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bibibbon · 24 hours

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Sukuna is a good villain analysis

Coming from someone who hates villains that are evil because they were born that way and with no other explanation. To be honest, out of all the villains in jjk I always found sukuna to be somewhat boring , he is well written but I just couldn't really see what people saw in him. I still think that kenjaku is way more interesting than him but I will say that due to the recent arc and chapters that my opinion of sukuna has significantly changed.

Sukuna is the abstract embodiment of nihilism (in a way). His character for the longest time has always been about destruction and chaos. Sukuna's first introduction consists of him saying that he is going to destroy absolutely everything and there is a heavy focus on him destroying the woman and children. He simply views then as little maggots that he can easily destroy with ease. We later learn the connection (I guess) he has to his mother which he doesn't regard her disrespectfully and his devoured twin whom he is shown to remember the presence of. Every time we meet him before shibuya his power is further emphasised and he is further demonised and built to be the big bad.

It is later in shibuya, during his fight with jogo that we get more to sukuna. In this fight sukuna brings out his CT of flames and jogo is surprised however, before sukuna kills jogo they share an interesting conversation. Sukuna recognises jogo's ideology and desires to be human and sukuna relates to it. He understands jogo's desires of taking humans place and ruling the world yet he views that view as foolish. This is where we learn that sukuna believes that being alone and having the power to destroy everything you care about is what makes one powerful. This can explain sukunas love for destruction and simple chaos. However, sukuna is incapable of understanding why he is talking to jogo, why does he even care for him in a way and instead of trying to understand he does exactly what he said to jogo that he should do and destroys/ fully burns jogo after calling him "strong". At this point both of these curses have experienced what it's like to be 'human' with emotions flowing through them that aren't negative but while one (jogo) questions it and tires to explore it the other (sukuna) rejects it and burns it all away.

There's also sukuna's relationship with his relatives especially itadori his nephew. Sukuna and itadori share completely different ideologies while sukuna believes in him being the strongest and destroying everything he cares for to stay that way yuji will believes that he is a simple cog in a system and tries to do everything to fulfill his role and protect others. Both are strong characters yet it is yujis drive and strong resolve that makes him so much more mentally stronger than sukuna and what irritates sukuna as yuji is claimed to be unbreakable in his views and passion. Yuji also makes sukuna question his own purpose and what he is here to achieve. Even though the two are strangely similar in many ways considering that yuji is a part of sukuna they're vastly different especially with their ideologies.

There's also the huge contrast between sukuna and his twin Jin itadori. Sukuna is strong, cold hearted and would put himself before anyone. Sukuna doesn't care for others and his existence is mainly him trying to satisfy himself and his needs while flaunting the immense power he carries. Yet from the little we have seen from Jin itadori he is is the polar opposite of sukuna. Jin itadori died for love, he was so blinded by grief that when kaori came back even though it was kenjaku he still loved her the same and he loved itadori more. It was stated that Jin really wanted to have a child and truly cared for itadori to the point he and itadoris grandpa got into fights about it. Jin from the moment we see him seems like a really nice and somewhat nerdy guy the complete opposite to his twin sukuna heck even their character designs are completely different with them only having the same colour hair and eyes (I think).

These twins are also juxtaposed to the zenin twins. Its stated that sukuna had to eat his twin to survive in the womb due to how poor their mother was. However, the only thing that sukuna got out of his twin was the physical characteristic and his CT while Jin's soul went through cycles before coming into he human realm again. This contrasts with eh zenin twins whom voluntary chose to join together and when she died Mai chose to take all the CE they both had while dying physically she joined her sister spiritually by becoming a sword. Maki and Mai will always be together and entwined by their souls. The sukuna and jin twins are only connected physically which could be why sukuna has 4 eyes and 4arms.

Sukunas own character design just shows that he is the embodiment of destruction and how he simply devours everything around him. When asked if sukuna ever feels lonely he literally says that he lives however he wants and that he can eat as much human flesh with all of them tasting different and filling him with different emotions. The closest thing that sukuna has to a friend is his loyal servant urauame and they only obey his orders while entertaining him. It's stated that the only reason sukuna keeps urauame around is due to their talent in cooking human meat, the same thing that gives him joy aka any real emotion.

There are then his other fights that focus on sukuna and his views on love and power. Yorozu's fight is an interesting one where we get more on sukunas cannibalism and how both of those characters view love as a means of destruction and death. Yorozu is happy that sukuna killed her and got to know more about her through that while sukuna is questioned on stuff that he views as pointless and meaningless like marriage. Yorozu sees the solitude that sukuna is surrounded by and think that he can understand her since she has faced similar yet they heavily clash with sukuna believing that to have power one must face the burden of solitude. In the end yorozu, does give sukuna a gift crafted by her which he actually takes and uses during the current battle. Yorozu's attempts to get to sukuna and to make him reciprocate his love all fail even when she makes a TRUE SPHERE. Something that has the largest surface area and can contaminate and touch everything yet sukuna leaves untouched by yorozu at all. I think it's interesting that yorozu's heart took a shape of a true sphere just to show how obsessed she is with sukuna and her desire to be with him.

Sukuna then fights with kashimo. Kashimo somewhat like jogo has an understanding of what it's like to be strong yet kashimo is sick of superficial interactions that the strong have to have with people that are inferior to them or want to challenge them. Kashimo asks sukuna if there is a way where he can be strong and surround himself with love sukuna says that this is selfish thinking considering his view that everything he cares for must be burnt for him to be strong. Kashimo isn't satisfied by only having strength but he also wants to experience simple things such as love, sukuna could of been similar to that long ago yet he gave up and has resorted to taking in all the destruction and enjoying himself from it. Kashimos fight with sukuna was more of a self discovery journey for the both of them and at the end they both come out on different sides.

After higumara's death there is a whole chapter about sukuna and he starts questioning his own life view. What has he been doing? Is it worth it? Where is the joy in what he used to do? And he is again faced with his complete opposite yuji. He is deep in thought and he feels empty, confused even he can't seem to understand why everyone is dedicating themselves to this belief, they're all united and strong yet he is alone and bored. Sukuna has done everything he has fought and killed but like kashimo said that caught up to him and now he is tired of it he wishes to experience the unity and stuff that the others fighting him are experiencing. Sukuna has no purpose but to destroy at this point but he has caused so much that him destroying over and over again has just been a mundane cycle.

Yet things start to change as the tides are against him and he may taste losing for the first time.

In conclusion, sukuna is an abstract and literal ideology of nihilism to a cerian extent and conveys the big bad villain trope in a fantastic way. I find him way more well written than AFO and muzan.

#jjk #jujutsu kaisen #jjk manga #jjk rambles #jjk ramblings #jjk critical #jjk spoilers #jjk sukuna #sukuna #jjk analysis #sukuna being yujis uncle is way better than them being twins #i actually dont mind sukuna but kenjaku is just better #kenjakus behaviour needss to be studied the dude is insane #jjk parallels #jjk contrasts #jjk has some serious family drama and iam here for it #jjk meta #jjk rant

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licorice-lips · 2 days

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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.

These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:

*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).

*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).

*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.

In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.

Now here's my defense post for Rhys:

Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.

All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.

But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.

So in this case, he is the only one who can truly act.

But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.

And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:

"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)

He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.

A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:

So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.

And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:

Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?

Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.

He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.

Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.

That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.

So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:

Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.

Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).

To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.

Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.

Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.

Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.

By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.

So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.

Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.

But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:

"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).

In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.

Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.

I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).

When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.

So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?

Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.

Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.

Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:

There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:

The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:

"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).

The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.

He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:

"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)

These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.

So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.

Alright, let's stop there and go back in time to analyze Feyre's behavior:

Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.

This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.

And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.

Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:

As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.

He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.

When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.

When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.

When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.

And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.

Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):

"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."

Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.

I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?

We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?

That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.

But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.

Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.

Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.

And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).

I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").

While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.

It's that simple.

And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.

The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.

But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.

But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.

That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.

But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.

Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:

While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.

I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:

Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.

So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.

Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"

#acotar #rhysand #feyre archeron #feysand #rhys acotar #books #fantasy books #sjm #sarah j. maas #sarah j maas #cassian acotar #a court of thorns and roses #acomaf #a court of mist and fury #a court of wings and ruin #tamlin #tamlin acotar #morrigan

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6rookie-writer0110 · 1 day

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This is happening

Noah Morgan x Male Reader

Request - Could you do Noah Morgan x male!reader where y/n Lesister is William's son and Nick does not exist in this story. For this story, Noah is 18 years old, and y/n is 20. In this story, "My Fault" and Marvel's Spider-Man (insomniac) are set in the same universe. When y/n was 18, he went on a trip to New York, where his DNA was spliced with a spider. Basically, he has miguel o'hara powers, but he gets spider sense.

As a kid, you never knew who is your mother. You asked your father about her but he won't tell you, he would tell you to change the subject. You don't have a good relationship with your father, and you don't care anymore about trying to fix the relationship. He is cold toward you and he doesn't take the time to get to know you. You don’t like his wife Rafaella, she doesn't like you. But you do get along with Maggie your little step-sister, Rafaella barely pays attention to her own daughter and you hate that. Your father is rich but he or Rafaella don't buy medication for Maggie, but you do.

You get a text from your manager and you start to read it. He helps you get the big fights and a bigger pay, and you pay him.

Tyler- big fight tonight at 12 am. I signed you up

You- I will be there.

“Who are you texting?” Noah asked.

“You shouldn't be nosy,” You said.

She rolled her eyes at you.

“Same answer, when I ask you about the black eye?” Noah asked.

“Yes,” You said.

“You always come back with bruises, Y/N. And don't say you got mugged” Noah said.

“That’s why I said don't be nosy,” You said.

You grabbed your duffle bag and she started to follow you. Then Maggie runs up to you

“Can I come?” Maggie asked.

“Not today. How about tomorrow we go to the park?” You said.

“That’s fine” Maggie smiled.

“Watch her,” You said.

Noah watched you leave and you got in your car. Rafaella used to spend time with her daughters but that changed when they moved into the mansion. Noah called her friend to watch Maggie and the friend agreed. Noah gets an Uber and she tracks your location, she doesn't recognize the area. You have been acting strange and Noah wants to know why. She arrived at the location and kept looking, she found the location. She tried to figure out how to get in then she saw strangers go inside and pay to get in.

You are in the locker room, you are sitting on the bench. Then Peter walks in and you are surprised to see him.

“What are you doing here?” You asked.

“I came to see you fight. Ronnie got the biggest guy to fight you and make sure you are following the rules,” Peter said.

“I know, With great power comes great responsibility. Ronnie is always trying to make me lose to one of his fighters” You said.

“You got this, Y/N,” Peter said.

You were in New York City, on vacation. Unexpectedly you got bit by a spider while riding the train. The next night, you felt your body change then you got powers. You started to freak out and you didn't know who to call for help. You noticed that you got fangs and you freaked out even more. While in New York, you were on the roof trying to figure out your powers. Peter had on his suit and he noticed you, and he started to help you out. Slowly he became

Your mentor helped you get the name Crimson Spider. Only Peter knows that you have powers and you want to keep it like that. Peter doesn't like it when you do fight club matches. He knows that you're stubborn and won't stop. He always reminds you to hold back your powers or you will end up killing someone. He knows about your family history and you know about his.

“Thanks. But why are you really here?” You said.

He sits down next to you.

“Y/N, I’m getting old and I won't be Spiderman for long. But you won't get rid of me I’m still your mentor” Peter said.

“Damn, I thought I would get rid of you” You joked.

“Hahaha, so funny that made my stomach hurt,” Peter said.

You and Peter laughed. You leave the locker and head to the ring and Peter is standing with the crowd. The bell rang, and now you started to fight the huge guy. Noah is in shock that you are in the cage fighting. The guy punched you in the face and you fell, he was about to get on top to punch you again but you moved out of the way. You noticed Noah in the crowd then he pushed agsnit the cage. You start to punch him in the back but he doesn't back away. You wrapped your arms around his torso and used your super strength to pick him up, then you slammed him onto the mat. Everyone is in shock and he passes out, the referee picks up your wrist and you win. Ronnie is angry that he lost the bet and Noah is in shock about your strength.

You went to the locker room and you got paid. You quickly change your clothes and leave the locker room, you walk towards Noah and grab her arm.

“What are you doing here?” You asked.

“Why are you here fighting?” Noah asked.

“You shouldn't be here, let's go now!” You said angrily.

You dragged her out of the place then she pushed you.

“Y/N, why are you here tell me the truth,” Noah said.

“Fine. I fight to get money so I can pay for Maggie’s medication and that's the only reason. You know William doesn't care about anyone, he won't even buy her medication” You said.

She knows that you don't call him ‘dad’ and you call him by his first name.

“That explains the bruises and the black eye,” Noah said.

“Yeah. Let's go home” You said.

“We have to pick up Maggie at Maria’s house. I didn't know that you are strong, Y/N” Noah said.

“Now you know,” You said.

She is still impressed with what you did in the cage. You start to drive and she looks at you then looks away. Now, she starts to ask questions about the fight.

————

You walk by your father’s office and you hear him yelling over the phone. He has a gambling problem and you walked away. You leave the house and you meet up with Peter. You have on your new suit and Peter is teaching you how to swing faster, you are fast but you want to go faster. You and Peter are jumping off buildings and starting to swing faster. He tells you how to move your body.

“I almost had it,” You said.

You almost lost your grip but you quickly landed on the side of the building. Then Peter stands next to you but he is standing sideways.

“Show off,” You said.

“It‘s called skills. Now let's try again and don't be lazy,” Peter said.

“I’m not lazy,” You said.

“Let’s find out,” Peter said.

You and Peter start to swing again. Noah went shopping and you spotted her, you are standing on the top of a fire escape. A theif had a knife and wanted to steal Noah’s wallet. You jumped off the fire escape and used your web to get the knife. Then you double-kicked the theif towards the dumpster.

“Noah, are you okay?” You asked.

“Thanks. But how did you know my name?” Noah asked.

“I-I know everything,” You said.

You left and Noah is feeling speechless. A bit later, when Noah went home she rushed to your bedroom. Then she started to tell you how she met Crimson Spider and you pretended to be shocked, while she was talking you noticed how she put her hands on your forearm. But you didn't move your arm away, you just listened to her.

✫ ✯ ✫ ✯

Noah sees you spending time with Maggie, you two are playing in the pool. Maggie is having fun and you are making her laugh. She is checking you out, she developed feelings for you and she is trying hard to deny it. She isn't feeling happy with her boyfriend. She goes to the backyard and she sits on the chair, you and Maggie told her to get in the water but she said no.

William lost money in debt now Ronnie wants his money. William keeps avoiding him and Ronnie is feeling angry, he threatens William to pay or else. But William is stubborn and laughs and says he isn't scared. Ronnie knows now what to do and he ends the call, now William starts to drink.

You are alone in the locker room getting ready for a fight. Noah walked into the locker room and you are speechless.

“What are you doing?” You asked.

“I came to see you fight,” Noah said.

“Go home now,” You said.

“I want to see you fight again. I didn't tell my mom or William” Noah said.

“I know. But I don't want anyone to harass you. I thought you went on a date with Mario” You said.

“We broke up,” Noah said.

“Oh. Well, I never liked him” You said.

“Yeah, I know I see the way you look at him,” Noah said.

You and Noah are standing really close to each other. You feel her lips and she starts to kiss you then you start to kiss her back. She wraps her arms around you and you pull her closer.

“Y/N” Noah whispered.

“You kissed me first,” You said.

You kiss her back and she doesn't stop you. After the kiss, Noah stood in the crowd and watched you fight. She didn't know that you are a skilled fighter and she does cheer for you. You won the fight with a knockout and some people cheered for you.

You and Noah are in the parking lot. Again, you kiss her on the lips and she has her back against the brick wall. You start to kiss her neck and you raise her dress semi up and she lets out a small moan. Then she stares into your eyes and you touch her lip with your thumb. You and Noah go home and you go to check up on Maggie and she is still sleeping. Then you go to your bedroom and Noah is in her bedroom, she can't stop thinking about the kiss.

———

You and Noah are in the kitchen. She has her hand on your back then she grabs your shirt and she starts to kiss you. You wrap your arms around her and she starts to smile. William and Raffaella saw you and Noah kiss each other, they are angry.

“William, we have to do something about this fast” Raffaella said.

“I know. I will think of something, he won't embarrass me like this” William angrily said.

——-

Days Later… Ronnie gave one final chance for William to pay. But he didn't take the chance, Ronnie went to kidnap Noah and then sent him a picture of her tied up in a chair. Maggie told you that she heard William and Raffaella talk about Noah getting kidnapped and they couldn't call the cops. You promised her that you would make everything okay.

You went to your bedroom and started to put on the suit. You leave through the window and You go find Noah. You know where Ronnie usually hangs out and you rushed to his place.

“Boss, it's Crimson Spider,” He said.

“Kill him then kill the girl,” Ronnie said.

You start to dodge the bullets then you start to beat them up. Then you run towards Ronnie and you dodge the bullet, you kick the gun out of his hand. Then he grabbed the knife from his pocket and tried to stab you. But you grabbed his wrist and snapped it in half and he dropped the knife and he started to scream. You started to punch him in the face hard and he started to bleed out fast. You take out all your anger on him and you break his nose and jaw. You were close to killing him then you remember what Peter said about killing. You believe he doesn't deserve mercy then you pull up your mask up to your nose and grabbed his wrist and bite it, then venom enters his body. He starts to cough, you have paralytic venom fangs, and Ronnie slowly dies. You run towards Noah and you start to untie her and she isn't hurt. You take off your mask and she is stunned

“You… you are Crimson Spider!?” Noah yelled.

“Yeah, I will explain later. But are you okay? Did they hurt you?” You said.

“I’m fine, they just tied me to the chair. Do they know?” Noah said

“No one knows and you can't tell anyone,” You said.

“I promise I won't tell anyone,” Noah said.

She hugged you tight and you hugged her back. You left the building and the police arrived Noah didn't tell them your secret and they took her home. You start to swing back home

✫ ✯ ✫ ✯

William punched you in the face once you got home. You started to fight him but you did hold back your strength and you punched him in the stomach.

“What the hell!?” You yelled.

“We know about your dirty secret with Noah. I’m not going to let you two embarrass us like this!” William yelled.

“You are the embarrassment! You are not a man, you are a coward” You yelled.

“What secret?” Noah asked.

“We saw you and Y/N kiss each other. I’m disappointed in you, Noah, and this will end now” Raffaella said.

“I love him,” Noah said.

“This will end and I don't care how it ends!” William yelled.

You and Noah left the mansion with Maggie when William and Raffaella were in the home office talking. You lied to Maggie about having a fun trip to New York. You called your friend who is a pilot and he agreed to fly to New York. Hours later, William and Raffaella couldn't find you or Noah. William punched the wall and he is extremely angry.

In New York, you have an apartment in Soho that your father doesn't know. You bought take-out food and medicine for them.

“Since when did you get this place?” Noah asked.

“About two years ago. I live here alone and no one knows about this place, I have it under a fake name. Did you mean that you love me?” You said.

“Yeah, I did mean it Y/N,” Noah said.

“I have never been in love before,” You said.

“Me either. I’m scared” Noah said.

“I promise I will protect you and Maggie,” You said.

You hug her and gently rub her back. Later, when Noah and Maggie went to sleep you put on the suit, and you saved a few people around the city. You go back home and you change into your pajamas.

“I didn't mean to wake you up,” You said.

“You didn't. How did this happen? The powers and the suit” Noah said.

“It’s a long story,” You said.

“Tell me,” Noah said.

You start from the beginning of how everything started.

#Noah Morgan x male reader #Noah Morgan x reader #Noah Morgan imagine #x male reader #male!reader #male reader

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elytrafemme · 2 years

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now that ive posted that im looking thru my most recent poems. so far they r titled going backwards chronological:

ON PAPERCUTS, FLIRTING WITH MY BEST FRIENDS’ LOVER, IT MUST GET WORSE, ON JUPITER, When I Kill You, ragdoll, down the bay, counting the hours,

will stop there but if we skip a few we get

FINALLY EXPLAINING THE GUN / in several parts

which is one of my faves <3

#nightmare.poetry #not sure why so many r capitalized #i experiment a lot w formatting of poem titles ive gone thru a lot of types over the yrs #snippet i posted is from ragdoll <3 which is loosely abt doing things that r unfavorable out of the ease of ir + training urself into that #i think i wanna give it a hopeful reprise but ill need a few yrs for it #uhmm what other ones can i chat abt #FINALLY EXPLAINING THE GUN / in several parts is abt how most of my poems have this specific reference #to a gun on the mantlepiece and it is like the poem Abt That #flirting w my best friends lover is abt sharing the same struggle as all your friends and crumbling under the pressure of shared toxicity #when i kill you is about hating someone who does not hate you back #on papercuts is kind of a sillier one i just am pissed bc i hit my pinky while trying to get my math hw out LOL

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sskk-manifesto · 19 days

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(´･ᴗ･ ` )

#I really like the “We're the bad guys' enemy” line. For someone I generally despise Dazai has all my favourite lines in this show…#Idk I can't really vibe with the unbalance that there is between s/kk.#Like when push comes to shove‚ Dazai has the power to keep Chuuya alive or let him die.#I understand why they make a compelling dynamic in their complexity‚ but it just doesn't do it for me.#I'm a little sad my opinion on them hasn't really changed since I watched the anime for the first time...#Also; I really can't vibe with Chuuya allowing Dazai to kill Q. Yes I know Chuuya cares about his comrades deeply.#Yes I know it can be interpreted as Chuuya seeing himself in Q as a living weapon and being disgusted by it #(though I honestly don't think that was intentional of the author).#Yes I know Chuuya is a mafioso and kills people. No I don't think your personal issues justify you being a dick to other people I'm sorry.#Back to my main annoyance with the episode: I must have already talked about this but I hate hate hate the narrative #“the mafia works for the city” “the mafia deeply loves the city too” it's so so sickening and insulting please stop I'm begging.#Please visit any actual city with a rooted mafia presence for once in your life (signed: someone whose hometown was destroyed by the mafia.#The writers really don't know what they're talking about and‚ politely‚ it's offensive.)#Also b/sd keeping being extremely nationalist with Mori (who's largely depicted unsimphatetically for the first part of the episode)–#bringing up western thinkers and subtly mocking Fukuzawa for not knowing them–#and Fukuzawa (the righteous man. the noble spirit and just soul in this episode and Mori's antithesis)–#stepping forward to say that he knows strategists from the east (because who else would he need?)#I don't know if it's meant to symbolize the conflict with an hostile and invading foreign power (the Guild).#But it does come across as. A very isolationist way of thinking.#I know it's subtle but it's really evident for me. And I didn't want to talk about this any further…#But by bringing actual examples of this I hope I can better explain why I think that b/sd holds nationalist views–#and that I'm not just making it up out of nowhere. Otherwise I fear I'd only come off as pettily hostile to b/sd in everything #That's it. I feel like I've been losing a lot of mutuals over my main recently due to not shutting up (sorry)#so I suppose it's only fair I lose them on here too pffttt.#Tune in next week for more bad takes #random rambles

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cluescorner · 2 months

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Randomized Robins AU - Ages + Worst Trait Exercise:

Steph (25):

Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)

Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)

Her worst trait really is her spitefulness

Cass (26)

Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.)

Thinks her worst trait is her self-righteousness.

Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)

Tim (24)

Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)

Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)

His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)

Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)

Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this).

Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)

His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)

Dick (17)

Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)

Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)

His worst trait actually is his anger issues.

Barbara (18)

Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)

Thinks her worst trait is her disability

Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)

Damian (16)

Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)

Thinks his worst trait is his perfectionism

His worst trait actually is his perfectionism

Duke (16)

Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)

Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)

His worst trait actually is his impulsivity in his words

Jason (14)

Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne).

Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)

His worst trait actually is his reactiveness

#stephanie brown #cassandra cain #tim drake #dick grayson #barbara gordon #damian wayne #duke thomas #jason todd #batfamily #randomizedrobinsau #I'm debating whether I should tag this with the Joker Junior tag and those related to it for Pierrot #because like...it's not quite that. but it's also very close to that and is the direct result of that.#but Pierrot would fucking HATE to be tagged as that and sees it as an insult to his identity...which he already has problems with #so I don't think I'm gonna #anyways lmao I am totally projecting my younger self onto Barbara. How could I not? She's literally the reason I view my disability #the way that I do and she actively improved my mental health just by existing and saying some of the shit she did when I was in the #stages of accepting my own disability. So yeah I am projecting a lot onto her because I love her and see myself in her.#I'm mostly basing these characterizations on my favorite versions of them (ie Red Robin 2009 Tim and Birds of Prey Barbara).#so I'm taking the traits I like/think fit in this AU and discarding what I think either is bad or doesn't fit or if I just don't like it.#Damian's 'murder gremlin who is a meanie on purpose because he is a meanie' is entirely unappealing to me and also does not fit this AU #I prefer him when he's portrayed as a sympathetic kid (who is still an asshole) and not a demon child. So that's what I'm using.#same with Talia's 'abusive mother who is totally on-board with all of her father's bullshit and will kill someone for no reason' version #I have read enough comics to know what I like/what is most important and what I don't like/what is #BLATANT CHARACTER ASSASSINATION GRANT MORRISON YOU FUCK YOU SET TALIA BACK SO FUCKING FAR #I also decided to outline their WORST traits because I already know what I like about these characters/their best traits.#most people do. But what was a greater challenge was finding what would make their lives and those of others worse.#what would I hate about this person if I knew them IRL? What would I first suggest they get therapy for? What hurts them and why?#I found these questions really interesting in the context of this AU where some people are forced into completely different roles #the says/thinks/is was inspired by trying to answer that question for myself. I say my worst trait is my impulsiveness but when #I asked others in my life they answered 'oh so you said your weird thing where you don't ask for help right?'

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floralovebot · 1 year

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I talk a lot about how different fanon!Helia is from canon!Helia but not enough but how bad it is for all the characters.

Like you have Riven going from this insecure teenage boy who lashes out at anyone who challenges him to this suave bad boy who could kill the winx. People seeing Stella as a stuck up brat, thinking that she loves Bloom more than the other winx, or that she would ever choose to be selfish in ways that hurt the other characters. Or Flora going from this fairly confident young girl who loves to meet new people and hangout with others to an introverted shy mess who never speaks up and would never say something sarcastic. Not to sound like a bitch but I really do think it's time the fandom stops pretending we're better than other fandoms and don't have Fanon Versions because we do and it's messing with y'alls perception of canon so fucking bad

#theres a time and place for fanon and its not pretending that fanon IS canon #and like listen #there's a big difference between having headcanons and fanonizing a character so badly that theyre basically a different character #im not saying its Bad to have headcanons or to disagree with canon #everyone does that its normal and healthy for fandoms #that sounded SO online good god #but also recognizing that your headcanons are Just headcanons is also necessary?#and recognizing that sometimes headcanons have been disproven by canon or aren't backed up at all #and not acting like your fanon version Is canon or is better than canon?#like genuinely think some of you dont even like canon winx and you just like the fanon versions of them in your head #like no sorry but flora isnt the fumbling shy mess who can't even speak to the others #stella isnt the dumb selfish princess who can't fight and wouldn't protect her friends #aisha isn't the Super Independent Woman who hates all men (also a very racist trope)#musa isnt that I Hate Everyone bitch who would dropkick the winx and physically abuse riven #i could go on and on like im sorry but the fanon versions of them are So Bad rn its so weird to me #like... fanon has always existed but i dont think its ever been this bad? usually Extreme Fanon only happened when someone hated a characte #like people usually only mischaracterize them when they Hate them but now im seeing people who Love them do it #i dont understand what happened why has fanon gotten so bad recently??#also Im Sorry if any of this sounds targeted or extra bitchy i promise im not talking about anyone specific and im not Trying to be mean #i just really hate going into a character tag and seeing post after post of people going 'riven would kill sky if he got the chance'#and i dont mean the clearly joke posts i mean the Very Genuine Headcanon posts like what the FUCK are you people talking about #i genuinely think some of you got your degrees from the fanon university instead of the canon uni #please rewatch the entire first three seasons at your earliest convenience or your degree will be revoked #ajhdglagd #like not to sound mean but i think there was an influx of people who only vaguely remembered the show and got the rest of their info #from random tumblr posts instead of yknow. the actual show #oh i am very complainy today time to do something more productive and less chronically online

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cryptidghostgirl · 2 months

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The Love (Alastor x Reader)

Pairing: Alastor x Reader

Description: Alastor is drunk and Charlie asks him if he has ever been in love.

Warnings: I don't think there are any but correct me if I'm wrong.

Word Count: 1,323

Master Lists:

Master Lists

Hazbin Hotel Master List

A/N Y'all, I'm lowkey dying from the requests. I'm sorry for the last five or so taking so long, I just need a little break and mix in some of my own ideas if that is okay.

Alastor was drinking at the bar with Husk, Charlie, and Angel. The day had been a lot, seeing Mimzy was always a lot. Yes she was trouble, but Alastor loved her. He loved her for the same reason he was trying to drink himself stupid at the bar. He loved her because she reminded him of Y/n. Mimzy had been her friend first, after all.

He sat off to the side in his own little world while Angel and Charlie chatted and Husk obediently poured the drinks. Normally, Husk would have joined the pair in the mindless, mundane chatter but after the events of the day, Alastor's presence kept him silent.

"No way!" Charlie exclaimed.

She and Angel were talking about some TV show they both watched or another. A mind numbingly boring background noise but, Alastor wasn't complaining.

"Yes! They are one hundred percent perfect for each other." Angel replied animatedly.

"Literally how. Name one thing that shows they have good chemistry."

"Uh, they’re constantly at each other's throats? If that's not love, I don't know what is."

"Angel?"

"Yeah?"

"You don't know what love is."

Husk let out a short, sharp laugh as he topped off Angel's drink.

"Oh yeah? Well then, Princess, what do you think love is."

Charlie sighed, leaning her elbow on the counter as a dreamy look spread across her face.

"Love is... love is when you would do anything for the person. It's when they're your guiding star, your... your prayers answered."

"Uh, no? Love is when you want to literally kill the person but like, in a good way."

"Angel, what does that even mean." Charlie laughed.

"It means... it means there is passion. That spark everyone always talks about? It's violence."

"Hey Al!" Charlie suddenly called, leaning back in her seat to peer at Alastor behind Angel's back, "Who's right, me or Angel?"

Alastor looked up from his glass.

"I hate to say it, but neither of you are correct." he sighed in irritation at having been disturbed, "Love is neither a constant fight nor a blind devotion, though it contains aspects of both."

"Like you know anything about love, mister fancy talk creepy voice." Angel scoffed, turning to face Alastor as well now.

"Actually, I do."

Charlie's face lit up. She practically vibrated with anticipation.

"Alastor! You've been in love!?"

Normally, on a night like this, he'd be alone. He'd be careful to be alone, or at least have Husk as his only company. When he told Husk to shut up and pour, he listened. Other people, not so much.

"Yes."

Charlie had stars in her eyes. She inched closer to him.

"Are you gonna spill?" Angel asked after a moment.

"It was a long time ago."

Alastor took a long sip from his glass.

"Do you... do you not remember it?" Charlie asked, her excited smile slipping slightly at the notion

Maybe it was the drink. Maybe it was the long day, Lucifer, Mimzy, Husk. Those shark demons. Maybe it was just that secretly all along, he had wanted someone to talk to. He watched the liquor in his glass as he swirled it gently.

"It was a long time ago, but I still remember it." his smile softened as he spoke, "It's strange. I remember her laughter, her little quixotic tendencies. I remember the way her eyes would light up when she smiled and the way her perfume smelled. I know her favorite author, the way she took her coffee, the way she folded her clothes but, I can't seem to ever see her face anymore. I..."

He trailed off, taking a breath.

"You don't have to talk about it if you don't want to." Charlie quickly said, not wanting to make Alastor uncomfortable.

Alastor shook his head.

"I've spent years not talking about her. Maybe... maybe something else would be nice."

"So, how'd you guys meet?" Charlie immediately asked.

Alastor looked up at her and let out a light chuckle. He felt like he was human again for a moment. It was odd.

"I don't know if you know this about me, but I was a radio broadcaster back when I was alive. A rather famous one at that, in New Orleans at any rate. Her family ran a restaurant near the studio that I went to get lunch at from time to time. She worked there as a server."

"And she loved you?" Angel asked, "Like, you weren't just delusional?"

"I was quite the lady's man back in my day."

"Uh-huh." Angel doubtfully replied, "Sure."

"Oh hush, Angel." Charlie shoved the spider demon slightly, "Tell us more! What was she like? Did you ever get together or were you just friends? Gah! I wanna know everything!"

"She was..." Alastor's gaze fell back to his glass, "you remind me of her in a way. She was so idealistic, so driven. So... bubbly. She worked hard and she cared deeply. I don't know how I swung her, despite my charms. We were friends for about a year. The whole time, I was trying to work up the courage to ask her out but she ended up being the one to ask me. We got married when we were in our mid twenties. I only had a few years with her as my wife before I died."

Unbidden ideas darkened the edges of his mind. Y/n had always been so good, so sweet. Alastor had no idea if she had ever learned of his... escapades. He figured she must know, considering the manner in which he died but it was a horrifying thought. He was grateful when Charlie spoke again, pulling his mind back to the present.

"Thats so cute!" Charlie exclaimed, clapping her hands as she looked between Alastor and Angel, searching for similar excitement.

"Can we meet this alleged doll of yours?" Angel asked, "Cause I am really not believing any of this bullshit your spouting."

Charlie gasped, suddenly struck by inspiration.

"Do you think she would want to be redeemed?"

"Oh dear," Alastor shook his head, meeting Charlie's eyes, "she's not here."

"Then wh-"

"She's in heaven?" Angel exclaimed, "You married someone who ended up in heaven?"

"Either that or she's over a hundred years old and still on earth." Alastor weakly joked.

"I'm sorry."

Alastor shrugged, downing the rest of his drink.

"No!" Charlie insisted, "You'll... you'll never get to see her again! That's so sad!"

"And here I thought you were trying to get us redeemed." Angel scoffed.

Charlie turned to him.

"I'm trying to get you redeemed cause you're a guest. Alastor isn't a guest."

"Right you are, my dear."

"But you could do that." Charlie said turning back to Alastor, "Angel's right, if you were a guest you could be redeemed. You could see her again!"

Alastor smiled kindly at the excited demon. He patted her back.

"I'm afraid I don't think that's an option."

"But why not!" Charlie insisted, "Anyone can be redeemed, Alastor."

"That's not the issue, my dear." he sighed, "I did some things on earth that she would most certainly view as... unfavorable shall we say? Things she most certainly learned of after my death."

"You're not even gonna give it a shot?" Angel asked.

"Yeah, come on Alastor. Let us help you. You never know how it could turn out!"

"It's alright. I have the time we spent together, the memories. I don't want to taint that." he slowly, unconsciously, raised a hand to his chest, his palm over his heart, "The love is still there, thats what matters."

The quartet fell silent as Husk poured Alastor another drink. Alastor sighed, grabbing the glass and examining it carefully, but not taking a sip.

"What was her name?" Charlie asked, her voice small and her smile long gone.

"Y/n."

It had been years since he'd said it out loud. His tongue relished every syllable.

"Her name was Y/n."

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ioniiaa · 2 months

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My Darling, My Honey

Alastor X Fem!Reader (Part 13)

Part 13:

After practically being dragged by Vaggie back into the main lobby of the hotel with Alastor quietly humming behind the two of you, you were basically swarmed by Charlie, Angel, Husk and Nifty.

"WHERE WERE YOU? I was so scared!" Charlie barely manages to get out past the blubbering tears streaming down her face as she hugs you.

Angel examined your body with all of his arms, checking to make sure you were okay, "Geeze, toots, how'd you manage to survive that long against Smiles over there? I was sure you'd be dead meat!"

Husk gave you a glance up and down, "Glad you're alright. I'd hate to miss out on getting to know another drinking buddy." Husk glances over to Angel and grumbles under his breath, "You owe me $50."

"You were betting on if (y/n) was alive???" Vaggie groans, hands rubbing her face in exasperation.

Nifty is basically hyperventilating in your face, sniffing and examining your hair strand by strand, "Yup- still gross- EW!" Before she launches off your shoulders to go and do god knows what somewhere in some far corner of the hotel...

You let out a breathy chuckle, "I appreciate the concern... and the vote of confidence... Angel..." You give a sarcastic glare over in the spider's direction, earning a sheepish smile from Angel.

Taking Charlie's hands in your's, you take one of your hands to dry the tears from her eyes and say, "Charlie, you don't need to cry. You're such a sweet girl. I honestly can't thank you- and Vaggie-" you smile in Vaggie's direction before continuing, "- for saving my life and bringing me here to the Hazbin Hotel. I came here to find the love of my life- back from when I was alive. It's only been a few hours, yet you've already helped me fulfill the goal I've been trying to achieve for decades!"

Your words brought surprised looks upon Charlie, Angel, and Husk's faces.

Husk nearly dropped the glasses he was cleaning, "Uh.. Say what now?"

"Excuse me, but did you just say you found the love of your life... from when you were alive?? Who the hell-" Angel started to say before Alastor walked over put his hand on your shoulder,.

"Oh, you gotta be fuckin' kidding me." Husk interrupted Angel's sentence with the most deadpan yet exasperated voice he could muster.

"Wait... you mean... Freaky face has a fuckin' WIFE???" Angel yelled out in disbelief. "What the actual FUCK? I didn't think that guy was capable of love!"

"Ahem." Static noises became louder as Alastor glared in Angel's direction.

"Alright, alright, jesus, sorry! Husk, I need a drink."

"Already on it."

Meanwhile, Charlie just stood there as still as a statue from the shock. Until she suddenly started chuckling slowly, "Ah ha... hahaha... wait... really?" She brought her hands up to her mouth, trying to hide the huge grin that was slowly forming on her face.

You nodded, "Well, not quite wife haha... I was killed before he could propose..."

"Geeze, talk about grim.."

"Why, I do say that is quite enough from the peanut gallery!" Alastor piped up, menacingly twisting his head towards the bar where Angel and Husk were.

Charlie turned to Alastor, "How come you never mentioned you had someone special before?"

"Well my dear Charlie, I am a very private person, I do not often willingly divulge personal information about myself or my life back when I was alive."

"Oh." Charlie looked down at the ground dejectedly, thinking she was closer to Alastor than to be kept at such length still.

You patted Charlie's head, "Don't worry- I'll be happy to chat with you anytime! Though I don't know if you'll have fun hearing how I killed my husband- er- before Alastor. Maybe I'll have to settle for stories about my art career!" You chuckle smiling at her.

"Jesus, she IS crazy after all."

"Takes crazy to know crazy"

"Oh, shut up."

Charlie gasps, suddenly perking up, "Oh.. MY... GOSH!! Does this mean we get to host the very first wedding at our hotel??" She squeals and gives both you and Alastor the puppy-eye look.

You link your arm through Alastor's and look up at him with an inquisitive look.

"Ahaha! Why, if it is what my dear (y/n) desires, then that is what we shall do!"

You grin and bring your left hand up and hold it out to Charlie, "We already have the rings!"

Charlie blinks blankly and her mouth hangs open holding your hand to examine the ring on your hand. Vaggie leans over to look as well, "I honestly don't know I missed that..."

After staring at the ring for a while, Charlie smacks Vaggie's arm a bunch before squeezing her in a big embrace- the sounds of her squealing excitedly filled the room.

"WE HAVE A WEDDING TO PLAN!!!!!"

-> Part 14

Tag List:

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marriedtobigfoot · 8 months

Text

Steve ends up heartbroken, lonely and depressed after season 2. Nancy called him bullshit, even after he ditched all his old friends for her. Billy Hargrove took his spot at the top of the food chain. He can have it, Steve doesn't really want it anymore. But Steve does want to find some sort of connection. Someone to have in his life who isn't an 11 year old kid he barely knows. He tries to go on a date one night, take a nice-seeming girl to a party. He wants to find connection, to kill the loneliness that's been building for months, but just as he's feeling kind of good about things, his date ditches him.

So. He decides to drink his feelings. He gets majorly fucked up, and ends up laying on the ground in the backyard, contemplating how much life seems to hate him.

Only to literally get tripped over by Eddie Munson, who was at this party selling pot and is very confused as to why Steve Harrington is alone on the ground with a bottle of vodka clenched in one hand.

Eddie ends up chatting a little with Steve, nothing substantial, but enough to know that Steve is very very drunk, and also very very sad.

He asks if Steve wants to go back to the party, and Steve staunchly refuses. He doesn't want to be around a bunch of annoyingly happy people.

He asks if Steve needs a ride home, and Steve just kind of shrugs. His parents just left for another trip, so home is kind of depressing right now too. But he doesn't exactly have any other friends he can stay with so. Home it'll have to be.

Only Eddie can *tell* he doesn't really want to go home, though he has no idea why Steve wouldn't want to return to his veritable mansion after a shitty night. The reason doesn't matter much. He offers to let Steve crash at his place. Steve can take the couch, or hell he can stay in Eddie's room if he doesn't mind sharing, that way he wouldn't risk being woken up when Wayne comes home that morning.

And well, Steve agrees. Can't think of any reason not too. Munson has been nice so far, he's got a good easy-going energy that Steve likes. Why not stay the night.

By the time they get to Eddie's, Steve is *slightly* more sober. Not much, but he's slurring his words a little less, and he can walk with only a little help.

Eddie grabs them each a little plate of leftovers, because he has no idea if Steve's eaten at all. It's quiet while they eat, Eddie doesn't push Steve to talk, and Steve isn't sure what to say. Eventually Eddie sets the plates aside and give Steve an easy grin.

"So, do you want the couch, or are you crashing with me?"

Steve thinks about it for a while. He hasn't shared a bed with a guy-friend since he was a kid, and he's heard rumors about Eddie, whispers in the hall about the way he looks at other guys. But...Steve can't really bring himself to care. He's tired, and he really doesn't want to be alone.

"I don't mind sharing."

Eddie sets them both up in his room, letting Steve choose which side of the bed he wants, and they both settle in. There's a respectable distance between the two of them, and Eddie says a quick goodnight to Steve, figures they won't talk and just go right to bed.

Except Steve isn't sober, and he really isn't in a good headspace, so he can't stop himself from blurting things out into the quiet of the dark room.

"Are you really gay?"

Eddie stiffens next to him, he can feel it, he can hear the way that the other boys breath cuts off and he seems to stop breathing all-together.

"It's okay if you are, I'm not going to be an asshole about it, I'm trying not to be that guy anymore. I guess I was just curious."

It's quiet for another beat before Eddie seems to loosen just a little. He starts breathing again at least.

"Yeah I uh- I am. Gay. And if that's weird the couch is still open, I can-"

"It's not weird."

"Okay."

Steve let's himself mull over this confirmation, and then his mouth starts moving again, without his permission.

"Is it lonely? Cause I mean, it's got to be hard to date in Hawkins. People here are shitty. Unless you've got like, a secret boyfriend or something."

"No...no secret boyfriend. It does get a little lonely sometimes. I'm lucky though, I've got my uncle, and my friends are pretty great. That's enough most days."

"What do you do when it's not enough?"

"Hmmm?"

"When your uncle and friends aren't enough, what do you do? To try and...make it better?"

Eddie is quiet again for a long stretch before he shrugs.

"I try to focus on something else. I'll play my guitar or work on a new campaign, read a book. Something to take my mind off it."

"Oh."

Now Steve is the one who seems tense, his jaw is tight and he's got his arms wrapped around himself. His next words come out as a whisper, but Eddie manages to catch them.

"I don't know how to do any of that."

He sounds almost choked, and Eddie is caught off guard. He's never seen Steve Harrington as anything other than solid, as happy. He's the king, after all. He's supposed to be all smiles and great hair. Only...Eddie's noticed that he hasn't hung out with his old friends lately, that he's eaten alone at lunch too many times to be anything other than strange.

"Steve...are you lonely?"

Eddie expects a denial, for Steve to laugh it off and tell Eddie that he's perfectly fine and fulfilled. Or maybe he expects a shrug, a non-answer. What he doesn't expect is the gut-wrenching sob that seems to tear past the other boys lips.

He doesn't expect to turn and see Steve Harrington's face, a scant foot from his, shining with tears.

He panics a little at the sight.

"Fuck- I'm so sorry-"

"Don't be." Steve tries to wipe his eyes, to hide the tremble in his voice. "Not your fault there's something wrong with me."

"What do you mean?"

"It's like I'm broken man, like nobody can stand to be around me. Tommy and Carol hate me now, Nancy- hell even my own parents hate being at home with me for more than a week. It's like I'm repellent or something. Couldn't even get a date to stick around for a whole night."

And Eddie's pretty sure *he* might start crying now. He'd never have expected this much from Steve, all that sadness to come pouring out. It wouldn't have happened if Steve was completely sober. Without thinking, he reaches out.

Eddie puts a hand on Steve's shoulder and waits to see if the touch gets rejected, but Steve seems to lean into him, so he lets his hand linger.

"This probably won't help, but I don't think you're repellent. And that's coming from somebody who your whole group used to torture. I don't know much about you, but I kind of liked having you around tonight."

"Yeah?"

"Yeah."

Steve gives him a tiny smile. His eyes are still wet with tears, and the smile doesn't come close to reaching them. He seems impossibly small here in Eddie's bed.

"I don't know man. I just wish-"

He cuts himself off, apparently deciding his words are too far, but Eddie urges him to keep talking.

"What do you wish Steve?"

"I just wish that... there was somebody out there I could have a future with. Somebody who actually loved me, you know?"

It might be the saddest thing Eddie's ever heard, and he blames that fact for what he does next.

He takes his hand off Steve's shoulders and instead hauls Steve closer to him, fitting the other boy against his chest and wrapping his arms around him. It's a move that might get him decked, but he doesn't think it will. And he'll be damned if he doesn't hug Steve right that second.

He doesn't get hit. Steve tenses for a second, but it's just that one instant before he's melting into the embrace.

Eddie feels more tears falling against his shirt, and he couldn't care less. He keeps Steve close, let's him cry into his chest, runs a hand through that famous mop of hair.

He isn't sure how long it takes for Steve to calm down, but eventually he does. His breathing evens out, and he shivers a little before speaking.

"Thanks man."

And Eddie takes another leap of faith.

"I could be that person, you know."

"What?"

"I mean. You know Im... not straight. It may not be exactly what you're wanting but. I think I could picture a future with you. If you want to, just for tonight...I could be that someone who loves you."

Steve looks at Eddie, like he's a puzzle that he needs to solve, before a other shiver seems to wrack his body.

"Just for tonight?"

It comes out as a whisper, but Eddie hears it all the same.

"Yeah. For tonight Steve."

"I think...I think I'd like that."

Eddie gives him the sweetest smile he can muster, and nods.

"Alright sweetheart."

Eddie isn't exactly sure what it means, to love Steve for the night. After all, Steve is straight. He figures it doesn't matter much though, it's only for a night.

He keeps a hold on Steve, let's him get comfortable tucked against Eddie, and he does what feels natural. He runs a hand up and down Steve's spine, traces shapes into the soft fabric of his shirt. He tangles their legs together, and in a moment of insane bravery he presses a kiss to the top of Steve's head.

He's met with a sigh, full of relief, and figures he's on the right track.

"Just close your eyes Stevie, I've got you."

"Can you tell me about it?"

"Hmmm?"

"The future. You said you could see one. Can you tell me?"

And he asks so carefully, he sounds almost afraid, Eddie can't say no to that.

"Do you want the fantasy future, or the realistic future?"

"The real one."

"Alright then. Well, if I'm not going to be a rich and famous rockstar...I'll probably graduate and get a job somewhere in town. A real job, maybe working on cars or something. I'm good with cars. You'd come over all the time, have dinners with me and with Wayne. You'd have to meet Wayne. And we'd have more nights like this, sleeping close."

Steve let's out a pleased sounding hum, and shifts his face so it's buried even closer in Eddie's neck. He can feel Steve's breath on him.

"We could save up money and get a little place together, somewhere outside Hawkins. I have to stay kind of close, for my uncle, but maybe Indy?"

Steve nods, mutters something about staying close 'just in case'. He sounds like he might fall asleep, so Eddie keeps going.

"We could get an apartment, nothing too fancy. We would get two rooms, so nobody gets suspicious, but we would share a bed most nights. I'd play with my band on weekends, just for fun, and you'd join some little local sports team. I'd make sure to schedule DND nights so that I never miss a single game, even though I don't understand a damn thing about sports. We would come home for holidays, but most of the time it would just be us. I'd take good care of you, make sure you never go more than a few hours without me telling you I love you. I'll show up wherever you're working just to give you a hug and a kiss, and make sure you don't forget it. And I'll annoy the hell out of, but you won't mind too much, because I'll make you happy too."

Eddie can think of more. He can think about so many things. How he could give Steve one of his rings, even if they couldn't legally get married, even if Steve would never want that. Just as another reminder that he's loved. They could take trips together and go out to parties where Steve will never have to worry about getting ditched. Eddie doesn't do things halfway, and he has a hell of an imagination. He could picture them growing old together, if he tried, if he let himself. But this is just for tonight, so he doesn't. Instead he runs a hand through Steve's hair again, and listens to his quiet breathing. He thinks he may have fallen asleep, but he's wrong.

"That sounds nice."

It comes out muffled, spoken into Eddie's neck, but he manages to make it out, and he let's the vibration of it sink into his skin.

*It's only for tonight.*

He has to remind himself, because Steve is just feeling lonely. He doesn't want that future with Eddie, he just wants to feel loved.

But even if it's just pretend, just to help Steve for a few hours, he's okay with that.

Steve may think he's broken, but Eddie thinks he would be easy to love for a long time. Loving him for one night is nothing. He doesn't even have to try.

Tomorrow Steve will wake up sober, and he'll thank Eddie for letting him stay over, and they won't talk about it. Eddie will drive Steve back to his car in silence, and they'll say their goodbyes. They may not talk ever again, they never had before.

But for tonight? Eddie Munson will love Steve Harrington, and Steve? He'll let himself be loved, let himself beleive it. And he'll love Eddie right back.

Just for one night.

And if Steve ever needs it again? Eddie will love him for another night. And Steve will give that love right back. He's got plenty to spare, after all. And there's far worse people he could share it with.

#steddie #stranger things #steve harrington #eddie munson #steve harrington whump #steve is sad #eddie helps #pre-season 4 #this takes place between seasons 2 and 3 #I wrote this in a fit of insanity while I was supposed to be working #hope yall like it

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star-girl69 · 4 months

Text

In A Good Way

Clarisse La Rue x Fem!AphroditeCabin!Reader

—-

sypnosis: basically episode two but if clarisse had a gf (so what should have been canon pretty much)

a/n: sorry dior is so fine i had to get the thoughts out this is kinda shitty also but anyways i hope you all enjoy!!

In A Good Way - Faye Webster

warnings: some violence, swearing, soft and ooc clarisse but only bc i wholeheartedly believe she is soft only for her gf and i love soft clarisse, also protective!clarisse my weakness, i’m insane, cringe, tell me if i missed anything!!

—-

You watch Clarisse bump into the poor boy.

You’re sitting with your siblings, Tyla and Jackie, but your eyes were drawn to her even across the courtyard. Your eyes are always drawn to her.

She shoulders him hard, then immediately turns around and pushes him straight to the ground. Tyla gasps next to you as he crashes sharply into the dirt.

“Your girlfriend is a literal menace, Y/N,” Jackie scoffs.

“How do you think I feel having to deal with her?”

You really do feel bad for the boy, Percy, you think. Regardless of whether or not he really killed the Minotaur (Clar spent the entire night talking your ear off about how it simply can’t be true) it’s his first day at camp. He’s helpless, to say the least.

Feeling less than your whole life and then finally coming to a place where everyone else is like you, finally getting answers- it’s a shock.

You always feel bad for every new camper. Especially the young and tiny ones like him. Besides, you like his cute blonde hair.

“Oh, haha,” Jackie rolls her eyes. “You love her.”

You start to get up, faking a dramatic sigh, “I do.”

Tyla giggles as you walk away and come into earshot.

“Hey. Knock it off, Clarisse. It’s like his first day, come on.” Luke seems as unimpressed as he always does, slightly apathetic, as another Hermes cabin member tugs Percy up.

“Wait, so, this is the kid who killed the Minotaur. Is that right?” she takes a step forward, a misleading smile on her face.

“Yeah,” Percy says, awkwardly looking around.

“I’ll bet,” she smiles, her eyes lighting up in prospect of someone new to torture. “Look, you want attention around here, dummy? You better be ready for it when it comes.”

Her eyes meet yours.

“Clarisse!” you say in a sing-song voice, walking up to her and placing your hand on her shoulder. “He’s, like, twelve.”

“Oh, but he’s strong enough to kill a Minotaur?”

Your eyes lock, her hand brushes your hip, and you get those same cliche butterflies in your stomach you always do when you look at her.

You smile.

You see her eyes soften.

She turns back to Percy after a moment, faking forward, and he flinches so hard he almost falls back.

Her and her Ares siblings laugh, you roll your eyes, and push her away. She walks away, her siblings in tow, and you turn back to Luke.

On Luke, Thalia, and Annabeth’s last stretch to camp, they came across you. Your satyr protector had been killed by a monster protecting you, and Luke had held your hand and promised that all of you were going to make it to camp.

You’ll always have that bond with Luke, even though Clar hates his guts and his best swordsman in camp title.

You place your arm on his shoulder, he slings a loose arm around your waist.

Luke is pretty much the only person who can get away with touching you like this, or else they’ll receive a nice message from Clarisse in the form of a dagger barely missing their face.

“Ares kids,” Luke explains to Percy. “They come by it honestly. You got lucky today. If Y/N hadn’t come around, you probably would have gotten knocked over again.”

“Hi,” you say, sticking out your hand. “I’m Y/N.” Percy shakes your hand, smiling awkwardly.

“She’s Clarisse’s girlfriend and the only thing that stands between the camp and total destruction.”

“Oh,” Percy says, not quite able to hide his surprise and slight disgust. “She seems… nice.”

“Well, if you look like me, she’ll love you. But… I don’t think that’ll happen.”

Percy chuckles a bit.

“Why don’t they bother you?” he asks Luke.

“Ah, they know better,” he says, squeezing you closer to him.

“Yeah, Luke’s the best swordsman in camp,” one of Luke’s siblings says. You can see something in Percy’s eyes, a light that reminds you a bit of Clar.

“So, they stay away from you because, glory? So, if I get glory, Clarisse wouldn’t mess with me either?”

“Exactly,” Luke affirms. You look at him out of the corner of your eye. What the Hades is he teaching him?

“And people think I’m a big deal?”

“Well, sorta-”

“And my dad’s got no choice but to claim me.”

Oh. Your heart squeezes for him.

“You… you can’t force the Gods to do anything,” Luke says, trying not to hurt Percy too much.

“Well, yeah, but… it would make it a lot harder for him to pretend I don’t exist, right?”

“Maybe,” Luke concedes.

“Great. Where do we start?”

You laugh. “Ooh, I like the way you think.” You slip away from Luke, smiling at Percy. “Come find me if you wanna try your hand at some Aphrodite skills.”

—-

You find Clarisse sitting outside her cabin at a picnic table, polishing her spear, her favorite activity.

You sit down next to her.

“Hey, baby,” she murmurs, a bit too entranced with the gift from her father.

“I only have a few minutes before I go to archery, but… I think you’ll enjoy this.” She looks over at you for a second, then right back to the spear. “Don’t make me charmspeak you, La Rue.”

“Okay. Okay, sorry, what?” she sets the spear down in her lap, staring up at you with a smile as if she hadn’t been ignoring you a second ago.

“Percy Jackson wants to find glory so you’ll stop bothering him,” she snorts, “and so his father will have to claim him.”

She hums.

“Well, I like him. I think he’s cute.”

She shoots you a bored look.

“Don’t say horrible things like that.”

You play with a curl hanging over her shoulder. “We both know I’ll say whatever I want.”

“Oh, I know.”

—-

“What happened to you?”

You turn to look at Clarisse’s smirking face.

“What?”

She rolls her eyes. “C’mere,”

You lean forward, across the space between the Aphrodite cabin and the Ares cabin tables. Clarisse puts her hand to your face, thumb tracing along your cheekbone. She pulls back, and you stare at her dirt covered thumb.

“You’re covered in dirt, gorgeous.”

You hurriedly raise your hand up to your face, groaning when your palm does in fact come away covered in dirt.

“Percy is definitely not a child of Apollo,” you mutter.

“What d’you mean?” Clarisse asks, handing you a few extra napkins as you begin to wipe off your face, a spot on your shirt you had noticed.

“Luke’s taking him around, trying to figure out what he’s got a talent for. It was funny, actually, he shot the arrow over all of us on the side and we all went crashing into the ground.”

She doesn’t seem to find it as funny as you do.

“It was an accident, Clar!” you say, all sing-song again.

“Oh, I’m sure it was. Exactly why I don’t believe he killed that Minotaur.”

“Adrenaline makes even mortals do crazy things.”

“You don’t kill a Minotaur with adrenaline,” she hisses.

—-

Capture the Flag is held the next day. Clarisse and two of her siblings have been particularly pissed off all morning, and no matter how much you bug her, she only says “you’ll see” in this horribly nerve-wracking tone.

You have the same job you do every game. Sit in front of the flag, and charmspeak anyone who tries to come near it.

You’re decent with a bow, okay with a sword, but this is one area where you really shine, where you can really help.

After the first game, the blue team has learned to wear ear plugs when they come near you. But you’re like a siren, you come around and take out their ear plugs anyways. They’re scared to touch you, because one of the Ares kids will run right off to Clarisse, and she tells you all the time that she’d rather lose dessert privileges for a month then see you with one scratch.

Chiron stands imposingly on the large rock at the start of the small river that divides the two halves of the woods.

“The first team to retrieve the opposing flag and return it across the river shall be the victor.”

You know these rules by heart.

Ever since your first Game, the day you met Clarisse, you’ve loved them. You’re not the most violent person, nothing near Clar and her insatiable thirst for competition, but there’s just something about the game.

She walks forward through the sea of red-marked armor, digging her spear into the ground and glaring at what you can only assume to be Percy Jackson.

“Any magical items you may possess are permitted as well. Every camper who is not injured has to play. Prisoners may be disarmed, but may not be bound or gagged.”

You suppress a laugh at that rule. That one was only implemented a few games ago, right after the one where you had been taken prisoner and tied with vines to a tree. When Clar had heard, she actually almost murdered a few kids and maimed some more.

Although it made keeping prisoners a little awkward, Chiron had proclaimed it was in everyone’s best interests.

“Let the games begin!” he shouts, the conch blows, and the entire team screams in a terrifying war cry.

The blue team bangs their shields and weapons together, and now you have 20 minutes before game on.

Clarisse is the captain of your team, of course. She marches around barking orders to everyone, as if their positions aren’t already drilled into their heads.

“Hey Clar,” you say. You’re surrounded by a few Ares kids, a few other good fighters, ready to protect the flag and by extension you- with their lives.

Capture the flag games are taken seriously.

She looks at the red flag in your hands, smiling in that smug way she always does. She doesn’t smile this way when it’s just you and her, but you can still see the softness in her eyes even now. With Clarisse, her emotions are all about the eyes.

“You all know what you’re doing?” she asks. All the kids behind you nod. “Good,” she smirks, starting to walk away.

“Are you hunting in your usual woods today?” you ask, heading in the same direction as her.

She smiles, a full toothy grin.

“Oh, baby, I have something even better planned.”

Clarisse is not one to change the strategy.

You can’t get it out of your head what she’s been saying about Percy.

“If you kill someone, I’m killing you.”

She just smiles.

—-

One of the kids holds the flag from up on a rock, acting like a lookout. You lean against that rock, your armor digging into your thighs at the awkward angle, waiting for someone to come. Everyone else surrounds you in the flag, in battle stances.

The conch blew about 20 minutes ago, and you should be seeing someone soon.

“I think Luke’s coming,” Corey, the Apollo kid lookout says.

“Of course he is,” you mutter. He’s always in charge of getting the flag, because he’s not afraid to touch you. Clarisse knows he’s just your friend, or else he probably would have been dead by now. They emerge from the woods, not bothering to try for stealth, all in defensive positions.

Everyone lets you take the lead. You understand why Clarisse loves power. It’s addicting, it’s like lightening in your veins.

“Hi, Luke,” you smile.

He can’t hear you, but he returns the smile.

“You’re all going to turn around and walk 300 feet in the other direction.”

Luke sighs as one of the kids actually turns and walks away, heeding your command. Everyone else has their earplugs in tight, but it always gets one or two of them.

You roll your eyes. “You always make this so difficult, Luke.”

You walk towards him, maybe you can surprise him and rip the ear plugs out of your ear, but he suddenly springs his leg out so you trip, slamming into the ground and getting a face full of dirt.

“Bitch,” you mumble, ready to get up. Suddenly, a Hermes girl throws herself on top of you, slapping a hand over your mouth.

As soon as you hit the ground, the fight erupts around you.

“You can’t do this, Luke, it’s against the rules!” you screech, but it’s muffled through the girls thick leather gloves.

Matty, one of Clar’s siblings sighs heavily. “Fuckin’ hate this dude,” he mumbles. “Marjorie, go get Clarisse.”

The girl runs off, and Matty adjusts his helmet.

“Don’t know why you do this to yourself, man.”

Luke kneels down in front of you while you scream obscenities next to his name. He makes a big show of taking out his earplugs before ruffling your hair.

“Thanks, Y/N.”

He whips around and his sword immediately clashes with Matty’s, and they’re locked in a flurry of metal clashing and glinting in the sunlight. Matty is really good, probably bested only by Clarisse, but Luke is still the best swordsman in camp.

He puts up a valiant fight, but Luke disarms him.

Your back is really, really starting to hurt like this.

It’s whirlwind, but there were more blue team then red team, and sometimes sheer number beats out even the best of the Ares cabin.

They grab the flag and run for the beach.

The girl waits for another moment until one of the Ares kids points his sword at her.

“You’re really gonna want to let her go,” Matty says. She stands up and books it, following her team.

“Eat dirt!” you scream as she runs away, but she still has her earplugs in.

Matty helps you up.

“Clarisse’s gonna kill us all.”

“I hate Luke Castellan. I hate him, I hate him, I wish him nothing but pain and suffering.”

Matty claps your shoulder.

“Hey, at least we all get to watch Clarisse beat up the Hermes cabin at sword practice tomorrow.”

And you do like seeing Clar fight, the way she’s so focused and truly in her element, sweat making her skin glisten in the sunlight…

“That will be fun,” you concede. Matty laughs, and you all make your way down to the beach.

—-

The scream scares you.

All the kids around you jump up with their swords, thinking a monster had somehow made its way near camp, but you recognize that voice.

“Clarisse,” you mumble, feeling frozen.

“What?” Matty asks, his eyes scanning the forest. “What’d you say?”

“Clarisse,” you repeat, breaking off into a run towards the sound of it, towards the beach.

“Clar- wait, Y/N!”

But you’re already long gone.

—-

You make it to the beach a minute after the conch sounded, the blue team having won, making it just in time to see the blue trident appear over Percy’s head. You can barely even register the fact that he’s a forbidden child, your eyes immediately finding Clar’s siblings, the ones she was supposed to be hunting with today.

“Hey, hey,” you breathe out, almost slamming into one of them. “W-where’s Clarisse? I heard her scream-”

You love her so much it’s like your heart will break if you even think about her being hurt. It always seems like Clar is the one who loves you more, only because of her proud and overprotective nature, but really you love her just as much.

You just never have the opportunity to threaten to kill someone like she does for you. She does that all on her own.

“Oh, uh, she went that way,” he points in the direction of a barely there path, heading into the woods and back to camp.

“Great, thanks!” you shout, already running after her.

You catch up with her after a minute, your gaze landing on her practically stomping through the woods. She’s angry. She’s angry, why?

“Clar!” you shout, and she whips around, standing still while you sprint over to her. “Clarisse, Clarisse, are you hurt? I-I heard you scream-”

You run your hands up and down her arms, and after a tense second of her staring at the ground, she puts her hands on your hips.

“I’m not hurt, I’m fine.”

She looks like she’s about to cry. But you know she won’t ever let herself cry, won’t ever let herself be perceived as weak.

You wrap your arms and let her put her face in your neck. She’s almost shaking with how angry she is, her fingers digging into your hips, and she stops herself and lets go before she can hurt you.

“Oh, baby,” you murmur. You’re not sure what happened. But she screamed like that, not like she was scared, but like she had just lost something. “Do you want to talk about it?”

“No.” She says into your neck, simple, and you respect it.

“Okay, well, let’s go back to your cabin. You’re not gonna believe the day I had. Will it make you happy to know I give you permission to beat up Luke?”

She looks up at you with skeptical eyes. You both ignore the tears staining her cheeks. “Really?” she asks, slightly hopeful, even through all her anger and sadness.

“Come on,” you smile, letting go of her and sliding you hand into hers. She meets your pace and wraps her arm around your waist. She doesn’t tell you she loves you, but you know.

—-

You flop down onto Clar’s bed. As the head counselor, she gets the best bunk. On the second floor loft, where there’s only enough space for single beds, meaning she doesn’t have to deal with bunk beds, all the way in the corner for a little privacy.

She stands in front of you, slipping off her shoes, and your reach forward to work at the knots of her breastplate.

She stares at you until the armor is lose around her, and she lifts it up over her head and leaves it haphazardly on the ground.

You lay flat, stretching your aching back, and Clar leans over you to help you take off your armor. You probably don’t even need armor, but Clarisse is overprotective by nature, by blood. It makes her feel better, and it really doesn’t bother you much. She lifts it over your head, letting the metal crash into the floor before laying down next to you.

“Sorry,” you mumble. “I’m supposed to be here for you but I’m so tired, and my back hurts so bad…”

She laughs. You smile, and it falls into comfortable silence.

“Can I really beat up Luke?” she says after a second.

You open your eyes and she’s laying on her side, propped up her arm and staring at you.

“Oh, you can.”

“Why?” she asks, still not quite believing you.

“Okay, so, Luke comes over, right. And you know, I try to charmspeak them but only one of them goes. I walk over to Luke and he fucking trips me! It was so embarrassing, baby, I literally ate shit.”

She smiles and puts her arm around your waist, tugging you closer to her.

“Then, some girl tackles me before I can get up, and puts her hand over my mouth so I can’t do anything. Which first of all, is completely against the rules, and second of all, it really hurt my back! Then, then, Luke has the audacity to say ‘Oh, thanks Y/N!’ and ruffles my hair, like? I swear to Gods, I just want him to… well, I don’t know. Suffer.”

“Don’t worry, gorgeous,” she mutters into the top of your head. “I’ll make sure he’s unrecognizable.”

You smile. “I don’t know what I would do without you, Clarisse. Who would defend my honor and fight my battles?”

She seems sort of placid, tired, like she’s just a still lake reacting to your body wading in deeper. It’s almost like she’s gonna fall asleep, and she’s always tired after capture the flag, so it’s not unusual.

“I’d be there,” she mutters, her eyes closed.

You’re both silent for a few more minutes, just the two of you together, her strong arm around you, the way it’s always meant to be.

“He’s a son of Poseidon. Did you see?”

“Yes,” you whisper. “I saw.”

“It’s not fair,” she says, like the child she never got to be. “I spend so much time, so much time trying to make him proud- it took months for him to claim me and he gets claimed on, what, his third day?”

Her head lands on your chest, your hands smoothing down her hair.

She touches the necklace she gave you months ago, bringing it out from under your shirt, the simple chain with the pretty charm that looks like a spear. More so an arrow, but it’s supposed to be her spear.

“He broke it,” she whispers.

“Broke what?”

She sits up a little higher, her hands reaching behind you and undoing the clasp on your necklace. You haven’t even taken it off since she put it on you, so of course she would be the one to take it off.

“He broke my spear.”

“Oh, Clarisse…” she stares at the necklace before folding it up tightly in her palm. She breathes out as she lays back down on your chest, her legs entwining with yours, your hand back in her curls.

“The Hephaestus kids can fix it, but it won’t be electrical anymore.”

You don’t say anything. Most people would say “it’s better than nothing” but you’re demigods with absent divine parents.

Clarisse didn’t tell you it was better than nothing to at least be claimed by Aphrodite when one of your siblings got a magic item from her. She didn’t try and tell you “maybe someday” when you cried in her arms.

Because more often then not, you’ll die before your godly parent even claims you. More kids die on their way to Camp Half-Blood then Chiron would like to admit.

And what would the Gods do? Nothing. They would do nothing about it, because they don’t care.

Clarisse doesn’t cry, but you know she wants to, and you let her know that she can cry if she wants to. She can, if she has to. You’d never turn her away.

If she hasn’t realized already, you’re in this for the long run.

—-

Clarisse fell asleep in your arms, then pulled you back when you tried to go back to your own cabin, and you figured Chiron wouldn’t mind this once.

She finally let you go after you screamed that she couldn’t kiss you before you brushed your teeth, mumbling about how you’re depriving her.

When you meet up with her again, she has her sword in hand and her armor strapped tight to her body.

It was just a great big coincidence that the Hermes, Aphrodite, Ares and Demeter cabins all had sword practice at the same times. Clarisse looked all too happy at being able to get out some anger from yesterday, because sparring is the only way Clar has to work out the intense feelings she inherited from her father.

“So, who should I metaphorically kill?”

“Ooh, big word,” you tease. She grabs your chin, making you look at her, but she’s smiling too much for it to be a threat.

“C’mon, baby, who?”

“Luke. And…” you point, “That’s the girl who tackled me. Oh, and that’s the boy who fought Corey and got the flag. I don’t know his name.”

“‘Cause he’s irrelevant,” she says. You hum. “You just wait right here, gorgeous, enjoy the show.” She winks before sauntering off in the girls direction, smiling in that misleading way, asking her if she wants to spar.

You beckon Jackie and Tyla over to you, who both seem unimpressed.

“Please don’t tell me you put Clarisse up to attacking the Hermes cabin,” Tyla sighs.

“I didn’t put her up to anything. She did it all on her own.”

“Oh, sure she did,” Jackie rolls her eyes.

“Don’t act like you all aren’t gonna enjoy it.”

Tyla meets your eyes, then Jackie’s.

“Sorry, Jacks, it’s, like, really entertaining!”

You all laugh as Clar leads the girl into the circle, laughing even harder when she disarms her after a minute. The boy who took the flag barely lasts 45 seconds.

When Luke walks up to her, she throws her sword down and tackles him. You give her a minute before you pull her off.

—-

clarisse, about to beat up percy

y/n: oh no no no no you don’t

clarisse: ok i won’t kill him rn 😍😍😍😍

—-

y/n: yeah like idk what i would do without you who would protect me and fight my battles

clarisse “i would be there” la rue: bitch our love transcends the laws of physics I WOULD BE THERE

—-

y/n giggling and kicking her feet watching clarisse beat up luke

—-

#clarisse la rue #clarisse la rue x reader #clarisse la rue x y/n #clarisse la rue x you #pjo tv show #pjo x reader #pjo x you

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