cardan thinking he's being clever "exiling" jude:
jude questioning her whole judgement of character and life choices due to this:
the fandom watching it all pan out:
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what do we want?
a canon F/F Gothic romance where both leads are actually, truly, "I enjoy this" feminine-presenting and not just "performing socially expected baseline levels of femininity for her society, but she doesn't REALLY like it and she'd TOTALLY be wearing trousers if she could but she CAN'T so that's why we CAN'T MAKE HER PROPERLY MASC EITHER!!!!"
when do we want it?
fucking yesterday tbh
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I do think there's something special about the way that audio drama creators seem to love including cameos of voice actors from other popular audio dramas. Obviously, part of the reason why actors from one show might pop up in another is because the audio drama creator community is relatively small and interconnected, and also because those actors are very talented.
But there's also often such a sense that creators are having fun with these cameos. Like Greater Boston casting audio drama heavyweights Briggon Snow, Zach Valenti, and Felix Trench as famous film actors Matt Daemon, Ben Affleck, and Mark Wahlberg respectively. Or Faux and Stallion having Tom Crowley (who plays a Victorian detective in Victoriocity) pop up as Dr Watson. Or Unseen casting Beth Eyre and Felix Trench as characters who are twins. Or Arden getting Emma Sherr-Ziarko to play an actor impersonating a character played by her former Wolf 359 costar Michelle Agresti (with Michaela Swee also appearing as an actor impersonating the other main Arden lead).
In these cases, it's not just that there's a cameo, but that the cameo is given particular (often comedic) significance to those who are aware of the featured actor's other work. The vast majority of people wouldn't recognise any of these voices. But by doing these very intentional cameos, these creators show confidence that a fair chunk of their audience will know these actors and enjoy the link. There's an awareness that listeners of one audio drama are fairly likely to listen to (or at least be aware of) other fiction podcasts, even when the shows in question aren't of particularly similar genres. Recognising these cameos feels like being in on a secret. It feels like these shows are giving a little nod to listeners to say that we're part of the same club.
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It was worse, when I was a kid. I remember the time you caught me telling her 'I love you'. And I can't even remember what you said, but I remember that I had you on your back -- I put you straight on the fucking ground. I was always so much bigger and so much stronger. I got on top of you and choked you 'til your eyes bugged out. I told you that my mother had probably loved me a lot more than yours loved you. . . . Were you ten, Harrow? Was I eleven? Was that the day you decided you wanted to die?
You remember how the fuck-off great aunts always used to say, 'Suffer and learn'? If they were right, Nonagesimus, how much more can we take until you and me achieve omniscience?
I'm never not thinking about this part of harrow the ninth. what a fucking perfectly distilled microcosm of gideon's and harrow's childhood. two children clawing at and choking the life out of each other over the entirely fictional premise that either of their mothers ever loved them.
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sometimes i’m like “maybe i would benefit from antipsychotics”
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as a gay swiftie i need to say it i fucking hate gaylors so much. the news of the split of her 7 year relationship came out yesterday and gaylor is already trending on twitter. it doesnt matter how huge of a status a person has STOP READING INTO THE SEXUALITY OF REAL HUMAN BEINGS!!!!!!
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hey, sorry um. bad news i called the Kansas Regulatory Board on your boyfriend. yeah, the one who started dating you and is now taking you on a trip to Paris after spending over a year with you for individual treatment and then couples counselling with your ex-husband. i'm then going to personally throw a football at his head for being such a piece of shit therapist. sorry.
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