this impromptu vacation had been a rollercoaster. from the racist butler, to oliver practically leaving her to the wolves. and by wolves, she meant viktoria. all the negatives were overshadowed by the presence of walt. he made her feel welcomed [ . . . ] safe amidst all that went awry at night. evie didn’t believe in ghosts, but this building was clearly haunted. another night of being startled awake, @unfaes coming in like a knight in shining armor. a few kisses had been shared throughout the evenings, but he was always a gentleman. uncommon with men from this decade. her arm was tucked around his middle, head against his chest, ❝ how on earth do you manage to sleep here? it’s so creepy! ❞ her nose scrunched up, glancing up at his distant stare. oh, what she would give to figure out what went on in his head, ❝ beautiful... but creepy. ❞
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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Adult Taang in TLOK
Like come on, they were serving looks and justice. I can't believe the original creators of ATLA looked at them and didn't see the vision, the power couple they could have been... Like come on LOOK AT THEM!
As much as I hate what TLOK did to Aang and Toph's characters (Aang a neglectful father? Toph becoming a cop? Aang being a grouchy, serious man?) - they did kinda nail their adult designs. Like if I was Aang I wouldn't have gotten on my knees and begged for Toph's hand in marriage.
Also, in my delusional interpretation, Aang was reaching out for Toph in the last GIF. And the fact Yakone looked at Aang like that after he did what he did to Toph... Yakone knows! YAKONE KNOWS THEY'RE IN LOVE!
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Anybody else notice how the Entity is getting not only more complex with every update, but also more and more alive? To the extent that it can now get up and walk? To the extent of implied organs, implied magic? And meanwhile, coincidentally, Grian seems to be losing his sense for his own durability. Stood right there and took a hit from a trident thrown straight up, expecting to live, but didn’t. The surprise in his voice when Keralis was able to take him out in one punch. Having less health than he expected to have is becoming a trend...except for that time in front of the Rift.
“...I didn’t die?”
You know. The last near-death incident before the over-estimations started happening.
Debt is a powerful, powerful thing. Perhaps the Rift, and the Entity it spawned, know that. Perhaps that loan of life to Grian was the permission they needed to start taking back their due - slowly, of course, so that he never quite notices.
Slowly, of course, one sip of life at a time, so that the thing at the other end of the straw can feed in steady peace. Because debt and deals might rule the eldritch, but equivalent exchange rules nature, and the Entity is above all else both. Life cannot simply spring from nothing, not without cause, not without fuel. Grian is the reservoir of life that the Entity is pulling from. As it grows, he depletes.
Maybe the Rift is a conduit, the pipe for the transfer to take place - or maybe it’s the mastermind, or an impassive observer, or hey, maybe it’s just a coincidental tear like any other tear. Randomness is a law of nature too. But the idea that the Entity’s growth will be capped by how much life and power is left to be pulled from Grian is terrifying in MULTIPLE ways and I’ll be turning it over in my brain for the rest of the day at least
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Random Mario headcanon: while Peach does have powerful magic, she actually doesn’t know how to use it, at least not by herself. Basically to use her magic she needs to trigger a “spark” of sorts, but has no idea how to do so and as a result can’t use it unless someone else triggers that spark for her.
Explaining how it works in the games’ canon and giving some more details on my Toadstool magic hcs (spoilers for pretty much all the RPGs + Showtime’s ending; 1k words below):
- In Paper Mario 64, Kammy calls Peach’s action “wishes from normal people”, meaning she’s not using any particular magic.
- In Thousand Years Door, she uses healing magic upon regaining some control from the Shadow Queen. Considering the Shadow Queen is using magic, possibly Peach’s magic, it means Peach could have been able to access it in the moment.
- In Mario and Luigi Partners in Time, the Cobalt Star could have been the one with the magic to imprison Elder Princess Shroob, or it triggered Peach’s magic. Though the fact Peach can summon stars at the end kinda shows she can use magic on her own.
- In Bowser’s Inside Story and Dream Team, Peach only uses magic when Starlow is using her own magic as well, meaning Starlow could be the one triggering hers.
- Ok I’ll be honest I can’t explain it for Super Mario RPG other than “she’s not actually using magic” or “Geno is a spirit of the stars so his presence would unlock her powers”, though in that second case it doesn’t even fully work since the whole point of the team looking for stars is that wishes can’t be granted anymore.
- In Showtime, Peach’s magic ribbon comes from Stella, same for the outfits. Her Radiant transformation also comes from the hopes and dreams of the Theets fused with Sparkles and Stella. I could also see Stella triggering Peach’s magic in the case of the ribbon + Radiant.
- In Super Princess Peach, you could imagine that the Vibe Scepter is basically letting out “particles” of emotions in the air, and when one touches someone, it affects them. For Peach, her magic would protect her by absorbing those particles, but it also causes her magic to accumulate them.
Because of that, whenever she feels a strong emotion, all those particles her magic gathered get released at once, thus giving her those powers. So the powers wouldn’t come from her using her magic willingly, instead her magic does its own thing and she has to realize it and work around it.
As a result, she can control when the powers get triggered by keeping calm as much as possible and thinking of happy/sad/angering things when needed (or other methods like pinching herself to cry or asking Perry to insult her to get angry, dumb funny things like that).
This could also explain why there’s a timer that then needs to be refilled when using emotions or even why emotional enemies don’t get powers like she does but instead just move faster or in a different pattern, as they would have less emotions in them since the first particle that touches them would influence them.
- In case it needs to be said, everyone in the sports games have special abilities so I don’t consider those to be her using magic.
So yeah, while there are obviously instances of her using healing magic that negates this idea, it still holds up to an extent. And it’s especially interesting to headcanon when you consider how many RPG villains know how to exploit her magic for themselves (Cackletta, Fawful, the Shadow Queen, Antasma tried before turning to Bowser, I like to think the Chaos Heart was born from an exchange of two widely different magics with the wedding being the ritual needed to create the heart specifically).
Going deeper into this idea, I hc that in the past all Toads had magic but the Royal Family eventually discouraged everyone from using it aside from them. History books would say it’s to protect the population, the truth is that the Monarchy wanted that power for themselves and/or were afraid of the people taking over the throne if they can be more powerful than them (especially since I hc that it’s common for rulers to marry citizens, as long as said citizen is able to handle the work that goes with becoming royalty; this is also why each kingdom still has a ruler the same species as them after centuries of those kingdoms existing).
There would still be some Toads who kept their magic (like the doctor from Bowser’s Inside Story) but they would be incredibly rare on top of trying to keep it a secret just in case them having it is forbidden as there would be no written law saying what is and isn’t allowed on that front.
As such, the knowledge of how to use these powers is told from parent to child, with sometimes another person being given the info in case the rulers die before their heir is of age to learn. In Peach’s case, her parents’ death was a complete surprise, meaning no-one had that knowledge.
So for the longest time, she didn’t even think she had magic. And when the RPGs happened, she would’ve tried to use it herself but can’t find the thing triggering its use, taking a while to come to terms with the fact that she could never use it by herself, but that doesn’t mean she can’t be a hero in a different way.
And for those asking why doesn’t she use a Koopa wand, this goes into this idea of the Chaos Heart being born from mixing Koopa and Toadstool magic. She’s afraid that trying to learn the Koopa ways of using magic might cause another catastrophe, which it probably would.
Last small thing, outside of angst the main reason for this headcanon is to justify both Peach never using magic outside of RPGs and the fact she goes from being able to yeet Bowser out the window in one game to being completely helpless against two paratroopas holding her in the very next game of the same series. Basically it’s to explain the inconsistencies with it.
It can also justify the Mushroom Kingdom not falling into the hands of Koopas, Goombas etc before Mario and Luigi were around despite Toads being unable to defend themselves in the present time (basically the Toadstool family was able to use their magic to boost the strength of their army, which Peach can’t do).
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