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wrath-of-the-sea · 1 month

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An analysis of Wille arriving at Hillerska with Erik‘s car vs. leaving in Sara‘s car

Lisa Ambjörn herself asked for this, and she shall receive.

The first time we see Wilhelm arrive at Hillerska it is with Erik. They arrive in an expensive sports car. Wille doesn‘t know what the future has to offer for him, but he knows he doesn‘t want to be at the school. The last time we see Wilhelm in a car, he is leaving Hillerska behind. He has just renounced the throne. He sits in an old Volvo with his chosen family. He has finally grown up.

Wilhelm started a revolution at Hillerska which led to the school shutting down. Erik‘s car is a symbol for the old system and they‘re leaving everything behind in Sara’s car. It‘s a fresh start.

The sports car represents not only Erik, but Wilhelm‘s position as a prince. It symbolises his privileges, his position in the upper class. His family has money and he benefits from it. And yet, while Erik seems to be enjoying himself in the wind, he isn‘t happy. This is one of our first glimpses at the fact that Wille feels trapped in the postion he is in.

The old Volvo can also be seen as a representation of Wilhelm‘s feelings. It being an old and not super expensive car is obviously a literal cosquence of it coming from Micke. But it can also mean more: Wilhelm has decided to leave the title of Crown Prince behind. It’s a common car - all Wille wants is to live a normal and common life. He has also decided to bridge over the class differences between Simon and himself. Wilhelm is now in a place where he‘s willing to unlearn his own classist views and privileges. They‘re willing to compromise, they‘ll make it work.

Apart from the cars‘ price classes it‘s also important to mention the type of car they‘re driving. Erik drives an open-roof Cabrio while Sara drives a car with a closed roof. The roof represents the public eye. Wille was uncomfortable at the beginning. He didn‘t want to be perceived by the public, but he had no choice and nowhere to hide or escape to.

Now, in the end, he has renounced his title and he chooses not to be in the public eye any longer. The car roof is closed, and he finally has a way to hide. But Wilhelm chooses to do the opposite. He leans out the window. He is ready to face the world and to finally be his true self. And he has not only Simon in his arms to help him, but Felice and Sara are with him as well. They have become family. Wille is finally free.

#young royals season 3 #young royals analysis #wilmon #simon x wilhelm #young royals #analysis #erik young royals #sara young royals #wilhelm young royals #simon young royals #prince wilhelm #lisa ambjörn

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thatsmybook · 1 month

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Just rewatching the documentary and just before 4 mins in, Lisa is explaining to Omar her thought process for what will be the main dilemma/ crux of the show, and it made me realise what exactly Simon was saying when he broke up with Wille at the end of Episode 5. He was saying: I've seen what the monarchy does to you and how it hurts you, I've experienced it myself, so I have additional empathy for how that must feel for you. Also, I, too, am being hurt by it (see all of season 3 when he's not smiling with Wille). I thought I could try it out for your sake to see if I could handle it because you're worth it.

But after spending the birthday day with Prince Wilhelm and the Royal Court, he sees that it will continue to hurt both of them, and there will be no respite, things will only get worse. He has seen Wille get worse right in front of him on that day. It is poisoning Wille, and he is becoming someone he doesn't recognise. Simon decides that he does not want that to happen to either of them. The only thing he can do is leave the system so it can stop hurting him. Unfortunately, because Wille is entwined with Prince Wilhelm, it means he has to leave Wille too.

To me, by staying with Wille, Simon is condoning bad behaviour or the status quo by just going along with everything the Royal Court says while they both slowly deteriorate. So though he leaves Wille to save himself, he is also saving Wille because he is showing Wille that this is not alright, boundaries have to be put in place somewhere and Wille needs to start setting some boundaries for himself too. If Wille thought that Simon would stick around to support him and occasionally be someone he could lash out to, then he may not have felt the need to save himself from the monarchy. Because Simon is around to hold him up.

So for King Wilhelm truthers, Simon is required to know his place as an aid to the King, whilst suppressing his own pain and never putting pressure on the King by asking for help with his own issues. There is never a time when they would be equal in their relationship, even in private, because everything about Simon's values, ambitions, and passions would have to be deleted. King Wilhelm's needs would come first. This is what class does. It sets up hierarchies of certain humans' needs being more important than others and even that certain humans are superior/supreme to others. Therefore, to function, it needs lackeys who know their place to serve those on top. Hillerska, as an institution, is a mirror of Simon's relationship as a partner for the next king. Hillerska being closed is the equivalent of Lisa abolishing the monarchy. (By the way, there's a real-life incident of the 16 year old Prince of Denmark having to be removed from his elite school when issues of sexual abuse and other scandals came to light. This happened in 2022).

On a side note, this made me think about the Duke's role as consort and imagine that that would be Simon's role to model himself on. If we want Wille to remain as a Crown Prince and have his boyfriend, do we want Simon to become as bland and ineffective as the Duke is, where all of his focus is solely on the Queen's needs. Smoothing over any rough patches with innane conversation and totally neglecting and not 'seeing' his child. Simon deserves to be himself, as does Wille.

#young royals #young royals spoilers #wilmon #simon eriksson #prince wilhelm #lisa ambjörn #young royals forever #yr s3 spoilers #know your boundaries #love yourself enough to walk away #don't put up with mental abuse for love

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lovelierbitsoflife · 27 days

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“Felt like everyone needed a present today”

- Lisa Ambjörn’s instagram story -

#lisa ambjörn #young royals script #Lisa is a god for this #young royals #yr #wilmon #simon eriksson #prince wilhelm #august horn of årnäs #felice ehrencrona #prince erik #yr s01e01 #script #wilmon yr #young royals Instagram #yr instagram #Insta

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you-fuckin-judas · 1 month

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The beautiful discussion of love through physical touch

[young royals s3 spoilers]

We are back where we started, but this season was full of BEAUTIFUL moments of this conversation through physical touch. Wille & Simon have learned and grown so much together, and it so VERY clear in how we see it.

LETS DISCUSS [and cry again together]

1. I'm just glad you're okay.

Let's start somewhere familiar, but dealt with in a new way. Simon has once a gain experienced violence as a result of online hate, and again Wille wants to be there to protect and comfort him. BEFORE when Simon was in times of stress he would push Wille away, unsure and stifled by the emotions of the moment.

BUT this time. THIS time he welcomes it, the warmth Wille has offered out and breathes it in. This moment is beautiful, in the way that they are communicating verbally and physically. They both sit there together, in the embrace. Together.

2. We have a new member of the choir

THIS moment right here, I won't lie had me running laps in my house. We just left the choir practice where literally everything was golden, the lighting, Simon's shirt, his face when it was announced Wille was joining.

EVERYTHING was golden.

We then have moved to this VERY intimate space, no music in the scene. no other members of the school in the locker area either. JUST the two of them, and their love for each other literally EXPLODING.

I have said it before and I will say it again : Omar is VERY good at depicting Simons love through his hands. Exploring Wille. His hair. His face. His chest. His neck. Literally anywhere he can reach. It's literally like he's soaking him up like a sponge.

Not in a intense, overwhelming way. But more of a : I think you're beautiful and I love every part of you. and I want to show you that.

3. Hey

If we have ever seen these two, it's always fueled with passion and intense love. We hardly are able to see them in situations where they are sensitive and soft with each other.

let's be for real, they hardly ever were given a second of PEACE.

THIS moment is so beautiful, so GENTLE. They see each other at school for the first time, and in front of everyone they share a kiss. THE WARMTH of it makes my HEART WARM. For the first time in front of their peers, in the open, in the light they can share their love.

Neither one shys away from it, and again we see Simon wandering with his hands on Wille, so comfortable in his love.

Also, I want to point out that they both are in bolder colors much different than what we are used to seeing them in.

Usually we see Wille in his signature structured school jacket, as well as in darker hues. Here we see him in this soft, plush pink sweater.

Simon we are used to seeing in purples, looser colder colors. Whereas here he's back in that beautiful golden hue, just shining.

4. Working out

Once again, we are in front of our peers. Bold in our choices physically. We see them working out, Simon joking with Wille.

We of course discuss the trip, but we cut to this quick but beautiful moment of their love to just be with each other.

Their smiles, their closeness, their confidence in their love in that beautiful lighting.

BYE THIS ONE WAS SO WHOLESOME I HAD TO.

5. What was your dream?

First episode of the season, we have already been met with an uncomfortable situation full of tension and anxiety.

They are both able to take a break and Wille takes Simon on a small tour in his home, of course like magnets they once again can't stay away from each other.

We have this intimate moment, where I won't lie I was worried SOMEONE was going to walk in because oh my GOD the timing??, and this discussion physically.

Of course the switching of who is in control, both laughing in joy by just being with each other again. We switch into this extremely passionate tone, but I want to point out something.

We obviously couldn't care less that one; we have our shoes on in this bed. Two; that both of them aren't on it properly. I'm only pointing it out because Simon is literally 2 inches from falling off it, but he couldn't care less because Wille has him in his arms and he trusts him. He's not trying to scoot back on it because he's gonna fall, he doesn't care because he knows Wille won't let him fall.

Once again, Simon showing his love with his hands in Wille's hair, his face. And Wille showing his love by holding Simon and not letting him fall.

ALSO the lighting? STUNNING.

6. What the hell do you think?

LETS TALK ABOUT HOW THIS SCENE HAD ME CRYING LIKE I HAVE NEVER CRIED BEFORE. I was furiously checking the time left on the episode I was so SCARED.

ALRIGHT I saved my favorite for last on this post. Let's go.

THE EXPLOSION of relief from them, from US was absolutely insane. The collision of this hug? I could HEAR it. They were hugging so tightly their ribcages might have locked together.

We also have this BEAUTIFUL lighting, the LUSH green behind them, the fresh air.

I want to applaud the acting from them here because the relief you could see, I don't know about you but I could feel it in my throat. Their hands grabbing at each other, holding as tight as they could, scared to let go? GOD.

Simon's FACE, the tears, the way his hands won't leave Wille and his face. He cannot believe that this is real, that this is really happening. He is just so overwhelmed with emotions and love it absolutely is breathtaking to see it.

I'm sorry but this was the most beautiful scene I have ever seen. Their overwhelming love for each other, their joy at finally being FREE. You can see it; their hands not leaving each other, their SMILES, their eyes locked.

Will I do an in depth discussion on this finale sequence here? Yeah probably because it's EVERYTHING to me.

Young Royals is so personal to me, and this show has meant so much to me. I'm crushed its over, but I think the ending we got was absolutely perfect.

I won't stop the analysis posts because there's just so much I want to talk about, young royals forever 💜

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myladyofmercy · 7 days

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via lisa ambjörns instagram stories

#edvin ryding #omar rudberg #young royals #lisa ambjörn #yr #young royals netflix #yr netflix #young royals cast #yr cast

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willescrisis · 22 days

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Wille's Crisis : an essay about Kris (1934) and Young Royals (2021)

While watching Young Royals’ third season, I couldn’t get Karin Boye’s novel Kris out of my head. As a fan of Young Royals that feels very chill and very normal about it, I have hence written a five page brain-dump on how Malin Forst and Wilhelm’s characters and worlds are intertwined. (Small disclamers : I’m quoting Amanda Doxtater’s 2020 english translation of the novel and I’m french-canadian, so english is my second language.)

Who is Karin Boye ?

Karin Boye (1900-1940) was a leading figure in Swedish modernist literature and poetry. In 1920, at the age of 20, she studied one year in Stockholm to become a primary school teacher and after graduation, continued teaching, writing, militant engagement and several years of study in related fields. Among all of her works, the most explicitly autobiographical is her autofictive novel Kris (1934). This powerful novel explores the homosexuality and crisis of religious faith of a young woman named Malin Forst.

Malin Forst & Wilhelm

During her studies in teaching, Karin’s 20-years-old alter-ego Malin goes through an existential crisis. She feels completely paralyzed by her guilt due to her selfish inaction in the face of universal suffering, her lack of trust in institutions (educational, medical, etc.) and, worst of all, her doubts about her relationship with God. Kris also deals with Malin’s relationship to her own sexuality with the meeting of a classmate, Siv, to whom she will become passionately obsessed without ever talking to her.

We meet 16-years-old Wilhelm as a first year student at Hillerska. His failures as a royal figure and his complicated relationships to his loved ones make him feel powerless and guilty. He is thrown off balance by his doubts of the monarchic system, but most importantly, by his doubts of his life’s role model, Erik. Young Royals also deals with Wilhelm’s relationship to his own sexuality with the meeting of a classmate, Simon… Are we seeing the parallels here ?

While Malin’s torments lead her to shut down, Wilhelm screams. But both feel paralysed and don’t know how to exist out of the system they grew up in. And it’s the meeting of a same-sex student that leads them to a freer path.

« I want to see Siv. I want to be where Siv is. »

Previously, Malin considered the fusion of the will of the human with the will of God to be the most important of aspirations. Without this reference point, she has no will nor desire… until she meets another student, Siv. Her simple presence rekindles for the first time in the novel a desire, burning and forbidden: “I want to see Siv. I want to be where Siv is.” … And here is how this whole essay has come to exist. While watching season three, I joked endearingly with my friends about the way that Wille’s only hobby is to be with Simon, but I felt sad for him. Until I understood he’s on the first part of his self-discovery journey. His first true desire that stems from inside of him and wasn’t imposed by the system is “I want to see Simon. I want to be where Simon is.”

Interestingly enough, Siv and Simon both become a new manifestation of something that Malin and Wilhelm have lost. We, the reader, meet Malin when she is ‘grieving’ her old relationship to God and deconstructing her understanding of God as a single entity. Amazed by Siv’s ‘perfection’, Malin raises her to a kind of divine position with great powers. Wilhelm, for his part, feels at home with Simon because of the way he makes Wilhelm’s entire being comes alive, weightless and playful… A feeling of joy, innocence and safety he’s only ever felt with Erik before.

Anxious and desperate, Malin and Wilhelm are latching to their comfort person, making them their whole word in a way that has to change for them to grow up. After realizing Siv’s feeling for a fellow male classmate, Malin is shaken : “Only now could she see that she had embarken upon the false path of mistaking a person for what is highest and most beautiful.” Not only does this quote mirror Wilhelm letting go of his idealised conception of Erik, it is also mirrorring his realisation that Simon is not a perfectly stable and unbreakable anchor on which he can blindly rely on : “I have to take responsibilities for my own problem. I can’t drag him down with me.”

Don’t give it a name

An important part of Malin’s journey is relinquishing the power she gives to words, especially regarding God and her sexuality. Throughout the novel, she refuses to name the emotion she feels for Siv. On the day of her meeting with Siv, Malin thinks: “You, lips, I implore you to clamp so hard upon the unsayable, that not a word slips out to assert its malicious pettiness and obfuscation ! Be still, thoughts, don’t interrupt, for you have no idea what this is ! (...) Don’t give it a name, let it be just as it is, here in my blood and my eyes, life and sap ! The wonder of new creation need not be named.”

Wilhelm’s complicated relationship to words is shown in the way that he shouts his love for Simon from every rooftop, but does not wish to label his sexual orientation. In season three, he says the word queer for the first time and his voice is seeped with discomfort. He is not claiming this word as part of his identity and rather feels constricted by it, probably in the same way that every other label put on him has made him suffocate.

Furthermore, both Malin and Wilhelm wish to express themselves and experience the world, not through the restrictive lens of language, but through the sensory world. In Kris, after seeing Siv for the first time, Malin’s five senses awaken. A dialogue takes place between the sense of sight and hearing, reminding me of the way that Wilhelm and Simon’s intimacy is developped through the gentle touch of noses, the sounds of breathing, the glow of golden light and fingers lingering slightly above the other’s body… ‘Sight’ says “I’m confused. I no longer know whether I am sight or not. I envelop things and follow them as if I were touch, I hold my breath in quiet anticipation as if I were hearing, I breathe in, like one intoxicated, as if I were smell, and I drink in long, deep, draughts as if I were taste. (...) Could I be standing at threshold of some new creation ?” To which ‘hearing’ responds “ (...) Admit it - isn’t revelation through the senses at the same time the revelation of what lies beyond the senses, of what creates the senses, of the limitless feelings of eternal love ? (...)”

Checkmate

Kris’s narration drastically changes points of view in unexpected moments, moving from the pov of human characters to the pov of abstract entities. The two most important are BLACK and WHITE, two sources of cosmic powers playing a chess game whose game board is humanity.

On the one hand, WHITE represents the norm, also illustrated by threats from nature such as stormy and dangerous waters, cold, humidity and darkness, but also under the traits of the dominant society, whose rules and norms protect human beings while maintaining them in a position of submission and obedience. WHITE uses the anxious desire of his pawns (humans) as a weapon to subject them to the norm. And at first, Wille is WHITE’s perfect pawn : an anxious mess who becomes more and more obediant as season three progresses and whose ‘protectors’ are also the ones leading to his demise. Little (most likely accidental) nods to that parralel : Wille looses to Alexander while playing the white pieces in season two and interrupts his conversation with Simon to scream “The water is cold today !” at his guards on their first date.

One the other hand, BLACK is a chaotic power of life associated with desire, burning fire and passion destabilizing the established order. In the context of Kris, the norm is heterosexuality, while fire is the forbidden desire: homosexuality. This parallel is evident when Malin describes in this way the physical sensations caused by Siv’s sight: “There was no holy, burning voice within her. All that burned within her was a thirst for the forbidden after a single look cast in that direction” And based on that, I absolutely refuse to believe that Lisa put the hallway scene after a BONFIRE by accident.

I also don’t think the placement of the chess game during August’s confession to his friends is a coincidence. First, the board is oriented in a way where August sits at the junction between the black and white pieces, showcasing how the character is in a crucial moment in his journey : will he stay in WHITE’s cruches for ever or will he find the strenght to save himself ? And second, August puts a black king on the edge of the table. Not only does it foreshadow that Kronprins Wille is on his way out, it also indicates that it was a rebel and homosexual ‘power’ that guided him in his quest for self-determination, just as it was for Malin Forst.

I natt gick Gud under or how to make the lake scene destroy me even more

The poem in prose I natt gick Gud under (Last night God succumbed) stands out from the other chapters of the novel Kris, as it recounts the most decisive transformation of the main character Malin Forst. BLACK places Malin naked and at peace on the shore of a sea where she throws the words she denies. Finally at a safe distance from WHITE’s icy waters, she liberates herself from her paralysis to embrace her true feelings.

Last night God succumbed.

Perhaps it was just the hollow shell of name that went under.

But that shell of a name drew with it the power of death. I cast it off.

I see objects as they are, unwitting of the name attributed to them. I cast off their names.

I stand utterly new, on the shore of a sea. Conscience is no longer mine. I cast it off.

The will to life has made me naked. The will to life has made me see. I shall meet whatever comes with naked, open eyes.

Lisa describes the lake scene as almost religious. As he’s swimming naked in the lake, Wilhelm is shedding his crown prince shell. Leaving the waters, he is reborn. When he is standing on the shore of the lake in his white clothes, Lisa says “that is when Wilhelm grows up.” And for me, he’s ready to meet whatever comes with naked, open eyes.

Thank you ! Thank you to whoever read this far. Kris is a very complex book that, despite having read twice, I still don’t fully understand, so if you have anything new to add to this reflection, you are welcome to do so !

#lisa i hope you're still lurking #wilmon #young royals #wilhelm x simon #young royals analysis #karin boye #young royals s3 #literary analysis #lake scene #lisa ambjörn

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