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#ken elephant
dailyfatefigures · 1 year
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Nero Claudius - Shinwa Reisou by Ken Elephant
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cccafe · 10 months
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純喫茶のあまいものミニチュアコレクション 12個BOX [ken elephant]
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youatemylollipop · 1 year
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Y/N: Before we begin this meeting, it is important for us to get rid of the elephant in the room.
*Toman members listening attentively to what Y/N has to say.
Y/N: Kenny, please escort yourself out.
Draken: …
Draken: I am so done with you, N/N.
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elijones94 · 3 months
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🐘 In “Jungle Book”, Colonel Hathi and the other elephants were animated by John Loun and Eric Cleworth. Tonight, I based this drawing on a sketch I based on a sketch by Milt Kahl I saw online.
http://andreasdeja.blogspot.com/2022/08/more-milt-jungle-book.html?m=1
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latenightsinpemberley · 3 months
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can't believe the internet is forcing me to give a fuck about the mattel movie oscar noms
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xtruss · 8 days
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As “War Criminal, Complicit in Genocide in Gaza, Demented, Hypocrite, Hegemonic and The Scrotums Licker of the Zionist 🐖 🐷 🐖 🐗 Joe Biden” Cheers TikTok Ban, White Elephant House Embraces TikTok Influencers
The White House Brushes Off Accusations of Hypocrisy, Courting TikTok While Seeking To Ban It.
— Ken Klippenstein, Daniel Boguslaw | April 23, 2024
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President Joe Biden greets digital content creators on Oct. 25, 2022, at the White House. Photo: Adam Schultz/White House
As Congress And the National Security State continue their quest to ban the TikTok social media platform in the United States, President Joe Biden has been courting TikTok influencers to help him shore up youth support for his reelection. While the administration has been publicly casting TikTok as a grave threat to American security, the White House has quietly hosted a number of influencers to pitch them on pro-Biden content.
“Don’t jump, I need you!” Biden joked to a group of TikTok influencers as he walked by the group standing on the White House balcony on his way to deliver his State of the Union speech earlier this year.
In recent months, some of the biggest TikTok users with accounts boasting millions of followers have visited the White House, visitor logs reveal. Since September alone, some of the most prominent examples include:
Jason Linton, a dad who posts wholesome content about his family and whose TikTok account @dadlifejason has 13.8 million followers.
Michael Junchaya, (who goes by “Mikey Angelo” on the handle @mrgrandeofficial, 3.5 million followers), a young entertainer who specializes in rap recap videos.
Mona Swain (@monaswain, 1.9 million followers), theater enthusiast.
Alexandra Doten, space communicator, who previously worked for NASA (going by “Astro Alexandra” @astro_alexandra, 2.3 million followers).
Andrew Townsend (going by “Papi Dre” @andrewtowns, 3.1 million followers).
Alex Pearlman (@pearlmania, 2.6 million followers), comedian.
Josh Helfgott (@joshhelfgott, 5.5 million followers), LGBTQ+ advocate.
Perhaps the biggest TikToker hobnobbing at the White House was Oneya Johnson, a viral sensation famous for his angry reaction videos (@angryreactions) boasting 27 million followers. He visited the White House on September 27. (Johnson has since deleted his account after being arrested for domestic violence.)
Each of these TikTokkers’ meetings was coordinated by White House deputy director of partnerships, Morgan MacNaughton, who herself has a background with the company. She was hired away last year from Palette, a social media talent management company that specializes in TikTok personalities. While there, MacNaughton helped found the political group “TikTok for Biden” (since renamed “Gen-Z for Change”). Many of the TikTok users who visited the White House are themselves represented by Palette.
In 2022, Palette received a $200,000 payment from the Democratic National Committee for paid media, Federal Election Commission data shows. According to the Washington Post’s Taylor Lorenz, Palette was paid a retainer from the DNC to cover expenses for eight TikTok creators to travel to Washington in hopes of wooing them in the run-up to the midterm elections, resulting in an Oval Office meeting with Biden.
Anita Dunn, senior adviser to the president, told The Intercept that MacNaughton “helped to get POTUS’s message out to more audiences.”
“The reason Morgan’s position exists is because we knew the work she was capable of: discovering, ideating and leading creator talent,” Christian Tom, director of the White House’s Office of Digital Strategy, told The Intercept. “In just under a year at the White House, she has driven on many digital creator projects that have been vital to our digital strategy.”
With Biden’s reelection campaign in full swing, it would hardly be surprising that they’re meeting with influencers whose videos reach millions of Americans — were it not for the administration’s national security rhetoric about the app’s purported threat. Earlier this month, Biden raised his concerns about TikTok during a call with Chinese President Xi Jinping, their first contact since November. Biden administration officials have raised hypothetical concerns about the Chinese ownership of TikTok’s parent company, ByteDance.
Public opinion on banning TikTok is sharply divided, with support tending to come from older Americans but marked opposition coming from youth. Biden’s support for the legislation has irked even some of his most ardent supporters.
“There are clearly some First Amendment concerns here and to do this in an election year seems wrong to me,” Harry Sisson told The Intercept. Sisson describes himself as a “pro-Biden content creator” and frequently uses his TikTok account (@harryjsisson, 800k followers) to advocate for the president and blast his opponents. (Sisson has himself visited the White House and is represented by Palette.)
“There are over 170 million Americans on TikTok, many of which get their news from the app, and to take that away and give Trump a talking point only hurts the Democratic Party,” Sisson said.
While White House visitor logs are only available through this past September, it is clear that TikTok influencers have continued to frequent the White House. When Biden gave his State of the Union speech in March, Sisson was one of dozens of social media influencers, including TikTok stars, invited to the White House where he spoke to his 800,000 followers during Biden’s address. The influencers sat on the White House balcony and watched as Biden headed over to the Capitol to deliver his speech.
Though the Biden administration has directly consulted on the creation of the legislation that could ban TikTok, the Biden campaign has embraced the app, creating an official account in February. The decision has drawn criticism from even some of Biden’s most stalwart allies.
“I’m a little worried about a mixed message,” Sen. Mark Warner, D-Va., chair of the Senate Intelligence Committee, said of the decision.
The White House, for its part, has brushed off accusations of hypocrisy, pointing to the fact that the federal ban on the use of TikTok on government devices is still in place and applies to White House officials, referring questions to the Biden campaign.
The campaign has said that it will “continue meeting voters where they are.”
Unless, of course, the app is banned.
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stewykablooey · 11 months
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kendall and stewy scenes really stand out in such stark comparison from the rest of the show its insane like everybody is always talking in circles of crude sex joke business talk or mocking apathy and tiptoeing around every possible elephant in any room and then kendall and stewy are just ‘that was really hard :(‘ ‘yeah man :( but you fucking did it’ or ‘how did he get you? there’s a friend card if you wanna play it theres a human thing standing in front of you you can talk to me we had the whole world in our hands and you walked’ or ‘i feel a certain level of regret about how things have panned out between us’ ‘the thing is ken, and due respect, i really dont trust you’ or a million other examples just stripped completely bare mano a mano everything splayed out right on the table in a way that we only ever really get with the sibs and when we do its rare and a Big Deal meanwhile thats just ur average kendall snd stewy interaction ​like they really have no guards up when they talk to each other when this is literally the Guards Up Show
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Now That We Don’t Talk | Jake Seresin blurb
Takes place during the TGM events
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TGM masterlist
Characters & Pairings: Jake ‘Hangman’ Seresin x ex!reader (past romance), the dagger squad (platonic)
Content Warnings: light angst, profanity, slight suggestive content, cheating, breakup | female!reader | wc: 2.2k
Note: I’m obsessed with 1989 TV and I’ll admit I was never a TS fan growing up but her OG 1989 I liked and I fuck with some songs Evermore, Reputation, Lover & Midnights. That being said, I’ve got the vault tracks on repeat and as a fellow directioner….Harry, baby, I thought you’d be safe.
————————
“You went to a party I heard from everybody. You part the crowd like the red sea, don’t even get me started. Did you get anxious though, on the way home? I’ll guess I’ll never ever know. Now that we don’t talk.”
His number had been deleted for well over three years when she stepped foot into the familiar bar she once called a second home. It’d been just as long since they’d seen each other, neither aware they’d be reunited in mere moments. When she did find his face among the crowd of their colleagues, she froze, contemplating running out the door and back to her car. Images of their last night flooded her mind. She could recall the constant pinging of her cell phone. Text messages from mutual friends informing her that he had been seen in an intimate embrace with another woman before disappearing from the party.
When he got home he avoided her like the plague. Anxiety consuming his entire being, making it clear the rumors were not rumors. They were true as the sun brightened the sky in the day and the moon reigned at night.
“Jake,” her whimper made him freeze, hand on the railing of the steps leading to their bedroom. No response, only a shake of his head before he continued his journey up. Leaving her to cry herself to sleep on the kitchen floor.
It was a domino effect in the days following. The trust was gone, Jake going out more and coming back late at night. Eventually after two weeks of prolonging the inevitable, Jake returned to an empty apartment. All reminisce of their five years together gone in the blink of an eye. She left a simple note, “Hope it was worth it.”
“You grew your hair long, you got new icons. And from the outside it looks like you’re tryin’ lives on. I miss the old ways. You didn’t have to change. But I guess I don’t have a say, Now that we don’t talk.
Natasha was the first to catch her eye in the Hard Deck, putting down her beer to run over and greet the pilot with a quick hug. Careful not to let anyone else see since they were in uniform. “I’m so happy to see you, Blue.”
She returned the smile, though hers was more tense, “It’s great to see you too, Phee. How’ve you been?” Nerves swarmed her belly with each passing minute. Despite being happy to see her old friend, she was unable to ignore the elephant in the room. The man she thought she’d marry and grow old with on a farm after retiring from the Navy with a bunch of kids and animals was several feet from her.
Overall, Jake had not changed much since their breakup. He was tanner for starters, definitely more toned. But he still had that aura of confidence sometimes confused with being cocky and golden blonde hair making him appear like a life-sized Ken doll. Throughout their relationship she noticed the stares they got from men and women alike. Woman looked at him with want and at her with envy. Men did the same but opposite.
It always surprised people when they got together. Complete opposites, they were known to have a rivalry during their time at Top Gun when they were on the path to becoming the Navy’s best fighter pilots. Jake loved to get under her skin, she loved to deflate his ego. Somewhere the dislike and tension turned into complete desire. And before they knew it they were sneaking into each other’s dorms and getting naughty in the locker room showers.
Her body reacted when he was looking at her. He’d spot her in a crowded room and instantly the woman felt heat along her veins. And she felt that fire right then when a sudden rush of jitters sweeped her figure.
Natasha sensed it too, noticing how the woman became tense. Peeking a glance to the side, a glare took over her once soft expression, “We can go somewhere else if you want.”
“No,” she objected with a slight wave, “I’m fine. A little surprised--although I should’ve expected he’d be a candidate as well given the context of this mission. It’s just we haven’t talked since….”
“I understand,” Nat assured, placing a hand on her back and leading her to the bar. “Let’s get you a drink first, then we’ll deal with him.”
“I call my mom, she said that it was for the best. Remind myself, the more I gave you, you’d want me less. I cannot be your friend, so I pay the price of what I lost. And what it cost, now that we don’t talk.”
Her mothers words replayed over and over again with each step as the two approached the group. Jake was leaning over the pool, calculating his next shot when she moved straight past him causing him to lose focus and miss the ball he was aiming for completely.
“Blue!” Javy shouted, picking her up in a big hug and spinning them around. Not caring if superiors saw or the fact his best friend, who happens to be her ex, was right there. “I’ve missed you, Girl. What’s going on?”
“Nothing much, Javy,” she couldn’t help but giggle. Of all the friends Jake had, Javy was the one who still reached out to her from time to time. Plus he ripped Jake a new one when he found out why they broke up. To this day he still gives him hell for it. “Let it be Top Gun, to bring us all under one roof.”
“Don’t you know it,” he clicked his beer with hers. The two taking a swig at the same time. “Have you met these clowns?” he motioned to the three to his left, “This is Payback, Fanboy, and Bob.”
“Nice to meet you guys,” they shook hands, greeting her with the same enthusiasm. When Bradley arrived she was once again scooped up into a hug, although this time she caught sight of Jake’s hardened expression. That shouldn’t have surprised her. Bradley Bradshaw was the one man Jake always butt heads with.
But the blonde quickly shook it off when he realized he got caught. He had no right to be jealous. It’d been three years since they broke up. And it was his fault nonetheless.
“Well I’ll be damn,” Bradley set her down gently, still embracing her. “If it isn’t Miss. Blues Clues.” A playful slap hit his chest when they parted.
“You know I hate that name, Bradshaw.”
The two caught up briefly, sitting on stools at the opposite end of the pool table. At one point Bradley made her laugh that the beer she’d been sipping on spilled off her mouth, causing him to giggle and hand her some napkins. While dabbing the liquid away, she locked eyes with Jake. It only lasted a few seconds, but it felt like a lifetime. Pinning her to her seat with an unreadable gaze.
She nearly broke, feeling a speck of desire to talk to him, but then remembered her mothers words, “the more you gave him, the less he wanted you. While you may forgive him for all the hurt he brought you, you cannot subject yourself to that again. You deserve better.”
“What do you tell your friends, we, shared dinners, long weekends with? Truth is, I can’t pretend it’s platonic, it’s just ended so…”
She made a silent vow to herself, recalling the painful memories, the phone conversation with her mother along with bits and pieces friends have told her over the years of what Jake had relied on as the reason for their breakup. She would not fall again to his charm. There was no string that could be tied up in an attempt to fix what was cut.
Around them were friends they’d spend long weekends with. Javy and Nat were the most frequent, both having witnessed their relationship blossom and die. It made her wonder what others they hung out with knew. Whenever they’d see each other in passing the conversations always felt like they were walking on eggshells around her. And because she wanted to move on, she’d never ask what Jake told them.
For the sake of their jobs she’d be civil. The past was the past and it would stay there, but she’d make sure to remember it whenever those old feelings threatened to surface. From the looks of Jake throughout the night, he felt the same. It was obvious he wanted to find a moment alone with her to talk, but she refused to let that happen.
“I call my mom, she said to get it off my chest (off my chest). Remind myself the way you faded ‘til I left (until I left). I cannot be your friend, so I pay the price of what I lost (what I lost). And what it cost, now that we don’t talk.”
When she arrived at her dorm that would be her home for the next three weeks, the first thing she did was retrieve the letter to herself she wrote all those years ago. It was crumbled, having almost thrown it away several times, but remembering the significance within the words inked on the lines, she always pulled it back.
Parts of the paper were withered. A result from the teardrops that had fallen when she took to her desk after the phone call with her mother to write down everything weighed on her chest. Pouring her heart and soul into the paper. It wasn’t much, only taking up the front of the page, but it was enough to get the message across.
Her past self coming to remind her of those fleeting last months. Where Jake slowly became the ghost of the man she’d once loved. The constant worry and anxiety from hours of radio silence. Dinners that felt like an awkward first date. Not inviting her out with his friends anymore. HIs lingering eyes on women who weren’t her. Excusing it with bullshit remarks to make her think she was being dramatic. Finally, the party that sealed the deal.
To imagine what they would be if she gave him another chance would be an insult to herself. Instead, she thought about all she gained.
“I don’t have to pretend I like acid rock. Or that I’d like to be on a mega yacht. With important men who think important thoughts. Guess maybe I am better off, now that we don’t talk.”
After the breakup, she realized how much she hid herself from the world. There were things she pretended to like in order to please him. Like watching college football every weekend, entertaining mostly his friends and leaving her to sit on the couch with a book in hand only to not be able to concentrate with the loud ruckus they’d cause.
Or having to refrain from the things that made her happy. Singing at the top of her lungs in the car while her favorite songs played for the first time in years felt liberating. Not having to be careful on what she spent her money on now that she didn’t have to save more for rent because Jake started to blow his on going to the bar during the last several months of their relationship.
The worst was having to put on a facade in front of Jake’s superiors. Though stationed at the same base they were part of different squadrons. During the banquets and balls, Jake tended to make comments on what dresses she should wear and how to act when they arrived. He was always the kiss ass type who wanted to get promoted faster than his peers. Even though she praised him constantly, Jake was never satisfied unless one of his bosses complimented him. If she were honest to herself, she hated attending the events. Despite being in the Navy herself. Unless they were mandatory she’d find an excuse to not go. Being around men with egos as tall as the empire state building who only talked in statistics and status was draining.
“And the only way back to my dignity. Was to turn into a shrouded mystery. Just like I had been when you were chasing me.”
For the last three years, the way she carried herself changed. She had to for the sake of not letting her heart rot away. Taking back the self-respect she’d lost, after thinking for so long it was her fault Jake had betrayed her. That she wasn’t enough.
She was more than enough.
He was the one who chose to cheat. He was the one who didn’t try to defend himself or fight for what they had. He let himself go. He let her go.
So, after a good month of wallowing in self-pity and despair, she lifted herself up with poise and elegance. Remembering who she was before him. The woman who carried herself with confidence, never allowing anyone to tear her down. Who fought hard to build her career to what it was, after so many doubting her abilities.
The woman he chased after. Who at the core was strong, daring, resilient.
Sure, Jake taught her a lot. About herself, about what she wanted in a relationship. About love. She’ll never forget what they had.
She lost him, but along the way she found herself. And to her, that was everything.
“Guess this is how it has to be, now that we don’t talk.”
……..
Tag list: @avaleineandafryingpan , @caitsymichelle13 , @poppyalice2001 , @cutelittlepotatofry, @luckyladycreator2 , @americaarse , @elenavampire21 , @back-tooo-black, @wildellaa , @artemissunn , @pinkpantheris , @kmc1989
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wakanayamazaki · 2 months
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Scheduled for release around June 2024, "Wakana Yamazaki THE DRAGON Figure Collection" Total of 4 varieties
Illustrator Wakana Yamazaki's art piece "Dragon" is being transformed into palm-sized figures 🐉
We've lined up the figures under development alongside the art piece.
🛒 Pre-orders for a pack of 4 are now available https://kenelestore.jp/products/gc0486z ∟ Comes with a purchase bonus exclusive to Ken Elephant 🎁
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weepingwidar · 2 years
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Ken Shiozaki (Japanese, 1972) - White Elephant Staring at a Black Peony (2017)
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mybeingthere · 8 months
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Ken Shiozaki (Japanese, 1972) - White Elephant Staring at a Black Peony (2017).
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Note
For the fic writer ask meme, #8: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.
Here's a bit from An Elephant Is Soft And Mushy, where after Kenpachi goes on a short visit to what will later be Hueco Mundo, he and Byakuya sit down to do some scheduling late at night:
Warnings: This is the result of the Angst Goblin in my brain suddenly remembering Bleach OVA content and realizing that it makes several people's backstories much, MUCH worse, and not so much kicking the door in as blowing it away with a #suffering shotgun. Discussion of a canon character death, and an additional implied death :)
(tagging @cesium-sheep because you wanted to see what I was going to do with the characters.)
***
“...Ken-chan?.”  Yachiru glared from the doorway, rubbing the dark circles forming under her eyes. “Its really late.”
“I know, I know.”  Zaraki sighed. “Can’t sleep?”
“Nm.” Yachiru mumbled, shaking her head and leaning on the doorframe.
“Hand me that pillow behind you.”  Zaraki pointed, sitting up and shifting positions so his leg was sticking out beside him. 
“Ta. C’mere.”  he nodded, taking the pillow from Byakuya and setting it in his lap. Yachiru plodded over, waved at Byakuya briefly while yawning, and curled up beside Zaraki’s leg, head on the pillow and shoulders in his lap. He returned his attention to the patrol schedule, changing which hand he was writing with to gently stroke her hair. 
“...I didn’t know you were ambidextrous.”  Byakuya blinked.  Perhaps this was the key to his success as a swordsman with no experience in kendo?
“Nah, I’m Buddhist.” he shrugged. “Right, where were we-?"
"I believe were up to May." nodded Byakuya, tabling his questions of handedness for now.
"May... That’s right before graduation and when everyone who is gonna quit or transfer does, right before summer scheduling so I’ve got a skeleton crew until the end of June-”
“Every division has the same problem, but yours does tend to suffer it more severely.” Byakuya agreed, watching Yachiru roll over and pull Zaraki’s leg closer like a stuffed toy, apparently setting quickly.  "Prob'ly a terrible idea, but what about dropping bait in a few tactical spots so we draw the hollows to places that can be managed with fewer patrols, rather than try to cover more ground.” Zaraki suggested, tapping a few open plains on the map.
“It’s been done in the middle districts with good results.” Byakuya nodded. “The difficulty is in the cities, where there is too much cover to patrol effectively, and in the more remote regions, where bait doesn’t have the range to effectively draw the hollows in.  But it may alleviate some of the staffing issues…”
Half an hour later they’d worked out a reduced patrol schedule that would still likely catch the majority of hollows approaching human settlement, when they were interrupted by Yachiru’s soft snores. Zaraki paused mid-sentence to grin apologetically, and turned his attention back to Yachiru, shaking her shoulder until she rolled over and quieted down. 
“She sleeps very soundly, but not if you’re absent?” Byakuya asked, watching the girl in the yellow lamplight.
“Yeah, but it’s not really a surprise.” Zaraki shrugged. “If anything, it’s that she’s taken to sleeping in her own bed as much as she has.”
“At her age?”  Ages were a relative thing in the soul society, but Yachiru was reading well and getting her adult teeth, as she had demonstrated her loose incisor at the last captain’s meeting- by the time he’d done so, Byakuya had been commanded to sleep in his own room for well over a decade. 
“I mean-  Sure, she’s five hundred thirty-eight now, but she spent nearly all of that homeless with me.  She was just a cabbage when I found her, and you don’t sleep without something between you and the ground, but you really don’t let a baby sleep where they’ll get cold, so for the first couple decades she slept inside my Kosode, then after it was on my chest, and then when she got to heavy for that she slept in my lap and now it’s by my back or under my arm.” He explained fondly, stroking her hair out of her face. “I’ve been her bed for half a millennium now, and I’ll probably be her bed when I’m ten thousand years old and nothing but bones and liver spots.”
Byakuya was silent for a long time.
…Had he ever slept in his father’s arms?  If he did, he had no memory of it.
“That’s a miserable mug.” Kenpachi said, nudging his arm. 
“I am rather morose this evening, it seems.”  He sighed, looking out at the moon. 
“Any hope of cheering you up?” he offered, gesturing around the small room that made his home, broadly offering whatever he had on hand.
“I appreciate the sentiment, but I do not think so.”  Byakuya shook his head.
“Ah. Monsoon mood kind of thing.” Kenpachi nodded, and frowned, turning something over in his head.  “If you’re already going to be miserable, can I ask something awful?”
Byakuya tilted his head a bit to indicate he was listening.
“Yachiru goes to your place a lot- don’t get me wrong, I’m thankful for every minute you’re willing to watch her. Was hard enough taking care of her out in the Rukongai, but now with the job- thanks.”
“It is… pleasant. To have her company.” Byakuya nodded. “Thank you for trusting me with her care.”
Kenpachi nodded in acknowledgement, chewing his lip. “...Last time, when I came to pick her up, I saw a lotta toys in the compound.  Cute stuff- dolls, the tea set she badgered you and Jushiro into playing tea ceremony with her-   But no other kids. You an’ Rukia really are the last generation, aren’t you? At least, until one of you is lucky enough to have kids.”
Byakuya looked up at Kenpachi, eyes hardening a bit in suspicion.
“...You used to be married.” Kenpachi continued.
Byakuya glared outright.
“-My condolences. Honestly. I’m not so lucky in love as you were, and losing her suddenly like that must’ve felt like getting your chest ripped open, ‘cept you don’t get the mercy of dying too.”
“What was it you wanted to ask?” Byakuya demanded, voice hard and dangerously quiet..
“I worked with a lotta women, and saw the problems they have up close. Retsu’s a damn good doctor, but even she can’t stop something if she doesn’t know it’s there to stop. Like an internal hemorrhage or septic infection, where there’s no outside problem and everyone tells women they’ll be sick and in pain during a pregnancy, so she just ignores it for a few hours but by then-”
He was interrupted by the crunch of wood as Byakuya’s fingers dug into the table.
“What was her name?” Asked Kenpachi.
“Hisana.”  Byakuya growled. “My wife’s name was Hi-”
“-Not her.” Kenpachii growled back. “Who was the little girl all those toys at the compound were intended for?”
Byakuya froze. 
“You had the baby sexed, or you wouldn’t have gotten dolls and tea sets. Surely you picked out a name.”  Kenpachi met his gaze, cool and unflinching like iron. “What was your daughter’s name?”
For a minute, there was only the horrible numbess of grief.
“...Noriko.”  Byakuya finally whispered, hands shaking as he let go of the table and hid his face. “My daughter’s name was Noriko.”
“Noriko.” Kenpachi nodded.  His face didn’t exactly change but the hardness was gone.
Byakuya choked, hands pressed to his mouth. “I never-  nobody’s ever said her name aloud-”
“Noriko.”  Kenpachi repeated, and Byakuya sobbed.  “Noriko, daughter of Hisana and Byakuya.”
Byakuya crumpled, hand clasped to his mouth to try to stifle the sobs, staring at Yachiru, still snoring in her father’s lap, tears streaming down his face and staining his scarf.  There was a weight on his shoulder.  It belonged to Kenpachi’s hot, scarred hand.
“I’m sorry.” Kenpachi’s voice was barely a whisper, eyes maybe just a bit red too. “But I needed to know, so I can ask what I actually need to ask.”
“What?” Byakuya whimpered, staring back at him.
Instead of answering, Kenpachi let go and shook Yachiru’s shoulder. “Hey, Kiddo.”
“Mgh?”  She blinked. 
“I need to get up a minute and your uncle needs a hug.” he said, pulling her up into a sitting position. 
“ -’kay.” she yawned, getting up and plodding over to Byakuya and leaning into his shoulder, eyes still closed. He held her, trying to not squeeze too hard, face in her own shoulder, gasping-
“Bya-chan?”  She mumbled, blinking at him. “You okay?”
“Just-  Just missing someone.” he stammered.  Kenpachi was rifling through the file cabinet on the other side of the room. 
“Oh.  Here-”  Yahiru said, straightening up and hugging him back properly.  
He couldn’t stop the sob this time, squeezing Yachiru to his chest for a long moment. “...Thank you, Kusajishi-san.” “ ‘s Yachiru.” she groaned, rolling her eyes at him. “Sorry, ‘m really tired…”
“-Curl up on him, I can’t find the damn thing I was looking for.” Kenpachi called from the other side of the room. 
“ -‘kay. G’night.”  Yachiru mumbled, sliding down Byakuya’s chest and immediately settling in his lap. He had to fight the urge to sob again, trying to hold still and cradle her. He watched her eyelashes flutter and she drifted off, the way she wiggled to make herself more comfortable, the slow rise and fall of her chest as she slept-
“She out?” Kenpachi asked, peering over the table. 
“Y-yes, I believe so.” Byakuya whispered, trying to not wake her. 
“Good, I don’t want her hearing and worrying.” Kenpachi grunted, sitting down again and placing a file folder on the table between them.  “Sorry to ask you such a bitch of a question but-  Well.  Needed to know the measure of man you are.”
Byakuya watched as Kenpachi pulled off his haori off his left shoulder, with a small grunt of pain, followed by the same shoulder of his kimono and kosode-  Byakuya belatedly realized the thing that had looked off about Kenpachi earlier was that his uniform was closed up properly for once, as he stared at the bandages, gauze, still-healing stitches and brace that was only barely holding the left half of his ribcage together. 
Apparently the campaign in the realm of the hollows had been harder on Kenpachi than he had let on. 
“Restu said the blade that fucking thing had got within half an inch of my heart, and that almost wouldn’t have mattered with the amount of broken bones and other damage.”  he explained, wheezing “I have the devil’s own luck somehow, but I’m not convinced that I’m actually immortal, so I needed to know-”  he pushed the file folder closer to Byakuya and opened it, revealing legal documents. 
“-If something happens to me, will you be Yachiru’s Godfather?”  He asked,head bowed and his only mobile hand up like he was begging. “You’re her favorite person in this city after me, and now I’m sure you’ll take good care of her-”
"You are spectacuarly bad at diplomacy, Zaraki." Byakuya sighed as signature was already drying on the paper.
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cccafe · 1 year
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純喫茶ミニチュアコレクション 第3弾 [Ken Elephant]
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firespirited · 9 months
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The sociology and history fan in me wants to "well actually" about earring magic Ken not because he read as gay to a small subset of urban gay white men
but
because *Barbie* is the cultural signifier of gayness:
vintage ponytail Barbie, Bob Mackie Barbies, the Cher Barbie, The Wizard of Oz Barbies, the Smithers archetype, the Silkstone collectors, the younger millennials with a love for Superstar in her larger than life glitz and glamour, black Barbies, custom Barbies, the Disney princess gays, the Barbie animated movies...
Barbie herself is the big gay elephant in the room. Earring magic Ken is a masc for masc tiny blip on the gaydar.
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hamaonoverdrive · 2 months
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How to get into Hokuto no Ken, A Guide
Hokuto no Ken, localized as Fist of the North Star, is the wildly popular and influential series penned by Buronson and drawn by Hara starting in 1983. It is a timeless tragedy about the power of love that taps into imagery from both Catholicism and Buddhism, while also being an homage to a variety of western 80's pop culture from Mad Max to Blade Runner to Rocky.
In the current anime fanscape, HnK is perhaps best known for being one of the key influences behind Jojo's Bizarre Adventure and Berserk, however it should be known that the series' influence permeates the entire Shonen genre. Traces of the tropes and dynamics that it popularized can be seen throughout Shonen today, from Naruto's drive for love and friendship that contrasts with Sasuke's rejection of the idea and desire to sever any bonds of love, to the implementation of Haki in One Piece.
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So with all that in mind, let's get into the specifics.
The place to start with this franchise is very straightforward: read the original manga or watch the anime adaptation. There are a number of movies that retell parts of the original story, but they all have different downsides and cut important aspects of the source material and thus are a bad place to start.
This primary canon is broken down into two (three) parts, as follows:
HnK or "HnK1" is the core of the series, starting at the Shin arc through the originally intended ending at chapter 136/episode 108. Most of the time if someone is referring to HnK, this is what they are talking about. The beginning of the series is a bit of a slow start, bouncing between villains of the week before actually kicking off the primary conflict (especially in the anime, more on this later). This is somewhat typical for the era-- these early arcs were written while the authors had no idea if they were going to get dropped from Shonen Jump. For this reason, I highly recommend sticking with the series until the Fang Clan Chieftain and Jagi arcs even if the beginning hasn't clicked with you yet.
HnK2 is the continuation of the series, where the authors were pressured to continue working on the series because of the money it was raking in. This naming convention comes from the title of the anime for this portion of the story, chapters 136-210/episodes 110-152. Quite frankly, the fact that this is past the originally intended ending is very evident; Buronson has been quoted as never re-reading it after publication.[1] It's very much worth checking out at least once if you enjoyed HnK1-- there are absolutely memorable characters and fights, as well as some of the best art in the series-- but be prepared for a general drop in writing quality.
"Post-Kaioh HnK" or "HnK3" is the last leg of the original manga, which has never been adapted elsewhere. Chapters 211-245.
Content Warnings
Explicit Sexual Assault
The elephant in the room when discussing this series is that some social aspects of it are very of-the-era. There are two instances of explicit sexual assault, which get dismissed as "well the perpetrator didn't have the best execution, but he did have the right idea..." The pages/timestamps to avoid this are:
Manga volume 02 pages 287-289; volume 03, pages 063-066 (Ultimate Edition numbering)
Anime episode 24, 13:04-13:53; episode 26 08:29-09:22
Mild Gore
I almost feel like it goes without saying, but this is famously the series where the protagonist makes baddies heads explode. While this is never depicted in graphic detail, HnK as a whole is going to be a bad fit if this distresses you in any way.
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An early example of the aforementioned head asplosions.
Photosensitivity
The anime makes period-typical use of flashing lights in nearly every episode. If you are photosensitive (and can't take measures to mitigate the flashing), you should read the manga instead.
If you want to read the manga...
The manga is the way that I personally recommend getting into the series due to Hara's absolutely gorgeous art.
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The manga is also generally seen as the true 'canon'; For example, colorschemes used in subsequent works typically draw from colored chapter/volume covers rather than the Toei anime. For this reason, this version of the series is what the Japanese audience usually thinks of when they think of HnK.
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I know some people are very passionate about redhead Mamiya and crest toothpaste-head Rei, but the Toei colors functionally exist in their own separate continuity.
Reading the manga in English is far better now than it was even three years ago, as there are multiple English versions now available.
The official VIZ release is the defacto highest quality out there (support the print copies if you can). While there are a few odd translation choices and the SFX have been replaced with English ones, it has the highest fidelity copies of the original art and even has the original color pages that have not been published since the original Shonen Jump release.
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To think that these wonderful colored pages were completely inaccessible, even to JP audiences, until Viz started rolling out the English volumes.
However, the Viz release is ongoing and only covers until volume 11 at the time of writing. If you want to read the rest of HnK2 (or highly value the original SFX and a smoother translation), you should seek out the official eOneBook release. This is sometimes labelled as "Digital - 2018" and is a rip of an official English translation that was released for a specialized eReader, copies of which been floating around online since about 2020.
There is also an older set of scanlations out there, which I would not recommend reading; The image quality is low-resolution and muddy, and there are a number of edgy translation choices such as inserting a homophobic slur that was not in the original text. I only mention this translation because it's the one on many online manga sites. Please love yourself and look elsewhere if you realize that you are reading these scans.
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(left) English-language scanlations (right) Viz release from 2022. I distinctly remember first reading these pages and then immediately scouring the web to find a version of it that didn't have the contrast blown out, only to discover that this quality was all that available. Now, newcomers to the series don't have to worry about this at all.
There are two different versions of the complete manga, the original tankobons (27 total volumes) and the Ultimate Edition (17 volumes).[2] Both the Viz release and the eOnebook release are derived from the Ultimate Editions while the old scanlations are from the original tankobons, so this can be an easy way to identify which version you are reading.
As to what makes these versions different aside from chapters per volume, the Ultimate Editions clean up some of the art in the last few volumes and also includes "Last Piece", a one-shot by Buronson and Hara inserted between HnK1 and HnK2. This was written as a part of the 30th anniversary celebration, and Hara's art looks quite different 30 years down the road, making the abrupt change in style rather jarring-- consider this your heads-up.
TL;DR Read the Viz version for volumes 1-11, and the eOnebook rips for the rest.
If you want to watch the anime...
The 1984 anime adaptation of HnK is an all-time classic. It's often what western fans will think of first, between the manga being legally inaccessible in English until very recently and constant anime reruns in some markets (especially parts of Italy and France).
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Toei has a tendency to copyright-strike anime clips on Youtube, so hopefully this clip of the opening will stand the test of time.
The anime genuinely excels in a few departments, namely: music, sound design, and voice acting. Even if you don't decide to watch the anime, I highly recommend looking up the OPs/EDs and putting on the OST while reading the manga.
That said, there are definitely some downsides to the anime, a lot of which were typical for Toei animations of the era. Character models and direction are all over the place, some of the animation itself aged like milk, flashing light effects make the series difficult to get through for photosensitive viewers, and stock footage gets reused many times. There also isn't a complete English dub of the show, as it got cancelled after episode 36.
And the biggest caveat to the anime: Filler episodes. Oooooh boy, early HnK filler episodes are baaaad. They don't match the rest of the series tonally and completely botch any sense of pacing. Remember how earlier I said that the series takes a while to get its footing because of early bad-guy-of-the-week format? The anime drags this out for about twice as long by adding new bad guys of the week.
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The infamous "Nanto Cannonball Fist", where users are launched from a cannon and descend on their opponents with a sword. Yeah, I don't know how this counts as a school of martial arts, either. [img source]
For a first watch through, I highly recommend following a filler episode guide to skip these episodes in the Shin arc and get a better feel for what the series is about. Post Shin-arc filler tends to be a lot better, as these episodes match the manga's original tone and often fix pacing problems in the source material rather than worsening them.
That said, there are a few early filler episodes that are well-liked by fans for one reason or another, which I will detail here.
Episode 17: A (non-canonical) view into the internal politics of Shin's army.
Episode 18: In which Kenshiro fights a tank.
Episode 19: The goofiest of the goofy filler episodes. If you want to watch one filler episode to get a sense of what they are like, watch this one.[3]
Episode 21: A continuation of some of the conflicts from episode 17.
Episode 38: Features one of the best-written woman martial artists you'll see in this franchise. (This is after Shin arc, but I had to point her out. Watch this one.)
Rage Quitter 87's fansite also has an excellent episode-by-episode guide covering anime and manga differences, which can be very useful for highlighting some of the more subtle differences between the two.
An anime remake that more closely follows the manga has been announced, but we have no further details on it at the time of writing. (I wouldn't hold my breath for this, it could be several years before we know more.)
TL;DR skip the episodes listed here under "Shin arc".
So I got through the main canon, what next?
The sheer amount of secondary content for HnK out there can be overwhelming. It's one of the most profitable IPs of all time, with the bulk of those profits coming from pachinko machines that will never make it to the west outside Youtube phone clips and asset-flip games (more on this later). When the series isn't being used to sell soap, there are a number of supplemental works that are absolutely worth checking out. In this guide I will focus on works that are currently available in English.
The Official Gaidens
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A series of manga with different protagonists and created with different creative teams, the Hokuto side-stories fill in some of the gaps in the primary canon. Most of them are very loving additions to the continuity and are a good place to go after finishing the primary material.
Toki Gaiden: Silvery Savior follows Toki starting from the founding of the Village of Miracles and ends after his climactic final fight, providing his lens on the events of the series and his relationship with Raoh. This gaiden does a good job of understanding what fans like about the series, and has a lot of secondary character interactions that were missing in the original work such as conversations between different Ken-oh underlings.
Jagi Gaiden: Flower of Carnage follows Jagi through his childhood, interspersed with the events of canon. This gaiden does a lot to explain why Jagi ended up the way he did, provides additional context to what the Hokuto children's training looked like, and how the world changed when the apocalypse happened. cw: rape
Yuria Gaiden: The Affectionate Mother Star follows Yuria before the apocalypse happens, giving us a snapshot of domesticity with Kenshiro, a better understanding of her abilities, and illustrating how her life was always influenced by those who had fallen for her.
Juza Gaiden: The Wandering Clouds follows Juza as meanders around canonical events, giving insight into what he was like as he shifted from wandering without drive or purpose to becoming a sworn guardian to the Last Nanto General.
Rei Gaiden: Bloody Wolf's Darkness is one that I wish I could leave off of this list, but that I will include for completeness' sake. It follows Rei before his appearance in HnK as he goes through the exact same character arc that he has in canon. The city that he wanders into has a setup directly out of a porn plot, thoroughly justifying the manga's ecchi genre-tag. cw: sexual assault. repeatedly.
Souten no Ken and Souten no Ken: Regenesis
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Souten no Ken, otherwise known as Fist of the Blue Sky, is a prequel series that follows Kenshiro Kasumi, 62nd successor to Hokuto Shinken and uncle to the Kenshiro from HnK, as he has martial arts adventures and tumbles with gangsters in 1930's Shanghai. The series revisits many of the character archetypes from HnK and plays around with the same plot points in different contexts, ultimately dealing with themes of friendship and fate.
Souten no Ken is a complete manga, drawn by Tetsuo Hara with plot supervised by Buronson. Souten no Ken: Regenesis is a direct sequel that is currently ongoing, drawn by Hideki Tsuji and written by Hiroyuki Yatsu. Regenesis has been on hiatus since 2020 due to Hideki Tsuji's ongoing health problems.
While there are animes with both of these names, here I am referring specifically to the manga-- neither anime is worth your time.
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There. Now you've seen the only things that matter from both animes.
Fist of the North Star: Lost Paradise
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Released in Japan as "Hokuto ga Gotoku" (Like a Big Dipper), Lost Paradise is an action-adventure game from the studio behind the Yakuza/Like a Dragon/Ryu ga Gotoku series. Fans of the RGG franchise will immediately recognize the game structure and mechanics, which balance advancing the main story thread with a semi-open world where the player can stumble into comedic sidestories and play assorted minigames.
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Bartending is just one of the jobs that Kenshiro can take up in Lost Paradise.
The core story of the game features an entirely original cast, but most of the main characters of HnK show up for just long enough to have fights and cutscenes full of loving references to the source material. It's pure fanservice, in the non-horny sense of the word.
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Team RGG really knows how to nail dynamic fight intros and epic QTEs.
Fist of the North Star: Ken's Rage and Ken's Rage 2
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Even though some of the character design choices for this game are painfully mid-aughties (looking at you, tribal tattoo pattern Ken), this intro still goes hard.
For many years the Ken's Rage series were the definitive HnK games, and with good reason. A Musou game much like the Warriors series, you can play as most main characters from the series and mow down waves upon waves of bandits. Some may find the gameplay repetitive, but it can also be relaxing depending on how you look at it. (If you've played a Warriors game before, you know what you're getting into.)
Ken's Rage 2 in particular brings "Dream Mode" to the table, which is a "what if" story mode told from the POV of each playable character. This gives us a lot of interactions that we didn't get to see in canon (such as the delightfully shippy Jagi story featuring Amiba) and also expanding on some characters that should have gotten more screentime in the original material.
Hokuto no Ken (1986 animated movie)
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It's the movie produced by (largely) the same team as the anime, created simultaneously to the show. If you want to know what the anime would look like if it wasn't trying to stretch every yen as thin as it could, this is your ticket.
That said, there are some odd choices made to carve a 110 minute long arc out of the early manga. The movie starts with Ken receiving his iconic scars, and ends with the first confrontation with Ken-oh.
DD HnK
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This officially kicks off the "HnK comedy series" part of this list. I feel like comedy in particular can be subject to personal tastes, so keep in mind that each of these projects approaches the series from a different angle and that some may resonate better than others.
DD HnK is a comedic take on what the Hokutobros would get up to if the world didn't end. They end up working at a convenience store managed by Ryuken (voiced by Akira Kamiya, the original VA for Kenshiro), where hijinks ensue when other characters from the series show up.
It's worth noting that there are two animes and a manga with this name. The first anime is a Flash-based ONA (which is hard to find nowadays, for understandable reasons) and the second anime is the TV anime; Both of these series as well as the manga are very largely different. All series are complete, although the English fan translation for the manga is ongoing.
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DD stands for "Design Deformation", evidently.
Ichigo Aji (Strawberry Flavor)
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An average day with the Holy Emperor.
Ichigo Aji follows Souther on his quest to make some good friends. :) No really, that's more or less the premise of this spinoff.
While there are animated IA shorts at the end of every episode of DD HnK2, the meat and potatoes of this series are in the manga. The manga is ongoing (albeit on long-term hiatus) and the English fantranslation is currently incomplete (also on hiatus). Each volume of the manga also has a serious chapter following different characters from the series, serving as "mini gaidens" of sorts.
Genius Amiba's Other World Overlord Legend - Even If I Go to Another World, I Am a Genius!! Huh? Was I Mistaken...
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In what originally started as an April Fool's Joke, the Amiba Isekai is perhaps one of the most unexpected additions to this franchise. The story begins after Amiba's death at Kenshiro's hands, where he finds himself transported to a fantasy realm where magic and creatures like dragons are real. He decides to use his self-proclaimed "genius" to learn magic in lieu of the martial arts that he studied earlier.
This manga series started in 2021 and is is still ongoing, although the English fantranslation is incomplete and has been on hiatus.
End of the Century's Drama Shooting Arc
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The End of the Century's Drama Shooting Arc, more colloquially known as the Actor AU, is a retelling of the series as though it was a live-action TV show, covering the efforts and foibles of the actors and production crew as they struggle to produce the series.
The manga for this series started in 2021 alongside the Amiba Isekai and is ongoing, although the English fan translation is currently incomplete (Noticing a reoccurring trend here? a12 and Sakura Leaves, if you're out there, we really miss your work 🥹). If you can navigate the points system (new chapters are free within a few days of release) and use Google Lens, you can get a rough translation from the official Comics Zenon website.
The Winckler Dub
While not intentionally a comedy spinoff, I'm including the Winckler Dub in this section. There are apocryphal stories about this dub being produced as a means to teach Japanese schoolchildren basic English, interviews point to this dub being a sincere project to create a version of this series palatable to an English-speaking audience.
Please, just unmute this series of clips.
The only editing I did here was to append the files. They just. Speak with pauses like that.
With several downright bizarre directing decisions (Raoh is a pirate now, evidently?) and some of the strangest line-reads I've heard in an anime, this relic of an older localization industry can easily fall under "so bad it's good". Watch this with a group of friends after having a few drinks or late night at an anime convention, ideally.
The dub does not cover the whole series, instead bundling sets of 4 episodes into a series of 6 movie-length "sagas": Shin, Ray (sic), Souther, Toki, Raoh, and Kaioh.
Hokuto no Ken: Legends ReVIVE
I feel like it would be a bit disingenuous to finish this list without mentioning Legends ReVIVE, the current ongoing gacha for the franchise. (Worth noting: I am the admin for the unofficial discord server for this game, which is also the largest and most active English-speaking community for HnK.[4])
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This game is possibly one of the biggest lovenotes to the franchise as a whole, with character releases that reach into the most obscure pieces of fiction, from Last Piece to (formerly) Pachinko-only Gento practitioners. Early character models and story cutscenes were entirely asset-flips from pachinko models, but things have grown far past that in the game's past 4.5 years.
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As a part of the 40th anniversary celebration for the manga, it was mentioned that there would be a new continuation of the manga's plot featured in-game, but at the time of writing we have little elaboration on this.
For a gacha, the game is relatively F2P friendly and doesn't ask much of your time on a day-to-day basis. But at the end of the day, it is a gacha that relies on predatory monetization and exploitation of gambling addictions. Caveat emptor.
But what about [x]...?
Legend of the True Savior: this movie series is another adaptation of the manga's plot, but this one doesn't really bring anything novel to the table. The same caveats about making a movie out of the manga apply, in that some odd choices get made to get arcs to fit in a movie timespan. It's there I guess, if you can stomach the artstyle.
Shin HnK/New Fist of the North Star: is victim-blamey rape apologia. There really isn't any reason I can recommend watching it, outside maybe looking up the final fight (where Junichi Hayama's direction really stands out) and the closing song (Oasis by Gackt).
Animated Gaidens (ex Ten no Haoh, Kenshiro Den, etc): these are one of the few things I haven't seen, and for the most part they don't come up in discussion. They're probably fine, but I just don't have the knowledge to comment on them.
Live Action Movie: don't. It's not even so-bad-it's-good, just don't.
In Conclusion
I hope this guide helped take the edge off of trying to figure out how to navigate such a sprawling series, and that it was genuinely informative about both what each work entails and the general context around it. This franchise is something I've really enjoyed digging into over the years and I did my best to convey that love and enthusiasm in this guide.
I may write more meta about HnK in the future, because I absolutely have a lot more to say. There's a lot for me to go on about regarding what the series means to me and why more people should pick it up, as well as putting together standalone character analyses from assorted ramblings on Discord.
Thanks for reading!
References
[1] From running the provided link through DeepL:
Buronson: By the way, I don't read much when a work is published in book form. As far as Fist of the North Star is concerned, the second part has never been published. Interviewer: What? Not even once? You didn't read it at all? Buronson: That's right. But I read the whole book from the beginning the other day.
[2] Not to be confused with the unrelated Master Edition, which was the first attempt to bring the manga to the English market. This version is a full-color version of the original tankobon release, of which only the first 9 volumes were completed. It can be a neat novelty to check out once you're familiar with the series, but the non-Hara colorings can be a mixed bag.
[3] There is a story that this episode was so goofy that it made Hara and Buronson visit Toei in person and tell them to cut that shit out. This claim comes from the book "Our Favorite Fist of the North Star" , which is a fanbook that featured some interviews with members of the anime studio staff, with absolutely zero input from Hara and Buronson themselves. Between the fact that Hara and Buronson were both stated to have been incredibly busy with producing HnK and did not have time to watch the anime and the fact that this claim directly contradicts how they barely met in-person during the production of the series, it seems likely that this bit was made up as a gaff and/or hyperbole by the interviewee.
[4] There are also smaller, more fandom oriented, centers for discussion-- but I'm not about to link them on a post that gets recirculated publicly.
Special Thanks
@/KiliHito (discord) for helping me source the interviews, digging into the truth about the fabled Nanto Cannonball episode, and giving me context for some of HnK's influence in modern shonen.
@takis-breathing-dragon for having the Winckler Dub clips on hand and spotting some typos.
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transmutationisms · 1 year
Note
Your last posts about Shiv/the siblings put into words something I've thought about how (some) fans usually position their fav character as the 'least bad' or more sympathetic based on either who was 'abused more' or in this case, the 'least fascist' in a row of rich capitalist characters. I do think that certain plot elements this season (ie. baby plot and Ken and Roman sidelining Shiv) could make some viewers see her as 'more of a victim' and thus 'a better person', but that goes back to what you said in another post about how the show can play with gender and its relations to oppressive systems, but has a much harder time doing the same with race (and related to what you also said about how liberal viewers may ignore how the show treats liberalism as another aspect of the capitalist system, white viewers may have an easier time seeing the way shiv is affected by misogyny but not seeing her as a passive perpetrator of white supremacy).
yeah i think you're right that's part of what's going on with bad shiv takes. in general it's obviously very pointless to argue over who's the 'worst', and of course the assumption many people make that determining who 'has it the worst' is equivalent to a moral ranking is also very telling. it's also simply impossible to compare the characters' alienation or abuse in that type of quantitative fashion. but yeah, on those types of reads i think you're right that people have a tendency to try to tally up each character's political damage or participation in oppressive systems, and they often ignore that shiv's relationship to white supremacy is the same as the rest of her family's, in terms of the benefits she gains from it and her perpetration of it. and this is in some ways made easy by the writing's tendency to gloss over this aspect of the roys' power. we'll get references to "the white nationalist elephant in the room" or whatever else, but race is simply not explored with nearly the depth of gender.
of course it matters to the story that shiv is a woman, and we can see over and over how her brothers weaponise this against her (eg, calling her hysterical in this episode). what's irritating about many bad shiv takes is acting like her gender is equivalent to or inherently leads to a progressivism that in any way challenges capitalism or waystar's rule; also, i think many of these takes are incredibly reductive in their understanding of kendall's and roman's relationships to misogyny, though that's a different post.
really at the end of the day, i don't even think it's possible to say that any of the siblings has done 'more harm' or whatever within the roy family unit, let alone on a broader political scale. they all run the racism factory, it would be racist even if it were dem instead of republican, and it's just goofy to act like shiv isn't part of that by virtue of being liberal (these takes also understand the word "liberal" very ahistorically, which is a large part of why they don't get the relationship between liberalism and capitalism). there's a frequent failure to actually examine the content of any of the siblings' politics or their broader worldviews; instead, many viewers have a tendency to just use labels like "liberal" as signifiers in the exact way the show is often satirising lmao. with shiv it's actually pretty fucking explicit at this point where she does and doesn't diverge from her brothers' and father's politics, and how she operates within the same capitalist episteme.
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