We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.
And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.
"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.
A child.
Now that's too big, surely.
But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.
And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.
In normal circumstances.
Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.
No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.
And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.
But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.
"Does it ever bother you Pond that your life existence doesn't make any sense?"
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if mike and eleven were really fine after the monologue, and their relationship was all great and fixed, why didnt mike walk up to her in the ending scene? why didnt he look her in the eyes, put his hand on her shoulder, and reassure her that theyll win? why didnt they show us that, despite everything that happened that season, they were able to make it through, and their relationship was able to survive after all that conflict? that their relationship was strong enough for that?
oh, wait...
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I Am All In Rewatch - Episode 1x14 (Part 2)
And this one it required a little it required another layer where it was sort of like, now you have to show that you're interested, that you really want her, but you know, be a little bit secretive about it, so it's not so super obvious and it doesn't turn her off. And and uh, that's what I enjoyed about it. It It was that sort of banter, that going back and forth. I mean he would go from dismissive to kind of relaxed and accepting to a little bit of a smile, like just like that, and then move in for a kiss and get interrupted and and then take you know, I liked that hit of beer I took when she left. I was like, jeez, I need a drink. I almost kissed her. It's like almost and denied again. I mean that's the second or third time he's been denied by an annoying town member...The universe conspiring against me. [The chemistry is so palpable. It's just so cool. And are you feeling that when you're acting those scenes, almost like you get pumped up by it? What does that feel like when you're just ping ponging and having those scenes? What is that like?] It feels great? It's fun it yeah, it feels like a couple of tennis players playing a nice point, you know, just like hitting the ball, hitting shots, hitting shots. But I think it's because I think that relationship works. And this is this is what is dawning on me a little bit here as I watched these episodes, is that Lorelai's a very rebellious personality. She just is and that's why we love her because she's unpredictable and she's rebellious and you never know what's going to come out of her mouth, but you know it's going to be something funny, or it's going to be something a little bit of reverend and that kind of a thing. And she does it in the in the in the beginning the dinner scene again, which I thought was just brilliant hysterical...When she encounters me, she's encountering somebody who is even more rebellious and more irreverence, so it almost makes her look and feel lighter. it's a good it's a good chemistry because I'm a sort of a darker, heavier presence, but still rebellious and irreverent with a heart not like her. She's got a heart for everybody. I've got a heart for her and Rory, and that's pretty much about it, you know. So I'm very limited in how I can use my heart. So it's like, you know, the chemistry is that she's going to be able to focus her heart maybe on me in a romantic way, and that she will open up my heart so I can lighten up and love other people as well as her. So I think that's the the sort of yang yin and the yang of it. -Scott
Um, but you know, it was just more of the tension, the sexual tension that was playing out. It's kind of the dance that they do before the consummation end. And that she convinced him to do it, and that she right, that was pretty major and it's such an excuse for them to spend all this time together. Had he not felt a certain depth of feeling for her, there's no way he would have agreed to that. And she handled it, uh, with real finesse. She was very careful about it, even to the point where she said, well, we're not going to paint over that that order that your father scribbled down. We'll do it the right way. So yeah, he was just like, man, I just want to kiss her. I just want to kiss her. I just want to kiss her. I just want to kiss her. I mean, he wants to kiss us so bad it pisses him off. That's probably why he's cranky all the time. You know, it's like he just wants to plant one on her. Man, he wants her. It's getting pretty good. Yeah, so we saw, you know, we saw, we got to see other parts of the diner in some detail and even talk about some of the things that were up on the shelves that he was in no way, shape or form going to give in on and getting rid of them at her request. There was no way. It was like, I'm I'm gonna let you do this painting thing, but you know, you're not going to change me completely. So it was like pretty much telling her, we get into a relationship, I'm willing to sort of compromise with you, but not 100%. So he's his own man. He's his own guy, you know, and he's i think entering a relationship or potentially in any relationship, you've got to establish the ground rules that yeah, I'll meet you halfway, but that's it, you know. So he's a he's a hardass. He wants her, but he's a hard ass for sure. He's as strong as she is. He's as tough as she is. I think she yeah, I think she likes the fact that he's never going to change and that she can't change him very much, you know, that's the that's this, that's how I approached it. I wanted him to be a rock of Gibraltar. He's got to be the rock he can't break ever. -Scott
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