there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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Alt version of this post bc too many people asked for both <3
It's Saturday night and, like almost every Saturday night, Eddie wishes he didn't have to be at some jock party. The flashing lights, the scent of cheap mixed drinks, the incredibly mediocre loud music... And worst of all, the fucking jocks. Everywhere.
'Eddie!'
He looks up to find Steve, with a dopey smile on his face, basically skipping towards him and throwing his arms around his neck. Oh. He didn't know Steve still went to parties like those. Hadn't seen him at any of them in a while. But as soon as he gets wrapped up in an enthusiastic full-body hug, he decides there's one jock, and one jock only, that he doesn't mind running into at those parties.
'Eddie, what're you doin' here?' There's an unfocused look in his eyes and he wobbles on his legs a little bit, grabbing tighter onto Eddie for support. The touch burns through Eddie's t-shirt and he tries to ignore the shiver running down his spine.
'I didn't know you liked parties!' Steve drops his voice, slurring: 'I thought you hated the jocks.'
Eddie can't help but smile. 'I hate all jocks but one, big boy,' he tells Steve. 'Not here to party, only to get some cash.' He rattles with the metal lunchbox in his hands to illustrate his point. 'Can you let me go now so I can get on with my business, pretty please?'
'Noooo,' Steve says with an exaggerated pout. 'I'm too happy you're here! Dance with me!'
Eddie chuckles. 'I don't think you're in any state to dance right now. Jesus, Stevie, I don't think I've ever seen you this wasted before. Thought you were planning to pick up a girl tonight?'
'I was,' Steve says, suddenly sounding oddly serious. 'But it doesn't matter. Just needed to forget. The rum helped, too.' He frowns. 'Til you showed up.'
'Forget what?' Eddie asks, trying to make sense of this drunken string of words.
Something happens; something that's been happening quite often lately. Steve's eyes flash downwards, just for a second, right to where Eddie's lips are.
Eddie's heartbeat involuntarily picks up speed.
'What did you need to forget, Steve?' Eddie asks again.
'Can't tell you,' Steve mumbles so softly that Eddie can barely make it out over the loud music. 'I don't wanna make you feel guilty. I'm not judging you, y'know. 'S fine.'
He abruptly lets go of Eddie and takes a step away from him, stumbling right into some girl who pushes him back with an annoyed scoff; if Eddie weren't still standing right behind him, he would've fallen on his ass for sure.
'Alright, you're not making any sense tonight, big boy, but I can't in good conscience let you stay here by yourself. How 'bout I'll drive you home?'
Eddie glances at his watch. If he hurries, he can probably still be back to do what he came here for before the good part of the party is over. He does kinda need the cash.
'Can't,' says Steve. 'Can't go home with you.' Something in his voice is breaking and suddenly there are tears in his eyes, and Eddie still doesn't understand what's wrong; he feels like he's overlooking something huge, something that should be obvious.
'Let's just go outside to talk, then?' he suggests.
'Can't. Dance with me, Eddie.'
But when Eddie starts gently tugging Steve towards the open door leading to the garden, Steve easily lets himself be led outside. He closes his eyes and takes a deep breath when the cool night air reaches his lungs, as if one gulp of fresh air will instantly make him sober up. But he's still swaying on his feet, making Eddie grab onto him tighter.
Eddie likes to think of himself as moderately strong, but unfortunately, hauling 180 pounds of muscled jock around is starting to take its toll on him. He spots a bench in a secluded corner of the garden and guides Steve towards it.
'This better?' he asks.
'Yeah,' Steve breathes out. Even now that they're both sitting down, Steve keeps clinging onto him. 'Look at the stars, Eddie.'
Eddie looks up at the scattering of lights twinkling far above them - but he can feel Steve's eyes still burning into his face.
When he directs his gaze back to the guy sitting next to him, Steve's face is even closer than before. The starlight is reflected in his hazy eyes, tiny specks of silver hidden in various shades of brown and black.
'I wish I could kiss you,' Steve whispers, looking at Eddie with nothing but admiration behind that glassy drunk gaze.
Eddie almost forgets to breathe. He knows that it seemed like he and Steve were headed exactly toward something like this for a while now, but he still can hardly believe that it is real. That Steve Harrington is really looking at him like he's just as precious as the stars in the sky above them.
He brings up a hand, gently caresses Steve's soft cheek.
'Maybe you don't have to wish,' he whispers back, unable to stop his eyes from flashing towards Steve's beautiful lips for a moment. 'Tomorrow. When you're not drunk anymore. If you still remember this.'
'No.' Steve shakes his head, so fiercely it makes his hair flap in all directions and his complexion at least two shades paler. 'Can't.'
'Why do you keep saying that, Steve?' Eddie asks softly.
'Cause.' For a moment Eddie thinks Steve is gonna grab his ass, but then... he randomly frees Eddie's handkerchief – the one with the skulls – from his back pocket.
'Cause of the Russians.'
Eddie can only stare at him in confusion.
'They tied me up,' Steve all but whispers. Eddie hates how small and broken his voice suddenly sounds.
He has always known – broadly speaking – about what happened to Steve and Robin miles beneath Starcourt last year. He's never actually heard Steve talk about the details, though. All he knows is that he and Robin were captured by Russian spies and somehow made it out alive. He could always see how difficult it was for Steve to talk about it whenever it came up, but he never wanted to pry. And now here they are, at some goddamn high school jock party of all places, and all of a sudden Steve willingly brings it up.
'I was with Robin,' Steve continues, still in that scared and broken voice. 'And they tied us to a chair. We couldn't move. And they – they hurt me. They hit me. 'Til I was bleeding all over. I thought I was gonna die. Robin thought I was dead.'
'Jesus Christ, Steve,' Eddie breathes out, tightening his grip around Steve's torso.
'So I can't,' Steve mumbles, holding up Eddie's handkerchief as if it's some kind of logical explanation for whatever it is he's trying to tell Eddie.
'Wh- What?'
'I know what it means, Eddie,' he says, as if he's even remotely making sense right now. 'You know John?'
'Who the hell is John?' Eddie only keeps finding himself more and more lost in this conversation.
'My cousin,' Steve says, like it's obvious, like he's ever talked about some cousin named John to Eddie before. 'The one in New York. He knows all about that shit, right? He sends me the good magazines sometimes when my parents aren't home. That's how I know.'
'Know what?'
Steve only waves around with that stupid handkerchief again.
'You're flagging, aren't ya? You like pain. Like BS... BM...'
Eddie feels his jaw drop.
'What the fuck are you talking about?' he asks. 'It's – this is a metal thing. It looks metal. I literally have no idea what you're – flagging?'
Now Steve's face finally mirrors the confusion Eddie has been feeling for the past ten minutes.
'Are you serious?' he asks, for one second showing more clarity in his eyes than Eddie has seen all evening.
Eddie nods.
'So it's not...' Steve stops himself, swallows, frowns. 'You're not into, like, hurting people and shit?'
And finally, it all clicks together in Eddie's mind: the repeated chorus of I can't, the story about the Russians, the goddamn handkerchief... Flagging. BDSM.
'Why the hell would I get off on hurting you, Steve?' is all he can get out of his mouth.
And Steve honest-to-Satan starts giggling; it sounds so relieved that Eddie kinda feels like giggling too, scary metal image be damned.
'I dunno, it's more common than you think,' Steve mumbles. 'I wouldn't judge you, alright? But I knew I could never give you that. No matter how much I like you. And then you'd get bored of me.'
'Oh, Steve,' Eddie whispers out. 'You don't need to worry 'bout that, I swear. For all I care, we can have the most vanilla sex in the world forever. Or never have sex at all. As long as it's with you... I'm good.' Eddie cringes as soon as the words leave his mouth: it sounds too cheesy, too sincere. He kinda hopes Steve will have forgotten this particular part of their conversation tomorrow morning.
But Steve doesn't look at him like he thinks it's stupid at all: his eyes are wide and he's smiling a soft smile.
'You sure? You won't get bored?'
Eddie chuckles. Now that he's being too goddamn cheesy anyway, he might as well double down on it. 'I can't imagine getting bored of getting to hold this body in a million fucking years. In any way you'll have me.'
Steve heaves out a relieved sigh before he buries his head against Eddie's chest.
'Can I bring you home, now?' Eddie asks.
There's a twinkle in Steve's eyes when he lifts his head again.
'Ooohhh... You wanna have the most vanilla sex in the world with me now?'
A chortle escapes Eddie's lungs.
'Um, maybe tomorrow, when you're not drunk off your ass,' he answers with a wink. 'For tonight, just lemme get you to bed, 'kay?'
'Okay, big boy,' Steve answers, and Eddie can't help but laugh before he presses a kiss against Steve's forehead.
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