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raven-at-the-writing-desk · 1 year

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Hello🤗! It's the anon who has a geeky mom!

Made it through chapter 5 and here's my Mama's thoughts. Warning: she cried A LOT.

She's kind off curious about Mickey and wondered if he could be important in the future. She got upset when no one knew who he was lol. "Mickey Mouse was my childhood! How could they?!" She cried. She also got really worried for Yuu and the Overblots. She's surprisingly quick to guess that Vil was about to overblot because of the epilogue from last chapter.

She was excited that the school held festivals because her school did that.

My mom screamed when she saw Riddle and Kalim again. She wanted to know if Riddle was able to get through with his mom. I should mention she wants to adopt the overblot victims.

She kept on roasting Vil throughout the chapter, especially whenever he acted mean towards Epel. "I'll show you who's a potato you Bratz doll rip-off!". She legit said that.

She thinks Rook's creepy 🤣. She also wanted Leona to sing.

She instantly fell in love with Ortho.

My mom, ever the music lover, started jumping excitedly during the audition. She even clapped and cheered for all of them.

She thought the songs were bops.

Neige and the Dwarves are adorable to her.

During Vil's overblot and flashback, her disgust towards Vil turned to empathy. She especially felt bad when Vil was being bullied. On a lighthearted note, she wished my dad was like Vil's dad.

She's so proud of Deuce she literally cried tears of joy.

She thought that Malleus and Yuu's friendship was cute. She wished there was an option where we could call Malleus MalMal instead of Tsunotaro.

She was kinda down when NRC didn't win but was happy for RSA nonetheless. She called it karma that Vil was forced to sing with Neige. She felt bad for Jamil though.

My mom legit bursted into happy tears when she saw Mickey in the flesh but that joy turned to fear and worry when Grim attacked us. "What happened?! Is Yuu alright?!"

And now she thinks Idia is sketchy. She refuses to believe Ortho is in on this. "Nooooo, not the cute robot boy!"

As a sidenote, she said that if I ever went to NRC, she's pulling me out immediately 😂.

[Here’s the other installments for the Mom Anon: Ep 2 / Ep 3 / Ep 4]

Don’t ask where Ep 1 is; I don’t actually recall having received an ask specifically about that—

Good, feed TWST your tears 😊

Your mom can join the rest of the TWST theorists on the true nature and meaning of Michard Mouse who has lost all of his fame and extensive media empire in this world 😩 I think at this point the pattern for OBs has been well established (though the festival setting is certainly new and provides an added element of public exposure to the threat). djsvwjxnkss Imagine being some happy-go-lucky festival goer and you witness a celebrity causing chaos 😅 I think you’d just drop your cotton candy and run for the nearest authority figure at that point… Good thing the NRC boys were able to keep the OB contained though!

Yeah, it’s always exciting to see old characters return in later episodes your mom’s in for a treat with episode 6. We can see how they’ve changed since we last saw them. Unfortunately, we don’t get to hear of the aftermath of the conversation Riddle had with his mother, but it’s nice to just catch up with the dorm leader that started it all. (And, of course, Kalim is also present being a good boi 😌)

Mmm, I don’t think Vil acted the nicest (especially not this episode) but 🤔 I do think it’s interesting to observe how much harsher the criticisms made at his expense can be. I get the sense that people think it’s okay to call Vil out for his cruelty, but hesitate to do the same for others (such as Riddle), even when those characters have all done/said abhorrent things. I wonder if that justification comes down to Vil being the type of person who doesn’t like to show when he is hurting or being affected by negative comments (versus other characters, who are more overtly emotional or reactive). It comes with the territory of being a celebrity: you need thick skin to survive in the entertainment industry, where everyone will be judging you at all times of the day. It must bring him a lot of distress, and it also leaves him in a tough situation where he often cannot outwardly express his frustrations.

I don’t know, it makes me feel slightly uncomfortable seeing Vil in particular receives certain kinds of vitriol from the fandom, because I’m sure he’s also getting that in-universe from his “haters”. No matter where he exists, he must be facing intense public scrutiny (sometimes on very superficial things too), and I don’t know how he manages to deal with it. Like, even in the comment quoted, it’s not Vil’s character being insulted but his appearance (even if his appearance is totally unrelated to the situation). I guess it’s easy to roast celebrities when you only really get to see slivers of them in various media or maybe they’re seen as living “perfect” lives, but I don’t agree with being mean to them (or to anyone, really 💦). Confident people can still be hurt, and those in seemingly glamorous positions have valid issues. That isn’t to defend their missteps, but rather just me being sad about a general lack of empathy 😔

Let Rook beeee 😭 I won’t stand for this huntsman slander— Funnily enough, the game has teased Leona singing a few times before (most recently in Endless Halloween Night), but we’ve never actually heard him do it.

The VDC auditions were so cuuute 🥰 I really enjoyed the variation in their performances, as well as the characterization of Rook and Vil that we got through it. Rook is the positive judge that can see the charm points in each individual, but Vil is the more critical judge that can really “read” what is at the core of each person’s performance. For example, he mentions that Cater’s performance doesn’t seem to have heart behind it and that Lilia’s performance makes him seem older than a high school student. MY FAVORITE ONE WAS ORTHO THOUGH, his was so cool!! They patched his scene so that he sounds like a Vocaloid while singing, which was an excellent touch 🎵 (Great job with that one, Idia!)

Mmm, I personally don’t care for the songs in episode 5 (with the exception of Piece of My World, if that counts), but I’m glad that others enjoyed them so much! I feel similarly towards Neige and the Dwarves; there’s nothing offensive about them, they’re just a little… bland for my tastes. Cute, yes, but ultimately bland.

Vil and Azul have similar backstories in that they involve being bullied and then using that experience to fuel their efforts to better themselves and to prove their worth to their peers. I think this is why those two are able to garner sympathy (but not always empathy) from the fandom. Oddly enough though, I usually see people not forgiving Vil for his actions while also exonerating Azul for his. This… has always been weird to me, because I see Azul as someone who has done much more damage over the years than Vil has—and what’s more, Vil is one of THE most apologetic OB boys of the cast and clearly owns up to his wrongdoings. I think this difference comes from the perception of each boy; again, Vil is often viewed as harsh and overly critical, and not a lot of the general public can relate to his being a child star, so he earns less empathy overall 💦 Some of this perception also comes down to a misunderstanding of his reasons for Overblotting; I've seen many label it as shallow or driven by vanity when... well, that's not entirely true. He's ultimately looking for approval and validation of his identity and the work that he does, and that's something I think everyone wants. I just wish more people were open-minded when looking over Vil's backstory. Just because he had a successful career and a supportive father doesn't mean Vil didn't struggle to get to where he is today. Even then, he's not entirely happy with himself. That's not Vil being spoiled or entitled, that's Vil thinking he can be even better. It's that ambition and drive that defines him.

aiudbaidbabsd Vil's dad though 😫 the real OG... It must be hard for a big star like him to make time for his child, and yet he still manages to do it. It's also just nice to see a supportive parent for once in these flashbacks instead of people like the Viper parents and Mama Rosehearts (or not really involved in or aware of the formative trauma like the Kingscholar parents and the Ashengrotto parents).

When I first played through episode 5, I wasn't expecting Deuce to get his unique magic at all. Now that it's said and done, I think we can all share in his pride and excitement. We've followed him on this journey for so long, and he finally gets this big payoff and he gets to rub it in Ace's smug face.

Episode 5 is a big turning point in terms of Malleus and Yuu’s relationship; this is when his true identity is revealed to them and everyone else becomes aware that they know each other. As I’ve said before, I don’t find myself convinced by their friendship due to how little they interacted during the main story, but I guess that’s just a consequence of the writers trying to keep Malleus “mysterious”. I’m sure plenty of people find him and Yuu endearing in spite of that.

I believe the significance of Malleus being called “Tsunotaro” even after his true name and title are revealed is that it calls attention to Yuu just treating him like a normal person. There’s no option to call him some variant of his actual name because “Malleus” is inherently associated with big titles: the dorm leader of Diasomnia, crown prince to the Briar Valley, one of the strongest mages in all of Twisted Wonderland. These isolate him from others, and it’s of great importance that Yuu is an exception to this and treats him like an equal.

Haha, there’s always that initial hit of disappointment when the results come out. It’s good that your mom didn’t linger on the sadness and the defeat for too long and was happy that the nice RSA boys cinched the victory. Everyone singing and suffering together at the end was the perfect way to conclude the Pomefiore arc~ (Jamil’s deadpan tone and face were 👌)

cbssksnsn That’s a first 😂 I don’t think I’ve seen many people get excited at the idea of meeting Mickey; I feel like most TWST fans (myself included) are quick to meme on him or theorize, or they’re just put off by his presence at all. It certainly feels a little “out of place” with the aesthetics and the world (at least until it gets further explanation).

I was worried about Grim attacking Yuu too but 😔 it ultimately just amounts to nothing more than a cat scratch, which I found disappointing (as it’s really low stakes despite how serious the situation is framed). That’s probably a relief to others though, I can’t imagine that most would be eager to see Yuu and Grim in pain.

… Since when has every end of episode preview for the next ever made the next OB boy NOT look sketchy?? 👁 👄 👁 It’s okay, no matter how sketchy Idia may be, Ortho’s there to balance it out with his innocence.

Isekai’d into Twisted Wonderland with your mom?? 😂 I don’t think the main story would be able to happen if any sane, responsible adult was actually present long enough to keep the kids out of trouble looking at you, Crowley.

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herrlindemann · 2 years

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WOM - September 1997

Interview with Till for WOM. The scans and article were shared by @rammsteinhistory on their Instagram page.

Till Lindemann's slightly irritated expression speaks volumes: Interviews are not one of the Rammstein frontman's favorite pastimes. The former European runner-up swimming champion and single father would probably prefer to swim laps in the outdoor pool or take care of his daughter. The former basket-weaver complains that he is asked about his texts so often that he runs out of vocabulary, and he is often misquoted. The " flambéed man" (STERN) still had to answer our employee Henning Richter's questions.

Did you feel you had a special responsibility when you started the new album?

More excitement than responsibility, because the pressure of expectations was very high, the sales figures speak for themselves. Reaching or exceeding this level will be difficult.

Under what conditions was the album created? And what makes it different from its predecessor?

We didn't have any arguments at all, it was relatively harmonious, which is unusual, since we usually have tough fights. Everyone tries to assert their position. Through the stress and hate of the first few albums, we had a foundation of experience and warmth that made things run more smoothly. The recordings were made in Malta, where the climate is fantastic. What I wanted to free myself from is gone, it's in the first record. Now I'm looking underneath, now there's something thinner, more filigree and more emotional. That applies equally to the lyrics and the music: today I go more into the finer points.

STERN has described your texts as « ghastly tales »...

German texts are usually pretty flat. I wanted to do better, which on the one hand was successful, but on the other hand naturally provoked questions. I usually get the music for a new song on a four-track tape from my colleagues and listen to it very loud at home. Either I follow my first impression, or I have to listen to it 20 times in a row, then it becomes very difficult.

So the music creates aggressive images in you?

Yes. However, the new songs like "Sehnsucht" are a bit softer, this is about wanderlust and not about violence. With "Seemann" on the first album, something very sad came to my mind, and with the music of "Weißes Fleisch " I immediately thought that it was someone who is mentally ill and is attacking a minor.

Do you actually understand the accusations that you were politically on the right?

We didn't expect it and didn't get it at first. In the meantime the pressure has become so strong that we have to start dealing with it. But we don't want to apologize either, because none of us knows what for. You try to understand it, but you can't. That's why you can't comment on it. Someone should just tell me where he sees the political right in our country. It's always just scratching the surface because they want to pee on our legs. All I can say is let the facts speak for themselves, for example our band chronicle: We've been on tour with the Ramones, with Project Pitchfork and Clawfinger. We are played in heavy rotation on VIVA, we have a good relationship with Die Ärzte, these things speak for themselves.

How would you classify yourself politically?

Actually, I'm completely apolitical. I find it incredible that they want to ban me from talking about child abuse. I have a daughter who is potentially at risk. It happens left and right, that's a fact, everyone knows it. But many don't want to talk about it.

Of course, one can argue about the form in which you do this. Anyone who goes public has to live with criticism.

That's right.

Are your lyrics and your martial demeanor also a late protest against the authoritarian GDR system?

Not necessarily a protest, but now it's pouring out. None of us took to the streets energetically at the time. But that remains subconscious. Now you can do anything and say things like “I want to fuck” or “I hate you” and it even plays on the radio. On the other hand, it seems a bit like it used to be, only with the difference that they can't pick you up anymore.

In the magazine PRINZ you were described as a « social-democratic version of the Böhse Onkelz ».

I don't want to comment on either the first or the second word.

Why did you actually adopt your jagged stage choreography and these pithy Teutonic gestures? And who had the idea to make your stage show so pyromaniacs?

I wanted to avoid idling on stage. Others dance or hold on to the mic stand — that doesn't go with our music because it's very static. I always stood in front of the microphone like an idiot and thought I was incredibly shitty. Then came two fountains, then four, then one effect after the other, which has now become a bit of an addiction. Music for the ears and the pyros for the eyes, for me that's the parsley on the chop. Of course you have to be careful not to turn it into a circus. If I roll my eyes or bang my head with the mic, it’s a support of what I'm trying to convey right now. When I use such gestures or shoot an effect, I just feel good about it.

Skins and Nazis also come to your concerts. Are these the wrong fans for you?

In any case. I've just never seen any. In a hall where more than with 1,000 people hanging out, there will always be rights. I'm sure they're also running around at Die Ärzte, Toten Hosen, Ramones and Bad Religion. You can't do anything about it. With us, they are only welcomed and recognized immediately by the media. If we knew how, we wouldn't let them into our concerts. But how are you going to recognize them? For example, our tour manager has the task of coming onto the stage immediately when fascists show the Hitler salute. Then I stop the concert and wait for these people to be removed.

Did your huge record sales actually make you rich?

It's different than before, but what is rich? We are a GbR (“corporation under civil law”), the money that flows is powdered into the next show. The autumn tour will be even bigger and have even more effects. Our show is incredibly expensive. We don't want to be a flash in the pan. If you saw the last Metallica show, then you know there's no end. Look at the movies, there is «Terminator 1» and «Terminator 2», the effects can become more and more numerous and violent. Like the 100 meter freestyle swim. They used to be happy if they got under a minute, now it's 50 seconds.

#Rammstein #Till Lindemann #interview #translation #1997 #*

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ceresprime · 2 years

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Hello there! I just discovered your blog and have been reading through some of your reenactment posts and figured it was worth asking about if as long as it’s not too much trouble. I am very interested in the idea of getting involved with reenacting, but as a young non-male person it’s very intimidating and I’m not sure if it’s really within my abilities, given that I am a full time student, and thus far my inquiries to a specific regiment have gone unanswered. Would you be able to give me something like an overview or a “starter guide” for this kind of thing (what the commitment is like, what knowledge and training is necessary, what the general cost is, etc)? Your blog has already been a great resource in any case—thank you!!

Hello dear fellow non-male student history nerd!

I'm so happy to answer your queries and glad my blog has given you the perspective you desire! (also remind me to post about some of my last events...)

Here, I'll break down the commitment to this joining hobby of reenacting into categories: Demographic, Knowledge, Cost, Time, What Unit?, and of course a TL;DR.

Demographic

Anyone of any race, age, and gender can join the hobby! Does anyone criticize Hamilton for its actors not conforming to the demographics of the historical figures they portray? Reenacting should be a hobby for anyone who wants to. Some overarching organizations that coordinate reenacting groups are still hesitant in letting non-males join the ranks, but there are many units out there that do. (Although I speak for the New England area, mostly Rev War.)

As for the physical demands of the hobby, it can vary. A musket weighs 10lbs (4.5kg). As part of the light infantry, we run a lot. As part of the artillery, we also run a lot. Not all artillery is like that though. Grenadiers and battalion companies move a lot slower, marching in line typically.

Though, being a full-time student does pose the difficulty of cost and time. I'll talk more about that soon.

Knowledge

We learn as we go. Reenacting groups are always looking for new recruits, so they're willing to help you out, wherever your knowledge base is. Speaking for Revolutionary War British Army/Artillery reenacting, you would want to learn the 1764 Manual of Arms (these are the commands to handle your musket, video here) and marching (these are commands to move around the battlefield or parade ground) during your first or second year. Most groups have required drills to coordinate everyone (and ensure safety) before a season.

I'll post a quick guide of stuff you'd want to know sooner than later, again, for a soldier during the Revolutionary War.

Now, another part of this is public interaction! You wear a certain uniform, after all, so you and your unit are responsible for educating folks about who you are and your time period. Two things to know:

This is not all on you! Your group has done the research to create your uniform, so listen to them answer questions (and keep the answers in mind so you can answer that same question next time). It's perfectly okay to say you don't know and refer to someone else.

As an audience member, I was way too awkward to know what to ask or how to ask it. So it's your responsibility as a reenactor to invite questions or just ramble about history. People are there to hear you. If you've learned from your unit, talk about your uniform, or talk about some stories from the time period, or (my favorite go-to) explain how your gear works. People always want to know how a flintlock musket mechanism works. This part comes with time (and maybe watch my YouTube videos... once I make them).

Cost

Reenacting is definitely a commitment. Generally, the older the time period, the more expensive. From a Rev War perspective and as a full-time student that works during the summers, it's sorta affordable.

Both of my units have yearly membership fees ($25) to keep up with our insurance, but with one of them has a student discount.

Most units have loaner gear for newcomers to be set for the first year or two, as you're getting your own stuff. Before you read any more, follow this key rule above all else, do not buy anything until you've asked your unit! This will save you money and the right reenacting gear lasts forever.

Some advice for money and stuff is best in a list:

Blanket sales! End-of-season (usually September to November) events are where you should look for second-hand gear sold by other reenactors, usually laid out on a blanket in the grass. Hence a blanket sale. You find all sorts of goodies there.

Get your mess kit first. Whatever the time period, this applies. Buy your personal bowl, spoon, and cuttoe knife. These tend to be necessities and are not included in loaner gear.

For Rev War, Townsends isn't horrible at first. It's mass-produced but it looks decent and is sometimes more affordable than other places. Ask your unit, first, of course.

Be careful with a cheap musket. Do not cheapen out here, but you don't need brandy-new. Muskets made in India or "Belgian Bombs" are often not safe, if you look out for a second-hand Miroku or Pedersoli, you'll save a lot. Also, be sure to keep it clean and it'll last you forever.

If you're curious about where I got my kit, check out this post for a collection of a ton of Revolutionary War reenactor links.

Time

Being a full-time student, you may also want to know about the time commitment to reenacting. My units are really chill and don't require me to come to a certain number of events, but we do have required drills to ensure we are all functioning safely just before each season (February to March). We offer about 20 events per season (about April to November).

Events are always on the weekends, and for me typically a 1.5 hour drive. The furthest we go yearly is about 3 hours to Fort Ticonderoga. Most events, you arrive Friday night or Saturday morning and leave by Sunday afternoon. Some events are only Saturdays. Some are special calendar events like 4th of July parades and Patriot's Day Weekend (April 19th).

As a student, I have not felt any strain on my academics personally. My instructors give me a lot of leniency on weekend homework because I'm doing something educational for the public. If you wanted, reenacting would probably count as an independent learning study.

What Unit?

Ask around. I joined the guys with the shiniest cannon around, so that's one method. Also, as a young non-male, I encourage you to look at another question I answered about being such a fellow regarding looking like a male soldier and staying safe.

I prefer talking to units in person, too. You'd get a better vibe for the people and how strict they are in terms of historical accuracy and requiring members to come to events. Some questions to ask are along the same lines of what you've already asked me, but reach out if you want more guidance here.

TL;DR

Just go for it! Reenacting is a hobby for anyone who's got an interest in history. Your unit can work with you on knowledge, expenses, time commitment, etc.

#reenacting #historical reenactment #history #ask #american revolution #advice #student #military history

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arty-shadow-morningstar · 3 years

Text

Graveyard Siblings (3)

Some for revenge and some sibling bonding.

[Masterlist]

(Part 1)(Part 2)

-------

Adrien was next to be visited. Plagg woke him up from his sleep.

-------

“Kit, wake up. I want camembert.”

“Plagg, silence. You are not getting any cheese if you do that.”

“Sorry, Adrien but you are not my ‘master’ anymore.”

“Plagg? Why are you here? Where’s the ring?”

“The ring is as far away as possible and kept safely away. I am here because someone wants to talk to you.”

“Who?”

A cloaked, hooded figure stepped out of the shadows to his room.

“Kitty. My Chaton. Did you miss me?” A sweet, familiar but yet so terrifying voice came from the figure.

She pulled down the hood to reveal Ladybug with a wicked-looking black mask with white lenses.

“What am I talking about? You do miss me. Your Bugaboo. Too bad I don’t feel the same, Adrien.”

Lightning flashed and it started to rain. The mask was gone, revealing his dead classmate, Marinette with chilling red eyes. The pigtails grew longer and curved upwards, giving the illusion of her having horns. Twin blades flashed and she leaped towards him. (Damian gave them to her with some lessons in exchange for spending time with, babysitting, the kwamis.)

Adrien scrambled away from the bed in the nick of time. A sword impaling the spot where he just was.

“Plagg, help. Where is the ring? I need to transform.”

“Sorry, kitten. I am not telling you. Even if you did have the ring, it’s not going to be much help.”

“Kitty, stay still. Then, we can be together. Just like you wanted.”

Adrien continued to dodge.

“What do you mean?” He all but screamed at Plagg.

“Pigtails, here, is a vengeful spirit. She’s not going to stop until she is satisfied. How about asking her what she wants?”

“Ladybug, what do you want?”

“What I wanted was a partner I could rely on, someone I can trust with my life, someone who wouldn’t stab me in the back for his own selfish gain. I wanted a friend who would have my back and not tell me to keep quiet at the price of my mental health and my relationships with people I care about. WAS THAT TOO MUCH TO ASK?!”

She managed to get a cut on his left cheek.

Soon, he was on the ground, bleeding out on the round.

“Tell Hawkmoth that he better watch out. Because-” lightning struck and Plagg and Ladybug had disappeared, “his downfall is coming.” Her voice echoed through his room.

Adrien laid bleeding until Natalie opened the door after hearing a crash from the room and came to check on him. As she called an ambulance for Adrien, she wondered if it wasn’t too late to ask for redemption and be spared from Ladybug’s wrath for her part in her murder.

Adrien had the word ‘TRAITOR’ carved into his back. Forever reminding him of his crimes.

--------

He wasn’t in school for a week after the incident. They all were told that Adrien had an accident while fencing.

Gabriel was a little panicking now.

He hired an exorcist, (John Constantine got a hefty amount and did a few flashy magic tricks to appease Gabriel but he didn’t lift the curse Maria put on the place. She is not someone to be on the bad side of and he thinks that he can’t lift it even if he wanted to.)

Emilie gets a little sus at Gabriel when he brought this strange man with a British accent into their home after their son got attacked in his own room with security tighter than Fort Knox.

She doesn’t buy that ‘accident’ bullshit that her husband, son and even Natalie tries to sell her. She thinks it is connected to what happened while she was in a coma.

-----

Adrien has a curse too.

(Credit to @raeuberprinzessin for giving me an idea)

He couldn’t act like the ‘Perfect Adrien’ in public anymore. Acting more like Chat Noir at first then, later a spoiled brat. His friends thought that he was finally rebelling against his father and encouraged it a lot.

Adrien started criticizing other people, strangers at first then to the people working on the photoshoots to his fans to his other school mates, people in his class and his friends. (The curse planted ideas into his head about what he should say and he said them all without thinking about the effect it has on other people)

People started avoiding him not liking his attitude and his comments about how they should behave and change something about them because he doesn’t like it that way and guilt-tripping them when he doesn’t get his way. Even Nino started to distance himself after he saw how Adrien talked to a fan.

The public thought it was a phase but as he got progressively worse, people started despising him. Adrien doesn’t realize this of course so far, happy that his father let him get away with ‘ruining the Agreste image.’ (Gabriel was worried about a potential vengeful ghost and making sure his wife didn't know about his stint as a supervillain. There was also the fact that the Afterlife made more sales than him again and managed to get on the cover of Vogue when he should have, dammit.) He was finally able to say what he wanted to without repercussions. Until he realized when Nino and everyone else cancelled for a hangout for the third time that week that he was slowly losing his friends.

He panics and tries to fix the situation. He didn’t want to be alone again.

He talks to Nino about it and to his horror, he couldn’t stop himself from saying many things that were a little hurtful. (Second part. The moment he realizes he is going to be alone. He is going to find out that yes, lies can hurt people. He is going to see it happen firsthand.)

Nino moved seats and told Adrien that their friendship was on hold until he apologized.

Soon, nearly every time his mouth opened, lies and insults about his friends or their embarrassing secrets came spilling out. Everyone hated him now and Mme. Bustier tried to give him a reprimand about his behaviour, which when he tried to defend himself, he found himself unable to speak.

He managed to explain to his father what caused his unpopularity by writing what happened to him. Unfortunately due to his poor behaviour before the second part of the curse was activated, his fan base was dwindling and people didn’t like him anymore so there was a hit on the Gabriel brand.

He no longer has to do modeling, clearing his schedule. But no one would spend time with him.

The best solution he could do with his predicament was to keep quiet and endure the loneliness and the glares of his classmates at school. Adrien was relegated to the back and nearly everyone avoided him. He was now a social pariah.

Even Lila avoided him because of her own curse which made Adrien turn into one of her previous victims. (She also didn’t ponder why Marinette rarely appears compared to the others.)

If Adrien felt a tiny bit remorseful or guilty for making Marinette keep quiet or betraying Ladybug, he can gain a little control over what he says.

The curse can be broken if he apologizes to Maria herself or to her grave.

------

The first few months, while Marinette adapted to living with the Waynes, Jason stayed over at Wayne Manor because having Maria living with him at his apartment wasn’t a good idea and he had no clue how to take care of a teenage girl.

On paper she is adopted by Bruce because Jason can’t. (Some CPS reasons.)

Making Jason a little more salty towards Bruce. “I found her first. I called dibs.”

Brought Maria to meet the other Outlaws and they adopted her too. “Hey, guys. She’s my sister first.”

Jason was the one to teach her how to shoot a gun because he was ‘the most capable’ of teaching her.

The first few months were a little tense with Marinette not fully trusting them and the same with the rest of the Batfam.

Jason warmed her up a bit to him by telling a little of why he took her here.

He was also the one to book them flight to Paris with Bruce’s credit card so she can tell her friends that she wasn’t dead in person.

They bonded more after stopping some nefarious plot in Paris while they were there. Let’s say Gentleman Ghost and something involving the catacombs in Paris. (I watched some Batman: Brave and the Bold for childhood nostalgia.)

Kwamis were animal-shaped and they were interesting creatures to be around. And very very curious.

There was a stressful day for Maria when all the Kwamis decided to play hide and seek. Damian somehow got roped into helping her as the only available person in the Manor and he will deny that he enjoyed it.

Damian is the little brother she always wanted and she is more tolerable compared to his brothers. There is also the fact that she trusts him with the kwamis and deep down, he feels super-honoured. (I just love older sister!Mari)

Tim and her being insomniac/coffee buddies. There has been many many interventions to stop this.

I get that Marinette is this selfless person and loves making people happy but she has siblings now and them eating the stuff she made for herself to enjoy, should get on her nerves after a while.

She makes a box with booby-traps in which she puts in her cookies and food.

There are many different layers of traps because this is the Batfam and each of them is non-lethal and more ridiculous.

Okay, I once read a fic about Marinette making a bear-trap style box to hide the Miracle Box so this box is also like that but kept for food. (Traps and Sneaks by quicksilversquared)

Someone (I vote a hungry Dick or Jason, maybe a suspicious Bruce) made a mistake of putting their hand into the box and the first trap activated.

Screams filled the house.

Everyone came down including Marinette.

Bruce asked, “Who did this?”

“It was me.”

“Why?”

“They kept eating the cookies.”

“There are other ways to stop them from doing that you know like a ‘Do Not Touch’ sign not a death trap box.”

“They are non-lethal.”

Bruce locked it away but Tim later stole it to tweak it and store his coffee. ------ (Part 4)

#graveyard siblings #maribat #ml x dc #mlb x dc #adrien salt #adrien bashing #platonic jasonette #platonic daminette

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homosexuhauls · 3 years

Text

15 JUNE, 2021 by Chimamanda Ngozi-Adichie

IT IS OBSCENE: A TRUE REFLECTION IN THREE PARTS

PART ONE

When you are a public figure, people will write and say false things about you. It comes with the territory. Many of those things you brush aside. Many you ignore. The people close to you advise you that silence is best. And it often is. Sometimes, though, silence makes a lie begin to take on the shimmer of truth.

In this age of social media, where a story travels the world in minutes, silence sometimes means that other people can hijack your story and soon, their false version becomes the defining story about you.

Falsehood flies, and the Truth comes limping after it, as Jonathan Swift wrote.

Take the case of a young woman who attended my Lagos writing workshop some years ago; she stood out because she was bright and interested in feminism.

After the workshop, I welcomed her into my life. I very rarely do this, because my past experiences with young Nigerians left me wary of people who are calculating and insincere and want to use me only as an opportunity. But she was a Bright Young Nigerian Feminist and I thought that was worth making an exception.

She spent time in my Lagos home. We had long conversations. I was support-giver, counsellor, comforter.

Then I gave an interview in March 2017 in which I said that a trans woman is a trans woman, (the larger point of which was to say that we should be able to acknowledge difference while being fully inclusive, that in fact the whole premise of inclusiveness is difference.)

I was told she went on social media and insulted me.

This woman knows me enough to know that I fully support the rights of trans people and all marginalized people. That I have always been fiercely supportive of difference, in general. And that I am a person who reads and thinks and forms my opinions in a carefully considered way.

Of course she could very well have had concerns with the interview. That is fair enough. But I had a personal relationship with her. She could have emailed or called or texted me. Instead she went on social media to put on a public performance.

I was stunned. I couldn’t believe it. But I mostly held myself responsible. My spirit had been slightly stalled, from the beginning, by her. My first sense of unease with her came when she posted a photo taken in my house, at a time when I did not want any photos of my personal life on social media. I asked that she take it down. The second case of unease was her publicizing something I had told her in confidence about another member of the workshop. The most upsetting was when she, without telling me, used my name to apply for an American visa. Above all else was my lingering suspicion that she was a person who chose as friends only those from whom she could benefit. But she was a Bright Young Nigerian Feminist and I allowed that sentiment to over-ride my unease.

After she publicly insulted me, it was clear to me that this kind of noxious person had no business in my life, ever again.

A few months later, she sent this affected, self-regarding email which I ignored.

Friday September 15 2017 at 4.35 AM

Dearest Chimamanda,

Happy birthday. I mean this with all my heart, even though I know I have fallen (removed myself?) from your grace. It would be impossible for me to stop loving you; long before you gave me the possibility of being your friend you were the embodiment of my deepest hopes, and that will never change.

I think of you often, still – stating the obvious. I grieve the loss of our friendship; it is a complicated sadness. I’m sorry that I caused you pain, or to feel like you can no longer trust me. There’s so much that I wish could be said.

I pray this birthday is the happiest one yet. I wish you rest and quiet and abiding stability, and of course more of the kind of success that means the most to you.

I hope mothering X is everything you hoped and prayed for and more.

Have a wonderful day today.

Love always.

About a year later, she sent this email, which I also ignored.

Thursday November 29 2018 at 8.42 AM

Dear Chimamanda,

I realise this is long overdue and vastly insufficient, but I’m really sorry. I’ve spent so much time going back and forth in my head and my email drafts; wondering whether to write you, how to write you, what to say, all kinds of things. But in the end, this is the thing I realise I need to say.

I’m sorry I disappointed and hurt you by saying things publicly that were sharply critical, unkind and even disrespectful, especially in light of all the backlash and criticism you experience from people who don’t know you. I could have acted with more consideration towards you. I should have, especially given the privilege of intimacy that you had offered me. There are many reasons why I chose to behave the way I did, but none of them is an excuse. And I clearly realise now, after many, many months of needless sadness and angst and hurt and actual confusion, that I did not treat you as a friend would—certainly not as someone would to whom you had offered unprecedented access to yourself and your life.

You’ve meant the world to me since I was barely a teenager. It’s been very hard navigating the emotional fallout of the past several months, knowing you were displeased with me but truly not quite understanding why, then deciding I didn’t care, then realising that would never be true. I’ve always cared. But I was too mixed up about the situation to be able to make sense of it, or properly see past my own justifications. I’m sorry it took me so long to grasp how I let you down.

I realise that I don’t have room to ask anything of you, but I would be grateful for a chance to say this in person. Still, even if I never get that, I really hope you believe me.

Congratulations on restarting the workshop, and on all the other amazing successes of the past several months. I think of you often; it would be impossible not to. You look so happy in your pictures. I really hope you are well.

All my love,

I hoped never to hear from her again. But she has recently gone on social media to write about how she “refused to kiss my ring,” as if I demanded some kind of obeisance from her. She also suggests that there is some dark, shadowy ‘more’ to tell that she won’t tell, with an undertone of “if only you knew the whole story.”

It is a manipulative way of lying. By suggesting there is ‘more’ when you know very well that there isn’t, you do sufficient reputational damage while also being able to plead deniability. Innuendo without fact is immoral.

No, there isn’t more to the story. It is a simple story – you got close to a famous person, you publicly insulted the famous person to aggrandize yourself, the famous person cut you off, you sent emails and texts that were ignored, and you then decided to go on social media to peddle falsehoods. It is obscene to tell the world that you refused to kiss a ring when in fact there isn’t any ring at all.

I cannot make much of the hostility of strangers who do not know me – fame taints our view of the humanity of famous people. But the truth is that the famous person remains irretrievably human. Fame does not inoculate the famous person from disappointment and depression, fame does not make you any less angered or hurt by the duplicitous nature of people. To be famous is to be assumed to have power, which is true, but in the analysis of fame, people often ignore the vulnerability that comes with fame, and they are unable to see how others who have nothing to lose can lie and connive in order to take advantage of that fame, while not giving a single thought to the feelings and humanity of the famous person.

And when you personally know a famous person, when you have experienced their humanity, when you have benefited from their kindness, and yet you are unable to extend to them the basic grace and respect that even a casual acquaintanceship deserves, then it says something fundamental about you.

And in a deluded way, you will convince yourself that your hypocritical, self-regarding, compassion-free behavior is in fact principled feminism. It isn’t. You will wrap your mediocre malice in the false gauziness of ideological purity. But it’s still malice. You will tell yourself that being able to parrot the latest American Feminist orthodoxy justifies your hacking at the spirit of a person who had shown you only kindness. You can call your opportunism by any name, but it doesn’t make it any less of the ugly opportunism that it is.

PART TWO

When I first read this person’s work, which was their application to my writing workshop, I thought the sentences were well-done. I accepted this person. At the workshop, I thought they could have been more respectful of the other participants, perhaps not kept typing dismissively as others’ stories were discussed, with an air of being among people below their level. After the workshop, I decided to select the best stories, edit them, pay the writers a fee, and publish them in an e-magazine. The first story I chose was this person’s. I wrote a glowing introduction, which the story truly deserved.

They sent this email.

Fri, Aug 7, 2015, 8:20 AM

Thank you so much for that introduction. It means so much to me and I’m going to keep reading it to get through the rest of my stay at Syracuse. I sent it to my mother and she got nervous about the piece because you said ‘it disturbs’, said she’s not sure how she’s going to feel when she reads it. But she’s also one of those ‘let’s leave the past in the past’ people. My sister approved, which meant a lot because our childhoods were each other’s.

All that to say, I’m so grateful you gave me the space to write the short version of this piece, the encouragement to write the longer piece, and now, a platform for it. I definitely have plans to write more about Aba.

Thank you, with all my heart.

PS- I wanted to sign off gratefully + gracefully in Igbo but I said let me not fall my own hand 🙂

About a year later, they sent another email to let me know that their novel would be published.

Wed, Jun 8, 2016, 8:20 AM

Greetings!

I hope all’s been well with you this past year. Belated congratulations on the baby’s arrival, I hope she’s being a delight (I’m sure she is), and on the Johns Hopkins honors.

I was thinking about how this time last year, I’d just received the email from you about Farafina and I wanted to reach out with a quick update. I’ve just accepted an offer for the novel I excerpted as my application and it feels like the workshop was a catalyst for the events that’ve led me here. So, thank you, for the workshop and your words and the Olisa TV series and listening to me babble on about my story at the hotel. I deeply appreciate all of it and you.

All my best,

Before the novel was published, I spoke of it to some people, to help it get attention. I had not been able to finish reading it. I found the writing beautiful, but the story false-hearted and burdened by bathos. When I spoke of the novel, however, it was the former sentiment that I expressed, never the latter.

After I gave the March 2017 interview in which I said that a trans woman is a trans woman, I was told that this person had insulted me on social media, calling me, among other things, a murderer. I was deeply upset, because while I did not really know them personally, I felt they knew what I stood for and that I fully supported the rights of trans people, and that I do not wish anybody dead.

Still, I took no action. I ignored the public insult.

When this person’s publishers sent me an early copy of their novel, I was surprised to see that my name was included in their cover biography. I had never seen that done in a book before. I didn’t like that I had not been asked for permission to use my name, but most of all I thought – why would a person who thinks I’m a murderer want my name so prominently displayed in their biography?

Then I learned that, because my name was in the cover biography, a journalist had called them my “protegee” and they then threw a Twitter tantrum about it, calling it clickbait, viciously disavowing having received any help from me.

I knew this person had called me a murderer, I knew they were actively campaigning to “cancel” me and tweeting about how I should no longer be invited to speak at events. But this I felt I could not ignore.

I sent an email to my representative:

From: Chimamanda Adichie

Date: Wed, Feb 14, 2018 at 2:06 PM

I’m writing about X

She attended my Lagos workshop two years ago and I selected hers as one of a few pieces I published after the workshop.

Apparently I was referred to as her ‘mentor’ and/or she was referred to as my ‘protege,’ in some articles, which led to her tweeting about it. Her tweets were forwarded to me by friends. In them, she reacted quite viscerally to my being called her ‘mentor’ and her being my ‘protege.’ To be fair, she is not technically my ‘protege,’ and it is perfectly fine that she feels this way, but her ungracious tone and the ugliness of the energy spent on her tweets surprised me.

I recently received her book and noticed that my name was included in her official book bio. I was stunned. Surely if she is so strongly averse to my being considered a person who has been significant in her career, (which is my understanding of the loose use of protege/mentor) then it is unseemly to make the choice to include my name in her bio. I found it unusual, as I don’t think I’ve seen it done before in a book bio, but I also now find it unacceptably cynical.

It is only reasonable for a person who sees my name as it is used in her bio — ‘her work has been selected and edited by Chimamanda Ngozi Adichie’ — to assume some sort of mentor/protege relationship.

To publicly disavow this with a tone bordering on hostility and at the same time so baldly use my name to sell her book is utterly unacceptable to me.

I’d like you to please reach out to her publishers and ask that my name be removed from her official book bio. I refuse to be used in this way.

After contacting her publishers, my representative wrote:

They have asked whether your preference would be to remove the Acknowledgment to you in the back of the book also, in future reprints.

I replied:

I don’t think that is my decision to take, and so will not answer either way, although it would be ideal if she herself made the decision to do so.

On the subject of how to go about it, I was absolutely determined not to be used by this person, but I was also sensitive to the costs the publisher might incur, as this was not in any way the publisher’s fault. Instead of pulping the already printed copies, I asked that the jackets be stripped and rebound. To my representative I wrote:

I’m completely determined that I not be used in this opportunistic and hypocritical way. But I want to make sure to proceed reasonably.

I was assured that my name would be removed and I moved on.

But from time to time, I would be informed of yet another social media post in which this person had attacked me.

This person has created a space in which social media followers have – and this I find unforgiveable – trivialized my parents’ death, claiming that the sudden and devastating loss of my parents within months of each other during this pandemic, was ‘punishment’ for my ‘transphobia.’

This person has asked followers to pick up machetes and attack me.

This person began a narrative that I had sabotaged their career, a narrative that has been picked up and repeated by others.

The normal response would be to ignore it all, because this person is seeking attention and publicity to benefit themselves. Claiming that I have sabotaged their career is a lie and this person knows that it is a lie. But if something is repeated often enough, in this age in which people do not need proof or verification to run with a story, especially a story that has outrage potential, then it can easily begin to seem true.

My addressing this lie will indeed get this person some attention – may they bask in it.

Here is the truth: I was very supportive of this writer. I didn’t have to be. I wasn’t asked to be. I supported this writer because I believe we need a diverse range of African stories.

Sabotaging a young writer’s career is just not my style; I would get no benefit or satisfaction from it. Asking that my name be removed from your biography is not sabotaging your career. It is about protecting my boundaries of what I consider acceptable in civil human behavior.

You publicly call me a murderer AND still feel entitled to benefit from my name?

You use my name (without my permission) to sell your book AND then throw an ugly tantrum when someone makes a reference to it?

What kind of monstrous entitlement, what kind of perverse self-absorption, what utter lack of self-awareness, what unheeding heartlessness, what frightening immaturity makes a person act this way?

Besides, a person who genuinely believes me to be a murderer cannot possibly want my name on their book cover, unless of course that person is a rank opportunist.

PART THREE

In certain young people today like these two from my writing workshop, I notice what I find increasingly troubling: a cold-blooded grasping, a hunger to take and take and take, but never give; a massive sense of entitlement; an inability to show gratitude; an ease with dishonesty and pretension and selfishness that is couched in the language of self-care; an expectation always to be helped and rewarded no matter whether deserving or not; language that is slick and sleek but with little emotional intelligence; an astonishing level of self-absorption; an unrealistic expectation of puritanism from others; an over-inflated sense of ability, or of talent where there is any at all; an inability to apologize, truly and fully, without justifications; a passionate performance of virtue that is well executed in the public space of Twitter but not in the intimate space of friendship.

I find it obscene.

There are many social-media-savvy people who are choking on sanctimony and lacking in compassion, who can fluidly pontificate on Twitter about kindness but are unable to actually show kindness. People whose social media lives are case studies in emotional aridity. People for whom friendship, and its expectations of loyalty and compassion and support, no longer matter. People who claim to love literature – the messy stories of our humanity – but are also monomaniacally obsessed with whatever is the prevailing ideological orthodoxy. People who demand that you denounce your friends for flimsy reasons in order to remain a member of the chosen puritan class.

People who ask you to ‘educate’ yourself while not having actually read any books themselves, while not being able to intelligently defend their own ideological positions, because by ‘educate,’ they actually mean ‘parrot what I say, flatten all nuance, wish away complexity.’

People who do not recognize that what they call a sophisticated take is really a simplistic mix of abstraction and orthodoxy – sophistication in this case being a showing-off of how au fait they are on the current version of ideological orthodoxy.

People who wield the words ‘violence’ and ‘weaponize’ like tarnished pitchforks. People who depend on obfuscation, who have no compassion for anybody genuinely curious or confused. Ask them a question and you are told that the answer is to repeat a mantra. Ask again for clarity and be accused of violence. (How ironic, speaking of violence, that it is one of these two who encouraged Twitter followers to pick up machetes and attack me.)

And so we have a generation of young people on social media so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow.

I have spoken to young people who tell me they are terrified to tweet anything, that they read and re-read their tweets because they fear they will be attacked by their own. The assumption of good faith is dead. What matters is not goodness but the appearance of goodness. We are no longer human beings. We are now angels jostling to out-angel one another. God help us. It is obscene.

#chimamanda ngozi adichie #femimism #nigerian feminism #radfem safe #gender critical #radical feminism #cancel culture #forgot the link oops

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howelljenkins · 4 years

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As a muslim Iraqi American with a significant tumblr following, I feel as though I should let it be known exactly where I stand when it comes to Riordan’s statement about Samirah. I have copied and pasted it down below and my reaction to it will be written down below. This will be the first time I have read it. If you want to engage with me or tell me that I’m wrong, I expect you to be a muslim, hijabi, Iraqi American, and from Baghdad. If you are not, I suggest you sit down and keep quiet because you are not the authority on the way I should be represented.

Like many of my characters, Samirah was inspired by former students of mine. Over the course of my middle school teaching career, I worked with dozens of Muslim students and their families, representing the expanse of the Muslim world and both Shia and Sunni traditions. One of my most poignant memories about the September 11, 2001, attack of the World Trade Center was when a Muslima student burst into tears when she heard the news – not just because it was horrific, but also because she knew what it meant for her, her family, her faith. She had unwillingly become an ambassador to everyone she knew who, would have questions about how this attack happened and why the perpetrators called themselves “Muslim.” Her life had just become exponentially more difficult because of factors completely beyond her control. It was not right. It was not fair. And I wasn’t sure how to comfort or support her.

Starting off your statement with one of the most traumatic events in history for muslim Americans is already one of the most predictably bad moves he could pull. By starting off this way, you are acknowledging the fact that a) this t*rrorist attack is still the first thing you think of when you think of muslims and b) that those muslim students who you had prior to 9/11 occupied so little space in your mind that it took a national disaster for you to start to even try to empathize with them.

During the following years, I tried to be especially attuned to the needs of my Muslim students. I dealt with 9/11 the same way I deal with most things: by reading and learning more. When I taught world religions in social studies, I would talk to my Muslim students about Islam to make sure I was representing their experience correctly. They taught me quite a bit, which eventually contributed to my depiction of Samirah al-Abbas. As always, though, where I have made mistakes in my understanding, those mistakes are wholly on me.

As always, you have chosen to use “I based this character off my students” in order to justify the way they are written. News flash: you taught middle school children. Children who are already scrutinized and alienated and desperate to fit in. Of course their words shouldn’t be enough for you to decide you are representing them correctly, because they are still coming to terms with their identities and they are doing this in an environment where they are desperate to find the approval of white Americans. I know that as a child I would often tweak the way I explained my culture and religion to my teachers in order to gain their approval and avoid ruffling any feathers. They told you what they thought you’d want to hear because you are their teacher and hold a position of power over them and they both want your approval and want to avoid saying the wrong thing and having that hang over their heads every time they enter your classroom.

What did I read for research? I have read five different English interpretations of the Qur’an. (I understand the message is inseparable from the original Arabic, so it cannot be considered ‘translated’). I have read the entirety of the Sahih Bukhari and Sahih Muslim hadith collections. I’ve read three biographies of Prophet Muhammed (peace be upon him) and well over a dozen books about the history of Islam and modern Islam. I took a six-week course in Arabic. (I was not very good at it, but I found it fascinating). I fasted the month of Ramadan in solidarity with my students. I even memorized some of the surahs in Arabic because I found the poetry beautiful. (They’re a little rusty now, I’ll admit, but I can still recite al-Fātihah from memory.) I also read some anti-Islamic screeds written in the aftermath of 9/11 so I would understand what those commenters were saying about the religion, and indirectly, about my students. I get mad when people attack my students.

And yet here you are actively avoiding the criticism from those of us who could very well have been the children sitting in your classroom.

The Quran is so deep and complex that its meanings are still being discovered to this day. Yes, reading these old scripts is a must for writing muslim characters, but you cannot claim to understand them without also holding active discussions with current scholars on how the Quran’s teachings apply today.

When preparing to write Samirah’s background, I drew on all of this, but also read many stories on Iraqi traditions and customs in particular and the experiences of immigrant families who came to the U.S. I figured out how Samirah’s history would intertwine with the Norse world through the medieval writer Ahmad ibn Fadhlan, her distant ancestor and one of the first outsiders to describe the Vikings in writing. I knew Samirah would be a ferocious brave fighter who always stood for what was right. She would be an excellent student who had dreams of being an aviator. She would have a complicated personal situation to wrestle with, in that she’s a practicing Muslim who finds out Valhalla is a real place. Odin and Thor and Loki are still around. How do you reconcile that with your faith? Not only that, but her mom had a romance with Loki, who is her dad. Yikes.

First of all, writing this paragraph in the same tone you use to emulate a 12 year old is already disrespectful. “Yikes” is correct. You have committed serious transgressions and can’t even commit to acting serious and writing like the almost 60 year old man that you are. Tone tells the reader a lot, and your tone is telling me that you are explaining your mistakes the same way you tell your little stories: childishly and jokingly.

Stories are not enough. They are not and never will be. Stories cannot even begin to pierce the rich culture and history and customs of Iraq. Iraq itself is not even homogenous enough for you to rely on these “Iraqi” stories. Someone’s story from Najaf is completely unique from someone from Baghdad or Nasriyyah or Basrah or Mosul. Add that to the fact that these stories are written with a certain audience in mind and you realize that there’s no way they can tell the whole story because at their core they are catering to a specific audience.

Yes, those are good, but they are meaningless without you consulting an actual Baghdadi and asking specific questions. You made conclusions and assumptions based on these stories when the obvious way to go was to consult someone from Baghdad every step of the writing process. Instead, you chose to trust the conclusions that you (a white man) drew from a handful of stories. Who are you to convey a muslim’s internal struggle when you did not even do the bare minimum and have an actual muslim read over your words?

Thankfully, the feedback from Muslim readers over the years to Samirah al-Abbas has been overwhelmingly positive. I have gotten so many letters and messages online from young fans, talking about how much it meant to them to see a hijabi character portrayed in a positive light in a ‘mainstream’ novel.

Yeah. Because we’re desperate, and half of them are children still developing their sense of self and critical reading skills. A starving man will thank you for moldy bread but that does not negate the mold.

Some readers had questions, sure! The big mistake I will totally own, and which I have apologized for many times, was my statement that during the fasting hours of Ramadan, bathing (i.e. total immersion in water) was to be avoided. This was advice I had read on a Shia website when I myself was preparing to fast Ramadan. It is advice I followed for the entire month. Whoops! The intent behind that advice, as I understood it, was that if you totally immersed yourself during daylight hours, you might inadvertently get some water between your lips and invalidate your fast. But, as I have since learned, that was simply one teacher’s personal opinion, not a widespread practice. We have corrected this detail (which involved the deletion of one line) in future editions, but as I mentioned in my last post, you will still find it in copies since the vast majority of books are from the first printing.

This is actually really embarrassing for you and speaks to your lack of research and reading comprehension. It is true that for shia, immersion breaks one’s fast. If you had bothered to actually ask questions and use common sense, you would realize that this is referring to actions like swimming, where one’s whole body is underwater, rather than bathing. Did you not question the fact that the same religion that encourages the cleansing of oneself five times a day banned bathing during the holiest month? Yes, it was one teacher’s opinion, but you literally did not even take the time to fully understand that opinion before chucking it into your book.

Another question was about Samirah’s wearing of the hijab. To some readers, she seemed cavalier about when she would take it off and how she would wear it. It’s not my place to be prescriptive about proper hijab-wearing. As any Muslim knows, the custom and practice varies greatly from one country to another, and from one individual to another. I can, however, describe what I have seen in the U.S., and Samirah’s wearing of the hijab reflects the practice of some of my own students, so it seemed to be within the realm of reason for a third-generation Iraqi-American Muslima. Samirah would wear hijab most of the time — in public, at school, at mosque. She would probably but not always wear it in Valhalla, as she views this as her home, and the fallen warriors as her own kin. This is described in the Magnus Chase books. I also admit I just loved the idea of a Muslima whose hijab is a magic item that can camouflage her in times of need.

Before I get into this paragraph, Samirah is second generation. Her grandparents immigrated from Iraq. Her mother was first gen.

Once again, you turn to what you have seen from your students, who are literal children. They are in middle school while Samirah is in high school, so they are very obviously at different stages of development, both emotional and religious. If you had bothered to talk to adults who had gone through these stages, you would understand that often times young girls have stages where they “practice” hijab or wear it “part time”, very often in middle school. However, both her age and the way in which you described Samirah lead the reader to believe that she is a “full timer,” so you playing willy nilly with her scarf as a white man is gross.

For someone who claims to have read all of these religious texts, it’s funny that you choose to overlook the fact that “kin” is very specifically described. Muslims do not go around deciding who they consider “kin” or “family” to take off their hijab in front of. There is no excuse for including this in her character, especially since you claim to have carefully read the Quran and ahadith.

You have no place to “just love” any magical extension of the hijab until you approach it with respect. Point blank period. Especially when you have ascribed it a magical property that justifies her taking it on and off like it’s no big deal, especially when current media portrayals of hijab almost always revolve around it being removed. You are adding to the harmful portrayal and using your “fun little magic camoflauge” to excuse it.

As for her betrothal to Amir Fadhlan, only recently have I gotten any questions about this. My understanding from my readings, and from what I have been told by Muslims I know, is that arranged marriages are still quite common in many Muslim countries (not just Muslim countries, of course) and that these matches are sometimes negotiated by the families when the bride-to-be and groom-to-be are quite young. Prior to writing Magnus Chase, one of the complaints I often heard or read from Muslims is how Westerners tend to judge this custom and look down on it because it does not accord with Western ideas. Of course, arranged marriages carry the potential for abuse, especially if there is an age differential or the woman is not consulted. Child marriages are a huge problem. The arrangement of betrothals years in advance of the marriage, however, is an ancient custom in many cultures, and those people I know who were married in this way have shared with me how glad they were to have done it and how they believe the practice is unfairly villainized. My idea with Samirah was to flip the stereotype of the terrible abusive arranged match on its head, and show how it was possible that two people who actually love each other dearly might find happiness through this traditional custom when they have families that listen to their concerns and honor their wishes, and want them to be happy. Amir and Samirah are very distant cousins, yes. This, too, is hardly unusual in many cultures. They will not actually marry until they are both adults. But they have been betrothed since childhood, and respect and love each other. If that were not the case, my sense is that Samirah would only have to say something to her grandparents, and the match would be cancelled. Again, most of the comments I have received from Muslim readers have been to thank me for presenting traditional customs in a positive rather than a negative light, not judging them by Western standards. In no way do I condone child marriage, and that (to my mind) is not anywhere implied in the Magnus Chase books.

I simply can’t even begin to explain everything that is wrong with this paragraph. Here is a good post about how her getting engaged at 12 is absolutely wrong religiously and would not happen. Add that on to the fact that Samirah herself is second-generation (although Riordan calls her third generation in this post) and this practice isn’t super common even in first generation people (and for those that it DOES apply to, it is when they are old enough to be married and not literal children).

As a white man you can’t flip the stereotype. You can’t. Even with tons of research you cannot assume the authority to “flip” a stereotype that does not affect you because you will never come close to truly understanding it inside and out. Instead of flipping a stereotype, Rick fed into it and provided more fodder to the flames and added on to it to make it even worse.

I would be uncomfortable with a white author writing about arranged marriages in brown tradition no matter the context, but for him to offhandedly include it in a children’s book where it is badly explained and barely touched on is inexcusable. Your target audience is children who will no doubt overlook your clumsy attempt at flipping stereotypes.

It does not matter what your mind thinks you are implying. Rick Riordan is not your target audience, children are. So you cannot brush this away by stating that you did not see the harm done by your writing. You are almost 60 years old. Maybe you can read in between your lines, but I guarantee your target audience largely cannot.

Finally, recently someone on Twitter decided to screenshot a passage out-of-context from Ship of the Deadwhere Magnus hears Samirah use the phrase “Allahu Akbar,” and the only context he has ever heard it in before was in news reports when some Western reporter would be talking about a terrorist attack. Here is the passage in full:

Samirah: “My dad may have power over me because he’s my dad. But he’s not the biggest power. Allahu akbar.”

I knew that term, but I’d never heard Sam use it before. I’ll admit it gave me an instinctive jolt in the gut. The news media loved to talk about how terrorists would say that right before they did something horrible and blew people up. I wasn’t going to mention that to Sam. I imagined she was painfully aware.

She couldn’t walk the streets of Boston in her hijab most days without somebody screaming at her to go home, and (if she was in a bad mood) she’d scream back, “I’m from Dorchester!”

“Yeah,” I said. “That means God is great, right?”

Sam shook her head. “That’s a slightly inaccurate translation. It means God is greater.”

“Than what?”

“Everything. The whole point of saying it is to remind yourself that God is greater than whatever you are facing—your fears, your problems, your thirst, your hunger, your anger.

337-338

To me, this is Samirah educating Magnus, and through him the readers, about what this phrase actually means and the religious significance it carries. I think the expression is beautiful and profound. However, like a lot of Americans, Magnus has grown up only hearing about it in a negative context from the news. For him to think: “I had never heard that phrase, and it carried absolutely no negative connotations!” would be silly and unrealistic. This is a teachable moment between two characters, two friends who respect each other despite how different they are. Magnus learns something beautiful and true about Samirah’s religion, and hopefully so do the readers. If that strikes you as Islamophobic in its full context, or if Samirah seems like a hurtful stereotype . . . all I can say is I strongly disagree.

I will give you some credit here in that I mostly agree with this scene. The phrase does carry negative connotations with many white people and I do not fault you for explaining it the way you did. However, don’t try to sneak in that last sentence like we won’t notice. You have no place to decide whether or not Samirah’s character as a whole is harmful and stereotypical.

It is 2 am and that is all I have the willpower to address. This is messy and this is long and this is not well worded, but this had to be addressed. I do not speak for every muslim, both world wide and within this online community, but these were my raw reactions to his statement. I have been working on and will continue to work on a masterpost of Samirah Al-Abbas as I work through the books, but for now, let it be known that Riordan has bastardized my identity and continues to excuse himself and profit off of enforcing harmful stereotypes. Good night.

#*#og #rr crit #samirah al abbas #rick riordan

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tennessoui · 3 years

Note

49!!!!!! Please

finally!!!! baby, finally!!!!

49. Boss/Intern (35yo!Boss!Anakin, 19yo!Intern!Obi-Wan)

(2.4k)

Obi-Wan rubs his hands rapidly down his face. He feels distinctly like he’s about to burst into tears, which would be a very bad thing to do here and now. His supervisor had come in fifteen minutes ago to tell him everyone was going to lunch. She’d invited him along, but he’d said no.

He always says no.

Lunch for the rest of the office means he gets to have a scheduled breakdown at his little cubicle.

He just. He just doesn’t know anything.

He’s only had this internship at Temple Tech for one week and already he’s floundered and fucked up more than anyone else probably has put together in their lifetimes.

He shouldn’t have ever applied, but he had been getting so desperate for summer employment, any sort of employment and, yes, this internship was out of his career field, and yes, he did have to lie at least five times on his resume, but it was an internship and it was paid.

It had felt like a good idea at the time. But then he actually got the job by some stroke of hellish luck, and he’s been learning every day since that it was actually probably a terrible idea. The learning curve is too steep. Obi-Wan is trying, but wow is he bad at it. Tech. Data stuff.

On his open computer, the sound of an email pinging rushes through his ears and he takes his hands off of his face to look. It’s from Anakin Skywalker. The boss.

Obi-Wan thinks he can feel his fingers grow numb. His heart feels like it’s stuttering in his chest, like it’s about to stop once and for all.

Temple Tech is a start-up company, still small but growing quickly. At its head is thirty-five year old Anakin Skywalker, which shouldn’t be any sort of a problem because Obi-Wan’s nineteen now and he can keep it in his pants, even if Anakin is hot as hell, smart as well, and so terribly kind whenever they run into each other.

Which happens a lot. Because it’s a small company, operating out of one renovated warehouse turned office. The floor plan is open enough that Obi-Wan’s able to see Anakin’s space--he gets a proper office, as part of being the boss, but he’s chosen to make the walls glass so it doesn’t feel as if he’s cut off from everyone else--from across the room. And Anakin is big on making everyone who works with him feel like family. A lot of companies say they do that or support that, but Anakin actually does. For one thing, he tells them to call him Anakin, not Mr. Skywalker. For another, he’s open about his personal life, but not so much that it makes anyone feel uncomfortable.

He’s quick with a smile and so understanding, and if he ever gets mad—and from his stories of his younger days, Obi-Wan knows he must have a temper—it’s never been in public.

And Anakin has never commented on how often Obi-Wan blushes around him, or how hard it is for him to focus on his work if Anakin sits on the edge of his desk to talk with him. Or any of the other employees, Obi-Wan has had to remind himself many times. Even though Obi-Wan feels hypersensitive and like a schoolgirl whenever Anakin is in his general vicinity, Anakin is a professional. He’s Obi-Wan’s boss. Nothing could ever happen between them. Not while Obi-Wan works under Anakin.

Even if Anakin is so nice and so kind and has asked to meet him now when everyone else is out of the building. It’s not suspicious and it’s definitely not cause for concern of any kind.

He thinks about shooting back an email, confirming it, but he’s never been good at the whole office environment thing. Instead, he logs off his computer and stands up.

It’s a short walk to Anakin’s office, hardly enough time for his palms to get sweaty.

Anakin’s typing something when Obi-Wan enters the room and he looks up at him with a raised eyebrow.

“Oh,” Obi-Wan says, aghast when he realizes he’s forgotten to knock. “I’m sorry, I--”

“Obi-Wan, come in, please,” Anakin gives him a slight smile and gestures for him to sit on the couch next to his desk. Obi-Wan takes a seat hesitantly. It’s as soft as it’s always looked.

Anakin types for a few more seconds on his computer before pushing away from his desk all together and taking a seat next to Obi-Wan on the couch.

“I’ve noticed you never go out to lunch with your coworkers,” Anakin says, positioning himself so he’s facing Obi-Wan completely. His body language is open, like he’s read one of those business books on how to sit so everyone knows you’re nice but you have an agenda.

It puts Obi-Wan on edge, and he fidgets around on his seat.

“You’re not in trouble, b--Obi-Wan,” his boss murmurs. “I just want to know why. Do you not like them? Have they been mean to you?”

“No!” Obi-Wan denies immediately, looking up at Anakin and biting his lip when he sees that the man’s attention is fixed so squarely on him. “No, of course not. Everyone here has been amazing.” He widens his eyes and raises both eyebrows. “Really, sir.”

Anakin looks distinctly uncomfortable. “I’ve told you to call me Anakin,” he criticizes, and Obi-Wan blushes more.

He’s really messing this up.

“Sorry, sir, I mean. Anakin. Sorry. Anakin,” he coughs. His palms are sweaty. He’s sitting on his attractive boss’s couch when everyone’s gone on lunch, and his palms are sweaty.

He doesn’t even want anything to happen.

Alright, so that’s a lie. He definitely has spent a lot of late nights thinking about something happening between them, just like this, but those are fantasies and Anakin is his boss. More than that, Anakin is a good man. He’d never take advantage of an intern in that way, no matter how frequently Obi-Wan feels as if he’s walking around with a sign around his neck that says, Take Advantage of Me, Mr. Anakin, Sir!

“Why don’t you go to lunch with them, Obi-Wan?” Anakin asks softly, gently.

Obi-Wan’s hands clench down on themselves. It’s really the moment of truth, now. He really can’t keep lying, not when Anakin sounds so concerned. He has no right to be concerned! He shouldn’t care about Obi-Wan at all; hell, he shouldn’t even know him!

“I don’t know what I’m doing,” he mumbles, staring down at the stretch of fabric on his knees.

Anakin hums. Obi-Wan wonders if he learned that from his fancy How to Run a Business books as well: don’t say anything, just let the other person talk until you know everything you need to know to crush them.

Damn if the silence doesn’t work to get Obi-Wan speaking again though.

“I...I’m behind on the work,” he admits. “I don’t have time to go to lunch because I need to figure out how to do my work.”

Anakin makes a sympathetic noise deep in his throat. “If...if your workload is too heavy, Obi-Wan, we can look into cutting it. I don’t want to be known as the company that runs its interns into the ground.”

Obi-Wan’s throat tightens too much and he shrugs. He can’t cry. He really shouldn’t cry. He did this to himself. “It wouldn’t help,” he whispers.

“What?” Anakin asks, leaning forward to hear him better.

“It wouldn’t help,” Obi-Wan says again, louder this time. Anakin blinks at him, and Obi-Wan finally tells him the truth. “I don’t know how to do any of this. I...I lied on my resume. I needed a job, for my student visa. I needed the money to keep it while not in school. And...and internships are supposed to look good on your resume, so I...I thought I could figure it out, I’m smart, sir, I’m so smart. I don’t know why I can’t figure it out.”

He drops his gaze to his hands again and breathes out shakily. He’d been carrying the weight of that secret for far longer than he should have been. It should have been a relief of the utmost degree to give it away. But instead he’s waiting for the punishment. Anakin will have to fire him now. Anakin might even get mad at him for lying.

When his boss doesn’t say anything for several long seconds, Obi-Wan chances a glance up at him through his lashes. Instead of anger on his face, there’s only a confused sort of sympathy.

“I’m...not sure I understand, Obi-Wan,” he says slowly. “You lied on your resume to get this internship, but...why couldn’t you have just applied to an internship in a different field? One you actually want to study? I know you like biology, you’ve told me more about biology in the past few weeks than you’ve told me about yourself.”

“None of them wanted me,” Obi-Wan sniffles and hates himself for it. “I tried, I promise. I promise I didn’t want to lie, but I needed the money, and this internship paid so much better than working at a coffeehouse would.”

Anakin puts his hand gently on his shoulder and Obi-Wan can’t stop himself from turning into the pressure of it. “It’s alright,” Anakin murmurs. “Oh no, please don’t--please don’t cry, b--Obi.”

“It’s Obi-Wan,” Obi-Wan wails.

Anakin hushs him. “Alright, Obi-Wan, alright. Let’s see what we can do.”

“You’re going to fire me,” he says with absolute certainty. He doesn’t even much like his job at Temple Tech, but how is he supposed to find another one on such short notice?

Anakin is quiet. He doesn’t say no.

“Look, I’ll try harder, I promise,” Obi-Wan stutters out, turning to look up at Anakin with wet eyes. What a picture he must make. Nothing professional about him at all. Nothing worth keeping around either. “I promise, please, don’t--I’ll--I’ll stay after hours, I’ll work late, come early. I need this job, sir.”

Anakin’s eyebrows furrow and he looks genuinely regretful, which is little comfort. “Obi-Wan, it’s not about...your work ethic. I promise, your work ethic is stronger and better than most of the people on my team.”

Obi-Wan wipes at his eyes hastily. He knows there’s a but coming soon.

“But I can’t...if you’ve lied on your resume, you can’t put Temple Tech there later. That’s not fair for anyone else who applied and was rejected in favor of you. The spot you have...I need someone there who knows what they’re doing with computers. Who wants to be there. Obi, it makes sense that you don’t know anything about tech. You never look like you really want to be here unless you’re talking to someone else.”

Obi-Wan’s bottom lip trembles and he can feel another wave of tears coming. “I understand, sir,” he mumbles, standing up and preparing to leave the office and Anakin Skywalker behind forever. He’s never been fired before. He doesn’t know what the decorum really is in this situation.

Being tugged back and into his boss’ arms doesn’t feel like how it normally goes, though.

But he can’t resist melting into Anakin’s tight hug, rubbing his cheek on the man’s nice shirt. He wants to give him something to remember him by, even if it’s just tear stains on expensive cotton.

“Lemme help you,” Anakin suddenly says, voice very gruff. Obi-Wan freezes in his arms and tilts his head to try and see Anakin’s face. Help him?

“I don’t understand,” he admits, biting his lip.

“I like you, Obi-Wan,” Anakin confesses. “I do. I’ll be sad to see you leave. I was already going to be sad to see you leave when your internship concluded, but this is much sooner. I…”

He trails off as if trying to make up his mind. It doesn’t take him long to nod to himself.

“Be honest,” he warns him, but there’s a joking lilt to his voice. Obi-Wan, personally, thinks that’s a little too soon. “Do you know how to clean house?”

Obi-Wan pulls out of Anakin’s arms to stare at him.

“Or walk dogs,” Anakin adds.

Slowly, Obi-Wan nods. Cleaning up a house and walking dogs feels like something he can figure out how to do. Feels pretty self-explanatory for the most part. The only thing he’s confused by is why Anakin is asking this of him.

“Would you...that is, just for the rest of the summer, until your classes start again--how would you feel about cleaning my house? And walking my dogs?” Anakin seems to hold his breath.

Obi-Wan feels like he’s stepped into the Twilight Zone or something.

“You’re...firing me,” he says slowly. “But...you’re offering me a job? As your….maid?”

“‘We should call it housekeeper,” Anakin says quickly, a pained look flashing across his face. “Too...many connotations with maid.”

“Why?” he has to ask. “I mean. I lied to you, sir. I...you’re firing me.”

“Because I need someone in that position who knows what they’re doing,” Anakin explains slowly.

“Do you want me in another position, sir?” Obi-Wan asks. He blushes furiously as soon as the words are out of his mouth.

Anakin’s eyes darken and he clears his throat. He doesn’t say no, and his silence, the double entendre of his silence, makes the breath catch in Obi-Wan’s throat.

“You said you needed money to keep your visa,” Anakin says. “I’m trying to offer you an honest means of employment. I need someone to keep up my house and walk my dogs. If you can do it, I’d hire you over anyone else in a second.”

“Why?” Obi-Wan whispers, suddenly so very aware of how close they’re still standing to each other, how nice Anakin smells, how handsome he looks with just the beginning of a silver streak at his temple.

Anakin sweeps his gaze over Obi-Wan’s face and chest, and Obi-Wan has to wonder what he sees there. Whatever he does, he must like because he smirks. “Work ethic,” he murmurs.

#probably the next sentence out of obi-wans mouth is 'can you wait like fifteen minutes before you hire me after you fire me'#and anakin is like 'why'#and obi-wan is like 'so i can blow you and have you not be my boss'#and anakin is like 🤭😳😏👀 'baby you can have forty-five'#asks #prompt fill #cant believe i turned kinky boss/intern prompt #into just as kinky maid/boss prompt tbh #anakins about to start working from home a lot more #obikin #obi-wan kenobi #anakin skywalker

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ialwaysknewyouwerepunk · 3 years

Text

fine line - a close reading

gonna cry bc i’m at the end, gonna cry bc it’s fine line.

(x x x)

want to give the same disclaimer as with lights up: this song is so layered, so multi-faceted, that i could never hope to give an exhaustive analysis. due to its vagueness and openness for interpretation, i assume that everyone, just like me, has their own ideas about it and has attached importance to it in ways that no one else’s words can or should alter. this song means the world to me for reasons that aren’t necessarily in this post, and that’s how it is with art that touches us deeply. i’ve tried my best to pull it apart, lay it bare, spread it open, if you will, so it’s almost as free as it can be for you all to form your own opinion on it. in the synthesis i will make my own conclusions, but feel free to ignore that if yours are totally different. i’m just one set of brain and heart taking in fine line and projecting whatever i think is right onto it. alright, let’s go

fine line, track 12

sung in falsetto

live version at the form: first verse not sung in falsetto - after first chorus goes into falsetto - like “thinking of her” has summoned her

Put a price on emotion

pouring emotions into the art you create: how much is genuine / how much do you show - line between being authentic to your audience and giving away too much, wanting to keep things to yourself and not feeling truthful with what you’ve written

exploits of the industry: lay your soul bare - or the exact opposite, some pretend emotion - to score that hit

I'm looking for something to buy

cynical. emotions aren’t genuine, right? where can i go buy some?

～ lights up themes. fake life, industry, being a sell-out

You've got my devotion

But man, I can hate you sometimes

“you” = career, music, Harry Styles™. devoted to the craft, to the job, all the ups and downs of it, despite the hardships it brings

“man” is deliberate: can be seen as an offhand interjection, like “man, that’s rough”, but nothing is casually placed in this song. “man” is: The Man, the heads in the industry, the people pulling the strings. The man in Harry, the man he’s been in the media all these years, the part he’s played/had to play, the man that’s in him

⟶ “hate you”: hate for industry shit, self-hate created by having to play pretend (～ only angel analysis, the persona of the Bukowski womaniser)

“sometimes” - it’s not fucked up all the time

“you” could also be a lover, but the sudden “hate” there then would be for that person, which is absent in any other song about them, doesn’t make any sense

I don't want to fight you

And I don't want to sleep in the dirt

like there’s a choice to me made, but he doesn’t want to make it: either I fight this “you” or I sleep in the dirt

“you” as the industry: if he doesn’t fight them, he might end up being a beggar, lose all his self-worth bc he gave in to everything they asked/told him to do

“you” as himself: fight your instincts, part of who you are/the persona. if he doesn’t fight to figure himself out, though, he fears he’ll also lose

“sleep in the dirt” as a sense of rejection, as well

We'll get the drinks in

So I'll get to thinking of her

drinks to cope - falling, only angel, from the dining table - or to be braver and confront emotions better - tbsl

who is “we”? who is “her”?

narrative of “you” as “lover” further disproven: if “I” and the lover get together over drinks and “I” starts thinking of “her”?

⟷ “her” could be the lover, but then who is “you”? the industry? some other person, besides that lover, harry is devoted to? multiple lovers, all of a sudden? no.

⟶ “I” and “you” are all harry, that get to thinking of “her” because she is in daydreams with him. the narrative that harry is fighting a part of him, the persona he has (had) to play bc of industry limits, makes most sense. that persona is within him now, and part of his work, but all of him, “we”, is begging to come into the light - of which she is a huge part

We'll be a fine line

balancing act. let everything coexist but pay attention that those lines don’t get crossed the wrong way. what we are, what i am, is a fine line between what makes us go under and what lets us thrive

we will be: determination to fulfil this prophecy, statement of fact “we always will be”

“we’ll be a fine line”: other way of interpreting it is that on both sides of that line is what entails “we”, all that is harry. what merges on that fine line is where it’s just right, when harry is fully himself in every way

“fine line” can also be an echo of criticism, bigotry, in the style of: it’s a fine line between being simply flamboyant and queer, between dressing like that and people thinking you’re a transvestite or summat (cause we wouldn’t want that, now, would we) - “we’ll be a fine line” could be owning all of it. putting himself in the middle of all those messy lines, as someone queer without a category

Test of my patience

patience with himself - kindness to self - took a long time to figure shit out and it was a challenge

waiting for change: industry and its allowances/openness

There's things that we'll never know

my favorite line

“we” = harry / harry and company / us in general, all of us listening

～ tpwk “i don’t need all the answers”: deep sense of acceptance

peace to be found in accepting this!!

You sunshine, you temptress

“sunshine” - as in all the love songs (blue skies, sunflowers, summer days…): lover - possible that there are multiple “you”s in this song?

sunshine could ofc also be directed at the temptress, still

female “temptress” - “i’ll get to thinking of her” - she - it’s tempting for harry to think of her all the time, to lose himself in the “her” in him

other interpretation for “temptress”: woman he knows with negative influence in his life - resemblance to woman “you flower, you feast”, so echo of Bukowski ～ only angel, kiwi (my sunshine, my love, who is involved with this temptress…)

My hand’s at risk, I fold

⟷ tpwk “dropping into the deep end”

not showing his cards just yet / forfeits

anxious to show all of him, to take the chance, with all the risks and consequences involved

Crisp trepidation

I’ll try to shake this soon

nervousness, anxiety - about (not) taking (enough) chances, (not) laying himself bare (release of the album that reveals much more than before)

“crisp” fresh, this feeling is unfamiliar - change is coming “soon”

sense of agency: I can get rid of this feeling by my own volition and make these changes - hesitant, insecure: “try”

wants to be braver. he’s not going back, but still needs to calmly coax himself further and further into the light, out into the open (“we’ll be alright”)

Spreading you open

Is the only way of knowing you

(can anyone else hear “spread thin” like a whisper under “spreading”? or am i imagining things.)

“you” is back - the only way of knowing “you” is to spread them open - the physical

to spread someone open - very literal, don’t need to paint the picture, or to lay bare, to lay it all out

⟶ “you” as himself - the only way of knowing who i am is by doing this: writing this album, performing these songs, letting others listen in and form their own interpretations, let this world grow where i’m laid bare and OPEN and exist as this person who has issues, who is angry, who doesn’t know who he is a lot of the time, but is still so happy to be here - let it spread and let it all circle back to me so i can grow deeper into myself

We'll be a fine line

We'll be alright

“we” = h & self, h & lover, h & fans

collectiveness from tpwk

(notes on a piano sounding like drops, like he’s emerged from the water and dripping dry)

SYNTHESIS

Everything about this song is plural. Personal pronouns are all over the place. I, you, her, we. The sound is incredibly layered, with Harry’s own voice echoing through its verses like he’s singing to himself in an empty cave. Meanings can be attached to every word like it’s a wax tablet used too many times. What Harry has said in interviews for once holds pretty true to the actual meaning, in my opinion.

“It felt like it described to me the process of making it and how the album felt in terms of the different kinds of songs on it.” (Capital FM)

This can mean a lot of things, and I think it means all of the things, of course. It means Fine Line is a summary of all of his emotions he visited on the album, of the things he’s laid bare. And it means that the actual process was also described, as one that can be frustrating and challenging, with added industry shit.

Harry has expressed straightforward gratefulness to his label for "leaving (him) alone” while making the album and that speaks volumes. This time, he had the chance to make his art without the constant interference of a label, which meant he could weave in criticism as well. “Put a price on emotion” is first and foremost a critique on the industry. It’s the first line of the song, setting the tone for the interpretation of this song is about the risks I took while making this album. It involves criticism on an industry that creates such an atmosphere that only a certain type of music and artist breaks through or can be successful, that limits people in their personal expression. Convinces them that it’s better that way. That it’s better to hide who they love because the general public won’t accept them. That it’s better to create a song about a fake emotion than be honest. Harry loves writing songs and being on stage, but it’s taken a while for him to be fully comfortable there as a solo artist and bloom into the person that could make Fine Line. He loves his career, but it’s also limited his freedom in ways beyond our comprehension, and it’s exploited him to the point where he didn’t know who he was, in ways that have clearly taken a toll on his mental wellbeing. To a point where he finishes this album reassuring himself, most of all, that everything will be alright.

That process of making Fine Line obviously includes Harry confronting emotions he hadn’t before. He has stated that he experienced the highest highs and the lowest lows while making it. There are things he hates, he was fighting but doesn’t want to (anymore), uncertainties he was trying to figure out but had to accept he couldn’t, risks he still doesn’t know he can take without shaking. At the centre of it all is this sense of “knowing you.” The different personal pronouns in the song paint a fractured picture, which is ultimately deliberate. That the “you” Harry is devoted to and can hate sometimes doesn’t line up with “her,” that the end focus does seem to be this “you” that is mentioned in the same breath as “man” and “temptress,” forming the “we” together with “I”.

After having songs like Lights Up, She, Falling and even TPWK, one of the central themes on the album has undoubtedly been self-discovery, in all its pain and glory. There are no female pronouns on the album besides, obviously, in She, and then here, in Fine Line. She is about a man living with a woman “just in his head”, who “sleeps in his bed while he plays pretend.” It is very clearly a trans narrative, the story of someone struggling to put into words what they’re experiencing in terms of gender. To a point that they fantasise about running away. Fine Line brings the ideas of knowing what it all means, which Lights Up kicks off (“do you know who you are?”), Falling deepens (“what am I now?”) and Treat People With Kindness turns on its head (“I don’t need all the answers”), together. Harry is still doubtful, and the questions asked earlier in the album haven’t disappeared, but he has accepted that “some things we’ll never know.” His aim, however, is still “knowing you.”

To have Fine Line, as the summary of these emotions of self-growth and self-discovery, echo that one female pronoun, speaks volumes. It is a direct reference to She, to that story about gender. “Her” in this song refers to “she (who) lives in daydreams with (him).” The one who still only fully comes out when they’ve had a drink. The one he’s still working to include in who he is, as he tries to figure out who he is, all of it. The song where he sings in falsetto, just like on Fine Line. Of which he sang the first verse an octave lower live at the forum, switching between those voices, those perspectives. That’s also why “you” in this song is also Harry to me. We get this fractured sense of self, this “I” and “you” conversing over a drink, this “you” Harry is devoted to and wants to figure out. “You” and “I” form “we” and all of them are Harry. The lines are blurry on purpose, there is no way to figure out where “you” ends and “I” begins.

“You sunshine, you temptress” is the most enigmatic line in that respect, and to me blurs those lines even more between the pronouns. “You” is suddenly also identified by a female noun. And no this isn’t about some kind of love triangle. “Sunshine” aligns with all the odes to his lover in the rest of the album. So what does that mean? That there are multiple “you”s in this song, meaning that Harry is addressing both his lover and a temptress? So “her” he’ll get to thinking of, the only other female pronoun used in the song, is identified as a temptress, but tempting to do what? To take risks? And no I won’t forget the “man, I can hate you sometimes,” where "man” is not a casual interjection but an identifier of “you.”

Or is it an echo of “the light” from Golden’s “bring me back to the light” and Light’s Up’s “step into the light”? So that the “sunshine” symbolises being in the clear, being out of the darkness running through his heart, the darkness caused by not knowing who you are. “You sunshine,” you beacon of light. “You temptress,” risk-taker and source of anxiety. You, one I need to spread open to figure out, to know about, source of happiness and despair, one I’m devoted to but also hate. You, man, you, temptress. You there, in the mirror looking back at me.

All of you, and myself included, we’ll be a fine line. And we’ll be alright.

This song is about all of that. The self in art, the self on its own, the other, the journey, the chances, the fears, the passion. Hope. Reassurance. Confidence. And, most importantly, that everything will be alright in the end.

read all my lyric analyses here

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razorblade180-heated · 3 years

Text

Too much

[It’s a smut]

It was a normal day at Beacon. Same old classes. Same old delicious lunches. Same old Blake. Well, not entirely. The girl had a problem, a snag if you will. She was currently on her bed in her school uniform, sulking more than she usually does. She patiently waited for the door to open. As she did, The words of Weiss Schnee replayed through her brain…

xxxxx

“YOU ARE DATING J-” The heiress’s mouth was covered quickly by Blake, who looked panicked.

“Ssssshhhh! What part of secret did you not understand!?” Blake said through her teeth, “we don’t want attention.”

Weiss swatted the hand away and whispered, “Sorry, but you should know better than to reveal truths out of the blue like that by now. This is crazier than the last one to be frank.”

Blake wasn’t too thrilled in Weiss’s choice of words in regards to White Fang secret, but now wasn’t the time to bicker. Blake needed her help. “Weiss, I’d like…advice. Also a bit of help.”

“Okay? On what exactly?” The concern in her voice was palpable.

Blake’s face grew a little red. She couldn’t believe she was doing this. “Any...any ideas to get a guy to sleep with you?”

Now it was Weiss’s turn to blush. “Just who do you-” she lowered her voice in consideration, “just who do you think I am!? Why are you coming to me for this!?”

“Yang gets too involved in people’s business and Ruby is...she’s Ruby! I love the girl but this is not the topic she can handle.”

Weiss looked Blake up and down. Why the girl needed help was beyond Weiss’s comprehension. It was shocking Blake wasn’t beating admires back with a stick! “How long have you been dating Jaune?” She asked.

“About...five months now? That sounds right.”

Weiss could not believe her ears. Five months, how has no one noticed!? How didn’t she notice? Then again, she did find it a bit out of character of Jaune when he stopped all of romantic efforts. Looks like this was the reason why. It might’ve been her ego talking but it stung a little to know a guy moved to the next letter in her team’s name. Would Yang have been next if Blake, hold on. A thought just occurred.

“Did you ask him out, or did he ask you?” Weiss was very curious about this

Blake blinked. That was an unexpected question. “Me, why”

“No reason.” Well that actually made Weiss feel a bit better. Not that she cared or anything! “Why do you need help with...that? I would think he’d be all over you. Can’t you, ya know? Drop hints?” A terrible expression hit Weiss. “Please tell me that dunce is ignoring basic signs?” She groaned. It would only make sense.

Blake must’ve agreed because she laughed a little. “Hehe, No Weiss, he isn’t.” Blake rubbed her head in embarrassment, “He’s well aware I’m down for sex. With all the neck kisses and body touches, the message is clear.” Blake saw Weiss’s face scrunch up. “What?” She said defensively.

“It’s unpleasant thinking about Jaune in anything less than his armor. You know that hoodie apparently has a rabbit on it, right?”

“Grow up, and that hoodie is fine. You walk around pretending to be taller than 4’11”

“I just like these shoes, and I’m five feet even when they’re off!” She proclaimed, “What is the matter then? Does he not find you physically- actually, don’t answer that.” Weiss didn’t need to know any physical reactions from Jaune. “Just tell me what typically happens as safely as possible.”

Blake took a deep sigh before speaking. “It’s usually the same song and dance. We go on dates, have a good time, find a place to get cozy, I start making moves, he starts building a little momentum, but then he stops.” Even with the bow on, Blake’s ears were clearly drooping. “He just apologies and says he can’t!”

Weiss raised a brow, “That’s it?”

“Yeah.” Blake nodded, “that’s the long and short of it.”

The problem sounded simple, and normal. Like… too normal. Weiss knew besides herself, Blake was the smartest on their team. Although not sociable, Blake could read a room better than Yang or Ruby. “Blake…” Weiss said, befuddled, “How is Jaune on these dates? Attitude wise, like is he nervous?”

“No, not really. We just talk and have fun. In the beginning we were both a little awkward but now we talk and act like we’ve known each other for a long time.”

Now Weiss was a little jealous at Jaune this time! Five months was all it took to get Blake chatting like an old friend!? The amount of groundwork Weiss and the terror sisters had to put in for Blake to even go out into town casually with them was at least two months' work! Now she’s over here trying to sleep with the guy, a thing nobody saw coming.

“I gotta say, this whole thing feels a little wild. To think five months of secrecy lead to this conversation? If he’s as calm you say then I can’t think of many reasons to panic. I mean I get someone having a little anxiety when giving up your first time, but I hear that’s mainly on the girl’s part. You’re all calm though.” Weiss said. She wasn’t expecting Blake’s eyes to shift away slightly, as if the girl was hiding something. “You are calm, right?”

“Huh? Yeah I’m totally calm” Blake clucked her tongue, “because...it’s not my first time.” Her body swayed back and forth out, trying to finish her sentence. “I’ve been in a couple relationships before this. Some good, some abysmal.”

Yet another surprise to add to the list. “Wait, you’re not a virgin?” Weiss couldn’t believe this. Who knew Blake surpassed her in many social and mature experiences. The way she usually was, Weiss couldn’t imagine Blake being that way. The girl once spent an entire weekend reading in the dorm room. This new information though made Weiss come to realize that she previously assumed. She just had to ask one more question. “Does Jaune know that?”

“Of course.” Blake said, feeling a little insulted. “I wouldn’t lie to him or not be open enough to talk about my past.

Weiss sighed in disbelief at her faunus friend. Perhaps her assessment of Blake reading a room well was a little off. As much as Jaune had been annoying to Weiss, she felt bad for his clearly anxious soul. “Blake, I expect this kind of cluelessness from our leader.”

Blake looked rough left and to the right as if anyone else was there to explain. “Uhhh what?” She said, actually a little stumped.

Weiss put her hands together like she was dealing with an interviewer with zero experience. “Let’s put it this way. You have asked me why your boyfriend, who is most definitely a virgin, shys away from sleeping with you? A beautiful girl who’s already had experience. Ya don’t think he’s you know, incredibly nervous of not meeting pre-established expectations? You know you’re boyfriend, Jaune Arc, the same Jaune Arc that worries about everything else in his life going well?”

Blake just...sat quietly for a moment. Her brain wasn’t even having a gears turning moment. She was upset with herself that those gears weren’t spinning from the beginning. There was nothing to figure out at all! She had simply glanced over that possibility! Her hands held her head as she let out a long groan. “Uuuuugggg What is wrong with me? Of course he fucking is. I’ve been so caught up thinking I was doing something physically wrong, or I was wrong.”

A part of that sounded like baggage. Baggage Weiss wasn’t about to unpack. “Well, question solved. Unfortunately, he’s right to worry. I can’t imagine anybody giving a good first performance. Has he even seen you fully naked?”

“We’ve sent pictures, and did a bit of touching. That second one though was always in...un-private areas, so clothes stayed on.

“Did you just tell me you two are doing things in public?” Weiss criticized. At this point, the girl known as Blake Belladonna might as well be a stranger. Weiss didn’t know this person! Her Blake was not this forward. When did they have time for any of this!? Was she not actually reading in the dorm room!!? “Also, I may not have ever slept with a woman, but I’m sure seeing their assets over a screen is less stressful than in my face.

Blake uncovered her face. “Explain Yang walking out the shower naked then?”

“That’s not stress you see, that’s envy. Next time she does it I’m turning the droplets on her into ice, and stop changing the subject!”

Blake threw her arms up, “Having a secret relationship means not having access to our dorms. That actually brings us to the favor I mentioned…”

“No, I will not give you money for a hotel.” Weiss deadpanned.

Blake’s jaw fell open. “Why not!? It doesn’t have to be a suite.”

Weiss rubbed the bridge of her knows as she thinks about her bank account. “No one carries enough cash to pay for a hotel room. Theoretically I could swipe my credit card, but then the bill is now in my purchase history. I do not need to explain in any capacity why I’m staying in a hotel. A person is bound to assume what I’m doing is exactly what you want to do. Nah uh, can’t do it.” Blake put her head down. Weiss couldn’t help but feel a little bad for her. She’s clearly been putting in the effort to sleep with Jaune, for some reason. Well he was...no no, that’s a rabbit hole that could stay closed. “How long do you need with him?” Weiss asked, committed to solving this problem for the sake of already being included.

Blake’s head popped up quickly . “Two, no, three hours. Give or take an extra half hour.”

Weiss blushes, “wh..why so long?”

“Just in case…” Blake mumbled, “Anything could happen.”

“For three hours? What are you, an animal in heat?” It didn’t even take a second for Weiss to realize how fucked up that question was. She placed her hand over Blake’s mouth as her friend's eyes were getting hostile. “Sorry! That was unrelated to anything, honest!”

Blake was kind enough to believe Weiss at her word, but still petty enough to lick the girl’s hand, making her shriek.

“Eeeiiik!!! Blake!”

“Three hours please.”

Weiss sighed, “Fine. Getting Ruby and Yang to stay out of there that long is doable. They always wanna drag me around to do things that will give me ‘culture’ as they put it. How are you gonna handle Jaune?”

“I….good question.”

Yep, definitely doesn’t read the room well. “Blake, just be easy with him. Reassuring words, all that stuff. It’s his first after all.”

Blake was surprised by the advice. “Wow, that’s really sweet of you to care about him like that.”

Weiss crosses her arms and turns away. “I’m doing this for you, not him. And for me. Jaune moping is way worse than when he’s confident. Hmph!”

xxxxx

“Come on Jaune! What’s taking so long?” Blake thought, fidgeting on her bed. A click of the door lock made her jump to her feet as it opened slowly. Jaune’s head peaked into the room, confused.

“Umm hello?”He looked to the right and saw Blake. “Oh, hey. I got your text and Weiss told me to swing by the moment I could. Everything okay?” Jaune walked in completely and shut the door. Something about this felt uncharacteristically serious. Even for Blake.

She took Jaune’s hand and guided him towards her bed to sit. “Okay, how to start this?” She sighed.

“I hope it starts with you telling me this isn’t a break up?” He said, worrying that he was in trouble. “That would be nice.”

Blake rubbed his back and smiled. “Relax, this isn’t that kind of talk. It’s actually...kinda the opposite.”

“The opposite? Like...marriage?” Jaune’s eyes widened. He wasn’t expecting that kind of conversation. “Don’t you think we’re too young for all that?”

Blake’s face turned red. The fact that’s where his mind went was actually pretty sweet. “Sex Jaune. I see how you got there, but I was referring to sex.” Blake mumbled. “Can we talk about it? We keep building up to it, but then you stop.”

His face got red. “I...it’s just…ummm” he couldn’t find the words. If Yang was here then he was sure a cat having his tongue pun would’ve been said. Jaune rubbed the back of his neck, embarrassed about wimping out. Speaking only got worse when Blake took it upon herself to straddle his lap. Gods, she was too beautiful. Her eyes left him defenseless. The way her hands slowly ran up his chest and over his shoulders as the smell of lavender wafted over him. “Bl-Blake?”

“I like you.” She suddenly confessed, “I like you for who you are. The things you can do, can’t do, and never have done; I’m okay with all of it. If you’re thinking I’m ranking you to any previous experience, you’re wrong. The only experience I think about with you, is us. Our experiences.” Her right hand pulls his collar away from his neck. The urge to bite her lip is overwhelming as an urge in her core starts to burn. “Let me experience you.” She whispers. Blake leans in and begins kissing his neck. Honestly, she wanted to take things slower for his sake, but all but yearned for Jaune to touch her. So much so that it was a bit dizzying.

Jaune’s body flinched as Blake’s lips grazed his neck, nipping and licking it. “Blake…” Jaune moaned. His mind was still playing catch up, but his body was right on pace. His hands traveled up the feline’s toned legs and squeezed the round ass that rested on his lap, earning him a moan. Blake moved from his neck and captured his lips. Her hands went to his jawline to keep his face close. As if he thought about escaping.

Blake openly moaned as she felt his fingers kneed her ass like dough. She caught him by surprise when she slipped her tongue into his mouth, luring his into her own. Slowly, Blake locked her body back and forth to stir him up. The low groan he let out was a good sign she had done her job. Still, they have gotten this far before. Blake was determined to get further.

Her lips finally freed Jaune. The boy was flushed completely, catching his breath in rhythm with hers. Blake took the opportunity to remove only her blazer, then brought Jaune’s left hand away from her ass and onto her breast. Her fingers overlapped his and pressed down, making him squeeze it gently. “Touch me…” the lust in her voice flowed like a river. The way she felt Jaune’s hand quiver told her that he was still pretty anxious.

Jaune found it within himself to bring both of his hands to the top button of her shirt. A small smile on Blake’s face appeared as she closed her eyes and puffed her chest out a bit more as a sign to go ahead. “Take your time.” She said. Being patient wasn’t Blake’s strongest quality, but with Weiss’s advice in mind, she did her best to contain herself. It was funny. Jaune being nervous was actually making her heart beat faster.

Cool air hit her chest as her shirt was undone, revealing a purple lace bra. Firm hands went around her back. “I can handle the bra if you’re having tr-” a little pop noise was made as her bra strap was undone faster than her shirt. “Trouble…” she finished.

Jaune let out a sheepish chuckle. “Hehe, seven sisters, remember. I’m no stranger to how bras work. They left them everywhere.

“Jaune, you’re like a bag of tricks.” Blake smiled, “I just never know what comes next with you. That being said, I have a good idea that I'll be leading from here.” Blake let her bra fall, making Jaune gasp under his breath. Blake found his reaction to her D sized chest. His face got redder by the second as Blake brought his hands to them.

Jaune refused to speak. He’d hate to ruin the mood right now. He couldn’t believe how soft Blake felt. The way his fingers pressed against her as he massaged each boob. His pointer fingers grazed over her pale, pink nipples made the girl settle more into his lap.

“Mmmm~” Blake moaned, biting her lip from the touch. Jaune took it as a sign to keep going. A wise choice. Blake once again started to buck her hips against what had to be Jaune’s rock hard erection. Even with clothes on, it’s heat reached Blake’s equally hot core. Blake’s hands got busy. She scooted back a bit for them to have enough room to unbuckle Jaune’s pants. Her fingers traced along his lower stomach before dipping below the waistband and wrapping the throbbing erection. Blake leaned forward to capture his tongue yet again as he groaned from the feeling of her nimble fingers stroking his down.

Blake managed to pull his length up and out of his pants completely. She scooted forward again and rubbed his exposed cock against her wet panties. Her clit ground against the shaft. Blake mewled lustfully from Jaune squeezing her breast harder than before. Blake felt her tongue get drawn in and sucked on lightly. Someone was getting excited. The hot precum that ran down her hands only made it easier for Blake to pump faster.

Jaune couldn’t contain his groans and grunts. His hands gripped Blake’s ass again to hold her close. His kiss with her was broken by her going to kiss and bite his neck. “Blake…”

“Sshhh” Blake whispered, “cum for me.” If it wasn’t for her underwear, Jaune’s cock would be sliding up and down her soaked folds right now. The tip pressed against her clit and sent a shiver through Blake’s body that made her grind harder against it. She could tell Jaune was at the end of his rope. His hands gripped her even tighter as Jaune’s throbbing length finally let out a thick white seed that painted Blake’s moist thighs and panties. Blake smiled seductively as she slowed down the roll of her hips, letting him ride out his pleasure and wring out whatever remained inside.

“Blake!” Jaune hissed from the pleasure. Her hands pressed against his rising chest, making him lean back until his forearms had to support his body. Blake dismounted him to stand up for a moment then raised the sides of her soiled skirt, giving Jaune a clear view of the mess he made on the girl.

“Someone’s healthy.” Blake teased, “I wasn’t expecting so much.” Blake’s face became a deep red. Imagining the thought of this load inside her made her weak in all the right ways.

The sight of his and Blake’s arousal slowly trailing down her well toned legs was enough to leave anyone speechless. It didn’t help that her black panties were damp enough to outline the entrance to what Jaune would know to be a very intense experience. And as bad as he wanted it, Jaune couldn’t help but feel a little embarrassed by his performance. “Not to kill the mood or sound ungrateful, but cumming alone is a bit… ehhh” was the best way he could describe himself.

Blake playfully rolled her eyes. Boys will be boys. “Well it’s not like we’re finished yet. Besides I literally told you cum. Rest assured I’ll get my moment a bliss before the end of this. Just have a bit of confidence. We’re still foreplaying.”

“I’m not an expert on this but is foreplay always this intense? I don’t think I’ve ever came that hard.” He admitted.

“It varies. Honestly...” Blake looked down at Jaune’s semi-flaccid dick. She slowly walked closer to the bed. Her hand tugged on Jaune’s slacks, prompting him to scoot down a bit more until Blake felt he was close enough. The young woman pulled a bit harder to pull his pants down and of the way of getting ruined. All why never taking her eyes off of him or is cum covered length. “....I like watching how good I make you feel.” She purred, getting excited again.

Jaune has no response to such a confession. Nor could he say anything as she bent over to grab his dick. Just her touching it was enough to make him grow. To get points even further across, Blake’s golden eyes looked right into his eyes as she made him tremble from placing her tongue at the base and lick up; agonizingly slow and deliberate too.

Blake took her time swirling around Jaune to collect the remnants of his load before taking him into her mouth for real. Jaune’s body tensed immediately and hand instinctively went to her head to brace himself as she bobbed up and down. His fingers wrapped around strains of hair, tugging them. Blake purred again with him down her throat and began watching him squirm.

“Blake!” He gasped. The girl only sped. Each time she went lower and lower while her tongue stroked the underside of his shaft. Before Jaune knew it, he was fully erect again and felt like he could cum again if she continued. “Blake! T-Timeout!” He yelled.

Blake gladly stopped. She had proved her point, gotten him hard again, and was pleasantly surprised to learn Jaune wasn’t that bitter in the slightest. Maybe it was his natural scent or something but Blake could see herself getting a bit too into sucking him off. That taste lingered on her and made her body burn up. “Need a break?”

“Not really.” He fibbed, knowing full well a girl who just went down him could probably tell just how into that experience he was. “I just… If I’m coming twice, I’d rather you get some action too.”

“Oh, okay.” Blake’s heart fluttered a bit. He really wanted her to feel good with him. “Then, let’s skip to the fun part.” Blake removed her panties that really should’ve removed earlier, along with the skirt.

Jaune marveled at his beautiful girlfriend who stood before him. Yeah they had sent pictures and sure she’s been topless for several minutes now, but it felt different once everything came off. Her long, beautiful legs went on each side of him, letting him have a full view of a wanting velvet core that hovered above his cock. A thin line of Blake’s arousal made both of teens blush as it dripped onto him. Jaune took his right thumb and pressed against her entrance, rubbing it slowly and watching how it coated his thumb.

“Mmmm~” Blake let out a breath that shook with excitement. Her chest began to rise and fall more distinctly and her back arched ever so slightly as she closed her eyes. “Please don’t fucking team me too long.” She moaned, nudging her hips to gain more friction.

Jaune was mesmerized by the way she acted. He sunk his thumb into her just to watch her crane her neck up and moan again. If he wasn’t excited before, he was now. “You’re so fucking wet…” pushing further in to feel her walls tighten. He kept a slow rhythm when pulling out, just to push right back in.

Blake bit her lip. Her hands ran up his shirt to expose his chest. She had to remember to thank

Pyrrha for putting Jaune through such rigorous training. He was well on his way to being the huntsman he so dearly dreamed of. It was funny but the more Blake thought it about, the more she realized what made her so drawn to him. Even when Jaune lacked experience, he set his sights high. Sure they could be a little too high at times, but you know what? There was something great about that. “I thought I told you not to tease me? I want you to give it to me.” Blake purred. She mustered the resolve to pry Jaune’s hand from her body and took hold of something much bigger and lively. “Ready for a ride? Just relax and let me lead okay?”

Jaune nodded. He watched Blake lower herself without a second thought. His hips instinctively bucked up as he felt the indescribable pleasure of wet, heated walls pulled him in tightly, refusing to let go. Jaune closed his eyes and gripped her waist.

“Feeling good?” Blake shuddered. The feeling of Jaune rubbing her insides so deep made her want to move immediately. Blake put her hands against Jaune’s chest and began rocking her hips. The grip Jaune had on her tightened. A low groan strained from his throat. Blake leaned forward until her breast pressed against him. “It gets better.” Her knees started feeling weak as raised her hips, having Jaune’s dick slid out until the tip remained. Blake then dropped her hips down, slamming his cock back inside of her. Again and again she did that, picking up the speed each time until the sound of her ass smacking against his lap filled the room and rocked the bed. Blake’s body was on autopilot. The feeling of her womb being invaded and walls being grazed, shocked Blake each time Jaune’s dick spearheaded inside of her wanting pussy. “Oh fuck yes…” Blake gasped, licking and biting Jaune’s neck.

The boy was going through it right now. Never had Jaune felt this kind of heat. No amount of foreplay could prepare anybody for this. Each slight movement felt like a jolt of lightning. His mind and body were conflicted. On one hand, Jaune wanted to hold out as long as possible. Yet his hips had other plans. Jaune couldn’t stop himself from timing his movements with Blake’s, thrusting deep into her for even greater pleasure

Blake had no problem with this whatsoever. “Ahhh~ just like that!” Blake encouraged, “You’re so deep...mmmm” the heat between them only grew. Their bodies worked up a sweat and Blake found herself panting more than moaning. Letting Jaune cum once was a good idea. Not only for him to last longer for this moment, but even Blake wasn’t confident her experience would give her an edge against his stamina. High sex drive or not, Blake knew herself well. Satisfying her needs wasn’t as trying as Jaune might think. Especially when she’s topping.

Blake sat up and leaned back a bit. She braced her hands behind her back and began rocking back and forth with Jaune completely inside of her.

Jaune couldn’t take his eyes off of Blake’s body as it grinded on him. The woman’s eyes were shut tight as she focused on the pleasure, while her boobs bounced from each rock. “You’re so beautiful.” He said without thinking. The compliment was heard though, since Blake immediately started going even faster. Jaune let out another groan. He wanted her so bad. Sitting still just wasn’t his style.

Blake’s concentration was broken when she felt strong arms around her lower back. She opened her eyes to see the blonde knight sit up as well. “Jaune?” She said confused. Instead of answering her. Jaune gave her a chaste but strong kiss before his mouth went suck on one of her tits. “Jaune!” She moaned, gripped his hair. Blake arched her back as she felt him lick and suck it, while groping the other one. The assault on her body only intensified when his remaining free hand fell to her ass to squeeze it while she continued to fuck herself on his dick until her mind felt foggy. “This is...too much!” Her hand clung to him. “And you were worried!?” She asked knowing he couldn’t speak right now.

Jaune might’ve been happy by the question if he wasn’t too busy fighting off his fast approaching orgasm. It was crazy Blake was the one saying he was doing too much. Her scent, the way her body pressed against his, the sounds that escaped her beautiful lips, and the way she moved her hips. As if she was trying to milk everything out of him all at once. Every part of her wax too much yet Jaune could only want more, surrendering to the embrace of her soaked walls. Jaune gasped for air. “Blake, I….I can’t...”

Words were beyond him. All he could do was buck in between Blake’s legs.

A seductive smile grew on her face as she went faster. “That’s right, fuck me just like this….and cum. Blake leaned into his, “Hard…”

A slave to her voice, Jaune obeyed Blake’s words without fail. He could only manage several more intoxicating moments before the urge to cum was too strong to deny. Jaune held her close and kept her there; shooting ropes white inside her.

Blake felt Jaune bite down on her shoulder as he filled her deep. All the rough touches and spasms was more than enough to push her over the edge. “Shit…” she said with a shrill voice. Her arms and legs wrapped tightly around his body and Blake buried her face in the crook of neck. Blake tried resisting but her nails dug into his back as her orgasm finally hit. Every muscle in her body tensed up. Her toes curled and she could feel Jaune throbbing inside her as her body tried taking everything the boy had to give.

Neither could speak. They could only cling to each other for what felt like forever before the waves of pleasures finally subsided. Blake was the first to loosen her grip. The girl's limbs released tension and she had zero desire to move an inch. It was only when Jaune went to tilt her head up by her chin that the two looked at each other with a mix of gratification and exhaustion. Blake positioned his hand for her head to rest in, purring at the feel of his touch.

Jaune let out at chuckle. He fell backwards onto the bed with Blake following him down. The girl laid on top of him and continued purring.

“Yeah I don’t see what you were worried about.” She said, teasingly.

“Hey, when Blake Belladonna says she wants to have her way with you, panic sets in. So, good time?”

Blake flicked his forward. “You have me laying on top of you naked and purring.”

“Yeah, fair point. Phew, well that’s good. I like making you happy.”

Blake blushed as she felt his arms hold her gently. “Hmm well looks like you’ve given me a new experience after all.”

“What, cuddling after sex?”

“Mmmhmmm.” Blake hummed, “No time to cuddle when you’re you know, working in a cult. Luxuries like that don’t exist.”

Jaune smirked, “Gee, I never would’ve guessed.” Blake pinched him for that sarcastic remark. Not that it actually did anything. “Well I’m happy to be your first post sex cuddle experience. Though it’s a little risky isn’t it?”

“We have like three hours before anyone shows up. It’s fine.”

“Not exactly the issue I had in mind but good to know.”

Blake’s eyelids felt heavy. That was until the feeling of Jaune’s hands on her butt shocked her away. The feeling of him swelling inside her again made her shudder. Stamina was dangerous. “Please, fifteen minutes. We have like three hours.” She groaned. “Then I’ll have you screaming all over again.”

“Fine by me, but this time I’m getting you off at least twice. Two to one just isn’t fair. I want you just as pleased as me.”

Looking back on things, Blake mentally retracted her statement about boys and their pride. Maybe it wasn’t so bad after all. “I’ll hold you to that.” Blake closed her eyes and got some rest.

xxxx

“We’re back!” Yang shouted as she walked in with her two teammates. She looked over to see Blake chillin on her bed reading in her sleeping clothes. “Gee if it wasn't for your clothes then I would’ve believed you actually sat there and read the entire time. I’m surprised you haven’t finished all of your books.”

“I’m a slow reader.” Blake blatantly lied. “I did finish a couple of times, books I mean.” Her eyes looked up from the pages to see Weiss staring at her in voiceless disbelief. She wiggled her eyebrows, making Weiss turn red.

The heiress turned around and walked out the room.

“Weiss, where are you going?” Ruby asked.

The Schnee sighed and kept walking. “A place that makes sense.”

Ruby didn’t know what that meant she looked at Yang who shrugged, then to Blake who masterfully controlled her laughter. “Huh, I guess Blake reading slowly through her for a loop?”

It was impossible for Blake not to place her book over her face and smile behind it. “Never change Ruby.” She muttered, “Never change.”

#rwby #blake belladonna #jaune arc #rwby knightshade #weiss schnee #ruby rose #yang xiao long

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fa-by · 3 years

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hi F! Please do an analysis on Lauren’s new song While I’m Alive! She said on her instagram that it was directed to “someone” at first 👀👀

Hi to you too, dear Anon 👋🏼😄 and for sure. No problem, in fact, I'm sorry for the delay 😅

So. While I'm Alive is part of the Femme it Forward's all-female album called Big Femme Energy, Vol. 1. Laur wrote it long before she was part of this project, and yes, she said she wrote it with a person in mind by turning a vent into art because tired of the way she was/is treated:

This person, in my opinion, is 100% a shark. And this also responds to another ask I've recently received:

Hey to you, dear Anon 👋🏼😄 Yep, Laur wrote it for someone among the higher ups and therefore it concerns her career in particular, but she also applies it to other situations in her life in general.

Now let's move on to the interpretation.

Verse 1:

“Don't say I'm too loud when I cry out what I've held inside

I wanna know why they tried to take me and bury me alive”

The music industry is dominated by men. Gender inequality, sexism, and ageism reign supreme. No matter how much harder they have to work in order to succeed, women are anyway either sidelined, or supervised by men. Why? Because there’s a huge disparity between men and women, especially due to the way the public perceives their success and power. For example.

A man is praised for performing on stage with just the guitar. A woman who does the same, however, not only is she criticized for being too lazy and boring for not having made the performance more lively with a choreography, but she’s also criticized for what she was wearing. Same woman who gets criticized when she instead performs with a choreography because she wasn’t good enough. A woman who can’t be a drummer because it’s a thing for men, and if she persists in wanting to play, it’s not because it’s her passion and she’s pursuing her dream, no; it’s because she wants attention 🙄. A woman who can’t have a good idea about a song because, what can she understand about music, right? 😒

Unfortunately, it’s all a double standard. Women work harder than men and they then get questioned whether their success is deserved. One way or another, women are constantly being torn apart. Reason why Laur begins the verse by already letting us understand how put down she is by the sharks, followed by a question that actually doesn’t represent a real request for information, but that implies a predetermined answer.

“'Cause who am I to think that I have a right?

Or decide to know what I need, right?”

She's sarcastic of course. Since they've always told her what to do, how to act, and how to feel, here she's including a couple of examples among the thousand and more things they always have said and say to her. Because who better than her knows what's best for her? The answer is her. Especially when these orders, because they're orders, are imposed on her to make money with her career and not for her sake or because they care about her as a person.

“It's in the way, I talk and I walk away

From what you made me”

By ‘what you made me’, she refers to the way she was before. The person who was forced to accept everything she was told to do and therefore she couldn’t be herself. The person they made her become, and she didn’t like that person. Now she no longer wants to ‘submit herself’ and accept everything just for money and fame as she did in the past because she was legally obliged and not to do so. She did it many times especially when she was still in the group, but unlike in the past, she luckily no longer has the same kind of obligations. So if she doesn’t want to do something now, she simply doesn’t. She says no to what she doesn’t accept and walks away from that (I talk and I walk away) by not caring if she doesn’t have the same success as before because she prefers not to have that kind of success anymore but to remain herself, rather than have it and be just a product (what you made me); a different person from who she really is.

Verse 2:

“And I know this is all too familiar

Feel the motive behind all that fake love”

In Olivia Rodrigo’s voice 🎤: 🎵 Did you get deja vu, Laur? 🎶 No, but all joking aside. By ‘I know this is all too familiar’, she means what she has already experienced in the past and which she has once again found herself in front of. Once out of both Epic/Syco and Maverick, she believed she would’ve be dealing with better people, but it wasn’t like that. She realized that those kinds of people are everywhere because it’s the music industry that’s like that. The problem isn’t the single label or the single management team, it’s the entire industry. The problem isn’t the surrounding, but the people who are in it. Not all of them luckily, but most of them unfortunately.

By ‘Feel the motive behind all that fake love’, on the other hand, she describes precisely that kind of people. The fake ones who first treat you well because they want something from you, and then show themselves for who they really are when they don’t get it and try to hinder you, punish you, destroy you, and ‘bury me alive’ (verse 1) because of it.

So. Although I said it playfully at first, these two sentences go perfectly well together to describe the sense of deja vu that Laur felt.

*Small note* In the next three sentences of the verse, I will use these ‘---’ to complete her sentences as if I were Lauren to give you my interpretation. I’ll then continue as I always have. Oh and, she’s talking about her music here.

“I can’t take all these unsolicited opinions --- Nope, not anymore. I don't want them. Thanks, but no thanks.

Go ahead and be the scared ones --- with someone else who’s ready to tell you yes to everything and who doesn’t have a vision on how they want their own songs. Someone else who has no problem being a marketable product/puppet.

Either way, I’ll get it done” --- with other producers, songwriters, collaborators, etc., of my choice.

“I’ve been told I’m too much

Too proud, too cruel

Too wild, difficult to be around”

Let’s also add too confident, too sincere, and too honest from the people who mocked her at school before she became famous, shall we? Or maybe too fat, too arrogant, too full of herself, too whore, and all the other things said by the haters over the years? 😒😒😒🙄🙄🙄

I was being sarcastic of course, guys. I mean, can our girl ever have a break?

“With too much to say

Never in the right way

So, what’s the right way?”

Rhetorical question here because the right way is exactly the way she is. She has no intention of behaving in the ‘right way’ they want because it would mean not being authentic and automatically it would no longer be the right way because she would be fake.

Chorus:

“If I can’t be me

Who do you want me to be? (Who do you want me to be?)”

I love, love, love, love this. For real. It’s so powerful. And it doesn’t surprise me that this part along with the rest of the chorus is repeated four times, because it’s the most important part and it encloses the whole song perfectly.

“‘Cause if you can’t see beyond your gaze”

Behind their ideas to be the perfect product without looking at the person and their feelings.

“You don’t phase me and I don’t trust you anyway

‘Cause runnin’ through life, I figured out time

Don’t wait for no one”

After all these years and precisely because of what she’s been through, she realized she can’t wait for them to see it the same way she does or for someone to ‘save her’. She prefers to ‘save herself’. Therefore, she will continue to be wary, not to trust, and above all, to remain authentic as she says here:

“So while I’m alive, I’ma just be me (I’ma just be me)

Whoever that ends up being”

And that's it, dear Anon 😉 This song is dedicated to one particular asshole who gave her the idea, but mostly, it's dedicated to all those assholes who tried to tell her what kind of music she should have made, how she should have behaved, and how she should have felt. She decides for her, and she doesn’t care if she doesn’t have the same success anymore. Just like she doesn’t care about all the rest like the expectations and superficial perceptions they have of her that are completely wrong.

I hope you enjoyed it, and I wish both of you Anons and everyone else reading this, a beautiful day ❤🥰🤗

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himboarcher · 3 years

Text

reasons i've seen folks say that grad critics hate grad:

they hate travis (in fairness, i’ve def seen some comments of people shitting on trav for the sake of shitting on trav, but it’s not super common and typically gets downvoted into oblivion on reddit.)

it's not balance / travis isn't griffin (???????)

they hate neurodivergent people (again, in fairness, i have seen a handful of comments that could come across this way! but most of the time when travis being ADHD or his NPD is brought up, it's by defenders saying that criticizing travis is ableist because he's neurodivergent or, in one particular comment, infantilizing him bc of it and literally comparing grad to putting a kid's artwork on the fridge. there were some comments early on that pointed to him being a narcissist as the reason for things people disliked about grad, but everyone seems to have realized that that's a shitty train of thought and left it behind.)

they're just toxic haters (again, there are a small handful of people like this because this is the internet, but the genuine criticism greatly outweighs their bullshit. i 100% think that the people, which is mostly just one dude who is also insufferable on reddit, who have been responding rudely to positive tweets under the episode announcements lately are out of line and need to stop. there's been an influx of that lately, presumably because people are frustrated that after over a year of grad going on, there's been no improvement to most of the major issues. that's still no excuse to be a dick to folks, though.)

vs some of the actual reasons i don't like grad:

the racism / racist tropes, and the way that they’ve straight up ignored this criticism and will likely never acknowledge it. pretty wild considering a core tenet of their brand is their willingness to acknowledge when they’ve messed up and do their best to course correct.

clumsy attempts at inclusion that are shallow and often end up being fairly offensive ("...ask me about my wheelchair," anyone?)

on a related note: i don't think that travis had bad intentions, but as an nonbinary person, it feels othering to me that travis only has enby characters give others their pronouns unprompted. i'm thinking specifically of kai here. having listened to their introduction, i don't think it's as bad or awkward as some people have said, but i can't remember travis ever having another NPC tell the PCs their pronouns, especially not a cis character. it's not a huge deal, but it's something that rubbed me the wrong way. admittedly, i don't think it would bother me so much if travis hadn't dropped the ball so much with performative inclusion in the past.

okay i'm putting the rest under a read more because even without getting into all of the problems i have with it, this got Long.

little to no player agency. player choices are ultimately meaningless and have little to no effect on the world. even when he seems to go along with a plan they come up with, it always ends with them having to go back to travis' pre-written script (see: subpoenaing the xorn, but not really because they had to go with travis' original plan of "send the xorn home through the rift".) the players repeatedly get told things about what they think or feel or what they've been doing to an unnecessary degree. fitzroy is the only one who really gets space to play and decide things for himself, and that's only because travis has decided he's the main character.

the NPCs are all too nice and willing to give the PCs anything they ask for and more, unless the PCs are trying to follow their own plan and then the NPCs are completely useless. but honestly, aside from gray, all of the NPCs are just.... nice. travis refuses to even let his antagonists be mean or cruel or even more than just slightly rude, because that'd be a bummer and we don't want that! the "twist" of gordy the lich king actually being polite and chill is not a twist at all because everyone is like that in this world. the NPCs are also wildly overpowered, but then suddenly absolutely useless when the PCs actually want their help.

too many cliffhangers that are dropped immediately at the beginning of the next episode. i feel bad for travis because so many of these cliffhangers actually set up good momentum and seemed like things were gonna get interesting, but almost every single time he just dropped them at the beginning of the next episode. like when althea showed up to interview the boys and the next episode started with travis being like "actually you went to sleep, she said she'll be back tomorrow!"

that time travis specifically said in his exposition dump that the thundermen left their horses behind because they thought the centaurs might be offended by them riding horses, only to later on rag on them for being surprised that the centaurs had horses they could ride.....

also the centaur arc in general, but i already listed racism above, so.

the way that the toxic positivity and parasocial tendencies in the mcelroy fandoms have made a large portion of the fandom take ANY criticism as a personal attack on travis and/or on themselves for enjoying something others consider bad, either morally or just quality-wise. it’s okay to admit that something you like has problematic elements or just isn’t as good as it once was. you can and should engage critically with the media you consume.

related to above: the way travis has handled genuine criticism, which is to throw public tantrums on his twitter or make weird passive aggressive tweets & ultimately ignore all the genuine criticism and advice he's been offered by claiming it's all subjective, even after he specifically asked for it and set up an email for folks to send in genuine, objective advice for him (after he threw a tantrum on twitter and replied to someone's criticism publicly, which resulted in his followers dogpiling on that person bc how dare they insult their internet best friend). while i was writing this last night, he actually announced that he’s taking a break from Twitter and acknowledged that he’s been using it as an echo chamber where he can easily get validation from folks, and honestly i’m happy for him that he’s recognized this problem and is stepping away for a while! i hope he’ll genuinely use this time to reflect on how he’s been behaving and find a more healthy way to use social media. i’m leaving this point in because i think his Twitter being such a positive echo chamber was encouraging him to do stuff like this, and him somewhat acknowledging his behavior doesn’t mean it can no longer be discussed.

rainer. extremely cool concept in theory and i was very into it until that awkward "does anyone want to ask about my wheelchair?" moment. also when travis had her use her mobility aid to RAM INTO A DOOR instead of just fucking knocking???? also all the times travis has tried to force a romantic relationship between her and fitzroy, despite fitzroy displaying no interest in her in that way. also, just to clarify: as an ace person, i don’t think this is aphobic! (and it’s kind of a stretch to call it that imo, especially since griffin never explicitly said that fitzroy's aromantic!) i just think it’s weird and awkward and a little uncomfortable for me personally, mostly because it reminds me of the times i’ve been in similar situations.

less of a problem than a lot of the other stuff and more just bad writing, but the forced emotional moments. in general, nothing in grad feels earned (why are the boys heading a war? when they have multiple actual heroes with combat experience on their side and a supposedly powerful secret organization? and the thundermen are like 21 years old max and have only had like ~10 fights in the entire campaign?) but there've been a couple times where travis has tried to force unearned emotional moments, presumably because he knows people enjoyed those with the last campaigns. but the difference is that in balance, the big emotional moments happened because they were earned. in grad, it's just travis throwing a baby pegasus at us for a few minutes and then the next time she shows up, it's supposed to be a tearful goodbye.

there are absolutely no stakes. remember when the thundermen got told that if they left, gray would kill 10 students? and then they left and came back and it turns out that what gray actually meant was, "i'll tie ten students who are mostly nameless NPCs to a tree and throw some dogs at them that you can easily stop in time, then throw a tantrum because how dare you but i'll leave before you can really do anything to hurt me lol" travis did have fitzroy's magic get taken away, but like. it didn't really do anything? also all he had to get it back was be coerced into using drugs by an authority figure and trip in the woods?

we're told that the school is weird and the hero system is corrupt, but the world of nua is still presented as more of a liberal utopia than anything? althea getting fired because of a corrupt villain is the only time we've somewhat seen corruption, but even then, she was still allowed to get (what seems to me, anyway, but admittedly i don't know for sure bc nothing about the HOG makes much sense) a fairly important job from the very people who stripped her of her hero license or whatever the fuck heroes need?

travis doesn't actually seem to understand how capitalism or bureaucracy works and just chalks up everything to "red tape." also more on the rest of the boys than him specifically, but the "let's destroy capitalism!" thing turning into just pushing some filing cabinets over................... okay.

and one last piece of extremely subjective criticism: it's just kind of.... boring. i think a lot of people, myself included, would be willing to overlook 90% of the problems with graduation if it didn't feel like such a slog to get through.

also people saying that we can't or shouldn't criticize graduation because it's "free" is absolutely absurd for several reasons. first, something being free does not make it above criticism. second, there ARE people who directly financially support the show with monthly donations. three, there's a difference between something being free and something being not for profit. podcasting is their full time job. they make their living off of money made from TAZ and MBMBAM (and probably their other shows to a lesser extent). this not a fun home game that they are graciously recording and sharing with us. it is a product they are producing that they make money off of, both from ads in the episodes and merch & books based off of these podcasts. they have marketed themselves as professionals, and both griffin and travis have been on panels where they are marketed as professional DMs and appear alongside other professional DMs (which makes it incredibly frustrating when people say that travis is just a newbie DM and we can't criticize him because of that. if he's a newbie, then he should not be taking part of panels as a professional DM where he speaks as an expert). TAZ is free in the same way that an episode of NCIS is free. i may not pay for it directly, but the creators are paid to create it and profit off of me consuming this product. so saying we should be grateful for any mcelnoise that the benevolent good boys share with us and that we're not allowed to criticize it "because it's free" is absolutely wild.

#negativity cw #i guess #anyway this is not meant to say that you cannot enjoy grad.#but i'm tired of folks on this website acting like there aren't genuine problems with it #and saying that people just dislike it bc they hate travis etc etc #taz graduation #i genuinely don't expect anyone to read this bc it's so long #but here ya go.#long post

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comrade-meow · 3 years

Link

A recent survey found trans people do not always understand how sexual health advice applies to them when clinicians talk about gender rather than anatomy, report Melanie Newman and Julie Bindel.

Since 2019 the British Association for Sexual Health and HIV (BASHH) has recommended sexual health clinics ask service users for the gender of their sexual partners, rather than if they are male or female.

But a report of a survey by Waverley Care and Scottish Trans of trans people’s access to sexual health services in Scotland found references to gender were causing confusion.

“Participants told us that they lacked access to tailored information to enable them to understand how sexual health advice applied to their circumstances,” the report said. “This was especially the case if risk factors or prevention options were communicated with reference to gender, rather than anatomy.”

The report added that participants cited access to HIV preventative drug PrEP, as an example of this confusion. “Many non-binary participants were unable to understand whether they would be eligible for PrEP, despite reporting potentially high-risk sexual behaviour,” it said.

BASHH also advises clinicians to use patients’ preferred terms to describe their anatomy and discuss their bodies using models or diagrams rather than “anatomically correct terminology”.

Dr John McSorley, President of BASHH, said it is important language in sexual health consultations is inclusive of all genders while also obtaining all the relevant clinical information.

He explained: “It is generally good practice for all medical history taking to start with more open questions and we feel that asking about the partner’s gender accomplishes that (rather than asking a closed question that only gives the option of male or female). Of course, the clinician will follow that up with more detailed questions.”

“Healthcare workers, should treat everyone politely and sensitively, but viruses do not recognise pronouns.”

But critics say ignoring biological sex in healthcare settings and health data risks obscuring medical realities for patients and policy makers.

Maya Forstater, of the campaign group Sex Matters, said when it came to healthcare not recording birth sex was “reckless”. “Healthcare workers, should treat everyone politely and sensitively, but viruses do not recognise pronouns,” she said.

A decision to drop a question about biological sex from official surveys about HIV and STIs has also proved contentious.

Public Health England told sexual health and HIV clinics to stop collecting data on the sex of service users after advice from the LGBT Foundation that it may be unlawful to do so.

Clinics now ask patients for their gender identity and give them the option of preferring not to say if this is different from their “gender assigned at birth”.

The changes were aimed at capturing data on the transgender population. But one data expert said the decision to omit the sex question risked obscuring what was really happening with HIV and other sexually transmitted infections (STIs). Professor Alice Sullivan, head of research at the Social Research Institute at University College, London, said conflating sex with gender could make it difficult to identify and understand differences between males and females.

“Sex is an essential piece of information, both for the effective treatment of individual patients, and for health research. There is no reason why we cannot record a patient’s sex and gender identity as separate variables rather than confusing the two.”

The idea that it may be illegal to ask for a respondent’s sex in a confidential survey has “no foundation,” added the professor, who has herself been the director of large cohort surveys.

The suggestion of illegality was refuted by the recent Judicial Review judgment on the sex question in the England and Wales census.

The US’ HIV surveillance system has a 2-step question which asks for participants’ sex and then for their gender identity. The US system will not allow data to be passed from the clinic to the central survey administrator if the section on sex is not answered.

The background

Public Health England administers the HIV and AIDS Reporting System (HARS), which collects data on all people accessing HIV Services, and the Genitourinary Medicine Clinic Activity Dataset (GUMCAD) collects data on STI tests, diagnoses and services from all sexual health clinics in England.

The HARS questionnaire used to start with a question on sex, with a binary choice of responses (“male” or “female”) and no opt-out. In 2015 Public Health England removed the question from the form, stating: “Work with the LGBT Foundation and the transgender community has informed that it is not good practice or possibly even legal to ask for gender at birth therefore we propose to remove this field from the dataset.”

The questionnaire now asks: “How do you identify your gender?” The options for response are “woman (including trans woman)”, “man (including trans man)”, “non-binary” or “in another way,” and an opt-out is offered in the form of a “prefer not to say” box.

The survey then asks: “Is this the same gender you were assigned at birth?” The options for response are “yes/no” and “prefer not to say”.

In 2018 the GUMCAID questionnaire was changed to include the same questions. Guidance to the questionnaire advises that both gender identity and assigned gender at birth may change.

The latest GUMCAID dataset released contains STI diagnoses and rates broken down by “gender” (male/female). Public Health England’s notes to the statistics advise: “Male gender includes transgender (trans) men and female gender includes transgender (trans) women”. The published data does not allow analysis of differences in rates of diagnosis between males and females, because the categories collected are now both mixed-sex.

We invited Public Health England to comment but it declined. One clinician supporter of the data system, who asked not to be named, said the questions allowed respondents of each biological sex to be identified by working backwards from the “gender assigned at birth” question.

Very few people opted out of answering this question, the clinician added. “We have to give people choices about revealing their gender or gender assigned at birth, just as we give choice about answering questions on sexuality. Over 99.9% of people answer these questions so whilst opt out is possible it is not common practice.”

Our source accepted that the sex of non-binary participants could not currently be determined but said the “gender assigned at birth” question would be changed in future to capture whether individuals were “assigned male or female at birth”. Meanwhile, numbers of people currently identifying as non-binary or a “different gender than at birth” were too small for their inclusion to significantly affect male and female datasets.

“The question has been well accepted by community groups including those focused on women’s issues,” our source added. “The dataset will continue to be revised to ensure it is relevant and meets the needs of most affected communities.”

“This has the potential to substantially skew research results for both gay and lesbian and trans people.”

Professor Sullivan said the absence of a question on sex may also compromise the categories for same-sex attracted and opposite-sex attracted people.

For example, GUMCAID asks if respondents have opposite-sex partners (which the questionnaire defines as men and women who have sex), or same-sex partners (defined as men who have sex with men). Similarly, a question on the HARs form asks if respondents were exposed to HIV through sex between men.

It is unclear how non-binary and trans people and those with trans partners would answer these questions, given that both the terms “men” and “women” are explicitly defined as referring to either sex.

“This has the potential to substantially skew research results for both gay and lesbian and trans people,” Professor Sullivan said.

Our source said they were confident data could be accurately segregated by sexuality as well as by gender and “gender assigned at birth”.

Numbers of trans respondents are small, but critics fear the impact of their inclusion in an opposite-sex group may be significant when the data is analysed and presented at a granular level.

PHE published results from the national HIV self-sampling service in 2019. Its report counted trans men who have sex with women (ie females with exclusively same-sex partners) in the results for heterosexual men and presented transwomen in a dataset with women.

The report shows that 10, or 5.8% of trans respondents had condomless sex with more than 12 partners in the previous year – a higher percentage than that for gay and bisexual men. The figure for women (including trans women) was 62 (1.3%). If all 10 trans respondents in the category were transwomen, their inclusion will have increased the total figure for women by a fifth (from 52 to 62) and the percentage from 1.1% to 1.3%.

Melanie Newman is a freelance journalist covering health, legal and other areas.

Julie Bindel is a journalist, author and feminist campaigner. Her new book Feminism for Women: The real route to liberation is out now and published by Hachette.

#Anglo.txt

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makeste · 4 years

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1.) I'll dislike it if it turns out that Best Jeanist is still alive since I don't see a scenario where Hawks not killing him makes sense, unless of course if it turns out that it was all staged before hand for the villains (for some reason). The reason why I think this is that Hawks pulled out his swords on BJ after saying "how unfortunate" when BJ say's he'll be going public again. To me this reads as the equivalents as you and a "friend" being together alone in your home.

see, I see it differently. to me, what doesn’t make sense is for Horikoshi to not show us the conclusion of that flashback scene even after Hawks kills Twice. like, if he originally intended for it to build up suspense at the start of this arc, back when we weren’t sure whether or not Hawks would go through with it, that’s one thing. that actually played out beautifully. but to leave Jeanist’s fate up in the air even after Twice’s death makes no sense to me in a scenario where Jeanist is actually dead. at that point there’s no reason to keep it hidden anymore. we know Hawks is a murderer; we know how far he’s willing to go to complete his mission. so at that point there’s no longer any narrative purpose in leaving it ambiguous, right?

like, so we’ve got this mystery. did Hawks kill Jeanist or not? and there are only two possible outcomes. either the twist is that he did kill him, thus stunning the readers with the reveal that a hero would actually go so far as to kill another hero; or the twist is that he didn’t kill him, in which case the payoff comes later, when Jeanist makes a surprise entrance revealing that he’s still very much alive.

as far as the first of those two outcomes is concerned, there’s no longer any reason to keep Jeanist’s death a “secret” now if that’s the case. we’ve already seen his body. we’ve already seen Hawks kill someone else. what possible reason is there for Horikoshi to still be cryptic about it? we already know he’s not above showing us VERY detailed and gory and plain fucked-up things in character flashbacks, so it’s not like he’s barred from showing it to us because it’s too controversial or disturbing. there is just no reason I can think of why he would be so deliberately wishy-washy about it for so long only to have the eventual twist be “yes actually he really has been dead this whole time.”

but if the payoff is instead meant to be “surprise he’s actually alive!!”, then it makes perfect sense to not reveal it beforehand. in this case Twice’s death only adds to the twist and makes it that much more of a surprise. and imo it’s a much more satisfying outcome, and much more consistent with what we know about Hawks’s character. there’s all this talk about how this twist makes him “less morally gray”, as if moral ambiguity is something all characters should aspire to, but what this shows instead is that his morals are consistent, which is much more important to character-building in the long run. Hawks is someone who can see and understand the big picture and figure out the best action to take for the objective, logical greater good. but he is also someone who’s still fueled by his emotions enough that he’ll put the Greater Good at risk in order to try and do what he thinks is the right thing. and so he almost blows his cover at Fukuoka because he helps Endeavor battle the High End Noumu, and he does blow his cover at Gunga Mountain and is nearly killed by Dabi because he tries to arrest and capture Twice rather than killing him. it’s not until he has no other choice that he finally does the deed, and he pays dearly for it.

it is entirely in character for Hawks, when faced with a situation where the Greater Good requires him to make a sacrifice that doesn’t sit right with his conscience, to instead attempt some risky and convoluted “fuck it, let’s see if we can fool ‘em” solution which puts the whole operation at risk, but which allows him to spare the life of a man who’s done nothing wrong. the hubris of Hawks’s character is that because he’s so clever and is usually one step ahead of everyone else, he tries to have it both ways, and attempts to simultaneously stick to his principles and be faithful to his mission, and eventually that’s what does him in. you can’t be a walking, talking Icarus allegory and not expect your wings to eventually be burned off by the metaphorical sun.

anyway. so this outcome ultimately makes a whole lot more sense to me, ngl. as for why Hawks pulled out his feather sword when he was talking to Jeanist, I don’t know! we literally cut off right after that! almost as if whatever action or line of dialogue immediately followed that scene would have explained everything, and so is being withheld from us for exactly that reason lmao. it absolutely is a very odd thing to do while chatting with your friend; but speaking of said chat, let’s take another look at the dialogue here.

Jeanist says he’s planning to step back into the public eye shortly, and Hawks replies with, “that’s too bad.” of course we’re immediately meant to jump to the conclusion of “WTF, JEANIST, RUN,” but there’s another possible interpretation, which is that Hawks is apologizing because he’s about to explain to Jeanist that he’s gonna have to put a rain check on those plans. the sword might simply be his not-so-subtle way of saying “okay you better listen up you beautiful bedenimed man, because shit’s about to get real, and you’re either going to have to go along with the completely ridiculous plan that I am about to propose, or else I am going to have to straight up kill you, which I do not under any circumstances want to do.”

at which point Jeanist is presumably all “okay calm down kid wtf”, and Hawks proceeds to explain how they’re gonna take some random John Doe body from the county morgue and have one of the HPSC’s people use their quirk to transform the body into a perfect clone of Jeanist using a sample of Jeanist’s DNA or something. or whatever secret agent bullshit they pulled out of a hat in order to fool Dabi and the rest of the League. only we don’t see any of it, because Horikoshi does not want us to see any of it, because it would have removed too much of the tension and suspense from the Hawks spy arc.

this to me makes sense. it makes sense with what we know of Hawks’s character, and doesn’t sacrifice all of the work that Horikoshi put into writing his arc for the sake of cheap shock value. it builds on the conflict between Hawks’s own personal morals and the things he is asked to do by the HPSC for the sake of the Greater Good that don’t always sit well with him. it leaves room for the continuation of that arc as more of the HPSC’s secrets come to light, and as the heroes face widespread criticism in the wake of the Jakku disaster, which seems more and more inevitable. and, as a bonus, it provides an unexpected yet plausible last minute save for the heroes against Gigantomachia and Tomura and the rest. because it’s honestly going to take a miracle for them to make it out otherwise at this point lol.

anyway, so I think it works! we’re still missing some pieces here obviously, but all in all I’m more than willing to give Horikoshi the benefit of the doubt until he fills us in on whatever we’ve missed. I just wish we didn’t have to wait two weeks until the next chapter yet again sob, but such is manga-reading life.

#bnha 288 #hawks #best jeanist #bnha meta #hawks meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks #anon asks #long post

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frogtanii · 3 years

Note

It’s wind anon. I know I should react to the Kenma part, but I just went through the update, saw Meiko’s portion and I have feelings that I need to get out because I’m so far gone right now—

I swear, I can break down every single text what the flip is this BS. Meiko, dear, do you,,,have a concussion. Are you thinking. What,,, this is like the time you were underdressed at the restaurant and you ended up getting drunk as heck.

Okay, let’s do the breakdown.

Coming in hot, we see Meiko with “tooru!!!!!!” (Yes, I did count the number of exclamation marks) firstly, the usage of his first name after ‘exiled’ where she raged at him and used Oikawa instead... mood swing much because I cannot believe the audacity of this... and really. First name basis. Trying to be close and to get rid of animosity, but not offering up anything like “hey, I’d appreciate talking to you for a sec if you’re free?” Or an apology for blowing up at him because he did indeed have your back, it’s just that you were the one problem. But yes, the exclamation marks too. A bit childish, obvious excitement...mmmm, I’ll move on to the next section.

Oikawa’s “oh. hey meiko” shows that he really ain’t up for this. First is the obvious low energy. I don’t want to go into depth about that but the “oh” shows that he paused. He saw her message. He answered. And he didn’t expect her to talk to him. Especially with that sort of energy. Mixed feelings towards her. And his “hey meiko”. I would say he is one of the more energetic of the House. He probably would’ve done something like “meiko!!! <3” in response before or something like that. He’s a bit flashy in that regard. But no punctuation. Just a downtrodden “hey” in response.

“don’t sound so enthused” she says. I mean, at the very least it seems she understands and can grasp tone from messages? But I am like “it would be more surprising for him to be enthused? I’m in awe of how you were able to become so enthused after you got yourself crushed into pieces by YN...” Besides that, even if Meiko wasn’t physically hurt, a confrontation of this sort would not lead to anyone having a happy mood? Me glancing between Meiko and all the therapists that were mentioned before because I really hope that we can figure something out because she gives off so many different vibes I am like... “what even goes on inside her brain...”

“can you blame me? you yelled at me the last time i talked to you” and this is the truth. He shouldn’t be enthused. You yelled at him, you disregarded his concern and you showed that you didn’t care for him as a person. Even if there was a circumstance where she didn’t yell at Oikawa, he would reach out first and be concerned about her health. Meiko has no grounds to try and blame him for anything right now. Frankly, I don’t think Oikawa should have even bothered answering her because I don’t think he is in the best place emotionally to deal with her.

“im so sorry sweetheart!!!! i didn’t mean it :(” lemme just day, wind anon cannot believe the BS that this message is. First, she says she is sorry. But really? Really. I can’t even look at her. Look, I don’t know what it is but “I’m so sorry.” Has the weakest apology energy. “I’m sorry.” Fine, decent, the classic and simplest. “I’m really sorry.” Also good! Shows regret. “I’m so sorry.” Sounds like you when you just learn that a person’s family member has passed away. There is something about “I’m so sorry” that doesn’t sound sincere to me and it’s infuriating. Next, the “sweetheart” I might’ve gagged a bit internally. Does she,,, talk like that? Normally? Is that a thing? She’s younger than him...and I don’t know but sweetheart sounds so condescending I literally can’t even— and finally, the “I didn’t mean it” yeah, well, you don’t mean anything because everything you say is BS that’s what you mean. Stop excusing your behavior. There is no merit behind it.

“you know i was just beat up and i couldn’t control what i was saying”. Okay, let’s break this down too. First, trying to incur sympathy by the “I was just beat up.” I cannot believe this gal. And the “you know” for a reference to a person’s knowledge of the matter, it lets them be more susceptible to beliefs. But the “I couldn’t control what I was saying” is complete utter hogwash. I mean, Meiko can’t control any bit of her because she is just impulse. But she excused her inability to control herself by saying it was because she was just beat up.

I don’t know what to say for the next portion. Alone, it’s cute, but put into perspective it’s just manipulation and she doesn’t love him. I’ll just move on.

“what do you need that you can’t ask iwa-chan?” Okay, so he didn’t reciprocate with an “I love you too” so that just shows what type of mood and how effective her words were. It also shows that she always messaged Oikawa when she needed something, because he caught on super quick to that. The “Iwa-chan” is interesting though. I wanna know if Oikawa talks to Iwaizumi after this conversation with Meiko because she is clearly going behind his back right now.

“oh well hajime is being very rude rn. he won’t let me leave my room!!!!” Okay, he had best interests at heart and Meiko...I know every single one of your rooms has a bathroom too. They’re bringing you food. They are letting people go into your room. Meiko, you wouldn’t have lasted quarantine if you’re this petulant now. It’s literally going to be like, 3 days max if you work to get an actual solution. I don’t want to break this down, I feel this is self explanatory. She feels entitled still.

“i know, it’s for your own good” he replies, and that is true but I am also of the belief that it is (hopefully) better for the rest of the house to not be in contact with her so I guess that’s that. Anyway, this shows Oikawa placating her, next

Meiko...being...not pretty. “ugh!!! but i wanna go out!!!!!!” Yeah, she would not have been able to be safe throughout the pandemic. Please,,, you’ll have fresh air if you open up a window,,, I know for certain you don’t exercise,,, please Meiko, shut up already you are making yourself look like more of a pile of garbage than you depict yourself as please I cannot handle the idea that the guys fell for this act—

“you have a black eye babe” okay, the black eye is actually Tooru trying to refer to knowledge that she has. As in, she should be trying to rest and get better right now. (Just curious, who treated her? For the injuries? She raged at Iwaizumi and Oikawa so maybe Daichi?) the babe gives off the placating vibe to me, still low energy, not very affectionate, but it’s there so I’m like “hm”.

“so??? omg are you calling me ugly tooru???????” Well...he didn’t call you ugly. But I might? Because you have the ugliest personality of everyone here. But also, shifting blame onto him. Gosh, I give Oikawa some water. He’ll get a migraine from this.

“of course not. i would never”. Low energy, not elaborating, I think he sees that she is trying to manipulate him, or at the very least he isn’t going to play that particular game. But actually, he runs a fashion channel on YouTube. We know Bokuto runs a fitness one and his header message was something along the lines of everyone’s bodies are beautiful, so chances are Oikawa has the same sort of idea for his channel too. He may criticize fashion, but he would never criticize the people wearing it or the people who made it in a mean way. He would be respectful, and he lets people do what they wish because it’s their choice. I mean, there has to be a reason why Meiko’s fashion is how it is—he doesn’t intrude on matters that aren’t his to intrude upon.

Okay, Meiko. I’m gonna stop trying to format the messages exactly how they are, autocorrect is making my time with them a bit too much, but she says she wants him to take her with him. Okay, starting off, you are really under the belief that he will take you on to a trip he has planned when he didn’t invite you in the first place? Pushy... but yes, her petulance again... me flicking water at her, “you got super drunk because you were underdressed at a fancy restaurant and now you have a face that looks like roadkill, how much do you want to embarrass yourself before you get turned into a pariah?”

Oikawa not knowing how she knows that is clear concern. Someone knowing your schedule when it’s none of their business and not public knowledge is major red flag. The “uh” shows that he is clearly taken aback. The ellipses shows that he doesn’t know what to think.

Okay, Meiko—she is actually able to notice something??? Good golly gee, I am baffled by how she did that when everything else she does is on fire. But the consistency probably gave it in. She may have been looking for him at one point, noticed he was out, and saw the pattern then. But actually, wouldn’t she be good at noticing the patterns of the guys so that she always knows which one to go to and use? Thoughts.... but I’m curious about the fact she said the “same group of absolute losers”. I highly doubt they always go and meet up directly in eye view of the house? Chances are they meet up at a bar or something? This potentially could be a thing where Meiko was stalking them? It would be interesting if she saw them while she was out as well—and if yahaba and kyoutani noticed her around before too. Also, her saying “you ain’t slick” like,,, Meiko, have you looked into a mirror. Can you see.

Oikawa defending his friends, we stan. Let’s move on though: “they’re so much younger than you?? and yahaba is def not cute lmao” me, doing like the... monkey meme where they look away because I am just like??? Meiko, you’re younger than Oikawa. I bet Yahaba and Kyoutani are your age. And anyone younger than you is a loser huh? That’s why you look at Bokuto and YN like they are dirt beneath your feet. (And Yes, I do remember that you put Bokuto and YN as the babies of the house, this reoccurrence is very well done). And she went and insulted Yahaba directly like...you’re talking to his friend? What are you doing? Excuse me? I beg your pardon?

And the ellipses strike again— and Oikawa is fishing for information because we have seen him—he listens to logic. And Meiko... her emojis... wind anon be flicking more water at her, she is too much. Also. Kyoutani. She is calling Kyoutani cute. This was the message that made wind anon start this long analysis. Kyoutani, cute? Listen. Kyoutani would take one look at this parasite hanging off his arm with her swollen black eye that was slathered with makeup and her lacking clothing sense, before looking at Oikawa who would be so haggard by then, and then Kyoutani would force her off his arm before grabbing Oikawa and running off with Yahaba following them. There is no way at all Kyoutani would involve himself with Meiko. I refuse to believe he would go for her.

Okay, the two messages after about wingmanning—I don’t want to do a large scale analysis of it. Oikawa really is shown to have good sense for Meiko’s intentions. His intuition is good. And we know that he cares and respects his friends and he focuses on their capabilities. He knows them. Meiko is just...childish in the worst of ways.

“You don’t see the issue with this”. Oikawa really digging in his feet. First, he wished to be in a relationship with Meiko. And here she is, asking for him to wingman to get her together with one of his friends, who may not even like her—and I bet that if it doesn’t go well, she would blame Oikawa for it like really—but I give Oikawa more water for the migraines Meiko induces.

“What?? It’s not like we’re actually together lol”. The laugh out loud at the end really shows how much of a joke she sees this as. She sees him as a joke. And she just crushed all his efforts and actions to try and get into a relationship. And actually...will Meiko ever get into a relationship with another? She has no loyalty. She definitely wouldn’t have ever got into a dedicated relationship with one of the guys. And she would be the type to get upset if they slept around, wouldn’t she? A hypocrite.

“Ugh don’t be like that!!! I’m sure you sleep around too!!” Okay, she is trying to defend herself while also potentially blaming him if he does. It’s just manipulation...I’m gonna move on...

Oikawa’s just done and his “I don’t” holds a lot of emotion. But Meiko’s response back I don’t believe at all. “Oh well that’s your fault, I don’t really give a sh*t if you sleep around hehe!!!” First, blaming him for his choice of only choosing you??? And I highly doubt the second part because she is shown to throw blame and ditch people for negligible reasons—I have no trust towards her words. I do not believe her. I believe she would care. I believe she would blow up at the guy before leaving him.

“Of course you don’t” And there is the utter doneness. He has given up on Meiko in this message. He doesn’t care anymore. He was already not in the mood for her when she first messaged him, he doesn’t want to see her at all anymore. He’s given up.

“So you get it!! Perfect!!!!” Please, wind anon has written so much already, her eyes are sweating everytime she has to look at Meiko being like this hhhhh. “I’ll be ready at like 9pm? Come by my room!! Actually no I’ll come by yours” and her usage of emoji. Get her away from me and everyone in PF. She’s toxic. Send her off with hazardous waste. Also, she deliberately changed from her room to coming by his. She is cutting off him so he has to go with her, he can’t just sneak out and not wait at her room (though she did offer a time so he could just go out now and ditch her presence completely). But it would be amusing if he did something like lock his door, (either after he’d go out or if he wold leave through window) and she would just be there waiting all decked out in her clothes and makeup pounding on his door. He wouldn’t answer and the others would see her out of her room (a misdemeanor). And then she would have to make an excuse. But it would be hard...because Oikawa has text evidence of Meiko going against Iwaizumi to just play like this.

“And if I say no?” Says Oikawa, who is testing the waters—very smart. We approve. “You won’t.” She replies, because she is terrible and we hate her controlling, manipulative, abusive self and we would all fight her. And she ends it off with a “great!! see you then!” Because she has to have her way and the last say.

Okay, wind anon is done

Completely. Utterly done with the analysis and reaction for that. Might not get to Kenma and YN analysis because I went off in this one but just know I appreciate it and I’ll try to get to it—just,,,not today.

I hope Oikawa sends these screenshots to like, Iwaizumi at the very least but it would be even better if he just drops it in a group chat with Daichi and Osamu instead and asks them to keep an eye on her for “her own safety” and ask her to stay in her room. She’s too daring and if she blows up on him after, he will receive more evidence of her being terrible. And of course, he’s smart. He’ll definitely block her number when he doesn’t want to bother with her anymore. Okay, wind anon is ending here. The ask is too long. I think it’s the longest ask I’ve ever sent. I wish you well fr0ggy. I hope your sleep is pleasant and you wake up very rested and refreshed!

WOO LONG POST!!!! i cannot nearly respond to all this!!!! but!!!! i am in Awe??? text by text???? i love this????? ur so amazing i <3 u

#j’s asks #anons babey #℗ poker face #wind anon

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alsanderecho · 4 years

Text

Tales of San Derecho: The New Press Secretary

The formation of a whole new state from the parts of two others should have been a surprise for the nation after a national election but it wasn't. Its new boundries encompassed part of southern California, as well as land in Arizona. There was very little fuss about its existence for the general public, as if it had always been there.

But there were those who did ask questions about how this new territory came to be. Some of them traveled to the newest state in the union, seeking the answer. These are their stories, along with those who found themselves now residing in the state of SAN DERECHO...

====================

"Shannon, something strange is going on."

The reporter looked with one raised eyebrow at Sheila Gerrolds, his editor. The both of them work at the Q-News, a website dedicated to reporting on national events and international happenings important to the LGBTQ community.

"Strange, how?"

"I mean, do you remember Joaquin Guerrero?"

Shannon had to think for a few moments before he remembered the outspoken gay Latino activist, which immediately struck him as being wrong somehow. Hadn't he done an interview with him during last fall's gubernatorial election in San Derecho?

"Y...Yeah. But not until you mentioned his name, Sheila. That's...weird."

"Exactly my point, Shannon. And he's not the only one..."

The editor rattled off about a dozen more names, and memories of these gay and lesbian activists flooded Shannon's memories. And again, he was at loss at how he could have forgotten them, considering some of them had been long-time friends/

"What's going on here? Where did they all go?"

"That's what I want to know. Over dozen of the most prominent LGTBQ activists go missing on the West Coast over the last year and no one is raising a stink about it? There's a story here, an important one."

Shannon nodded in agreement, his mind already honing in on who might be responsible for these disappearances.

"And you think the new governor might be involved somehow."

"Precisely. You know what his platform was during the election, and now some of his biggest critics are missing? It just stinks to me."

"Right, I get it. Guess I'm going back undercover..."

Sheila nodded, aware that her best reporter had spent a good portion of the election last year infiltrating a certain candidate's campaign. Despite the success of getting on the inside, the whole thing hadn't turned up any actionable material.

"Yeah, but I want you to be careful. We don't know what is really going on here."

"I get it, but we've got to find out the truth. And maybe, we can bring this bastard down once and for all..."

====================

Getting an invite to the governor's mansion had been pretty easy, as Shannon's cover identity was intact and uncompromised. Still, he was being careful, as this whole thing was more than a bit like walking into a hungry lion's den carrying chunks of raw, bloody meat. If the governor or any of his people got even a hint of who he really was, it could go very bad for him very quickly.

Maybe that's why he waited in the car for so long before finally mustering his courage to approach the front door and ring the bell. The wait for an answer seemed to drag on forever until the door clicked open. Standing there was the governor's chief of staff, Jonathon Grey. Dressed in a dark grey suit, the man was the very image of the hyper-conservative types that the chief executive of the state San Derecho liked to surround himself with.

"Ah, Mr. Jones. So nice to see you again. It has been awhile, hasn't it?"

Shannon nodded affirmatively. He hadn't been this close to Grey since election night, and he was trying to ignore how attractive he found the man. It was a little bothersome because he reminded him of someone else...

"Yes, Mr. Grey. I needed sometime to figure out things after the election. But now, I think I know what I want."

"Excellent. The governor will see you in his study."

This surprised Shannon, who hadn't been aware that the governor even knew who 'Shane Jones' was. Every instinct the reporter had was screaming this was a set-up of some kind, but it was not something he could walk away from. Because despite the danger, it was an opportunity to get even deeper inside this crooked administration and find out what happened to his friends...

"Lead the way then."

====================

The study was a comfortable room with oak paneled walls and high shelves stocked with numerous leather bound books. In the fireplace, flames crackled and suffused the room with a flickering glow of yellow light. Shannon was ushered inside by Grey, who remained outside but closed the doors behind him. An almost faint click told the journalist that he had been locked in as well. He took a few cautious steps into this den of conservatism until a voice called out for him to "take a seat."

Said seat was in a thick leather chair with a high back and wings on either side of its occupants head. It was set in front of a dark oaken desk behind which sat the governor himself, his fingers steepled and a grin on his face. On his desk was a framed picture of him and his blonde wife. Shannon couldn't quite recall her name before his host spoke.

"Shane, welcome. So glad you've come for a visit. Can I offer you a drink?"

The gray-haired politician motioned to a small bar set into a wall behind him. Shannon shook his head to say no as the governor seemed amused at the response. The older man's expression then became serious.

"Now, can we dispense with this pretense, Shannon?

The millennial reporter was caught off guard by his real name being spoken aloud by the governor. He tugged nervously at the maroon sweater he wore, trying to laugh it off. But the man behind the desk wasn't having any of it.

"Please, don't insult my intelligence or that of my staff, Shannon. We've been aware of your true identity and the website that employs you for quite some time now."

"I..I..I don't know what you're talking about..."

"I said to NOT insult me, Shannon."

The gay journalist shuddered slightly, as the governor's voice resonated with a surprisingly arousing air of authority. He had to keep his head about himself.

"Alright, fine. I am who you think I am. Do you know why I'm here?"

"Of course. You're here to investigate what happened to my most outspoken critics in the LGBT community. I did wonder how long it would be before you or your editor would notice. Anyone really..."

Shannon said nothing, trying to remain focused on his surroundings. If this man was this free with his words, then this had to be a some sort of trap...

"Please, please. Do relax. I'm perfectly happy to tell you everything."

"Is this some sort of trick?"

"No, it's merely the truth, Shannon. Isn't that what you really want to hear? The truth?"

Shannon nodded, feeling a calm settled over himself. It was strange, but the words coming from the Governor's mouth seemed to be the source of this new tranquility. The smile of the older man's face confirmed it.

"So, shall we begin?"

====================

Shannon sat there, dazed. He wanted to get up, and flee this place but for some reason, he found himself just sitting there listening to the Governor talk.

"You see, I think there is someone inside you who wants to come out. A better you, a hetter you, Shannon. All you have to do is listen to my voice, and let it guide you to a new....perspective and understanding..."

The reporter nodded numbly in agreement.

"This modern world is losing touch with its past. Things were so much simpler before all of this social justice nonsense overtook everything. Black and white, right and wrong. Don't you think?"

Another nod, but it was accompanied by a rippling of Shannon's clothes. His sweater seemed to moving of its own accord, the material clinging closer to his body now. Sudden, it pulled itself so tight that it ripped apart at the shoulders, and revealed that underneath were the sleeves of a crisp white button-down dress shirt that hung a little loose on his arms.

"A simpler time....black and white...right and wrong...man and woman..."

The part of the sweater that remained was fluttering as most of it split into two thin straps that looped over his shoulders, reconnecting into a y-shape via a triangle of brown leather from which another strap clipped its to the back of his jeans. In the front, the new suspenders settled into place as brass snaps clamped down Around his neck, a heavily starched collar unfolded itself, sending a line of buttons down the front of the dress shirt. A rustle of fabric revealed that the last piece of his old sweater had curled itself under the collar and knotted itself into a long tie.

"Black...White...Right...Wrong...Man...Woman..."

The words battered into Shannon's head, as he tried to understand what was happening. He was afraid as he could something or someone stirring in the depths of his subconscious, drawn to the power of those words. If he'd only realized that his fear was only going to quicken the pace of his transformation...

====================

"You're not the first to hear my message, Shannon. Far from it. And you won't be the last, But I digress a little. I did say I'd tell you the truth, didn't I?"

Shannon couldn't respond, his body frozen as new changes begin to effect him, this time below his wait. The jeans he'd been wearing were shifting, denim softening into a light blend of cotton as blue was leeched away and replaced with a dark brown. Crisp creases snapped into place down the front of the developing trousers.

"You see, I didn't always have this...influence over people. I'm not sure where it came from really but it showed up when I was just starting my political career. I discovered that my words had an effect on people, especially those who disagreed with me. Not only did they come around my point of view, but some of them actually completely changed!"

A leather belt slid into the loops at Shannon's waist and tightened itself as as if locking him into his fate.

"Do you remember Lizzy Dion? Probably not, I suppose. She was my opponent for mayor during my first re-election campaign. A very outspoken advocate for gay rights, and a tough debater. That old bag really had me on the ropes during our first head-to-head if I'm being perfectly honest. Might've beaten me too, but oddly she disappeared before election day."

The governor chuckled a little, as if at some private joke before he stood up and came around the desk to seat on its corner. Shannon wanted to curse at him but...why? After he'd done a lot for this reporter, hadn't he? He didn't realize he was starting to grin.

"Of course, I'd soon meet my beloved Lisbeth and she became my first real supporter in my rise to the office I currently occupy. The perfect politician's wife really."

Shannon nodded in agreement. The governor's wife was a real smart cookie, and quite the looker too. He blinked, not sure why he found a woman to be attractive, let alone that woman. But his cock? It knew what it liked and that blonde matriarch really got its attention!

"Getting back on track, with my wife by my side, I ascended the ranks of the Republican party swiftly. I had a great staff as well, picked up all along the way. You'd be surprised how many times I got asked where I found so many loyal and dedicated people..."

The clothes which had been hanging a little loose on Shannon grew more fitted now, as his lanky frame began to fill in with muscle. It was still lean, but now held more strength than one might expect. His butt tightened up, as his old sexual practices were wiped away. He'd do a lot for a story but letting someone get past his backdoor? Never!

"Like me, boss?"

"Exactly, my boy. How are you feeling now?"

"I feet great, boss. But I'm still a little confused about why you're telling me all of this..."

The governor grinned at the still changing reporter, who was coming along nicely. The fading Shannon's feather and poofed hair was starting to slick itself back, darkening from brown to black in the process. His once smooth chin had squared itself out, and the first signs of his trademark five o'clock shadow were gracing with each passing moment.

"Just a little refresher, son. After all, you're working on my next address to the state, right?"

The reporter nodded enthusiastically. He'd been working on a real firecracker of a speech for the governor. His grin widened to reveal a set of white teeth that seemed to sparkly. A thump came the floor next to him, where his smart phone had been pushed out by his transforming pants. It had shifted and twisted, glass splintering into nothingness as it became a leather-covered notepad out of which stuck his favorite pen.

"Good, good. Now where was I again?"

"You were talking about your loyal staff, boss."

"Right. I don't know what I'd have done without you or Joaquin..."

Looking up from his notepad and the notes he'd been busily scribbling in it, Stanley Journo stared blankly at his employer and mentor as the strange name crossed his lips, A shrinking part of who he used to be seemed to be rallied by its mention.

"Who, boss?"

"Jonathan?"

"Oh...right."

And just like that, that last bit of Shannon faded away as he realized what had happened to Joaquin Guerrero. But the man sitting in the chair now didn't really care about that anymore, because he had more important stories to cover.

"That's should be enough for the speech, boss, I'll have it on your desk first thing in the morning."

"Great, Stanley. But I do have one more task for you tonight. In your capacity as my press secretary, I need you deliver a message for me..."

The governor pulled out a tape recorder and presented to the retro-styled journalist. The snarky grin was now permanently plastered on his ruggedly handsome face, as he tilted up the fedora resting on his head.

"Whatever ya' say, boss..."

====================

Sheila had not left the offices of the Q-News, her concern for her best reporter telling her that she needed to be here just in case. But she didn't even notice that she could no longer recall that reporter's name as she spoke to her girlfriend on the phone.

"Listen, Elle, baby. I'm gonna be home late tonight... It's a big story and I'm waiting for...

A knock on the door caused Sheila to jump out of her seat a little. As she finished up on the phone, the door swung open to let in a tallish lean man dressed in a dark grey vest and brown slacks. A cigarette hung from his lip while a old-fashioned press pass rested in the band of the fedora that rested atop his slicked back do.

"Heya, Chief. I got a scoop you just gotta hear to believe..."

*CLICK*

"You see, I think there is someone inside you who wants to come out. A better you, a hetter you, Sheila... All you have to do is listen to my voice, and let it guide you to a new....perspective."

#gaytostraight #liberaltoconservative #transformation #mental change #reality change #retrofied #SanDerecho #TheGovernor

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