Tumgik
#they're like ghosts back there
postingcards · 30 days
Text
Tumblr media
interior of unknown cave rppc, ca. 1950s?
2 notes · View notes
temeyes · 7 months
Text
Tumblr media
when will my big skull man come back from the war,,,,,,,,,,
1K notes · View notes
puppetmaster13u · 5 months
Text
Prompt 89
 The young justice team is in a bit of a pickle. It had been a usual mission, Klarion causing mischief again, before someone had mentioned the date. 
 The literal chaos lord had shrieked, stopping his attack, and asked for clarification. Maybe that wasn’t a good idea because one moment they were in Happy Harbour, and the next they’re somewhere else with green everywhere and floating islands. 
 And Klarion doesn’t explain- not that they were expecting him to- and just bolts into a… wow that is a very big and scary looking castle. Keep? Honestly it’s if someone combined a gothic citadel with a clocktower of some sort. 
 Not important, because they had chased after Klarion who uh… Oh no, that is a Very big entity, that is two Very Big entities that could crush them in their fingers. And they are now stuck in this place seeing as the portal closed behind them. 
 Honestly Klarion is happy he made it home before curfew! Even if he had to bring his sort-of-friends with him to make it in time. It’s not his fault, he’s not used to having a guardian, nevermind two! Not to mention siblings, which he’s now the oldest of too, so he has to be a positive influence. Like teaching them how to properly do chaos without destroying a world. 
 Oh, but this is perfect anyway, one of his dads has been wanting to talk to the speedsters anyway, and his other dad is still under house arrest for the whole, trying to take over the living realm thing. But that’s not important, he has little siblings to introduce! 
841 notes · View notes
starry-bi-sky · 2 months
Text
I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#dpxdc prompt#this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B#thanks for being my little stress ball danny#aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts#in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au#my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience#do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed#therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be#*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so#just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i#danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o#the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀
441 notes · View notes
hughmanbean · 4 months
Text
False Corpse and Supposed Defilings of a Collegue and Child
So, we all love misunderstandings and miscommunication. Obviously. So, Danny's ghost form is very much frozen at 14, and he is working with the Justice League on the basis of Ghostly MattersTM. He was able to make a duplicate of himself for class because he had to help the League with a very important matter with guidance from Vlad, but it was very much rushed and just outright died at the end after it got back.
So Vlad has to bury it, but someone sees him doing that. Anyone, really. Dash, Lancer, Val, someone not in the know. And Danny isn't seen for a while. The League do not think Danny is an immortal God, and "know" he's a dead trans boy from Illinois who wants to save people.
He makes offhand remarks about Vlad, and even if the two of them are on good terms now Vlad's actions seem outright despicable without context. Danny's used to Vlad's ridiculousness so he doesn't see him in that light and can't really conceptualize that it could even be considered.
"You know how it was, obsessed with me and my mom, despised my dad. Said I took after her."
"Oh you know, he made a daughter with me, not that I had a choice in it. I love her with all my heart, though."
"Yeah, he was a real fruitloop. Ranting about I would be his and all that."
This is very much concerning so the League, so they investigate, and the person who saw lets it slip. They also do spot Ellie, and she just chats with Danny's work friends she heard so much about. Doesn't outright say she talks with Danny still, or she knows him presently. Says how much she loves her papa, and hasn't seen her dad in forever. (A collective wince from the JL since, well, said dad is dead.) Mentions how Vlad's a bit stressed, probably from DalvCO contracts. They also see Vlad acting so goody goody with the Fentons, take that as you will.
822 notes · View notes
natjennie · 4 months
Text
i think mostly we as a culture need to stop pretending media is for us and instead recognize that it's for the people making it. "the show didn't do the thing I wanted it to" is so not the point. did it do what the people making it wanted it to do? did it tell the story they were trying to tell? than it was successful. if that doesn't align with what you wanted to happen, don't get up in arms about it. don't badmouth the creators and throw a tantrum. that's what fan works are for. the text is the text, and it told the story it was telling. you wouldn't be like "ugh shakespeare is insane for act v btw like there was no reason for juliet to kill herself she should've just waited and then her and romeo could have been together wtf this ruined the whole play" like no!!! the themes were there the set-up was there the foreshadowing was there shakespeare did what he intended to. just because it wasn't a happy ending and just because you thought it should've went differently doesn't mean it was bad. read a fic where juliet lives and move on.
#this is about ghosts but honestly fandom in general#stop pretending the creators of things owe you certain story lines. they're making it not you#i explained it like this to my sister:#imagine you're reading a book and there are sort of hints and scenes that you take to interpret a character as gay#you cite quotes and talk about the themes and the impact of your interpretation#and then at the end of the book the character comes out as asexual.#and then a lot of those scenes and quotes that you were using as evidence for your interpretation-#now they could be construed to have been pointing towards them being ace all along#just because it wasnt the end you fabricated in your head based on your understanding of the hints#doesn't mean it wasnt always the writers plan from the beginning.#AND it doesnt mean you can't keep imagining a world where they're gay instead#it just means that the writer was leaving those clues to point you towards the ending#and you interpreted the clues differently#bbc ghosts#ghosts spoilers#bc like. if last resort was the ending#you could 'read' the whole series with the understanding that they weren't going to leave the house#and the foreshadowing would add up#but now with the special. you can go back and 'read' the series with the understanding that they leave#and it still all adds up. the foreshadowing was there it just meant something different than you thought.#stories have beginnings middles and ends#you predetermined the ending while still in the middle and got mad when you weren't right.#does that make sense?
329 notes · View notes
luxaofhesperides · 4 months
Text
Human/Mer AU + Bioluminescent Siren Duke ; requested by @justwannabecat!
The human hadn’t been in his territory recently. 
He wasn’t attached or anything, but Duke had started to look forward to seeing him around. It was equal parts exciting and terrifying to be under the curious, watchful eyes of a human who could so easily be dragged down into the depths. 
He knows he shouldn’t be doing this. He shouldn’t be indulging this human’s curiosity, trying to lure him closer time after time. Holding the attention of any human is dangerous; Duke’s heard the stories plenty of time. He’s seen the damage humans can do even more. 
There’s just something different about this human, who never dives too deep, who smiles at him and leaves little gifts in the tide pools tucked away from the rest of the beach, hidden from sight. Or rather, usually hidden from sight, since this human is the only one to go there. 
It’s foolish, but Duke actually misses his human. 
It’s not the first time he’d been gone for long stretches of time, but something feels off. There’s worry curling up at the base of his throat, making him swim to the surface more frequently. Steph had given him a look when she caught him, but didn’t say a word. She shouldn’t, really, when she’s been sneaking up to the surface for her own human friend, some small, dangerous human with dark hair and hands that speak more than a voice.
He’d seen her, just once, when he had gone up to splash water and his human then swim away.
Somehow, things felt easier back then. Like the horrors of the world couldn’t reach them among those tide pools. 
It’s reached them now.
Duke’s not expecting to see his human when he swims up to the surface. He’s expecting another quiet night, an empty beach, a dark sky with only the moon casting its lonely light down onto him. 
But when he swims up, his eyes go to a figure on the beach instantly. 
Even from this distance, Duke knows: that’s his human.
He doesn’t think before he’s swimming over, pushing himself faster than he’s ever gone before. It’s low tide, so he can’t get as close as he wants and can’t reach most of the tide pools at all, but it gets him close enough. Human and merfolk vocal chords are different; he can speak in water, but can’t make more than a few hums in air, and humans can’t really do anything in water at all. 
His human is sitting with his knees tucked into his chest on the beach. He’s hiding in his clothes, a hood pulled over his head, but he looks up when Duke drags himself onto the sand. 
Duke can see bruises. Dried blood. A stray tear slipping out of his eyes. 
He wants to ask what’s happened? But all that comes out is a low crooning noise. 
His human laughs, a quiet, bitter noise that makes Duke’s chest tighten uncomfortably. “Hey,” he rasps in a low voice. “Been a while, hasn’t it? I hope you’ve had a better time than I did.”
Duke can’t reach his human. The distance between them isn’t great, but it’s too much. He’s already partially out of the water, hands sinking into the wet sand just out of reach of the waves, and he can’t get any farther out. He reaches a hand out, silently pleading for his human to come closer.
The move makes his human soften, some of the hard edge of tension in his body melt away. He gets up and walks into the water, then sits down next to Duke, taking his hand. 
“I missed you,” he whispers. 
If they were underwater, Duke would be able to say I missed you too. Don’t ever go away so long again. But his human is in no shape to go underwater right now, so Duke presses his hand against his lips and hums lightly. 
They sit in silence for a moment, and Duke realizes that he’s never been this close to any human before. It doesn’t feel dangerous. It feels like relief, to finally have his human in his reach, safe from the rest of the world. 
He gives him human another moment, then reaches out and carefully pushes his hood back. His human allows it, blinking at him slowly. Without the shadow of the hood, Duke can clearly see the bruise coloring his cheekbone and the cuts going down his temple to his jaw. His split lip is still red with blood, and what little of his throat isn’t hidden by his clothes reveals more bruises wrapped around the delicate column of his neck. 
Duke ghosts his fingers over each of these injuries, hating how easily humans hurt each other. His human leans into the touch despite how it must hurt, something devastating in his expression. 
Who hurt you comes out as a questioning trill. Somehow, it gets the point across.
“It’s alright,” his human says. “Really. I’m not even that hurt. It’s just been a long few months. We never talk much, so you wouldn’t know this, but I have to fight a lot of people. Perils of being a hero, you know?”
Duke knows about heroes. More specifically, he knows about mer heroes. He’s considered being one himself, but the currents shifted and he ended up more a loner, banding with the other rejects of the city to live in the fringes and help only those who wander out too far from the marginally safer waters within. 
He hasn’t heard of any human heroes, but then again, he doesn’t know much about humans at all. Nothing beyond the stories all parents tell their children to scare them away from the surface, or the horror stories kids tell each other in the middle of the night when they want to scare each other.
He hums again to let his human know he’s listening. His human has such a nice voice. Why haven’t they done this before? 
It’s always been a push and pull between them, carefully keeping their distance but always circling back to each other. Duke would let his human swim with him, and his human would let Duke sit safely on the other side of a tide pool, tossing sea shells back and forth between each other.
They don’t even know each other’s names. 
He wishes, just for a moment, that he could go back in time and do things better. But he’s happy here with his human and he doesn’t want to lose this either.
He’ll just have to make the best of what he has. It’s how he’s always lived after his parents disappeared.
“This really isn’t that bad,” his human says, “I’ve taken worse hits before. It’s just that I couldn’t transform before the attack started, so now my human form is bruised too.”
…Human form? The more Duke hears, the more questions he has. 
Duke hums at a lower octave, placing a hand over his human’s chest. 
His human laughs lightly. “Yeah, I guess we’ve never really talked much about ourselves, did we? I’m human, don’t worry, just not all the time. I… actually, I died a few years ago. But I came back partially. So I’m also half dead still and I can transform into a ghost to fight threats. I’m a hero called Phantom. Actually, Danny Phantom since I was stupid enough to just give out my first name when I started out. In my defense, my brain was still a little fried.”
There is so much he wants to say to that. He tries, and makes a series of low hums and clicks in the back of his throat, staring at Danny (he finally got his human’s name!) incredulously.
“I promise I’m fine,” Danny continues. “It was just a bit rough. As soon as I get some time to recover, I’ll be good as new! And I really did miss you, you know. Didn’t even go home first, just come straight here.”
That’s honestly really sweet. Duke hums again, a lighter pitch, and takes hold of Danny’s wrist and tugs him towards deeper waters. 
“What? You want me to go in?”
Duke nods, already shuffling his way back out of the sand. 
He expects to look awkward during the process. What he most definitely doesn’t expect is for Danny to easily pick him up and walk them both into the ocean.
Listen. Duke is not a small mer. He’s big. He’s got a long, heavy tail and wide fins going down his back, his forearms, and the sides of his tail. It’s a struggle for him to fit into seaweed nests with his friends during the colder seasons, often left to balance on the edge with his tail hanging out. His friends struggle to pull him through the water with his weight. His parents weren’t able to hold him much after he started growing.
None of this matters to Danny, who acts as if Duke weights nothing at all. 
To his great embarrassment, his fins flare in appreciation for Danny’s strength. He was not expecting a human to be so strong, but Duke’s not about to lie to himself and say it’s not attractive. 
He trills to Danny, who laughs again, then falls into the water, taking them both under. 
Duke doesn’t hesitate. He grabs hold of Danny and swims them further out. He stays close to the surface so Danny can rise for air as needed, but he makes no move to leave Duke’s side even after a few minutes.
He glances back, concerned, when he sees that Danny is watching him with dark eyes, not breathing at all despite being conscious.
Danny holds up a finger and closes his eyes. Two rings of light appear around his waist, then split apart and pass over his body. Instantly, Danny’s body becomes lighter, as if Duke’s hand is grasping at a current on the seabed. His hair turns white and his eyes glow from how bright of a green they are, but there’s something inhuman about his features now, something that makes him look different beyond just physical features. 
Well. Danny did say he could transform.
Now that they’re underwater, Duke can finally speak. The first thing he asks is, “What was that?”
Danny grins at him. “That,” he says, speaking with ease as if he’s not underwater at all, “was my transformation. And this is my ghost form. Quite the look, isn’t it?”
“You can talk down here?! Also, hi, my name’s Duke. Since I never introduced myself.”
“Ghosts can do a lot of things,” Danny answers with a cheeky grin. “It’s nice to finally know your name. I’ve been calling you glowfish in my head this whole time.”
“Glowfish?”
“Yeah. Because you, you know,” Danny gestures vaguely at him, “Glow.”
Duke glances down at his back fins, which are indeed glowing. They flare a bit from embarrassment, which just makes the dots of light lining the fins more visible. He doesn’t glow a lot, keeping a tight hold of that ability, but sometimes it comes out anyways when he’s feeling especially happy.
And apparently, he’s always very happy around Danny. 
It’s a good thing Danny doesn’t know what that means, because if anyone of his friends found out, they’d laugh at how obvious he’s being. Drawbacks of being somewhat bioluminescent: anyone familiar with mers who have this feature know exactly what the glow means. 
“Right,” he says just a beat too late. “Well, now that we know each other’s names, can you tell me how you really feel? Those injuries didn’t look too good.”
“It’s fine, really! I take harder hits all the time.”
“That doesn’t mean it doesn’t hurt.”
Danny doesn’t answer for a long moment, then sighs. “Yeah. It still hurts.”
“Stay with me for tonight,” he says. “You’ll be safe. You can rest and heal and I’ll keep you safe from anything that comes looking for you.”
“You don’t have to—”
“I want to.”
Danny doesn’t put up much of a fight. He must be exhausted. “Yeah, alright. Take me away, Duke. You know, this is like those stories about sirens luring sailors down into the depths.”
“Well, I am a siren.”
“Wait, really?”
“Yeah. I take after my mom. She’s the one who taught me how to sing.”
“I guess it’s a good thing we’re friends so I don’t have to worry about being dragged down to my watery death.”
Duke snorts. “Good thing you’re already a ghost then. Not much I can do to you down here.”
He swims down, heading towards a small cavern in a sea rock that he’s claimed as his own, leading Danny into it. The light from his fins illuminates the entrance and the rocks within, a narrow passage that goes in for a few meters before opening up into a larger space full of carefully tended to seaweed and starfish decorating the walls. 
There’s a nook tucked away in the back wall where he’s set up a seaweed bed, the plant braided together into something more solid. It’s big enough to fit his tail, which means it’s big enough for him and Danny. 
“Here,” he says, helping Danny down. “Get some sleep. Then you can tell me about what happened in the morning and we’ll take it from there.”
“I’m glad you’re here Duke,” Danny whispers, curling up on his side.  He holds Duke’s hand, twining their fingers together, and it’s as nice as it is strange to feel how cold Danny is in this form when he was so warm as a human. 
“I’ll always be here for you. You just need to come back to me.”
Danny hums, but doesn’t answer. It’s alright; Duke’s used to his loved ones leaving. He knows he can’t make them stay. All he can do is hope they return one day.
It’s been a long time since he’s had anyone in his home. There’s a communal cave where his friends stay that he visits when he gets lonely, but this place used to be for his family. Now it’s just him.
Him and Danny. 
The last time there was song in these walls, his mother was still around, singing him lullabies. 
Looking down at Danny, curled up and so strangely fragile looking, Duke feels the song build up in his chest. It slips out in low, soft notes, an old melody passed down through generations of their family. 
He sings Danny to sleep.
He sings and sings and sings until all his nightmares are soothed and dawn is almost upon them. 
It’s all he can do, so Duke sings and hopes it’s enough to keep Danny close to him for just a little longer.
297 notes · View notes
fictionadventurer · 5 months
Text
What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?
A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.
But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.
There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.
Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.
175 notes · View notes
spaciebabie · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
he loves it!
thanks @kabra-malvada for the absolute BRAIN BLAST of an idea
805 notes · View notes
natelia-aldelliz · 1 year
Text
Guys imagine, Roach died, before the creation of 141, but Soap is able to see his ghost. He was originally following Ghost around, really annoyed that he was using his death as an excuse to not get close to anyone, but when he found out Soap could see him and talk to him he started following him around instead.
And they get really close, like two peas in a pod, except they have to be discreet about it because no one else can see or hear Roach, and they'd think Soap was crazy if they saw him talking to no one.
They use that for shenanigans too: Roach will go follow someone else and report back to Soap, Gaz is genuinely starting to believe Soap has superpowers or something. It's really useful on missions as well, and Soap managed to successfully rescue team members thanks to Roach being able to move through walls and everything.
(Roach is not the only ghost Soap is able to see btw, just the only one he's talking to.)
And then Roach is witnessing his past lover trying really hard to not fall in love with Soap, and Soap trying really hard to not do anything about the love he already feels, and he has to try and convince Soap that he is dead. During that conversation he finds out that something else that keeps Soap from doing something is that he feels very confused about everything because he also has feeling for Roach.
So now Roach has to try and convince him that even if he was still alive he wouldn't have a problem with that. He's known for a while that he was polyamorous, but he hadn't really dared talking to Ghost about that because he thinks he's jealous and possessive.
And Soap is like "oh yeah, you want me to go say to Ghost 'don't worry about your dead lover that I'm not supposed to know, he's actually polyamorous and also in love with me, I know because his ghost told me!' ??? I'm sure he's gonna take that well!"
But Roach is nothing if not resourceful and he manages to put Soap in situations where he's forced to interact with Ghost, and eventually they kiss and their relationship is beginning to be something. They're not really sure what.
And Roach is sad, because he has to watch the two men he loves being in love without him, yes, but at least they're both happy, and it makes him feel a bit better. And then during a mission Ghost almost dies.
Because he was alone and Soap and Gaz were together, Roach was following Ghost this time, ready to fly to Soap in an instant if there was any problems. But there was and he didn't have time, so he instinctively grabbed the gun being pointed towards Ghost's head and moved it as the person was shooting, saving Ghost's life, giving him enough time to shoot the enemy himself.
But even as the threat is eliminated, Ghost is still looking up from where he's on the ground, staring right through him, looking shocked. No, not right through him, he realises when he moves to the side and Ghost's eyes follow him. He also realises that he grabbed the gun. He's never grabbed anything before, in all his years of being a ghost.
Then suddenly Ghost's eyes move wildly around, and he figures he disappeared from his view. He can still go through the walls, but he's kept the ability to grab stuff when he wants. It gives him a ton of new possibilities, to fuck with people and, of course, to touch Soap.
"I wish you were actually alive," Soap whispers to him, holding his hands against his face as he's falling asleep.
"What the fuck," comes Ghost's voice the next morning, waking both of them up - wait, since when could Roach sleep?
Soap doesn't understand immediately, because he's always been able to see Roach. But Ghost is standing in the door, looking straight at dead past lover.
Turns out Soap is a necromancer and he had no idea, though the whole 'I can see dead people' should probably have told him sooner that he wasn't normal... The more he wishes Roach is alive, the more he actually is. And they all end up happy and together. And Gaz is very happy to have won the bet that Soap indeed has superpowers.
The day Roach says, in a wondering voice, "I... I think I'm hungry" is the day they understand that something is really happening and he's actually coming back to life.
(Also, Soap has no control at all on his abilities, he has no idea what does what and why, he knows nothing. No one knows.)
517 notes · View notes
moss-on-trees · 1 year
Text
dp x dc prompt: "never ever let a fenton drive", or team phantom's dimension-hopping adventure
danny inherited the abysmal driving skills of his parents. the people in amity park are used to it though so this wouldn't be such a problem if he hadn't started learning to create portals recently, as seen when he opened a portal under his car while driving to avoid crashing into someone else while pursued by the GIW (sue him, it was a stressful situation). jazz is passed out right next to him, sam and tucker are screaming in the backseat while dani's cackling between them, adrenaline junkie that she is. the car is falling into the ghost zone and right out of another natural portal. they land right in front of a group of weirdos dressed in colourful costumes.
"... the only reason why i'm not killing you a second time is because this city looks super goth," says sam, waving the fenton thermos threateningly.
"there's nothing stopping me," mutters tucker, eyeing the costumed people warily.
danny squirms. "well, at least the GIW can't get us there?"
457 notes · View notes
puppetmaster13u · 5 months
Text
Prompt 119
Another divine twitch chat Au? Another divine twitch chat Au. With a bit of a twist. 
Billy would like to say it is in fact not his fault. It’s really not. Who hits someone with magic they obviously don’t know how to use? Well okay maybe he had done that before, but it’s not like he ever did it around other people where they could get hit! 
But someone was an idiot and now he’s here, as his normal ten-year old self kicking his legs while sitting in the Watchtower as the others argued. Apparently the League thinks he’s been de-aged, which is good as his secret isn’t out. 
The uh, issue is that something about the spell might have um, partially manifested the gods- or as he called them the Mediterranean Magic Men, if only because of how annoyed it made Zeus. Now everyone can see the chat that’s usually only visible to him and apparently it’s concerning. 
He doesn’t see how it’s an issue, Zeus has been silenced for the next hour and Hercules has been dying of laughter for the last three. Oh, wait, it might be from Mercury’s constant attempted flirting with Flash. …Or the fact they’re trying to convince him to commit a crime and he’s honestly down for doing so seeing as he’s a homeless ten year old who is down for getting clairvoyance and super speed for the next thirty minutes in exchange…
395 notes · View notes
starry-bi-sky · 1 month
Text
i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
307 notes · View notes
notbecauseofvictories · 5 months
Text
I'm watching SurrealEstate, because "what if real estate was haunted as a matter of law, and also haunted haunted" is a good premise, even if the show is fairly boring in execution.
75 notes · View notes
natjennie · 4 months
Text
OKAY why do yall have to have the worst nastiest most rotted bad faith interpretations of things ever the episode was incredible what the fuck is wrong with you
40 notes · View notes
kqluckity · 8 months
Text
i hope qquackity comes back normal but everyone on the island thinks he's Weird because of how they remember him and how much like elquackity he actually is (except for the lack of empathy, i mean). they all look at him and think he's Weird but, like the wife in that one post, it's only because they have a sort of "idealized" version of him in their heads that makes the "actual" him strange in their eyes
59 notes · View notes