Ed he could be happy with his found family on the sea as Ed, not Blackbeard, so the dying words were pointless. The thematic elements are all over the place (for the whole season but that’s another post) and that needs changing to make the death scene make sense.

The fix: Izzy should’ve told him he sees he doesn’t want to pirate anymore, he’s glad he’s found love with Stede because Izzy isn’t going to make it, go run your fokkin’ inn, you twat (affectionate).

Issue 3. Izzy died of bad planning and bad luck. Why didn’t they take the gun from Ricky? Between Spanish Jackie, Izzy, and Jim, SOMEONE would’ve thought about it. If not those three, someone else would’ve, but come one. One if not all of those three would’ve known better. Yeah, Izzy happened to be standing in front of Ed and he got shot instead of him, but you’ve gotta be REALLY looking for that to even be aware it’s what happened. It wasn’t even on purpose unless Ed strategically placed himself behind Izzy (which I doubt was the intent). Izzy didn’t position himself protectively/take the bullet for anyone on purpose. It was just happenstance and you only notice it if you’re rewatching and hyper-analyzing everything (which a lot of us, me included, in the fandom do, but casual watchers don’t. It’s totally unclear as far as the surface level narrative goes) Any sort of “heroism” is not acknowledged, it’s barely even noticeable in the shot. If that was the intent, it HAD to be clearer and acknowledged by the characters so the audience would realize the stakes and repercussions of clear choices. As it is, I don’t think it was intentional. If Izzy HAS to die, it should truly have rounded out his arc in a way that CLEARLY changed the course of the scene, leaving him to protect people he’d put in danger at the end of s1. It didn’t. It just read as terrible planning to the point of it being out of character for more than one character, and bad luck.

The fix: Izzy should’ve saved someone. I personally don’t like the idea of it being Ed. I’s have rather he save Stede (Not really, but it’s better than Ed I guess) But really Izzy should’ve died saving the crew. The crew makes the most sense to me, narratively speaking. He’s their figurehead, he’s protected the Kraken Crew for months and they should’ve been fiercely loyal to him, he blames himself for what Ed did to them (more on this later) so it makes sense for him to fiercely protect his crew. His family. Who should’ve been devastated that it happened because Izzy is the one character of the main three who’s managed to earn that status this season.

Issue 4. The death did not serve to move the plot along. There are literally zero things that would’ve been different for the end of the episode, save Izzy being alive and on the Revenge in his rightful role he earned with his crew as the captain, if he’d have lived. Ed and Stede aren’t partnering with Zheng to go after the guy who killed him in the next season. Nope. They got the offer but nah. They’re running an Inn. Which Izzy would’ve supported based on literally everything we’ve seen from him in episodes 5-8. The crew who Izzy protected fiercely and who viewed him as their leader? Not one tear during his death or the the funeral. Happily sailing away to do presumably more Muppet Treasure Island hijinks. No character development happened. No plot development happened. The season could’ve ended literally the EXACT SAME WAY with Izzy alive aboard the Revenge!!! No stakes were changed at all. No one was impacted enough for it to seem like it was even going to be a plot obstacle next season. It just happened, Izzy’s toxic situationship who maimed him multiple times over the course of months to the point of his leg needing to be amputated was sad for one (1) scene, then we moved on and did not seem sad at all at the funeral. What.

The fix: The plot should’ve been driven by the death. Ed and Stede (but especially Ed), and DEFINITELY the crew should’ve been sailing off plotting to avenge the death and defend piracy against Ricky and the British, especially with Zheng who lost her whole fleet. Ricky and the British are clearly (or so I hope, nothing’s clear here anymore tbh) the primary antagonist for the theoretical third season. No one should be running an whim-based inn for fun or sailing off happily into the sunset after the death of the most major character aside from Ed and Stede, who beyond proved himself a major part of something every character (his family) should’ve cared about this season. If he HAD to die, that death should have furthered the plot. But instead, it seems everyone shrugged it off with tears exclusively from Ed.

Issue 5. Izzy got shot in the left side. The side in which canonically NO ONE DOES FROM BEING INJURED ON IN THE OFMD UNIVERSE.

The fix: Yeah I know this is just too nit-picky but it was also just SO sloppy. Like just shoot him on the other side if he has to die, because this was a very memorable plot point more than once in s1. Like, come on y’all.

Disclaimer: Issues/fixes 1-5 would all need to happen together to truly fix it and make the death serve the narrative correctly. Issue/fix 6 is a totally separate route, which I personally hate, but at least the narrative would’ve made sense this way.

Issue 6. The idea that Izzy had to die so that Ed could be free of Blackbeard makes no sense at this point in the story. Ed already threw away his leathers and gave away his treasure to symbolically get rid of Blackbeard, and Izzy very sweetly encouraged him to follow the feeling that throwing out the leathers gave him. Izzy told Stede that he and Ed were good for each other. They balance each other out. Izzy is on good terms with both of them and their relationship, so Izzy “having to die” so Ed could flourish as Ed genuinely makes no sense and came totally out of left field.

The fix for 6: This one stands alone and is my absolute least favorite option, but if it HAD to happen without the 1-5 fixes, here’s how it could’ve made sense. If THIS is truly the way it was going to end, Izzy needed to be continuously antagonistic or avoidant to at least Ed and actually be shown holding Ed back from happiness until that last second. He wasn’t. He was so much better. Izzy clearly does blame himself (that’s for a separate post because I have lots of thoughts there) but to be fair they were both abusive in that relationship, for years it seems. Although I think by the beginning of s2, the power dynamic has clearly flipped and it was Ed who was doing most of it and Izzy was exhausted and knowingly “reaping what he’d sewed” (I don’t Blame Izzy for his abuse but I think this was his mindset) so the crew wouldn’t get the brunt of it.

If he seriously HAD to die because the writers just had to have it that way, those are the changes I think would’ve made the narrative work/make sense, served all the character arcs and dynamics correctly, and actually driven the plot as fictional deaths are supposed to, compelling things into a third season. Seriously, this season finale was a mess of baffling choices the most series finale season finale I’ve ever seen.

Anyway. There’s my unsolicited two-cents. Now back to hoping Izzy’s in the gravy basket waiting to be sea witch necromancied back by seagull Buttons in season 3. I love this show and I hate hating what I hate hating about it because it’s my absolute favorite and I can’t stand it because it’s fantastic and the worst thing I’ve ever seen. (Also, Izzy should’ve lived).

#ofmd spoilers #izzy hands #ofmd #ofmd season 2 #ofmd season 2 spoilers #ofmd meta #izzy my beloved #izzy deserved better #we deserved better #eyyyy djenks if you need a dev editor for s3 just hmu #david jenkins #ed teach #stede fucking bonnet #stede bonnet

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ladyluscinia · 6 months

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2x08 Reaction #7

Ok, last episode thing in this series I've finally circled around to being pissed about is framing Izzy as a mentor to Edward.

Because what the fuck.

When they had Stede do the whole "taught him everything he knows" bit in 2x05 I thought it was pure flattery, to the point I thought it was wild that Izzy even gave a little shrug like he might believe it. I thought we had established pretty clearly in S1 that Edward was the creative thinker and leader in their dynamic.

Izzy was useful - probably even essential - but he was the support. The tool. Good at the execution.

And he certainly seemed to know this. In 1x04 where they establish their pre-Stede dynamic, Izzy expects Edward to come up with a brilliant plan and tell him what to do. He only doubts him enough to try and take charge at the last possible second, seems mostly aware his own idea is "get shot fighting back instead of sitting and dying", and feels genuine regret for both having to shoot down Edward's first plan and insulting him at all once he saves them in the end.

Because Edward is brilliant. He's earned his place as the leader between them. As Blackbeard.

Which makes it absolutely infuriating that in pivoting him into a "wise mentor" role they have Ricky say to Izzy's face that he was the brains behind Blackbeard and Izzy doesn't even refute it??? Paired with killing him off as the mentor (supposedly), and paralleling him to Auntie as they really double down on the "mentor who has authority over strategy and is proud of you" thing, and the displays of respect in 2x07... it kinda feels like the show is saying Edward learned most or all of his shit from Izzy.

And, like... if they just meant swordfighting and getting an approving nod when he pulled off a complicated disarm that would be one thing, but they kept focusing on things like "brains of the operation" and "how to lead the crew as a Captain" lessons.

And Edward is so much less interesting if Izzy actually taught him how to be Blackbeard, or if he was doing things as Blackbeard for Izzy's approval.

Like I guess I'm glad they didn't flesh it out enough to make the implications fully textual so you can fudge them away from that direction, but they don't really tell you not to read it that way. The man is even giving emotional development advice for fuck's sake. The mentor thing is jarring enough because the authority and respect dynamic really never flowed in Izzy's direction, but it's also putting Izzy in a position where I feel like they are implying he made Edward the man he was for better and worse, and... no. Don't do that.

Stop giving Edward's anxiety-ridden henchman credit for his atrocities - he worked hard on those.

(Plus we literally already know the first authoritative figure in piracy he got round two of Daddy Issues and his fucked up ideas about piracy from. How many symbolic fathers pushing him in dark directions does one man need to kill / be visited by in purgatory / watch die before he can start addressing those???)

#our flag means death #ofmd s2 #ofmd s2 spoilers #ofmd 2x08 #izzy hands ofmd #blackbeard ofmd #ofmd critical #ladyluscinia

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