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031cinephile · 11 months

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DIFF is Back!

Support local cinema.

Find all the info here...

#durban international film festival #film #durban #durban film mart #diff2023 #suncoast cinema #kznsa #cinephiles

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deviiancetv · 3 months

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Been on a movie binge today. Had a cry-filled nostalgic moment watching Suncoast, laughed a little watching Good Burger 2, finally watched Wonka, and ended up watching Anyone But You and I kinda loved it.

#cinema starview #suncoast #good burger 2 #wonka 2023 #anyone but you #they put WAAAYYY too much makeup on kel mitchell but seeing him and kenan back together as a duo was so dope #I’m still a little mad at myself for not partaking in IHOP’s Wonka menu for the promotion of the film.#suncoast was a great watch it had me relive a moment of my teen years when my loved one passed away #it was hard navigating that experience but i always cherish those moments the good and the past #i liked timothee chalamet’s campy whimsical take on Wonka… just wasn’t a fan of the musical aspect no shade lol #and at moments wonka dragged out a bit too long #glen powell would make a good gambit or cyclops in the MCU #glen is too fine to not get some MCU movie role

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agentnico · 3 months

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Suncoast (2024) review

Can we all just agree that Woody Harrelson is an absolutely wonderful human being! Honestly, whether he’s giving life lessons in coming of age stories or killing zombies in endlessly creative ways, he’s an absolute delight.

Plot: A teen living with her strong-willed mother must take her brother to a specialized facility. She strikes up an unlikely friendship with an eccentric activist at protests surrounding a landmark medical case.

I went into this weekend expecting to love the new Bob Marley movie, yet came out disliking that mess of a biopic and instead found charm in this little Sundance indie flick from Searchlight that has absolutely warmed my heart. You may be mistaken by the trailers to think this is a throwaway YA comedy, but it is in fact a coming of age drama that is grounded in realism and tackles some raw and emotional themes of grief and growing up. It is very much in vain of films like Edge of Seventeen, Little Miss Sunshine and Me and Earl and the Dying Girl, where it uses lighthearted humour to connect you with the characters, only to then still throw you in the deep end by tackling a depressing subject. With how the lead girl has to still try and live a normal life, go to school, try to make friends all the while still needing to look after her disabled brother and overbearing mother, it’s a difficult and dysfunctional situation, but one that is made very digestible for the casual viewer.

Nico Parker already showed off her potential dramatic chops in her limited appearance in The Last of Us series last year, however here she really manages to skilfully tackle the emotional challenges of her complex character. Exploring teenage escapades, she expresses a realistic sense of wonder, while balancing it with the emotional toll she faces from her brother's illness. Echoing that heavy toll, Laura Linney adds dramatic layers to her intense performance as a mother, grieving her son before he passes. Adding levity to the emotional tale, Woody Harrelson acts as a friendly face, coping with his own underlying trauma. Through delightful and relatable performances, the cast elevates each other, as they bring the director's experiences to the cinema.

Again, what really works in Suncoast’s favour is how real it feels. Yes, a few lines of dialogue here and there come off a bit too cheesy and tacky, but overall this is a very earnest depiction of teenage angst. You can really tell that director/writer Laura Chinn used experiences from her own childhood to respectfully honour the memory of her brother’s battle with cancer, hence why the result is so powerful. Honestly. Suncoast doesn’t break any new ground in the coming of age genre, but it is nevertheless a delightful surprise and a film that managed to really move me by the time the credits rolled. It’s one of those films you might miss, but you really shouldn’t.

Overall score: 7/10

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the-celluloid-correspondent · 3 months

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Quickie Reviews

The Taste of Things

Dodin Bouffant and his lover Eugenie's lives are surrounded by the art of cooking. They are in love, but she refuses to marry him, so he decides to cook a meal for her to change her mind.

The Taste of Things is a delicious feast as we follow two master cooks perfecting and bonding over their shared passion. It is a simple film that dives into the simple pleasures of life through the art of cooking. Every scene evolving cooking is mouthwatering and soothing. The first 40 minutes of the film have very little dialogue as we watch our characters prepare a multi-course feast that lasts an entire day. Then as the film transitions into this love story, it is simple and sweet as it shows how far a simple jester can go. And the chemistry between Benoit Magimel and Juliette Binoche is beautiful to watch. However, the film is a little long for my taste and it does drag in the latter half of the film. With that stated, The Taste of Things is a beautiful film that does not deserve to be dragged through the mud because it was picked over Anatomy of a Fall.

My Rating: B

Perfect Days

Hirayama seems utterly content with his simple life as a toilet cleaner in Tokyo. Outside of his structured routine, he enjoys his passion for music and books. And he loves the trees.

Perfect Days unfolds as a minimalist film, immersing viewers in the intriguing world of a man who finds contentment in life's simple pleasures. Following Hirayama through his meticulously structured week, the film reveals the ebb and flow of his daily experiences. Despite facing challenges, he remains undeterred, and steadfast in his commitment to savoring each moment. Dialogue takes a back seat, allowing the film to convey its themes and character nuances through subtle gestures and the daily cadence of life. Koji Yakusho delivers a remarkably subtle yet powerful performance, skillfully portraying the beauty of simplicity and the profound impact of solitary moments.

Suncoast

While caring for her dying brother, a teenager strikes up an unlikely friendship with an eccentric activist who protests one of the most landmark medical cases of all time.

Suncoast was so close to greatness, but its underdeveloped and shallow story holds it back. When the narrative was focused on the conflict between Doris (Nico Parker) and her mother (Laura Linney), was when the film was at its strongest. It was a heartbreaking family drama about the inevitability of death and how it can tear a family apart, especially when one is taken too soon. Then when the inevitable emotional finally comes, it is heartbreaking to watch and Nico Parker delivers a harrowing performance as she grieves for her loved ones. However, when the film focuses on the coming-of-age elements and explores why Doris wants to get out of her family, is where the film stumbles. Doris’s new friend group feels incredibly shallow as they are all portrayed as the most stereotypical fake friend group you can imagine. Then when exploring themes of grief and faith with Woody Harrelson’s character, the themes that his character is set up to explore are never really explored. Overall, Suncoast was so close to greatness, that it just needed a little more polishing.

My Rating: B-

Drive-Away Dolls

Two friends take a spontaneous trip to Tallahassee Florida, but things quickly go awry when they cross paths with a group of inept criminals along the way.

The basic story of Drive-Away Dolls has the potential to be a fun rom-com. But, its poor execution feels like a film student's first film. It’s poorly made as the direction is all over the place and the editing is jarring. Furthermore, the movie is not even funny as every joke just made me cringe terribly. This quality is a bit unacceptable given that this is directed and written by Ethan Coen. However, the film’s biggest crime is that I could not stand Margaret Qualley’s character. I found her character to be annoying and incredibly inconsiderate of others. She cheats on her girlfriend and pressures another friend into having hook-up s*x. Her lack of caring and awareness was infuriating, to say the least. However, I did enjoy the performance from Geraldine Viswanathan who kept some of my sanity through this somewhat trainwreck of a movie. Overall, I just expected more from a Coen Brother.

My Rating: C

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bob-the-movie-man-film-reviews · 4 months

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"Flickering Dreams" Episode 50: Reviews of Gassed Up, Suncoast, Lover, Stalker, Killer and The Promised Land.

The 50th Episode of #FlickeringDreams is here! Reviews of Gassed Up, Suncoast on #DisneyPlus, Lover Stalker Killer on #Netflix and The Promised Land.

The regular Flickering Dreams film review podcast features this week: Dr Bob Mann from One Mann’s Movies & film reviewer on BBC Radio Solent; Scott Forbes from The Forbes Film and TV Review on Facebook; and The Reverend Andy Godfrey, lead film critic for Konnect Radio and Sorted Magazine. In this celebratory 50th episode Bob, Scott and Andy review the following films: Gassed Up: a gritty…

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#BAFTA #bob-the-movie-man #bobthemovieman #Cinema #Disney #film review #Flickering Dreams #Gassed Up #Head Shot #Lover Stalker Killer #Movie Review #Netflix #One Man&039;s Movies #One Mann&039;s Movies #Podcast #Suncoast #Superbowl #The Promised Land

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031cinephile · 2 years

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#DIFF2022 Finally Returns to our Sunny Durban Shores!

The Durban International Film Festival (DIFF) once again takes place from 21 to 30 July 2022. The 43rd edition features a theme of “Adaptation, Survival and Sustainability”. This year’s festival will present a unique hybrid event of a carefully curated selection of South African premieres, screening virtually online for free on www.durbanfilmfest.com and in person at CineCentre Suncoast Casino, for regular cinema ticket prices.

On 21 July, DIFF2022 opens with the live and virtual screening of 1960, directed by Michael Mutombo and King Shaft. You’re My Favourite Place by Jahmil X.T. Qubeka will close the festival on 29 July, after which film-lovers will still have the opportunity to see the film online the following day, on 30 July. The #DIFF2022 awards will also take place virtually on 30 July. Festival manager, Valma Pfaff, is proud to announce the films in competition that are diverse but have a common thread of adaptation and instilling hope for the future. “The past two years have proven to be trying times, and the narratives of many of these films offer us a reflection on these sometimes desperate moments. At the same time, filmmakers also share stories of hope and optimism, bringing to life the way people support each other while carefully looking forward to a brighter future.” Says Pfaff. The organisers of DIFF have this same cautious optimism about the future of film. “The industry has changed, and offering the DIFF as a hybrid festival felt like the best solution to cater for our audiences in different ways. We are beyond excited to be able to invite our audience in person to the cinema again. We also acknowledge the many opportunities to keep expanding our audiences virtually.” Says Centre for Creative Arts Director Ismail Mahomed.

Documentaries in the 2022 Competition:

Adam & Ida, a German film directed by Jan Tenhaven, tells the story of Polish-Jewish twins who survived the Holocaust.

African Moot, directed by Shameela Seedat, shares the story of the competitors in the prestigious African Human Rights Moot Court Competition.

Batata, directed by Lebanese -Syrian filmmaker Noura Kervokian follows the plight of Syrian Migrant workers.

From Germany hails Black Mambas, directed by Lena Karbe, follows an all-female anti-poaching unit in Kruger National Park.

Forgotten Dreams, directed by Marwa El Sharkawy from Egypt, follows the story of a young, talented, colloquial poet who discovers he has kidney failure.

Girl, Taken, from South Africa and Ireland, directed by Simon Wood and Francois Verster, tells the incredible story of two parents whose baby was stolen from Groote Schuur Hospital in Cape Town, who miraculously found her 17 years later, and who then lost her again.

German documentary; Kash Kash, Feathers without Wings, directed by Lea Najjar, tells the story of how her hometown, Beirut, was torn apart by a corrupt political elite, anti-government protests, and one of the biggest explosions of the 21st century.

Umkhumbane In Me, directed by Malcolm Sonnyboy Nhleko from South Africa, shows us life through the eyes of Madala “Bafo” Kunene. One gets a raw glimpse of the painful moments that defined his musical journey.

Music Is My Life, directed by Mpumi Supa from South Africa, is the official story of African icon Joseph Shabalala, who rises to international fame with his band Ladysmith Black Mambazo.

N-Ice Cello, directed by Corrado Bungaro from Italy, tells a story from the heart of a glacier in the Italian Alps in which an American sculptor shaped a cello entirely made of ice.

No Simple Way Home, directed by the South-Sudanese Akuol de Mabior, is an intergenerational conversation that charts the struggle to reconcile family and country.

No U-Turn, directed by Nollywood filmmaker Ike Nnabue goes back to the path he took at the dawn of his adult life when he wanted to reach Europe.

Portraits Of The Future, directed by Virna Molina from Argentina, paints a picture of how before the pandemic, filmmaker Virna Molina was shooting a film about the resistance of the subway delegates in Buenos Aires that was interrupted by “lockdown”.

Taamaden, directed by Seydou Cissé from Cameroon, follows three young immigrants from West Africa who take the viewer into the world of African spirituality in the age of new technologies.

In The Delights, director; Eduardo Crespo hailing from Argentina, shows how more than 120 kids live together in Las Delicias agrotechnical boarding school in the Argentine countryside.

Wind Blows In The Border, by directors; Laura Faerman and Marina Weis from Brazil is about the fight for ancestral lands.

Feature Films in the 2022 Competition:

1960, directors; King Shaft and Michael Motumbo from South Africa show what happens when the remains of an apartheid-era policeman are discovered 60 years after he went missing; a retired singer revisits her past to help with the investigation. But how much does she know, and what is she holding back?

2 Thirds of a Man, directed by Earl Shaun Kopeledi from South Africa, draws an image of how Justin returns to Cape Town as a first-year student at Rocklands University after spending most of his teenage years living in Beaufort West, where his mom took up a teaching job after the untimely death of his father, a musician on the brink of success.

Bangarang, directed by Robin Odongo from Kenya, is inspired by actual events. Otile, a poor ‘bodaboda’ rider, is jobless ten years after graduating with a second-class honours degree in automotive engineering. When election violence erupts after the disputed Kenyan presidential elections, Otile leads other rioters in the streets of Kisumu.

Bantú Mama, directed by Ivan Herrera, follows, after being arrested in the Dominican Republic, an Afropean woman who escapes and is sheltered by three minors in a dangerous district of Santo Domingo.

Dealer, directed by Jeroen Perceval from Belgium, let’s one in on a story about a fourteen-year-old drug runner Johnny, staying in a home for young people from challenging backgrounds. He dreams of a better life.

Donkeyhead is a 2021 Canadian comedy-drama film written and directed by Agam Darshi in her directorial debut. The plot follows Mona (37), a failed writer who carves out a life of isolation while caring for her ailing traditional Sikh father

Good Madam, directed by Jenna Cato Bass, is a psychological thriller and a commentary on the contemporary state of race relations in South Africa following the end of apartheid.

Juwaa, directed by Nganji Mutiri and shot in Belgium and the Congo, is a powerful drama based on African characters rarely seen on screens. Years after a traumatic night, a son and a mother slowly reveal all the layers that redefine what they mean to each other.

Klondike, directed by Maryna Er Gorbach from Ukraine, follows July 2014, when expectant parents’ nervous anticipation of their first child’s birth is violently disrupted as the vicinal crash of flight MH17 elevates the forbidding tension enveloping their village.

Public Toilet Africa, director; Felix (Kofi) Ofosu-Yeboah from Ghana follows after several years of her disappearance; a reticent Ama returns to the city where she was gifted to a white art collector as a little girl. Her quest to even the score results in a heist-gone-wrong that sends her and an ex-lover on a lonely country road.

Ring Wandering, director; Masakazu Kaneko from Japan captures a story in central Tokyo, where a young man named Sosuke aspires to be a manga artist.

Streams, directed by Mehdi Hmili, hailing from Tunisia, Amel works in a factory in Tunis. She lives with her alcoholic husband Tahar, a former local football player, and their only son Moumen, a talented teenage football goalkeeper.

Tug of War, directed by Amil Shivji from Tanzania, brings a coming-of-age political love story set in the final years of British colonial Zanzibar. Denge, a young freedom fighter, meets Yasmin, an Indian-Zanzibari woman, in the middle of the night as she is on her way to be married.

Films will compete for titles such as Best Feature Film and Best Documentary, Best Performer and Best Cinematography. The jury consists of industry specialists from over the globe. Programme and details

DIFF 2022 will be presented in a hybrid edition with online screenings at www.durbanfilmfest.com and a diverse live programme at CineCentre, Suncoast Casino, Durban. Tickets for all live screenings are accessible on www.cinecentre.co.za. The entire festival programme can be seen on www.durbanfilmfest.com

The 43rd edition of the festival is produced by the University of KwaZulu-Natal’s Centre for Creative Arts, in partnership and with the support of KZN Film Commission, the National Film and Video Foundation, KZN Department of Arts & Culture, Avalon Group and other valued funders and partners.

Happy watching cinephiles! Keep an eye on my socials for top picks, mini-reviews and #tweetreviews to be discovered and shared. See you in the cinema or on the social scene if watching online!

#The Durban International Film Festival #DIFF2022 #Centre for Creative Arts #Suncoast #cinecentre #cinemas #Durban #FreeFilm #Online #DFM2022

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope at Regal Park Place Stadium 16. #ghostbusters #suncoast #group #cosplay #marvel #dccomics #wonderwoman #negasonicteenagewarhead #bumblebee #transformers #supergirl (at Regal Cinemas Park Place 16 & RPX)

#suncoast #group #supergirl #wonderwoman #negasonicteenagewarhead #transformers #marvel #dccomics #cosplay #ghostbusters #bumblebee

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kristian-m-marion · 5 years

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I'm unbreakable, got no brakes so I'm unstoppable. (at Suncoast Cine Centre Cinema) https://www.instagram.com/p/Bw7DoCRFAmp/?utm_source=ig_tumblr_share&igshid=13fil1l1t4myf

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cathouseofhorrors · 7 years

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Everyone is posting albums from high school that influenced their lives. I'm gonna one up you and post MOVIES instead... Let's take a time machine back to the years 1990-1994 and peer into the brainscape of young Guy Slimey: (Writing this list made me realize just how entrenched VHS culture has always been in my life. Back in the pre-internet days, when you would see an ad some guy posted in the back of GOREZONE or something and you'd send him an envelope and he'd send you a xeroxed list of a thousand different movies, hong kong action shit and weird porn and Ed Wood-type stuff, and all you'd have to do was send a couple of blank tapes and a fiver and maybe a movie or two to trade, and that's how you found out about good movies.)

1. BLUE VELVET - I saved up good money from my job at Hardee's just to buy this movie on VHS from the local Suncoast Pictures. I probably exposed my younger siblings to this masterpiece fifty or sixty times over the span of three years. That's good brothering!

2. HARDWARE - Still my favorite low-budget sci-fi movie. Hazy and grimy and psychedelic and hilarious. I had read an interview with Richard Stanley in Fangoria magazine and was intrigued when it finally hit Cinemax. The movie that turned me on to both PIL and Ministry. Teenage Me jerked off to the sex scene in this movie more times than I've drawn breath.

3. DESIRE & HELL AT SUNSET MOTEL - Twin Peaks happened when I was in high school, and of course I was obsessed with it. So when this movie turned up in the cable guide described as "Lynchian" and had THE Sherilyn Fenn listed as a cast member, I knew I had to see it. It's fucking terrible, but it was the first time I was ever exposed to Paul Bartel, who was a major influence later in my life.

4. RESERVOIR DOGS - The first "art" film I ever saw in a theater. It didn't screen in Topeka, where I grew up, so I actually had to convince someone to drive me to Lawrence and see it at Liberty Hall with me. I felt pretty smart being the only guy in school who knew about Quentin Tarantino. Of course, now every fratboy in America has one of his posters up in their room, so what the fuck.

5. DEAD ALIVE - The first movie I ever tripped acid to. That lawn mower scene has been seared into my brain forever. Between this and MEET THE FEEBLES, Peter Jackson was my favorite director for a while. Now he's basically movie kryptonite for me.

6. THE CROW - Fuck yeah, The Crow. I used to be able to quote this movie by heart. The first time I completely, unashamedly, openly loved a movie that was total fucking garbage.

7. DRUGSTORE COWBOY - Another late-night Cinemax mainstay. They used to do a thing called "Vanguard Cinema" where they would screen blocks of contemporary foreign and independent movies. so this was usually sandwiched between stuff like TIE ME UP! TIE ME DOWN! and THE COOK, THE THIEF, HIS WIFE, AND HER LOVER. Touchstone for several future loves: William Burroughs, loud vintage shirts, and needle drugs.

8. RE-ANIMATOR - A friend of mine-- who later went upriver for chopping a dude up with an axe-- loaned me a vhs of "underground" vampire movies he'd ordered from one of those old tape-trading lists (I'm pretty sure one of them was DARKNESS, that rad super-8 gorefest shot in Wichita, KS), and whoever made him the tape had accidentally copied over RE-ANIMATOR. The last fifteen minutes or so popped up at the end of the tape, about when the intestines burst to life and begin choking Dr. West in the morgue. Another trip to Suncoast! I've owned more versions of this movie on various formats than any other flick in my collection, except for maybe RETURN OF THE LIVING DEAD.

9. HEATHERS - I don't even need to explain this one. Still one of my favorite movies. My daughter discovered this one independent of my influence. Great taste runs in the family.

10. AKIRA - Back in those days the best way to get this movie was to order it from the back of a fanzine or hope that someone at the comic store would sell you a VHS boot. A buddy of mine-- who later got his ass shot off in the Middle East-- gifted me a fifth-or-sixth generation copy, along with a dub of Queensryche's OPERATION MINDCRIME. That was the most metal summer of my life.

Runner Ups on this list: Blade Runner, Liquid Sky, Hard Boiled, Parents, True Romance, and Vampire's Kiss, of course.

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cinemasickness · 7 years

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The Cinema Sickness Crew spends the entire day media hunting at Saturday's Market, FYE, Suncoast, Goodwill, Blue Mountain Thrift Store, & Salvation Army! - Chris: https://www.youtube.com/cinemamanne - Jeremy: https://www.youtube.com/Opie0909 - Joe: https://www.youtube.com/MegaPodziIIa

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031cinephile · 6 years

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39th Durban International Film Festival Awards

The 39th Durban International Film Festival held its awards ceremony last night (Saturday, 28 July) at Suncoast CineCentre on as filmmakers and film-lovers gathered to watch the official closing film Rafiki, directed by Wanuri Kahiu.

A total of 17 awards were given out at the ceremony:

Best Feature Film: The Reports on Sarah and Saleem, directed by Muayad Alayan, and produced by Muayad Alayan, Rami Alayan, Hans de Wolf, Hanneke Niens, Rebekka Garrido, Rodrigo Iturralde, Georgina Gonzalez, and Alejandro Duran. The award is accompanied by a cash prize of R50 000.

Best South African Feature Film: High Fantasy, directed by Jenna Bass and produced by David Horler and Steven Markovitz. The film received a cash prize of R25 000.

Best Documentary: New Moon, produced and directed by Philippa Ndisi-Hermann. The film received a cash prize of R25 000.

Best South African Documentary: Sisters of the Wilderness, directed by Karin Slater and produced by Ronit Shapiro. The award is accompanied by a cash prize of R25,000.

Best Direction: Constantin Popescu for Pororoca

Best Cinematography: Liviu Marghidan for Pororoca

Best Screenplay: Jennifer Fox for The Tale

Best Actor: Bogdan Dumitrache for his role as Tudor in Pororoca, directed by Constantin Popescu

Best Actress: Maisa Abd Elhadi for her role as Bisan in The Reports on Sarah and Saleem

Best Editing: Anne Fabini, Alex Hall and Gary Level for The Tale

Artistic Bravery: was won jointly by High Fantasy, directed by Jenna Bass and Supa Modo directed by Likarion Wainaina.

Best South African Short Film: Stillborn, directed by Jahmil X. T. Qubeka and produced by Huanxi Media Group, Xstream Pictures, and Yellowbone Entertainment. The film received a cash prize of R20 000 sponsored by the Gauteng Film Commission.

Best African Short Film: Aya, directed by Moufida Fedhila and produced by Appel d’Air Films. The film also received a cash prize of R20 000 sponsored by the Gauteng Film Commission.

Best Short Film: -The Patience of Water (La Paciencia Del Agua), directed by Guillem Almirall,. The film received a cash prize of R20 000 from the Gauteng Film Commission.

Audience Choice Award: The State Against Mandela and the Others, directed by Nicolas Champeaux and Gilles Porte, which received a cash prize of R25 000.

Amnesty International Durban Human Rights Award: Silas, directed by Anjali Nayar and Hawa Essuman and produced by Appian Way, Big World Cinema and Ink & Pepper Productions

Best Wavescape Film: Heavy Water, directed by Michael Oblowitz

DIFF has recently been included as a Documentary Feature Qualifying Festival by the Academy of Motion Picture, Arts and Sciences, which means that both the winners of the Best Documentary, New Moon and Best SA Documentary Sisters of the Wilderness, will now automatically qualify for consideration for an Oscar nomination.

The Shorts jury included creative media education and development specialist Alicia Price and Leon Van Der Merwe of the Cape Town International Film Market and Festival. The fiction feature jurors were SA Producer Bongiwe Selane, Nigerian actor Hakeem Kae Kazim and Nigerian actress Nse Ikpe-Etim. The documentary film jury included South African producer Uzanenkosi, Zimbabwean producer Nakai Matema, and Nigerian filmmaker Mahmood Ali-Balogun.

The festival continues until Sunday, 29 July, at various venues around Durban. DIFF 2018 is part of a month-long feast of film in Durban, including the BRICS Film festival and industry programmes, the Durban FilmMart, Isiphethu, Talents Durban, and the Nature Environment and Wildlife Film Congress.

See www.durbanfilmfest.co.za for more information and the programme.

#Durban International film festival #diff2018 #awards ceremony #closing film #Rafiki

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope at Regal Park Place Stadium 16. 80's day at Emerald City Comics. #ghostbusters #suncoast #group #cosplay #wonderwoman #batman #nightwing #flash #dccomics #supergirl #starlord #marvel #pirates (at Regal Cinemas Park Place 16 & RPX)

#wonderwoman #dccomics #supergirl #starlord #flash #marvel #batman #cosplay #nightwing #ghostbusters #group #suncoast #pirates

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope at Regal Park Place Stadium 16. #ghostbusters #suncoast #group #cosplay #ameeicandream #blackwidow #marvel #avengers #spiderman #rogue #gambit #xmen (at Regal Cinemas Park Place 16 & RPX)

#suncoast #blackwidow #spiderman #marvel #xmen #rogue #gambit #cosplay #avengers #ghostbusters #ameeicandream #group

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope at Regal Park Place Stadium 16. #ghostbusters #suncoast #group #cosplay #marvel #xmen #gambit #spiderman #avengers #ameeicandream #blackwidow #starsofhope #regalcinemas (at Regal Cinemas Park Place 16 & RPX)

#group #ameeicandream #regalcinemas #xmen #ghostbusters #suncoast #blackwidow #marvel #cosplay #gambit #avengers #spiderman #starsofhope

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope at Regal Park Place Stadium 16. #ghostbusters #suncoast #group #cosplay #marvel #spiderman #captainamerica #ameeicandream #blackwidow #avengers #gambit #xmen (at Regal Cinemas Park Place 16 & RPX)

#xmen #blackwidow #suncoast #gambit #cosplay #spiderman #captainamerica #avengers #marvel #ameeicandream #group #ghostbusters

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suncoastghostbusters-blog · 7 years

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Raising money for Stars of Hope and hanging with the staff at Regal Park Place Stadium 16. #ghostbusters #suncoast #group #cosplay #starsofhope #regalcinemas #superman #wonderwoman #dccomics (at Regal Cinemas Park Place 16 & RPX)

#wonderwoman #group #superman #dccomics #cosplay #suncoast #regalcinemas #ghostbusters #starsofhope

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