So I'm leaving work and something darts in front of me, maybe 10ft away, too fast for me to see what it is. Peek around the tree blocking my path and I see this
Just like... a whole ass hawk. Dude's gotta be about 1.5ft tall. Massive fucking bird. And it's just staring me straight in my soul like this, even as I try to move ahead. It didn't budge. And there's only this path back to my car unless I want to walk on a busy highway. So I have the option of Death By Raptor or Death By Truck.
So I walk in the poison ivy filled patch off the sidewalk. Guy still isn't moving. Still staring me directly in the eyes. And I do this thing when animals are behaving strangely where I'll talk to them, so I'm just like, "Hey, man. I don't know you. You don't know me. This feels really threatening. I'm just trying to get to my car, dude. Can I get some space please? You're a big fucking bird. I see those claws. You could kill me right now, but I'd appreciate if you didn't, ok?"
It didn't move until I was about 2ft away. Again: I'm as far from it as I can be without walking into the street. It clearly wasn't going to budge. I walk past, thing flies up (silent, btw. Scary) and lands on a brick wall a little further ahead
Anyway. Weird guy. Nearly shit my pants when I noticed a bird big enough to carry off a fully grown cat was just... there, staring me in the face, unwilling to move away from me, a human, something it should see as a threat. I watched behind me the whole rest of the way to my car, just in case this bird decided to help me shed this mortal coil. 10/10 experience. Super cool guy.
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(teaching my art class)
me: and what’s the number one rule when designing characters with wings? …well?
a handful of students, sighing reluctantly: no good fa-
me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald
gerald (my least favorite student): why not just do some minimal research instead of-
me: listen you little shit i can and will singlehandedly tank your 4.0 gpa
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Simon has always been confused on why you gift him toys. Sure, most of the gifts you gave him were some of the things he liked. Bourbon, masks, gloves, make up for him to smudge his eyes with, some daggers and knives. Things that we're useful for him, just him. But later, you gifted him a toy airplane. He makes a comment about it, saying he is not a child anymore and you were better off giving it to Johnny instead.
"No, this is specifically for you, take it."
When he gets to him room, he walks toward his trash can, opening it with the tip of his boot. He gives one more look at the toy, his mood souring before throwing it into the trash. He goes on about his day, training, signing paper work, drills. Doing anything to ignore the pain stinging memories that the toy brought back. Emotions that were buried thousands of feet deep it could reach hell itself. Later, he lies awake in bed, staring at the ceiling, avoiding looking at the cylinder shape that's calling for him in his peripheral.
Fuck.
He pulls the covers off vigorously and stomps over to the trash can. He is standing over it like he's trying to intimidate it, as if it was an enemy he's trying to get rid of in battle. To anyone else, the scene would look comical.
He sighs to himself and reaches down to take out the toy he so cruelly threw away. He sets it on his desk and quickly walks toward his bed, facing away from his desk.
The next day, he wakes up feeling different. He swears he sees his room more vibrant, more lively. That energy follows him through out the day, having his other teammates notice his rather bright mood.
You catch him in the hallway. Pulling him aside to ask him about the paper work you left at his desk this morning. Of course, he notices the way you smile brightly, more so than usual. But he notices that you're not looking at him. More like looking at something next to him.
"What's got you so cheery?"
You turn to look up at him, feeling a bit embarrassed.
"I just..." You take a quick glance at the spot next to him, before bringing your eyes back upon his.
"I just hope you liked your gift." The same bright smile appearing on your face.
He stares at you, examining your words. Your expression.
You think you see his eyes crinkle a bit.
"Yea,"
"I liked it."
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your little angel of a son inherits katsuki's bad temper, and it manifests in his terrible fours.
there's an awful little shriek that echoes throughout the house and katsuki is on his feet and halfway to the living room before his eyes are even open—but the only danger awaiting him there is a pouty little brat.
his son is sitting amidst a swarm of toys that have been strewn about haphazardly, and his arms are crossed and big fat tears are in his eyes and he looks mad as all hell. you do, too, sitting across from him with a deep frown, holding the ripped page of a book from his little shelf.
"no sir," you warn, "we do not treat our things this way."
you incite a meltdown.
katsuki feels his own temper flaring—half from shock and awe at his little mini-me and also from the exhaustion wearing him thin—when your son kicks his legs out in a burst of rage, letting out another little shriek of anger. your cheeks puff up, wearing the same furious expression, and at the hiss of his name, the little brat jumps to his feet and snatches a toy truck nearby and launches it across the room.
"oi!"
your son's attention snaps to katsuki, startled, losing a hint of anger as he pouts at the floor.
"what'd she just tell you?" and when he gets no response, katsuki prods with a, "hah? answer me."
but the little boy only stamps his little feet and grunts out a furious, wordless sound that has katsuki's lip curling. you let out a heavy sigh, shaking your head at him before frowning down at the torn page in your hands, and then katsuki is planting a hand on the back of his son's head and steering him towards the front door.
"time to take a walk."
the boy goes, even though his arms are crossed and his eyes are downcast. he only resists once, as katsuki tries to shove his little feet into his shoes.
"i don't wanna." he mumbles, face scrunched and wet before promptly looking away.
"i didn't ask."
"hmm!"
katsuki has to resist the urge to pinch his own son.
they get out the door eventually, and the little boy stomps along for the most part, no longer needing a guiding hand on the back of his head once they get around the block a time or two. neither of them say anything.
fatherhood has taught katsuki a lot of things, which was expected, but the one thing that's surprised him is—he's learned all the things he doesn't want his son to be.
the first of them being angry. not the way katsuki was, mean and selfish, throughout his childhood; hateful and careless, in his teens; shut off and simmering, even now.
he waits until the tension has melted off his little shoulders, until his little face has dried and evened out. his arms swing at his sides, occasionally coming up to wipe his snot with the back of his hand, and he eyes the few wildflowers they pass with a little hum and a small smile.
katsuki tugs once on his ear, frowning down at the little brat when he peeks up at him. "that how you're supposed to treat your mama?"
he doesn't answer at first, leaning his head all the way back and clicking his tongue against the roof of his mouth, until katsuki stops walking. "no, sir."
"how you s'posed to treat her?"
"with love."
"how you s'posed to treat your toys?"
"with care."
"uh-huh," katsuki squishes his son's cheeks in his hand, shaking his head lightly from side to side until he starts giggling. "that how you acted today?"
"no, sir."
"that how y'r gonna act again?"
"no, sir."
"okay," katsuki murmurs, nodding once before letting him free. the little boy bounces on his feet and sucks on his lip, grinning when his tummy is pinched. "now pick those for your mama."
and he does, carefully plucking a small handful of flowers from the grass as they make their way back home, and just before he runs up the steps to the house, katsuki's little angel of a son hands him the biggest one.
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