i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!
We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.
Or maybe, just maybe, he understood.
Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?
Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.
But years later, on his deathbed, did he regret that choice?
Is that why he gave the farmer the letter?
Is that why they went back home?
When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.
The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.
Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.
And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.
People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.
But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?
Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?
And if so, what happens when the farmer comes back?
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the kids released a new album
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.
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Late Night Hanma Blurb
A/n: Thought abt this during an itty-bitty road trip today. Smoker Hanma does smth to the chemicals in my brain. Forgive me for any lengthy bad writing. I've had a long day and I just wanna yip yap about one of my fav crazies 🙇
CW: Hanma can give two shits about your lung health but chooses not to when he feels like it, intimidation, threats of forced drug usage, sometimes forced participation in violent activities, thoughts of lovers suicide/murder(?), and whatever other yappin I put in here.
Hanma who smokes a fuck ton and doesn't mind giving you the good ol' second-hand effects of it, but absolutely detests you doing it on your own.
He snatches the stick from your mouth and holds it up and away from you with a small grit in his teeth. Hanma glares down in some curiosity but clearly squints in irritation.
"The hell is this? Don't tell me I'm being a bad influence on you now. If I catch you with one of these again, I won't let you off the hook so easily. You got it, Y/n?"
When you retort, telling him it's no different from when he does it and it is your own choice whether he likes it or not, he merely scoffs with a tilt of his narrow head. Throwing down the cigarette, the sound of his sneaker stomping and scraping it out against the pavement echos through the air with an annoying presence. Shuji demands the rest of your stash with a looming stare that can only put you into a state of sinking discimfort.
"Come on, don't be stubborn. Ya know, if you wanna do it so bad, why don't you try the whole pack? Mine too since it's a shitload better than that cheap stuff."
Reluctant on suffocation and early lung cancer, you begrudgingly hand over your smokes to him. Hanma smacks down on the box with an evidently loud shot of noise and slides it out of your palm--- pocketing it. He stretches out narrow smile as he leans down towards you.
"See, now it ain't so hard to listen."
He's still ticked off by the fact you think you can do whatever to your body without his permission, but since Shuji is so generous, he'll let you learn from your mistakes. See, he can be nice.
Don't test him though. Next time you're caught defying his selfish wishes, he's beating you down with degrading language and probably also beating whoever was involved. The convenience store employee that sold you the cigs, vape, or maybe even chewing tobacco? Yeah he's taking out his held back frustration on them. Bro is jumping over the counter and tearing their shit up.
Avoiding him because of his brutal and honest-to-God psychopathic personality? Now that's just cruel. Shuji is dragging your ass by the back of your shirt and pushes you to his motorcycle. The leopard print on the back of the bike makes you wanna barf every time you see it, but you got to keep it down if you wanna have enough energy to deal with him. He'll take you out no matter where you are at in that point of time and make you remember who he is; who you think you're messing with.
"Y/n, how many times do I have to tell you? Aim for the nose. That's easy for amateurs like you. Actually, lemme show you how to really deliver a jaw breaker-"
Yeah, he'll show you just how bad it can get with some random thugs on the street. You should be grateful with how gentle he's treating you. Instead of ending up with facial fractures, you have nice dates and thoughtful gifts. He's even teaching you a few tricks. How lucky can you get?
"I'm all done. Shit, I'm starved. Let's go grab a bite to eat, kay?"
Hanma thinks the only way you'll ever keep paying attention to him is if he keeps you and your actions in line. If you go off doing your own thing, his usually unmoving heart can't just stand there and watch you slowly leave him. Despite the negativity be brings into your life, he actually gets really fuckin anxious when he doesn't know or understand what you're doing. It's so troublesome how you make him feel. Yeah, being bored as shit is bad, but seeing you, the only thing that could ever bring him down to his knees unwillingly, slip away with nothing but disdain for him? Fuck no. He won't accept it. Shuji would rather kill you and then himself than have to bear the strange feeling of pain, or what other people call heartbreak, by his lonesome self.
Should he ever say he loves you, that would be the point of no return for the both of you. His hands have you tight in his clutches. No way out, no way back in for anyone else.
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Random thought I had last night. Genuinely think they're both equally outlandish - which is just ridiculous in itself if you think about it.
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PENIS PENIS PENIS PENIS PENIS
PUSSY.
BIG FLAPPY WET JESUS PUSSY.
JESUS' SOPPING WET PUSS-PUSS
[Edited months after posting to discourage catholics from replying to this post after finding that both the nice and much funnier not-nice responses to this were equally bad for my mental health. I didn't wanna delete it bc I was quite proud of some of my responses and it helps to have a visual reminder of why I left an abusive organization. Also, this means that any catholic who has reblogged this in an attempt to convert me, has now reblogged a post that, if clicked, links back to this. Use MY post for propaganda, will you!]
Thinking about how it was never made clear to me in Catholic school exactly WHY Jesus died for our sins. I just remembered that I was literally never clear on who the dying helped??
I've heard theories as an adult, but basically what I'm saying is pointless martyrdom seems a little pointless, and also with enough propaganda the big logical gaps in a belief system get really hard to see. Especially if questioning anything is blasphemy.
I would have gotten in so much trouble for insisting the teacher explain how Jesus helped us by being tortured to death by Romans even when God could have prevented it! God sent his only Son, they would have said! Be grateful, they'd say! Be guilty! Stop asking why he did that!!!
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he's too hot to be called greg. you gotta call him gregory
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
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Okay, well replaying Skyward Sword reminded me that I wrote this like a year ago buried in a reblog so I'm just gonna air it out and plop it here.
The first time Link had disappeared, it had caused alarm. Zelda had just gone missing, ripped from her loftwing by a treacherous tornado, and suddenly Link was a haggard mess, dressed in a knight’s uniform, and then gone. People feared that he had been hurt too, a search shouldn’t last after sunset; he wasn’t a full knight, after all. However, Headmaster Gaepora had managed to calm the academy students, and the news spread throughout Skyloft.
It took almost a week for Link to return to Skyloft. When people saw his crimson loftwing circling around the town, a collective sigh of relief fell over the sky island. If he’d been gone consistently for so long, then he’d only return when he’d found Zelda, after all. Not to mention it meant they were both safe.
However, that had not been the case. Link had been alone, tired, and filthy. His clothes had tears in them in certain places, he had strange silky threads wrapped around parts of his legs, dry blood stains were disturbingly evident on his tunic, and he practically had bags under the already constantly present bags under his eyes. He had landed just by the goddess statue and had not been seen since. However, another bright light had appeared in the cloud barrier, unnerving the Skyloftians, who chattered about it amongst each other.
The bazaar had been exceptionally busy that day, and the new red light in the sky caused people to gather there to discuss the matter. It meant there were long lines just to get inside, and Link had not seemed keen to stand among the crowds to get the supplies he so desperately needed. Instead, he’d sat on the bench outside, waiting for the townspeople to eventually spread throughout the island once more and give him the space he needed to prepare for his next trip.
The crowds did indeed start to thin, but as people trickled out of the bazaar with hot drinks and hot gossip on their tongues, they paused, finding the boy passed out on the bench. At first it was amusing; Link often fell asleep all over town. But then it was worrisome. He looked haggard. Everyone in town was invested in this boy’s well-being; they’d all welcomed him into their homes at one point or another, the adults all remembered the little orphan wandering the island aimlessly in the days after his father’s unfortunate death, they all remembered bringing him into their homes with promises of warm food and a pillow to lay his head on.
So it had been collectively decided that someone would fetch a pillow from their home and get Link a bit more settled. Wryna brought a blanket as well, but Greba had pointed out worriedly that Link was still a mess (with an emphatic “He stinks!” from Kukiel). Mallara had gotten Commander Eagus, who had promptly swaddled Link in the blanket and carried him to the academy to tend to him.
After that encounter, everyone on Skyloft had decided that they’d keep an extra careful eye out for the boy.
This new pact ended up saving the young knight-in-training’s life. The next time he came back, he had fallen off his loftwing entirely, caught only by Pipit, who had been notified that something was wrong when Orielle noticed the loftwing’s panicked screeches. He’d been unconscious before he fell into his classmate’s strong arms, and even Groose and his stooges had watched in concern as Pipit had rushed Link to the infirmary.
But today was not quite so dire. Link had been missing from Skyloft for two weeks after he’d recovered (his periods of absence continued to grow, much to everyone’s concern), but this morning Jakamar, his wife Wryna, and their daughter Kukiel woke up to a surprise green bundle curled up in their bed. He was on the edge, barely taking any space, but he hogged a majority of that side of the bed’s blanket. At first Jakamar nearly jumped out of his skin until he realized who it had to be, and he pulled the blanket back just enough to see the curved little ears and fluffy dirty blonde hair that everyone on Skyloft knew so well.
Blowing out a sigh, he turned away and held his wife as she peered over his shoulder. “Well, at least we know where he is.”
“He’ll be hungry,” Wryna commented. “I’ll get started on breakfast.”
Jakamar grunted in acknowledgement as his wife crawled to the bottom of the bed to climb over the wooden frame so as to avoid waking Link. Kukiel shot up and started to bounce on the bed in excitement, and Jakamar scooped her into his arms and also climbed out of bed in a similar manner. The house was silent as the family cleaned their faces and prepped for the day (though only because the parents constantly had to remind Kukiel to keep quiet with gentle shushes and fingers over their lips), and then Jakamar took his daughter out for a morning stroll while Wryna busied herself in the kitchen area.
When he got back to the smell of a delicious breakfast, he stretched and smiled, glancing at the bed to find it empty. He looked back to see Wryna’s disappointed face.
“He’s gone!” Kukiel exclaimed in her high voice.
“I didn’t see him step out,” Wryna said guiltily.
Jakamar put a hand on his wife and smiled reassuringly. “Don’t worry about it, hon. At least he got some sleep. Pack it up in a bottle, if we see him we’ll give it to him.”
Jakamar had the luck to find Link later that day as the boy was meandering around the windmills. Although Jakamar was getting ready to offer the now lukewarm food, Link instead started asking him about the windmill’s missing propeller. Jakamar helped him as best he could, and just as Link rushed off to find Gondo at Jakamar’s suggestion (he figured the robot, though broken, might be able to help), the man called out to him, waving the large bottle with food carefully packed inside.
Link stared at him, confused. Jakamar held out the bottle. “Take it, kid. You look like you’re starving.”
It was a bit of a slip up to admit it to his face. Link often would recoil at such remarks, would cover it up with an embarrassed laugh and then actively avoid whoever said it for a while, which then made it even harder to help him. But it was the truth - he did look gaunt and worn thin. Jakamar was usually a pretty easygoing guy, but this seemed like it was starting to get serious. He wished the headmaster would reel the kid in.
Link’s expression shifted, so easily readable on his face, and his confusion clearly became shame. He looked down at the ground, biting his lip. When Jakamar pushed the bottle into his sight again, he took it wordlessly, but as he locked eyes with the man he gave a grateful smile. Before Jakamar could get a word in, Link turned on his heel and headed for the bazaar.
Jakamar blew out a sigh as he watched the boy run. Hylia look out for him.
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Holy fuck, man. What a trip Fearne has been on, huh?
You tell her how grateful you are to have her in your life, you flatter her, you tell her you need her, that you have to do this together. You have her make a promise that has this woman, born of chaos and fey, agreeing through shaking hands and a trembling voice.
You make her deceive your friends; you make her follow where they cannot know; you make her help you into this contraption; you make her feed this thing into you despite the fact that you both have been warned extensively of the risks. You make her watch you crumble and splinter and shatter and fracture and burst and implode. You make her watch you die, over and over and over and over, for a minute in agonizing bullet time.
You make her do all these things, because when she tries to back out, when she tries to not be the one who let you do this—how could you do this—
you tell her, "YOU PROMISED."
Because if there's one thing you know, it's that the fey do not break a promise.
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Every day I wake up and remember Liam Dunbar was underdevelopped by the showrunners
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