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#that was me watching the entire film
wineonmytshirt · 1 year
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all of this is temporary.
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ragsy · 6 months
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If the media landscape is going to be just remakes and reboots from now til the end of humanity, can we at least start doing what Scott Pilgrim Takes Off did, which was recontextualize its previous iterations rather than overwrite them? It never said "the books and the live action film are in the trash now, this is the new canon." What it actually said was "the books and live action film are my predecessors, I will build on what they made and have conversations with what they said." And I think that fucking rules
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ingravinoveritas · 20 days
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Love like that will surely come my way...
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abrahamvanhelsings · 2 months
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crozier being kidnapped and telling goodsir not to worry because edward will be there on the morrow, completely sure of it, like it's inevitable. edward in fact immediately going to rally the men to get crozier back and finding they held a vote without him and it's been decided they'll leave without crozier (and without the sick). edward having the choice between being left alone with no chance at crozier's rescue or his own survival, or taking up his duty and leading the men onward. crozier in hickey's camp believing in edward's sense of loyalty and edward not showing up, not knowing how edward fought for him. crozier showing up at the final camp seeing edward mutilated but alive like he told him to, only to die. thinking about edward's absolute sense of loyalty to his captain and duty towards the men tearing him apart and it never saves anyone
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kenobihater · 3 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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goldenrubygirl9 · 3 months
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Everything is fine
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theinfinitedivides · 7 months
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runs in the family
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echofades · 1 year
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LEVERAGE: REDEMPTION | 2.06 The Fractured Job
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wattemeer · 2 years
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kitties
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parkercore-69 · 2 months
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thank you J.R.R. Tolkien for writing the most devastating romantic subplot in your lotr books without even realising it
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wardenmages · 9 months
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Livescreamers (2023) dir. Michelle Iannantuono @octopunkmedia
"You're stronger together. You always have been."
Watch the full trailer on youtube
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hella1975 · 8 months
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girl help she’s watching iphigenia (1977)
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thewhizzyhead · 1 year
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actually im gonna elaborate on why i am like genuinely surprised that i like the d.e.b.s movie aka that sapphic cult classic movie from 2004 because going into it, i was expecting a tension-filled enemies-to-lovers story because of all the gifs i saw on here before + the premise being between a spy and a master thief. so with that in mind, i was genuinely taken aback with how the first meeting between Amy (the spy) and Lucy (the thief) turned from an "Oh-My-God-Sorry-For-Running-Into-Yo-Oh-Shit-You're-The-Enemy-I'm-Gonna-Point-My-Gun-At-You" to a very friendly conversation with handshakes and introductions and lowered guns and wide smiles and everything! Couple that with the fact that Lucy - a federally wanted criminal - never does anything diabolical in the movie and only launches her schemes to chat with Amy and you get a more-or-less chill lesbian romcom with spy shit as the backdrop! like,,,given the initial enemies-to-lovers/thieves-and-spies premise i was not expecting the love story to be this chill and yet it is! and i actually really like that! damn,,,i want more of that actually
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theinfinitedivides · 7 months
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you didn't have to tell me to come twice yk i'm already on my knees as it is
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irn-bru · 1 month
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just started smallville. what the FUCK is happening
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splorpo · 2 years
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Thoughts on Goncharov?
Yes, there are nuanced themes regarding the unacknowledged yet ever-present American influence in an Italy previously ravaged by war, and we could dissect how carefully those are threaded into the narrative all day, but I really want to turn everyone’s attention to the actual craft of the film. While the pacing is not perfect, the filmmaking itself is phenomenal.
Everyone likes to bring up the scene at the clocktower. Clock symbolism. Time symbolism. Numbers ticking down. A truly fantastic sequence, yet I don’t think I’ve seen any actual discussion of how deeply integral the circle is to the visual language of the film. Everything about the frame is circular—honing in on Goncharov like a predator stalking its prey. There is a subtle tightening of the frame up until we hit that famous tower sequence and it explodes into a relentless torrent of shots wider than any we have seen before. And this scene too is cyclical in nature; though Goncharov and Andrey pursue each other across its winding steps and terraces, this is not where their confrontation takes place, as each seems to outpace the other around every new turn, as they have for years. It becomes unclear who is pursing who.
And this is for a very specific purpose, as it is where the narrative folds in on itself and the seed of doubt is planted. Maybe Katya left him for a reason. Maybe Andrey has, all this time, been consumed with righteous rage. Maybe Goncharov is as unreliable a narrator as the camera.
When the two finally meet again it is in Goncharov’s office. Andrey sneaks in through the window and we finally get that scene we’ve been waiting on the edge of our seats for. But it is quiet, and solemn. Sort of sad. And beautiful in the ways that it deepens those shades of gray—refusing any clear-cut answers as to who exactly its protagonist really is, the scene itself mirroring the exact staging of the very first shot of the film, where Goncharov sits at his desk, smoking alone. From that first frame, the clock on the wall looms over him, silently whispering that his days are numbered. After all, a clock only stops when it dies.
This is maybe one of the most fascinating and wonderfully constructed films about a character living on borrowed time—a concept that is fully embodied in every aspect of its filmmaking. Really grateful that people dug this one up and inspired me to rewatch it! It is a masterclass in visual storytelling, which in itself is intriguing, as a lesser film would certainly have gotten bogged down in the talky-ness and intrigue of its premise.
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