did you really let them ruin that for you?
when i was younger i worked on a farm for 3 years. during late july and august we would have unfettered access to the strawberry plots. they were all warm and ripe and fresh. i think i ate a pound of dirt back then. i think i picked enough seeds out of my teeth to build a temple. the summer hours are long; i'd come home with the bruising stain of juice running in a seam along my cheeks and fingers and jaw.
why didn't you protect your precious things from other people? you knew this could happen.
i can't eat strawberries from the store anymore, they don't taste right. something about the florescent lights and the chill of them and the way they are absent from the vine. they feel bleached and bland, a wasted party dress. i watch other people eat strawberries and miss enjoying them. none of the store-bought strawberries will have mold or bugs, okay. they will be big and bright red and perfectly shaped. but they are not the ugly and real strawberries of my summer, awarded by the soil and the hot sun up ahead and hours spent crouched, plucking.
i didn't mean to let it get ruined. i wish it hadn't been. i miss having it. but i came back to it afterward and it just wasn't the same as it had been. i know love is never wasted. but it feels like - love did this. it's not that i never loved it, you know? it's that i did.
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"[...]Plus, when it rained, the palace grounds were pretty much empty, everyone else taking shelter, so I’d usually have the whole garden to myself. Perfect time to dance around like nobody was watching.”
“Dance around?”
“Yeah!”
(In which the vex prince sets out on a magical journey of a lifetime, and an unassuming avian knight is dragged along for the ride.)
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THE DOOR IS NON-EXISTENT ALREADY LAST BUT VERY NOT LEAST FOR HSBB FROM ME These are my pieces for @gaylotusthatexists's epic fic series "to the ends of the earth" again in @hermitshippingbigbang!! :D
This is for chapter 11 of the fic featuring THE DANCE SCENEEEEEE go. read it. it's so worth it i swear they are so SJKDADwijwa and the whole world Lotus has created within the fic is so cool!!
It's botw but epic and it's scarian and I might have immediately lost it when I saw the fic summary back in *checks dms with nox* September. and the actual fic did not disappoint it is absolutely lovely <3
GOOGGOO YIPPEE👉👉👉👉👉
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Is someone gonna talk about the use of signage in yesterday's episode? Do I have to be the one to talk about the use of signage in yesterday's episode?
I know we all saw the billboard beside Choso displaying the abilities of his technique in tandem with the narrator, but there were so many more great uses of the signs in the background to convey information.
The first sign (and also one of the first shots) that we see in the episode is a Pedestrian Do Not Cross sign overlaid by the sound of Yuuji running, followed by Yuuji's shadow itself taking up the position of the pedestrian on the sign. You can read this as the sign telling Yuuji not to proceed to where he's going or as an indication of how the upcoming fight will end for the viewer.
The next sign that we get is one telling us to Go Left, which doesn't really seem important, but I promise you, it is. We'll see a lot of arrows pointing left throughout the episode and every single one of them is pointing away from danger. Go Left to avoid danger, essentially.
These two signs are arguably the most important in the episode, but they aren't the coolest use of visual symbolism that we got, so lets keep going.
The third sign that we see focused on in the episode is a No Running sign that Yuuji passes that says "Do Not Rush. It Is Dangerous." Yuuji, of course, runs past it on his way toward the escalators that lead (for him) to Gojo and (for the viewer) to Choso.
Once he does get to the bottom of the escalators, Yuuji is attacked by Choso immediately and Choso's opening move (Convergence), once Yuuji moves his arms up and away from his face, slices up through the subway cieling and the road above to cut the Pedestrian Do Not Cross sign that we saw at the beginning of the episode in half.
We also get out first big Left Arrow, placed immediately in the foreground of the shot and pointing toward the aforementioned sign that's been cut in half (this will be important later), but in a another view, it also points away from station itself. Again, go left to avoid danger.
Our next Left Arrow is on the ceiling between Yuuji, indicating that he should go away from Choso. Interestingly enough, it also points toward the bathrooms that Yuuji will go into later once his fight with Choso in the hallway becomes too dangerous.
That same arrow falls to the floor between them once Choso gets mad after Yuuji tells him about Eso and Kechizu crying, this time pointing directly away from Choso.
Another Left Arrow, this time in a more urgent red. We see this once Yuuji realizes that he's in serious danger, that he'll loose if he continues to fight Choso in the hallway. It's also pointing away from the bathrooms and toward the escalators from Yuuji's point of view beside the bathrooms, indicating that he needs to leave the area entirely.
The previous arrow pointing toward the bathrooms as a safe option has been destroyed and Yuuji has taken some serious damage by the time he moves toward them. The bathrooms are no longer safe. Yuuji needs to leave.
This is followed up by the only Right Arrows that we see focused on in the epsiode, but unlike the Left Arrows, they aren't used to convey how to get away from danger, but rather what is dangerous. Not only do these arrows all point toward Choso outside of the shot, they also have each of his techniques displayed below them.
Once the bathroom fight is over and Yuuji is on death's door, we get a zoomed out shot of his body framed by (two) people cut in half. This sign is shown right before Sukuna makes his only appearance in the episode, where we hear the sound of electricity flickering.
We heard this exact sound earlier from the Left Arrow telling Yuuji to get away from Choso at the beginning of the fight, but I like to interpret it as an audio indicator of Yuuji's life and/or control of Sukuna flickering in and out, becoming weaker.
Side Note: In the previous shot of Yuuji that we get before this one, we see a blade of light cutting Yuuji in half, the same way Convergence cut the Pedestrian Do Not Cross sign in half earlier in the episode. This will come into play later in the post, but keep it in mind.
The next time we see these bisected bathroom signs is when Mimiko and Nanako approach Yuuji to awaken Sukuna. Two people framing Yuuji/Sukuna that have been cut, while those same signs are whole in the hallway to the left. Go left to avoid danger applies to the girls here as well.
Our next important set of signs are actually the same sign, a large green arrow in the foreground that points away from where Yuuji's body is. While Choso stumbles away from it (away from Yuuji/Sukuna) the girls walk toward it.
This is also the first Left Arrow that we see point toward Choso, unlike the one pointing away from him at the beginning of his and Yuuji's fight. Choso, at this moment and onward, is no longer a source of danger to Yuuji or to us, the viewer.
And finally, the final shot of the entire episode, our old friend, the Pedestrian Do Not Cross sign. Yuuji has lost to Choso, the girls have found him to awaken Sukuna, and we get a focus shot of the Pedestrian that previously represented Yuuji cut in half and covered in blood.
I mentioned earlier that we get another shot of Yuuji cut in half by a ray of light in the bathroom.
Here is that shot, and the way that I interpret it is as a reminder that Yuuji shares his body. Yuuji's control of his body has been cut off in the same way that the Pedestrian representing Yuuji has had part of it cut away. What's left is the part that Yuuji can't control, the Pedestrian covered in blood.
Additionally, repeated use of a sign showing pedestrians cut in half and bloody can also represent the civilians in Shibuya, especially now that Yuuji no longer has control of his body.
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