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#some people don't have time to read the comics
dunmeshistash · 3 days
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What do you think about Shuro? And more specifically his relationship with Laios, and idk if you talk about ships but what are your thoughts on laishuro
I have this headcannon that Laios has some sort of unrequited crush on Shuro just because it's sorta funny
I ship pretty much everything. Like, as default I think everyone should kiss everyone 👍
If I'm honest I'm not much of a Shuro fan, he's a little boring to me and reactions to the chimera episode made me dislike him a bit lmao.
Ignoring the fandom I like him as a character and I LOVE his fight with Laios. Shuro's relationship to Laios is my favorite part of that character so laishuro pretty much saves him for me.
In universe Shuro is said to be quite the introvert even for people from his country. He's not the standard for someone from the eastern archipelago and it bothered me a bit when people used that to justify how he wasn't honest to Laios. I understand the idea that he comes from somewhere where reading social cues is not only expected but required but he's also someone who avoids confrontation and is quiet/shy in general.
Here's a bit from Maizuru's description from the adventurer's bible
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"People tend to describe Shuro as "drab" and "shy" (...)" so specifically HE IS the exact type of person who would cause the biggest misunderstanding with Laios, just compare him to how his retainers or even his father and brothers act.
It took them saying they used ancient magic on Falin/seeing chimera Falin for him to finally snap, everything else he decided to just take it cause he thought it was better to take it than to confront Laios directly.
So besides the cultural differences you have to take into consideration this was pretty much the perfect storm brewing for that confrontation, and it's as much who Shuro is as a person and who Laios is as person that caused it.
I also disagree that the fight was a "they're both in the wrong" situation. Don't get me wrong, Laios was VERY culturally insensitive to Shuro and even more insensitive to his feelings, but there was nothing he could have done differently with the information that was available to him.
Specifically I see this comic being used to justify how Laios was to blame too, making Shuro into the victim
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Like that's a major white guy move but he DIDN'T HEAR Shuro's name and Shuro never corrected him. I'd understand it if his reaction was "Your name is too complicated so I'll call you Shuro instead" that would be a major dick move, but Laios did not hear his name because Toshiro mumbled it, and for someone that forgot Kabru's name several times I imagine he made an effort to remember Shuro's.
Laios never met someone from the eastern archipelago before this, nobody ever explained to him he wasn't acting in an appropriate manner and most of all he thought they were friends. He trusted Shuro to set boundaries for him, he always respects boundaries that are set even when he doesn't fully understand them (Recalling the "I forgot about feelings.." when Chilchuck says it feels wrong to eat merman)
Instead of explaining ANYTHING to Laios, Shuro instead held it all in until it exploded all at once, he blamed Laios for not knowing something he couldn't know, and accused him of not being serious about saving his own sister.
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Just imagine how this must have felt for Laios, everyone is always underestimating how serious he is, everyone accuses him of being stupid, clueless, and now this guy is telling him he isn't serious about saving the person he loves the most in the world and wants to protect always. To me this wasn't a "they're both in the wrong" situation, Shuro is far more in the wrong than Laios. But that's just how I see it.
That all being said, they understood each other finally and made peace after that fight.
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And several times after this we see that Shuro really cares for Laios, and Laios still wants to be his friend. He even offered to save Laios if he fails (and he's sure he's gonna fail). So their relationship is dear to me, especially cause after this they finally have the foundation for a true mutual friendship <3
I think my dislike of Shuro comes from relating to him to be honest, it happens often that I see my own failures on a character and get angry at them for being angry at myself lmao. I also got a little annoyed cause I only saw people defending him, apparently those were made as a response to hate he had gotten? But since I never actually seen the hate it just felt annoying to see Shuro being white knighted.
Anyway I love the two of them together and I'm really happy they finally understood each other better. laishuro might be my favorite Laios ship, one sided crushes are great.
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rubydubydoo122 · 19 hours
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could you talk more about fanon vs canon tim drake? i havent gotten too far into the comics yet but have seen a lot of him (mis?)characterized by others
Just a preface, I'm not gonna crucify any Tim fans who find themselves writing these tropes, because it is fandom, and everyone's allowed their own interpretations of the character, I'm just personally not a fan of these takes on Tim because in my mind they just don't make sense for the character. If anyone has differing opinions, feel free to (politely) explain them to me, because I'm happy to hear them.
Ok, so much like Fanon Dick Grayson, there are two versions of fanon Tim Drake.
There's version A.) where where he's one minor inconvienience away from becoming a supervillain (I understand where this one comes from and I don't HATE it) and there's version B.) where he was criminally neglected as a kid and is infantalized (This version of Tim I Loathe)
I'll start with version A. I see where it comes from. Mainly the Red Robin 2009 run, but we have to remember that Tim was grieving pretty much everyone close to him during that era. He was being self destructive because of that grief, and yeah, grief changes a person, but Tim is the type of character who would still turn out good despite all the hurt handed to him. Oh! But Gun Batman-- Tim actively chose against being that. He would rather kill himself than let himself become a version of Batman who went against everything Batman stood for. I know there are multiple storylines where Tim meets and evil future version of himself, but those versions would constantly be like a weight on him to be good. All in all, if I had to choose between the fanon Tim Drakes, I would choose villain Tim Drake, as long as it's done in more of a character-study way rather than a 'He deserves to go evil, as a treat' because it's an interesting take with the right motives.
Now onto Version B. Loser Tim Drake. The reason I Loathe this version of Tim is because it usually involves Characters Assassination of the characters around him. Ok, so do I agree that Tim Drake was somewhat neglected? Yes. But goddamit, the way I see Jack and Janet portrayed, you would think that they were running from the feds or something. They were good people, just bad parents. Maybe a little immature to raise a child, but it wasn't to the point where they would probably need to call CPS. Neglect isn't black and white, and the Drakes fell into that grey-- which I personally believe to be a lighter shade. You do have to remember that a lot of Tim's introduction was written in the 90's where parenting styles were a lot different compared to Today. Still, they sent him to boarding school, meaning they made sure that some form of adult was taking care of Tim AND a lot of people try to make Jack Drake out to be the villain for stopping Tim from being Robin, and blackmailing Bruce for it, but... It's What Any Sane Parent Would Do? I'm 18, but I know if I ever had a kid, and then fell into a coma and then woke up and found out that my Kid was fighting crime in one of the most CRIME RIDDEN CITIES alongside my middle-aged neighbor who dresses up like a furry I WOULD CALL THE FUCKING COPS. But enough about the Drakes. Because not only does Loser Tim Drake assassinate their character, but why is 17 year old Tim the victim when it comes to 10 year old Damian-- "Oh he tried to kill him' They're both trained by assassins. They're both trained. They're both Trained. Why Is a Junior/Senior in high school hurt by the actions of a 5th grader. I have a similar age gap with my younger brother. We have had pretty brutal fights and the next day we're fine. I'm not going to get into "Attack on Titans Tower AUs" but I will say this, Every Time I Start To Read One Of Those, I Lose Half Of My Hair Because of How Bad the Characterization Of Both Jason And Tim are. Please, Read, The, Comic. Jason Wasn't Trying To Kill Tim. If He Was, Tim would Be Dead. ANd Tim was Snarking Jason Through The Entire Confrontation. Lastly, Why Has DICK 'BAMF' GRAYSON TURNED INTO TIM"S NUMBER ONE OP????!!!! DIck IS LITERALLY TiM's ChiLDHOOD HEro!!!!! NoT BAtMAN, DICK GRAYSON. And like, not only that, Dick and Tim are the most brotherly. I'm Begging, Please go read a 90's comic. Why is it, the only time I see Dicks Manipulative side in fanon, It's in opposition to Tim? I bet it's bc of Teen Titans Go. I bet the only Tim and Dick interaction they've seen is TTG Robin going "No BOdy cARes AbOuT TiM DrAke"
Sorry that ended up becoming rant-y, and less objective. Since actually reading comics, fanon Tim Drake gets on my nerves.
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tumblingxelian · 1 day
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Chloe & Heroism
Chloe Bourgeois as a hero early on is a premise that often evokes either questions, like "How" and "Why". Or expectations that she is either already on a path to self improvement, or will be forced onto within a short timeframe.
These are not bad questions and the former definitely are necessary to consider for a story. However the expectations I tend to feel a bit murkier and while I have no issue with how some authors handle this topic.
I want to outline why I think you could do a good "Hero Chloe" story before she gets character development, but first, house cleaning!
1: I have not watched and largely ignore everything post season 3, so don't bother bringing up Derision. Remember, season 1 Kim was afraid of spiders.
2: In canon. Chloe only revealed her ID publicly because her abusive mother she is obsessed with pleasing (who killed her the day before) chose a girl other than her to take to New York & then tore her to shreds in front of everyone. 
With all that in mind let's examine where Chloe's values and understanding of the world comes from and how she perceives them! 
1 - Media/Social Media 
This would be a mixed bag, because on one hand they have Mighty Majesta comics that try to instill good values, but also shows built around lying to and humiliating people are evidently popular television and the internet seems similar in regards to pranking VS trying not to be terrible. So she's gonna get mixed signals at best. 
2 - Her family & Circle 
This is where 90% of the problems come from. Of the important adults in her life, her father, mother, Gabriel and Nathalie are all varying shades of corrupt, abusive, cruel and ruthless, while the lesser evils like Jean and Emilie are largely consigned to the role of enablers. 
Worse still, even if we ignore the emotional abuse, neglect and other elements that led to her both having trauma and her trauma response manifesting in aggression. We still have issues like Andre, during the brief periods he bothered to parent, explicitly teaching Chloe that, Stealing, extortion and threats are all appropriate ways to succeed in life.
IE, she isn't compromising her morality when she does these things, she is very much doing what she is taught was right at least consciously. This isn't helped by a 24/7 Audrey impression as Audrey deems being in her vicinity as reason enough to hurt people unless she deems them useful. 
Long story short, the values and people she was brought up around are all explicitly some shade of bad, or enabler, or outright teaching her to harm others. 
3 - Societies & Class 
However, we know from season 2 that Chloe is not entirely unaware that there are issues with this. Because while she spends much time boasting of how she's beloved and brilliant, when stripped of that and exposed to someone she trusts she is entirely willing to confess that she knows everyone hates her and that she feels she has no worth. She may not be able to articulate why or how this came about but she knows something is wrong. 
Despite this, school is not the best place to figure this out, especially for someone who obviously struggles with social cues and the like. The teachers run the gamut from indifferent and unpleasant, to extremely gentle and accommodating, to simply not wanting any form of drama and usually caving to whoever makes the most noise and none of them have the authority to do much outside of class hours. 
The class is not significantly better, because students like Kim and Alix can and do casually throw around snark or do pranks and at worst only get brief bursts of anger while Chloe's garner a more intense response. This is because her relationship with the class and motives are varying shades of different, but for someone with issues reading social cues, it's just going to seem like a confusing double standard. 
We can also see all this demonstrated in her relationship with Adrien, as Chloe clearly takes the lead in their relationship in Origins and outlines her logic behind the pranks, but is then surprised when Adrien seems to turn against her. What's more, it seems Chloe is aware that Adrien is more gentle/naive than her given she tried to educate him on these matters & turns to him for comfort and protection at times, while seeing no inherent contradiction between her expectations for their relationship and how she treats others.
Adrien does not help matters with seeming indifference to how she treats staff. 
Thus, while she knows 'something' is terribly wrong, actually being able to understand it and work through it is another matter. 
4 - Chloe's Conclusion 
So, what is the conclusion Chloe comes to in order to square all of these circles when she isn't just in full denial mode? The answer is quite simple and even demonstrated in the show itself, playing one's role. 
IE, Chloe the mayor and style queen's daughter is different to Chloe the hotel owner's daughter and we see this in her being able to stamp down on her usual instincts and slap on a customer service role when Jagged Stone enters the hotel and guide her father into doing the same. VS how she conducts herself during a class election, IE explicitly threatening and extorting people, to how she conducts herself day by day with her Audrey impersonation. 
A separate example and way she'd view this for others would be that Marinette the baker's daughter of course has to be nice and sweet and giving because that is how customer service roles work, while Marinette the aspiring fashion designer or would be class president is sneakier and will lay traps so people trying to steal from her are sabotaged. This isn't wrong, this is how she expects people to behave when in these circumstances and roles. 
Final Conclusion 
Which is why Chloe could easily play the role of a successful hero, because she would not be "Chloe Bourgeois, mayor's daughter, hotel heiress and Style Queen's daughter" as Queen Bee, she would just be Queen Bee, a superhero.
They have wonderfully defined roles that would be easy for her to pick up & follow through on: assure the public, save people from danger, protect allies, defeat monsters, all things Chloe was shown doing very well when chosen as a Miraculous Holder. 
I think that eventually the contrast in how she is received as Queen Bee VS Chloe Bourgeois would start grinding on each other and bleeding through both sides of the mask. 
But the infectious nature of empathy and a larger support network that don't have the worst impression of her would give Chloe the room she needs to explore and grow.
If she is too snippy as a hero, or shows a ruthless side, these won't be taken in the context of "Chloe that person I dislike" but "Queen Bee my ally" and can allow for more honest and even handed reactions that give her the necessary breathing room to grow and change. 
So yeah, I think season 1 Chloe could have, under the right circumstances, done a great job as a hero be it Queen Bee or another hero even before any outside circumstances or internal changes might have forced her to chart a new course in life.
Provided the role of Chloe and the role of hero do not intersect and become one almost immediately, because in that case it gets a lot harder for her. 
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spaceorphan18 · 2 days
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How an animated series saved Remy LeBeau (again)
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It's a bit of a hyperbolic title, but catchy, non?
I was looking over my comic collection as I've decided to reread X-Men's 60 year history over the course of the summer. And it got me thinking about a dead period of 616 canon that I've never actually read. Around the time Rogue hooked up with Magneto and scooted off to the Avengers, I decided I'd be done with comics for a while. And didn't start again until Rogue (and Gambit) came back to the X-books in 2017's Astonishing X-Men. But it made me wonder -- What happened to Gambit in that time??
Well, after his solo ended, he flitted around to X-Factor and hung out with X-23 and then kind of went 'poof' for a good long while.
Why? I can only guess the same reason this is a running motif with Gambit. There's something about him that drives the X-Office crazy. I'm not here to speculate what or how or who of it all. I don't know enough about the back end of Marvel to give concrete answers. But I think what has surprised me (recently) is that he's definitely a fan favorite character.
[Yes, I know he can be a divisive character. Yes, I know elements of his character from the 90s have not aged well. Yes, I know there are those of you who can't stand him. Don't really care - you can get off my lawn, thank you.]
Which got me thinking -- Gambit's original popularity, I believe, stemmed from the original X-Men Animated Series. He had just started showing up in the comics at the time, and had barely any kind of page time. And the X-Men TAS swung and was a hit. And so was Gambit.
I don't really know that Gambit would be around today if TAS hadn't done its thing. Would the X-Office have kept him around? I really have no idea.
But they did try to get rid of him. That was the point of leaving him in Antarctica. And things were just never the same after that. Claremont tried his best in the early 2000s. And then Deathbit happened. Carey's run wasn't bad. But Carey clearly had an agenda for other things... And then, Gambit just kind of faded into the background. (I hear his run as a side character for Laura (X-23) was good - but I haven't read that.)
Bless Kelly Thompson (always) for sparking life back into him with (and his relationship with Rogue). And bless the fact that she actually married him to Rogue. Yes, I understand comics -- my god look what they did to Peter and MJ, no one really gets to be happily married except Sue and Reed. He and Rogue are now really tied together in a way that I don't think is going to be undone any time soon.
Even if the X-Office still isn't thrilled with the guy. Krakoa era has been less than ideal. (I can't comment on it fully - I haven't read much of it, as I'm behind on my comic reading.) But I've heard rumors that one reason Thompson was let go was that she didn't want Gambit killed off. And she didn't like the direction they wanted to take the character.
Which leads me to X-Men 97. Killing him off sucked. Really. As a fan, it really sucked. But - my god, the reaction to it. Gambit was amazing. And all I've heard lately is good things about the character. There's been a Gambit resurgence in the best way. He may have went out -- but he went out with a bang. X-Men 97 made an emotional impact with people. And that changes things.
Gambit is cool again.
And I love it.
What's even more exciting is the fact that the X-Office has changed hands again and Gail Simone on Uncanny who (if her Twitter/X feed is to be believed) is really enjoying writing the character. Which means (hopefully) at least another year or two in the comics of some (hopefully) great Gambit stuff.
And maybe there will be some changing of hearts and minds in the X-Office.
It's actually very exciting.
And, guys, I really (really, really) doubt he'll be completely gone from X-Men 97, too.
Because Remy LeBeau never stays down for long.
But as a fan, it's nice to see him be on top again. And I don't think he's going anywhere anytime soon.
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kerubimcrepin · 2 days
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Live-Read: The Remington Comic [PART 3]
TOME 12
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What is this... thing? This is some very strange magic. We need to have a closer look. Do you really think you can escape that easily? Admit that... it's not like you can escape down there easy and avoid all the traps.
Joris's first reaction to this is literally "i NEED to know what the fuck that is. and if i have to take these two injured people there, so be it."
Also, yes, Ush's tower has a lot of traps. Love how Joris went up here with no plan of how to go down. I guess he really believes in his luck... just like an ecaflip.
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When I saw a little guy climb the wall, I was… stunned. But to leave this place with a wounded man and a battered eniripsa, that's another matter. I know, but what do you propose? To fight? You saw me come in, and you didn't raise the alarm, which is quite unusual… I can still do it. Getting out of here before everything collapses would be better… for all of us. Obviously, the urgency of the situation benefits you. But we'll deal with that later. Just follow me!
"if you wanted to beat the shit out of me, you would have done it already." Never change, Joris.
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These panels go out to my Ush enjoyer readers. Also: this comic takes place around 2 years before Wakfu the Animated Series. Ush is 7-9yo at best by the time of the OVA, and 10 by seasons 3-4. This might point to the fact that Ecaflip demigods age faster on their next lives.
That, or it might point to Ankama not giving a shit.
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But he does look like a (tall) child in the OVA, and like a teen by time of S3-4
He has his muscular years in the future. Also I guess his cat lovers don't give a shit, but eh, there's bigger ethical concerns about their relationship than the age of his physical body.
Anyway, now onto what is the most important Joris moment of this comic, to me:
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We must hurry. A terrible danger threatens bonta. It can't be worse than letting you escape.
Yeah, sure, lady. Joris and 2 criminals are a bigger danger to Bonta than a giant kaiju. Now, read closely, because this moment here has some fascinating Joris lines:
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If Ush scares you so much, maybe it's time to run away with us. Yeah… no. It's not that simple. You're in love with him. That's why you can't leave your master. What?! No… but… you're crazy! It's okay to be in love. But I'm not in love with him!
(putting on tinfoil hat) Geez Joris, it almost sounds like you yourself have ecaflip issues. Like you've been unable to leave someone for centuries because you love someone too much, despite their flaws, and the way they may have hurt you. It almost sounds like you made peace with that. "It's okay to be in love", huh?
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Context for the next scenes: After some time, they try to kill the kaiju, but it backfires, and Ush gets hurt instead.
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nothing will stop it now… let's run. Opus, you're an eniripsa. Save him. Yes… Have mercy… Save him! After all the harm he's done me? What's the point? Please… A restorative word should give him back some energy… but I doubt he'll escape unscathed. Beating heart… You were right here. It's the best I can do… he'll last a few hours, but he'll… die of his burns. So maybe it's time for beating heart to be used.
Joris's expressions here are so beautiful... He doesn't seem too bothered by seeing Ush's burned, dying body. It's pretty funny.
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You can wear Beating Heart around your neck, and it will give you all which you desire the most. Ahh… everything… that I desire? Or you can use it to annihilate this monster. If it swallows this object… then the power of it should stop it. I can do that, I'd rather die in glory than live through a defeat. I'm going to save Bonta! and nothing can stop me now, not even death. beating heart… beating heart… out of sight… out of mind… will you give your soul the time? beating heart… beating heart… will you give your time the soul? Ush... No...
@dullard and I have talked a lot about the relationship between Ush and Joris, despite how little of it is shown. (he is the Ush enjoyers I was mentioning. all the Ush screencaps are meant for him. hi.)
In those convos we came to the next thoughts: Ush probably views Joris as Kerubim's weird little son, or Kerubim and Atcham's pet. But also, despite Ush viewing Joris in a bit of a low light, he is much smarter and cooler than Kerubim and Atcham — truly the best thing to come from his cringe brothers. He likes toying with him more than he likes toying with Kerubim and Atcham — because Joris doesn't react easily, which makes his reactions more satisfying.
Despite that, they both care for Bonta, and being "a good person", in their own unique ways. So, it is easy for them to put aside their differences, for the most part.
I personally find it fascinating how subtle Joris is about suggesting Ush to sacrifice himself. As subtle as a wrecking ball.
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You should never have stolen it from me. Yes… but thanks to us, it was used to save Bonta. And me… who will save me from the curse now that Ush is gone? You must seek the wisdom that remains in you, not the instinct that dominates you. this wisdom will one day overcome your curse.
[always sunny in philadelphia music begins playing] Grany stays a cat for at least the next 10 years, maybe longer, maybe forever.
...Joris has too much hope in these two.
Also, small personal comment: Joris is so pretty on the second image... Very cute head shape. You can just see his baby-ish cheeks, lmaoo.
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Beating heart, beating heart… erase the weapons, bide your time.
This is like a renaissance painting. Some guys celebrating. Grany disgusted by Remington making out with his Opus (who seems to have left him by Wakfu series' time LMAOO), somewhere off-screen, there's a crying woman because Ush is fucking dead and Joris didn't bother telling her something like "Don't worry he'll remember you. Dying isn't much of an issue for him." Instead, Joris is going away, hands behind his back, reciting poetry again.
Beautiful.
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Yes, master... Your meal just arrived. Nine lives... And I remain as devoted as ever to each of your reincarnations. You need a new name for this new life. (Hoping he won't be as bad-tempered as before.)
Bad news, bestie: he will be. His previous deaths hadn't fixed this either.
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Tell me, young lady... You seem very sad. Oh... it's a long story. A love story? Great stories... are always love stories.
I kind of hate Joris for giving her the wonderful idea of wasting her mortal life on some immortal guy who might never love her back. But also. He did give advice based on first-hand experience. To him, spending your entire life with a demigod is both noble and awesome and fulfilling.
Except that's his family, he's also immortal like his family, and he kind of hates everyone else in the world who ISN'T his family, so I'll be real, I think he's biased.
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littlebloomclan · 9 hours
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Hello! Been following BloomClan for a while as part of the silent majority and I’m loving it so far! The characters and designs are so interesting, and the art is beautiful ^^
I have some questions though on the process of running this blog though :0
1) How do you go about taking notes? Do you write everything down or only what you want/what you think is important
2) How do you avoid burn out from drawing or playing the game too long?
thank you thank you!! I'm having lots of fun with this so I'm glad others like it too
1 - I take a bunch of screenshots each moon and decide what I'll show or work with. I go in order from events, check each cat, and then patrols. I dont usually screencap relationship stuff unless I think its important for me to remember. usually things I note are high negative/high positive. or I just think its cute/funny/can make a character moment of it
2- Let yourself take breaks! I have other hobbies (video games mainly, and I foster tiny kittens) so I don't draw every day. I only draw when I feel like it, since it is 100% a hobby for me. I dont really do coms or anything cause I just want it to be fun. Also to avoid burn out dont be afraid to change things up. I change how I do little details on characters a lot (like the eyes change constantly lol) I'm gonna play with some different brushes. Dont commit to things too hard. the more rigid you are I think the more it starts feeling like a chore instead of a fun project, at least for me. plus the community aspect helps! Having people also excited for your project, and reading others comics and stories, is so inspiring
In the end tho I'm just here fora good time. I'm an adult woman who likes to draw cats and tell lil stories, if people like it, then that's even more cool
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sevenrenny · 1 day
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I might as well ask you this because I enjoy your writing and way of expressing your opinions. Why do you personally ship Sonamy? What got you into Sonamy? What’s your favorite moment between the two? I know this is a very common question, but I hope you don’t mind me asking. 😅
Oh, this ought to be fun XD I don't mind at all. Send all the asks you like, I like to talk about my interests. I tend to ramble, so excuse my long texts. Gonna insert a break line so I don't torture my followers (that sentence makes it sound like I'm running a cult.)
Why do you personally ship Sonamy? What got you into Sonamy?
These two are connected, so it's fair to answer them both in one go. I'm very new to the fandom, unlike most of the people I've met who've been here for as long as they can remember. I originally had no interest in the franchise. Yeah, I played some games and watched the anime a few years back and had some cheap plastic toys from fast-food kiddie meals, but the franchise never stuck with me back then.
I got reintroduced through Sonic Prime around last year, which led to me reading the IDW comics, which is where I started getting into SonAmy. I really liked Amy in particular; surprising, seeing as she hadn't been my favorite character as a child. I liked Tails and Silver more back then, but the comic solidified Amy as my number one. In every fandom I've been in (HTTYD, MHA) I almost always gravitate toward characters who embody love, and that's the core of Amy.
Sonic was harder for me to decipher at first, seeing as he's more of a person who shows his emotions through action rather than words (in some iterations, at least.) But seeing him be more receptive in the comics and treating her better in more recent media portrayals piqued my interest because this wasn't how I remembered these two from when I was a kid. Seeing the progression from how their dynamic started to how it became made me feel proud of them.
And I'm one of those who likes to hypothesize that their affection used to be more one-sided but became mutual over time. Things change. Feelings change. People change. And I love that.
What’s your favorite moment between the two?
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This. I think this is when I started seeing the ship as something I'd like. I've inserted the second panel as well because, while I know the first one is a no-brainer for some SonAmy shippers, I don't see many of them bringing up the follow-up panel.
Before this scene, Sonic kept rejecting Amy's proposal to go back to the Resistance with her (he had his reasons, as he saw investigating the circumstances of Eggman's absence and the waves of Badniks as a higher priority. Get to the snake's head to find the root of the problem.) He was in a hurry to get going. It wasn't until Amy told him she loved him for who he was and that she didn't want to change him that he stopped, got a little flustered, and proposed she come with him instead.
And she declined. She, too, had priorities.
Before this moment, it was possible he didn't see having both Amy and his stubborn way of doing things his way possible, but after, it might've finally clicked in his head that, Oh wait, I can have both? He's asked Amy to come along with him for other adventures afterward.
Also, can I just say how much I appreciate Sonic (who has a history of being touch averse) being more welcoming to her affection? Cause I do.
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Okay, switching to Frontiers:
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This scene is mostly quiet (I like nonverbal communication in general) and I found it too adorable to not mention. It's just for a few seconds, but the way Sonic does a little giddy skip when she waves him over, and the the fact that he just smiled so innocently the whole time he made his way over is just pure sweetness.
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This short little misunderstanding/confrontation. This one's just plain fun for me. Sonic's impatience and inability to articulate his reasoning leads to him sounding like he's abandoning the Koco Amy really wants to help. She's putting the Koco before herself when Sonic's just worried about her. As soon as the misunderstanding is cleared up, Amy calms down, seeing it from his point of view now. It's a subtle little exchange, but knowing how these two used to not be great at communication in past games, and seeing them now deescalate a little misunderstanding this calmly brings me joy.
With each Koco the characters help, there's a certain theme associated between the Koco and Sonic's friends. The inventor Koco and Tails, trying to be of use to others; the soldier Kocos and Knuckles, both who had their people wiped out. For Amy, the Koco (the only Koco who goes by they/them, so that's what I'll be using for them here) is trying to reunite with their lover who had gone into battle. Throughout the game, Amy in her ghostly form can't touch anyone, and she expresses symptoms of dissociation, of feeling 'detached', that she's flying in a dream, but she wishes to just land.
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Remember, Amy is a physically affectionate person, but she can't do much of anything, let alone feel anyone, in this situation. She has to leave it to her love, Sonic, to go into battles. She knows all too well how the Koco was feeling, being separated from their lover. When Amy and Sonic watch the Koco reunite with their partner for the last time, it hits Amy hard, and Sonic knows how affected she is by this. He gives her some time to grieve because he knows her well enough to understand this hit her hard. He tells her, "They're together now." And that's all that matters. And I love that scene. It's so mild compared to what others in the community might bring up, but I'm a sucker for the quieter moments like this.
I have to stop myself now before this turns into a novel lol
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cuephrase · 2 days
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as someone who knows nothing about dc/batfam besides bare basics where do I even start with the comics? please send help its so confusing and sm to go through 😭🧎‍♀️
help has arrived!! my sincerest apologies for the delay, i started writing and somehow 2.5 days had passed.
full transparency, for a second i was like, "oh idk if i'm the best person to ask, i haven't been reading comics for years" and then i realized i figured my way into comics with like essentially zero prior experience so maybe i am uniquely qualified to help! that being said, if this doesn't work or you see a post from a comic veteran that looks more helpful, by all means ignore me.
first things first- it is super confusing!! there's all these big events, DC is obsessed with the word "Crisis", some labels are mainline and others aren't- don't worry about any of that. ignore the vast forest that is Comics and focus on one tree.
and by that i mean, pick one character to start with.
this post ended up turning into a behemoth when i wasn't looking so everything else is going to go under the cut!
alright, now that you have your character of choice, it's time to choose which era of comics you want to start in. there are basically 4 different eras, and you may have heard their names tossed around.
PRE-CRISIS: this is where Comics begin. this era covers comics from when they began being published up until 1985. most of this is no longer canon, but like when they hit the reboot button in '85, they didn't restart from the very beginning. so like, 90% of robin!dick comics is Pre-Crisis. some comics kept a few Pre-Crisis storylines canon, like The New Teen Titans starts before the reboot, but the pre-boot storylines are still canon. i personally have not read very many Pre-Crisis comics, i cherry-picked what looked interesting to me. unless you want to like dive in chronologically and begin at the Beginning, i wouldn't recommend hopping in here bc you'll probably get super fatigued, but yk, it is ultimately up to you. most important takeaway here is that whenever people mention Pre-Crisis, they mean old comics.
POST-CRISIS: 1985-2011. this is where most comics veterans started reading comics/what they grew up with. these are the comics that a decent amount of current comics writers/artists grew up reading/what got them into comics. there is a lot of love + nostalgia for this era, with good reason!! i do think some people who favor this era have a tendency to be close-minded in regards to current comics but re:nostalgia and there have been some dumb decisions so i get it!
NEW 52: aka, Post-Flashpoint, N52. 2011-2016 dc gets new management. they more or less decided to toss all pre-existing canon out the window and re-start in the middle. honestly, it was like they just started making fanfiction. and i don't mean that negatively, i mean like, even though they "restarted" and "anyone" should be able to jump in on an #1 in n52...the comics still assumed you had some working knowledge about the characters. which. i mean, i understand that a total restart was not plausible, (lmao imagine just snapping the vast majority of characters out of existence. they did snap some but like, a full restart would have axed even Dick technically.) i started reading comics here bc when i asked my brother-in-law (who grew up reading comics, with a dad who grew up reading comics), he was like, "omg!! start here, it'll be perfect!!" and i was like "okay!!" and then...i found myself googling. a lot. which is fine!! but idk maybe not as beginner-friendly as advertised? also, notice how this era only lasts for 4 years. it's not that none of it is relevant now, but it was a) not very well received, and b) while some of it is def still canon/referenced, a lot of it contradicts with Post-Crisis, and our fourth and final era reboots so that most of Post-Crisis is canon again. you will see a lot of hatred/dislike for comics in this era/concepts introduced here.
REBIRTH: 2016-present day. DC decided to rollback their extreme changes and soft-reboot to basically try and meld Post-Crisis and N52 timelines/continuities into one cohesive continuity. which. is a lil like trying to mix oil and water, but it is an improvement imo. all the runs restart at #1.
other people might disagree with me, but i honestly don't think it matters which era you start with. unless you start from the very beginning, you're going to have some questions. if you start in Post-Crisis, you're going to have questions when you get to N52/Rebirth, and vice-versa. and that's okay!! don't be ever be embarrased/discouraged because you have a question. google is your friend. also, odds are, if you end up enjoying comics, you'll read from all the eras. timelines will always be confusing. if you read arcs/events out of order, you'll sort stuff out. as long as you're reading what sounds interesting, you can't really go wrong. you might laugh at your decisions later, but that's okay!!
for example, personal experience, this was my intro reading order: N52 Nightwing, A Death in the Family (Post-Crisis), Under the Red Hood (Post-Crisis), Joker War (Rebirth), Robin 1994 (Post-Crisis) until like issue #11?, Rebirth Nightwing to most current release, back to Robin 1994.
clearly, I had no clue what the hell i was doing from one perspective. but in the moment, i was having a grand ole time. i read N52 Nightwing, had my mind blown at the existence of FOUR Robins, couldn't believe they KILLED one, had to see that for myself, then i had to see how his return played out, and when I was buying the UTRH trade the Joker War trade had a lil rec note from an employee, i flipped through it, thought the art was sick, was confused AF when i read it but googled for some clarity and just rolled it with it, thought Tim was neat, decided to check him out, had a rough time adjusting to the older art style, bounced back to modern comics with Dick, and then ultimately decided I could handle the art change (which, ngl, very useful skill for comics reading) and the rest is history.
even once i got more well-versed in comics, sometimes i knowingly read out of order because i just wanted to see a specific event and didn't feel like reading a ton of comics to get there. legit, read City of Bane, did not understand why Dick was not there but just accepted it and then months later was like OH!! HE WAS RIC THEN.
point is, if you're having fun, you're not making mistakes imo. am i going to recommend anyone follow my initial reading path to the T? no way!! but it worked for me.
but okay! so now, you've got your character and your era, and surprisingly the rest is really simple!! i have compiled a list for you that attempts to cover the trickier batfam entry points, but for almost any character the hopping on point is literally whichever run they're lead in: #1. for some, as you'll see with Batman, it won't be #1 in Post-Crisis but you can google, "where to start reading Action Comics Post-Crisis" and there you go. If there is a #0 issue, I would personally not recommend starting there, I would still start with #1 and then read the #0 issue when it would've come out, so like if it came out after #10, read it then. oh also, i'm sorry, i cannot offer personalized help with Barbara Gordon/Babs/Batgirl No. 1/Oracle, as of rn, i have only read her when she shows up in events/other people's runs. my best guess would be Batgirl/Bird of Prey.
now, before we get to the lists, may i present you with
MISCELLANEOUS ADVICE
there are a handful of mindsets that i think will be super helpful for breaking into comics, but the most important, especially starting out, is to make sure you're reading what interests you and that you're having fun. you can worry about slogging through significant runs later, once you've cut your teeth a bit, or never.
i would honestly ignore "best of/top rec" lists. most of those are made up of comics that hit bc they're building on a foundation. if you're brand-new, you don't have a foundation. focus on that first, rather than reading the "right" runs. comic readers, veterans and casuals and newbies- they do not all agree on what the "right" runs are. and that's bc there are so many different writers/artists. bookmark these for later, when you feel more solid in your understanding of the character and maybe want to experiment.
characters, imo, can totally be written OOC. but one of the really beautiful things about comics in my experience is that getting to see characters written by different writers really adds so much depth and dimension to them, bc diff writers are going to have different angles they want to explore. will you like all these different angles? probably not! but that's okay. you'll develop your own taste for which stories you like/what takes resonate with you the most. sometimes you might find yourself in agreement with the popular opinion, other times you might find that you loved something it seems a lot of people hate. great! there is no test, you'll like what you like and that will be perfectly valid even if no else agrees.
with that in mind, be open-minded. adjusting to older art styles can be really hard! that's totally valid! but if you try it out here and there, you'll probably be able to get used to it. you're not always going to love the art in any era. sometimes not even in the same run. i think acknowledging that you dislike it is better than trying to force yourself to like it. my rule of thumb was, if i didn't like the art style, give it 3 comics. bc by then, i'd either adjust to it (which is not the same as liking it)/or get sucked into the story and not care so much, or i would know, yeah this really isn't working for me. and then i had a decision to make: power through or drop it. sometimes you can knuckle down. other times, i've found that giving myself a break and returning to a difficult comic once i've recharged is better.
mostly the same advice for writers. although, i have learned that just because i dislike an author in X run, doesn't mean i'll dislike them in Y run, or even in the next arc they write in X run. as you go through comics, keep in mind that most storylines within a run are six issue arcs. if you're not vibing with the current arc, try skipping ahead to the next one. skimming is okay. obvs, yk, don't skim every comic you read, but if you find yourself not super interested, but feeling like there's some important stuff so you don't want to have to backtrack later, skim. again, the goal is to have fun!
other things that might trip you up-
terminology: wtf is a volume anyways?
i'm so glad you asked!! answer: it depends. so okay, if like you google a reading order list, you might see Batman (Vol. 1) #1-100, or something like that. in this case a volume is a whole entire run from start to finish. Batman Vol 1, in this example, would be synonymous with Batman (1937-2011), which includes both Pre-Crisis and Post-Crisis.
however, if you're looking at collected editions, or trades, a volume will be more like a volume of manga, where volume refers to that set of issues.
trades: this is when the publisher collects a run or event into a book that would be sold somewhere like Barnes & Noble, it can be hardback or paperback. single issues are not trades.
events: these are crossover storylines! sometimes they cross houses, so you could have issues from Batman and say, Green Lantern, but usually they're contained within a house. events that effect the whole universe are usually their own "run", like Infinite Crisis had tie-in issues from most (all) on-goings, but the core issues were Infinite Crisis #1, and so on. they range widely in scale, clearly.
on-goings: can refer to currently running comics, for example rn, Zdarsky's Batman and Tom Taylor's Nightwing are on-goings. Jason and Tim are not leading any on-goings rn. or, it can be used to refer to comics that were on-going at the time of whatever is being discussed.
variant: this has nothing to do with the comics content itself, it relates purely to the covers. most current comics have their standard cover, and then a variant or two or four. any ratio, so for instance 1:25 variant, just means that for every 25 standard copies, there is 1 of that variant. that kind of variant is usually a store incentive, so that they'll buy a certain amount of copies to sell. not all variants are rare though!
facsimile: this is when they reprint an old comic. not as a trade, just as single issue.
black label/elseworld: these are comics that are published by DC, but not part of the mainline comics' canon continuity. sometimes they'll sort of fold in black label stuff, but like, it's essentially licensed fanfic.
events: ahh!! the last page says the story continues in a different run!!
2 options:
1) ignore it, stay in your run. there'll be a couple gaps but you'll live, and google is free.
2) google "event-name-here reading order". this will give you lists that will tell you which comics to read in which order. sometimes the order they came out in is not the best reading order. some events flow better than others. also, there will be "core" issues and "tie-ins". core issues are the Main Storyline, not skippable, (if you don't want to be confused). tie-ins are character-specific, so important for that character but if you don't care about them, those issues will be skippable.
there is no wrong choice. you can change your mind, decide you want to read the event, or lose interest in the event and stick with your current run.
concurrent runs: what should you do if there are multiple runs you want to read that came out at the same time while they were being published?
again, two options.
1) read them in the order they were released. the easiest way to do this is to read month by month, so read all the issues that came out in May of X year, then June, so forth. you'll basically be simulating keeping up with current comics as they release.
2) pick a title, read it to the end, start the next one. this will have you essentially cycling through the same period from start to finish a few times, but honestly there's a lot going on in comics and outside of events where they cross-over, there isn't too much overlap, so it doesn't feel super repetitive. at least to me. plus, if you've read the event, you don't need to re-read it every time you hit it, imo. this is how i do it actually. i mean, current comics, i read the runs i'm following as they release, but for backlog, i stick to one title at a time. if i'm feeling fancy, i might read one run up to a certain point, then switch titles, then switch back, but i am max switching between 2. an example of this is actually what i'm doing rn. i read batgirl 2000 up to issue #11 (or 12?) and then switched to Batman: Gotham Knights, which is what I'm currently reading. why? B:GK starts after B2000, and i couldn't pick, so i split the difference and went semi-chronological.
finally, there's no pressure. by which i mean, you don't need to speed run. especially if you don't have a ton of free time, don't worry about being the most efficient reader, always reading runs that'll give you the most bang for your buck according to other people, etc. i mean also, there is just. so. much. content. you cannot sprint your way through, this is a marathon at best, a leisurely jog, ideally.
looking at the sheer amount of content out there was super overwhelming to me, even though i wanted to read it. it's not a quick task, so it felt impossible. like even if i finished one run, well, that was just a drop in the bucket, i'd made barely any progress in the grand scheme of things. that was paralyzing.
i ended up mocking up a list for myself of what i thought of as "key" runs. this was still an ambitious list, but like tailored to my interests. as i read/saw posts, if a title not on this list sounded interesting, i stuck it on my tbrl list. (to be read later). that was essentially me going, 'hey, this looks interesting, but my plate is full rn, so i'll save it for later.' i didn't add runs from my tbrl to my key list as i went, i focused on working through my keys first.
within my keys, i just bounced all over the place. the order made sense to me, lmao, and probably no one else. it was a very loose, "follow this character chronologically". except for dick i read him all wonky, mainly bc i started with N52, skipped some N52 to get to Rebirth, skipped some Rebirth (*cough* Ric era *cough*), switched characters, then came back to Dick, bounced to NTT, practically bounced right back off it bc the transistion from modern to 80's comic was ROUGH, went and Grayson (N52), forced myself to adjust to older comics, then went through chronologically until i hit dick!bats era bc i'd read a solid chunk of it between reading for Tim and Damian. i share all this only to say, you can read however, it'll work out.
if you're curious, it took me six months to read my whole "key" list. almost to the day, funnily enough. i don't remember the exact number, but i think it was like north of 700+ comics at least? tbh, i didn't feel like i'd read all that many comics but based off some conversations i've had, maybe it is? i have no frame of reference. operating under the assumption that that is a lot of comics, i feel like it's important that you know a) i have a ton of free time, and b) i read very fast.
set zero expectations for yourself time-wise. it's not a race, no one is judging you. don't be an idiot like me and try to calculate how long it will take you to read X amount of comics either, okay HAHA. context: when i started Robin 1993, the fact that it was 195 issues was massively intimidating. the longest run i'd read so far was 30. i averaged out my comics per day, lowballed to give myself breathing room and nearly cried bc it was going to take me 20 days (3 whole weeks!!!) to read the whole thing and that felt like an eternity. i ended up reading it in 5 days. (i was HOOKED.) on the complete opposite end of things, i started Batman: Gotham Knights...a month ago? maybe two. i'm still on #18, bc life got busy.
bottom line, you've no real idea how long it will take you to read anything, let alone your whole wish list, and it really doesn't matter how long it takes you, as long as, say it with me, you're having fun!!
god i feel annoying.
okie dokie!! i think that covers all the dilemmas i remember having, but if i missed anything, feel free to send in another ask!
BRUCE WAYNE:
Post-Crisis only bc everywhere else is just #1
Batman 1940 #404
Detective Comics 1937 #568.
DICK GRAYSON:
Dick's og robin days are allllll Pre-Crisis. i'm not sure which issues he comes in tbh. if you don't read want to start in Pre-Crisis, (valid, wise imo), most robin!Dick content is going to come from flashback storylines. but there are some robin!Dick comics that are solid, contained stories that are not Pre-crisis. not an exhaustive list but:
Robin: Year One
Batman Chronicles: The Gauntlet
Batman- One Bad Day: Mr. Freeze
and then for Dick as Nightwing, it's a lil tricky bc technically that starts in The New Teen Titans 1980. You could start at #1, or #42, which is the Judas Contract storyline where Nightwing debuts. (The title's name switches to Tales of the Teen Titans, it's the same run.)
However, if you're not interested in reading a team book, valid, then you have:
Nightwing 1995 (technically comes before the main run, this was a 4 issue prequel mini)
Nightwing 1996, start at #1. Now, if you stick with this run, there are 2 stories that are part of it but were done separately as minis so for whatever reason, on DCUI at least, they're not in the order, but you'd read Nightwing/Huntress after Nightwing #18, and then Nightwing: The Target after Nightwing #60 i believe.
Or, Nightwing: Year One. This is part of the Nightwing 1996 run, but has been collected separately, so you could start here, i suppose.
JASON TODD
okay so technically, he does not lead a title until N52. but obvs, he has relevant comics before that.
i would not personally recommend starting with UTRH. like, if that's what you want to read, valid, do what you want. but also, if you're willing to read 9-23 comics beforehand, i truly think you will appreciate/enjoy UTRH way more. bc like they just make the overall drama/angst that much more, yk? like okay if UTRH is chicken breast, you could just cook it as is and eat it. but unseasoned chicken just does not hit the way it could. add a lil salt + pepper, bam, big diff. add some legit seasoning?! now you're cooking. does that make sense?
actually okay hmm. i loathe to be prescriptive and give orders, but here, i'll lay out what i consider to be the Bare Minimum (salt and pepper) + the Crash Course (legit seasoning). no wrong choice!
Bare Minimum (9 Comics before you read UTRH):
A Death in the Family
A Lonely Place of Dying
Crash Course (23 Comics before you read UTRH):
Batman #408- 409
Detective Comics #569-571, 573-574
Batman #416, 424-425
A Death in the Family
New Teen Titans #55
A Lonely Place of Dying
Batman: Gotham Knights #43-45 (45 is the important one imo, but like it will make a lil more sense if you start at 43)
if you want to read the entirety of his og run as Robin, that would be Batman #408-425, and Detective Comics #568-#582. if you want like a whole ass breakdown of all his appearances in chronological order, check this godsend of a resource out.
and again, not to tell you what to do, but New52 Red Hood and the Outlaws is um. i'll be nice. i did not enjoy it. is it worth reading if you love Jason? honestly yeah. but i wouldn't start there, that's all i'm saying.
CASSANDRA CAIN:
Very simple!! She first appears in Batman, during the No Man's Land arc, so her issues there would be Batman #567-569, and then Batgirl 2000.
she gets deleted in the New 52 launch, (boo tomato, tomato), and isn't brought back until Batman and Robin: Eternal. then she co-lead a recent (Rebirth) Batgirls run with Steph. lots going on in B&R:E, would not recommend as a starting point.
TIM DRAKE:
Alright, honestly, with Tim all your best jumping on points are Post-Crisis. N52 Teen Titans is whack, I have yet to revisit it and power through, and if you've seen my other rec list, yk I'm not a fan of any modern runs he's lead, so i cannot in good conscience, rec those as starting points. Detective Comics Rebirth, i've heard, is solid, but a) i still haven't read it yet unfortunately, and b) he like dies. "dies". not very far in. and then, consequentially, is not present for a hot minute. so.
but anyways! you do have options in Post-Crisis!!
A Lonely Place of Dying. his intro!!
his official like debut as Robin is Batman #457, but he is in Batman comics that take place between aLPoD and #457.
Robin 1991. this is the first of 3 mini-series that take place before Tim's main run. i accidentally skipped them bc i didn't know they existed whoops
Robin 1993. his main run! the longest Robin title to run so far.
technically, Young Justice 1998 is also an option, if you're interested in the team. I started reading this after Robin #120, read the whole run, then went back to Robin. see advice on concurrent runs below.
Stephanie Brown:
tbh, not a great starting character. not because she isn't great!! she's just very much so a side character until she gets her own run, Batgirl 2009, but there is so much going on in that time-period (Bruce is dead, Dick is Batman, etc.), that like it's not super beginner friendly imo. and then they delete her when they do New 52, she gets brought back in Batman Eternal if i'm remembering correctly? And then she and Cass lead a recent (Rebirth) Batgirls run.
ik her first appearance is in Batman, although i don't know exactly which issue. she's in Robin 1993 a lot, ofc. she's also in Batgirl 2000 here and there. basically, you'll have to do some hunting and moving around if you just want to follow Steph. i do not know those issues by heart, someone somewhere has probably listed them. re: google is your friend!!
Duke Thomas:
okay so. ik he first appears at some point in the N52 Batman run, don't know the exact issue, but i'm pretty positive it's an event of some kind, could be wrong. then he is the main in a team book, We Are Robin. then i think he's a side character in Batman/Detective Comics mainly? he has a mini-series, Batman and The Signal.
i have not read his first appearance yet, i have read We Are Robin. i hesitate to say that he's not a great character to start with bc i'm pretty sure DC created him to like attract new readers, which should imply that he's a good starting character?? but like stuff is weiiiird where he comes in, Bruce is not Batman bc he doesn't have his memories (idk why yet, haven't read yet), Jim Gordon is Robo-Batman- weird. very confusing place to start, i would imagine. which is a bummer bc like, Duke is fantastic. love him. cannot wait to read more. unfortunately, there are just some characters who's existence necessitates a lot of context. i like to think they're worth the wait, though!
Damian Wayne:
he is the trickiest to hop in on imo, out of the "main" members. he is also a character who's existence necessitates context. you can def crash course him though, to an extent. honestly, with any characters that came in towards the end of Post-Crisis or later, being okay with confusion is like extra important, if you want to start with them.
2/3 of Damian's first 3 major appearances are events. i read Dami later on in my comics journey, so by then i was like, pshh, event nbd. i also read him chronologically, so i could be biased, but i do think that is best. however, yk, go for what interests you.
Post Crisis:
Batman #655-658, then The Resurrection of Ra's al Ghul, then Battle for the Cowl.
Batman and Robin: Batman Reborn. Dick!Bats + officially Robin Damian
New 52:
Batman and Robin. He's going to die. He will be resurrected. Then, Robin: Son of Batman.
Rebirth:
Super Sons
Robin
ofc, this doesn't cover everyone, but i hope this is enough to get you started!! i realize that this is long-ass post, i'm sorry i couldn't be more concise. i sincerely hope this was helpful/made stuff less intimidating, and if i failed in that regard, i'm so sorry.
i hope you have so much fun!! my ask box will always be open, and so are my dms if you have any more questions or want to freak out about comics :)
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qcomicsy · 1 month
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I have the controversial opinion that maybe, just maybe we stop wanting to go after people with pitchforks for getting characters wrong and not reading the comics inviting them to easy and accessible ways of and making our own content with comic accurate representation
people might feel less anxious about starting comics and misinformation won't spread as easily
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poorly-drawn-mdzs · 7 months
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Smell Check [Easy: Failure]
MDZS Disco Elysium AU part 1 (part 2 - part 3)
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#disco elysium#MDZS Disco Elysium AU#So sad I didn't manage to get this comic out on the 15th (pd-mdzs's 8 month anniversary and DE's 4th year anniversary) but I'm here *now*#I have a very extensive and detailed MDZS Disco Elysium AU that I am Not Normal About.#I've seen a few other people point out the potential in a crossover (true) but they make the mistake in having it be set in 51!#A true crossover would take place closer to The Antecentennial Revolution!#Disco Elysium did not go that hard on its cool lore for people to only make surface level crossovers!!!#One day I'll write the fic or post my notes. I don't know who would read it but it tickles *my* brain and that's enough.#No spoilers for DE (here or in comments (please)) but please consider....Magpie Wei Wuxian B*) On his way to be an innocent.#I do think there is a good chance a chunk of the MDZS readership would enjoy DE but...it's also not a game I easily recommend#It's more of an experience you have to marinate over. It's dark in ways that are off putting to some people.#It makes you feel like a very bad person all the time. It gets extremely personal if you allow yourself to be honest in your answers#and it's also the game that saved my life. My life was truly forever changed after playing disco elysium.#If I recommend it to people it's a badge of the trust I have in you to appreciate something dear to me B'*)#If you decide to play: PLEASE go in as blind as possible. You will regret spoiling yourself.#edit: this is based on real disco elysium dialogue. HDB has many canon kinks but this is not one of them
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stairset · 11 months
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I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.
#hell you don't even need to read a comic just look up a let's play of spider-man edge of time you'll get what i mean#but yeah i saw a post that was like#''the first movie had a joke about how spider-man doesn't wear a cape and miguel has a cape they did that to show he's not spider-man''#as if he hasn't had that cape since his creation 30 fucking years ago#he's not even the only spider-man to have one. spider-man unlimited is also a thing that exists.#even the first movie had that call-back joke where they see the peter from miles's universe had a suit with a cape#these movies have a lot of little details with deeper meanings but the cape thing just isn't one of them sorry#but yeah. play edge of time or find it on youtube it's good.#shattered dimensions is also good but miguel's personality in that game is closer to peter's for some reason#so edge of time is better for getting a feel of what he's usually like#but yeah i do think spider-verse miguel was probably more straightforwardly heroic like other versions before the whole dead family thing#and i think he and the rest of the spider society are just genuinely misguided about how the whole canon event thing works#cause like george and gwen don't die in every universe peter doesn't get the symbiote in every universe#even uncle ben doesn't die in every universe#but miguel THINKS those things always happen. that's why he got the others to believe it cause he genuinely believes it himself#and i think they all take comfort in the idea that these bad things that happen to them happen for a reason#i know that's josh keaton's interpretation for why spectacular peter joined and i don't disagree with it#that's also why i disagree with people saying that miles is The Only True Spider-Man There just cause he was the first to outright reject it#look me in the fucking eye and tell me spectacular peter and insomniac peter don't understand what it means to be spider-man#or actually don't cause i'll bitch slap you into next week if you do#miguel o'hara#marvel#shut up tristan
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hollowsart · 4 months
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inquiring minds want to know… did you like Superior Spider-Man because it was a major Ock story, or not like it because it wasn’t /really/ Ock?
I never read it so I have literally no opinions on it.
I only know so little in passing from it that I can't even form any actual thoughts or opinions about it. Even if I did read it I'd probably still just sorta shrug and say "its a Doc Ock and Spider-Man comic? I guess??"
I'm sorry I can't give you any deeper response than this.
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burinazar · 6 months
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It's a bit funny that to parts of my circles I'm 'the fandom one'/'the fanfic one'/'the shipping one' as the person they know most prominently into such things
because as much as i love writing my fics and shipping my ships my interest in both of those things is, I think, very narrow and specific compared to most people who are into them? due to my habits being like. very particular
#i think some ppl think of me as ahh my buddy who is always reading fanfic and i'm like. look. i would LIKE to be that. but i'm not#it's comically difficult to get me to sit down and read a new fanfic. for no discernable reason#the fandoms i like to read for don't even have big fic scenes but i've still checked out such a narrow portion of them#(and these fandoms are like. just a few. leaving aside MiA's dead tag. LOGH + T&B + Vorkosigan + ...anything else here would be a lie)#(Queen's Thief + Temeraire + TMA are on the backburner rn for reading fic but they were faves before yet i read SO little of what existed)#(everything else i just check out very occasionally or when directly recc'd)#i think mmmaaaybe 'my buddy who reads tons of fic' would be the case if there were new fics about the sages coming out every day#they're sort of a unique hyperfixation for me lol#but there are NOT. instead there are ((checks))#four (4) english language belavue fics on AO3 that are not by me#AND two of them i would say do not actually have any ship content and were likely just tagged that to be safe#as far as non ship content there are ((checks again)) 21 English language fics tagged with Belaf and I wrote 13 of them ........#(and 17 for Vueko and i wrote 10. two of the others barely mention her and shouldn’t be tagged lol) …guys i'm starving............#ok you read to the bottom of the tags you get to hear a selfish wish#i kind of hope that someday...someone will...write some fic about the sages either because of me or for me#gen or ship it doesnt matter#but this kind of thing usually happens in AO3 exchanges though and there aren't ones in this fandom because the fic scene is so miniscule#i'm literally running one right now off AO3 but have a feeling it will end up being mostly art and also didn't put myself in as a requester#since the people participating have largely made stuff for me as gifts before and i have a glut of lovely work from them#and again that exchange will mostly end up being art i feel and not fic. but some other time... i still wish ... more fic... pleae..plaeabs#there are very specific reasons i don't want to host an MiA fic exchange through AO3. i can guess the kind of stuff some people will reques#(the kind of stuff that's already in the tag.) and it's not stuff i feel like moderating an exchange involving >_> so i won't#but god.. ... ..... someday......i hope....there can be an exchange where i ask for somethinga bout these people.............
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umbrellacam · 20 days
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sure would be nice. if people could debunk a dumb exaggerated/incorrect fanon without people immediately turning it 180° and happily hauling ass right into another dumb exaggerated/incorrect fanon. while gleefully crowing about how canon and correct this opposite take is.
sure would be nice 🙃
#tw salt#tw negativity#venting#I'm crying the reactionary takes are just as bad 😭😭😭#to be clear people can do whatever they want in fandom#we are here ultimately to play with Barbie dolls in whatever way makes our brain go brrrrrrrr#and that is not going to look the same for everyone and we just gotta deal with that#what drives me BONKERS is when people confidently assert their sometimes Extremely Fanon takes as Canon#when every word they type is blaring through a megaphone “I don't know what I'm talking about! :D”#“No I haven't read the relevant comics! :D”#“Everything I think I know I learned from sad woobie fanfic and batfam tiktok and out of context panels from different continuities! :D"#“I am 200% confident in this info and will spread it around as a Subject Matter Expert! :D”#I'll happily run across some funny post with more canon-based characterizations and relationships#and browse through the reblogs only to be slugged in the face by “funny! but AK-SHULLY canon would be that [COMPLETELY INCORRECT FANON] 🤓”#let me have PEACE#going back and deleting a bunch of tag snark about specific examples before hitting post#actually I'll leave just one because it's what set me off#“Dick was a hostile resentful asshole to Jason as Robin and they had a terrible relationship before Jason died!”#versus#“Dick and Robin!Jay were sooooo brothers! just the brothers of all time & the model all later batsibling relationships were based on! <333”#*me taking 4d10 psychic damage from both attacks*#Cam posts
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reanimatestar · 1 year
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quick sketch of my best friends clark kent and superman
[image description: two pencil portraits of clark kent (also known as superman) from dc. the first drawing is him as clark kent while the second is him as superman. he is smiling in both portraits. /end description]
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biracy · 8 months
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Tbh I should probably take a break. I almost definitely won't but I should, yknow
#idk i don't have much 'real stuff' happening irl besides like. job hunting and college applications. so it's hard#but i think if i at least ease off some time on here n read a little more n watch more movies i might start to feel better#haven't really liked where my head's been at lately it feels like whatever persona is The One Who Blogs is 'taking over' more#to put it in a very dorky comic book-sounding ass way LMAO but that's how i feel! like i'm losing my own 'voice' yknow#my mental health is Bad my physical health is also Not Great n i kinda feel like ass. if i'm being honest#idk i feel like i'm crashing from whatever high i've been on for the past couple of days n i'm not Really super happy w myself#except the media literacy posts those were good. but like the more discoursey stuff i'm not proud of#again sorry to like. publicly vent LMAO i'll be fine i'm good. i'm trying really hard to pull myself out of this#but again. sorry abt the Shite i was posting earlier today i wasn't really in my own right head#just kinda wanted 2 get all that off my chest idk if it's clear that i don't really have anyone i feel like i can talk to right this moment#i'm very socially isolated irl and i'm so scared of becoming socially isolated online too just bc i'm an idiot who doesn't think b4 he post#NOT to make it sound all about me or whatever but it's true. i'm very very scared of losing people n right now this is My Space#i'd forgotten just how bad it felt. in this Specific case it is kinda my fault tho LMAO don't worry i've apologized as best i know how#okay i'm done. i'm done. i'm gonna go watch tv and go to bed i hope#open mick night
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