After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:
Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.
Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.
Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.
Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.
If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.
Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.
Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.
Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.
Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.
Bonus round for answers that aren't part of the movie:
Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.
Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)
Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.
How did she dance in glass slippers? Gotta agree with you there man, that's weird.
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They put Tayy Dior’s name in quotes as if that was a fun little nickname her friends called her. It places emphasis on the fact that her name is ‘unofficial,’ and given that legal name changes in places like the US can be expensive, difficult & time consuming, the ‘unofficial’ nature of transgender peoples’ names is commonplace. Using deadnames of trans people in media reports is an endorsement of the difficult nature of this process.
It also highlights the absurdity of appealing to ‘official’ legal records of name and gender marker - which official records? even when you go through a legal name change process, it’s not a single application that changes it everywhere. At least in my experience in Canada, and I believe this is the case in other federated states, you have to separately change your photo ID(s), your birth certificate, your federal/national records, your tax records, your employment and tenant records, your bank records, your billing records, and so on. These are all separate applications/appointments. And legal name and gender marker are separate applications. I had to essentially obtain a set of permission slips from a provincial office that allowed me to change my name and gender marker on municipal, provincial, and federal records. There isn’t one single ‘official’ record that informs all other records of your ‘real’ name and gender marker, it is a collection of diffused departments & offices that do not communicate with one another and must be altered one at a time by the individual themselves. In many cases, states retain a record of your original name and gender marker even after applying for a change, meaning it is literally impossible to ever fully change your name and gender everywhere, administratively speaking.
So, which record is the ‘official’ record for trans people? Cis people treat ‘official’ records of legal names and gender markers as if they are uniform, centralised, and coherent in order to contrast the ‘unofficial’ nature of a trans person’s “preferred” name and pronouns, to highlight the fundamental fraudulence of our lives that go against the rational objective nature of the state, but there is in many states no single official record, for trans and non-trans people alike. That is because when cis people insist on calling trans people by their deadnames and ungender them, they are not actually referring to official records - as official records can conflict, and there is no agreement on which single record is the authoritative one - but are instead treating sex and name assignment at birth as if it is sacrosanct. This first ritual of naming, of gendering, and of recording the results of this ritual is the actual ‘official record’ they are referring to, a ritual that can never be altered or forsaken.
Tayy Dior’s name is not a nickname, it is not a quotation to insert into her “real” “official” deadname, it is not a preference. It is her name, and the media - even “trans inclusive” media - is making sure that it is, at best, the second thing they call her as they gleefully report on her violent murder
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18+ / mdi
content: newbf!vernon, based off this quote, appearance from some svt members, afab reader, smut(?), suggestive, etc.
wc: 1848
a/n: this is such an odd premise but it caught my attention so yeah<3
masterlist
"i dont get the joke," seungkwan cocked his head to the side in a questioning manner.
"yeah, april fool's was last month?," added joshua.
"there's no joke. we're dating."
even as you and vernon found yourselves cuddled up on the couch, – in a manner only a couple would intertwine with each other – your friends seemed unimpressed by the mere suggestion of the two of you dating.
"so you've been besties for twelve years and suddenly you're dating? no warning, no nothing? not very believable", answered mingyu, staring at you in nothing short of annoyance.
"why is this so surprising? you guys knew that i had a crush on her," argued vernon, feeling a bit annoyed at the way all his friends were currently staring him down. meanwhile, you appeared to be completely chill as you nuzzled into his side, watching videos on his phone and ignoring the conversation altogether.
"i just don't buy it."
"yeah, i don't get the joke, but i'm not falling for it."
"she's out of your league anyway."
seungkwan, seungcheol and jeonghan all expressed their sentiments to vernon as he groaned in frustration, unable to understand why it was so difficult to accept that he had finally grown the balls to ask you out. alas, he gave up as his friends grew distracted by something else, opting to go back to watching cat videos with you on his phone.
this was a brand new change in your dynamic, so maybe it'd be hard to grasp at first. but it was fine. vernon didn't need his friends to acknowledge his relationship in order to make it real. he'd simply continue to love on you like he'd been doing since you accepted to be his girlfriend, damning any denials from his friends.
~
acting unaffected by his friends' constant refutals of his new relationship proved to be harder than vernon had first anticipated. they'd gone above and beyond to attempt and disprove your relationship, claiming that it simply didn't make any sense.
any time you posted a picture with vernon it'd get spammed with comments from all twelve boys declaring the falsehood of your relationship.
jeonghanieyoon: booo 🍅
joshuacoustic: drop the fake bf and date me instead 😘
dk_is_dokyeom: ok u guys are starting to look believable 🧐
sometimes they'd even respond to vernon's stories about you and slide in his dms just to call him a dumbass for attempting to make this 'a thing' when it was clear you two were lying.
from: pledisboos - stop being a coward and ask her out for real
from: feat.dino - clearly fake. try harder next time!
in retrospect, maybe vernon only had himself to blame for this. after years of liking you, he never once gave any indication of attempting to leave the friendzone. his friends had all given up on hyping him up to confess to you years ago, leaving his crush as a dormant subject of conversation. it was quite sudden how you and vernon ended up together, and your dynamic hadnt changed too much, so your upgrade from friends to lovers was likely not noticeable to the naked eye.
however, this did not excuse the damned booing vernon had to endure any time the two of you walked into a room hand-in-hand. it also did not excuse jeonghan and mingyu's continuous flirting with you – they were doing it to prove a point, they said. and the most frustrating aspect of it all was how nonchalant you were about it all, always giggling along with his friends and never backing vernon up when he'd try and argue with them.
this was quite out of character for vernon. his demeanor had always been extremely chill and laid back, never one to be bothered by any outside forces (much less his dumb friends). you, however, were not helping manners in any way. you found the whole situation funny, telling vernon not to stress over it as you giggled over how passionate both vernon and his friends were about such a benign subject.
so, vernon gave up. he guessed that since you found the running gag about your 'fake' relationship amusing rather than frustrating (as he did), then he would just leave it alone. he was never one for pda anyways, so attempting to prove his relationship to his friends was kind of like beating a dead horse.
what vernon forgot to consider, however, was how nosy his friends were.
when it was time for all fourteen of you to spend the week at mingyu's beach house, he had let his guard down far too much, leading to a situation he'd like to consider both a win and a loss.
despite the sheer size of the beach house, housing fourteen people proved to be quite a difficult task, meaning that roommates were a must. with six rooms, everyone was separated into twos, with two rooms containing one extra roommate each. you and vernon always paired up together with no questions asked, except this time you were teased and mocked as you settled into your rooms, all while they assigned you chan as an extra roommate with the sarcastic intent of him keeping an eye on the two of you – "just want to make sure you don't get down to any funny business," had sad dokyeom in a mocking tone.
it was quite common for everyone but vernon to go out and play some badminton or basketball during these types of outings. he just wasnt a sports guy, and he was well loved despite his lack of participation. you'd occasionally join the guys, but would mostly hang back with vernon, which was what happened this time around. usually, you'd simply lounge around and watch a movie, but now that you were finally together, vernon decided to make better use of your alone time.
"are you sure we should be doing this?", you pulled away with a heavy breath, tilting your head back so vernon's lips could trail down your neck.
"it's fine, baby. they're all busy. they don't even believe we're dating, so they probably just think we're watching a movie," he explained as his hands attempted to get you to sit on his lap.
you didn't seem to need convincing as you slid over onto his lap, allowing his hands to guide your hips against his own. even through the pajamas you were wearing, he was sure you could feel his hardness under you.
"fuck, you're so fucking warm," he murmured as his hands went under your shirt, feeling up your warm skin and throwing it off in the process.
his lips went back to yours, groaning against you as your hips sped up against his own. easily frustrated, he laid you down, bringing down his pants and boxers to his mid thigh and leaving you in just your panties, adjusting his hardness so it'd grind itself perfectly against your clothed folds. the wetness seeping from your panties drove him insane with desire, but he couldn't stop grinding into you, growing easily obsessed with the stimulation. his lips had made their way back to your own, groaning endlessly against them while your hands pulled at his hair in a way that made his eyes cross.
"hmm, nonnie ..." you'd murmur every so often, making his resolve break little by little.
"fuck, is this okay, baby? just- wanna make you cum like this. i'll fuck you, i promise. just feel so fucking good like this," he groaned as you licked into his mouth, refusing to entertain any amount of separation.
eventually he reached down to your tits, tonguing at them like a starved man in search of his next meal. he was shameless in his desire for you, having wanted you for far too long and finally having you all to himself. no other thought occupied his mind at the moment. the touch and sight of your pretty body under his own was all his brain had the capacity of entertaining.
which was how neither of you noticed the boy suddenly intruding the scene, screaming in absolute shock at the nasty sight in front of him.
"oh my god?! you weren't lying?!"
what was even more unfortunate was how chan's yelling immediately alerted the rest of the members (or at least the nosier ones), leading to the door being filled by about seven spectators within seconds.
the only fortunate thing about the situation had been how fast vernon's protective instincts over you took over, covering you up with a blanket the moment he saw chan enter the room, preventing all the nosy men from having a peek at the nudity only vernon was allowed to see (and apparently chan too, as vernon had not noticed his presence until after the fact).
however, even as he covered you up, he left himself completely bare, having to take on all their shocked commentary whilst fully nude, barely able to pull up his boxers a few moments into their intrusion.
"no way, you're actually dating?!"
"either that or they took this joke a little far ..."
"man, channie's gonna be jacking off to this for ages."
"how the fuck did you score her??"
"do you guys want a third?"
these were only a few of the comments thrown at you and vernon within the first twenty seconds of the guys' presence in your room. however, to vernon it felt like a whole hour of scrutiny before he finally shook the shock off and began yelling at them to leave.
"get the fuck out! and never look at my girlfriend again!", he got up and began pushing them out as a few of them giggled at his anger whilst some others remained in shock at the situation.
in the meantime, you had pulled up the blanket over your head as you sat crisscross on the bed, likely too bashful to face the situation until your friends took their leave.
once vernon closed and locked the door, grabbing a pillow and throwing it outside for chan (who would not be allowed back in, by the way), vernon sped to your side, uncovering you, fully worried that you might be mad or petrified at what had just happened. to his surprise, you began laughing the moment you first made eye contact, causing vernon to furrow his eyebrows in question.
"baby, what the fuck? you find this funny?", he wasn't mad, but more so extremely confused.
"you got want you wanted, nonnie. there's no way to deny we're dating now," you grinned, crawling to sit on his lap again.
"god, i take it back. i'll never be able to fuck you again in peace. i was just about to cum, too."
"'was'?", you asked, wrapping your arms around his shoulders and leaning in closer, "you don't wanna anymore?", you tilted your head in fake curiosity.
"i mean-"
"they already know we're fucking. might as well have fun with it. right, nonnie?", you grinned.
chuckling at you, he couldn't help but agree with your horny logic. his boner was still half-there anyways.
"c'mere, baby."
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An Asexual's love letter to Good Omens 2
There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.
I disagree.
The final episode of season 2 was deeply, deeply comforting to me.
I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.
For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it.
Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.
We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic.
We were just quiet and gentle.
And that wasn’t love.
Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.
Then I found myself in stories, and it felt like a revelation.
Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.
Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just.
It's just that.
Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps.
That sequence means far more to me than any kiss ever could.
Love isn’t only real when it's hot and sudden and ephemeral, it can also be
Quiet.
And gentle.
And still romantic.
Still real.
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