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#nine sword style
junasceu · 2 months
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DEMON GOD
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soranatus · 7 months
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Nine Sword Style… multitask! 🍗
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forged-in-kaoss · 13 days
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I remember we were ride or die. . .
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hauntingblue · 1 month
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making a collection
making another collection with a threatening aura
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#davy back fightbpart 3 letsgo#HOW do the three big guns get wasted on the eating contest... horrible plan.... luffy is fine bc well... but not sanji and zoro like damn.#luffy DOESNT WANNA EAT??? CALL THE NAVY!!!!#what was i saying.... bad idea putting the three beasts there#FRANKY FRANKY FRANKY!!!! they captured the two princesses :(#one sided beef squashed between luffy and foxy. friendship ended with random ex marine guy. now luffy is my best friend#usopp and franky bonding time hell yeah. throw usopp by the head once more pelase#nami with zoros swords just like holding them looks so cool like she should get a few swords too... nami three sword style oda drawing pls#i think this man underestimates nami and luffys power together he doesnt know about shiki#luffy saying he knows its a trap and sorry for being late.... lets go on an adventure all nine of us.... usopp yes anding his lie..... omg#cant believe nami isnt there yet. she could take this guy. oh there she is!!!!! she does look cool with the swords and jumping to get luffy#zoro screaming in agony from luffy getting shot omg THIS FUCKING GUY OF COURSE!!! this looks like its so over#zoro and sanji must feel so useless rn. they didnt even get the chance to fight like damn#komei-kakka??? more like come caca. boom#luffy face down dead on the floor akdjkaa chopper have you tried looking at the wound to see if it harmed him idk#it hit the face akdjskn usopp that was coom also#was robin flirting with the other guy and zoro caught her and she told hum to shut up???#'your friends got the best of me but you are still in my arms an-' 'HEAT EGG!! ALSO YOU'RE ON FIRE!'#flare maneauver that was so slay also luffy and nami in the same frame so twins of them. my children. birthed them one right after the othe#zoro and sanji fighting back to back. back to back to back to you i dont wanna fall right back to us maybe you should run right back to her#that is such a bop song. also post wano zosan. and post wci. see the recurrent theme#fighting in water.... being on top of the sword that was a slay... red hawk ace i will never forget you it seems#foxy liking his jolly roger omg nami fooled him ahdhsjs i think they should have pirate game event every year they yearn for contests#now since this experience foxy should make monthly multitudinary pirate games olympics hoping the strawhats join them a la gatsby#the faces at the mushroom akdhaksjs#talking tag#watching one piece#watching one piece movies#kinda loved how robin betted on franky against usopp.... i will take the crumbs
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vulcanette · 1 year
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thinking about zoro’s asura and going violently insane v quietly
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lilolilyr · 1 year
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x
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acourtofwhatthefuck · 3 months
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Practice On Me | Series Index
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graphic made for me by the gorgeous @writingsbychlo 💕
Summary: Set in Illyria when the Bat Boys are mere twenty-year-olds, Azriel has never explored intimacy and sex like his closest friends have. Reader is more than willing to help — not realising it will offset a series of events that will change life as they know it.
Series warnings: This series is strictly 18+, minors dni. There’s smut, violence, gore, trauma. Read with caution and take care 🫶🏻
Part One
Part Two
Part Three
Part Four
Part Five
Part Six
Part Seven
Part Eight
Part Nine
Part Ten
Part Eleven
Part Twelve
Part Thirteen
Part Fourteen
Part Fifteen
Part Sixteen (Finale)
Bonus Part (Fin x Reader)
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The Practice On Me Playlist
Songs I had on repeat while writing this series, for anyone who’s interested!
Sit Down Beside Me by Patrick Watson
From The Start by Laufey
New Girl by FINNEAS
We Go Down Together by Dove Cameron & Khalid
February 3rd by Jorja Smith
She by Harry Styles
Angry Too by Lola Blanc
Afterthought by Joji & BENEE
Faded by Alan Walker
The Summoning by Sleep Token
Therefore I Am by Billie Eilish
Play With Fire by Sam Tinnesz & Yacht Money
Samurai Swords - Acoustic Version by Highasakite
My Love Mine All Mine by Mitski
THE LONELIEST by Måneskin
King by Florence + The Machine
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The Practice On Me Face Claims
A look at how I imagined our younger ACOTAR characters looked through this series (and my original characters)!
Azriel:
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Rhysand:
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Cassian:
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Kaeda:
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Mor:
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Roza:
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Fin:
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darantha · 1 year
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How to Spot AI images (Hopefully)
So, I did see GailyNovelry's excellent post on this (Link here), but saw that there also were some confusion and they were using a environment image as their example, so I thought I'd do a breakdown that was more character centric.
The key thing with AI images is that the program does not know what it is making. And, arguably, they thrive on that we are currently conditioned to not really look at things for too long before we hit that engagement button and/or just scroll onwards to whatever next the algorithm feeds us.
It's hard to fight that urge, I know, but if you just pause and look, you'll soon start spotting things that just do not make sense, and I don't just mean that the pretty booby elven fighter is sporting seven fingers on one hand. Those are the obvious things. I'll try to cover the general sort of artefacts that tend to tip me off to the fact that a image is generated rather than actually hand-made by someone making informed design decisions as opposed to trust what amounts to RNG. I think this is important as there's those who do not tag their images as AI generated, and try to scam people with commissions.
And, as the saying goes... The devil is in the details.
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To start with I picked this image from deviantuser CeiEllem. At first glance, it looks... very impressive. Sharp looking elf lady with killer hair. 10/10 wish I could rock that haircolour.
But, it is AI generated. Aside from the general tell that is this hyper rendered, near photorealistic style that AI images often have, there's a lot of details that tips it off to just not having been made by a human who actually made the decisions.
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Since AI is just working off patterns and not actual decisions, things like hair is a immediate giveaway that you're looking at a AI image.
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(Deviantart users: daralyth, DavidZarn and lunayokai)
In all these three images you can see just how hair whisps off into weird nonsense shapes or even meld into the background or clothing. Because, again, the AI doesn't know what its doing, just working with shapes. Similarly, background elements that just stop and start randomly is a dead giveaway, like the tail in the first image.
As I've said, details is the key to spotting these images, and another giveaway is the sheer density of details that is just noise.
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This is from users Rigtorok7, and the details are so noisy, absolutely miniscule in scale, and hypersharp, yet have no actual design to them. Artists imply details all the time. We don't render out every single nook and crevice, and since we actually know what we want the viewer to look at, we'll pull back and simplify things so you don't want to look at the big chunk of very noisy hair ornament or necklace instead of the face of the character.
For comparison, this is how it looks when I, personally, indulge in doing 'overdetailing' of something (because I am forever weak for painting jewelry).
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BUT I want to stress that the key here isn't that detailing equals AI generated. The key is the lack of design choices IN the details. There's a lot of artists out there, and someone painting out all those nooks and crannies in something doesn't mean they are a AI user. This painting by Leighton is super detailed but you see the intent with all the details. You have a focus with the people in the boat and secondary read of the figure in the door, where the details are a lot more implied and less sharp.
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AI can't do that, because AI isn't making any decisions.
I couldn't find any good example once I went looking, but if you're into fantasy art: look for people just holding weird 'swords'.
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AI is rapidly evolving, so who knows how much this'll help in 3 months, but for now, this is how I spot things.
But, in the end, the biggest giveaway that someone is using an AI generator is that they've filled up page after page on deviantart/artstation/wherever in the past like... six to nine months, and often swing between wildly different styles. If you're unsure, look up the source of a image. Another clue can be generic 'untitled' or just 'elf lady' sort of titles, since someone uploading 30 images a week isn't going to make unique titles for each image.
Also, commissioners. ... you should ALWAYS get a sketch and progress image from a artist that you hire. My art directors would have my head on a plate if I didn't send them a rough sketch and progress shot before finalising the image.
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fourraccoonsinacoat · 2 months
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*In the middle of a battle. Arrows pierce the air. Smoke billows. Swords clash.*
Astarion: What in the nine hells are you doing!?
Durge: *Fixing Shadowheart's eye makeup.* Triage!
Astarion: We're in the middle of a war zone! Now hardly seems the time!
Lae'zel: *Cuts down an undead soldier.* War paint is an essential part of any good warrior's equipment. I would expect one as fixated on their appearance as you to understand.
Astarion: I am not fixated! I can't even see myself in a mirror!
Durge: That didn't stop you from fluffing your hair with styling cream yesterday in between sniping skeletons.
Astarion: That's different! My hair is delicate and not used to all this exposure to sunlight. It dries it out.
Durge: *Magic Missiles a duergar to death while making final touchups to Shadowheart's eyeliner.* We're in the Underdark!
Astarion: Yes, but you're here with me, my little ray of sunshine.
*Lae'zel Disapproves*
*Shadowheart Disapproves*
*Durge Struggles*
Durge: I don't know whether to punch you in the throat or kiss you.
Astarion: I have that effect on people.
- - - -
BG3 Incorrect Quotes Masterlist.
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starhoppin · 7 months
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pick a picture; aspects of you that your future spouse will adore
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pile 1 -> pile 2 -> pile 3
disclaimer; this is a general reading! these messages may not fit everyone. please take what resonates and leave the rest.
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「 pile one」
knight of swords (cb: judgement, knight of wands rv), ace of cups (two of swords, five of cups), the hanged man (cb: the chariot, death).
your future spouse will adore your logical mind. you're not the type to get swept up in anger or impulsiveness. you're a steady and reliable presence in their life. this may not be for all of you, but you may be hesitant to get into a relationship with them in the beginning because of how your past relationships turned out. however, it looks like they adore the fact that you overlook your worries and decide to take a chance on them. they love your perspective on things. you may be someone who has a easier time detaching and working through change when compared to your future spouse. because of this, you may help them work through situations by offering a different perspective. i'm also getting an additional message that they love how you reinvent yourself over the years. you may also like to change up your style or your hair a lot. this is something that this person loves.
[songs that may resonate] hello, brooklyn - all time low, unconditionally - katy perry, rebel beat - the goo goo dolls
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「 pile two」
strength (cb: eight of pentacles rv), page of cups rv (cb: nine of pentacles), the moon (cb: ace of cups)
your future spouse isn't highlighting a specific aspect about you that they adore, but they're emphasizing your impact on their life. they may be going through a dry period in their life - lacking passion and motivation - before you. however, when you two meet, it's like you sparked something in them. they view you as brave, compassionate, driven, etc. and your presence inspires them to be the best version of themselves. this may be a specific message, but for some, you may deal with a lot of gossipy, jealous people in your life that are trying to tear you down. these people lack emotional maturity and are just generally insecure. your future spouse adores how you're able to stand tall and take the high road - you don't let their words affect you nor do you stoop to their level in order to exact revenge. you're content being yourself; you don't need their acceptance. you may have had bad experiences when it comes to relationships; consequently, you tend to be a bit more reserved when it comes to love. i'm specifically getting that you "make someone work for it." this is something that they adore about you. you only give your love to those who are worthy of receiving it.
[songs that may resonate] la vie en rose - daniela andrade, goodbye forever - us the duo, perfect/ can't help falling in love - btwn us
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「 pile two」
knight of cups (cb: king of swords, judgement), the sun (ten of wands, page of cups rv), wheel of fortune (cb: the emperor, four of swords)
you may usually embody an idealist, romantic energy/mindset; however, you can be incredibly logical when you need to be. i'm seeing that your future spouse loves this duality. you're the light of this person's life. this isn't an aspect of your character that they adore, moreso how you make this person feel. it's like your presence instantly alleviates any burdens they have. their past relationships seem insignificant when it comes to you; nothing could surpass their love for you. i heard the line "you make me strong" from the song strong by 1d - that may resonate for some of you. your future spouse is driven by their love for you and they want to spoil you (possibly with material items.) if this person is really in their masculine energy they may feel obligated to make sure you're taken care of. consequently, they may be prone to burnout since they may overwork themselves. despite this, you encourage them to rest. this is something they adore since they feel like you care about their wellbeing.
[songs that may resonate] outer space / carry on - 5sos, mr. jones - counting crows, dawn to 9pm - brian bulger, jennafer
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tarot deck used in this reading: cirque du tarot
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proxy616 · 7 days
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Everything I love about Nightcrawler’s fight sequence in episode 8 of xmen 97 in obsessive detail:
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Firstly, the theatrical string orchestra accompaniment throughout the battle is perfect for Nightcrawler.
When Kurt teleports onto the scene, his tail swishes almost lazily until his swords form an X.
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When Logan says ‘lady I got six reasons why”
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Kurt responds with word play ‘no mein freund, nine” or “nein” which is German for no.
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Nightcrawler’s effortless grace of movement throughout. The way balances on the bed frame like an acrobat/dancer/fencer.
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Speaking of fencing, at one point during the battle Nightcrawler has one arm behind his back like a fencer, in order to eliminate the arm as a target.
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Nightcrawler’s acrobatic fighting style. Flipping and spinning in the air, it’s a treat to see animated.
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Nightcrawler’s lightning fast agility. Like when Kurt’s distracted by Logan getting smashed into a wall but instinctively dodges the enemy lunging at him.
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Kurt’s protectiveness for his sister
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When Nightcrawler teleports he looks in the direction he’s teleporting because he has to see where he is going, great attention to detail!
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Thank-you x-men 97 for letting Kurt be incredible!
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howtofightwrite · 1 year
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So second question. Quarterstaffs are a lot more dangerous than people realize right? Like…big long sticks with a bit more weight on one end are remarkably effective weapons. But my question is this…how risky is it to actually fight an armed opponent with one?
Because I’d imagine if you’re fighting someone say armed with a sword that the blade could slide down the staff and cut into your fingers or someone with a spear (which is essentially just a quarterstaff with a sharp pointy bit on the end) could potentially just whack yours out the way and stab you with it. That’s saying nothing about an armored opponent.
Would a metal quarterstaff be an effective weapon against armor? I seriously doubt a wooden one would be…then again if you had metal coating on one end or a little ball that probably ruin someone’s day should you whack them with it now wouldn’t it…hm.
Anyway, quarterstaffs. Good weapon or no? Also potential upsides to wood Vs metal staffs? Or potentially mixed staffs with mostly wood and metal bits…I’m rambling anyway bye
The staff is the parent of all polearms. The OG. The GOAT. Spawner of a billion martial styles in cultures and countries all over the world and remains a foundational part of many of them. It is also the parent of the sword. Many versions of the sword, especially early versions and two handed versions, share the same strike patterns and work off the same principles. If your character knows how to use a sword, they were more than likely trained to use a staff first.
For martial traditions, the staff is Baby’s first weapon. Is it a good weapon?
Oh, yes.
Is it risky to fight one?
Yes, it is risky to fight someone wielding a staff. While staves are most often overlooked by the general (mostly American) public due to their simplicity, they can be a very dangerous weapon. They can break bones, smash heads, knock loose teeth, bust internal organs, and they leave pretty deep bruises even with light or accidental training injuries. The most common staff training injury involves smashed fingers. Lots, and lots, and lots of smashed fingers. The strike pattern is also simple, easy to learn, and perfectly viable for self-defense without knowing more advanced techniques or having the luxury of devoting a lot of time to practice.
Staves (like the bow and the spear) are paleolithic weapons. Every culture on earth has their own version. The staff has combat applications that survive to this day due to their versatility and ease of use. They’re cheap(ish) to make compared to alternatives, easy to learn, ridiculously effective, and capable of holding off multiple opponents at once. (This includes people wielding swords.) Due to the lengthy period of time where they remained peak, it’s not a stretch to say staves are the most commonly used if not the most popular self-defense weapon in human history.
If you get outside American media, you’ll see staff weapons get a lot more prominent as a weapon of use because of the strong martial traditions associated with them. They’re also extremely prominent in myth. The staff really is the commoner’s weapon, which is probably the reason American fantasy tradition ignores it.
I’m not sure if you came into this question thinking quarterstaff meant all staves, or if your question specifically relates to quarterstaves. However, since you specified the quarterstaff, we’ll stick with that one. (There are other variants. They are legion.)
The quarterstaff is the English version from the Middle Ages. The name denotes a specific type of staff, usually about an inch in diameter and between six to nine feet in length. The quarter refers to “hand position” which would be about quarter up the length, and where the staff was held in this particular martial style. The quarterstaff is a short staff in medieval tradition, long staves were between eleven to twelve feet in length.
These were solid wood, usually cut from oak or yew. They’re not brittle. If that wasn’t enough, the ends were often also shod with iron. So, yeah… Yay, blunt force trauma. You could use quarterstaves against armored opponents, but there are better tools.
Staff Combat
You don’t normally swing a staff outside having a specific reason to hold it with one hand at the end to fully maximize its reach in a wide arc. You give up a ton of control to do this, and that makes it a risky move.
The staff is a weapon of leverage. You rotate it into forward strikes with your back hand, while using the front hand midway up the weapon as the guide. This allows the wielder to strike with both ends by using the back hand as a fulcrum. The basic strike pattern is an X, also across the body on either side, down on the head, up through the groin, you can thrust forward, and you can shoot the staff forward too. Shooting is basically throwing it with your back hand through your loosened grip to gain greater momentum and force when the front end strikes the opponent. It’s a controlled, short-range throw where the weapon never truly leaves your hands.
Hand position changes and adjusts on the shaft depending on how you’re using it. If you’re predominantly utilizing the front end for quicker, smaller movements and more precise strikes, the hands will be set wider apart with one in the middle and one closer to the end. If you’re planning to transition with strikes between the front and back ends, your hands will be closer together and utilize the shaft’s central balance point. This isn’t an either or, you can shift between positions and strike patterns in combat, which is part of the staff’s versatility as a weapon.
Due to the staff’s reach, the whole of your opponent’s body from their feet to their head is available as a target. Don’t discount the power of exterior strikes to the limbs, especially the joints. Most combat strategies start outward and work inward as the opponent’s defense begins to break.
The strike pattern occurs in simple strikes (tip forward or diagonal or side and back to hit again) or in a figure eight as you transition the weapon into various defensive blocks and strikes while moving it across in front of (or, more rarely, behind) your body.
Due to being able to use both ends, you can gain 360 degrees of protection without having to adjust your stance, your grip, or where you’re pointing the bladed end. This, in addition to its range, is why the staff is a better weapon than the sword for defending against multiple opponents.
Don’t swing. Rotate. Sweep. Strike. The staff doesn’t need big moves to generate force because the force of the strike is focused into the tip. Traditional staff combat maintains the same narrow focus around the body’s center that sword combat does. You can, for example, fight with a staff in a narrow corridor. It’s not ideal, but it’s doable and the staff is perfectly capable of maintaining your advantage over an opponent with a shorter weapon or no weapon at all. If you’re imagining the large, controlled spins of some Chinese martial arts, it’s important to remember that those staves are largely made from bamboo and different materials create different combat styles. Oak is, pardon the euphemism, stiff wood. It’s heavier.
The staff is also very fast because of the rotation of the back hand, deals a lot of force, and one never has to worry about maintaining an edge.
In simple terms when thinking about using a staff: block with the front end, then rotate the staff over across your body and clock your opponent across the face with the back end. Then rotate it over again and hit your opponent on the head or, don’t bother and thrust it into their face.
The Quarterstaff versus the Sword
With weapons, it’s important to remember that the concept isn’t about which does the most damage but which tool is the right or most effective tool for the job. Every weapon has situations where they shine and situations where they don’t. It’s contextual.
The staff has an advantage over the sword in one-on-one combat. Sometimes, if historical records are to be believed, in three on one combat. However, every weapon is dangerous in combat. This isn’t rock beats scissors. Disadvantages can be overcome.
For swords cutting through staves, think about it like trying to cut down a tree with a pocket knife. It’s not going to happen. Sword’s edge will nick or get stuck in the wood, so it’s not going to easily slide down to cut fingers. That’s if the sword edge can get into range to reach the fingers. Like all staves, the quarterstaff is a weapon where grip adjustment easily changes both reach and fighting style.
The medieval longsword runs between three to four feet. The quarterstaff is six to nine, and probably, most commonly, between seven to eight. If you transition to hold it at the end like one would a spear and primarily thrust, the reach advantage is maximized.
It isn’t necessary to do that, though. It’s combat where only one side has to worry about maintaining their edge, but that edge is still dangerous if they get close enough. Both are still going to be striking on the same angles and using the same circles.
Take the weapon out of the way and come back across into the strike.
The Spear vs The Quarterstaff
This is just staff combat where one has a pointy, bladed bit on the end and the other doesn’t. There’s actually not an extreme advantage here, though the wielder with the spear is probably going to prioritize their point for striking.
These two really aren’t different weapons. More likely to see smashed hands here.
Metal Staves
They exist. I don’t know if they existed in England though. They never gained popularity over the wooden ones because they’re more resource intensive and wood works better than fine anyway. Solid steel or hollow steel vibrate more than wood. One of the major considerations of staff combat is vibration. The weapon vibrates on contact which wears out your muscles and is hard on your grip. (You know, in case you thought constant movement was the only part that’d wear you out.) This is one of the side effects about not worrying over maintaining the sword edge. You can clang staves together the way you can’t with edged weapons, and that leads to a lot more vibration over a shorter period of time.
Staves with Metal Balls on the End
These also exist. They’re found on other polearm variants specifically designed to go after opponents in armor.
Every weapon has a place where it shines, and a place where it doesn’t.
So, where are staves outshone by swords and spears?
Warfare. Specifically, in military combat. They’re better at one-on-one combat and self-defense. There are just better, more specialized tools for military combat.
There is no best weapon. There’s just the right tool for the situation or circumstance. You can certainly take a staff into combat with an armored opponent (people did) and be successful, but there are better tools for the job. Spears are a better ground weapon in terms of attacking in formation, they work well when combined with a shield, and are a better defense against cavalry.
The irony about the sword is that it’s the original sidearm, it isn’t meant to be the primary weapon, and it is for close range fighting. So, it’s a great weapon when you’re packed into a tight melee, don’t have a lot of room, and need a weapon that works well without requiring a lot of space to build momentum. It’s also easy to carry around if you’re planning to sit down to dinner. It doesn’t take up a lot of space.
By reframing how you think about weapons from “does X amount of damage” like video games have trained us to do and think about them as contextually relevant, you’ll have a better understanding of how and why certain weapons were relevant and how they gained prominence throughout history.
-Michi
This blog is supported through Patreon. Patrons get early access to new posts, and direct access to us through Discord. If you’d like to support us, please consider becoming a Patron.
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rainerioun · 2 months
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𝖧𝖮𝖶 𝖣𝖮 𝖳𝖧𝖤𝖸 𝖵𝖨𝖤𝖶 𝖸𝖮𝖴? | 𝗉𝗂𝖼𝗄 𝖺 𝖼𝖺𝗋𝖽.
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— Hello! I thought I'd try and give a more in-depth reading. Interestingly, some of the piles seem to be similar. Perhaps this reading is meant for just a few people. I tried to keep it pretty general and unbiased whether we're talking about platonic or romantic connections, but it seems like there are hints of romantic feelings in all of them. However, if you're inquiring about a friendship or something similar, feel free to take what resonates and ignore the rest. <3
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HOW TO CHOOSE A PILE : The outcome may vary based on whether you receive clear messages visually or intuitively. If you resonate more with selecting a pile visually, trust that inclination. Personally, I believe the notion that 'looks can deceive,' so I prefer to take a deep breath and close my eyes, allowing the pile I'm meant to connect with to come to me. You might see the color of the pile, sense or hear a number, or simply feel its overall vibe.
Please don’t redistribute or edit my content.
MUST READ + MASTERLIST
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PILE ONE
How Do They View You? King of Wands | Queen of Swords | Death.
To start, this person respects you heavily. They perceive you as someone exuding confidence and leading by example. You've influenced them at the very least. If you're experiencing change or have recently undergone a transformation, they want you to know they're proud of you.
How Do They View You? Dragon : Seeing One's Most True Self, Balancing Ego. | Oyster : Patient, Secret-Keeper, Hiding Inner Treasures.
They see the real you, not just the image you project. If you're shy or uncertain, they want to remind you not to underestimate yourself, and to embrace your genuine beauty and intelligence. They know that everyone else wants to see it too. I believe that they might perceive your confidence as a sort of façade.
How Do They View You? Trickster — Light : Transcending Convention, Stuffiness and Predictable Behavior. Shadow : Manipulating Others Through Duplicity.
I didn't view this card negatively; it felt more like confirmation of what I said earlier. This person understands that you don't reveal everything and perhaps even play a role, though it may not be intentional. They recognize your tendency to use humor as a shield, but they wish you would let them in a bit more because they can see through you already.
How Do They Feel Around You? Determination, Balance, Cleanse, Magic, Protection.
When this person is around you, they experience a sense of balance and comfort. They feel a protective instinct towards you, given what they know about you, or vice versa. They long to express their love and appreciation more openly and receive it in return. Reach out to them more often!
Additional. Photograph : Looking at Your Photos, Missing You, Nostalgia, Make New Memories.
They miss you if there's any current separation or lack of communication. They might even be keeping an eye on you, whether through social media or mutual connections, just to ensure you're doing alright.
Extra: Aquarius, Change, 10, Unique, Libra, Scorpio, Emotions, Bittersweet, Funny, Summer Blues, Phone Call.
Alien Blues : Vundabar | Fine Line : Harry Styles | I Wanna Be Yours : Artic Monkeys.
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PILE TWO
How Do They View You? Ten of Wands [Reversed] | Nine of Swords [Reversed] | Knight of Pentacles.
This person acknowledges your ambition but finds it amusing that you can also be a bit absent-minded. It's not meant as an insult but more of a playful tease. They believe you sometimes overlook the risks around you because you're so captivated and excited by what lies ahead, which can come off as slightly immature. It reminds them of a naive child who might need a gentle nudge in the right direction, so you don't leap off the cliff hoping to grab the sun. I can picture someone stumbling clumsily while the other bursts into loud laughter.
How Do They View You? Moth : Impulsive, Hasty, Wishful | Bee : Earnest, Hardworking, Democratic.
I find this dynamic incredibly endearing. They see you as someone goofy or even whimsical. You're sensitive and vibrant, drawing people to you effortlessly, which they appreciate. Sometimes, it seems like they want to slow you down a bit so you don't scurry off too quickly. You give off a jittery vibe at times.
How Do They View You? Rescuer — Light : Provides Strength and Support to Others in Crisis. Acts out of Love with no Expectation of Reward. Shadow : Assumes that the Rescued will Reciprocate. Goddess — Light : The Feminine Expressed through Wisdom, Nature, Life Force and Sensuality. Shadow : Exploitation of the Female Nature and Form.
This person admires your kindness and charm. I can picture them giggling nonstop whenever they're with you. It's as if you have no worries, just frolicking through life carefree.
How Do They Feel Around You? Sweetness, Success, Rejection.
Once more, you're incredibly sweet to them. Normally, they feel content in your company, but there might be moments when they feel rejected. If they've made a move and you've turned them down, that's the reason. They need time to move on and accept that boundary if don't reciprocate their feelings. If not, it's because they've been dropping hints left and right, and you're just too oblivious to pick up on them.
Additional. Stabbed in the Back : Heartbreak, Pain, Separation, Shocking Attack. Camera : Remininscing, Keepsake, Perception, Learn from the Past, Make Memories. Coffee Cup : Meeting and Conversing, Savoring the Moment, Feeling Uplifted, Friendship.
Yeah, they're definitely feeling a bit disheartened that their attempts to win you over aren't hitting the mark or are just going unnoticed. But hey, you don't owe them anything, so no need to feel guilty. Regardless, they want to keep being part of your life, cherishing the friendship you've both formed.
Extra : Pisces, Indecisive, Kind, 7, Individuality, Unique, Communication, Taurus, Leo, Cancer, Junebug, Wheel, Fields.
Dangerously In Love : Beyoncé. | Hanging Your Picture Up To Dry : Cut Worms.
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[18+, SUGGESTIVE.]
PILE THREE
How Do They View You? Ace of Swords, Six of Swords, Wheel of Fortune [Reversed].
I wasn't anticipating this kind of reading when I shuffled the cards. I almost reshuffled to get a more generic and 'safe' result, but I decided against it. It seems this person likes you a little more than they probably should. They perceive you as someone incredibly self-assured and inspiring, maybe even a bit out of their league. Yet, despite feeling like they're chasing you, they don't seem to mind the playful challenge and are willing to put in the extra effort to break through your defenses.
How Do They View You? Cheetah : Solar Force, Action, Achievement. | Starfish : Beautiful, Alluring, Superficial or Shallow.
This seems pretty clear-cut, lol. They view you as someone with the potential to reach any goal, maybe because your appearance tends to influence people without you even trying. They're strongly attracted to you, but they're also aware they're not alone in admiring you.
How Do They View You? Queen — Light : Radiates the Regal Feminine. Uses Her Benevolent Authority to Protect Others. Shadow : Becomes Arrogant When Authority Is Challenged. Controlling and Demanding. Hero/Heroine — Light : Passion for a Journey of Personal Empowerment. Shadow : Escapism and a False Sense of Heroism.
They definitely put you on a pedestal in their mind. Sometimes you can get a little sassy or assertive because you're clear about what you want, and they find that irresistible. They truly appreciate the natural authority you exude.
How Do They Feel Around You? Passion, Trust, Hunger.
Do I really need to elaborate? For my own sake, I'll keep it brief. You light a fire within them, and they feel like they cannot control such feelings.
Additional. The Snake : Competition, Enemy, Clever, Malicious, Look Over Your Shoulder, The Other Woman. Kisses : Unconditionally Loving, Giving and Receiving Affection, Falling in Love.
As I mentioned, they feel this urge to compete for your affection with others. They might even experience a twinge of jealousy seeing someone else getting your attention while they're so invested in you. My advice is, if this is a secret admirer or a third-party situation, it's best to tell them where they stand. If you're not interested, it's important not to lead them on. However, if polyamory is part of your dynamic, then there's no need to worry about what I'm saying; it seems like they enjoy the thrill of the chase.
Extra: 6, Virgo, Possessive, Cancer, Fussy, Moon, Emotions, Strong Needs, Candles, Stack of Papers, Show Off, Linger, Lust.
Fields of Elation : Sleep Token | Somebody Else : Bad Omens | Lost in the Fire : The Weeknd.
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forged-in-kaoss · 13 days
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⚔⚔🗡⚔⚔
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yoditopascal · 2 months
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Home
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“I made it, I'm home.”
Or
Four times Sanemi wants you to use his first name and the one time you do.
pairings: shinazugawa sanemi x fem! reader
warnings: fluff, hurt/comfort, slight angst, sanemi is bad at feelings and communication, slight sanemi/giyu if you squint
a/n: first sequel is up! My Nemi is 18+ so minors DNI
The first time Sanemi crossed paths with you was the day you were introduced to him.
He’d recently become the Wind Hashira and you were requesting to become a tsugoku.
They were all gathered for a hashira meeting to discuss the next training procedures for the lower ranking slayers. As time drew on, Shinazugawa found himself mentally thankful as the meeting drew to an end.
“Before we draw this to close, I’d like to bring one last thing to attention.” Oyakata-sama paused before continuing as you stood behind him head bowed in respect as he spoke
“I’m sure you’ve heard of a demon slayer who has been performing above expectations,” Oyakata-sama said gently. “She’s an exceptional swordswoman and has been recommended by Tomioka-san.”
The training grounds remained silent as the nine hashira waited for their master to continue.
“After some thought, I have reached the conclusion ….” Oyakata-sama smiled. “I’m assigning her to one of you as a tsuguko.”
“Shinazugawa-san,” he offered Sanemi a kind smile. “Since you both trained under the same master I think she would be best in your care.”
“Not interested.”
“Maybe Tomioka-san would be interested then since he-“
That got his blood boiling.
If he didn’t want to do it, why the hell should Tomioka be the one to replace him?
“With all due respect sir,” he said, Tomioka’s head tilts in his peripheral. Sanemi’s index finger plays with the hilt of his sword. “I don’t think Tomioka can cut it.”
“Why does it matter to you Shinazugawa? You already said you weren’t interested.” Uzui raised a brow at him, a hint of teasing behind his words. Obanai nodded his head in agreement in the background.
“It's because I doubt she can handle my training.”
“I’d like to prove myself to you if you’d let me Shinazugawa-sama, '' you said, stepping forward. You were significantly shorter than him, probably around Obanai’s height.
“Cut the -sama bullshit.” He fired back, also stepping forward. He practically towered over you at this point. You were cute he had to admit albeit a little annoying.
You had to admit from your distance you thought he was attractive too. His lilac eyes and fluffy white hair were striking, his scars added a liveliness to his features that you also liked and don’t get you started on his muscles that he proudly had on display.
“Fine then if you think you can keep up with me I’ll take you.” He said snapping you from your thoughts.
“Very well, then.” Oyakata-sama said, pleased. “She will continue training from here on as Shinazugawa’s tsuguko.”
“I can’t wait to work together, I’ve heard so much about you from Giyu-san!”
Giyu?
Why the hell were you already on a first name basis with him?
“It’s Tomioka to you brat.”
“My apologies I didn’t mean to-“
“Don’t let it happen again.”
The remaining hashira grinned teasingly in the background, at the commotion. For someone who had claimed to hate Tomioka’s guts he sure was defensive about the first name thing.
But that wasn’t it at all.
Did he just take on an apprentice because he didn’t want Giyu to have you?
Yes, yes he did.
Did he also correct you just because he didn’t want Giyu to have the satisfaction of being on a first name basis with you?
Of course he did.
He was Sanemi Shinazugawa after all and he had a reputation to uphold.
He had no idea how you two had even met each other with your breathing styles being so different and all or why the hell you two seemed so close to begin with but if you were to train under him he had to squash that in the butt right here and now.
Sanemi was so lost in his thoughts that he didn't realize that the meeting had officially ended. As the hashira began filing out of the courtyard you approached him startling him from his inner monologue.
“Are we ready to begin training Shinazugawa-sama?” You asked
“What the hell did I tell you about that honorific shit?” He groaned.
“Fine then how about Shinazugawa-sensei?” You replied cheekily
Knowing that he wasn’t getting through to you he sighed, pinching the bridge of his nose.
He decided then that he doesn’t like being called Shinazugawa by you.
The second time
“Fuck off.” He rasped. You had just reached the inn you were staying at when you noticed him wincing.
“You’re hurt.” You mumbled, noticing the blood dripping onto the floor beneath him.
“‘m fine,” He shook his head, but the state of him said otherwise.
The blood around the wound had already started to congeal, sticking to his skin and clothes. He was starting to go dizzy from the blood loss.
“No, you’re not,” You frowned
“I told you I’m fine.”
“If you’re as fine as you say, then you won’t mind me taking a look.” You persisted with a grunt he submitted to you and your examination
You were looking at the cut now, nose wrinkled as you assessed the damage.
“Well the good news is you’ll live.”
“Oh joy.”
“The bad news is this’ll probably scar up pretty bad” you said standing to gather the necessary medical supplies before returning to his side. You two had foregone bring Kakushi with you this time as you weren’t that far from the butterfly mansion.
“Let me bandage it up so it doesn’t become infected.”
Wringing a rag out, you forced Sanemi to sit as you began to dab at the wound cleaning it, little sparks of pain ate away at him at each stroke of the cloth, his muscles tensing under your delicate touch.
“Sorry sensei, I’ll get this done as fast as I can.”
Again, there it was.
“I told you to drop the formalities.”
You pulled the clean bandages tight as you began to wrap his torso with a small uneasy chuckle.
“Force of habit.”
You were warm and he could smell the soothing scent of you with how close you were to him, the proximity was getting unbearable, a knot was beginning to form in the pit of his stomach.
As your fingers gently brushed against his chest with such tenderness he wasn’t used to since Kanae, Sanemi felt a jolt of electricity in his chest.
What the hell was that?
“There, that should do it.” You smiled to yourself admiring your handiwork as you placed a hand on his shoulder.
“We’ll get Kocho-san to take a better look at it when we return tomorrow.”
“Whatever.” He brushed you off but all you did was smile your same smile at him.
Realizing the close proximity he felt another pang in his chest as his cheeks began to dust pink.
Was he developing a heart condition? He’d have to ask Shinobu about that the next time he saw her.
Easing up from his place on the ground he stood with his back to you hiding his flustered expression.
“Get some sleep. We’re leaving early in the morning.”
“Shouldn’t I be telling you that?” You teased.
“Just shut up and get some rest.”
The third time
Sanemi pulled off your haori and tied it to your torso trying to staunch the bleeding. The feeling of the warm, sticky blood dripped down your side as you approached the Butterfly estate.
He could feel the warmth from your blood soaking through your uniform, staining his own.
Shinobu, who had been tending to the grounds outside rushed to his side at the sight of you and ushered him to bring you inside. It was hard to separate him from you, he was holding on so tightly, his grip almost like an iron vise.
A strong hand on his shoulder pulled him out of his thoughts and got him to loosen his grip. He looked to see it was Rengoku who had also just come back from a mission and was having his own injuries tended to. “Kocho’s got this Shinazugawa.”
"Don't worry, I’m sure she’ll be fine."
He didn’t know that, how could he?
“You don’t know shit.”
“I know that she’s in good hands here. The same hands that treat you and all the other Hashira when we need it most.” Rengoku said, placing a hand on Sanemi’s shoulder which he shrugged off immediately. “So just try to keep a clear head Shinazugawa.”
“Don’t fucking tell me what to do.” Sanemi said, storming off in the direction they took you, feeling more irritated than he was before speaking with the Flame Pillar.
It had all happened so fast.
Both you and Sanemi had been chasing after a demon who had been kidnapping and eating children. The absolute worst of the worst.
You were losing your temper and fighting brash, something he’d never seen from you before but not something he was new to entirely.
Just like Masachika.
You were so blinded by rage over the fact that the victims were children that you could barely hear him as he directed you to coordinate your attacks.
The last thing he remembers is going in for the killing strike when suddenly the demon throws a kid at him, a little girl. He stops his attack mid swing to catch her but in doing so he leaves himself wide open to the demon.
Fucking idiot! He thought as he tried to move out of range in time, before the demon could sink her claws into him he felt a hard push and the next thing he saw was red.
Blood.
It was your blood. Dripping onto the ground forming a dark red puddle around your feet.
When had you gotten there?
You had pushed him out of the way at the last second and had taken the brunt of the attack, your side torn almost clean open.
The smell of copper fills his nose completely and he almost chokes on it.
“Shinazugawa.” Shinobu started firmly sitting at a desk chair snapping him from his thoughts. She had just finished stitching you up and had sent Aoi and the others to get you situated in a bed after you had passed out. “If you need to talk…”
“I don't need to fucking talk,” he said pacing grooves into the the wooden flooring of the hall of the Butterfly estate. “She was a fool for jumping in like that.”
“I know you’re worried about her but-“
“I’m not fucking worried!”
He was but he’d never tell Shinobu that.
His anger clouded his senses, sure he was worried but he was mad more than anything.
Who gave you the right to step in and put yourself on the line like that? For him of all people.
No. To Shinobu he wasn’t worried, he was pissed.
You’re met with the sight of a starch white ceiling as you came to, head pounding you slowly, sit up looking around the room, no one was occupying the other beds. Your body ached at even the slightest movement. For a moment, you thought you were completely alone until a familiar voice greets your ears.
“You finally awake?”
Sitting on a chair next to the bed was Sanemi, his arms crossed over his chest as he glared.
"How could you be so fucking stupid, you brat?"
“It’s okay Shinazugawa-san,” you sigh, “Kocho-san was able to patch me up.”
Shinazugawa-san. As if he wasn’t already irritated enough with you.
How annoying.
“Okay, my ass,” Sanemi grumbled, “and drop the -san.”
“You’re a Hashira sensei, your life is worth at least a hundred of mine.”
“You’re an even bigger moron than I thought if you really believe that shit!” Sanemi snapped “Don’t be so ready to throw your life away!”
“I guess I’m your dumbass then.” You mumble under your breath
“What?”
“Nothing, don't mind me.” You said waving your hand in front of you as if to dissipate the tension in the air.
Silence filled the space between you two.
“I won’t let you die. Not for me.” Sanemi said somberly, refusing to look you in the eye.
“That’s the only way I’d like to go,” you sighed dreamily, only half jokingly.
“Don’t say dumbass shit like that.”
“You’ve made bigger sacrifices. Let someone else make them for you for a change.” You nodded contentedly at what you said. “You deserve to live a full life just as much as I do so let me help you live it to the fullest.”
You would have thought that was the end of your conversation if Sanemi hadn’t stood with such force it knocked his chair over from your bedside.
“Don’t gimme that bullshit!”
“You think you’re so high and mighty talking about sacrifices when you really don’t know shit about sacrificing anything!”
Before you could say anything more, he stormed out slamming the infirmary shoji doors behind him.
He was right, what right did you have to tell him of all people about sacrifice when you knew about his past?
Sanemi hadn’t told you much himself but when you asked Oyakata-sama about him he had reluctantly told you about Genya and his mother.
If anyone had known anything about sacrifice it’d be him.
Slowly getting up from your bed you found yourself leaning against the wall as you limped through the halls searching for your teacher.
The wind whipped through his white hair as he sat in the garden attempting to meditate. He had initially come out here to cool his head by slashing at the training dummies but when he saw other slayers out there training themselves he opted to go to the other side of the grounds just to have some alone time.
He hadn’t meant to snap at you like he did, gods know you weren't wrong no matter how much he hated to admit it, so why did it piss him off so much to hear you talking so easily about throwing your life away for him.
You deserve to live a full life just as much as I do so let me help you live it to the fullest.
You reminded him so much of Masachika it made his head ache.
The wind picks up once again carrying with it the smell of wisterias and…something else he couldn’t quite place.
It was almost like it was trying to tell him something, like he wasn’t alone.
Whipping around just as the sliding shoji doors open up, Sanemi jumped up and made it to you just in time to catch you as you slipped and fell out into the garden having lost your grip on the wall.
“Dumbass! What the hell are you doing up?!”
“I was looking for you!” You cried “I’m sorry Shinazugawa, you were right, I had no right to be so ignorant!” You tried to bow but the searing pain in your side said otherwise.
He tsked as he went to sit you down on the engawa. Setting himself beside you so you could lean on him if you needed to.
“You really aren’t that smart are ya?” He asked roughly trying to lighten the mood but the way it came out made him wince at the harshness.
Thankfully after months of training at his side you could tell when he was trying to lighten the mood, so you simply smiled and closed your eyes savoring his warmth. “No one’s ever accused me of being a genius.”
It was then that he realized you hadn’t called him sensei, or by any honorific. He was simply Shinazugawa.
Maybe he was finally getting something through that thick skull of yours.
The fourth time
When the two of you arrived at the swordsmith village you split off almost instantly Sanemi muttering to himself something about needing a drink. You were so excited at the promise of hot water on your aching muscles that you hadn’t thought to ask Sanemi if he planned to bathe too.
Which was how you two found yourselves in your predicament.
This was good. Way too good. The hot springs were perfect. From where he sat Sanemi could see the steam rising off from the clear water. The atmosphere around it is breathtaking, decorated with rocks, and lush plants. The scent of it was intoxicating.
He can already feel the relaxing effects of the mineral waters soaking into his bones as he sinks further in. Sanemi’s entire body felt overly warm, whether from the springs or the sake he drank earlier that evening he wasn’t sure.
Something like a splash echoed off in the distance and Sanemi turned toward the sound only to find you, sitting with your back to him, eyes closed as you groaned in pure bliss, the hot water easing your sore muscles.
“The hell are you doing here?!” He screamed jumping up to point at your naked form forgetting to cover himself up as he did so.
“Same as you Shinazugawa-san, taking a bath!” You smiled cheerfully “you’re naked by the way.”
You said averting your eyes from his very bare form.
He quickly sank back down into the water, cheeks turning a bright red before he rolled his eyes at you.
There it was again. If you said his last name like that one more time he swore he was going to-
But before he could finish that thought he caught a glimpse of your back, almost completely unmarred and blemish free save for the gnarly scar that twisted up your side and shoulder as you moved to grab your rag to wash yourself.
Sanemi had never seen your body so exposed before, he hadn’t meant to look, he swears he hadn’t but he just couldn’t tear his eyes away from you.
That was my fault.
“It’s not your fault.” Your voice brought him back to reality before he could get lost in his thoughts.
“Huh?”
Now you were sitting next to him, back resting against the warm boulders that surrounded the springs, arms folded, covering your amble chest from his view.
“It probably would've happened either way. I was being too reckless that night.”
“Doesn’t stop me from feeling any less shitty about it.”
A silent blanket fell over the two of you, the rippling of the water beneath you two the only sound that could be heard.
“Don’t get hurt again.” The request came in a tone you’d never heard from your teacher before. There was an emotion in his voice, one that you couldn’t quite place. Fear? Pity?
Nonetheless you smiled at him with a reassuring smile before answering back “I’ll try my best.”
“Good,” he began cheeks tinging pink once again as he looked away from you. “now get the fuck out.”
The one time you do
When the battle with Muzan and the remaining Upper Moons was over and the Corps had officially dissolved, you took your time to heal from your injuries, paid your respects to the fallen and moved back home.
Your childhood home looked more or less the same since you’d left, but it felt different. You couldn’t put your finger on it, maybe it had changed somehow or maybe it was just you that had changed but something felt like it was still missing.
Once you were settled in you resumed work in the family’s tea shop, your family thankful for the extra help. Soon you saved up enough to get yourself a little home on the edge of the village.
It wasn’t a spectacular abode but it reminded you of the Wind estate you stayed at when you trained under Sanemi. A place you like to think of as home.
Speaking of the devil, the arrival of Shinazugawa Sanemi to your village was a spectacle. He sent whispers and murmurs everywhere he went, the town buzzing with excited chatter and imaginative speculations but to you it fills your belly with fluttering butterflies.
You hadn't seen him for months since the final battle, a battle you hadn’t even had the luxury of sharing with him since you were with Shinobu at the time. Had he changed at all? Would you remind him too much of the past? What if he didn’t want to see you? Had you changed?
All those thoughts gripped at your head as you walked home from the store, groceries tucked tightly under each arm. It’s as you approached your home that you stopped dead in your tracks nearly dropping your bags.
There, standing in front of your door, was Sanemi himself.
He was thanking an old man, a regular of yours at the tea shop, on your front porch.
“Thanks for helping me find the place, old timer.”
“It’s no problem, oh there she is now!” The old man waved you over.
“Welcome home! I bought you a visitor!” The man cupped his hand around his mouth shouting excitedly as you approached.
“I see, it's been a long time Shinazugawa!” You smiled at them.
Sanemi looked different, he had even more scars and was missing fingers on one of his hands. Even though he appeared more battle hardened there was a surprising gentleness to his features now. As if there had been a weight lifted from his shoulders.
“It’s good to see you too.” He replied, surprising you with a soft smile.
“You wouldn’t expect it by looking at him, but Shinazugawa is really good with kids.” The old man, who you both realized was still there, teased. “We found him helping out some of the village kids before he asked for you.”
Face reddening, Sanemi ears tinged pink.
“Shinazugawa-san, you’re blushing! Ah I remember my first love…” the old man trailed off, his expression dreamy despite yours and Sanemi’s vehement protests in the background.
“I’ll leave you to youngsters to it then.” He waved you two off as he turned to leave, you quickly pulled Sanemi inside, cheeks equally as flushed as his own.
You invited him in and ushered him towards the back before the old man could say anything more. The two of you soon found yourselves resting on the engawa outside as you served him and yourself tea and ohagi, attempting to awkwardly catch up with one another.
You can tell he’s tired from his eyes as he spoke, and he has every right to be. The battle was hard fought not without great sacrifice even if it was months ago, Sanemi had a lot of recovering to do still.
The two of you sat in silence for what felt like hours admiring the beautiful scenery around you. More than once you caught Sanemi’s gaze lingering on you but he always caught himself and looked away before you could say anything.
“Forgive my intrusion.” He broke the stifling silence first.
“There’s nothing to forgive, I’m glad you came to visit.”
“I really wanted to see you, I even thought about coming to visit your estate but I figured, after everything….” You paused
Maybe you didn’t want to see me.
“You might have needed some space.” There’s a pause before you continue. “Have you been to see him yet?”
“I visit his grave as often as I can,” Sanemi says with mournful eyes that can’t quite meet yours.
“It’s all my fault… Genya….” His voice sounded watery as he trailed off. “I didn’t want anything to happen to him.”
“Please don’t blame yourself. It wasn’t your fault.”
“It feels like it is. Maybe if I hadn't pushed him away…”
He’d still be here.
If only he had taken his place. Sanemi thought as he swallowed thickly trying but failing to hold back tears.
“We’ve all done things we’re not proud of, we all make mistakes, it’s what makes us human.” You said placing a gentle hand on his shoulder.
How was he supposed to be going about doing this?
All he wanted was to come visit you, see how you were doing, not spill his guts out to you in the courtyard. He never meant for this to happen.
“I can see the love you had for him. I know he saw it too, otherwise he wouldn’t have fought so hard to get your approval when you pushed him away. People have different ways of showing affection." You started, Sanemi remained silent, his eyes fixed on you as you spoke.
"Genya might not have chosen the path you wanted for him, but he was with you all the way until the end and that’s what matters."
"He was a dumbass," he muttered, wiping stray tears from the corners of his eyes.
"He was your brother, and he loved you to pieces. He forgave you even when you couldn’t forgive yourself. I think it’s time you started trying to forgive yourself too." You smiled warmly. “You’re not alone in this sensei. I'm right here with you.”
“Drop that sensei crap. We’re both civilians now, we’re equal.”
“Sorry, old habits.”
A thick silence envelopes you two once again, this time a little less awkward than it was before as a hint of sadness lingers in the air.
“Please allow me to accompany you on your next visit, I’d like to see him too.” You said leaning into his side.
“I think I’d like that.”
It was getting late, the sun was starting to set over the mountains surrounding your village. The two of you had retired inside your home where you offered to make him dinner. Sanemi accepted and the two of you ate peacefully while you reminisced.
After clearing and cleaning up a bit you returned to your engawa where you sat in a comfortable silence just enjoying each other’s company.
Refusing to meet your eyes, Sanemi moved to place one of his hands over yours. The gesture has your heart thumping wildly in your chest, his too. “I very much wish… to see you again.” His words came out as though he was struggling to say them.
“I’d like that too…Sanemi.”
His name falling from your lips makes him stop in his tracks, looking up at you instantly.
“Say it again. My name.” He breathed out, he wanted to say more, but he’s too caught up in the fact that you finally called him by his first name.
“Sanemi.” you said tested it out on your tongue once more, pronouncing each syllable
At that he smoothly bridged the gap between you, pressing his lips softly against yours.
You almost forgot how to breathe. Cradling your face, he reaches his right hand around you and pulls you closer, deepening your kiss, relishing in the feeling of you.
It was then that you knew what was missing all those months ago when you returned home. It was him, he was your home and your village just didn’t feel like it had a place for you without him.
You're the first to pull away from the kiss, lungs not at all what they used to be back when you had to constantly use Total Concentration breathing, resting your forehead against his you stare into his lilac eyes with a shy smile.
“Stay with me tonight Nemi,” you murmur, fingers lightly tracing along his cheek as he hums in contentment. “Let me take care of you.”
Sanemi does not answer you, instead settling to pull off his haori while going in for another kiss, this one a bit rougher.
You admit to yourself right then that the name Sanemi rolls off the tongue so much better than Shinazugawa does.
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silvershiningtarot · 9 months
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👋😀 PAC18+: What Is Your Spouse First Impression Of You? (Short reading)
Take a moment to breathe in and out this is a general reading about your Spouse. This is their first impression of you. Whatever you guys decide to do what's on you. Remember this is up to you what you feel. Pile 1 thanks love @thementalshawty
Pile 1 💋
Pile 2 👏🏾
Pile 3 😘
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Pile 1 💋💋💋💋💋💋💋💋💋
Their impression of you is that you are a go-getter. I'll tell you what cards came out for you.
💋Tarot Cards: Nine Of Pentacles, The Chariot, Knight Of Pentacles, Eight Of Pentacles, Ten Of Cups Rx, and Knight Of Wands.
It seems that they'll like that you guys are a go-getter. OMG, look at that two of the knights. They'll be so impressed by your beauty as well. With the nine pentacles, they see that you are ambitious and career-driven. They think that you are emotionally closed off. But they notice that you've been hurt before. They see that you are trying to move past this pain that you went through. They see that you are good at what you do. They believe that you are professional. They might work with you or I am getting that they will work with you. They wanna open you up. They feel that you are a boss! They wanna give you the love that you deserve. They think that you don't have much love in your life. They noticed that you have a good style. They tend to overthink about maybe, they feel that they are not good enough for you. They think that you have a lot of abundance. Again, they feel that you are closed off but you are moving past this pain. But they like how you are full of energy. You are passionate. They see a lot of potential. If you don't have success yet you will get it. They think that you are patient and you take your time with your career. Because you know how to still have fun. They see that you are balanced. You are fun to be around. They see that you are warm 🔅 like I am getting fire vibes. I am also getting spiritual too. Maybe, you have something awakening in you. You are working on your craft. They see that you are moving. They notice that you are taking your time and that you are not unprofessional. You are chasing your dreams. They feel that they are not good enough for you. But they also think that your heart is closed off. They want to open you up, emotionally. I won't say guarded but I will say that you may not want a relationship or dating.
Pile 2 : 👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾
Tarot Cards: Four Of Swords Rx, Four Of Pentacles, The Chariot Rx, Ten Of Cups, Five Of Wands, Three Of Swords, and Three Of Pentacles.
Oh, My God, I think some of the same cards that came out! They feel that you are a bit stuck because The Chariot is in reverse they feel that you've been stuck like there isn't any movement with you but they noticed that you are a lover. You believe in harmony and you are competitive as well. They can see that you are competitive, ambitious, and a workaholic too. Very career-driven too. But they feel that you've been heartbroken before or that you just got out of a hurtful situation. They see that you like to collaborate with other people. Or I believe they wanna collaborate with you. They see how competitive you are but they wanna help you heal this past pain. Because it makes them think that you are in stuck mode energy and they wanna help you out of it. I have a sense that you are not resting 😪. I heard exhausted. So they feel like you are exhausted and drained because of this heartbreak. I don't know what happened but I won't go any further than that. They feel that they don't have a chance with you. Because you are not moving they aren't pushing it. They know that you want to love because of the Ten Of Cups they feel that you are wanting love. You dream about it. They want to be your Prince charming but it's like you aren't opening up your heart for it. You are not resting. Your mentality is stuck in past pain.
Pile 3 😘😘😘😘😘😘😘😘😘😘😘😘😘😘😘😘
Tarot Cards: Six Of Cups Rx, The Hanged Man, The Chariot Rx, Four Of Wands Rx, Seven Of Wands Rx and The World 🌎
Their impression of you is that you are stuck in the past heavily. Maybe, something in your childhood that you don't want to let go of. That's how they think. They feel that you don't think that you don't deserve love or happiness. You aren't worthy of love ❤️ which isn't true. You are not grounded. I heard very wobble you are. You like in circles with yourself. I believe that you have your perspective is changing. You are trying to heal your mentality. They think that you've been misunderstood or should I say misunderstanding. You've been defending yourself for too long. You have trust issues. So they wanna help you let your guard down. They are the type to help you “I'm not your past.” That's what I heard from them. They feel that you have love in your heart because you have the Queen Of Cups and Ace Of Swords. They think that you are having clarity about this past pain and you wanna move forward with it. They sense that you are an incredible person because you like to have fun and you wanna travel around the world. Or I am getting a sense that you might wanna take care of the world. They noticed that. I feel that in Pile it's going to be short because I have never seen so many reverse cards like that. There is something in the past you guys need to deal with. Because you have these cards. They believe that they don't have a chance with you. You are closed off from marriages, etc. because of what happened in the past. Maybe, you guys had parents who were married or they didn't build a foundation for you. Like security or safety.
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