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#my goal in life is to get this made into a movie
truthinlifetarot · 3 days
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What Motivates You?
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How to Pick a Pile? Some of us focus on the image that seems to call to us most, some intuitively choose regardless of picture. Don't overthink it. Choose whichever pile you feel called to. It may even be more than one!
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Pile 1: Completion. Success. You don't like it when something is amiss or needs doing. You are motivated by the end result. Both the short term and the long term visualization can help you reach your goal. Remember that getting to the goal can be fun as well!
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Pile 2: Where there is changes to be made is where you thrive. Your motivation is the ambition and journey that makes life exciting or difficult. Whether the change has a good or bad origin, you can get down to business to fix whatever needs fixing!
💕Support me by becoming a Truth Seeker on Patreon, purchasing a reading, comment/like/share my content, or check out my work across the web!
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Pile 3: Being the best despite the odds. You could be an underdog. You thrive off of beating someone/something in a fair fight. But if you have a disadvantage, you are still motivated to try. You remind me of those people in training montages you see in boxing movies. That's you, pile 3.
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callmearcturus · 18 hours
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okay the Eye of the Duck for each of the MI films
Mission Impossible:
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I promise I really thought about the Vault Scene and I could go on for ages about it and I maybe should since it's the marker of what separates MI from other action franchises.
But my heart lives in this scene as the emotional core of the movie, where Jim comes back from the dead and tries to spin a tale that Ethan is too smart to fall for but is still tempted by. The way Jim says one thing but Ethan's already pieced together what really happened-- and doesn't like the answer, rewrites it in his head to make it fit what he wants.
Ethan's emotions and how much he cares about people is his ultimate weakness and it remains so for the entire franchise, so to see him wrestling with that all the way from the start is crunchy.
Also Ethan soulgazing the camera for that long is very affecting.
Mission Impossible 2:
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the point of the EOTD is to find the scene at the movie's center that reflects its core back at you. I think Woo's vision of MI is exemplified by that final fight scene between Ethan and the villain. I remember the first time I watched the movie, this scene made me go "NO" out loud several times.
I mean, mostly because absolutely not that handgun will not fire after being in the sand for that long, there is not enough gun oil in the world.
but since I have wisened up and realized MI2 is not the worst MI movie, I think I get it more. The over-the-top motorcycle jousting, the slow-motion, but especially the cuts to the roiling ocean-- everyone shut the fuck up and let your bodies tell the story, even if the 'story' here is as simple as "I'mma fuck you up." It doesn't have to be original, it just has to be a cohesive vision, and honestly I think people would like MI2 a lot more if they acknowledged Woo accomplished his specific vision here.
I don't love MI2, but I respect it. Way more than, uh.
Mission Impossible 3:
god i hate this fucking movie but the EOTD is really obvious.
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The only scene in this movie that works 100% is after the stupid vapid villain is gone and when the movie returns to the two fucking actors who carried this horrible script on their fucking backs.
Ethan has a charge in his head that is about to detonate and kill him. He's asks Julia to kill him and then bring him back to life to defuse it.
I... My hatred of this movie is legendary but I love this scene. I love Ethan staggering around like a drunkard bc he's blinded by pain. I love the way he explains how to shoot a gun to Julia. I love his little "Don't point it at me" and the way he likens the reload of a magazine to the flashlight in their kitchen, something both of them understand. I love the absolute trust here--
Esp bc I think it's clear Ethan could die right now, but he'd rather go out trusting his wife to save his life than to worry about it too much.
And Julia actually fucking saves him, and it's good! It's the only good scene in the movie other than Benji's second scene. And if MI3's goal was to dig into the Emotions of the franchise, then fine, this is the scene that's best at it.
Still the worst movie. Someone stop JJ Abrams from ever writing scripts.
Mission Impossible: Ghost Protocol
holy shit i am stunned someone clipped this bit
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I am straight up stealing Brendon Bigley's EOTD scene because he's right.
This moment, right after Ethan and Brandt have escaped the river, there's this incredible lull in the action where Brandt asks "Why would that work?" about Ethan's ridiculous flare trick to misdirect the KGB dudes with the rifles.
Ethan's confused about Brandt's question because... he didn't know it would work, he played a hunch.
Brandt's bitchy lil "'kaaaaay.... so what was your scenario" and the way Ethan actually smiles as Brandt tries analyzing the logic of what just happened and why.
This is the EOTD of GP because it's the film tipping its hat to everything its doing (and everything MI will become moving forward) in microcosm. MI is not about metriculous clockwork plots and spy intrigue, it's about heart and instinct and the fucking motto of the IMF: "I'll make it work." Tacitly, this convo between Brandt and Ethan is Brandt as audience surrogate and Ethan as filmmakers' surrogate.
Why did that work? Don't worry about it, just keep saying yes and we'll get through.
(Also the bit immediately after with the best Tom Cruise Is Short joke in the series, immaculate physical comedy, love it.)
Mission Impossible: Rogue Nation:
fuck all y'all I'm going to pick a single joke and obsess over it
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FIRST 15 SECONDS
THAT'S IT THAT'S THE EYE OF THE DUCK
I'm not even remotely kidding, but this is related to BTS info about the gag. The script apparently only said "ethan and benji get into the car" but when it came time to film, TC was like "I can't just get into the car, it's the waste of a moment. hang on, i got it" and for the next take just DID that stupid flail across the car. Pegg's stunned look is real because no one knew he would do that.
As a writer, I love this moment because yes, just climbing into the car would have been a waste. It would have been an opportunity to put in a character moment just forgotten.
This is related to that lovely lil moment in Fallout where the team are meeting up with Walker after catching Lane, and there's no dialogue, but as they come up the stairs, Benji spots Walker, and he immediately flattens himself to the wall to get out of Ethan's way and looks back at Ethan for guidance. Ethan gives Benji a nod to say we're good, don't worry and they continue up the stairs.
These are little moments of characterization that are mostly built from actors who are just very comfortable with their characters, and this expediency of storytelling. Cut all the unneeded seconds, and make sure every second that remains in the movie is doing some kind of work.
so yeah that's the EOTD for RN.
Mission Impossible: Fallout
the EOTD for the entire MI franchise is the scene with the Parisian cop.
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Ethan stopping everything to try to convince a bystander to leave and keep them from getting hurt. That's the soul of MI, the same emotional damage Ethan's carried since MI1.
Mission Impossible: Dead Reckoning
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"I was hoping it'd be you."
shocker, I'm not picking the moment when Ethan literally Says The Fucking Theme Out Loud, nope. I'm picking the moment Ilsa decides she too will follow the new IMF's batshit "beat the trolley problem by pushing the trolley off the tracks" creed, and gives up everything for a woman she doesn't know who is in over her head.
History repeats, and Dead Reckoning's obsession with closing the loop and creating internal consistency out of a series that has had five directors and seven films works perfectly for me. Venice is a visual recreation of Prague in MI1, with Ethan racing down dimly lit streets to save someone but is just not fast enough.
I also have this personal read on the scene as a refutation of Gabriel and the Entity, who represent an almost Calvinistic philosophy of inevitability and fate. Gabriel tells a lot of fucking lies for a guy fashioning himself to be a prophet, and he taunts Ethan about having to choose between Grace and Ilsa.
But Ethan doesn't chose shit, he's busy getting almost suffocated by Paris in an alleyway. Ilsa is the one who makes a decision, and for a person like Ilsa who literally was the person to ask Ethan to run away with her because all this spy shit is useless and meaningless
Ilsa is the one who picks, and she decides to save Grace. Not Ethan and not the Entity and not Gabriel.
Ilsa died to save an innocent (well mostly) woman, and that's the entire point of MI. There is no such thing as acceptable losses and if you can prevent someone's death, you do it.
AND THEN ETHAN SAYS THAT OUT LOUD TO GRACE BECAUSE "YOU DON'T EVEN KNOW ME" "WHAT DIFFERENCE DOES THAT MAKE?" AND THAT'S MISSION IMPOSSIBLE
okay i'm done
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thetreefairy · 3 days
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Childhood friends go long back
Request by @princeasimdiya12
So for my request, can you write a oneshot featuring Toshinori and a male reader as childhood friends please? the story would focus on them being friends despite being alone for most of their childhood what do you think?
Because they are friends, I'll be calling Toshinori Yagi for most of this fic
male reader Tw: bullying, young Yagi was as reckless as midoriya for real, Reader is quirkless (stays quirkless even when Yagi get's his quirk) this isn't my best work but hope you enjoy it<3
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Yagi never understood why people bullied him for his 'quirklessness', hell he didn't even understand it when he gained OFA.
But what he didn't understand was why Reader looked so betrayed when he told him about OFA and his mission to become the symbol of peace.
"...I had hoped you would achieve that quirkless." Reader had admitted to him. "But I am glad you have a way to achieve your goal. Just know, it's still going to be difficult, your body didn't have your whole childhood to get use to a quirk."
"I know." Yagi told Reader with a weak smile. "Maybe I can get Master to recommend you for the support course, you are a great inventor."
"They have a quirk rule even for support courses." Reader smiled at Yagi weakly. "Papa is going to teach me."
"...Wow him being nice?"
"I know right!"
In the end Yagi finally understood the difference between those who are quirkless and not. There is a power imbalance that can never be taken away or made smaller.
It was obvious that Reader had tried to make it seem like there wasn't this wall between the two the more he progressed in his hero training. But there was.
They both started to feel alone, more than they have ever had before.
When they were quirkless they at least had each other, and now?
Reader feels like he has no one, he knows that Yagi is trying. And he appreciates it, but Yagi was slowly forgetting how it was to be quirkless. That truth hit him hard when he saw the scrapbook the two made at the end of their first year of middle school.
It was full with memories, memories of them playing around. Memories of loving themselves and each other despite their quirklessness.
"Come on Reader!" younger Yagi shouted at him. "Or we'll miss the movies!"
"I got you, Yagi." Reader whispered, well he held his friend. "I got you. I'll protect you with everything I have."
"I can't believe they kicked you out!" Yagi shouted annoyed, his body trembling in rage. "It's not like it's your fault for not having a quirk!"
Reader missed Yagi, so much, but he didn't know how to reconnect with him--- not when they are walking such different paths in life.
All he can do is hope, that eventually, they'll walk the same path again.
I had to cut it short since I wanted to publish something at least, but my internship is draining me for real--
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jessicafangirl · 1 year
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My man Andrew Bennett doesn’t get enough love
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cel-aerion · 6 months
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There are too many things that are relevant to my interests going on and as a result I am in a weird haze where I want to do everything and thus I do nothing.
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girlscience · 1 year
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I know it's kind of cheesy, but since I've started getting into the idea of being healthier and working out and stuff I've been trying to figure out why. Why am I doing this? Am I just doing it to lose weight? Am I doing it to get stronger? Am I doing it to make my body and mind feel better? And every reason that I've thought of has felt very weak. They are all reasons I've tried doing this before and I have dropped it every single time. None of them have been strong enough for me to continue and be consistent. But I think I found my reason last night and it is actually kind of hitting me hard. I don't want to quit again. I just don't want to quit again. I have given up on nearly every single thing I have ever tried to do for myself. And I don't want to give up again.
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#its valentines day (yesterday but i havent gone to bed yet so its the same day) so im gonna talk about my crush#i figured out its really a crush because if it was just hyperfixation it wouldve been done by now#but its been months and i still really like her so its real#anyway. we became friends during one of the shittiest weeks of my life#in a time when everything was difficult and i felt so out of my element and inadequate and altogether bad. she was kind to me#she approached me. made conversation. several times. was the friendliest any stranger has ever been#at the end of the week i asked for her number to keeo in touch. and she gave it to me. and texted#i figured the friendship might fizzle out. but she kept texting. we kept talking. she talked about her problems and her happiest moments#shes trans and like me got put into the 'only out trans person for queer kids to look up to' slot at our summer camp jobs#she once texted me at 4am about horror movies and we ended up texting until 8am#she has a guinea pig named Agnes. she dropped out of college. she joined camp staff to avoid helping her mom move#and i love all of that about her. and i wish i could say these things but i dont want to freak her out and lose one of the best friendships#but im playing the long game because. this summer she applied to the same summer camp as me. so we'll be around each other a lot more#and that kind of proximity fosters incredibly close relationships. most of the people ive dated have been from that camp because of that#so im gonna spend the summer trying to get closer. and then maybe by the end ill shoot my shot#worst case ive just gotten closer to a very good friend. im not going into the summer with the goal of dating her#just the goal of getting to know a wonderful person better. and im just very delighted to have her in my life#and have the chance to work with her this summer. its all just good and makes me happy#its one of the only things keeping me going rn#so happy valentines day everyone
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gallusrostromegalus · 8 months
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The Van Has Officially Declared It Spooky Season
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I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.
...I might need to back up a bit.
My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.
They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.
Truly, the height of Camping Luxury.
My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.
Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.
It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.
It's just also. Quirky. Mischievous, even.
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If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.
It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.
My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.
On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.
Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.
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As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.
The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.
Firthermore, The Van has a favorite song.
I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.
You all know this song already.
...but in case you've forgotten the tune:
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Yeah.
The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.
It does not play this song at a normal volume.
Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.
Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.
...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.
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So last Friday the 13th, I get a call from my friend and housemate, at said airport.
It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.
There are, as luck would have it, her spare set of keys not eight feet from me.
Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.
Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.
I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.
The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.
It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.
I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.
While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.
Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.
I wave my friend off and turn to enter the 7-11.
I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.
Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.
It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.
I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.
The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.
We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.
I go up to pay and realize something is amiss.
The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.
I look down at myself.
In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:
Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.
Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.
The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.
A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.
The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.
The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.
My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.
A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.
The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.
I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:
The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.
This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.
The Creature has such a High and Naive Opinion of humanity.
I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.
"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"
The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.
$6.66
"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.
I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.
It also turns on the music player.
I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.
Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.
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arieslost · 4 months
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cinnamon whiskey | ln4
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lando norris x fem!writer!reader
summary: you meet a famous race car driver in one of the last places you’d expect— the adirondacks.
word count: 4,578
warnings: drinking, minor injuries (small description of bruising)
masterlist — join my tag list here!
© arieslost 2024. DO NOT REPOST WITHOUT PERMISSION.
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Your editor was going to kill you.
Every day brought you closer to the deadline for your manuscript, and every day you could hardly help yourself out in getting to your self-imposed goal of 1,000 words. It wasn’t a difficult feat; you’d done it before, and you didn’t have anything else to be doing. You had absolutely zero distractions: it was just you, your notebook, and your computer. There was only one problem.
The words just weren’t coming to you, and you’d already gotten a two week extension on the deadline. It felt like all your writing abilities had been rescinded.
“I’m screwed.” You professed to your best friend, falling into a pathetic heap on her couch. You needed a serious pick-me-up after struggling to write a measly paragraph, and she had readily offered a girls night.
“I think you’re being a little dramatic. Scoot over.” She replied, shoving your legs out of the way so she could sit. “Maybe you just need to get out of your house.”
“And go where? I can’t just pack up and take a vacation right now.” You grumbled into the couch cushion.
“Why don’t you go upstate?” She suggested after a moment of silence.
“Upstate?” You repeated.
“Yeah, go to the Adirondacks. My dad owns a house up there, remember? We had a blast the last time we were there.”
You and your best friend had gone up to the Adirondacks when you graduated college, and you always prefaced the retelling of it with, “It was one of the best weeks of my life.” You almost felt silly for not thinking of doing something like that in the first place.
“It might be a good idea… Do you think your dad would be okay with me staying there?”
Your best friend laughed. “Yes, you idiot. He’s let me stay there by myself, he’ll definitely let you.”
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A mere 24 hours went by, and you were settled in a cozy cabin in the Adirondacks with the desperate hope of having the rest of your manuscript ready by the end of your stay. Otherwise, you might as well just fire yourself and save your editor some time.
It wasn’t the only cabin in the area– it was more like a very small community made up of six houses built exactly the same. The area was usually used by people with a decent amount of cash lining their pockets, so you were extra grateful to your best friend’s father. He had taken one look at the dejection on your face when your best friend had mentioned her grand idea, and simply handed you the keys with the promise that your stay would be free of charge.
You did feel a little out of place, though– you could have sworn one of your neighbors was in a movie you’d just watched, and another one was just so ridiculously attractive there was no way he wasn’t famous for something. You’d seen him out on his front porch when you arrived, and had to force yourself not to stare or salivate over his bare torso.
The change of scenery around you helped tremendously. At first. You always felt refreshed when you went somewhere new, particularly if it was somewhere you felt more connected to nature. You had gotten into the habit of taking walks to calm yourself when you got frustrated, and having new sights was definitely an exciting prospect for when you inevitably slammed your computer shut and stormed out the door like you just did a few moments ago.
You’ll be the first to admit it: the story just isn’t coming together. Your main character has a goal, a purpose, but she is entirely lacking any kind of driving force to get where she needs to go.
She has no motivation.
You can appreciate irony, but there’s nothing funny about it right now.
The dirt and leaves crunch under your feet as you walk down the first trail that you see. It branches off from the main path that runs between all of the houses: yours, the attractive guy’s, and one other, and then the suspected movie star’s and the other two on the other side. Right now, you just want to see nothing but the path before you, the trees in your peripheral vision, the gentle summer breeze in your hair, and maybe a chipmunk or a squirrel here and there.
But, of course, you can’t even have that. You’re alone with your thoughts for all of two seconds before you hear a crash off to your left that sends a few birds flying. You would have ignored it if not for the groan that immediately followed.
“Um… hello?” You call out, doubling back to try and see just what the hell had happened.
If you were in a horror movie, this would most certainly be your death scene.
“Ah…” It’s definitely a man, and he definitely sounds like he’s in pain.
“Are you okay?” You step off the path, getting closer to where the noise had come from.
That’s where you find him— your insanely attractive neighbor, practically in the fetal position, entirely focused on the camera in his hand. His jaw is clenched, whether in pain or concern for the camera, you don’t know. You just know he has a sharp jawline, long eyelashes, and curly hair.
Ugh, you could cry because he’s so good looking.
He looks up at you, eyes meeting yours, and he has the decency to look embarrassed.
“What the hell just happened to you?”
“I, um… I fell out of that tree.” He confesses, pointing to a branch, not too high up, but now dangling in half.
“And you were in the tree because…” You trail off, gesturing for him to explain further.
“Right, well, I was taking pictures and had an idea for a good one from a higher vantage point, so I climbed the tree. Thought I had a good balance, but—” He winces as he pushes himself up into a sitting position. “I didn’t.”
“No kidding. You’re lucky you didn’t break anything.” You marvel, hands held out in front of you just in case he falls over when he starts standing up.
“I’m not too sure about that.” He huffs out a pained laugh.
“You wouldn’t have been able to stand up so easily if you had, and your wrist and shoulder look fine.” You point out. “I have no doubt that you bruised your side up pretty badly though.”
“Yeah? How would you know?” He leans against the tree he just fell out of, his miraculously unbroken camera hanging from the strap around his neck.
“I’m a writer. I’m like a black hole of useless information.”
“I don’t think it’s useless anymore.” He takes a step forward and his face immediately contorts into a grimace. “Can I ask you a question?”
“Well, you’ve already asked so much of me, but if you really have to, then sure.” You tease, and he laughs again.
“I’m probably going to need some help getting back to the house,” he begins, and then continues after taking in the surprised look on your face. “But you don’t have to. I can just crawl or something. Maybe I’ll get lucky and make it back before nightfall.”
Not just attractive, but funny too? You might as well make the most out of these two weeks and use whatever you can to help you finish that dreaded manuscript. Besides, the only other person you’ve ever met who can hold a torch to your sense of humor is your best friend. This has to be a sign of some sort.
“Alright, but at least tell me your name first.”
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His name is Lando, you’ve known him for an hour, and you think you’re in love with him.
Sure, you’re frustrated that he completely ruined the solitude that you craved, but the ice maker in his house is broken and he desperately needs some for the bruise that you know is darkening by the second underneath his t-shirt. So he’s sprawled out on your couch, and you’re in the kitchen collecting ice cubes to wrap up in a hand towel.
“Alright, lift your shirt up,” you instruct, walking into the living room and taking a seat beside him.
“I usually take a girl out before I let her see me half naked.”
“But it’s okay if everyone else sees you out on your porch half naked?”
“You were looking?” He tilts his head down a little and raises his eyebrows. “Liked what you saw, did you?”
You blush. “Just shut up and lift your shirt.”
He hums a little to himself as he pulls his shirt up, revealing the beginnings of a bruise on his tan skin that is already swollen and definitely going to get worse over the next couple of days. It looks like it continues below the waistband of his boxers, but you’re not about to tell him to pull his pants down.
“That’s ugly.”
“I’ve had worse.” He shrugs, biting his lip when you gently rest the makeshift ice pack against his side.
“You have a habit of falling out of trees?”
“I have a habit of being in potentially life-threatening situations. It’s kinda part of my job.” He says it like he’s waiting for you to figure something out, waiting for something to click.
You take a moment to just look at him again. His fluffy curls, his infuriatingly handsome face, his thick neck, his toned stomach. And then something you’ve heard your best friend say a million times echoes in your head.
I bet every F1 driver’s contract has a clause that says they have to be hot in order to get in. I mean, you have Daniel Ricciardo, Charles Leclerc, and don’t even get me started on–
“Oh my God. Lando Norris?” You exclaim, almost jumping up from shock but stopping yourself so you don’t jostle him. “You’ve got to be kidding me!”
“I thought you knew!”
You glare at him. “Cocky much?”
“Well, what did you think when I told you my name?” He asks defensively.
“I don’t know, I thought your parents really liked Star Wars or something.”
He scoffs at this and smacks your hand away, holding the ice himself. “That’s real creative.”
“I’m sorry! My best friend is really into Formula One, but the most I’ve seen is bits and pieces of a race. I’ve never seen you, y’know, not in your car.” You feel like your eyes are practically bugging out of your head. “Wow, this is insane.” You knew he was too good looking to not be famous.
“Want me to sign something for you?” He wiggles his eyebrows at you.
“I will punch you right in your bruise.”
He stays for a couple more hours, readily enduring your endless stream of questions that follow your revelation of him being a Formula One driver, only getting a reprieve when the ice melts and you have to go get more.
He compensates for recounting his entire journey to Formula One by asking you his own questions the moment he’s done. You tell him more about how you became a writer– how you got your bachelor’s degree, got out into the world, and realized you had no clue what you wanted to do with your life, so you took a retail job. It paid a dollar above minimum wage, but it was worth it when something you heard a customer say once inspired you to craft a narrative that your editor liked enough to pick it up. She’d taken a gamble on you; you were her fourth client and the book wasn’t finished yet.
“So that’s why I’m out here,” you pause to catch your breath. “I need to have the manuscript done two weeks from yesterday, and I wasn’t getting anything done at home.”
“Needed a change of scenery.” Lando nods, like he can read your mind.
“Exactly.” You say quietly, suddenly feeling a bit self conscious under his intense gaze but refusing to look away.
The energy in the room shifts as the two of you look at each other, and you break the sudden eye contact when you take note of the fact that it’s dark out.
“I guess that’s my cue to leave,” he breaks the silence, pulling his shirt back down and letting out a quiet groan as he gets up. “I’ll see you tomorrow? There’s no way someone will be able to get up here to fix my ice machine by the morning.”
You blink at him a couple times, still trying to wrap your mind around the fact that you just spent hours talking with Lando Norris, all because he fell out of a tree. You didn’t even offer to make him dinner or anything, and he’s making plans to do this all over again.
You still haven’t spoken, so he waves his hand in front of your face. “Oh! Yeah, of course. Be careful, okay?”
He gives you an obnoxious salute. “I’ll try to survive the 50 steps it takes to get to my place from here.”
You go running for your laptop and start writing as soon as he’s gone.
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He’s at your door in the morning, and spends the whole day with you. Then the next, and the next, and the next thing you know, you only have four days left in your best friend’s dad’s house and it feels like you and Lando have known each other your entire lives. He isn’t able to do much in terms of physical activity, and when he trips over a root after insisting he’s fine you make the executive decision to go back to your house.
“Make some room, would you?” You sigh, looking for a place to sit thanks to the fact that he’s taking up the entire couch.
He simply lifts his head up.
“You’re joking, right?”
“I’m in pain. Don’t you want me to be comfortable?” He pouts at you.
“You’re insufferable, and a liar.” All the same, you sit down, and he rests his head in your lap.
He ignores you, eyes closed with a satisfied little smile on his face.
For his antics, you decide to disturb his newfound peace by putting the ice pack directly on his face and laugh when he bats it away.
“That’s just mean,” he whines, pressing his lips together when you put the ice on his bruise.
It’s mostly yellow and green now, like a weird rendition of Van Gogh’s Starry Night. Lando had made a game out of poking it two nights ago that ended just as quickly when he poked himself too hard and blamed you for it when you had been in the middle of telling him not to. After that, he hadn’t touched it, and now it looks a lot better. The ice probably isn’t needed anymore, but you’d prefer to err on the side of caution.
“You’ll live,” you say now, patting the top of his head to distract him from the discomfort.
“The last time I had a bruise this bad was when I crashed in Vegas last year.” He says, blinking up at the ceiling. “Took a while to go away.”
“I think I remember hearing about that. You crashed pretty early, no?”
“Yup. Barely got to race.” The sentences come out very clipped, like he’s still upset about it.
“It was a bad crash, huh?”
“Pretty bad.” You don’t have anything to say in response to that, so you start brushing your fingers through his curls. He relaxes instantaneously.
He almost falls asleep with his head in your lap, and that’s when you can’t take it anymore and have to kick him out. He’s almost to the last step when he stops and turns back, making direct eye contact with you.
“Y’know, it’s too bad you weren’t there when I crashed.” He gives you a soft smile. “You’re pretty good at taking care of me.”
Well, shit.
There’s a bottle of cinnamon whiskey sitting in one of the kitchen cabinets that you’ve been waiting for an excuse to open. You should drink it now when you’re thinking about him, but you decide to wait until you see him again.
You open your laptop and write until you fall asleep.
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By the time you let him in the next morning, you’re stumped again. You only slept for a few hours and expected to get right back into your groove the moment you woke up, but when you read over what you wrote last night, your brain just refused to comprehend it. It feels like you’re back to square one, but you can’t be too upset about it when Lando makes his way through the door. He doesn’t mention anything about ice like he usually does, which makes you equally happy and disappointed. Happy that he’s feeling good enough to forego the ice, disappointed because that means that there’s really no reason for him to come over anymore.
But if there’s one thing you can expect from him, it’s his spontaneity.
“We should go out tonight.”
“And where exactly would we be going?” You ask, watching him kick back on the couch like he’s the one that lives here.
“I dunno, just outside, I guess. You like stargazing?”
“I love it.” You reply enthusiastically. “I bet the stars are gorgeous out here. I’ve been cooped up every night, I haven’t had the chance to see them.”
“It’s settled then. Cancel your plans, you’re all mine tonight.”
“I didn’t— never mind.” You silently will away the flush creeping up your neck. “Actually, I wanted to ask you a question.”
“Shoot.”
“How’d those pictures come out? The ones you were trying to take when you fell?” You lean over the back of the couch in order to actually see him as you’re talking to him.
“That was two questions.” He laughs when you smack his shoulder. “I got a couple action shots as I was falling. They’re terrible, but I’m thinking about keeping them for the memories. Fun story for the kids, don’t you think?”
“Sure.” The kids?! You’re definitely breaking out the whiskey tonight. It’s the first (and only) thing you grab when he goes back to his place to get a blanket.
“Are you sure you’ll be okay?” You ask the moment the two of you step onto the trail, and he puts a hand over his heart.
“Your concern for me is adorable.”
“I’m only asking because you almost ate shit last time.” You burst out laughing at the immediate change in his expression.
He ends up leading the way for a mile or two before you reach a clearing that you would’ve discovered had he not fallen out of the tree.
“This is beautiful,” you muse, taking in your surroundings as Lando lays the blanket on the ground.
The sun is just about set, a light breeze passing through; a few different wildflowers are waving throughout the clearing. You look around and can’t see any sign of civilization. While that should make you nervous, since you’re with a guy you’ve only known for less than two weeks, it instead makes you relax. You forget entirely about your computer waiting for you back at the house and busy yourself with getting the top off the whiskey bottle.
“Found it the second day I was here. I’ll have to show you the pictures I got once I upload them all.” Lando says, furrowing his eyebrows as you struggle with your task. “Need some help there?”
“Be my guest,” you hand it over and have to force yourself to remain calm when he pops the top off like it was nothing.
“Ladies first,” he hands it back.
With pleasure, you think to yourself. Maybe getting drunk will help you stop acting like a schoolgirl. You take a generous drink, squeezing your eyes shut and breathing out slowly. “That is strong.”
“Hand it over.” He lets out a low whistle as soon as he swallows and returns it to you. “Wow.”
“I actually had a dream like this once,” you say, wincing at the burn of the whiskey as it slides down your throat. “I was just laying there, staring at the stars, with no worries. It was so peaceful.”
Lando takes the bottle from your outstretched hand. “I don’t dream.”
“What?!” The high pitch of your voice slices through the night. “Are you serious?”
“Yup.” He takes a long sip from the bottle before placing it down in the space between you. “Never have.”
“That’s- that’s crazy.” You shake your head.
“I’d think it’s nicer that way, no?” he counters. “I probably sleep better than you.”
“I mean, I guess. But then you don’t have any crazy dreams to share.”
“You always remember your dreams?”
Now, you blush. You’re not sure why you’re embarrassed. “I, um… I keep a journal.”
Lando’s eyes widen. “No way.”
“I have dreams written down all the way back to 2015.” You confess, reaching for the bottle again.
He starts laughing, like he thinks you’re joking.
“I’m serious!” You exclaim, shoving his shoulder. “In my defense, I’ve actually come up with some ideas from my dreams. Fat lot of good they’re doing for me right now, but…”
Lando hums, eyes skimming over your now crestfallen expression. He passes the bottle back.
“Thanks,” you mumble, tilting the bottle up to your lips.
“I’m sure you’ll find some type of inspiration while we’re out here.”
“I only have two days left, Lan.”
He gestures for you to pass the bottle back, and you do. You watch as he takes a sip, looking from his lips, to his jaw, to his neck, to his Adam’s apple that bobs as he swallows. You’re really going to miss this view. He lets out a quiet hiss. “Damn, that’s strong whiskey.”
“I told you.”
There’s a lull in the conversation, and then he speaks again. “My ice machine got fixed.”
“That’s—”
“Last week.” He cuts you off, doing that stupid thing he does where he stares directly into your eyes.
Your heart is in your throat, and your voice is small when you reply. “Okay…”
“And I was supposed to leave three days ago.”
Now your jaw drops. “Why… Why are you still here?”
“Because you’re still here.” He answers evenly, the alcohol clearly working in his favor. “I initially came here for the same reason as you– needed a change of scenery. It’s summer break right now, and my friend Logan told me it was super nice up here. It is, but then I had my little mishap and… it’s been a lot better since you showed up. So I decided to stay a little longer.”
He’s close to you now, so close you can smell the whiskey on his breath, so you say the only thing you can think to say. “I can’t believe you fell out of a tree.”
“I can’t believe you took care of me this whole time.” He brushes your hair out of your face, and his fingers linger on your cheek.
Your internal giddiness rises when you realize he’s actually about to kiss you. Your stomach is doing Olympic level gymnastics and you don’t trust yourself to speak, so you let the whiskey do it for you: you kiss him first.
You can’t remember the last time you kissed anyone, but the moment he pulls you on top of him you know that you won’t ever forget kissing him.
“Lan…” you break away from him to catch your breath, smoothing his curls back from his forehead. You can just see the glint in his eyes as he stares up at you, and it’s borderline painful knowing that you only get to enjoy this view for two more days.
You don’t remember what you were going to say to him. It’s way too soon for “I love you,” and not the right time to say “I already miss you.” You still want to say both.
Like he can hear your inner turmoil, he silences it by touching his forehead to yours. “Kiss me again, please,” he whispers.
You don’t waste a second in giving him what he wants, wanting nothing more in this moment than to feel his lips against yours again. You’re careful to avoid his side as he lays back on the blanket, keeping a firm grip on your hips so you don’t go anywhere. You try to convey everything you want to say into the kiss: I’m pretty sure I’m in love with you. I know I’m going to miss you. Please don’t let me go.
He holds you closer and gently slips his tongue into your mouth, and you melt into him, knowing the whole while that Lando Norris has effectively ruined all other men for you.
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Six Months Later.
Your phone is ringing in the other room as you’re in the middle of recounting the kiss to your best friend for the millionth time.
“Sorry, I’ll be right back,” you apologize. “It might be important.”
Thinking it’s your editor, because who else would call you at this late hour, you don’t look at the caller ID before you answer. “Hi, listen, I wanted to talk to you about—”
“The love interest falls out of a tree, huh?”
Your mouth falls open. “Lando?”
“That would be me. Or should I change my name to Darren?”
You roll your eyes, unable to stop yourself from smiling. “I thought you were never going to call me.”
You’d finished your manuscript the day before you went home. He’d been sleeping right next to you as you wrote the final words, and you should’ve brought it up that morning. Instead, you left your number on his porch the day you left, too deep in overthinking mode to actually face him and properly say goodbye. You truly didn’t expect him to call you after that act of such cowardice, especially after the two of you spent almost the entirety of your last days together at various levels of undress.
“I really wanted to,” he admits. “At least ten different times. I think Oscar might have assaulted me if I chickened out this time.”
“Yeah, because you won’t shut the hell up about her!” A voice in the background exclaims, and you hear something go flying.
“Get out!” Lando snaps, and you can hear Oscar’s laughter fading.
“Sweet of you to subject him to hearing all about me.”
“Come to the race at Silverstone.” He says before you can even finish your sentence. “I’ll pay for the flight, the hotel, everything. Just come.”
You feel like the floor just fell out from under your feet. “Lan—”
“I can’t stop thinking about you.” It’s said in a nearly unintelligible whisper, but his tone changes so suddenly you have to sit down.
“I can’t stop thinking about you either.” You confess. “That’s… kind of why I wrote you into my book.”
“Please, come to Silverstone,” he repeats, practically begging. “Come be with me.”
And when he finds you in the crowd after taking the win at his home race, and he wastes no time in wrapping his arms around your waist and pressing his lips to yours for everyone to see, you’re immediately taken back to those two weeks you spent in the Adirondacks, where you finally found the inspiration you’d been missing your entire life.
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note: this one goes out to my fellow writers who desperately wish their inspiration would fall out of a tree— writer’s block will never defeat us.
this got a little long, so if you’re reading this, thank you thank you thank you.
requests are OPEN, and my inbox is always open for comments, criticism, and conversation! feel free to pop in!
reblogs are always appreciated <33
beautiful dividers by @/saradika !
tags (i’m sorry if i couldn’t tag you!): @venusacrossthestars @anathedivine @xfuckoffx @architect-2015 @violetiss3lfish @havaneselover08 @paigeworlds @whatever7justchillin @xoredmoonlightxo @dovieloovie @totowolffstablexoxo @maddie-bell @lalisgs11 @rrrraaaalllluuuu @formulasportworld @madisonbidaddy @anedpev @estherapz-blog @jess-wither @loveyatopluto @athena-artemis-dorian-gray @lou-larcher5 @clearlyabi @fizzpopsnap101 @fluerlaurent @mcmuppet @positiveaspirations @notturlover @crazymofo-96 @chanthereader @apollo-axolotl
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calypsocolada · 9 months
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KISS | denji
(click here for part two!)
synopsis: afraid for your life you promise a kiss to a devil. cw: aged up characters, blood, kissing, fluff, cussing wc: 2.7k
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Honestly, what were you thinking? Denji is a single minded person. If there is a goal in his head he will do just about anything to get to that goal. That goal being various things to do with girls. You knew better than to ask him for anything, let alone promise him something. That something being a kiss.
Just a kiss.
Something spoken in the heat of the moment. Your back against the wall, death knocking on your doorstep. It was stupid really. A devil got the better of you. Most days you were quite proficient in a fight. But after a late night of drinking with friends, woken early and thrown into a fight you didn’t exactly have the best chances. Blame it on the throbbing hangover or just your survival instinct kicking in but you made the stupid decision to promise that if Denji got you out of this devil infested cave you would kiss him. You’re not even sure why that promise left your lips and honestly it was embarrassing, even more embarrassing that Denji practically tripped over himself to do just as you said. It was like watching a man be possessed. He tore those devils to shreds and when he was finished walked over to you all full of himself, offering his hand to help you off the floor. The cave was stained in blood. Denji was covered in it. It looked like that scene from the horror movie you watched with Aki a few months ago. The one with the girl in the pink dress winning homecoming queen only to be doused in pigs blood. You slapped his hand away, slipping and sliding on your way to your feet. 
“Disgusting.” You commented, wiping blood off your hands.
“Hey!” Denji called after you as you headed back towards the entrance of the cave, feeling your way along the walls. You could hear him sliding on the blood as he followed you out. “What about my kiss?” He asked. Honestly you’d forgotten what you said a few moments ago and his words were like a slap to the face. You and Denji joined the Public Safety Division around the same time, he was a few months older than you but acted like a twelve year old boy. Obsessed with things that made your blood boil. You tended to stay as far as possible from him. 
“It was a joke.” You said, slipping and almost falling but Denji grabs you and hoists you back to your feet. 
“A joke?” He asks as you push his hands from you and huff, straightening. 
“Yes, a joke.” You scoff, seeing the cave entrance in the distance. 
“Jokes are supposed to be funny. You owe me a kiss!”
“I don’t owe you anything!” You growled over your shoulder. 
“So promises mean nothing to you?” He calls back after you. You don’t answer him, just hurry out of the cramped cave into the sunlight, breathing in the fresh air. Your clothes and skin were covered in devil blood, your hair matted with it. You practically gagged, reaching for your cell phone. “Y/nnnnn?” Denji says in a sing-songy type voice. 
“What?” You snap.
“I will bug you day and night for that kiss, you know that right?” He jests as you turn to look at him. Just like you he was covered in blood. 
“Denji,” You start through clenched teeth. “I thought I was going to die in there.”
“Uh huh.” He hums, attention like a dog. 
“I said something stupid, just forget it.”
“It wasn’t stupid.”
“It was very stupid.” You growl, turning away from him as you message for a ride.
“It wasn’t!” Denji aruges. “You promised a kiss. I am looking forward to it.”
“It’s just a kiss. Any girl can give you that.” You sigh.
“I don’t want a kiss from any girl. I want one from you.” He clarified, you turn to look at him.
“Me specifically?” You ask and Denji nods his head. “Why?” It was no secret you couldn’t stand Denji, you argued with him all the time and criticized him. Denji scrunched his face as though you said something outrageously stupid.
“Why? You’re hot that's why! Like one of the prettiest girls on earth.” He stresses. You furrow your brows, amusement on your features.
“Oh really?”
“Really!” He asserted. You shook your head. 
“Denji, I was scared. I thought I was going to die.” You stressed, running a hand through your hair. “I would’ve said anything to have you save me.” 
“And I would’ve done anything to save you. Which I did. By the way.” Denji says, taking a step towards you. You step back, shaking your head.
“I’m not kissing you.”
“Just one kiss.” He interrupts. “Just one quick kiss, it doesn’t have to be long.” You stare at him for a moment. He really wanted a kiss badly, it was written all over his face. 
“You’re crazy.” You shook your head.
“You’re beautiful. Now can you kiss me.” He takes another step forwards. You roll your eyes.
“I am covered almost head to toe in Devil blood.”
“So?”
“So?” You echo. “It’s disgusting. And you're covered too.”
“So we go home, clean off and kiss after.”
“I. Am. Not. Kissing. You!” You stressed, heaving a sigh as you pointedly turned away from him. It was quiet finally and you knew Denji would be pouting behind you but you didn’t care. You weren’t kissing some devil. Especially since it would be your very first kiss. It wasn’t going to happen! 
Your guys’ ride finally showed as you and Denji loaded in. It was silent between you two the whole ride and you’d say it was awkward but it wasn’t like you guys were friendly before this moment. Something in you felt sort of guilty. Denji looked like a kicked puppy as he stared out the window. Like he was a kid with candy and you smacked it out of his hand or something. It was just a stupid kiss, someone else will come along one day and kiss him and he’ll forget about it. Or even would probably forget about it in the next hour.
But Denji didn’t forget. He wasn’t mean to you, just quiet. It was weird. He was quiet getting out of the car and walking into the house. Didn’t sing at all in the shower like he usually did and was quiet at dinner, which Aki noticed and was very concerned over. He gave you a look and you just rolled your eyes with a shrug. After cleaning up the table, Aki went off to bed as you and Denji did the dishes. He didn’t say a word for the first fifteen minutes and honestly it was driving you insane. Sometimes his incessant talking was annoying but right now you missed it. You passed him a clean dish and sighed. 
“Are you seriously still upset?” You asked quietly, not wanting to disturb Aki. Denji dried off the dish and put it away, grabbing the next one. 
“I was looking forward to it.”
“The kiss? Seriously?” You asked as he looked at you.
“Why is that so hard to believe?”
“Because it’s me you're talking about kissing.” You say, amused. He fully turns to you, cocking his head.
“Are you unaware that you're one of the prettiest girls in existence? Seriously? Of course I want to kiss you, I’m not that stupid.”
“Keep your voice down.” You hiss.
“Why? Scared i'll wake up your crush?” He whispers teasingly, you give him a sharp look but the blush that creeps on your cheeks is answer enough for him. He starts belly laughing, a loud laugh that has you yanking your hands out from the water and slapping it over his mouth. Your other hand grabbing him by the front of his shirt and yanking him forwards. 
“You are fucking annoying.” You hiss angrily, he laughs beneath your hand as you pull back, turning away from him. 
“I didn’t think you’d be so scared to kiss me.” He whispers as you turn, eyes slicing to him.
“Scared? You think I’m scared.”
“That’s what this is right?” He asks, his mouth tilting up in a smirk. “You’re scared you’ll fall in love with me.” Your brows shoot up and a scoff of a laugh escapes your lips.
“No, that is definitely not it.” You shake your head.
“Sure, keep telling yourself that.” He jests. 
“Seriously, it’s not, devil.” You hiss as he shrugs his shoulders. Annoyance floods your system as you reach and turn off the water, grabbing a towel. He watches you closely as you toss the towel at his chest, he grabs it, drying off his own hands. “I’ll prove it to you.” You say stubbornly, his brows shoot up as he realizes exactly what you were going to prove. He turns to face you. “Then you can stop walking around like a wounded puppy, now come here.” You direct and he does just as told, taking a step closer to you. You inhale, blowing your breath out sharply. You’d never kissed anyone before but you’d seen people kiss in movies and on the street so you also took a step closer and definitely ignored the way your heart skipped a beat when your eyes met his this close. Your hands shook so you flexed your fingers, hiding your nerves well enough. You hesitantly reached both your hands up and placed them on either side of Denji’s face, his cheeks burned beneath your touch, his eyes darting from your own to your lips. This was so stupid. Just hours ago you’d rather die than relinquish your first kiss and now here you were about to give it to Denji of all people. You swallowed nervously, sucking in a quiet breath. Both of Denji’s hands, which were at his sides, now moved to your hips, causing you to jump. “What’re you doing?” You ask, he looks at you apologetically. 
“I don’t know, it just felt right.” He says and although your moments from smacking his hands away something about it did feel right. And not wanting to investigate that idiotic feeling anymore you just pushed it out of your head and swallowed down your nerves. 
“Whatever, okay,” You breathe out. “I’m gonna kiss you now.” You say and his fingers on your hips tighten slightly, pulling you just the smallest bit closer as he nods his head, eagerly. Your heart does a funny flip in your chest because now you two are mere centimeters apart. It's a stupid thing really, it’s not like you harbored some deep feelings for Denji… Right? You shook your head externally and huffed, yanking his lips to yours in a final effort to get this moment over with. Denji gasped slightly as your lips met his. His eyes shooting open in surprise. If he was being honest with himself he didn’t think you’d actually go through with it. He’d known you for months now and you were well above being teased usually. Sure he was very very bummed when he thought you wouldn’t kiss him but since he thought it would never happen this was a total surprise. Like hitting the lottery. A one in a million thing. And he would not take this for granted. You pulled back a second later, his eyes still open as yours opened to meet his. For a second you two just stared at each other, blushed red. You cleared your throat, your voice a bit high as you spoke. “There, now you can leave me alo-” His arms slipped around your back, his eyes falling closed as he leaned down closer to you, your lips slotting together in harmony. Your breath hitched in your throat as Denji pulled back, taking you with him as he practically lifted you off the floor into his arms, your legs kicking out behind you. Almost as though the little space between you was too much and needed to be eradicated. It was just supposed to be a quick peck but you couldn’t pull back. You felt something shocking like electricity as the kiss deepened, as he set you on the ground and you buried your fingers in his hair, his hands grabbing your hips as you two walked back, his back practically slammed into the fridge.
“Oh uh-” Aki’s voice gasped from the hall. You yanked back away from Denji, red faced and embarrassed. Aki looked amused, like he was holding back a laugh. You covered your face, turning back to the dishes. “I didn’t mean to interrupt.” He says, grabbing a drink from the fridge.
“You didn’t.”
“You did.” Denji says at the same time as you. Aki heads back without another word but you could hear him snickering down the hall. You turn the water back up, getting back to the dishes. You feel Denji slide next to you as you give him a clean dish to dry.
“Can we do that again?” He whispers, your stomach dropping as well as the dish in your hand. 
“Let’s just pretend that didn’t happen.” You say, embarrassed and flushed with emotions that you never thought were even remotely possible. Denji knew this is where things were headed but it didn’t stop the pain he felt when you reinforced that.
“Thank you.” Denji says quietly, you swallow, biting your lip. “You’re a good kisser.”
“Okay.” You snap slightly, just wanting the thick tension and jarring want to subside. All the quiet did was reinforce the tension and awkwardness. You two finished up the dishes and headed back towards your rooms that were right across the hall from one another. Denji turned to you before you could slip away and grabbed your arm softly. You turned, hoping the nerves weren’t showing on your face.
“Are you-,” He scratched the back of his head, he seemed like the nervous one. “Are you mad at me?” He asks as you furrow your brows, shaking your head. 
“No.” 
“Oh good,” He breathes out. “Because it’s killing me not to kiss you again.”
“Denji,” You said in surprise, eyes glancing at Aki's door. You didn’t like Aki the way everyone thought you did, he was more like the cool cousin you wanted to impress. Denji catches the look and swallows. 
“Oh, I see.” He says almost dejectedly. 
“It’s- it’s not like that.” You say with a sigh. 
“You don’t have to lie, I get it.” He says with a sort of forced kind smile. 
“I’m not lying.” You snap quietly, running a hand through your hair. “It’s not like that.” You stressed as he pursed his lips and nodded his head. He didn’t believe you obviously and the jealousy on his face was apparent. “I’ll prove it.” You say as Denji just watches you. You yank him by the shirt back against your lips and that familiar buzz in your stomach flutters again. Kissing Denji felt like tumbling off the side of a cliff. Freefalling towards something certain to kill you. That was until his arms tense around you and that freefalling slows to a gentle stop. There was nothing gentle about Denji until he kissed you. He seemed like a different person entirely in this moment and you needed space before you did something stupid so you pulled back, his eyes are still closed and that’s the first time you think Denji looks beautiful. It freaks you out. 
“Good night.” You say hoarsely, slipping out of his hold into your room, pressing the door closed. Your heart is thudding in your ears as you step back until the backs of your knees hit your bed and you fall on it. You stare at the door, willing your heart to stop beating so erratically, flexing your shaking hands. You kissed Denji three times and each time was better than the last. As unbelievable as that was. 
Denji watched your door slam in his face as he staggered back, blushing and dizzy. He couldn’t contain the smile that plastered to his lips as he balled his fists, pumping them in excitement. Denji only had eyes for you, he thought you were so cool and calm and collected. Always level headed and smart. He thought the world of you but never really thought you’d feel anything but annoyance towards him. But clearly, he was wrong, and he’d do anything to keep it that way.                      
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mysticheathenn · 17 days
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What Are The Lies You Tell Yourself?
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Hi, Hexlings!
This pick-a-card reading is about the many things you tell yourself to keep yourself small, stay in toxic relationships, make yourself feel bad, etc. Maybe even words of kindness to help dispel those lies.
This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.
Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.
MasterList
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Next Reading: Patreon (unless spirit says otherwise)
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Pile l:
What are the lies you tell yourself? Tarot: 4 Swords (reversed), 2 of Swords, Awakening, 9 of Wands, 7 of Swords (reversed)
Pile l you have two different messages so I will start off with the first message of those who like to self-sabotage their lives. You like to feed yourself the narrative that you are too busy and everything is hard because you are afraid of failure. You are afraid of the things that can come from actually doing the many things that you say you want and will do. This might be success, failure, or fear of losing those around you because you aren't sure if leveling up will cause a rift or if people will start asking for money but either way, you refuse to look at yourself with complete honesty and accountability when it comes to achieving your goals because you are always feeding yourself lies as to why you can't do them out of fear of the unknown and it's time you stop lying to yourself. This doesn't even have to be a fear of failure or success, etc this could just be you feeding into your imposter syndrome or for some of you feeding into your Lana Del Rey era where you fear if you aren't sad, stressed, or anxious you won't be loved, be a funny person anymore, whatever the reasoning is. You have to give yourself a chance to fly or else you will never know what you are truly capable of or even know if you can really fly.
The 2nd message is for those who identify with hyper-independence. You refuse to acknowledge the fact that the reason you do everything yourself is because you fear having the few people around you let you down like others have. So you continue to feed this narrative of "I like to do things myself." "I'm the only one who can do things right around here." While some of it may be true...you really deep down fear people letting you down again. You are prolonging the inevitable of letting people show you who they really are. Let others around you help you so you can have a break now and then, stop always trying to carry the weight of the world on your shoulders. If someone messes up or doesn't come through...so be it. You can't control everything in your life...you are going to have to release some of that control and go with the flow and allow things to come and go no matter how lonely or horrible the feeling may feel. Better will come when you stop trying to control everything.
Extra Messages: Tea Trea Oracle Deck: June, Slowly but surely getting ahead, dissatisfaction with life, An exciting life, waiting for news/ package/ or letter, Do not back down from the opposition show strength and fortitude, solid foundation success with effort, feeling tied down or frustrated.
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Pile ll:
What are the lies you tell yourself? Tarot: 7 of Cups, The Star, Page of Cups, 8 of Swords, Queen of Pentacles.
Similar to how pile l has two messages so does this pile. The first message I would like to ask is who hurt you? Who hurt you enough to where it made you believe that you can't be loved, shouldn't be loved, nor seek love. You continuously keep yourself in a small corner...my own little corner from the Cinderella movie featuring Brandi is playing in my head (Link to Song). Long story short you feel small when you are around others like you have to change who you are in order to be and feel loved but when you are alone you are exactly who you want to be if not exactly who you want to be at least you have an idea or a sense that who you are currently is not who you want to be and it's sad love. I want to hug you and let you know that you should be around others who see you, for you. You are not hard to love and you deserve the best and purest love there is. Stop feeding into the narrative of others as your own, because it's not.
The second message is similar to the first message and a little bit of the first message of pile l. You like to tell yourself reasons why you don't deserve nice things or feed into the mindset that you will never amount to financial abundance. I feel some of this mindset has to deal with childhood/adolescent trauma others of you this may have developed because you kept feeling like every time you got a leg up life would knock you down a peg as to tell you, you aren't meant to have good things when in reality life was trying to redirect you or point you in a direction of something better. You were meant to shine and have many options of abundance in your life. This message is for a few of you but this also has to deal with your looks. You possibly feel that your looks are not up to par and that everyone you meet is always better looking than you. You may also have a fear that if you ever did decide to date that the person you are with would leave you for someone better looking or "better" in general.
Extra Messages: Tea Trea Oracle Deck: A path with money is waiting for you to find it, Getting together with friends, Take care or there will be a loss of material wealth, Opportunity of windfall, Stepping into a new experience, Work/success/achievement, Affairs with your family.
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Pile lll:
What are the lies you tell yourself? Tarot: 5 of Wands, Justice, 6 of Cups, 10 of Wands
This doesn't feel like a lie per se that you tell yourself like the other piles but more so of the delusion you feed yourself. This feels more of a victim mentality mixed in with entitlement and before you say nope not me....*David Beckham's voice* Be Honest. How do you feel when you aren't getting your way or dealing with small inconveniences. Be Honest. If the answer is you complain about life not being fair and you go into victim mentality mode that everything always happens to you and not for you or you just feel for whatever delusional reason that life must always cater to you without any kind of effort is....quite bold...I will applaud you for that love. You have the confidence of a mediocre white man, haha. I love to see it. This per se again isn't all that bad but it kind of is as it stems from your childhood of you parents always handing you gold stars for just existing or putting in "at least they did it" energy. You like to believe that you are doing hard work or you are doing a lot when really you self-sabotage or you do one little thing and expect life or others to bend towards your will because you "tried". This message doesn't even feel like a message to help guide you but more so to act as a mirror because it has been a while since you have been completely honest with yourself and your behavior. Some of you might be sick of yourselves and need this while others of you don't smell your own shit.
Extra Messages: None. You don't really need extra messages as your reading was all the message that you needed for a shift and clarity on how things are. Stop lying to yourself. Look in the mirror and ask if you really love what you see? If you really love the kind of person you are? If you really love how you move in your life towards things you want.
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Pile lV:
What are the lies you tell yourself? Tarot: The Tower, The Empress, The Sun, Queen of Cups
Three major arcana cards and one minor arcana say a lot about you, pile lV. At first because of the type of reading this is I thought maybe you might be afraid or lying to yourself about becoming successful or experiencing happiness but as I drew clarifiers for your pile it started to come together that you are not being authentic to who you are in your feminine energy. What I mean is that you are people-pleasing way too much to the point where when you want to say no, you say yes instead. This pile gives me the vibes that when a guy approaches you, you are on your "best lady-like behavior when politely declining the guy." Even when he keeps persisting and etc you refuse to act out of character and say listen my guy back the fuck up and fuck off. Take a hint. You can be in your feminine energy and still maintain boundaries, and say what you want to say without coming off as "hard, rough around the edges, etc. There was a YouTube short the other day that was from the Clock app where someone was making fun while also having a point when it comes to people pleasers. "Oh, you're such a people pleaser...how many people have you pleased?" So many people have stitched it not being able to answer this question because who have you pleased? Do you consider yourself a dog pleasing its owner for treats, shelter, and so forth. For some of you, this all stems from childhood because maybe you grew up in a transactional household where your parents or family didn't do anything for you without expecting something in return, or even romantic and friendships have done this. It's okay to say no from time to time. It's okay to not be this prime and prissy-like persona. Again you can be loving and kind while still painting boundaries and saying no to things you don't want to do.
Extra Messages: None like pile lll, you don't really need any extra messages as your message has everything that you need to hear.
Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.
Stay safe and be blessed
Next Reading: Patreon (Unless spirit says otherwise)
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linkspooky · 8 months
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Sukuna's Anti-Enlightenment
Sukuna's words in this chapter practically mirror Mahito's words to Junpei from much earlier in the series.
"Do you understand? Life has no weight or particular value. Just like how water flows through the earth, life simply flows. For you, me and everyone else - it's the same. Without meaning. Without value. That's why you can do whatever you want. Live the way you want. Don't limit yourself to just being indifferent. There's no reason to live by such a restricting philosophy. If you're hungry, eat. If you hate, kill."
Both of these characters are rejecting humanity's natural instinct to look for a purpose in life and are instead subscribing to a more animalistic way of living following their basic instincts, if you're hungry eat, if you hate, kill. While the philosophy sounds simple enough there's something much more complex going on under the surface that requires digging deeper into Sukuna's mindset.
A True Curse
By having Sukuna essentially quote Mahito, the story is inviting us to compare them. A literary foil is a character whose purpose is to accentuate or draw attention to the qualities of another character. This term comes from an old technique of placing a thin metal sheet, or foil, behind a gem to make it shine. Sukuna is a character defined by how little both the other characters in story, and the audience understand him, something Yorozu comments on he's simply too powerful and isolated to be understood by the rest of humanity and so he stands alone. Which is why giving him a foil is a way to help the audience understand Sukuna without the author tipping their hand and ruining Sukuna's mystique. The question is what does Mahito highlight about Sukuna, and my answer is Sukuna is what Mahito wishes to be.... a True Curse.
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Mahito is many things, but without making this entire meta about Mahito his primary goal along with the rest of the special class curses is to eradicate humanity and replace them as the true humans. They basically want to destroy what humans have created and create a world of curses in their place.
Mahito is the most human like of the curse family, he reads human books watches human movies, even spends time getting to know a few humans personally and he also rejects them the strongest because he is made up of the human fear of other humans. Mahito is the one who reflects humans the most because all the other curses are made up on natural disasters, and yet he wants to destroy everything that's human inside of him and embody a true curse instead.
Which he does in the final phase of his fight against Yuji by literally ripping off his own skin like it's a chrysallis so he can emerge in a more curse-like form. Mahito is like the frankenstein's monster of the human id, he is created by the absolute worst impulses of humanit yand therefore rejects humans implicitly.
He even argues with his fellow curses that they shouldn't act too much like humans. Whend Choso, Jogo and Mahito disagree about whether or not they should revive Sukuna, Mahito argues they've been following Kenjaku's strategy too closely and they should make a game out of it and follow their whims or desires like a curse would isntead of using strategy like Kenjaku.
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Mahito's idea of a curse is a creature of the natural world that lives entirely true to its own desires and hunger, satiating it without thinking about the effects their actions have on other people. A lion doesn't stop to ponder whether or not the gazelles its grazing on have feelings. A curse rejects the human need to fight purpose in life, or find deeper meaning or reasons behind their actions and only follow their instincts.
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Mahito doesn't just not think about the meaning of life, he actively rejects there being any other meaning besides living to satiate one's needs. Remember Mahito and Sukuna both laugh together at Yuji, and Yuji identifies them as true curses as well.
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A scene which is called back to later on in the series shortly after Sukuna takes over Megumi's body.
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In a series where even characters like Gojo and Kashimo who view other people as not human in the same way they are will have an aching loneliness and a desire to connect to others, Sukuna and Mahito both seem completely devoid of any humanity whatsoever.
Mahito however, is a baby and a newly formed curse while Sukuna is an adult that's existed for 1,000 years as the pinnacle of Jujutsu. Mahito is essentially the larval form of Sukuna in the story. Quite literally in fact, because he emerged from the chrysallis by ripping his skin off to reveal his true curse form in his final bout with Yuji. Sukuna is what Mahito wants to be when he grows up. Mahito talks the talk, but Sukuna is actually able to walk the walk.
It's a bit like how Gojo, Naoya, and Toji all sort of believe that power makes it so they exist in a different category of people, however Gojo and Toji have the ability to back that belief up with power whereas Naoya just gets his butt kicked a lot. Naoya even crosses the boundary line between human and curse in an attempt to reach the same level that Gojo and Toji were at.
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There's a pattern in the series of characters pushing themselves further and further away from humanity becoming curses and rejecting human values of meaning alongside of it. Going from higher thinking like empathy, philosophy, the search for meaning to lower, more animalistic and instinct heavy thinking. Naoya even says that becoming a curse reminds him of his childhood again like he's completely regressed intellectually.
Naoya: This sort of takes me back. There are things that children can't do that are easy for adults. After you grow up, you can't even remember the time you couldn't do it. Well, this is like that.
Jogo also defines a curse as someone who's true to their feelings, unlike humans who hide behind lies and pretend to be something they're not. All of this to say I don't think Mahito and Sukuna's views are nihilistic per se. Nihilism is rejecting that there is inherent meaning to anything in life yes, but in order to reject meaning you have to question it first. Mahito and Sukuna seem to be rejecting philosophy itself, an anti-philosophy philosophy so to speak. Nietzsche considered animals to be un-historic, because they only existed in the presence and have no history. They are, themselves at every instant because they only know of the now.
“Consider the cattle, grazing as they pass you by. They do not know what is meant by yesterday or today, they leap about, eat, rest, digest, leap about again, and so from morn till night and from day to day, fettered to the moment and its pleasure or displeasure, and thus neither melancholy nor bored. [...] A human being may well ask an animal: 'Why do you not speak to me of your happiness but only stand and gaze at me?' The animal would like to answer, and say, 'The reason is I always forget what I was going to say' - but then he forgot this answer too, and stayed silent.”
Cows aren't nihilistic, they're not anything because they just exist. They just exist as individuals in an eternal moment. They just exist.
Mahito: "Emotions come from the soul. It's too simplistic to call it "heart". People overthink things they can't see. I can see the soul so for me it's nothing special. It's practically the same as the human body. It just exists."
Mahito similiarly says that the soul just exists, there's no need to overthink the meaning of it or try to classify the soul as a "heart" capable of feeling emotions because it's just there. Sukuna similiarly doesn't worry about the past or the present, all humans are just momentary distractions to him and he only lives in pursuit of finding his next meal.
They just eat to satisfy their hunger temporarily, not because they find the food delicious or for any other reason. They're just living in pursuit of their next meal. It reminds me of a passage from my favorite existentialist book series Zaregoto.
"They say food, sleep and sex are the three basic desires of makind. But why are we eating this meal right now?" "To ingest vitamins." "Yes. Without vitamins, people die. And thus eating food brings pleasure. Sleeping feels good too, and sex, well, that's obvious. Anything that you hvae to do to stay alive always comes with pleasure." [...] "Now let's imagine someone who's obsessed with eating. In other words someone who eats not simply to take in vitamins, but because he's mad for the sensation of eating itself; for the beauty in the very act. The stimulation of his taste buds. The pleasure of feeling the food pass through his mouth. The joy of mastication. The ecstasy of feeling that mushed-up gook flowing down his throat. The feeling of fullness nearly destroying his satiety center altogether. The euphoia taking over his brain. To a guy like that, vitamins or lacktherof are totally irrelevant. The means and end have switched places for him, so now his main goal is something subsidiary. Now there's your problem. Can you still say this is eating? No, don't answer. You and I both know the only possible answer is no. WHat this guy is doing isn't eat. He's just eating the concept of eating."
Sukuna isn't even eating at this point, he's eating the concept of eating. He's eating because the pleasurable sensation of eating distracts him for a little while, and because looking for his next meal gives him something to do while he's killing time before he dies.
2. Anti-Philosophy Philosophy
They're not even saying that life is meaningless, because that's a conclusion you come to after questioning the meaning of life. They reject the questioning of meaning itself, the attempt to understand either life or other people. They're living entirely like lions prowling the sarangetti for their next meal.
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"I've never needed anyone to satisfy me. I eat when I wanna eat, play with what amuses me, and kill whoever's in my way. I live as befits my nature. If no one can grasp that, it's their problem."
Mahito rejects the heart, Sukuna rejects love, both of these things are more complicated human desires than just eat until your stomach is full and kill or be killed.
Sukuna and Gojo both say "Tenjou, Tenge Yuigadoksun - above heaven, under heaven, I alone am worthy of honor" but only Sukuna goes on further to say "all that exists is my pleasure and displeasure". Even Gojo wants to be understood by others even if he thinks that normal people can't understand him and he exists as a different species from them, but Sukuna himself even rejects the fact people might understand him. They do, or they don't, it doesn't matter to him because he only needs to udnerstand himself. Sukuna's practically lapsing into solopism here.
Solopism is the philosophical lens that only one's mind is sure to exist. Knowledge outside of one's own mind is unsure, the external worlds and other minds cannot be known and might not exist outside the mind.
Solopism builds on the failure of Descartes maxim "I think; therefore I exist" which fails to provide any real details about the nature of the "I" that has proven to exist. Solipism asserts the only thing certain is the "I" - one's most certain knowledge is one's own mind, my thoughts, my experiences, my emotions. There is no link between the occurence of a certain conscious experience or mentals tates and the "possession" or behavioral dispoistions of a "body" of a particular kind. The experience of a given personality is private and only understood by that person. The solipistic view of Sukuna is that his experience in the present, what he's feeling, is the only thing that matters and everything else may as well not exist.
I'd only say it has things in common with solipism though, because even Solipism questions reality which Sukuna doesn't question anything. Suuna doesn't feel the need to question things or grow because in his mind his understanding of himself is perfect and complete which is why he doesn't need anyone else's comprehension of him.
In freudian psychoanalytic theory you could align Sukuna's behavior to the ID (I Desire). Jung and Freud both believe in a divded consciousness, but Freud divides it into three, the id, the ego and the superego. The id is the insintcts, superego is the higher thinking like morality, and the ego is the mediator between the two. The id is the most primitive and instinctual part of the mind. For example a child is said to be all id, because they don't understand rules or other people's feelings they only want to fill their basic needs. Mahito would be the childlike aspect of the id, because he is a newborn fledgling cursed spirit.
The id also follows the pleasure principle, which Sukuna's philosophy also follows "all that exists is my pelasure and displeasure." Freud argues the pleasure principal is an ingained survival instinct "what decides the purpose of life is simply the programme of the pleasure principle". The Id is made up of the life-sustaining activities such as eating and sex, and it makes these things pleasurable so we will pursue them. However, there's also a counterpart to the pleasure principle in the human psyche that is the reality prinicple, which is the human capacity of defer gratification of a desire when a situation doesn't allow you to have immediately what you want. The id is ruled by the pleasure principle, and immediately wants all of its desires granted at the cost of everything else, but mature human egos are able to delay instant gratification for a higher objective.
Sukuna basically lives by the rule of the pleasure principle. He's shown capable of long term planning if he needs to like taking Megumi's body, so he's not incable of delaying instant gratifciation but at the same time his ruling princple seems to be seeking immediate pleasure. Sukuna is a walking appetite, he literally has a mouth on his stomach.
There's also the alchemical trinity to consider, mind, body, and soul. In this Sukuna is the body. Not only is he a body hijacker who has literally transformed Megumi's body practically into his own, but he also only lives to satiate the phyiscal needs of the body.
This is where Sukuna would differentiate himself from solipism though, because he needs to exist in a physical body. His entire quest over the course of the manga is to regain a body, he needs to eat, he needs to fight physically, he wouldn't be comfortable just existing as a brain within a jar he needs to stay in the physical world. He lives for the physical pleasures of this world.
What about the Body character?  There isn’t one in every alchemy story, but when this does appear, the markers are predictable.  Body characters are focused on their bodily needs--they are hungry, thirsty, and, in adult stories, lusty.  And they are often fearful. Think of Papageno in Mozart’s opera, the Magic Flute, who breaks his vow of temperance and starts eating and drinking on stage, lamenting his lack of female companionship.  Or Wiggins in The Little White Horse (he’s a beautiful, vain King Charles spaniel, always focused on his next meal). Or Sméagol/Gollum, who eats compulsively though his main lust is for the Ring.
Sukuna for instance wouldn't be happy living like Tengen who exists far outside of humanity simply observing others, because he has a need to interact with the world in the form of eating, or experiencing earthly pleasure.
In fact after going through several philosophies which don't quite describe Sukuna's own philosophy (because it resembles these while inherently rejecting the need for philosophy) we might come to the closest comparison for what Sukuna's desire is, which is to exist for as long as possible on the earthly plain while filling up his stomach.
Sukuna is comparable to the Celestial Demon Mara in budhist mythology, more on it in this thread. In budhist cosmology, Mara is the "personification of the forces antagonistic to enlightenment."
Devaputra-mara specifically is the deva of the sensuous realm, who tries to prevent Gautuma Budha from attaining liberation fro m the cycle of rebirth the night of his enlightenment. The existence of Mara is to defy Budha, and specifically to prevent his escape from the cycle of the world, especially the sensuous realm. He exists in opposition to the three marks of existence too.
Number one impernanence, that all existence, without exception is "transient, evanescent, inconstant". Number two Dukha "Suffering, pain, unsatisfactoriness" is inherent to life. Number three antaa "Non-self, non-soul, no-essence."
If the ultimate goal of budhism is to escape the cycle entirely and stop being reborn in the sensuous realm, Maara instead tempts people to stay in this realm. it defines impernanence by suggesting we stay in this realm forever. It defies Dukha by saying we indulge in physical pleasures in this realm, that we should seek to satisfy ourselves even if budhism argues that life is primarily unsatisfactory. Then if the ultimate goal of existence in budhism is the "non-self" to escape ego, Maara argues we should remain trapped as ourselves forever.
We even see Sukuna literally tempt a budha-like figure into remaining in this earthly realm. After all aren't we shown that Gojo achieved enlightenment at seventeen and let go of earthly emotions like the need to be angry and avenge Riko's killer because the feeling of oneness with existence was too good in that moment.
A lot of people noticed what they thought was Gojo acting out of character in the fight with him and Sukuna, by enjoying the fight and choosing his selfish desire to love jujutsu and fight as a sorcerer over his responsibiltiy to protect children. Something which Nanami says in his dying hallucination that Gojo only ever lived for the pursuit of his selfish desire for Jujutsu in the first place.
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Gojo, a character that we know has a higher minded ideal that he's fighting for the next generation of sorcerers is shown losing that ideal in the fight with Sukuna, and only caring about his earthly pleasures, having a satisfying fight against a strong opponent. You could even say that was Sukuna's goal in the fight, to strip off Gojo's fish scales so to speak and reduce him back to being a normal human being. Something which he accomplished when he managed to learn to cut the space that Gojo inhabited, therefore negating the infinitity that protected him and dragging him back to this earthly realm.
"This is goodbye. You were born in an era without me and hailed as the strongest yet you turned out to be painfully ordinary..."
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In a way Sukuna tempted Gojo away from enlightenment and succeeded. The linked thread goes on to say that Budha defeats Maara to save his students during his temptation, but Gojo on the other hand died and failed protecting his students specifically because he chose the earthly pleasure of seeking to have fun in a fight over the well-being of his student Megumi who's body was possessed.
He made a human being again out of an enlightened Gojo, and dragged him back to morality and the cycle of death and rebirth by making Gojo care more about his selfish desire for a fight than the principles he fought for. Sukuna trapped Gojo in the mortal realm along with him.
Sukuna's philosophy sounds like Mara's too, that rather than seeking anything better you should just distract yourself from the unhappiness of life by indulging in pleasures to stifle your misery.
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I'd say Sukuna lives the same way. He doesn't consider himself weak, but he doesn't talk about life or this world like it's a fun place to be. He tells Yuji to stifle his misery. He then admits to Kamo that his purpose in life is just to eat delicious things to kill time until he dies.
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"Life is just killing time until you die" sounds like a miserable kind of hedonism, since he's only distracting himself from the unpleasantness of life. Sukuna too might just be spending his life stifling his own misery by seeking endless pleasure on earth. He doesn't want to escape earth however, he wants to remain on earth for as long as possible. Kamo even pointed out the strange contradiction in his own philosophy.
Sukuna insists he doesn't need to be understood by others, that he's not alone, that fighting and eating his way through life is enough for him because he understands himself and all life is just enertaining yourself until you die anyway, but Kamo asks why if he's just satisfied with that kind of life did he go to the trouble of ripping his soul into twenty pieces and trying to regain his body 1,000 years later.
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Sukuna notably avoids this question. He doesn't tell Kamo why he even bothered to divide his soul up and extend his life if he's perfectly satisfied with life as it is. We don't get the answer to why he wants to possess Megumi or is going through all this trouble.
That's where we get to the greatest snag in Sukuna's philosophy, which ironically relates back to the tug of war between the pleasure principal and the reality principal.
Sukuna's philosophy is that he's never needed anyone else "I've never needed anyone to satisfy me. I eat when I wanna eat, play with what amuses me and kill whoever's in my way. I live as befits my nature. If no one can grasp that, then that's their problem."
The big glaring flaw in Sukuna's philospohy that he's only ever needed himself is kind of like the flaw in the american "pull yourself up by your bootstraps philosophy" its that everyone including Sukuna needs other people. Sukuna isn't fighting with his own strength alone right now. He stole it from Megumi. He could have conceived of a way to beat Gojo without the Ten Shadows yes, but right now Sukuna wouldn't even be able to exist in the physical world without Megumi's body.
He is literally a parasite in a teen boy's body, using him to his own ends and yet he insists that he's the only one that exists or matters and he's always been able to accomplish everything he wanted with his own strength. Sukuna's a parasite right now, arguing that he's the greatest individual and has never needed or relied upon anyone.
The Great and Mighty Sukuna is defiling a young person's body for his own gain, the same way that Kenjaku defiles women and his own children, the same way that the elders manipulate the young in Jujutsu Kaisen to maintain their power base in Jujutsu Society. This supposedly all-powerful erson who only ever relies on himself and only needs his own ego wouldn't even be alive right now if he wasn't paraisitizing Megumi's body, yet he argues that he's completely fulfilled in himself.
A freudian perspective argues that a mature ego finds a balance between the pleasure principal (the need for instant gratification) and the reality principal (the ability to defer instant gratifiaction when the situation doesn't allow for it). Whereas a child is only ID and only cares about fulfilling their most basic needs first and foremost.
Sukuna is paradoxically presenting his views like he's a fully realized, enlightened adult the absolute peak of sorcery, the most developed and intelligent sorcerer in the world, etc. etc. yet he has the underdeveloped ego of a child because he has no grip of the reality principal. A person who doesn't interact with other people or the world, can't learn or grow from it. Which is probably why the closest character you can compare to Sukuna is Mahito, a literal child and a newborn curse. Even Mahito fails to become a true curse in the end.
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Sukuna says he rejects enlightenment, and any higher philosophy in order to remain in the earthly realm forever, but one wonders if that isn't the same as the Miltonian Lucifer rejecting heaven to reign in hell.
The mind is its own place, and in itself Can make a heav’n of hell, a hell of heav’n. What matter where, if I be still the same, And what I should be, all but less than he Whom thunder hath made greater? Here at least We shall be free: th’Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice To reign is worth ambition, though in hell; Better to reign in hell than serve in heav’n.
The theme of Paradise Lost is that any sinner, even Lucifer, can stop at any time and seek forgiveness instead. However, Lucifer chooses not to do that. He could leave hell at any time but he chooses to stay. He’s fine in hell after all. He’s totally gotten used to the temperature by now. Everything is fine Lucifer says, while everything is on fire.
Lucifer would rather stay in a hell of his own creation because it gives him the illusion of control over his life then admit he was wrong or give up that control.
He may be king of hell however, but he's still in hell. Hell is not exactly the most pleasant place to be. King he may be, but he's trapped here the same as everyone else.
Sukuna may be the closest a character has come to being a true curse, he might have transcended humanity, the human need for love, but he still can't escape the earthly realm. In fact his entire philosophy is a mara-esque avoid enlightenment and stay in the earthly realm as long as possible. In a series where characters like Yuki and Kenjaku are trying to evolve cursed energy into something different, either by completely removing it, or by optimizing it and forcing it to take a new form Sukuna is someone who is stagnant and resisting that evolution. Why would someone who's already perfect need to evolve in any way?
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That might just be Sukuna's downfall in a way. By rejecting other people, by rejecting the human need to seek meaning in life, he may have made himself completely stagnant. After all if Sukuna already accepts everything about himself, if he is a fully realized individual then why would he need to change?
He can steal techniques and knowledge from others of course, but that's what he always has done. The real question is how would Sukuna who's the perfect sorcerer, who's never been anything other than a sorcerer and lives to be one, exist in a world where the definition of what a sorcerer even is will probably change by theend of the manga?
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So Sukuna may ask "What can a little boy hope to accomplish here?" but a child like Yuji is capable of the one thing that Sukuna isn't, growing and changing into something better.
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bluerthanvelvet444 · 1 month
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ᯓ★⋆˚𝙿𝚎𝚝𝚎𝚛 𝙼𝚊𝚡𝚒𝚖𝚘𝚏𝚏 𝚑𝚎𝚊𝚍𝚌𝚊𝚗𝚘𝚗𝚜⋆。˚ ⁀➷
(Peter Maximoff x fem!reader)
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tags: sfw and nsfw.
warnings: none.
character count: 7k.
this was a request!
ᯓ★⋆𝚂𝙵𝚆⋆。⁀➷
He LOVES playing games with you.
Peter was often bored, being locked in his mother’s basement led to doing the same things over and over again. This is why he loved playing games with you, no matter if they were board games or card ones, he was utterly fond of the idea of games ending in many different ways and sometimes taking different turns, never knowing if a game could last minutes or hours. He would throw game nights with candies and junk food. He really liked playing Cluedo, especially roleplaying the whole thing, he would get SO into the character, many times taking it personally when he was accused of being the murderer, always doing accents and creating a whole backstory (even if not needed). He believed it was “funnier” this way…but really, he was just a dork by nature. He enjoyed Monopoly too, although getting into the character in this game would often lead to him getting SO mad when things started to go bad for him. He claimed he was “the best gamer of all times” but in reality was actually pretty bad, especially with strategy games since he tended to act impulsively without logic. Many times you had to let him win to avoid cocky tantrums and just getting his ego hurt.
He is constantly spoiling you with gifts.
His main goal in life was owning the "Twinkie" company being the best boyfriend you could ever ask for. So whatever you desired, he gave you.
“Look how cute this is Pet-” You started while pointing at the picture of what you wanted, and before you knew it, Peter left your room at the highest of speeds just to come back in the blink of an eye with the thing you were just talking about in his hands.
“Gotcha.” He winked with a cute smirk.
“Peter! You didn’t have to. You probably spent so much for this…” You said, feeling guilty.
“Who said I paid for it?”
He takes you anywhere you want.
You mentioned wanting to go to the beach? He took you there in no time, not even letting you put your swimsuit on.
You dreamed of going to Paris? Sweep. Two seconds and you were taking a picture under the Tour Eiffel while he was holding a baguette and had a fake mustache on.
In the little time you started dating him, you already visited more places than you did in your entire life, and your bedroom was full of polaroids of you two around the world. This counts for concerts and other things too. He’s basically a free VIP pass.
He always matches your mood.
If you wanted to go to the cinema and watch a movie, he would sneak you two in the theater, stealing popcorn and all types of soda.
If you wanted to party hard and just forget about everything for a night, he would throw the BIGGEST party in the x-men’s mansion, just for you.
If you wanted to stay home and relax, he would grab a comfy blanket and a few snacks, cuddling up against you. Either spooning you or being spooned.
He hypes you up no matter what, he’s your biggest fan.
You were out shopping with Peter, so you took the chance to try some dresses on. You were in the changing room, looking at your body in the mirror. Many thoughts were flowing in your head, you didn’t know if you liked or hated it. Peter slightly peeked from the curtain.
“Babe are ya don- HOLY SHIT!” His eyes widened at the sight of you.
“Do you like it?” You asked while still looking in the mirror.
“Like it? Ya asking me if I- if I like it?! Are ya out of yer mind?! I dont like it! I love it!” He opened wide the whole curtain.
“Mh…I don’t know if this really fits m-” You were cut off by Peter suddenly grabbing your shoulders.
“Fits you?! FITS YA?! Babe.Ya need to get this right now. It was made for you- Holy shit! It looks like it was tailored to you!” He grinned widely.
“i don’t kno-Peter!” You exclaimed as he picked you up in his arms.
“YER STUNNING. Gorgeous! Breathtaking! Damn! Yer really my girl? I’m the luckiest bastard in the world!” He carried you in his arms out of the changing room.
“SHE’S MY GIRLFRIEND! HEY YOU! YES! SHE’S MY GIRLFRIEND! I’M THE LUCKIEST BASTARD IN THE WORLD! WHOOOOO!” He shouted excitedly to the whole store while you covered your burning cheeks and begged him to stop.
He likes watching you put on your makeup, occasionally attempting to put it on you, too.
His tongue poked out of his mouth as he tried to blend the foundation on your skin.
“Why’s this taking so long?!” He huffed.
“Peter, that’s an eyeshadow brush.”
“Oh.”
ᯓ★⋆˚𝙽𝚂𝙵𝚆⋆。˚ ⁀➷
He’s horny 24/7.
Because of his speedster genes everything his body did was faster than normal. It was sooo easy to get him hard. You could’ve been either provoking him or doing nothing.
You were laying on the bed, your boyfriend spooning you from behind. You pressed your back against him, earning a groan from him. Thinking you accidentally hurt him, you turned to face him, just to find a visible grown bulge in his pants.
“I barely touched you…” You teased.
“S’the speedster genes…” He whined.
He’s such a switch.
You were sitting between his legs, your back pressed against his chest. His fingers slipping in and out of your entrance with unholy sounds.
“Mh…Just like that, babe…takin’ it so well…” He purred in your ear, causing loud moans to slip out of you. He kept speeding his fingers more and more, bringing you closer and closer to the edge. Not wanting to finish alone, you suddenly changed positions, straddling him and stroking his length from his pants.
“A-ah…please babe…” He was already a subby mess under you, whining and begging you for more.
He’s open to all types of sex with you.
Fast? His name is quickie for a reason, his body will be blurred by how fast he will be.
Slow? Mhh…It will be torture for him but, sure, anything to pleasure you.
Loving? He could be hugging you from behind, gently thrusting in you and whispering sweet words and moans in your ear.
Rough? Absolutely. He’ll have you screaming his name as loud as possible. Oh, and prepare for a loooong night, the speedster genes help a lot with his sex drive.
No toys!
One thing he will never accept is you using sex toys. Why on earth would you use a miserable piece of plastic to please yourself when you have him?
He can be a vibrator, a dildo…everything! And a good one too. Whenever you need to feel good, just give him a call! He will drop everything just to have fun with you. Don’t tell Professor X that.
Quickies in public are more common than you think.
With him being always horny, he often found himself staring at you for longer than usual, which sent heat waves straight to his core, even in public.
“Babe…” He started with whispering your name in your ear, his body pressing against yours from behind.
“I need you…” He whined, subtly rubbing his hard-on against your ass. You questioned him, reminding him that you were in public.
He quickly brought you inside a public bathroom. His hands desperately grabbing your body.
“Please…I’ll be quick…” He groaned against your neck, sucking the skin gently. As soon as you agreed, you found yourself pressed up against a wall and his clothes immediately coming off.
➴➵➶➴➵➶➴➵➶
taglist: @cxndiedvi0lets @angeldollw @marchsfreakshow @dangeroustaintedflawed @yandereunsolved @newwavesylviaplath @happy74827 @evpeters87 @dont-look-behind
a/n: hiiii!!! my first headcanonssss...tried to put more dorky canon peter. hope you like them!!🩶🩶
all rights reserved!!
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chaos-is-beautifvl · 1 year
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𝐟𝐥𝐨𝐰𝐞𝐫𝐬 & 𝐨𝐭𝐡𝐞𝐫 𝐛𝐮𝐥𝐥𝐬𝐡𝐢𝐭
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𝐩𝐚𝐢𝐫𝐢𝐧𝐠: lip gallagher x fem!reader
𝐬𝐮𝐦𝐦𝐚𝐫𝐲: if there is one notable trait of lip gallagher other than his over-the-top cockiness and brains, it’s his disdain for all things lovey-dovey. but what happens when someone comes around who turns his world upside down?
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1964
𝐧𝐨𝐭𝐞: i quickly finished this wip so i could meet my goal of posting at least one fic per month. next month will definitely have more writing but i hope you all enjoy this very late valentine’s day fic
check out my other lip fic, distractions here and my writing here! preview to my new lip fic, stress relief || fic here!
buy me a coffee!
— • —
Lip has never been one for theatrics or romance or anything of the like, and he prides himself on that. He thinks of himself as a simple guy who doesn’t need much charm to get laid.
So why is he standing in line on a cold, bitter morning to buy flowers?
When he met you, Lip had sworn off getting attached or dealing with girls who would be attached. He had dealt with so much drama and crazy exes over the years, and honestly, he was over it.
But, somehow, you had wormed your way into his life, or rather, him into yours. Something about the chase - you not wanting him and him wanting you - made the idea of being with you even more intriguing. Now, he knew no meant no, but after a month or two or three of him pursuing you, you finally obliged.
Unbeknownst to the brunet, your want for him didn’t suddenly start after he chased you. From the beginning, you’d found an interest in him, but unlike the previous girls he’d dabbled with, you weren’t looking for a wham-bam-thank you ma’am situation. 
You weren’t a sap. You loved your rom-coms, but you weren’t looking for Prince Charming to swoop down and rescue you. You certainly could save yourself. So, what were you looking for? You wanted someone who didn’t care about holding your hand but wanted to. You were looking for someone who wanted you for you and not what was in your pants. And that’s why Lip was not the person you had in sight.
You had too many people in your life who wanted you for the wrong things, and though you were strong enough to kick them to the curb, it hurt a little. You watched rom-coms, so of course, you’re a bit sensitive. And you’d be lying if you said those movies didn’t affect what you wanted in a partner.
So when Lip came around, all smirks and cockiness exuded, the only thought that crossed your mind was: “Hot.” Lip might have been hot, but he wasn’t so hot that he clouded your judgment. You’d quickly deduced that your interests were not aligned and didn’t even spare him a second glance.
Okay, that’s a lie. You thought the guy was hot, so saying you only looked once is incorrect. But there’s a difference between looking and fucking, and you certainly were not fucking him.
But sure enough, after getting to know him, you felt your walls crumbling down. Gone were the days when you would ask your coworkers to inform you if he came into the shop so you wouldn’t be unprepared. You liked the unannounced visits. 
You took the whole self-love thing pretty seriously, so before you let someone into your life, who could easily hurt you without hesitation, you wanted them to deserve you. Seeing his dedication made your heart skip a beat faster than you would like. And every time he showed up, you found a smile creeping on your face.
At one point, your manager even asked if you two were dating with how often Lip came around. He was a regular at your job and a constant in your mind.
He always came down to the little shop you worked at, chatting you up until the customers came in. Even then, he’d be staring at you, pulling faces and winking until you would roll your eyes and turn your head to hide your grin.
But despite the numerous butterflies he unleashed upon you, you were still hesitant, and rightfully so. Though Lip had proved himself to be caring, both of you knew that this whole dating and being romantic thing wasn’t him.
So, that’s why, when Ian was thinking about what he should get Mickey for Valentine’s Day, Lip knew what he needed to do. 
The idea was so foreign to him that he felt like a dumbass, but with the number of rom-coms you forced him to watch and how you fawned over the courtship, Lip pushed the discomfort away. After all, you were the only “normal” girl he’d ever been interested in that was interested in him too.
With how fast the news spread in his family, it didn’t take long before everyone asked about you - where you were from, what you were like, why you wanted to be with him, of all people. The last one had lowkey offended him, but he couldn’t disagree. 
You were special. You were the kind of person someone like him rarely came across, and he wasn’t letting you go that easily. Not if he could help, so brave the cold he did.
Lip was blowing hot air on his hands to warm them from the crisp winter air. He debated walking away and picking you some dry flowers from the ground but decided against it when he reminded himself that you deserved better than that.
Just when he thought his joints would lock in place, the line dissipated, the last person escaping the cold with their flowers in hand. Finally, it was his turn, but as he approached the stand, he was immediately overwhelmed by all the different shapes and colors.
His eyes scanned over the entire display as he fidgeted. Lip thought it would be easy to find you a bouquet of flowers, but it was proving to be more difficult than he thought. He racked his brain for any memory of you mentioning flowers you liked, but he came up empty.
“Can’t decide?” The seller asked, a hint of a smile on their face.
Lip laughed shortly, “Yeah, something like that. There are so many fucking flowers.”
“I like to have a variety. You’d be surprised how many people ask for the oddest flowers.” The seller watched Lip’s eyes flit from section to section before offering a reprieve. “What do you have in mind?”
Lip shoved his hands in his pockets, brows pinching together. “Uh, shit, I don’t know. Something purple, maybe?”
“Purple?” They clarified, nodding. “I can work with purple.”
As they readied their supplies, they nodded over to Lip. “Is this your first time? Buying things like this?”
The brunet suddenly felt exposed. “That obvious, huh?” He asked though he was sure his constant shuffling and wide-eyed expression answered his question.
“I’ve been doing this for a while, picked up some people-reading skills. For one, you look like you might throw up.” The scents were making his nose twitch. “And two, you’re nervous as hell. That usually means one of two things: you’re just awkward, which I totally get, or you don’t want to fuck up. I’m going to take a guess and say it’s the latter, right?”
Lip smirked, “Yeah, you got me. I don’t do this whole,” he removed his hands from his pockets to gesture to the wide display of flowers “romantic thing if you couldn’t tell.”
The seller smiled as they delicately placed the flowers together. “Oh, no, I definitely couldn’t tell. So I'll take it that this person is pretty special, huh?”
The brunet nodded, his smirk morphing into a genuine smile, “Yeah. Pretty special, yeah.”
“What’s so special about them?”
He had no idea where to start. There was so much Lip loved about you. “So, this girl, right? She’s one of the most amazing people I’ve ever met, and honestly, I don’t know what she sees in me because I can be a piece of shit sometimes. I’ve never really felt obligated to do this for all the other girls I've been with before, but the thing is, with her, I don’t even feel obligated. Like, she’s not forcing me or some shit. I just want to, you know. She knows I’m not into all this sappy bullshit, and I doubt this is the last place she’d expect me to be, but I don’t know, it just feels right.”
Lip had been rambling about you for so long that he hadn’t even noticed that the seller had finished the bouquet and was listening to his words with a smile. “Ah, love is a beautiful thing.”
His eyes widened more than they had when he approached the stand, and the look of shock on the brunet’s face sent the seller into boisterous laughter. Lip’s words came out frantic. “I mean- love is a strong word- I don’t know. Maybe?” 
“Hey, don’t sweat it, kid.” The seller handed over the bouquet. “But you talk about someone like that, don’t let them go, ‘kay?”
-
All the way to your apartment, Lip thought over the seller’s words. He didn’t love you. Really, really like you? Sure. Love? No. Absolutely not. He just enjoyed your company, and you made him smile even on his bad days, and you didn’t give him shit whenever something came up with his family and-
Shit. He might actually love you.
He didn’t have long to ponder when the door to your apartment opened. Your roommate was on her way out when she bumped into Lip. 
“Oh, hey,” she said. Lip nodded in acknowledgment, adjusting the gift in his hand, which caught her attention. “You got her something for Valentine’s Day?”
Lip looked down at the bouquet, “Uh, yeah. Is she here?”
“Yeah, you know her, never leaves the apartment. But it's sweet of you. She’s a major sap, so she'll love it.” Lip was glad to know your best friend approved. He never sought other people’s opinions, but he knew you valued hers.
“I’ve got a date to get to, but I swear to whatever you believe in that if you hurt her, I’ll hurt you.” 
Now, Lip wasn’t easily deterred, but the smile on your roommate’s face as she threatened him had him slightly concerned. You saved him when you emerged from behind the door with a knowing smile. “Leave him alone. You’re going to be late.”
Your roommate checked her phone. “Okay, okay. I’m going.” She innocuously smiled at you before giving a silent warning sign to Lip, and it was then that he knew he needed to walk around eggshells when it came to her.
As soon as she was out of earshot, Lip produced the flowers with a smirk to hide his nervousness. Though he had been hesitant about getting you the flowers, watching your face light up made waiting in the cold and getting threatened by your roommate so worth it. 
You gushed appreciation, the smile on your face growing wide as you placed your flowers in a vase after inviting him inside. Lip watched you with a smile of his own as you added water and set it on the window sill.
You approached him with a simpering grin. “You must really like me, huh?”
He thought back on what both the seller and your roommate said. He wouldn’t just do this for anyone. But for you, he’d stand out in the rain if he had to.
He squinted his eyes, bringing you closer to him. “Hmm, I don’t know. Maybe I need a little convincing.”
You hummed, leaning forward to press your lips against his. You pulled away, leaving him chasing after you. “Only a little, right?”
“Maybe a little more.”
You kissed him again, this time more heated than the last. His hands circled your waist as he deepened the kiss. Your fingers found purchase in his hair, weaving through the messy tufts.
You were about to show him how convincing you could be when your phone chimed loudly, disrupting the moment. Much to his reluctance, and yours, you separated from him to check the message.
“use protection, kids,” was the text from your roommate. You showed it to Lip, who only donned a smirk as he reached for you again.
“Looks like we should take her advice, dontcha think, babe?”
———
click here for a preview to my upcoming lip fic, stress relief!
fic here
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zzthekaiju · 2 months
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So, Godzilla X Mothra as a Monsterverse movie, hmm...
Well, I got a lot of replies to the big comic saying that they’d like to hear my pitch for a GxM movie. So, here you go!
The film should be, at its core, of the romance genre variety. For both the kaiju and the human sub-plots. The overarching theme should not only be the Monsterverse’s usual “natural balance” motif, but also that of loving one another despite our differences and flaws, or perhaps because of them.
After all, “If you love a person, you accept the total person. With all the defects. Because those defects are a part of the person.”
 Obviously, Godzilla and Mothra are at the center of the kaiju side of the story. Big G is still patrolling for rogue titans while Mothra has made residence in Indonesia. Monarch returns with Madison Russell trying to prove her worth as a part of it. However, not only is her stubborn attitude grating on everyone, but her head is in a whirlwind because of Mothra’s newest ambassador: A good-natured and pacifistic young lady her age native to where the big bug titan lives. She and this newcomer (we’ll call her Lora for simplicity’s sake) are a mirror to Godzilla and Mothra. Also, Bernie and Trapper should return because there was NO way they weren’t having eyes for each other in the last movie.
As for our two kaiju, their relationship hits a snag when a new titan shows up with an uncanny resemblance to Mothra. And yes, this will be the Monsterverse’s answer to Battra (we’ll call him that here from now on). Battra is something of an older brother to Mothra, and the two have a very strong connection. Unfortunately, Battra’s way of handling protecting the Earth runs counter to how Godzilla does it (as in, wipe out human settlements and attack titans for the most minor of infractions), and Big G tries to handle it the only way he knows how (ie, beating him to death). But not only is Battra much stronger than he lets on (complete with an ability to control plant life), but Mothra intervenes on her ancestor’s side out of familial loyalty (she’s unaware of Battra killing people at this point), causing the king and queen to come to blows until she and Battra emerge victorious, driving Godzilla away.
This turns out to be a really bad move, as Battra is determined to wipe out humanity, believing them to be a scourge that Mothra foolishly trusted. Mothra doesn’t realize her mistake until Battra wipes out an entire village for the crime of being near a forest. She tries to stop him, but nearly gets killed before retreating.
Monarch’s main goal throughout the film is to reunite Godzilla and Mothra, requiring them to look high and low for clues to how this unique symbiotic relationship came to be. A major stop is the Hollow Earth Iwi tribe, which shows how the two met in the first place, and gives Jia a chance to enter the narrative. As time goes by, Madison and Lora’s relationship goes from “unstoppable force meets immovable object” to them finding common ground, and eventually falling in love. It’s them that enables Monarch to hatch a plan. With the help of Jia, and Madison’s mastery of the ORCA, they set Godzilla and Mothra up to meet again. Of course, they’re all rather surprised to see Godzilla so thoroughly heartbroken and ashamed of himself that he submits to her like any titan would to him. But as Jia translates Mothra’s thoughts, the insect Goddess and her king make up for each other’s faults.
Soon, it’s Godzilla and Mothra vs. Battra. But it’s not easy, as Battra has mastery over the elements, giving him an advantage over Godzilla by summoning giant plants to ensnare and attack him. Mothra gets in a lot of good hits, but in the end, it’s a combination attack from king and queen that destroys Battra’s wings, and reduces him to harmlessness. To show how much he trusts his queen, Godzilla allows him to live and Mothra to decide his fate. She ultimately has him confined to the same place she lives so that he has familial company. It ultimately ends with Godzilla and Mothra resting at the area where they first met, as Monarch watches from a safe distance with Madison and Lora sharing their first kiss. At least one person, probably Bernie, states that it’s the best double date ever.
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If anyone has other ideas/opinions, feel free to let me know!
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parkerslatte · 1 year
Text
Right Person, Right Time
Eddie Roundtree x Fem!Reader
Word Count: 2.1k
Summary: Y/N is friends with The Six, but she is a little closer to a certain bassist in particular. She can always sense that something is wrong. When Eddie has a conversation with Camila, Y/N is there to reassure him that she is always there for him and it puts things into perspective for him.
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Eddie: There’s a lot to say about Y/N. 
Karen: We all met Y/N around the time we started our first tour. She was just starting out as an actress.
Warren: Y/N? Y/N was great,man! When she wasn’t on set she would join us at the studio. I tried teaching her drums once.
Eddie: She was…the best person I’ve ever known.
Y/N L/N stepped through the threshold of the house she knew and loved so much. Everyone was expecting her so she dumped her bag near the bottom of the stairs and walked through the house. It was eerily silent. Typically she heard shouting and arguing or the sound of instruments.
“Hello? Guys?” Y/N called throughout the house. 
Y/N turned a corner and was surprised with the sound of yelling and streamers being thrown in her face. 
“Oh my god!” She exclaimed. 
Eddie, Karen, Warren and Graham stood there with smiles on their faces. Y/N smiled at them and raced over to hug them. Warren pulled her into a hug first and held onto her tight, next was Graham, who’s hug was short and sweet before he took his place next to Karen. Next was Karen.
“I can’t believe you left me alone with these boys!” Karen spoke and she hugged Y/N. 
“Next time come with me, escape the testosterone for a bit.” Y/N joked with her.
The final person to give her a hug was Eddie. He stepped up to her and gave her a tight hug. His arms  wrapped around her waist as he lifted her up from her feet and spun her around. 
“Eddie! Put me down!” Y/N exclaimed as she gripped onto him. 
Eddie smiled and placed her back down on her feet. Y/N smiled at Eddie and he slowly released her and stepped back. 
“How have all of you been? It’s been months.” Y/N questioned.
Warren steps closer to her and slings his arm over her shoulder leading her through the house, “You’re the one who’s just home back from a big movie set, tell us about it.”
“It was great! It was a lot more tiring than I thought it would be though.” Y/N responded. 
“Just think about it, Y/N L/N, Oscar winning actress!” Warren said as they sat on the couch. 
“That’s a goal for later in life.” Y/N laughed. 
Eddie sat down next to her and Y/N unconsciously leant into him. 
“But if you do go to the Oscars, I’ll be your plus one right?” Warren questioned, taking a sip from his drink. 
“Hey, why do you get to be her plus one? I’m the one who invites her to all the rehearsals.” Karen cut in. 
“She met me first!” Graham exclaimed. 
As the three began arguing, Y/N sat back and watched, an amused smile gracing her face. Eddie looked down at her. 
“You’d bring me, right?” He asked, bending down to whisper the question into her ear. 
“No doubt about that.” Y/N resplied, turning to face Eddie. 
Eddie smiled and reached to take a sip of his drink while the three continued to argue.
Eddie: That same year I was at the Oscars watching Y/N make her speech for best supporting actress. I was so proud of her. 
Warren: I still can’t believe Y/N didn’t take me.
Eddie: It wasn’t long after Y/N won an Oscar before we were on tour. I asked her to come with us. Having Y/N around always made me feel better. But she was going to work on another film. 
“Call me when you get the chance. I want to hear all about the excruciating bus journey.” Y/N says as she hugs Karen. 
Y/N hugs the rest of the band members one by one until she gets to Eddie. She reaches up and locks her arms around his neck, giving him a tight hug. Eddie reciprocated the hug and held her tightly. 
“I’ll miss you.” Y/N mumbles into his shoulder. 
“I’ll miss you too.” 
“You’ll be fucking amazing.” Y/N says and she pulls away. 
With one last wave at the band, Y/N steps over to allow Camila to say goodbye to everyone. Camila bids goodbye to everyone, however once she gets to Eddie she simply gives him a smile before walking over to Y/N. Y/N furrows her eyebrows for a moment, thinking the interaction was strange but the thought quickly leaves her mind as the buses pull away. 
Eddie: She could almost always tell what I was feeling. That’s why she surprised us on the tour I think. 
When Y/N walked through the doors to the party, all eyes turned to look at her, including the eyes of the people she had come to surprise. 
“Y/N?” Warren exclaimed and rushed forward to greet her, “What are you doing here?”
“I have a few days where I’m not wanted on set so I’ve come to surprise everyone.” Y/N shouted over the music. 
“This is a great surprise!” Karen said while passing Y/N a drink which she accepted gratefully. 
Y/N slumped down on the couch and fell into conversation with her friends. Despite having close friends outside of this group, she never felt at ease as she did when she was surrounded by them. Falling into conversation was easy and didn’t ever stop until the early hours of the morning. 
Y/N hadn’t even finished her drink before another one was thrust in her hand. She quickly finished off her first drink before starting on her new one. 
“Where’s Eddie?” Y/N questioned upon noticing that she hadn’t seen him yet.
“Not sure,” Warren replied, “He wandered off a while ago.”
Y/N looked around the party, “I’m going to look for him.”
Y/N got up and looked around the room in search of Eddie. Many people dragged her into conversation as she looked around and she had to find the most polite excuse to end the conversation before she got sucked into it. 
Looking around the room once more, she found Camila quickly walking away from the balcony doors. 
“Hey Camila!” Y/N says, weaving her way through people, “Have you seen Eddie anywhere?”
“Um,” Camila says, looking around, never making eye contact with Y/N, “No, I haven’t, sorry Y/N.”
Y/N eyes her suspiciously before nodding, “Okay, if you find him, let him know I was looking for him alright?”
Camila smiled at her, “Will do. See you later Y/N.”
Y/N smiled at Camila before the woman left her. Y/N’s eyes drifted up to the balcony doors which were firmly closed. Before she even knew it, Y/N’s feet were taking her over to them. Y/N pulled the doors open and stepped out onto the balcony and into the cool night air. 
“Y/N?”
Y/N looked to the source of the voice and smiled at the sight of the person she had been looking for. 
“Eddie.” Y/N says, flinging her arms around him, careful not to spill her drink.
“What are you doing here?” Eddie asked.
“I have a few days off from shooting so I came to surprise everyone.” Y/N responded, pulling away from the hug to take a swig from her drink, “I was sitting with everyone before I realised you weren’t there so I came looking for you and- are you okay?”
Y/N cut herself off to ask Eddie that question. His smile didn’t quite reach his eyes and he looked like he was trying his best to hold back tears. 
“I’m fine.” Eddie lies.
Y/N’s eyes softened, she reached up to Eddie’s face and wiped away the single tear that slipped down his cheek, “Eddie, I’ve known you for years, I can tell when you lie to me.”
“It’s nothing,” Eddie says, “At least it is now.”
Y/N placed her drink down on the floor before she wrapped Eddie in a hug, “Does this have anything to do with Camila?”
Eddie didn’t answer but that was enough of an answer or Y/N. 
Y/N pulled away slightly, placing her hands on either side of Eddie’s face, “You don’t have to tell me anything Eddie, but if you ever want to talk about it, I’m just a phone call away.”
“That’s the problem,” Eddie says, “You’re a phone call away but I wish you were just here with me or I was with you.”
Y/N leaned forward, resting her forehead against Eddie’s, “Eddie, I wish that were possible but you and I both know it isn’t.”
“I know, but I miss you.” Eddie says, closing his eyes. 
“I miss you too,” Y/N says, her voice barely above a whisper, “So much.”
Eddie gave a tight lipped smile before pulling Y/N closer, he buried his head into her neck and the two stood like that for a while. 
Eddie: I think that was the night that put everything into perspective for me. 
Karen: Everyone could see that something was happening between Y/N and Eddie. Graham and I were taking bets on it.
Warren: Honestly I thought they were screwing long before the tour.
Eddie: I realised that day that night that Y/N was the one I wanted to be with. That feeling I would get when I was with Y/N was love. I was in love with Y/N and I hadn’t realised it. There was a point where we didn’t have shows for a couple days so I went to see Y/N. Billy wasn’t happy but I didn’t care, the only thing I cared about was her.
Y/N lay in her garden, enjoying her final day off before she finished shooting her movie. She flipped the page of her book while taking a sip from her drink. 
“Y/N?” A voice broke the peaceful silence. 
Y/N turned and came face to face with Eddie. Her eyebrows pulled together confused. 
“What are you doing here? You should be on the other side of the country.” Y/N says, getting up from her chair. 
“I needed to see you.” Eddie says.
“Are you okay?” Y/N asked concerned. 
Eddie nodded, “I just need to tell you something.”
“You do know that phones exist right?” Y/N joked but once she realised that Eddie was serious she stepped closer to him, resting her hands on his upper arms gently.
“Are you sure that you’re okay?” Y/N questioned. 
Eddie: As soon as she asked me that the second time, I couldn’t stop myself. I kissed her.
Y/N let out a sound of surprise as Eddie’s lips connected with hers. His hands held onto her waist, pulling her closer. Y/N didn’t do anything, she was shocked. 
Eddie pulled away and looked at Y/N, her face remained expressionless. He was afraid he had just messed up another friendship. 
“Y/N…” Eddie mumbled, “Please say something.”
Y/N didn’t, her thoughts were running at a million miles an hour. Y/N slowly reached up and rested her hands on either side of Eddie’s face.
“Y/N, please.” Eddie said, barely audible.
Y/N leaned forward and connected their lips once again, her fingers ran through his hair. Eddie gripped onto her waist tightly and pulled her close until there wasn’t a single gap between them. 
Eddie: (laughs) I still remember that day like it was yesterday.
Eddie tapped Y/N’s thigh and she jumped up wrapping her legs around him. Eddie carried her into the house and set her down on the kitchen countertop. Eddie pulled his lips away from Y/N briefly. 
“Y/N, I love you.” Eddie says, his thumbs brushing across her thighs. 
Y/N smiled, “You want to know something, Eddie? I had no clue I felt this way about you until you kissed me. It just feels right, like we should have been doing it all along.”
Eddie smiles and Y/N swears it is the most beautiful smile she had ever seen. 
“Well then, let’s make up for lost time.” Eddie says and connects their lips once again. 
Eddie: I proposed to Y/N six months later. 
Y/N L/N: Over twenty years later I still feel like the young woman I was when we shared our first kiss and I wouldn’t have it any other way. 
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