#we never get depth for the characters who deserve it

[randum-famdoms]

JK Rowling’s books are a building. And she stopped after creating shitty, waterlogged, deeply structurally unsound blueprints and half the scaffolding. Then left it to the elements (aka her Twitter), damaging it nearly beyond repair.

And the fandom looked at this, and put on hard hats. And they tore down that scaffolding, and took those blueprints and changed it into something that would work, and they built the most beautiful building you’ve ever seen.

The building JK Rowling designed was deeply flawed, it would never pass inspection, it would collapse under its own weight and lack of structural integrity within seconds of being built. The aesthetic design was tragic and hideous and offensive. But the fans looked at all of that, and said to themselves, “this building is fucked up, it will never be good if left like this, and everything about it is terrible and makes zero sense. But goddamnit, I have trauma and I can fix it because it must be done and no one else will.”

JK Rowling may have designed that original building. She may have had the initial idea. She may have built that unfinished scaffolding. She may have drawn those blueprints.

But this building is no longer JK Rowling’s.

#harry potter #jk rowling #this rant brought to you by someone who can and will go to jail for aggravated assault of jk rowling #people say her worldbuilding is good even if the books aren’t #newsflash: a lot of the best worldbuilding in Harry Potter is just headcannons we have forgotten are not in he books #we took her scraps and we made them great #but to her the scraps are enough. to her the scraps are what are great #when in reality the scraps are the part that stop Harry Potter from being great #in reality the characters are one dimensional #in reality hogwarts never faces consequences for the child endangerment #in reality dumbledore is a manipulative and evil fraud #in reality the house elves are abused and only dobby is saved #in reality Snape is an incel and abuses children #in reality dumbledore knowingly left Harry to be abused by his aunt and uncle and sent him back every summer #in reality remus lupin never went to see Harry as a child and never spoke to him after third year beyond the order of the Phoenix #in reality Sirius only broke out of prison to kill worm tail and even if he cared for Harry he stayed in prison for twelve years #never trying to escape #and he may have had reasons but we do not know them #we never get depth for the characters who deserve it #we get depth for an incel of a potions teacher #Draco Malfoy is one of the most fleshed out characters and he’s still a piece of cardboard it just has shitty crayon scribbles of colour #we think the character have personality but it’s just flashes of it filled in by the great acting in the movies #we think the books have worldbuilding and fleshed out character arcs when really it’s just nostalgia and headcannons we think are real #THE BUILDING IS NOT JK ROWLING’S. THE BUILDING IS OURS. #randum thots

[marklikely]

i feel like im never going to be fully satisfied by any saw sequel (or the fanbase for that matter) bc i dont think the majority of ppl involved read jigsaw the same way i did.

#all these attempts to like humanize and flesh him out just end up totaly misrepresenting him and his goals #no he is not actually trying to improve the world hes a sadistic little man whos angry about dying and coping with it badly #he gets a front row seat to all his games and cuts trophies off his dead victims. bc he likes the violence #he puts people who absolutely DID NOT DESERVE IT (in saw 1 at least) in these elaborate death traps that they overwhelmingly fail to escape #sometimes he puts a completely innocent person in the crossfire (like seriously who is that guy who amanda had to kill to get her key) #hell they explicitly say that guy in the chair trap did nothing wrong he was just dying 'for a greater purpose' to test the trap. #but nobody ever acknowledges all this its just like 'what if we give him depth by saying serial killing isn't so bad' #and it never works and usually ends up with him being unbelievably self impressed and annoying #id honestly rather they explore his 'depth' by just. expanding on him as in denial and wanting revenge #which tbf i thought X was doing a decent job at until the last half hour when they threw the character study away entirely #like just give me a jigsaw who is angry at dying and takes it out on the Living because he has no other outlet. ill accept that. #him killing people who need to go can be like. gory tasteless fun in the sequels but it makes it like. #idk. less satisfying to me? or it just puts this wall up that makes the movies not come together the way the first one does. #avpost #movie diary

[kaizokuou-ni-naru]

Say things about Kuma

boy, will i say things about kuma.

i was reflecting yesterday on how we don’t see kuma’s eyes, i don’t think, at any point before bonney’s flashback. even in his appearances at thriller bark and sabaody, when he still retained his consciousness, we only see his blank glasses, which creates an impression of him as inhuman, detached, menacing, and emotionless.

kuma is a completely different character, visually speaking, when we can see his eyes.

the depth of kuma’s kindness and selflessness as revealed to us in his flashback is staggering. it contextualizes a lot of the care we see borne for him earlier in the story by characters like ivankov (at marineford) and bonney and sabo (at reverie)- he’s revealed to us, finally, as a deeply gentle and sweet person who was deeply loved by those around him. once we see what he was really like as a person, we understand absolutely why his loved ones care for him so deeply.

we realize, in egghead, that despite him recieving focus at several points before this, our view of him has been limited to what the strawhats, and the rest of the world, saw, and we have been barred up until this point from any real deeper understanding of his identity and personality. we never got to see his eyes. we got no indication of what he might be thinking or feeling. and this is the violence done to him; the eradication of his person.

it’s clear that kuma is defined by selflessness in the same way that luffy is defined by his selfishness. we see that for his entire life, starting from when he volunteered to be the decoy for iva’s god valley escape plan, that he has constantly endangered and sacrificed himself for the sake of others. kuma is a heroic character, one of the most straightforward we’ve seen in one piece. and this is, ultimately, tragic.

kuma is selfless to the point of self-destruction. he is a gentle and kind and heroic person- and he is that way because of an immensely traumatic childhood that led him to view his own life as having no value except to the extent that he can use it to help others. it’s both understandable and commendable, but it’s also very sad. it’s very clear that, because of his strength, he does not see himself as someone who can expect to be, or who deserves to be, saved by others.

kuma, like a true revolutionary, is unwilling to accept that there is anything he cannot change, but he also only knows how to deal with problems by throwing himself into the line of fire; he will always give of himself and never ask anything of anyone else. notably, this exact pattern of behavior, putting one’s own life constantly on the line but being unwilling to draw anyone else into it, is the same thing luffy lectured vivi for back in alabasta, because it’s ultimately not a healthy or realistic course of action, and will inevitably get one killed.

and we see this, because kuma’s ultimate act of selflessness is him quietly consenting to be literally taken apart, the obliteration of his self. could there have been another way to save bonney? a way to circumvent or fight against saturn’s insane demands? maybe. but kuma sees no value in his life except in the giving of it for others, and so he accepts the deal without a fight because he has always been too willing to throw himself away.

#jonny answers #one piece #not japanese #kuma #arc: egghead island #character meta #opmeta #opspoilers #long post

[cjrae]

Stunted Love. Or: The Theme of MaoMao's little finger.

Maomao's little finger is a recurring motif in the Apothecary Diaries, and it receives even more emphasis in the anime's first season - it represents her belief that romantic love leads to pain and destruction. Spoilers primarily for the anime, but also the epilogue of light novel four and Chapter 15 of light novel six below.

Love In A Cage

The motif is first introduced in "The Unsettling Matter of the Spirit" - Concubine Fuyou's story. Maomao has already noted the parallels between the red light district and the Inner Palace, but here we see what happens when romantic love is introduced into the mix. On paper, Concubine Fuyou is a literal object of pity. Her personhood is being gifted to an officer who recently distinguished himself on the front lines, discarded after having failed to please the Emperor. It's telling that this is one of the first times we see Jinshi interacting with a consort where he is completely serious, without bringing his charm to bear. We never hear him say anything, but it's clear that he's communicating the Emperor's order with respect and understanding the gravity of the consequences for Fuyou.

As the events of the episode unfold, the parallels between courtesans and consorts get stronger as Maomao introduces the concept of having a contract bought out - if a man wants a courtesan enough, she is also an object to be purchased, albeit at potentially astronomical price. At first glance, it would seem like these women have absolutely no power in these scenarios - but by the end of the episode, Maomao shows us the feminine side of this transaction - how a woman can manipulate the system she is trapped by in order to get what she wants. All she has to do is lower her value - a rather counterintuitive measure that can go horribly wrong all too easily, as we see later.

And what Concubine Fuyou wants is to escape the Inner Palace to be with the man she loves - a task that she succeeds at. She has played a long, patient game in the service of freedom. Trapped in the cage of the Inner Palace herself, Maomao holds her scarred finger against the freedom of the sky and wonders what kind of medicine love would make.

Devotion

We see further flashbacks to Maomao's past through multiple episodes, but the next time the concept of love is brought up is when Fengming is confessing her role in the death of Consort Ah-Duo's baby in "Honey" (episode 11). Maomao is brought up short by Fengming's confession - she flat out says to the audience that she's never loved anyone with that depth of devotion Fengming displays toward Ah-Duo, so she doesn't know how Fengming feels. But if she doesn't have empathy to offer, she does have a rough kindness. Another person might have said that Ah-Duo deserved to know why her son died, that the knowledge might have provided closure. Maomao, however, believes that knowing the baby's cause of death would only cause more pain (it's never the crime and always about the cover-up) without providing any actual benefit.

With these two episodes framing her early character development we see that, whatever Maomao's natural inclinations are (and I will leave discussion of neuro divergency to those better qualified to discuss it), there is a certain distance between Maomao and her emotions most of the time. It is implied that this distancing from her emotions is a trauma response as the image of a woman holding a knife above her head while kneeling on a bed is shown but not explained (it is the only recurring image during the montage before the discussion about her potential execution with Jinshi).

Lakan and Fengxian

In "Lakan" (episode 18) the motif begins recurring more often as Maomao's parentage is revealed. We've caught glimpses of the sick woman in the annex before, but as the camera pans over the bed, it's clear that this is Maomao's mother (as always in anime, the hair is a dead giveaway). We've seen Maomao in this room, always curled in a fetal position, staring with blank eyes, but here we see Maomao actually caring for a woman who she describes as driving her out over and over again. The camera's focus is on Maomao's eyes as she watches her mother continuing to deteriorate - they're blank yet again, echoing her earlier line of "This is stupid. She's gone."

This is not the look of a girl who genuinely doesn't care about her mother. The image of her mother with the knife upraised is straight out of recurring nightmares that wake her gasping with terror and continue to haunt her after she's returned to work. While there is no AFFECTION involved, there are certainly very strong emotions here. Later, in the bath with Meimei, Maomao wonders if Meimei's in love - and immediately shies away from the thought, insisting that "love is an emotion I'm sure I left behind in the womb."

Interestingly, this is immediately belied as the Three Princesses (the women who took on the maternal role that her mother discarded) begin to pamper Maomao in the bath, and she relaxes into their touch, flushed with belonging and pleasure at their attention.

Confrontation

In "Blue Roses," (episode 22), everything has built to a head. By hiding Maomao back into the Rear Palace, Jinshi is acting as her shield - and Lakan responds with a power play. Both he and Jinshi are aware that Lakan knows his true identity, so Lakan provokes Jinshi with a political test. "Nothing is impossible" for a man with Jinshi's power - so providing some blue roses at a garden party in early spring should be simple, right? It's a near impossible task and Lakan knows it - even if Jinshi were to figure out how to dye the roses to be the appropriate color, they're still out of season.

Up until now, Maomao's response to Lakan has been to hide. But, with Jinshi's reputation on the line and seeing how worn out he is, Maomao has finally had enough. So she takes Lakan's challenge on and, while she's in the process of growing the hothouse roses so that Jinshi can best Lakan, she diverts unwanted attention from the Crystal Palace's handmaidens by showing Xiaolan how to do a manicure - something that draws attention to the deformed pinky on her hand and changes her perspective of the damage to the finger.

The art should be paid attention to here - we see close up shots of two other people's hands after having the manicure done - Xiaolan and Consort Lihua. In both of these shots, there's some subtle detail paid to their little fingers as well - Xiaolan's is ever so slightly crooked rather than perfectly straight, while Lihua flexes her fingers so that the pinky is extended as she looks at her hands. In the next shot, Maomao has done her nails as well - and when Jinshi draws attention to the fact that he's surprised she would do her nails (like Hongiang, Maomao usually prefers work over fashion), she looks at the finger and remarks that, even though her little finger is twisted and scarred, it looks better than it did before - an acknowledgement that the finger is not actually a hindrance, but a piece of her identity.

Healing

Giving Lakan the opportunity to finally do right by Fengxian is the most grace and forgiveness that Maomao can extend to either of her parents. Their romantic love is certainly sympathetic to an outsider, but Maomao was shaped by the consequences. Lakan's carelessness and Fengxian's willingness to break the rules of the pleasure district in order to deliberately lower her value so that she could be with the man she loved, is the guiding cautionary tale of her life.

But Maomao has also grown over the season. She is neither the terrified little girl, abandoned by mother and father alike (however unintentionally on Lakan's part) nor a teenager full of fear fueled rage at Lakan's persistence. She is Luomen's daughter and proud of that fact - she has found her family and a place in the world. It is with that more adult understanding of the world around her that she dances atop the wall of the Rear Palace, giving her parents the only thing she can, which is her blessing and best wishes for their short future, as she sends her mother off.

Sure enough, who is watching her as she takes a step toward a more mature identity but Jinshi? Other characters have provided a shield between Maomao and Lakan - Verdigris' madam, Meimei and even Luomen. But it is on Jinshi's behalf that Maomao decided to face Lakan herself. She loves her adoptive dad and granny and sisters with all the affection she never received from Fengxian, but Maomao's actions have always spoken much louder than her words - Jinshi protected her and she, in turn, chose to face her childhood bogeyman to help him.

Is it stating the obvious that Maomao tripping and Jinshi catching her is an obvious metaphor for falling in love?

As she dances on the wall, we see the two seemingly disparate sides of her identity coalesce into a whole. The moment she lets down her hair is a uniquely Japanese moment of eroticism (this is why maiko and geisha use the oshiroi that bare the nape of their necks), even as she's also deliberately reapplied her freckles.

The moment she realizes that Jinshi truly sees all of her in a uniquely emotional moment, she trips and is made terrifyingly vulnerable as she nearly goes over the edge - only to be caught safely in Jinshi's arms.

Safely back atop the wall, the little finger comes up one more time - except that this time, instead of looking at the damage inflicted and seeing the scar, Maomao looks at her pinky and shows it to Jinshi, telling him what sounds like a strangely gruesome medical fact. That a fingertip can regrow if cut off. For all the trauma that her biological parents caused her, for all that her pinky will be scarred for the rest of her life, the wound did heal. Maomao has healed - she is capable of friendship, loyalty and love that can inspire devotion - even if she rarely displays open affection.

Love Creates Fear

This motif comes back again, at the end of light novel 4 (what will be the end of Season 2, if the studio continues to stick to two light novels a season for pacing, which I expect they will). Jinshi has officially cast aside his cover as a eunuch and stepped into the political limelight as the Imperial Brother. Maomao, as a result of their adventures, has returned home, to her apothecary shop and, as she works she thinks about how everything has changed.

"Jinshi must have finally gone back to being whoever he really was. Maomao didn't know his real name: she couldn't have used it even if she did. The worlds they lived in were simply too different…Anyway, now that Jinshi was no longer a eunuch, he couldn't get away with keeping some lowborn girl around him…So it was for the best, really, that Maomao had come back to the apothecary's shop in the pleasure district."

As Maomao ruminates to herself about how she will never see Jinshi again, she retreats to what she knows best - medicine. She's got her emotions under lock and key and she's begun experimenting, working on creating a more potent painkiller. However, her pain tolerance is too high to work with her previous methods.

Or, to lay the metaphor bare, Maomao has dealt with abandonment before, but not like this. Her usual methods aren't working - so it's time to up the ante. What she does next is extremely telling.

"'Got to cut deeper if I want to be sure'. Maomao looked at her left hand, then tied some string firmly around her pinky. She stood and took a small knife from a cabinet. 'Here goes!'

Just as she was about to bring the knife down, a beautiful voice interrupted her: 'WHAT are you doing?'

Without a word, she turned to see a man in an unusual mask standing in the entryway of the shop…'Done with all your work?' Maomao asked, undoing the string around her finger and putting the knife back in the cabinet."

The thought that she and Jinshi are now living in such different worlds that they will never see each other again is painful enough that cutting her finger off in a thinly justified experiment is preferable to feeling her own emotions. What Maomao wants in this moment is a return to the emotional numbness of the past - only this time, she will do the damage herself.

But Jinshi is not Lakan and abandoning Maomao for any reason is simply not an option. Just as he caught her on the wall, Jinshi catches her again. A prince is standing in an apothecary shop on the edges of the red-light district, a place where he should not be - except for the fact that it's where Maomao is.

Connection and Communication

Finally, as a callback toward the end of light novel six, Jinshi and Maomao are beginning to reconnect after Jinshi screwed up and lost a lot of emotional ground in light novel five's epilogue, and he does the following.

"She reached out for the package, which Jinshi had put behind his back, but he planted a palm on her belly to keep her from sitting up and she couldn't reach it. She kicked her legs from sheer frustration and this time he grabbed her ankle. She was just trying to decide what he might be planning when he brushed the tip of his pinky finger along the back of her foot.

'Hrk?!' Maomao choked, squirming...The back of her foot, and her back as well, were hopelessly vulnerable to a gentle brush of the fingers.

'M-Master Jinshi...That's...not...fair!'"

While Jinshi is still the instigator in this scene, this is the the first instance of romantic and sexual contact that Maomao accepts, eventually bursting out laughing - and when he gets that laughter, Jinshi also immediately backs off, accepting that he has pushed her as far as she can go right now. But that first contact was via that tiny fingertip representing love.

His hard-learned patience is rewarded when Maomao is finally willing to speak to Jinshi about how she's feeling about his desire to marry her, first obliquely as they discuss the plot of a very familiar tragic romance, before she addresses the issue directly.

"Instead of answering, she murmured, 'I don't want to be an enemy.' Jinshi gave her a sidelong look as if to ask whose enemy she meant. 'To Empress Gyokuyou,' she said.

Would Jinshi understand what she was saying? If not, that was fine, Maomao thought. There were things even he didn't know.

'You - '

He seemed about to ask her something else when a horse whinnied outside..."

Maomao may be hesitant, she may feel very confused, but she finally gives Jinshi something to work with here - communicating to him not that she simply doesn't care about him that way, but that she has a very real, concrete fear about what a romantic relationship with him would mean, not only for them, but for everyone else around them.

That's a lot to balance on the tip of a pinky.

#kusuriya no hitorigoto #the apothecary diaries #maomao #character analysis #jinshi and maomao #jinshi x maomao #jinshi #long text post #apothecary diaries meta #jinmao

[becauseimanicequeen]

Up Poompat Appreciation Post

This is inspired by this post by @clairedaring which almost physically hurt me because it's so sad.

Therefore, I'm reporting for duty to gush about Up Poompat for a minute or two (or ten) because I want to and because Up is amazing and deserves all the praise I can give him.

There's just something about Up that pulls me in. I haven't previously been able to put my finger on it (I'm more of a visual person rather than a verbal one), but I think his portrayal of Ming in My Stand-In clarifies it for me the more I get to see him in it.

It's the way he portrays depth. There's something deeper, something more that goes on beneath the surface of his characters. And he does it again and again. It's most notable for me in Lovely Writer, Hoon Payon, and Step By Step, which are three very different roles.

And, on the subject of variety. This man can play a multitude of different roles and do it convincingly. It doesn't matter if it's as an introverted writer with a kind heart, an obsessive serial killer, or everything in between. He's believable in all of it. He's just that good.

To think that this loveable cutie in Lovely Writer...

Is played by the same actor as this frustrating, self-absorbed idiot in Step By Step...

Which is played by the same actor who portrays this spoiled rich brat who's always pining after what he can never have, and does so convincingly, speaks to Up's versatility.

(It took me waaaaay too long to find a gif of this particular moment, lol, but I eventually found it here.)

I personally love Up as Ming in My Stand-In (I'm not influenced by the novel, btw) because he's shown over and over again that he can portray a variety of complex characters. And the way he uses contrasts in his acting (I have no idea if there is a technical term for this because I don't know anything about professional acting), the way he has this sweet demeanor at the same time as he delivers the most poisonous line (and, sometimes you don't realize how poisonous that line was until later) is top notch. The same goes for his ability to portray a domestic life with Joe that feels genuine from Ming's side as well (which he did so well in ep 3) at the same time as we know it won't last due to Ming's jealousy (especially around Joe and Sol) and his pining for what he can't have.

Speaking of contrast, there's also the fact that Up was blessed with his angelic face, which just gives me whiplash every time his character turns out to be the complete opposite. He can literally disguise his serial killer tendencies with that angelic face and demeanor and I feel so manipulated (in a good way) when his character's true face is revealed.

And the way he uses his face to portray different emotions and shifts in emotions is amazing.

And then there's Up. As in, the person behind it all. The Up that actually lives up to his angellike face. The Up that's genuinely sweet and funny (which you can see on his YouTube channel, where he's currently posting videos with Poom but also has a lot of older ones with Kao whom he partnered up with in Lovely Writer). And the Up that sang "You are My Sunshine" in the bts of the second episode of My Stand-In. If that's not endearing as hell, I don't know what is.

This is just a fraction of all the things I love about Up (and I could spend days gushing about his chemistry with everyone he's paired up with and worked with), but since I've already spent two hours on this little post (lol), I'll save that gushing for another day.

Just know that I love Up.

#the ACTOR he is! #he eats complex characters for breakfast lunch and dinner #and let's not forget the snacks in between #I love him so much #Up Poompat #my stand in #my stand in the series #lovely writer #lovely writer the series #hoon payon #step by step #step by step the series #thai ql #thai bl #thai series #my shit

[picaroroboto]

For the past couple days, I've been unfortunately cursed with thinking about Zenos yae Galvus. I don't even particularly like him - not that I dislike him either, Zenosfuckers you can put your scythes down - but it seems to me like a lot of the fandom either greatly misunderstands him, or doesn't even care to try to understand him, which from an objective standpoint as someone who cares deeply about writing in video games kind of pisses me off. But I'm more pissed about the fact that I'm apparently going to keep thinking about this issue until I actually write a character analysis of him.

Q: "But, what even is there to analyze with him? Isn't he all about wanting to fight the WoL and nothing else?"

Well, you wouldn't be wrong with saying that. That motivation is at the forefront of his character, and even if you look closer, everything about him comes back to either "violence" or "lack of understanding of others". But there are more meaningful sides to his deceptively simple character. That question of meaning is what I really want to look into - what does his character mean, what symbolic or thematic role does he play in this story?

Q: "Better question: why are you posting this on your art blog/Fate meta sideblog?"

Good question, with a stupid answer: I have all of 6 followers on my FF14 sideblog, and around 150 here. Let's go under the cut so they don't have to read a wall of text, unless they want to.

When you look at and compare FF14's villains, you can see a very clear change, no doubts thanks to the change in main writers. ARR Gaius and Thordan are more or less two-bit villains - Gaius's memeable iconic Praetorium speech gives us insight into how fascists try to justify themselves but little into Gaius's actual personality, while all Thordan gets as far as depth of character is an NPC in a sidequest remarking that he wasn't always a bad person and was probably doing what he thought best for his nation. Nidhogg is a little more understandable, since revenge is a relatable motivation to anyone who's been hurt by others. In Stormblood, Zenos and Yotsuyu are both presented as deserving of pity even as they do terrible things. Come Shadowbringers and Endwalker though, the story takes a greater interest on why villains like Emet-Selch and Elidibus do the things they do, and the player is allowed more options to try to understand them and see how similar they are to the WoL. Hell, Hermes and the Endsinger are barely "villains" at all, with the level of sympathy the story shows them.

What I'm getting to here is that Zenos, with half his arc in Stormblood and the rest in Endwalker, is sort of caught in the middle of this shift. He played the role of the rival character in Stormblood really well, but come Endwalker, he's standing on a stage full of heroes and villains with grand causes and deep motivations, as the guy whose sole motivation is fighting for pleasure.

It seems he's not unaware of this contrast himself - when Jullus confronts him for ruining Garlemald for no good reason, he retorts with "Would you be happier had I a good reason?" Zenos makes no attempt to justify his own actions and doesn't care that his reason seems incomprehensible and unforgivable to others. Yet in that same cutscene Alisaie hits him with the fact that if he keeps living solely for pleasure, he'll die alone. When next we see Zenos, he's alone at the Royal Menagerie waxing philosophical about what he really sought in the battle with the WoL.

See, what really motivates Zenos isn't just the thrill of battle - this guy has gotten Battle High and the joy of human connection confused. Really.

Even before he gets so perturbed by the idea of dying alone, there's other suggestions, like his proposal of friendship to the WoL when they fought in Stormblood, and then later his dying words in which he explains that he never understood others - at his core, he's just lonely. I know there's an official side story that tells it, but you don't need to know the exact details to glean that he had some sort of tragic backstory. Sad, but not a surprise, considering he's the prince of the Garlean Empire, raised to take the throne and continue the Empire's legacy of violence.

At his core, he's a very lonely person, but also a thing of violence, raised using violent methods for the purpose of causing more violence. Violence is how he lives and breathes - the only way he gets any sort of connection with others in a world of hurting and being hurt is the brief connection warriors dueling as equals can sometimes find. Don't deny that this sort of connection exists - FF14 is great at making fights that are both fun and tell a story. Hence, why he goes crazy for the WoL, but also refers to them as "friend". In their fights, he senses (or thinks he senses) similarity between him and them. Beneath all the madness is a pure, genuine joy in seeing the self reflected in the other...but he also instantly gets on the train to projection-town, population Zenos, and assumes the WoL is exactly like him, ignoring or failing to notice that they also fight for deeper meanings. The worst part is, he doesn't even notice that what he's actually seeking in fighting them is connection until Alisaie's aforementioned callout.

So he goes and angsts for a while, then turns into a dragon again and flies across the universe to help us kick the Endsinger's tail feathers, then issues his challenge for that duel he'd been longing for. But what's changed is that he starts with a question - "Such pleasures you sought for their own sake, and for no other reason, is that not so?". Dying after the duel, he's full of questions too: "Was your life a gift or a burden? Did you find fulfillment?" Alisaie's suggestion that he'd die alone actually spurred him to realize what he actually sought in the WoL, and now he's asking all these questions in an attempt to, for the first time in his life, genuinely connect with another human being.

The questions aren't important just because they're a sign of how Zenos has changed in Endwalker - they're actually the thematic heart of Endwalker! ARR may have had "Answers" as it's theme, but EW is the expac of questions. Namely the biggest question of all: What is the meaning of life? Different characters have different answers to that, leading to the grand-scale symbolic conflict being the Endsinger's despair - her belief that there is no meaning in life - versus whatever reasons the WoL chooses to live for, left, as always, up to player interpretation.

When you look deeper, Zenos isn't actually as out-of-place in the symbolic conflict as he first seems. His depressed worldview - that metaphor about drowning in a swamp again - seems to align with the Endsinger's view about life being meaningless. But he aids the WoL in defeating her. In that way he serves as part of the answer to her question about the meaning of life. He may have resented life at times, but he still found meaning in chasing pleasure. Not the strongest or most beautiful reason to deny oblivion, perhaps, but it did enable him to help the WoL triumph. I think of Zenos's philosophy as being connected to the concept of "Amor Fati"...largely because this quote explaining it sounds like something he'd say, or at least agree with on some level:

"and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event—and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed."

So he does have a meaningful role in Endwalker, as the "Amor Fati" against the Endsinger's "Memento Mori". I think that in this the story shows that his reason for living, while somewhat shallow, is not necessarily a morally wrong thing in and of itself (setting aside for a second all the people he hurt in his pursuit of that). It's just that, since it is a lonely pursuit that denies everything except for his target, it still feels empty. The core of the counterargument against the Endsinger's despair is that both pleasure and fulfillment are necessary to live a meaningful life in a meaningless universe, and that's why Zenos is here in Endwalker. Why he even exists in the story in the first place.

Even if you're one of the people who deeply hates Zenos...well, you probably wouldn't have read this whole thing if you did, but I still think it's important to read into characters you dislike, because every character in a story is written for a reason. Plus, trying to understand even their worst enemies is one of the WoL's key traits as of ShB and EW. With his last breaths, Zenos was trying to understand the WoL too - carrying this understanding of him with you as we move into our next adventures is the least you can do for your "friend".

#ff14 #ffxiv #zenos yae galvus #zenos viator galvus #endwalker #ffxiv meta #endwalker spoilers #meta posting on my art blog #god why did i spend my afternoon on this all this proves is that I need to be put in an English class again purely for enrichment purposes

[amysgiantbees]

I just find it strange that the developers chose to rewrite Wyll. I love new Wyll I think he's fantastic and I don't necessarily want the previous version. But I find it bizarre that there was somehow so much negative feedback about old Wyll that they risked completely rewriting him.

Now I love all the companions. This is not Dragon Age Orgins where I debate recruiting Ogrun every time. But I just find it strange that the reason given was Wyll's negative feedback when most of the other characters have been unpopular too. Like Lae'zel is infamously unlikable to a great many people.

People love to bully Gale and there's even lines in game that call him pathetic. The DEV's in the IGN interview even agreed that Gale killing himself can be a good ending, " I really liked Gale setting off the bomb with the brain, and actually that felt like the right ending to me.

AS: In many ways it is, yeah." Which feels problematic to say the least, like I get supporting player choices but suicide is never the "right" way to do things.

Or even I'm pretty sure I remember Neil Newbon talking about how he was sure a lot of players had killed Astarion permanently in their playthroughs.

Then there are people being absolute freaks on the internet about Halsin all because he's polyamorous.

Like these characters are wildly popular too but they certainly have their haters. So why did they lack such confidence with Wyll? The best source I could find on early access Wyll is this article https://gamerant.com/baldurs-gate-3-wyll-early-access-story-change-karlach-explained/. It says that this change was made to make his story stronger, make him more unique, and give him more complicated emotional ties. Unless he was really basic before they did not accomplish this. He has less content so his story lacks the depth the other's do. It's also inconsistent, with you being able to put him off being a duke by telling him he'll be too power hungry which he has never been. His emotional ties are rushed. He never really confronts his father, having the tadpole do most of the work and never hashing out his feelings beyond that he's fine.

It wasn't supposed to be this way. According to the article he was meant to have a dark side like Shadowheart "According to the panel, depending on whether players allow him to go through with killing Karlach, he will become a radically different companion instead of if she is recruited." Which would have been cool but if they didn't have enough time to do that maybe they should have tweaked what they had.

Plus, according to the article in early access he was "a straightforward hero who develops a violent side regarding his patron or goblins." This article too show's that his early approval matches current Wyll pretty well except for dealing with Aunty Ethel and more goblin hate https://fextralife.com/baldurs-gate-3-early-access-companions-guide-wyll/.

I just don't know I just find it so frustrating that it was the black main character they chose to tweak and ran out of time to complete his story and still haven't fixed it with a patch. And in the IGN interview the devs kind of sounded like there wouldn't be anymore patches and it's just frustrating. Wyll deserves just as much content as any one else.

#dnd #bg3 #balders gate 3 #baldurs gate #bg3 wyll #wyll #wyll ravengard #myanalysis #larian pls #larian critical #larian why #bg3 meta

[tossawary]

Regarding "The Hobbit" film trilogy, even if I ended up personally disliking and resenting how much time and focus the elf characters (and others) ended up taking away from the dwarves whom I think deserved more focus as rich internal characters (I know that studio pressures are a factor in that terrible love triangle and so on), I still... vaguely appreciate the effort to create and include named female characters like Tauriel, when the book is sadly lacking in them. I think she's fine, actually. Comparatively, there are many other elements in these adaptations that I think are much, MUCH worse.

But still, if you want to add female characters to this story, the obvious answer to me seems to be to just make half the Company into dwarf women? (With similarly fancy beards and other facial hair! Because I think that's fun.) It's just... so much easier?

Do NOT come at me with that "dwarf women are rare" bullshit. Unreliable narration. Logistically unlikely. Also, if you believe that "men are the warriors and craftsmen, the women stay at home" is how dwarf society strictly functions (boring, honestly, on top of being incredibly sexist), I could argue that the Battle of Azanulbizar and other struggles probably left a significant dent in this dwarf group's male population, leaving behind many widows and mothers without children to pick up the work. The battlefields have come to and TAKEN both Erebor and Moria from the dwarves. I see no good reason why dwarf women would not have equal investment in reclaiming their home and the gold. Many of the Company are not presented to be formally trained warriors, anyway.

Now, ideally, we could do way queerer stuff in terms of both romance and gender here, but we know cowards with veto powers would not let this happen. Still, I feel like basic genderbending would have been a very doable move and is, actually, a very reasonable ask of an adaptation that would have added some depth to the story even if you didn't acknowledge the change at all.

Like, preferably, this would be an adaptational change that would be directly addressed. Maybe all of the Company appear male at first due to traveling that way (and assumptions made by humans and hobbits), then Bilbo might learn that some of the Company are dwarf women when he becomes closer to all of them. We could have a brief scene acknowledging that dwarf women are fighting these battles for their pasts and their futures too. It doesn't have to be a big thing! They can just be there. Existing. Participating.

I even think it would be fun if two of the dwarves were actually an older married couple traveling together, instead of brothers or cousins, because loving married bickering and battle couples are fun. You can have running jokes in the background about how Smaug's invasion ruined their wedding day, and going back and forth with "you never take me anywhere nice" @ each other whenever they're stuck in Goblintown or the Mirkwood dungeons. (I like seeing good marriages & partnerships in fiction and established couples going on fantasy quests together. I just think it's neat.)

But another (sillier) direction is that you could just cast some actresses in beards to play some of the dwarves, then leave the fact that some of these characters are probably dwarf women (traveling as men) as a fun detail for the audience. Bilbo is either too oblivious to notice or much too polite to bring it up at all. It's canonically compliant to the text this way!

Now, obviously some few people would have complained that Tolkien's work was being ruined by "political correctness", but they complained anyway about Tauriel (when there are MANY other bad choices in these movies), and what worthwhile arguments could they have possibly made against genderbending some of the THIRTEEN dwarves? Like, most casual fans I know cannot NAME the entire Company, who get so little character development in the book that the films had to come up with unique designs and backgrounds for most of them anyway. Bro (directed towards someone objecting to the idea of including female dwarves), be real, there's no way that you honestly cared this much about "Nori the Dwarf" before right now.

#tossawary tolkien #long post

[vibingandsimping]

Okay. First of all, you made me feel things for Haarlep with him wishing for more. I was wondering if you’d be willing to do a small one shot or headcanon about Raphael finding out about tav and Haarlep having secret feelings even though tav is supposed to be Raphael’s or something. I never knew I needed more of this till now thank you

Haarlep deserves more attention. I find their character so interesting.

You were in sorts with Raphael. You don’t know if this was cruel- but did you really care? The devil claimed you as his after pining since he met you in the Underdark. His diaries full of entries of you. All the things he wished to do to you and with you. The first time you visited the House of Hope was partially out of curiosity. A devil’s house must have some secrets, yes? It ended up with you tied closer to the devil. His little mouse, as he liked to say, all for him. Little did he know it was only because of the first night you spent with Haarlep. The way their lips explored your skin was so passionate. Unlike anything you’d ever felt before. In truth you didn’t wish to leave it. After the sex you two laid in bed and chatted for awhile. Haarlep, despite being an incubus, had a depth to them.

That’s why you let Raphael have his way with you. It gave you free access to his realm. You grew used to the chaos of the halls as you snuck to Haarlep while Raphael was away. You’d spend nights of passion and then talk tenderly til Raphael arrived. When his presence was announced, you’d switch and tend to his needs. Anything to keep him strung along and this little affair going. Since Haarlep belonged to Raphael they could never leave unless Raphael relinquished him or died. Each night of hiding became a heavier burden on your heart. Each kiss deeper and longing for a life without ties. This went on for months until you two grew sloppy. Comfortable in your routine of visits while he was away. When Raphael caught you laying in bed nude and smelling of sex. You thought it was over. Surely he’d chain you up or take Haarlep’s head for tainting his favorite mouse.

What you didn’t expect was his expression to be smug rather than shocked or wrathful. His gaze was predatory and gave you chills. “I am not a fool, my pets.” He began with a stride towards you two. “I pieced it together. Did you have fun, my mouse?” He closed the distance between you and grabbed your jaw. It wasn’t forceful but directed you to look at him. Only if you attempted peeling yourself away did his grip become brutal. Your lips parted as you uttered meek confirmation. The devil’s eyes landed on Haarlep who watched in waiting anticipation. He tutted at the incubus. “I’m not pleased with you playing with what’s mine, Haarlep. You’ve forgotten your place. Though, perhaps there’s something in this for me.” He let your jaw go with a wolfish grin. He thought this over if he knew from the start. He waited til the perfect moment to strike like the damn viper he was.

“You’ll get the Crown of Karsus for me, mouse. Like we agreed on. When you’re gone, Haarlep can please me with your body… and while i’m gone on business my pets can play with eachother. As long as you both remember you belong to me. I’ll let you keep this… what do you want to call it? Romance? Affair? Whatever, it matters not.” You weren’t sure to be pissed he was exploiting you two or thankful you were still alive and had permission to continue. He was right though. It mattered not, as long as you could keep Haarlep by your side.

You’d be his toy.

#my asks #my writing #anon ask #baldurs gate 3 #bg3 #baldurs gate iii #baldurs gate 3 x reader #baldur’s gate 3 x reader #baldur’s gate 3 #bg3 x reader #haarlep #haarlep bg3 #haarlep x reader #haarlep x tav #raphael #raphael bg3 #raphael x reader #raphael x tav #totally normal

[siren-serenity]

are you taking requests? if yes could you do a sub azul fic? thanks!

SUB! AZUL ASHENGROTTO

"my pretty boy," you whisper, running a light finger down azul's naked chest. the merman flushes a deep purple, looking anywhere but in your direction, making you tut. "what's wrong, love? don't like me saying you're pretty?" you hum, pressing a kiss to his sensitive neck, smirking when azul lets out a low groan. "i just...don't feel like i deserve all this," he mutters under his breath but you hear him all too clearly. you thrust into him again, making him let out a small scream of surprise before it turns into a moan. "my" thrust "beautiful" thrust "boy" thrust

characters: azul ashengrotto, gn!reader (has a cock but can be a strap on) warnings: nsfw, dom/sub relationships, use of the word 'pussy' a/n: - the amount of sub!azul requests i get make me laugh teasingly, we all love a subby azul, don't we ;) - feedback is appreciated!

Seeing Azul Ashengrotto sob his pretty eyes out on your bed makes your heart burn with vigor and anger. His Mostro Lounge suit is wrinkled and frumpled; his hat was thrown onto your floor in what seems like anger. Who dared to mess with what you claimed as yours? By the Sevens, when you find out who did this, they'll have to pray for mercy.

You come close, setting your bags down by the door side before shutting it. Enveloping his fragile frame in your arms and burying your face in his scent never fail to calm your raging thoughts, although they remained in the back of your mind.

Your thumb wipes another tear from his lavender eyes and Azul finally looks you in the eyes - bloodshot teary eyes meeting eyes lit with flames of fury.

"Who did this?" You hissed out. Azul sniffs and the sound alone breaks your heart.

"N-no one," He stutters. "It's just another day at the Lounge...you don't need to get so upset about it."

Azul stifles another sob but you cradle his chin in your hands like he is the greatest treasure in the depths of the sea.

"Love," You croon, pressing a kiss to his lips, swallowing another sob. Your tongue briefly teases him until you part, continuing your sentence. "You know I would do anything for you, hmm?"

He nods shyly. You trace random lines on his chest, making his breath hitch.

"What do you need right now? Comfort or revenge?"

Azul clenches your wrists tightly and bats his wet eyelashes from his eyes. "C-comfort. Can you please...make love to me? Make me feel special?"

Your eyes soften before lifting Azul's body gentling and straddling his waist. With a flick of your pen, his and your clothes disappear and goosebumps raise on your skin.

Two fingers to his mouth and Azul opens it obediently. He sucks them, blushing and not meeting your eyes, before separating his lips with a pop! sound. Saliva coats your fingers and you press them to his entrance.

A low moan escapes Azul's mouth as he feels your fingers entering him and stretching him open. His back arches as your fingers scissor him open, heated gasps leaving his lips. His walls fluttered and squeezed your fingers, making them wander for the right spot...his prostrate.

You feel yourself harden at the dazed look in Azul's eyes before using your other hand to find the lube. Lathering yourself generously, you let the tip of your cock briefly touch his pussy before meeting his eyes. He nods, abliet shyly and you slowly push yourself into him, inch by inch.

Azul gasps and whines, throwing an arm over his red face as he continues to moan lewdly. The red blush on his face makes you want to kiss him so badly - and you do, swallowing his pretty moans and tongues fight for dominance before he surrenders willingly. His hisses and little hitches of pain are swallowed by you and at last, you can feel your cock completely swallowed by his walls. They clench and squeeze you so nice and snug and you bury yourself in Azul's scent to prevent yourself from thrusting wildly into him like he was your fleshtoy.

"Fuck..." You murmur. "You feel too good around me. Perfect."

Azul's legs wrap around your waist and pull you in closer, making you let out a surprise hmph!

"Fuck me," He moans. "I need you!"

Your hands grab onto his waists, leaving bruises behind but neither you nor him care. Your hips begin thrusting in and out of him slowly to get him used to it but a quick "faster!" from Azul made you growl underneath your breath.

"Azul, you can't do this to me," You groaned and begin thrusting into him. "Fuck- your walls are clenching around me so well, you feel so fucking good around me!"

Azul only holds onto your biceps and his legs come up to wrap around your waist, making your cock delve deeper into him. In this position, you're closer to him, face only centimeters away. Like a moth drawn to a flame, you leaned in to kiss him and he obliged with happiness. His hands, which used to be fisting the bedsheets to prevent the whines and moans from slipping, loosely hung around your neck, playing with the edges of your hair as he kissed you.

"I can't- I'm about to-" Azul broke the kiss with a moan, throwing his head back into the sweaty sheets. You panted, feeling the familiar heat in your abdomen.

"Cum for me," You murmured into his ear before nibbling at his earlobe. That seemed to do the trick, making Azul let out a long, drawn-out moan before his walls tighten around you like a vice, making a groan escape your lips as you bury yourself deep in him.

"Perfect," You kiss him on the lips before peppering his dazed face. "Absolutely perfect."

Azul Ashengrotto just gently smiles as you carefully pull out of him to grab towels.

#twisted wonderland #sub azul ashengrotto #azul ashengrotto #dom reader #top reader #sub azul #azul ashengrotto smut #sub character #twisted wonderland smut #octavinelle

[fillinforlater]

It’s that time of the year again. What are some of your favorite smuts released in 2023?

Monday of Appreciation: Part 104

Hello everyone, Smite here!

2023 is coming to a close and it's been quite the year, a mixture of "this is a bridge year for greater things to come" and "WE LIVIN' NOW MF!" What is a bit different this year is that the highs weren't as high and the lows weren't as low compared to previous years---maybe that is just me getting older, maybe it's hindsight. Either way, I'm good and this year was good.

But some things are more than just good. I'm of course talking about these writers and their stories that I have featured today. All of them deserve special mention, but I want to focus on two of them specifically.

In a year of great, fantastic and already legendary fics, these two stand out.

Without further ado, let's dive into the final MoA of this year:

-1-

@fanfiction4sooya: Can't Save You Now ft. Chaewon, Kazuha, Sakura

I- I- I just read the damn tags and new I one day had to give this a shot. ff4sooya has crazy ideas, futa galore, different dynamics and kinks, which is SO MY THING. This has Mommy and Daddy involved in an absurd (and absurdly hot) threesome that I couldn't take my eyes off.

Now I definitely need to read more and you should too because I bet there are a bunch of Masterpieces in that long Masterlist!

-2-

@iznsfw: Drunken ft. Olivia Hye

Is it really a Monday of Appreciation post without IZ?

Seriously, what this genius is able to cook up in a commission or in the currently ongoing (HYPE) IZ DAYS OF CHRISTMAS is absolutely incredible. We have long stories with in depth characters and love drama that ends not only smuttily but sweetly. Who the fuck needs books, when you can just binge IZ?

With "Drunken", they have once again hit it out of the FUCKIING park. There is never enough Daddy kink fics, yes, but mine seem like nonsensical cringe porn compared to this beauty of a piece. I love how it plays with my heart, no I'm not crying---okay, now that is hot.

Let me change that: there is three very fucking special stories today!

(I think this might even be better than Levi's Hyeju, wtf)

-3-

@cataboliac: Enkindle ft. Wendy

Firstly: I LOVE YOU CATA, BIG QT!

Secondly: "Enkindle" feels a bit like coming home, like a day in Paradise, like the one person that shines so bright in your life that you don't want it to go. And you know, that is the great thing: this might be Cata's final fic, the farewell, but not only is his life gonna be great and he'll be super happy - we also get to read this again and again, and I'm sure I will one day.

Thank you, Cata, for hanging around!

Thirdly: I'M GONNA KISS YOU, CATA!

-4-

@writerpeach: Delectation ft. Wonyoung, Yujin

1.000 Notes, and it's still not enough for what is my pick for fic of the year (FOTY? FOOTY? There is a scene like that, yep). IZ*ONE truly never dies, but it is IVE and these absolute super stars, bomb shells with flawless faces and different, yet irresistible bodies that have us in a frenzy.

Talking about frenzy, all those 30,699 words are a frenzy. I thought Peach would set it up with a long and painful tease that has us edging the entire time BUT NOPE this has so much fucking smut, so many lines of neediness and horniness, it is impossible to finish in one try or two tries or... I dunno, seven-hundred tries?

It's detailed, it's straight forward, it's sex from every fucking angle, I can never get tired of this. I will go so far and say this is Peach's magnum opus, the GOAT fic by the GOAT writer. At least for that day, I can say this without a doubt.

Peach, you are crazy and thank you for that <3

#PeachPavedTheWay #AnnyeongzForDaddy

#kpop smut #female idol smut #girl group smut #ive smut #izone smut #male reader insert #male reader #idol x idol smut #red velvet smut #wendy smut #loona smut #loosemble smut #olivia hye smut #hyeju smut #wonyoung smut #chaewon smut #yujin smut #sakura smut #le sserafim kazuha smut

[collegetennisoriginstory]

So, I was romancing Sam on every playthrough but decided to branch out finally, and now I have a tier list; ‼️Potential spoilers‼️

Tobin: By far my favorite RO. I typically don't like the archetype of "brooding ro and their charming ro counterpart" It just doesn't interest me as someone who has seen a lot of het romances employ this trope. But giving Tobin the chance they deserve and finding that I like how they respond to my MC's own flirtatious nature and then discovering how they feel about my MC being the same gender, just adds an extra layer of interest for me that I appreciated. They're kind, considerate, and very thoughtful of their friends. Very quickly blew the rest of the competition out of the water for me. I think their mindset when it comes to tennis explains why they're not the no.1 Seed despite being the captain of the team, and it honestly surprised me. I think the full weight of their route is explored best when MC is similarly looking to go pro as it parallels Rayyan nicely. Their kidness is the space they give you is born from experience and the fear of doing to MC what was done to them and I just eat that stuff up. Also it is very rare to have a black RO who is treated with any level of depth, and I just 🥹love that we Tobin.

Rayyan: In a surprise twist, Rayyan gets the second spot for similar reasons as Tobin. I think the enemies to friends to lovers(partners) arc that is presented in their story is intriguing. Like Sam, they have a level of history with the MC that makes them familiar when heading into the new space, so I made it a habit to stay near them when at all possible. Rayyan isn't particularly cold, or as cold as ppl might assume, I think they have a very good balance of being a sort of quiet and reserved person that still manages to be personable. I feel that playing like I do, my MC might've come off as flippant to them, which only adds to the anxiety that they feel going into this season. Their struggle of being visually Arab in a world and country that sees non whiteness as punishable is very felt. It's really special to me that the two most prominent ROs are dark skinned people of color. Sorry for being biased, but even when I wasn’t actively romancing them, they got major points for that.

Sam: My baby gets the third spot and I think that's fair. What i adored about Sam is the pining of a friends to lovers story. I never make the first move with Sam, despite playing very flirty, bc I see my MC with not having to put up a front with Sam. So the things they do or say that signify to others that my MC is looking for something physical aren't used with Sam; they believe MCs closeness with them is strictly platonic while my MC believes that Sam has been lightly rejecting this whole time. Just something about those missed connections get to me. (Also, the varcity jackets!? So cute) Now, Sam loses points due to being away at another university for a majority of the story thys far. Which made me wonder if placing them in a new environment with MC might change things for them. Everything IS different now; so, who is to say that their relationship hasn't run its course? Juicy, but due to lack of presence, I'll keep them at 3rd.

G: They're French. Automatically, a point is taken off. They're also very sexy as a woman (my MC is a they/them lesbian) so I felt that, to remain true to character, I would have to ignore that and see what G has going on. Ngl, they do sort of play out like a romance novel character in the most obvious way so far 😭 no hate though. I just couldn't not think about "Oh, you sexy French student." Whenever they said anything. Smoldering looks from across the room at a crowded college party, like okay 400 days of summer <3. I think they're rather perfect for players who are looking for some steam outside of the locker room. They have the same issue as Sam, as in, they're not present in the locker room. They're not our teammate, so we don't really get the same level of relationship building with them as u would a Rayyan or Tobin. And I don't think that's a bad thing necessarily. I feel that speaks to the amount of work put in to make the team feel real and not just thrown together characters. Once I started to romance my teammates, I found it hard to flirt with anyone else, as I felt that they just didn't understand my MC on the same level.

Felix: ngl, they'd have to get security to get me off them, I have this burning rage in my heart whenever they show up. "🤼‍♂️ This is for Tobin, Cakepop‼️" I am sure there is indeed depth to them as a character, I am sure it hurts to hear someone say "I can not love you the way you want me to." And we are only human, we don't always behave the way we want to. But Felix makes my nipple itch they just remind me of men who just hold this anger for their exes unreasonably. I think there is an interesting parallel to be found in a Tobin route MC and Felix. I just don't have the language to put it together bc I will never romance them and I don't think I ever will, personally just can't bring myself to do so. They are what I felt Rayyan would be, and I'm fine with meeting them with hostility.

All in all, I'm glad I branched out to see what the other ROs were like it's definitely a testament to ur hard work and is greatly appreciated. I will continue to be messy and kiss Tobin, Rayyan, and Sam because I am toxic aim to be a learning experience, not a lover 🫶🏽

Oh my god~ It was so interesting to see your gradual evolution / journey through pursuing the different ROs.

I think it's really interesting in particular to see how Tobin's character is sort of 'hidden' beneath multiple layers, and you have to really work at unpeeling those layers, and it's really rewarding as a writer to see that route 'give' readers so much unexpected joy.

And, of course — I have a soft spot for stoic / unexpressive, overly-competitive, serious characters who are secretly just a giant sap. For Rayyan in particular, I think their drive to excel at tennis is counter-balanced against their loyalty, their ride-or-die-ness with the people they love. I love the extra bit of psychoanalysis that you did regarding Rayyan's anxiety about MC not taking tennis seriously, which is fine on its own, but really becomes an issue if they're partnered.

Sam having less 'screen-time' than the others is totally fair, and I think (or hope) will be made up for by the sheer amount of history they share.

As for the whole "French sexy" stereotype, I actually do think this is a crucial part of G's arc. The idea that perhaps they both see each other as 'archetypes' at the start (the jock-fling during one's exchange year, the sexy french exchange student), and then as they start understanding each other as real people, and then as they start (possibly) falling in love with each other (with all the eccentricities, all the imperfections), the relationship takes on more depth and dimension.

Finally, thank you so much for taking the time to explore all these different routes, and I'm so glad that doing so was rewarding for you :) I absolutely loved reading this message, so thank you also for sharing! It's always so fun listening to how different MCs, or different MC choices, and just different readers in general — have different takes on the ROs!

#college tennis: origin story #if #ct:os #interactive fiction #asks #rayyan #sam #tobin #g

[the-house-of-auditore-frye]

We need to talk about the men in MK1

Wow.

WOW.

I really don't understand how they managed to make everybody SO BLOODY ATTRACTIVE?!

Even characters like Reptile were made into Boyfriend material.

Kenshi is a babe. That's it. That's the statement - he's a babe. His attractiveness ascends my language abilities to articulate how attracted I am to him in this game.

And Johnny - SO DAMN FINE! They struck the perfect balance of all Johnny's qualities with the features of a young Harrison Ford (which my followers will know has a certain power over me). Also I love that they made Johnny a hot nerd - who doesn't love a man that was ready to just dive into ancient Japanese history during a conversation.

And of course my dear Kuai Liang SERVED LOOKS in this game - I could cut my hand on his jawline...

This game has made me PRIMAL in ways that are dangerous to my psyche... but am I going to stop panting over the thirst traps that are Kenshi Takahashi and Johnny Cage? No.

Under the cut, I'm going to put more details reason's about why and how I want these fictional men to rail me which will probably make more sense to me followers but by all means, feel free to read! (But I will warn, it gets explicit so reader discretion is advised)

The amount I desire these men to dominate me is just unhealthy but let's get back to basics.

So those of you who have followed me for a bit (or I guess just looked at my page) will know that I have loved Kuai Liang and Hanzo since MKX. In MKX, I also had the hots for Kenshi and Johnny but not to the same degree. Then MK11 came out, obviously Kenshi isn't in it. I liked Older Johnny but not younger Johnny. As for Liang and Hanzo, I liked them a lot but not as much as MKX.

Then this DAMN game was released and like the timeline, the whole playing field was reset.

Don't get me wrong, I still love Kuai Liang in this game: he gives off such tender Lover vibes that I just want to stay in his arms ALL DAY. I mentioned that jawline right? I loved him and I love what they did with the familial relationships between him, Bihan and Tomas. When it was first announced that Kuai Liang was going to be Scorpion, I wasn't thrilled since, in my heart, that will always belong to Hanzo. They landed it tastefully but I still miss him as Sub Zero. Overall, I loved Kuai Liang in this game but Kenshi and Johnny were on another level.

Kenshi. KENSHI. The hold this man has over me. I can't tell if I want to be tender with him or animalistic: I genuinely go from "I want to remove his blindfold and kiss his scarred eyes, reminding him how much I love him while softly running my fingers through his hair" to "I want Kenshi to remove his blindfold and tie me to the bed, reminding me that I'm his toy to play with in any way he sees fit while fingering me with his tattooed hands- OH. HIS HANDS. I CAN'T EVEN BEGIN TO EXPLAIN HOW MUCH I WANT TO SUCH ON HIS FINGERS WHILE HE CALLS ME A GOOD GIRL. I AM SO SUBMISSIVE TO THIS MAN THAT IT'S NOT HEALTHY.

I think out of all the characters, I was most impressed by the characterisation of Johnny. Don't get me wrong, Mileena, Sindel, Baraka, Syzoth all got the storylines and re-characterisation they deserve but with Johnny I was more impressed because less changed about him. Like I said, I've always been a bit hit-or-miss with Johnny but this Johnny was perfection. Immediately making him a hot history nerd rather than an airhead was brilliant, it gave a depth to Johnny that I've never seen and it played off Kenshi perfectly. It's kind of like when you're with a group of people and a random topic you love comes up and suddenly you go on a 10 minute rant about why it's fascinating before realising everyone is just staring at you in confusion: it made Johnny so much more relatable. Also I love the sense of humour they went for in this game with Johnny. In prior games, I sometimes felt like Johnny was trying too hard to be funny for other people but in this game, Johnny is unintentionally hilarious and his jokes are mostly for himself and I love it. The first time I saw "Ripley!" I genuinely couldn't stop laughing for like 5 minutes. Also his beloved Hichulli, peak comedy. But let's get to the juicy stuff: HIS DESIGN. YES PLEASE, SIGN ME THE HELL UP FOR IT. I want to just cover his face in kisses. I want him to cover my face is kisses. Also his nose... I mean, I'm sure you guys have noticed that I like prominent noses and Johnny's when I saw his made me go red. MK1 Johnny going down on someone would be an ethereal experience (especially since he never stops talking which I might request a fic for) and part of that experience would be the nose. Just general though, the facial shape, the hair, the nose, the jawline: it all slays, just like Johnny.

So now having read all this, you can see why I don't let myself talk about the men of MK1: I just become a whore. This game opened my eyes to kinks I have NEVER been into cough cough threesome with Johnny and Kenshi cough cough blade play using Sento with Kenshi cough cough recorded sex with Johnny cough cough... In summation: this game has reduced me from a somewhat mentally adjusted young woman to a neanderthal that wants to be breeded by two fictional men called Kenshi Takahashi and Johnny Cage.

#mk1 2023 #mk1 #mk1 johnny cage #mortal kombat 1 #mortal kombat #mortal kombat 1 2023 #kenshi takahashi #mk1 x reader #mk1 kenshi #johnny cage #kuai liang #Mk1 kenshi takahashi #hanzo hasashi #scorpion mk #johnny cage x reader #johnny cage mortal kombat #johnny cage mk #johnny cage x you #kenshi #kenshi takahashi x reader #kenshi takahashi x you

[beanghostprincess]

i would care if you talked about luffy's issues please talk please tell me all your takes, genuinely (< anon who enjoys your takes)

I am so thankful you asked me this because Luffy is genuinely one of my favorite characters of all time, especially when it comes to shonen protagonists. I'm always saying I don't like shonens (says the one that watches a lot of shonens) but that's mainly because the main characters never feel... Well-written enough for me to like them. But, well, One Piece is different. With all characters, really. It's one of the first shonens I watch that I genuinely love and enjoy because of the characters (shout out to Mob Psycho 100 being one of my favorite animes of all time too because of that same reason).

Luffy is a very complex character and I think that's why he gets mischaracterized most of the time when it comes to the fandom. Some people make him too dumb. Others make him too childish. Others make him way darker and more depressed than he truly is. And I'd say that's weird, having in mind how much the show talks about Luffy and is focused on Luffy's POV, but I kind of understand because people aren't used to characters that are both optimistic and realistic at the same time. Most of the time people consider an optimistic character to be completely idealistic (a good example here is Uta. She is idealistic because she's been sheltered for so long and thinks something as complex as the corruption in the world can be solved with a few songs and love) and refuse to acknowledge the fact that somebody with hopes and dreams can also understand (first-hand, even) the suffering within the world. People like extremes. They like to make both Law and Zoro extremely edgy. They like to babify Sanji and Koby. They forget about Nami's character depth to make her only "the mean lesbian" of the group (that term makes me so fucking furious you don't even know). Etc. Etc. Etc. The thing is: Luffy has layers. His personality varies. He's optimistic. He's realistic. He's stupid. He's emotionally intelligent. He's impulsive. He cares about the safety of the people around him. He's careless. He feels guilt. He's confident. He's so damn insecure. He's playful. He's the most serious character too. Etc. Etc. Etc.

What I want to say with all of this is that Luffy, despite being always perceived as this childish, dumb, and careless character within the fandom, has so much depth and trauma he deals with every fucking day. I once saw somebody saying Luffy is "not smart enough to understand the feeling of sadness" and I started laughing because what the fuck does that even mean. And... Is that person watching the same thing as me? Because the guy has suffered the injustice of the world so many times and so many losses that I can't even count them.

Basically: People portray Luffy as if he hadn't gone through any type of trauma when OP has shown countless times that he has been through a lot. A fucking lot. Perhaps it's the fact that he's the one hiding it all the time in the show, always replacing sadness with the need to be stronger so he doesn't feel like that ever again (aka protecting everyone so he doesn't lose anybody again. And not even in a selfish way to not be alone, although we could say that he does feel like that to some extent. But because his loved ones do not deserve to disappear or die in those ways and he feels guilty whenever it happens because every time, he says it's because he wasn't strong enough to protect them) and that's why most people don't realize how much pain he has gone through. But that's not a very valid argument because we have a lot of arcs that prove it otherwise (Sabaody, Marineford, Film Red, Wano...). So, yeah, I guess people just don't know how to read.

Starting through chronological order, I want to talk about his abandonment issues and savior complex that always seem to go hand in hand.

Luffy doesn't like to be alone. He's a very empathetic and extroverted person. He doesn't like to be bored, always loving the company of somebody else. But, sadly, he has always been kind of alone? People come and go for him all the time, and you can't tell me that doesn't affect him psychologically. He's 7 when he meets Uta and Shanks and the kid has never been more excited! That's when his dream of being a pirate begins and it's the first time he has a friend. A real friend, not just random animals he manages to find or older people that sometimes take care of him. Luffy gets bored easily, so of course, Shanks and Uta, being something new, make his life brighter. With dreams and new experiences and hope for a newer, better life outside his village. And then Uta and Shanks have to go, of course, and he stays all alone again. From what we've seen, the only thing Luffy did when they weren't around was just... Waiting for them to come back to him. That's it. Luffy's joy basically comes from being with people, and especially when he's fixated on somebody in particular, he doesn't let them go. Then they come back... But Uta is not with them anymore. That's Luffy's first heartbreak, in my opinion. It's when he decides that he has to be stronger. He loved Uta so damn much. She meant the world to him. And suddenly she isn't there, giving him no time to say goodbye, and... He only has Shanks. But Shanks refuses to tell him the truth about what happened with her. So here you go! It's the first time Luffy loses somebody this dear to him and the first time Shanks betrays him enough for him to get angry at his hero. He ends up accepting it, of course, but not because he has moved on, but because both Uta and Shanks told him to be stronger. More mature. And he forces himself to grow up faster because he wants something. He wants to know where his friend is, and if Shanks refuses to tell him because he's just a kid, then he'll just have to grow up and become stronger. To become a pirate and to keep the promise he made with Uta. The movies aren't canon so I just keep thinking about Luffy wondering where Uta is, and it breaks my heart every time.

Then Ace and Sabo appear in his life and... They are literally everything to him. I like Garp. He did what he could do. Kind of. But he leaves Luffy on his own with Ace under the care of some bandits (Dadan we love you, queen). So he can't really blame Luffy for the way he turned out to be, honestly. The thing is: Ace and Sabo are, again, something new to Luffy. They are not just friends. They are his brothers, now. We don't talk enough about Luffy's maturity and respect for other people's dreams even when he's just a kid. Luffy literally was kidnapped and beaten up and he didn't dare to say a word about Ace and Sabo's treasure because he respected their dream. He's loyal and understands other people's feelings and hopes perfectly. His empathy and emotional intelligence are just perfect. Then, well, you all know the story, but these two become the most important thing in Luffy's life, not only because they are his brothers, but because they are the representation of their dreams and future. And then it crashes into a million fucking pieces because of Celestial Dragons and classism and rich people quite literally saying "We are burning down the poor because they don't deserve to live! Woohoo!". And it's Luffy's first time realizing that the world is unfair and fucked up and that there are people that believe to be superior to others, a thing that Luffy fights against all the time.

So, Luffy learns that the world is extremely fucked up at a very young age. He has first-hand contact with the abuse rich people inflict on others, in every way. He suffers from the torture that is fighting for your life in the world of pirating and thieves when he's not even a pirate yet. He's just a kid. What the fuck. And then he loses Sabo. His older brother literally is killed by a celestial dragon and he can't do anything about it. He can only cry, of course, he's just a kid. What is he going to do? So he decides to become stronger. Because he feels weak in the hands of what is the injustice of the world. He feels trapped by that injustice, in my opinion, and wanting to be stronger is just the path to freedom. Because freedom means being able to save the people he cares about.

And here's the thing: Luffy's need to become stronger always comes from the guilt he feels after losing somebody, blaming himself even though he literally could have done nothing at the time to save Uta or Sabo. He has a severe savior complex, not to feel better about himself (although you could say that it would certainly fix his fear of being weak) but to not lose anybody else. For some reason he always feels responsible for the faith of the people he loves, he's constantly putting others first and sacrificing himself and then feeling guilty and weak when he can't save them when it wasn't even in his hands to save them in the first place.

Kid Luffy goes through a ton of stuff in his early years and the fear of being alone... Of losing somebody he cares about... It haunts him. He sees Shanks and piracy as the meaning of freedom and strength. It's just that simple for him: If he becomes a pirate, he'll be strong. If he's strong, he'll be free. If he's free, he'll never lose anybody again.

And yet, even if he's confident he'll manage to do this... He's still a kid. He's still a little brother. Ace's little brother. He depends on Ace, too, because that's the one person he has left. Ace promises him he won't die because he's just as confident, and says this as if Luffy was stupid for thinking something could happen to him. Not to get too into Ace's character right now, but the fact that he's constantly wondering if he should be alive to then realize Luffy needs him to stay alive... Is so damn beautiful.

And then he literally dies in front of Luffy. Protecting Luffy. And Oh, boy if that doesn't kill him... But that comes after Sabaody! After losing literally all of his crew! God, stop hurting this guy already for fuck's sake-

Long story short, Luffy manages to get a family. Not a crew. A family. He's not alone anymore, and he proves constantly that he won't let any of them go or die on him the way it happened with Uta and Sabo.

Water 7 is... Rough for Luffy, to say the least. Because it's the first time he sees everything he has built crumbling down. Robin is taken by the Marines. Usopp wants to leave the crew because he doesn't feel like he fits in, even though Luffy knows he is perfect for the family (Usopp just can't believe him because, you know, insecurities suck). And he has to learn how to be a captain. A true captain. He has to make the harsh decision of fighting his best friend and letting him go (his worst fucking fear) at the age of 17 because he's the captain. He has to be mature. And strong. And he definitely doesn't feel like those now. Not when Robin is also on her way to be executed.

Usopp is leaving. Robin might die. And it's just like Uta and Sabo all over again.

So, basically, Luffy grows up too fast. He grows up too fast, with the fear of abandonment and being weak, and the weight of being the captain of a whole crew resting on his shoulders. Besides, he fights against the world government for Robin because he refuses to let her die thinking she doesn't deserve/want to live, and it reminds me a lot of Ace's story. Ace doesn't think he deserves to live but then stays because he realizes that Luffy loves him and needs him. Robin, thanks to Luffy, realizes that she wants to live and that she has a new family to fight for.

Nobody dies and Usopp comes back this time, so everything ends up turning out fine after all! Yay!

Then Sabaody happens and I swear my guy can't have a fucking break.

Who has suffered more, Jesus Christ or Monkey D. Luffy from Sabaody to Marineford? I think we already know the answer.

He loses all of his crew. All at once. His worst fucking fear. They vanish right in front of his eyes and he can't do anything. He feels weak. He's shattered. Completely broken. But he's optimistic, still, because he believes in his crew and he knows they'll find a way to be together again! They've ben through a lot together, and they can find each other in a few days in Sabaody again. It's fine. But he has to delay it, of course, because his other biggest fucking fear is happening right now: Ace might die. His older brother might die.

So if you mix the trauma that caused him to have abandonment issues and a savior complex with the fact that Ace is the only sibling he has left and he is completely alone because his crew isn't by his side anymore... You get the most heartbreaking arc of the show! Awesome.

He does everything he can to save Ace. Ace complains about it, begging him to stay away from danger. And he refuses because he's his brother. He has to fight for him. And he does. And Ace dies anyway. Ace dies protecting him, too, and the hope that was left within him dies completely at that moment. Everything is shattered. His whole world is crumbling down. And I think that Luffy dies too at that moment.

For Luffy, losing Ace is not like losing a limb. Losing Ace is losing his everything. Ace meant the world to him. He was the representation of their dreams and hopes and past and future. He was the only person who knew Sabo like the back of his hand, too. And now Luffy is the only one carrying their souls. All alone.

That's probably Luffy's rock bottom. He doesn't think he deserves to be a pirate (or alive, either, but I don't want to get too deep into his suicidal thoughts I definitely think are a real thing because then this becomes too dark. But yeah. I think he does think about that too). He doesn't think he's strong enough. And he's completely broken.

There's this line from Fleabag that I absolutely adore: "I don't know what to do with it." / "With what?" / "With all the love I have for her. I don't know where to put it now."

Because Ace is gone. He's completely gone. And all the love Luffy has for him turns into grief and he doesn't know what to do anymore if Ace's soul isn't in the world to look after him. He doesn't know what to do if all the love and feelings he has for his brother go to waste. And it's his fault. Because he wasn't strong enough to protect him. Because he wasn't able to protect himself, Ace having to sacrifice himself for him. (And we know he feels guilty about this because he tells Sabo the second they meet again. He apologizes for not protecting Ace. He feels guilty about what happened still. And Sabo is just glad Luffy is okay because he knows his brothers too well to know already what happened).

Then our beloved Jinbe comes along (I love you. Please adopt me) and, following that quote of Fleabag: "I'll take it. No, I'm serious. It sounds lovely. I'll have it. You have to give it to me." / "Okay." / "It's got to go somewhere."

Jinbe reminds Luffy that he still has his crew. That he still has people who need him alive. People that love him and care for him. That he can't be weak if he has helped so many people already. That they're willing to take both the love and pain Ace makes him feel. And it's such a great character development for Luffy... It makes me go insane. He remembers his crew one by one and realizes that he's not alone anymore. That he has to be stronger for them and for Ace. And for Uta. And Sabo. Jinbe is there with him when the others couldn't, and it has nothing to do with Luffy's issues but I just want to mention how much I love Jinbe for this.

But he still feels the need to be stronger and the fear of losing his crew and the people he loves still haunts him. He tells the straw hats to meet after 2 years (that's a long fucking time. Like. Longer than the time they've spent together. Imagine the loyalty, damn). And it's... It's so beautifully written. The 3D2Y scene is one of my favorites because it shows the loyalty and love they have for each other, and how Luffy is willing to become stronger for the people he loves and the ones he has lost along the way. I literally have the tattoo. I am obsessed with the whole concept.

As I said, Luffy's abandonment issues and the fact that he wants to become stronger to never lose anybody again (Savior complex much?) still remain even after his character development. Because that's not something you get rid of. That's just how he is. And I think that, as long as he is with the straw hats, it won't be a problem.

Also I wanted to mention his reunion with Sabo! The guilt he feels for losing Ace? The way he clings onto his older brother as if they were going to take Sabo away from him? They're extremely codependent and I am here for it, honestly. Sabo would die for Luffy and Luffy would kill him if he did that. Also, I don't know where the fuck Sabo is now because I'm only watching Wano but I swear to God if something happens to him I will murder somebody with my bare hands. :)

Oh! And then it comes my favorite arc of all the show: Whole Cake Island (to the surprise of literally no one!). Luffy, in the beginning, is extremely optimistic when it comes to rescuing Sanji. He's simple like that. "If he doesn't want to get married, we rescue him. If he wants to get married, he just brings his wife with us!". And if Sanji didn't want to come back to them (truly not wanting to) he would accept it. But Sanji wants to. Luffy knows Sanji wants to go back to the Sunny with them. He knows Sanji isn't being true to himself. And God, he's desperate. Because Sanji is stubborn and his self-sacrificing and deprecating thoughts are even stronger than Luffy's, and he won't give up until Luffy lets him go. But Luffy doesn't want to fight him, he just wants his cook back. Because he knows that, no matter how much harm he does to him, Sanji is only doing it to himself (one of my favorite quotes from OP). So, Luffy goes again through the desperation of not losing a crewmate, but losing one of his wings. Without Sanji, Luffy can't become the king of the pirates. He's willing to die from starvation for him. Are you- Are you all aware that he almost fucking dies from starvation? I don't think we talk about that enough because what the actual fuck. There's this thing they tell Luffy (I don't remember exactly when or the exact phrasing) about him wanting Sanji back out of selfishness and not because of Sanji's well-being and... I partially agree? Don't get me wrong, Luffy does everything here for Sanji because he knows Sanji is suffering and lying to himself. But Luffy is selfish, too. Luffy doesn't want Sanji to go away because he loves him. That's his cook. He doesn't want to lose anybody else, even less knowing that they're going to be unhappy. That's kind of for me the confirmation of Luffy's abandonment issues. Like- He does everything for his crew, of course, but he's so scared of losing them. Then Sanji comes back to them, of course, and they have their own Pride and Prejudice moment. Not even Jane Austen can write shit like this.

I kind of want to talk about Wano but I haven't finished it yet (I'm like, on episode 1056) but I would like to mention how beautiful it is for Luffy to carry Ace's soul and promises like that. And also the responsibility he carries during the whole arc to save Wano? That's so- It's so fucked up. He's such a good leader and captain and everything I said in this post and all the things he does in Wano show that he will become the king of the pirates. I love him so damn much. I can't even write it down properly.

Anyway, summarizing everything: Luffy has a lot of abandonment issues and a savior complex that becomes unhealthy to the point of sacrificing himself and always carrying the burdens of everyone else. Because he fears he might lose his loved ones if he isn't strong enough. So. You know. It would be great if people stopped saying he's just childish and fun and that he doesn't have any character depth because he's probably the most complex shonen protagonist I've ever seen! He has suffered so damn much it hurts! Live Laugh Love Luffy! <3

#......... i love him a lot #he makes me go insane #please i swear i am okay mentally he just makes me ill #i truly thought this was gonna be longer ngl #one piece #monkey d. luffy

[theoraclej]

well, that was bitterly disappointing to the depths of my soul.

yes, I'm talking about Tech.

he deserved better. the BATCH deserved better. OMEGA deserved better.

I don't like the way they basically just erased any and all grief for Tech except for a couple of fucking off-hand mentions that barely whetted the appetite for more of the only character I really identified with

because I'm the info dumping autistic guy in my irl groups

and to see him shuffled off in the manner they used was a fucking insult

and to be teased about it by the show creators

or worse, harassed by the bad lot of Star Wars fans

and to kill off their autistic guy who DEFINITELY had chemistry and the first hints of flirty bonding with a Black woman is a bad look, v bad look

imo they botched the whole finale, not just the Tech thing because like look:

I guess this zillo beast is just gonna live on that planet now, instead of getting involved in the story they had it fuck off to the jungle - what

CX-2? who was he? too bad we'll never know because he was dropped before he was identified

it was shot so dark, everything was hard to see, and mind you my television set is especially tuned for it to NOT be dark because I hate that shit, I am going to be forced to watch it again despite not wanting to so I can listen to the audio descriptions and better understand the fights

they totally dropped Omega's force sensitivity stuff, like I wanted to know more about that, and about the other kids, will they even be safe? cause we know the empire keeps stealing force sensitive kids

speaking of those kids, what even was the point? the research was destroyed yet we know project necromancer is eventually successful or maybe they're retconning that too, who knows, all the rules are off the table and nothing matters

writing was inconsistent for an episode meant to be important

Crosshair did not deserve to have his hand cut off. I know prosthetics are "easier" and "more accessible" in this universe but also I don't give a fuck, just insult to injury and more, this man has suffered enough from the moment they jacked his chip up to 11

back to Tech: they spent so much time being cute little shits about him that his return seemed inevitable, as I watched the season I kept counting down time left for him to show up, and I had hopes all the way through until the first fade to black, only to be bitterly reminded of his death with the goggles in Omega's ship

--

two highlights I did enjoy - Omega and Hunter at the end, making me wonder if there will be a show about Omega set during the rebellion or if she'll show up in The Mandalorian or Ahsoka

Nala Se killing the shit out of rampart as she herself died, thank you Nala Se

but overall UGH, I will be tender from this one for awhile, I almost want to cancel Disney+ until I feel able to watch Star Wars stuff again

might write some fix-it fic, I'm too hurt right now tho

I'm commiserating with the rest of you who seem to have much the same reaction to this disaster of a finale

so yeah, we all deserved better, fictional folks and real folks and zillo beasts alike

#the bad batch #star wars #the bad batch spoilers #tbb tech #bad batch spoilers #tbb s3 spoilers #bad batch season 3 #the bad batch season 3 #the bad batch season 3 spoilers #bad batch season 3 spoilers #tech #tech the bad batch #tech lives as far as I'm concerned #whatever we saw there wasn't it y'all #tbb omega #omega #they have lost my trust and my faith #I don't think I've ever been so disgustedly disappointed #ugh

[satorugojjo]

I don’t think there’s a single book BookTok has promoted in the last couple years that’s turned out to be an actually good “you cannot miss this read” which now makes me and so many others I know avoid it as a whole.

A lot of BookTok books seem to be specific for very young or very new readers who haven’t cut their teeth on fanfic or haven’t been reading from a young age. The writing style is either a really profound Instagram metaphorical caption kinda overwrought and over flowery language, or it’s trying so hard to be edgy and sardonic and ends up being completely tell and almost zero show. This Is How You Lose The Time War is a PERFECT example of this - where the flowery and poetic language actually takes AWAY from a scene and distracts you from it rather than adding anything to it in the moment, and for those who do like poetic fiction this will be up their alley but if you don’t and you pick it up because of badly marketed hype when you normally wouldn’t, it’s gonna turn you off reading in general!

There’s nothing wrong with starter fiction to help get readers engaged and then find their way into actually good books, but my gripe is that it’s never ever marketed as that and as if it it’s just generically good fiction. Nothing Colleen Hoover has ever written is objectively good - the writing style is mediocre and she romanticises taboo topics which will seem spicy to the average population who doesn’t READ. And yet she takes up every bookshelf which I promise you will end up turning many readers who ARENT on booktok away from reading altogether.

YA is another genre that has declined a lot in recent years because it’s full of marketers trying to fit all the buzzword tropes into their books and getting young readers to buy it because it’s “enemies to lovers pirate cyberpunk found family” or whatever - and it feels more like focus group fiction rather than actual writing. I LOVE YA but nothing that’s been released post 2020 has had any depth, plot, character development or any style to it.

A great example is Fourth Wing by Rebecca Yarros - i tried reading 2 chapters as a sample and it was shocking to see how illogical, overdramatic, overedgy and exceptionally “this happened then this then this then that” it was. There was absolutely zero nuance and it felt so “I’m telling you all this but I’m not gonna prove any of it”. And yet it’s rated either 5 stars or 1 star. I’m sure it’s a great starter middle grade/teen book but it is definitely not deserving to be on the same pedestal as other YA books like Hunger Games or Six of Crows. I used to think that perhaps I’ve just outgrown YA but considering I can pick up YA from 2018 that I haven’t read before with no problems, it’s so specific to BOOKTOK YA.

It’s getting to the point that if I see a book that’s being overpromoted on tiktok, I’m more likely to believe the bad reviews because there hasn’t been a SINGLE book where I’ve disagreed with them, and then go find a different book in the same genre that hasn’t been on booktok - it’s getting hilarious actually that the books that are actually incredible get zero screen time and traction on booktok because they aren’t just cheap easy airport reads. Once again - nothing wrong with an easy airport CH book or YA book, but we aren’t going around parading a Lee Child book as peak literature no matter how enjoyable they are.

I don’t even have a conclusion to this entire rant - I’m sick of books like Babel getting steamrolled because it was “too sad or too hard” in favour of the latest SJM book, and getting even more sick of the decline of media literacy due to books getting easier and more spoonfeedy. When they aren’t? They mistake flowery metaphors for complexity and depth.

#booktok #books #bookblr #Rebecca yarros #fourth wing #colleen hoover #this is how you lose the time war #Babel #rf kuang