#why would they do that. also what was the general plot of that entire arc what the fuuuuuu

[autumnslance]

The worst part too about the Paladin quests is it's Heavensward that's most egregious. It honestly feels like someone had no idea what was going on, or didn't care, or left, and their colleagues left holding the bag with this mess of a story had no idea what to do with it.

ARR Gladiator quests are fine! They're along the lines of the other Class quests, intro you to the job and a complicated character dynamic, and it's a decent time.

The ARR Paladin quests...are just boring. They aren't actually even that bad, they're just...utterly predictable, bog-standard tropes and plot line where you can see everything coming malms away. But they have an internal logic to them that builds on the politics and scheming in Ul'dah. Jenlyns realizes he's an unwitting pawn of the Syndicate, and he was literally chosen for the job cuz he could be easily duped and controlled. He doesn't even get to have imposter syndrome, he's actually unfit for the job (and then strives to do better, leveraging support from Papashan and Mylla to shore up his own weaknesses, which is admirable!).

...Nevermind that traditional Paladins in general are a bad fit for Ul'dah. The heavily armored Sultansworn makes no sense in that desert environment, and looking at a world map we can even see that Southern Thanalan seems to be on the equator. Like it's not even a case of "it's cooler than it seems cuz they're further north." Because they're not. And I know the devs wanted to have Ishgard perhaps be a starter city but that was scrapped due to time and resources, fine but um.

Dragoons are still trained in Coerthas, by Coerthans. Why didn't they just...do that with Paladins? Keep Gladiator in Ul'dah, where it makes sense as presented. But then have to work with Temple Knights to get the Job. Especially since after Ul'dah's intro, the game just forgets the Sultansworn exist and they have no bearing on the MSQ the way the other factions in Ul'dah do. Not even in the finale of ARR's arc where it would make sense. Gladiators are a constant in other side quests and MSQ both.

Stormblood Paladin is also fine--because it goes back to those Gladiators, and we interact with Paladins and Knights across the realm, and deal with those complicated relationships between the Gladiator guild core members. It's internally logical in its drama about finally restoring Aldis's reputation and place in Ul'dah, against the backdrop of the tournament.

Heavensward Paladin straight up makes no sense. Solkzaygl's actions are entirely contradictory to his character and arc from ARR. There's no way for some of the actions to occur without him working with the outlaws in some way. Instead of teaching Constaint, he sends him on a merry chase across Coerthas to learn on his own, and it's only the WoL's aid that sees the boy live, let alone make progress. A random man dies, guilt-ridden, due to Solk's scheming and lies he confided to this poor guy.

And then Highlander-esque "there can be only one" nonsense. Even as a Highlander fangirl in my youth, it was insulting and awful. Papashan, Jenlyns, and Constaint all call out how nonsense, illogical, unlikely, and stupid this whole story is...all to make a sword shine.

Because there's no internal logic to events, let alone the reason for the string of happenstance that leads to the finale.

And we know it's possible; HW Blacksmith gives us a fantastic paladin story! One that fits Ishgard's storyline and HW's themes. HW Dark Knight is also a good paladin story, actually, as they are meant to be another angle on the concept of dedicated knight defenders. Samurai for the Eastern equivalent, and the concepts and tropes present in those quest chains.

But the job actually bearing the name "Paladin" is left in the dirt. As a fan of the concept across various games (video and TTRPGs both), it's quite frustrating how the devs had no idea what to do with this job, despite other members of the writing and scenario team presenting stories that would have fit perfectly well within the framework. Only some of it is misplacing where Paladins originate in the setting; the rest is not taking advantage of the themes and setting of the expansions, and just not caring enough about the characters and story to even try, compared to the rest. Or worse, they did try, and meant for more, but whatever intrigue and complex plot they wanted to create was too much for 5 quests and no guarantee the arc would continue in the future, even if it had landed perfectly.

#final fantasy xiv #Paladin #grumpy old lady hours #literary analysis #lore #speculation #These quests frustrate me so much #even considering other storylines I dislike for their structural issues HW PLD sits at 'worst' for me

[themyscirah]

I very much know this is because Jessica Cruz's origin story was written by Geoff Johns in a shitty comic, but by God is there so much going on there. Like damn.

Like there's the really, genuinely compelling stuff, for example the presence of ring horror and loss of control w Jess and Power Ring/Volthoom + the implications of that (character wise, both before and after JL 50) which is just SO interesting (and angsty!) to me personally

But then there's also more plot holes than you can shake a stick at as well (where did Jess get her ring. Guys it just showed up who died where did she get it from GUYS-)

All interspersed between some of the worst character writing for other Justice League members in existence (Wondy fans you know what I mean) and crazy ass plots out there

#anyways was writing a meta (got distracted halfway through so dont expect anything as always) and i opened this issue for panels and guys. #What. first off i remembered this being weird now but what the fuck. second im not a wonder woman fan and this shit is now heinous to me. #why would they do that. also what was the general plot of that entire arc what the fuuuuuu #anyways. shits crazy that comic sucks except for when jess and/or vic + jess do things but anyways #it has left me with a bit of a conspiracy theory to be quite honest with you all. in terms of the plothole mentioned there. like to be fair #i have a couple theories bc i dont remember this being explored or making sense fully (although i could be forgetting) but yeah. #need to check comicvine and a few other things to see if my conspiracy theory is at all plausible but like. theres a chance. its not a #preferred actual outcome to me because i find a different one 10000x more compelling but crazy if true to the theory #blah #no this isnt coherent and doesnt make sense. deal. #jessica cruz

[courtmartialme]

some examples i can think of brotherhood crimes of doing riza(and royai) dirty in my opinion that's the absolute truth in the universe. consciously excluding stuff i think are minor but annoy me just as bad or else this post would be too exhausting:

being ugly in general

not including her time travel joke from when they learn that the elrics are kids and not adults on their way to recruiting them

not including the scene where roy meets her after she calls him when she meets barry the chopper and threatens to burn him out of jealousy

changing the dialogue after roy saves her from gluttony from:

to:

LIKE...... if brotherhood has the habit of cutting off scenes to make it shorter then WHY they would change this scene to become BIGGER AND WORSE. the dialogue in manga is a clear example of their trust and wordless care for each other. while in broho it's just ?????? roy being an asshole????? to his wife?????? whom he just left his post running for bc he sensed she was in danger???? whoever chose to change this dialogue. kill yourself

riza being nice to alphonse when they are at 3rd laboratory:

not including the only time in the whole series roy calls her by her first name only:

the WHOLE ishval arc. riza telling ed about ishval lasts a whole ass volume while it's barely an entire episode in anime like... hm.. for starters the way roy and riza meet again there is different. in manga she saves roy and hughes from a surprise attack, and only realizes it's roy when she sees him through the scope. then hughes tells roy that they brought a talented sniper from the academy and goes after her to thank her for saving them. in anime riza suddenly shows up to roy when he was talking to hughes and like... not necessarily a bad thing i guess but...... yeah.... also this whole conversation is cut off if i remember right.. among a lot of other things LOL i hate how ishval arc is played down in BH

riza being funny and cute not being included again

this scene when they reach 3rd lab again in promised day and roy jokes about wanting to see her honest tears again and riza replies saying water makes him useless BUT in manga she's all cute and blushy while in anime they make her be all # girlbaws about it because that's all brotherhood riza is about lmao they took away her moeness...crime

in manga, after roy gives up killing envy upon realizing it would lead to riza shooting him then killing herself, it shows him lowering her gun without the glove he previously had on. symbolizing that he lowered his weapon before he could lower hers. in anime he still has his gloves on

EDIT I FORGOT THE MOST IMPORTANT PANEL OF THEM ALL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

RIZA BEING INSUBORDINATE AND A BRAT SHE'S SO CUTE THIS PANEL IS WHAT INSPIRED MY USERNAME... SHE'S SO CUTE...... brotherhood is so scared of letting riza be cute and moe because she would be too powerful if they let her

EDIT 222222 BECAUSE I WOKE UP IN COLD SWEAT AT REMEMBERING I FORGOT THIS TOO

roy visits madame christmas' bar looking down and she asks him why doesn't he and elizabeth go someplace fun... we all know who elizabeth is right... and he says miserably that another man took elizabeth away from him(referring to riza being kept hostage by bradley) and at that the other girl asks if that means she has a chance with him now. everyone knows that roy is so wifepilled he won't look any other way if riza is in the picture lmao also how embarrassing it is that even your mom knows you're fucking your subordinate

i'm convinced somebody at BH staff hated riza's ass because of how often riza and royai scenes are changed or ignored... i know it's common for anime adaptations to cut off moments from manga but for an anime that whole premise is to be The Better Adaptation, doing it so often makes it bad to me. if you repeatedly exclude scenes that tell more about the characters because they're "not relevant to the plot", eventually there will be no actual personality left, only characters that are plot props

THERE'S A LOT MORE i wanted to include but this is already long enough and i got tired LMFAO a lot of things(most not included) are non issues because are mostly about riza being a bit silly, or showing more expression than she does in anime in a scene that otherwise doesn't change anything. but they still annoy me because by repeatedly excluding and changing these moments add to the view people have of her being nagging and stoic, at an attempt to make her a cool flawless Good Woman Character. what for.

#tecotalk #fma #riza hawkeye #throwing in the tag because fuck it #not hiding anything under the cut everyone will be subjected to this

[sualne]

Crocodad AU Story overview from mid prologue to the end of Arc 2, checks out the current timeline of published comics to remember where we left of. Does not include the Strawhat whereabouts. Anything is up to change but that's the gist of it.

Warning for blood, injuries and general angst.

Luffy is easy to read as autistic and dyslexic in canon, i wanted to see what it would be like accumulating learning disabilities in an AU where he's expected to study, the struggles that comes from it. Again, disabled ppl being disabled is important to me, all that.

Not mentioned here but Luffy is upset with his father already with his constant plotting, all the plants are dead now and there's a lot less ppl outside when he goes out with Robin. He doesn't fully understand what's going on but know it his fault and in order to take over Alabasta. On multiple occasions he makes it clear he doesn't want to be prince or have anything to do with Baroque Works.

That feeling of helplessness born from Crocodile's disregard for his feeling and really, own sense of personhood, is a problem through the whole of the story until Arc 7 when Crocodile has to face the fact that his kid is a whole person. The actual quote in my note is "once again he's incapable of seeing luffy as his own capable (unhinged) person".

Also Miss Mini Sorbet gets injured trying to protect Luffy when he's being tied up, that's how she gets her scar and why Crocodile insist she's not a bodyguard.

Unlike in canon Luffy doesn't magically recover from being stabbed, he still magically survive and recovers pretty well considering he's been impaled but still, i like when things have a little bit of consequences health wise. The exact nature of his new condition stays a mystery until Arc 4, though there's plenty of clues through the arcs.

Arc 2 is all text. I didn't want to draw an entire crowd of ppl fighting but there's lots of vivid imagery in my mind.

#crocodad au #my art #undescribed #whoospies. misclicked and posted this early without tags. ok good correction done. ran out of brain to write. thanks for loving this au #ilyall for your comments ty

[totallyhextra]

People? In MY computer?? It's more likely than you think!

The following is a fanvertisment and is not connected to the show. ****Yet.*** *Also yes, this is the fourth time I'm posting this because TUMBLR WONT LET ME EDIT SPELLING MISTAKES!

ANYWAY,

Once upon a time, back in 1987, Dire Straits put out this music video for “Money for Nothing”, which, as you know, was a song about wanting my MTV. 

The video was made by two guys (Gavin Blair and Ian Pearson) on a very moody computer. After the video went out, these two guys went to a pub:

Ian: “Hey, we should make a whole show like this!”

Gavin: “Dude, making three minutes almost killed us.”

And so it was decided!🎉

The two guys were joined by two other guys (Phil Mitchell and John Grace) and created the Hub, which then became Mainframe Entertainment. They got even more people, and then they all holed up in this hotel.

They were mad lads with a dream: a whole cgi animated show, and they made it happen a whole year before Toy Story!

Behold! ReBoot!

(Yes that fever dream was real)

Now before I get any of this:

Let me lay this down. If you can’t with the animation of the first season because it was CUTTING EDGE IN 1994, you can close your eyes and listen to it. ReBoot wasn’t just a CGI gimmick. The characters are fully developed, the voice actors are peerless, the plot is sharp, and there’s so many easter eggs that you’ll never find them all.

Never

(And yes the episode "Bad Bob" was the actual catalyst for Fury Road. Look it up)

ReBoot is about what life is like in a computer (in the 90s, because it was the 90s) called Mainframe (because of course it is). People are sprites, the guys that look like 1s and 0s are binomes (which represent 1s and 0s). Bad guys are viruses, and the good guy is a Guardian named Bob, who is a certified cinnamon roll.

In the first season the eps are light and self-contained, mainly because there was constant friction between the Mainframe studios and the Board of Standards and Practices.

They still got away with some pretty dark stuff, like Megabyte (virus) making Enzo (the kid) watch his dog get sliced open (dog got away, obviously) , Dot (sprite) have a hallucinatory breakdown, and the fridge horror of realizing the thousands of worm things (nulls) that plunged off a bridge to their death were actually people.

And Hex's (virus

best girl) scary face single-handedly traumatized an entire generation. 🙂

But busting through a window was a no go, because WhAt If tHe cHiLdReN dID iT tOo?

Anyway, halfway through the second season, ABC cut them loose, so they were like, fuck it, we’re going to start going hard. The story shifted from episodic to arcs and things start to get serious.

Third season the show moved to YTV in Canada, which gave no fucks about shielding the innocent children.

So it got DARK

How dark?

The UK refused to show the entire season, so the audience there had to wait until pirated copies made it across the pond to see how it ended.

Also by 1997, the animation was gorgeous. (Best example of third season animation I could think of that didn't have spoilers)

The show was green-lit for a fourth season on Cartoon Network, but halfway through production Warner Bros took over and the same fucking thing happened.

Because Mainframe was halfway done, they decided not to scrap all of it, but knowing they wouldn't be able to finish it correctly, Mainframe stripped anything that would hint at Season Four's true ending, then left what remained on a cliff-hanger of angst.

FOR 22 YEARS

(It's also why the last four eps of season four seem to make no sense)

And so it was.

Other crap happened, the soul left Mainframe, and its animated corpse spat out “The Guardian Code” in 2018. 

But never say die! The year is (almost) 2024, 30 years later. ReBoot shall rise from the dead, because here come the documentary!!

Do you dare see what you’ve been missing?

What the (UK) government doesn’t want you to know?? 

Then come on down to ReBoot!

We got:

Magnificent bastards with sexy voices!

(Tony Jay at his best)

Kickass women who could probably crush your head with their thighs and you’d enjoy it!

Innuendos in a kid's show!

💗 This adorable cinnamon roll!! 💗

Insane third season glow-ups!

YOUR NEW GOD

These guys!

(Gay roller-skating binome is my boi. I named him Jerry)

Nonstop cultural refs (You'll never find them all. Never.)

(There are literally videos dedicated to trying)

So many computer puns!

Body Horror!

Existential Crisis!

HAVE I MENTIONED YOUR NEW GOD?

This is it, folks! The real thing, the gem hidden in the moose-filled forests of Canadia!🌲🌲🌲

Take a trip inside a mid-90’s computer!

See the World Wide Web! (omg):

Witness the original purple Gamecubes that randomly fall from the sky when the owner of the computer (OUR GOOD LORD THE USER) wants to play a game. If it lands on people and they lose, they dissolve into mindless energy leeches, fated to tormented by their former bretheren for all of eternity.

Just like in real life! 🙃

So watch the eps! They on YouTube!

I think they're on Pluto, Hulu, Sling, and Tubi too! Also DVDs for people who have the patience to wait for them!

WATCH! BELIEVE! SUFFER THE SOUL-CRUSHING RAGE OF THE SEASON 4 CLIFF-HANGER!* (come on, its fun!)*

HYPE THE DOC!

The more people hype, the better the chances of actually getting it finished.

NOW SHARE THIS WITH EVERYONE!

And now I will leave you with this screenshot from the ep "Painted Windows", where dicks can clearly be seen drawn upon the wall behind the fleeing anthropomorphized television.

(PS: If you heard the clown pic at the top of the page in your head, you're welcome)

IMPORTANT UPDATE

This message is now approved by Gavin Blair! He's an awesome guy. Show him some love on TWITTER (fuck you musk) at @TheRealMrSweary Also, if you want to share this with non-tumblr friends, here is my attempt at a webpage version:

theseventhstarprojects.com/REBOOT.html

#90s #90s aesthetic #90s nostalgia #90s kid #canada #reboot show #Reboot cartoon #hexadecimal #reboot 1994 #reboot #bob (reboot) #dot matrix #mouse (reboot) #megabyte reboot #Enzo reboot #Phong reboot #gavin blair #Ian Pearson #mainframe entertainment #reboot mainframe #mainframe studios #canadian art #canadian animation #retro cgi #old cgi #vintage cgi #cgi #animation #media recs #watchlist

[echo-and-dust]

now that my brain has somewhat unscrambled itself i have gotten most of my thoughts in order about season 3.

and the first thing i will say is: i loved it.

while it was gutwrenching and polarizing in some ways and i feel that i am entitled to financial compensation for what its done to my mental health, i loved this season for pretty much almost everything it did.

i cannot fault people for having issues with much of the characterization and plot choices made—that’s been the trend during the entire run of the show after all, and imo it’s a testament to the phenomenal way it generates nuance—but i wanted to share my feelings on the recurring opinions i’ve seen about some of these things.

first, i do not blame simon at all for the things he said in the final scene. he’s a child who has been receiving endless verbal and physical harassment on top of all the trauma he is still trying to heal from. he just watched his boyfriend lash out in anger and hurt—while not at him, but it must’ve been a close resemblance of how he might’ve seen micke act. at least, that's what i thought, though i've seen others say otherwise.

and yes, wille is not micke, but just because wille’s source of outbursts is different from micke’s doesn’t mean simon is wrong in drawing similarities. at least he's finally getting a true glimpse into what wille has had to deal with. i've honestly grown to like that they didn't have simon immediately comfort him though; wille's mental illness is not his fault, but it is his responsibility, and instead of pushing a message of unhealthy co-dependence, the show has simon be honest: "but i see that everything hurts you and that hurts me too." and to me, that's so important.

plus, it doesn't make their love any less genuine. wille is a victim of the circumstances; he is not evil, and he is not undeserving of simon. he just has a lot of growing and healing to do, a lot of unlearning and exposure therapy because he's still blinded by privilege even when he tries not to be.

speaking of, i have so many thoughts about wille that i feel like i need to save for its own separate post, but to sum them up: i'll still defend him with my life, and he needs to get the fuck away from that institution.

also, the fact that the responsibility of controlling simon's media decisions was placed solely on wille confused me at first like—why wouldn't they get a professional to give him proper media training?

then i realized, this could be the royal court's way of sabotaging their relationship. they knew that making wille the one to tell simon what he can and cannot say or post would create distance and animosity between them. despite the ramifications of simon's behavior on social media, it seems they still thought it best to have his boyfriend be the one to try to mold him into the system. because they knew that's how they could get rid of him. in conclusion, fuck the royal court (we been knew but still).

one of the standouts this season was their transparency regarding the show's politics. it not only works well with the show's arc (wilmon is public, everything's out in the open now and there's nothing to hide), but also it felt necessary at a time where censorship has been rapidly gaining momentum. it felt so refreshing for these characters to talk so openly about racial discrimination and queerphobia and class disparities, forcing both character and viewer to acknowledge that they exist and you should feel uncomfortable about it.

i don't think i can add much more to what was already said about it—most of the fandom is more eloquent and observant than i am anyway—i just wanted to reinforce how important this season is to myself and the story even with how controversial it is to fans right now. a lot of people may disagree with me and that's fine.

#young royals #wilmon #simon eriksson #prince wilhelm #yr spoilers #yr s3 spoilers #ad speaks #i don't know how they're going to tie everything together in under an hour but so far this season is strong enough for me to like it despit #what ending we receive #and i know i'm in the minority in that sense but i've been spending most of the hiatus trying to keep myself from setting expecations #so i haven't really been let down too much #i really don't want to let this show go though :'( #forever my heart #yr season 3 #young royals season 3

[gold-rhine]

Inazuma Rewrite part one

This is bullet points rewrite for Inazuma general plot structure, bc I think it had so much potential, but was horrifically scuffed in game. If I keep something from canon unchanged, I’ll just say so without retelling the entire thing to keep the length down, bc it’s gonna be A LOT already.

Some disclaimers: I’m not trying to fix every single problem, just what I see as major structural failures. I will reference my problems, but you can read my explanations on them more in depth in my “inazuma ranting” tag.

This is also not envisioned as free for all fanfic where I can write whatever I want, but aimed to be actually feasible to see in game, bc it’d be unfair and I want to show that Inazuma could be improved in the same constraints that hoyo writers had. So please don’t ask why I didn’t do wildly inconsistent thing that would be cool, but genshin would never actually do.

I’m aiming to retain all relevant lore and achieve basically same worldstate in the end, including character arcs, for the most part, because I presume them to be integral to the larger strategic plotline of the game. Which means I can’t drastically change characterization and major plot beats like the decrees, rebellion, Raiden has to be a sympathetic ally in the end, etc. I’m also trying to keep genshin’s general tone and modus operandi, bc like, target audience includes 13 yolds and I can’t just “make Inazuma good” by turning it into like, a gruesome and complex power struggle of political factions like Fallout New Vegas.

List of main issues I want to address: pacing in general, rebellion pacing especially, lack of impact and continuity of effects of vision loss on people, lack of setup for the stasis vs transience aka ei vs makoto conflict, character arcs: raiden, ayaka, kazuha, kokomi, yoimiya, kujou sara. And more! 

Initially I wanted to make a single post, but it’s already 3k and I’m only up to Raiden’s first duel and I plan to cover post-archon quest content too, like Raiden and Yoi story quests, so I decided to split it up instead of posting like 20k monstrosity. So remember, this is for now mostly a setup.

EDIT: Part 2

Raiden’s motivations\Reasons for vision hunt

Ok, so one of the biggest principal changes is that vision hunt and sakoku decree are active Raiden’s decisions, instead of Fatui’s plot that she’s just passively allowing to happen. Raiden closed the country, but she’s ok with Fatui starting a civil war and selling delusions, bc it doesn’t “affect eternity”, like??? I honestly think that the current plot of her people dying in a civil war meant nothing to her is much worse than her starting vision hunt decree out of misguided plan to ultimately do better for people.

I mean ok, we have to have closed borders to reference Japan’s history, sure, but like, the whole point of isolationist policies like this is to prevent the outsiders’ influence on the country. So she should not be ok with Fatui schemes at any point.  

I mean, if it was fallout new vegas AU, I’d keep it to show that dictator doesn’t not care about foreign powers exploiting it’s people as long as it profits the empire and helps to keep people subjugated, but like. Then raiden can’t be uwu waifu. So we gonna give her good intentions and integrity, but misunderstanding of humanity due to closing herself off instead.

Now to why would she close the country and institute sakoku decree. I want to tie this in with another plotline that is just. Kinda floating at sidelines at the moment, but I think could work nicely in tandem. The Scaramouche destroying Raiden Gokaden, the five schools of weapon smithing, which were canonically highly valued by Raiden.

I’m not gonna recount Scara’s entire plotline, but basically he went on a misguided crusade against Raiden Gokaden and managed to cause fall of 4 out of 5 weapon-smith schools.

Game says that he like, tampered with the schools and covertly led to their ruin, which like?? They never found anyone guilty, like the most prized weapon art smiths of your country fall apart and you’re like oh well, I guess Yashiro commission is just bad at it’s job?

There is a plot point in this story where Isshin weapon smiths, unable to replicate a faulty design that was Raiden’s commission tampered by Scara, were scared of Raiden’s wrath and decided to flee to Snezhnaya. I want to change it to be that there is an event, where ALL weapon schools receive same commission at the same time, and Scara tampers with it.

Just as in canon, scared smiths, but now from 4 schools, not one, are manipulated by Fatui to flee to Snezhnaya, But we add a new NPC, the most talented blade smith who had a vision. Fatui frame him as the ring leader, as if they were running not to save their lives because of the tampered design, impossible to fulfil, but that this was a betrayal because of his ambitions.

After this, Raiden has legitimate cause to feel like her eternity is threatened. She sees weapon art schools, one of the most prized country’s traditions being ruined in a moment because of what she thinks is ambitious hubris of one vision holder, who colluded with outsiders. So she closes Inazuma and declares a vision hunt, to prevent this from ever happening again.

But ironically, in truth it was the fault of not just Fatui, but specifically a puppet without a vision that she herself created and failed to supervise. This brings the main idea of the plotline from “Fatui evil, Raiden passive” to “Solipsist goddess who doesn’t understand humanity tries to protect her people by locking them in stasis and taking their ambitions, but the real case of tragedy was her negligence and lack of empathy all along, and this is what needs to be changed.”

Interlude and plot setup

We start with similar plotline. Traveler tries to go to Inazuma, learns that it’s closed, talks to Inazuman NPC to learn more. Here we’re introduced to the general idea that Inazuma was closed off due to one traitor blade smith with a vision who sold off Raiden Gokaden to Fatui.

We go to Beidou’s tournament, which goes basically the same, we meet Kazuha and watch a beautiful cutscene about his dead friend who challenged Raiden to a duel, and now Kazuha tries to find someone who can reignite his vision. I will actually add changes to Kazuha’s storyline, but it be will later.

then we arrive to Inazuma, go through the same bureaucracy loops with Thoma on Ritou, to show the barriers to outsiders and also to illustrate how Thoma is the best fixer when he manages to drop a fee from 1 mil to like 10 gold by promising to have a dinner with government official.

But we’re cutting the second part of Ritou, with the boring plot about like merchant from Mond scamming people with the local police and then Traveler delivering love letter or whatever. I mean, we can keep this as an optional side quest, if like hoyo thinks the lore about love letter is essential for the Ayato’s quest or smth, but not as an Archon quest.

Instead, we put a part of Yoimiya’s quest there. I think Yoi’s quest is relevant enough to stay in the Archon quest, unlike Ayaka’s, but it’s slapped into a place where it ruins pacing. So instead, we’re cutting it up in parts and inserting it into main storyline.

On Ritou, while doing bureaucracy bullshit, we meet Yoimiya, and play the part of her quest about her helping a guy with a vision to escape from his former best friend, who is now a guard hunting him. It helps to show the rift that vision hunt brings not only with the outsiders, but with inside of the country as well.

Ghost of Makoto\Transience setup

another key point that I think is integral to fixing Inazuma is planting seeds for Makoto’s reveal from the start. I really like the Stasis vs Transience conflict from raiden’s second story quest, where raiden believed in eternity as lack of change, a perfect state maintained until the rest of time, while her twin Makoto believed in eternity as never-ending change, where people’s dreams constantly evolve, nature of them chasing these dreams never changes.

but it feels like it came out of nowhere and raiden just speedruns character development in like an hour, so a lot of people ended up feeling like it was just about Raiden mourning her sister, instead of raiden coming to understand makoto’s belief system and through that unlocking makoto’s final connection and then being able to let go.

so we need to first of all, introduce makoto’s ideas of transience from the start, and also empathize the conflict of them with raiden’s stasis.

and it doesn’t mean we’ll spoil the reveal about the second raiden shogun! we don’t have to ever use makoto’s name, just her title as a raiden and sprinkle her ideas throughout the land. We know hoyo area designers can do that stuff really well (guizhong’s relics being scattered all over liyue, rukkhadevata’s shadow in the aranara quest).

like, it’s strange that Makoto primarily ruled and shaped country by herself while Ei was just a warrior, yet we do not have Makoto’s influence visible. We need to add ideas of transience into fundamentals of Inazuma,

“Transience is the dream of the nation of thunder. We find the greatest joys in mortal life in fleeting dreams, for is life itself not like the shadow of the thunder? Pursue your dreams into the clouds if you wish, and enjoy the unexpected silence of the dim lamp-lit nights.” - Guide to Transience talent book.

add these ideas all over the place, esp near sakura. And let’s draw player’s attention a couple of times specifically to the internal contradiction of these ideas of transience being integral to inazuma and raiden’s current hatred of change.

like, we need even 13 yolds and twitch streamers to remember this, so lets make paimon say like

“Huh, this shrine to raiden shogun says that eternity is the pursuit of fleeting dreams, but doesn’t raiden shogun fucking hates dreams?? I wonder, what made her change her mind about them to the total opposite!“

this and more subtle puzzles\locations with focus on transience for people who pay more attention will add the much needed setup for makoto’s reveal

Kamisato siblings

ok, first things first, Ayato being absent without any explanation while his little sister is plotting treason and his malewife Thoma is about to be executed on the streets is unacceptable.

like I know it’s marketing or whatever and he’s not being released but we need his model, hoyo. If we 200% CAN’T have his model, we need to come up with solid excuse why he’s not here. Like idk, he’s helping the war refugees or smth

And we need hints at his presence\influence throughout the story. Like oh, here’s group of refugees who were helped by Yashiro commissioner, they are relocating to new homes, I guess Ayato is really busy. Oh, here is Fatui’s camp where everyone is slaughtered and boba tea cups are littered around, I wonder what is up with that.

and also, Ayaka is organizing resistance behind his back, and we never meet him bc Ayaka actively tries to hide traveler from him.

bc like, Ayaka doesn’t have a development arc in archon quest. She’s just kind of there, being perfect. Like in her story quest that hoyo makes you do at gun point, you like, go on a date, learn that she’s lonely and has trouble connecting with people due to the pressure of having to project an image of perfection and societal distance, do an investigation to uncover her late mother’s fox fursona roleplay diary which she used to cope her with own societal pressure. Which like. Ok, sure, but but this wet socks quest is not an archon quest material. It should be just a normal story quest.

no, Ayaka’s real conflict is wanting to prove herself to her brother, bring real difference to the world. This is her ambition, she literally gained her vision while fighting Ayato in a training, she wanted to show him that she’s strong enough to handle responsibility, he named her Shirasagi Himegimi after she won that fight

but during a civil war, watching people suffer, her role as a cultural figurehead is not enough. She wants to help, but she’s afraid to act, because this will undermine Yashiro Commission and her brother worked so hard to build it back up after Raiden Gokaden fall. so she organizes resistance behind her brother’s back in secret, to help, but without compromising Kamisato name

this basically tracks with what happens in game, but we spell it out and expand on this later.

Getting Traveler to help

next, let’s throw out the weird edging introduction where traveler is not allowed to see Ayaka the first time. like??? bro, we’re friends with 2 archons and heads of their governments, you’re not that important. and it can’t be to protect her identity, bc like. You go to Kamisato estate! You’re told who she is! If you wanted to betray her, that would be enough already.

another awkward thing is that Traveler, who agrees to do every stupid quest they meet, suddenly refuses to help the resistance.

I think we should reframe their convo a little, like Traveler says hey I’d love to help, but my primary goal is to get info about my sibling from an Archon, so I don’t want to go against her.

To which Ayaka says oh, I totally get you, you see, I am myself a culture figurehead and a nominal princess and I can’t speak up against the decree, bc that will hurt Yashiro Commission. But I’m not asking you to fight Raiden Shogun in a duel or smth, I’m just asking you to help people with the resistance, which we do totally in secret. No one will know! Also, how are you going to see Raiden? She’s locked up and doesn’t appear in public. But my big brother is a head of the Commission, if anyone can get you an audience, it’s him. So help me help people and I will ask him to help you see Shogun!

she secretly believes that after traveler sees ppl suffering, they will change their mind and help willingly, same as in canon, but she’s more subtle about it

Rebellion connection

my other problem with vision hunt is that the 3 quests they force you to do about meeting people who lost their visions are like. not good. The concept is interesting, but they are just kinda boring and meandering. They lack dramatic impact. They could do better. So we’re not doing these 3 quests rn, but don’t worry about it, we will get to the effects of vision loss

Instead, ayaka sends us to help Yoimiya and we do the same quest we do in archon quest - help her to free someone from prison dungeon. It goes the same, we get to the dude being mistreated by cops, Kujou Sara steps up and lets us go

But then it’s like, we need to get this dude out of Inazuma city. Cops know he escaped! They will just come for him again! There is only one place that will take him and it’s the watatsumi rebels.

Common complaint about Inazuma is that other countries feel like found families and Inazuma doesn’t, bc characters from resistance and rebellion basically don’t interact, and it’s true. And like, we can get them together! Thoma knows Kazuha, Kazuha knows Gorou, Gorou in canon went to recoinsanse missions to Narukami island.

So, Gorou visits the tea house to pick up the Vision Dude, and the gang has the hotpot meet up. Everyone is there (except Kokomi bc ok hoyo, we’re saving up for dramatic battle reveal, and i think her reveal would fuck up banner schedule). Ayaka, Thoma, Yoimiya, Kazuha, Gorou. and Teppei! Who is here bc he was recruited by Gorou. He’s actually from Narukami island, not Watatsumi, and he had nothing to do with visions, but he’s an idealist, he believes in freedom, so he joined rebellion. fun times are had, Ayaka tries to play srs bsns lady host, but breaks into giggling at The Shenanigans, Gorou is overly polite but adorable and apologizes to Ayaka about The Shenanigans in which everyone but him participates, Yoi is a life of party and the Shenanigans and later has to be bodily stopped by Kazuha from organizing fireworks right here, right now, Thoma and Teppei both get sick from eating Ayaka’s nasty cakes that she threw into soup, bc Thoma is just into oral stuff and Teppei is so earnest and eager to prove himself and impress ppl, haha comic relief, look how sweet and funny this guy is and all characters get along so great with him

bc like, I think Teppei has a problem of a) not having enough screen time b)not having any interesting characterization moments to make him stand out 3)not having other playable and already likeable characters interact with him

so this scene can serve not only to bring that “unlikely bunch of people becoming friends and working together” connection to life, but also to endear Teppei to the players

Vision Loss Effects\ Yoimiya and Thoma

ok, next Ayaka asks Traveler to do that one quest about martial arts master losing their vision. I think it’s the one quest from 3 about vision loss with most drama, but the real reason is that it introduces Yae Miko and we need to do this before leaving for the rebellion. Like, in theory, it could be switched to another, better quest that lets us meet Yae Miko, but honestly, this is not one of Inazuma archon quest problems so I can’t be arsed. Feel free to imagine a cooler intro instead.

when we go back to tea house, we learn that Yoimya’s vision has been taken away. She has been recognized in that last prison raid and the guards came for her later, and she didn’t fight bc there were kids and her old father around.

She’s completely changed. Her innate optimism, her belief in people and their dreams has been drained from her like a sunshine from a dark cellar. But she’s still Yoimiya!! She came here to warn you bc she still cares even if she had her own joy taken from her. She tries to smile and reassure you that it’s ok, she’s fine, but her smile is visibly strained, she’s never had to fake it before so she doesn’t know how. She wears a vision, but it’s a fake one, because her pops said that maybe having it here would help and she agreed, tried to pretend for him that it does help, bu. It very obviously doesn’t.

Ayaka is horrified. She apologizes to Yoimiya, tries to think of ways to help her, but Yoi just laughs humorlessly. “It won’t ever touch you, princess.”

She’s immediately disgusted at herself and apologizes, tries to take it back, this isn’t her, she would never say this, and not to her friend! But also, it’s so hard to care now and she can’t remember why it’s so important to care at all.

Ayaka is shaken. Bc it’s true! She is a privileged noble, vision hunt will not come for her! She is playing at the resistance from the safety of anonymity, while people like Yoimiya actually risk themselves and pay the price!

And this is when the news that Thoma was arrested and about to be 100th vision taken at the feet of the statue comes. Tenryou commission truly strikes back.

Ayaka is in uproar. She’s ready to go herself and fight for Thoma, especially after Yoi’s words. She’s sick and tired of being a perfect princess, she can’t allow any more of her friends, her family come to harm because they don’t have her protection. Clearly Thoma being a theatrical execution is a blow specifically against Yashiro commission and Kamisato family in particular, and if Shogun has beef with her, well, she can settle it with HER instead of going after her friends!

Traveler stops her. This is what they want. If Ayaka openly moves against the Shogun, the entire Yashiro commission falls. Even if Ayaka is in the right! No, it’s the Traveler who will go to save Thoma

But traveler needs raiden’s good will for the info, they can’t confront raiden openly, it was the deal from the start!

But at this point traveler has seen too much, the divide in the country, the change and suffering of their own friends, and they can’t allow all of Yashiro commission take the fall.

This is when the Traveler decides to take a stand.

ACT 2

#rhine talks #inazuma ranting #genshin impact #rhine lore study #rhine writes

[bonefall]

heyyyy bonefallll!!! So uhm. Wind released. And if you read it, what do you think of it?

hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

I started ASC off with a lot of excitement. I had known to not get my hopes up, but for the first time in a long time, I felt like they actually had something meaningful to say about the problems in Clan society. For once, it felt fresh.

A conflict based on a murder mystery and a power struggle, political radicalization within another Clan with anti-Clanswapper bigotry turning violent, and the reluctant heir of a legacy sprawling several generations. Like a dark echo of TPB, implying the root issues had never been truly addressed by Darkest Hour. The Clans still have a terrible ruling system. The culture is still bigoted. Firestar failed to destroy the obsession with legacy-- he just founded a new bloodline.

And even if it wasn't THAT deep, it was at least a grounded plot that was based in the characters more than faith in StarClan. If Nightheart's arc about legacy fell apart, I'd still enjoy watching him struggle, lose people, grow, and find his purpose. Or seeing Splashtail juggle the power he'd managed to snatch and was just not smart enough to hold onto. Or the cool fights that would surely result from an invasion of RiverClan.

Wind tossed it. It was already having a downturn in the previous book, but this is a book that seems so afraid of having interesting conflict that it spends 75% of its time debating if something interesting should happen, and 25% of its time barking, "EVIL HEATHENS WHO HATE GOD WILL DESTROY OUR SOCIETY!!"

I can't get over how awful Splashtail's "descent" is. He's having a dumbass atheist stoner debate with Podlight when they go to the Moonpool, musing that maybe you have to eat 9 mice to get 9 lives, and then 2 appearances later he's foaming at the mouth with a dictator speech and kills harelight no miss.

They even seem to have tried to replicate Stonefur's execution but badly. It's jarring. Splashtail had a big dictator speech, killed the beloved deputy suddenly, and the whole camp looks Super Scared and Upset so that you know it's the Evil Leader and not a systemic problem.

His "TALENT FOR MANIPULATION" is saying he heard Curlfeather murmur evil plans in her sleep and (apropos of nothing) accusing her teenage daughter of "getting the wrong idea" about his adult romantic interest in her. I keep coming back to this because the ENTIRE book's plot is based on this successfully smearing Frostpaw's reputation.

you may be tired of hearing it, but I'm definitely more tired than you because I had to read and analyze an ENTIRE BOOK founded on it.

The plot is endlessly arguing over if they can trust Frostpaw or not, gathering "evidence" to this end, while Sunbeam and Nightheart's POVs uselessly languish in ThunderClan doing mentoring stuff.

Im SO sick of being forced to sit in thunderclan while more interesting things happen offscreen. stop adding MORE cats to ThunderClan, you already have Stormcloud and you do NOTHING with him why are they also getting WAFFLEPAW

Everyone's praising the fact that the book can remember previous entries, but actually, I'm going to drop a hot take; It's actually bad if they CAN obviously reference old material, and then it doesn't influence the actions the characters take. They namedrop Nightstar several times and then come up with excuses for why they still need to sit around and do nothing!!

THAT'S WORSE, ACTUALLY.

SCALDING TAKE, I'd RATHER see the cats have the memories of goldfish if the alternative is "We remember Nightstar! We're simply going to purposefully disregard Nightstar, because the plot needs to happen"

They also muse that maybe Splashtail's evilness is making all the RiverClan cats act evil, and they'll go back to normal once he's removed. This has been implied before, but never so blatantly stated.

But most of all, I can't stop going back to "Godless Heathen Bloodlust." What a fucking joke. For a shining minute it looked like we were going to have interesting villains, but no, they really are just coming out and saying that lacking faith is an indicator of a moral failing. What makes Splashtail so uniquely bad and scary is that he "disrespects the ancestors" (hey podlight. what if eating 9 magic mice gives you 9 lives? woah dude look at this. the bugle chips look like claws. lol haha) and hates love and peace and won't even let Jesus guide him.

The scenes with Frostpaw and her allies are the only parts of this book worth reading. Shadowsight, tigerHeartstar. Clinging to Whistlepaw like she's a life preserver. save me windclan

#asc spoilers #warrior cats analysis #So uh. #my thought is that it is Bad. #I did not Enjoy it #I can FIX IT #I WILL FIX IT #I CAN MAKE THIS WORK BUT JESUS CATS.

[linkspooky]

MHA HOT TAKE #1

MHA suffers from what I call the Young Justice problem, where a show that's supposedly about the younger generation of heroes giving the adult heroes a disproportionate amount of focus.

I call it the Young Justice problem because the cartoon Young Justice tries to jam in the entire Justice League instead of just focusing on the kids like the comic did. The TV show Teen Titans deliberately never had any adult heroes show up because they knew it would take attention away.

Good stories are succint and cut away any unnecessary characters or plot thread. There's also only so much screen time youre dividing between characters. During both war arcs shallower characters we've spent less time with like kamui woods are in the middle of the action while kids are off to the side. Nobody cares about kamui woods. If you do you're lying.

The All Might fight is the single worst case of this issue. If you had to have a big fight against AFO to stall him then why not have the entirety of class A team up to fight him instead of All Might using a deus ex machina robot suit with Attacks based on 1a students he's spent zero time with. That would have been fun to watch at least.

I like x men and teen titans I'm here for the teenage superheroes more of them please.

#spooky speaks

[nicosraf]

You inspire me…. Any advice for writing books ?

!! I'm honored u get a little inspiration from me! That's very sweet of you.

I struggle with advice because I've only written about 5 books and published... two-ish. (An old fanfic and ABM, which as you know is basically fanfic). But I think I have some specific advice since I'm revising right now and have a lot of thoughts... Here is what works for me (!):

Outline. I know it sucks but... please try it. (Or you'll end up like GRRM).

Draft without going back to read what you wrote, or at least don't read your unfinished manuscript in full. You will want to edit it. Don't edit it. Yes it sounds bad; yes you used the same word 8 times in a paragraph by accident; yes you can see a major plot hole. Don't fix it yet, maybe write it down somewhere so you don't forget to fix it later. You need to avoid editing while drafting or you will never finish the draft. This is the biggest advice I can give anyone, especially if you haven't written your first book yet.

Give each character a strong backstory, even if it never shows up in the plot. Sounds obvious but sometimes I have to remind myself of this.

Give your characters friendships, not just romantic relationships. Include tender scenes with friends.

A lot of writing is tedious and boring. Drafting is hard, editing is hard. You have to be disciplined. But finding motivation is also hard. Don't motivate yourself using the dream of a fanbase or the dream of becoming famous. You're setting yourself up to be hurt. (Not because any of that is impossible but because achieving it in the way that you dream is virtually impossible.) Motivate yourself using something more personal, if you can.

Re-do your outline after you draft. Why? Because you probably changed things while you drafted, you probably made some stuff up on the spot, character dynamics changed, etc. A new outline is good because you can see the story you actually wrote, which is helpful for editing for plot cohesion, moving scenes, adding and removing stuff.

Your draft is going to be bad. Don't freak out. Drafts are always bad. You're going to want to analyze the hell out of it though. What did you plan, what did you write, what worked, what didnt work, what themes are on the page, what themes should you remove, what themes should you amplify.

When editing a scene isn't working, rewrite it entirely. Yes it's more work. You'll be much happier though, I promise.

The first to second revisions should be for plot and characters and pacing; these should take the longest and be the most difficult. The last third to fourth revision should be about prose. Don't focus on prose when you're trying to fix the plot.

Let characters fuck up unforgivably.

Consider your audience heavily when you edit, but don't consider them when you draft.

I've given this advice before but when it comes to plot devices/objects, you want to give each device a moment of introduction, a moment where it's recalled, and a moment of use. (Ex. A knife is introduced in chapter 1, its mentioned again casually in chapter 7, then it's used to kill someone in chapter 14.) This is mostly to give each object its own arc that feels satisfactory but ur the boss about what works best.

Kill all your characters, but not physically (unless you want to). Make them change so much that, by the end, they would barely recognize who they were at the start.

This is book advice for the type of books that I've written. Things are very different if you're writing, say, contemporary romance, but I think this list is pretty general !! I hope it helps. Good luck!!

#mine #ask #writing

[journey-to-the-attic]

one thing i've noticed about obey me's story is that it generally delivers on big dramatic narrative moments, but often neglects the surrounding scenes and especially the fallout. there is of course, the oft-talked-about lesson 16, feat. mc's death that never gets brought up again, but then there's also s2's amnesia arc, which ends things with "mc has the ring so everything is completely fine forever"

om has a habit of doing this, where a realm-wide (or heck, universe-wide) problem is hand-waved away by the appearance of a convenient fix-it, which is usually either an object or just ~magic~ (magic as a plot device in om in general is handled poorly but that's a story for another day)

in some cases they just don't address the fallout at all. at least belphie talks about what he did in lesson 16 - but, see nb s2, wherein levi floods the entire devildom, submerging entire houses, and they don't bring it up again afterwards. as far as i remember too, belphie's mini-arc in this season wasn't really given room to breathe, either

but here's the main thing (spoilers for nb lessons 38 and 39)

i've just done these two lessons and in hindsight lucifer's mini-arc feels like a lot of missed potential

honestly they could have excluded diavolo entirely - his main purpose was to stall for time so that the brothers could show up. the moment where he kneels was cool (more on that moment later), but the way they've written him in means that the angels kinda. don't get to do anything? at all?

look - raphael has a gorgeous character moment at the end of 37 where he cries for the brothers' plight. like you don't understand this had so much potential!!! he didn't really do much in s1 (and might not have actually been himself??) so i was hoping this would be his chance to shine, but instead he's on the sidelines. simeon gets the most to do, and even then it's really not much. luke doesn't do anything, unless you count those blessings he and simeon give mc, but they don't really factor in at all??

what especially doesn't make sense about diavolo's role here is that lucifer turns on mc after they step in to protect him. this is meant to be a pay-off to diavolo's less savoury motivation for saving the brothers, revealed in his arc in nb s1, but all lucifer does is say it, get mad, then completely forgets about it once all is said and done

if that's all they were going to do with it, why bring it up at all? from a character standpoint, it makes more sense for mc to shield one of the angels - again, raphael this could've been your moment. (alternatively it could've been a call-back to the og s1 where mc shields luke in the underground tomb)

the appearance of the brothers was welcome, but at the same time i don't quite buy that they all got out of their respective predicaments completely fine. (also where did mephistopheles go??) lucifer also calms down very quickly, which is a great moment for the power of family, but at the same time i feel like he would've needed at least a few more dialogue boxes of him registering through his rage that his brothers were there. eh, this is more nitpicky than everything else

the brotherly moment was 10/10 though. love these guys <3

but i hated the final resolution so so much. sure, have god forgive him, whatever. but why would you end it all with a "papa loves you"???? if it had been raphael or simeon saying it, maybe i could get behind this as a symptom of the celestial realm's unhealthy society, but LUCIFER, whose greatest fear was revealed to be his father in s3 of the original story?

om has never made it seem like god's relationship with the angels was anything other than controlling and borderline abusive, and for some reason (if the poignant flashback is anything to go by) they've done a complete heel turn into "actually it's fine because he loves the angels". it could be read as representing how children often still cling to abusive/controlling parents, but i doubt it - especially coming from lucifer, who started a war and lost a sister in direct opposition to his father

and i get the whole deal with "lucifer was so beautiful as an angel" but it feels really disingenuous to the brothers' arc (about settling into the devildom and coming into their own as demons) to harp on about it. like, fuck that, have lucifer cast away the angel form, or at least have some pushback from him in the aftermath. have mc tell him "you're even more beautiful as a demon" or something

then in lesson 39 everything's back to normal. it's a very cute lesson and i had fun in the moment, but it feels off. there's no discussion of what happened, everyone's completely fine. there's got to be some psychological after-effects to all of that, no? for lucifer especially if not the brothers who got frozen as well???

though lucifer's dragon gift was very sweet. i can't stay mad at that old man

#i think a big issue is that om's juggling a lot of characters #even back when it was just the brothers they had trouble evenly distributing development and characterisation #(and beel's still constantly getting the short end of the stick) #nb is very good at delivering concepts but it's 50/50 whether they're executed well #am i being picky about this silly otome game? perhaps #but it's very much a character and story driven game so at the same time this is kinda the whole point #om is not badly written. otherwise i wouldn't have been stuck in the devildom for like 4 years now!! #but there are so many threads that could be so good #that the writers either miss or weave into the wrong knot entirely #obey me

[oneatlatime]

Any predictions for season 3, or are you planning to dive straight in?

You're not the first person who's mentioned s3 predictions, so I'll give it a shot, but I'm really not sure if I have anything to use to make predictions. S2 ended in a very final, end of arc kind of way. Lots of things have been tied up. I don't even know where they're all flying off to. Back to the Southern Water Tribe, since the Earth Kingdom's a bit of a bust? The Fire Nation's out of the question, the Northern Water Tribe probably has mixed feelings about seeing them again, maybe the Eastern Air Temple? Although even that might not be safe, since Aang's travel plans to said temple to meet the Guru were known by various Earth Kingdom generals. And that stupid King.

I think the Fire Nation contingent are going back to the Fire Nation, and I am looking forward to a Zuko with eyes at least somewhat open interacting with FN citizens/nobles/military etc. who are still completely drinking the kool aid. I think it's going to suck for Zuko. Should make for good TV though. Lots of conversations where both people are saying entirely different things while thinking they're talking about the same thing.

I said it before, but I'm worried for Iroh. He's for sure arrested, but is he going to be executed? Obviously I don't want that, but unless Iroh still has enormous popular support, and the Firelord's grasp on power is incredibly shaky, I don't see how permanently eliminating a traitor (from a FN perspective) can be avoided. Then again. Kids' show.

As for the Gaang? In broad strokes, Aang still needs to learn firebending to fully Avatar himself, then he needs to defeat the Fire Lord (who is quite the homebody apparently - seriously, where is this guy?). So next season Aang will shake off his lightning hangover, find a firebending teacher, defeat the firelord. He'll probably have to commute to the Fire Nation to find the Fire Lord first. No idea what he'll do in between those things. Perhaps inadvisable shenanigans? That would be in character. His biggest story arc all series has been learning to accept his status as Avatar, but between his talks with the Guru and opening his last Chakra in the finale, I think he's done it. So all that's left is the main plot and goofiness.

Katara has the same problem she had going into S2 - she's mastered waterbending, so she needs a new conflict/arc. S2 answered this demand by... having her hang around? What did Katara do this season? Bend a bunch, set up camps, tear down camps, wreck Jet, support Aang, be nice to Toph that one time, yell at people. I hope she gets something meatier in S3. I still think she should meet some good FN citizens that challenge her morals.

Sokka was also kind of just there this season, although if I'm being mean I'll say that he was also kind of just there for S1 too, which is why it doesn't feel as odd as Katara's lack of purpose. I loved his stuff with Suki. Suki is officially the glow up of the season. I loved their interactions together, and I love the growth she poked him into doing. I'd like to see more of that. So less a prediction and more of a hope: S3 Sokka develops the ability to rely on/trust others (or maybe realises others can be relied upon/trusted is more accurate), hopefully with Suki somehow involved. And I loved his dad too. I want to see more of that guy, but since a cardinal rule of kids' stories is getting rid of the authority figures asap, it won't happen.

Toph. Honestly I'm stumped. She already broke the universe. Where can she go from there? Unless she's going to devolve into an antagonist, which I absolutely don't want, I don't see how she can top her S2 plot. And Aang's got earthbending down, so I guess she'll be like Katara was this season: tagging along. Not that I'm complaining; I love me some Toph in any form. We have seen that she wants to make peace with her parents, sort of, probably? Or at least give them another shot? But I kind of don't want her within 100 miles of her parents. So I don't know.

Appa & Momo will hopefully be tagalongs in S3 too. I learned my lesson this season about wanting the animals to have character arcs.

I guess the antagonist in S3 will be the Fire Lord, finally. Who else is left? Zhao tried, he died. Azula tried, she won. Unless S3 has an Azula rematch. But would she want that? She's already proven that she won. She can go home and enjoy the spoils of her victory (which may or may not include Zuko - I'm kind of unclear on exactly how much agency Zuko is going to have in the FN, especially since I'm not actually sure that he has permission to be there as a free man - didn't the arrest warrant Azula was executing in episode 1 list both Zuko and Iroh?)

There's nothing left for the Gaang in Ba Sing Se, so I doubt they'll go back there. Frankly it's the FN characters who have roots there. I wonder what will happen to Iroh's tea shop? I wonder if his investors will find out who he is? I wonder if money talks louder than national loyalty? (It's the Earth Kingdom - the answer is yes) Wouldn't it be funny if Iroh busted out of imprisonment and went right back to serving tea? And everyone sent to find him would be thinking "this is the famed tactician the Dragon of the West - he's probably travelling the FN plotting a coup as we speak. That devilish mind of his must have safe houses set up all over the nation." When actually he's right back where he got caught, doing exactly what he was doing when he got caught, to great and not-very-quiet acclaim?

I think S3 might have an overall darker tone too, within the bounds of a kids' show. I don't know what place Ba Sing Se occupied in the mind of the average person in the Avatar universe (although refugees seemed to revere it), but the city's fall to the FN represents a very big FN victory. The Gaang will probably be the most underdoglike in S3. S1 was mostly stalemate, then a big FN defeat. S2 was opened with the FN taking Omashu and closed with them taking Ba Sing Se. The FN have never been in a better position, and I bet the NWT is safe from further invasion only until the FN have built their fleet back up. So even the few free areas could have an expiry date on their freedom.

This is rapidly devolving into rambles, so I'll conclude by saying I have no clue what's going to happen next season, and that's exciting.

#ask

[r-2-peepoo]

BAD BATCH SPOILERS

Now that the episode is out, let’s talk about Cody’s personality.

Yes he has one. Yes he has always had one. You can argue that he is underdeveloped (and I will agree with you, he hasn’t had nearly as much screen time as he deserves) but he isn’t a blank slate. He has always had a personality and here is a core part of it:

Cody is fundamentally good. That is who he has always been. He is a very obedient soldier but he is similar to Obi Wan in that he is a good person who is just very strongly bound by his duties, hence why they were so close and presumably why they were assigned to work together so often. Obi Wan Kenobi would not trust, let alone be close with someone and have him as his second in command if Cody was not a good person. People forget that Cody was probably the person Obi Wan saw the most throughout the entire war, they were together so often. Obi Wan would not proclaim Cody as a good man who he remembers fondly years into the future, even after he ‘betrays’ if he didn’t think incredibly highly of him and if the Kenobi stamp of approval isn’t enough to convince you then I don’t know what is.

There’s a reason Cody has the rank he has but also that all of the clones trust him, including TBB who generally do not like regs. It’s one of the first things we learn about them as a group actually. The fans have done an insane amount of work in Cody’s personality but it is based on what was already there. You can easily believe Cody is a somewhat stern yet very compassionate person when you read fics about him because that is who he’s been from the beginning.

Absolutely no part of me ever believed that Cody would work for the Empire willingly or that Rex would have to fight/kill him. If that had happened, as much as I love how angsty and dramatic it is as a concept, it would’ve been a complete betrayal of Cody’s character and wouldn’t be a fitting ending for him. The fan theories did get to a lot of us and honestly I thought they were plausible only because a misrepresentation of a fairly minor character is always possible in media, however that is exactly what it would have been had that been the plot. A misrepresentation.

Character arcs need to have structure and Cody turning fascist out of absolutely nowhere would not have fit in with his character arc. The inhibitor chip would be the only way for it to work and even then it wouldn’t be fulfilling at all. It could happen, but it wouldn’t feel right if that makes sense. A death is also a huge mistake, at least in my opinion. He is such a vital character for exploring who the clones are after the war. We still have the rest of the season so maybe he will still die but I truly do not believe it anymore. If he does, I firmly think it will be the wrong creative decision and would waste his character.

TL/DR: Cody has always been a sweet boy and I’m never letting people make me think he isn’t ever again ;-;

#leave my boy ALONE. HE IS NICE. #commander cody #the bad batch #obi wan kenobi #I’m not mad but it has been a little frustrating to see all the discourse. #anyway cody is a sweetheart and I adore him.

[alpaca-clouds]

Let me talk about Women in Refrigerators

You know what? This is a thing that is kinda annoying me in the Castlevania fandom. How everyone is screaming about Women in Refrigerators, while folks so clearly do not understand what the trope actually is about and why it is a bad trope.

Like, there is not a single death of a named woman in Castlevania, that not at least someone has called "fridged". Alright, maybe Drolta. But other than that... yeah, folks definitely have called Lenore and Carmilla fridged. And... No, people, you misunderstand the trope.

The name of the trope was coined based on Green Lantern vol. 3 #54 (from the 90s), in which Green Lantern finds his death girlfriend stuffed in a refrigerator - mostly for shock value in the reader. Mind you, this was the 90s, when superhero comics were really, really edgy and stuff. And in fact the kind of story happened a lot of times during this time. Female characters being killed, raped and tortured for pure shock value, with the story not featuring any idea of what this did to the female character, but rather focusing on what this does to the male characters. (And mind you: Yes, a woman can be considered fridged and still survive the ordeal. A lot of folks do consider Barbara in The Killing Joke fridged as well.)

So, what does "Fridging" in terms of the trope mean? Basically it means that a female character suffers a horrible fate just so that another (most probably male) character can be motivated to do something and react to this thing happening, setting in motion a character arc for the surviving character - or even setting into motion the plot.

In many examples it should also be noticed that at times the female characters mostly just exist to meet their horrible end. Supernatural as a show is really bad in this regard. Like, within the first episode of the show THREE FUCKING WOMEN get fridged, just so that the brothers can travel together and start the plot.

So, let's move back to Castlevania.

Lisa is fridged. There is no way around it. Yes, it does not feel like it, because they still managed to make her a character of sorts, but yeah, she definitely is fridged. She dies a horrible death and that death is what motivates the plot, as well as what motivates both Alucard and Dracula. That is very classical fridging no way around it.

Carmilla and Lenore, though? Yeah, they are not fridged. They are characters who just die. Their death is not used to motivate another character. Their death is also not random, like most fridging deaths. Especially Carmilla is basically asking for her death, of course. She is a villain and gets the same death as all other villains. And while it is a bit different with Lenore, she definitely is not fridged either, giving that she literally dies in the last episode with no plot or development happening because of her death.

In Nocturne it gets a bit more complicated. Is Julia fridged? In a way, I would argue, she is, mostly on the value that she exists as a character to die and for her death to be the basis for Richter's character arc, giving him the trauma he needs to overcome.

Esther meanwhile does not feel fridged to me. Because Annette's trauma is not deeply linked to her death, rather than the entire slavery experience in general.

Tera? Well, for Tera it is too early to tell. I still assume that her change into a vampire is going to be used to have the characters realize, that vampires are not inherently evil, and to give us a view into what vampire society looks like. At least that is what I assume.

By the way: The fridging of female characters is my big issue with the PS2 Castlevania games. Like, in Lament of Innocence both Sara and Elisabetha are getting fridged to motivate Leon and Mathias. And the same is true for Rosalie in Curse of Darkness, who as a character only exists to motivate Hector. I mean, she is so replacable as a character, that Hector fucking replaces her by the end of the game.

#castlevania #castlevania netflix #castlevania nocturne #refrigerated women #women in refrigerators #fridging #feminism #women in media #julia belmont #castlevania lisa #castlevania tera

[rey-jake-therapist]

Alana Bloom: revelations and character development

As I'm starting outlining an Hannibal fic focused on Hannibal's past as a university professor (which I very pretentiously call a 'Hannibal prequel' in my mind), I feel like writing a piece on Alana Bloom. She was Hannibal's student so she's got an important part in my plot, even if the professor/student relationship she had with Hannibal then won't be the primary subject. There's just nothing interesting to do with this subject, except for a story of an unsuspecting student pining for her professor. Meh.

But back to Alana: in season 1 and 2, I often didn't like her. She was supposed to be this very smart and skilled psychiatrist, even bragged once about being often right, yet Hannibal played her effortlessly. Alright, he was good, but the fact that she didn't even considered the possibility that Hannibal wasn't who he claimed he was, despite Will's repeated accusations, never sat right with me.

There was a point where I even began wondering what was the point of her: she seemed to be there only for the sake of bickering with everybody and being in a love triangle with Hannibal and Will. She seemed a bit to be the beautiful idiot of the story, even though she was theorically much more than that!

Then season 3 came and it completely changed my perception of her. And it even helped me understand her better, including how she behaved in season 1 and 2. The fact that she fell so hard and fast for Margot, a woman who because of what her brother put her through was at least as 'unstable' as Will was, and finally helped her commit a murder says A LOT about Alana.

She would probably hate to admit it, but I think Hannibal helped her come to terms with the fact that she doesn't want to be with someone 'stable'. In season 1 and 2 Alana believed she was drawn to Will in spite of his issues, and that she dated Hannibal because HE seemed stable. But then why Margot? There's only one explanation for this: Alana fell for Will, for Margot AND even for Hannibal because they were 'unstable'.

Season 3 finally revealed that what seemed like blind naivety in season 2 towards Hannibal was in fact denial, denial of what she really needed. Deep inside I believe Alana always knew there was something wrong with Hannibal, but admitting it would have also involved something about her and she wasn't ready to face that truth. It revealed that she was unstable as well, while she probably spent most of her life pretending she was Miss Perfection, absolutely unproblematic and a paragon of virtue. It was way easier for her to accept the idea that it was Will, the man she rejected because he was too unstable, was the true murderer. She could sleep better at night thinking it was him, than suspecting that the true ripper lay right beside her.

In season 3 we see her come to terms with the fact that it was all... a lie. Alana values life but she's perfectly fine with the idea of taking someone's life if she thinks they had it coming. And I LOVE her for that, because her entire arc is the arc of a complex and interesting character. The glow even shows in her physicality, her general behavior: she seems way more confident, she occupies the space in a way she didn't in the two previous seasons.

Hannibal probably didn't plan this, but he must have been very proud of Alana ;)

#Alana bloom #Hannibal meta #Hannibal nbc #Hannibal lecter #caroline dhavernas #mads mikkelsen

[mxtxfanatic]

Another pro-reader tip for mxtx novels: they are all stories with clear-cut good guys and bad guys and a strong moral message, BUT you have to actually read what the story has to say about characters without taking anything at face value, relying on genre tropes, or using identities and statuses as shorthand to your understanding of the moral system and themes of the story. So no, most characters in her stories are not morally gray (though some are, most can be definitively categorized as either morally good or bad, and ALL of her main characters are definitively morally good), and no she does not write morally gray plots where “morality is just subjective!” If anything, the term I think people are looking for is “morally neutral” (meaning that the thing is not assigned a morality in and of itself) in many cases.

An mxtx character is never designated as good or bad based off their backgrounds or class: Wei Wuxian, Jin Guangyao, Shen Jiu, and Mu Qing all grow up outside of the elite class, but Mu Qing (eventually) and Wei Wuxian are unquestionably good guys while Jin Guangyao and Shen Jiu are unquestionable villains. Shen Yuan, Lan Wangji, and Xie Lian all grow up within the gentry class but are all good guys while Jiang Cheng, Jun Wu, and The Old Palace Master are bad. Likewise, life circumstances or tools don’t determine morality. In mdzs, the sword path (which is the orthodox one) is used to commit genocide by the general cultivation world just as easily as Lan Wangji wields it to protect the forsaken commoners. Wei Wuxian’s ghost path was created to protect himself before being used to protect others, but Xue Yang and the Jin Clan pervert it to cause mass destruction for their own wishes. In tgcf, Xie Lian uses his god powers to attempt to help the Yong’an people while the other gods simply collect worshippers to increase their power and oppress lesser gods. Every character I’ve listed minus the Old Palace Master has experienced intense trauma that has informed their lives and colors their morality, but it does not define why they have chosen to take on certain moral stances.

(This is not to say that mxtx doesn’t have certain tropes she dislikes, as she clearly hates the “dedicate their whole existence completely to another person” trope. Su She, a villain dedicated to Jin Guangyao, dies. Zhuzhi-lang, a sympathetic antagonist dedicated to Tianlang-jun, dies. Hua Cheng, A WHOLE LOVE INTEREST dedicated to the literal main character, dies a whopping three (3) times before he learns his lesson.)

Mxtx does not condemn those who stray from orthodoxy. In fact, every story she’s (currently) written is about the dangers of entrenched and unquestioned hierarchy and status quo giving way to corruption every time. She wants you to question the dominant narrative of the benevolent group who descend from on high to “save the ignorant masses.” She wants you to question the idea that the only people with the right of choice are those at the top of the hierarchy. She wants you to question the idea that even the smallest decision of “powerless” people does not matter in “the grand scheme of things.” She wants you to actually think about the story conventions that you accept as infallible and question whether or not it would make for good shorthand by which to understand well-written characters and story arcs (and also, hopefully, how society is structured at large). So if you find yourself reading an mxtx novel and siding with the mob characters or lamenting how x character was locked into making certain choices “against their will” or being unable to reconcile how a recognized trope led to an unexpected conclusion because “that’s not how it’s supposed to go,” then it may do you some good to stop and ask yourself “was this idea supported by the narrative that I read in the book, or is this an idea I’ve come to entirely from my own preconceived notions of how I wanted the story to turn out based on how other, similar stories have panned out?”

#human metas mxtx #mdzs #svsss #tgcf #and this isn’t to say that you can’t question mxtx’s choices #again her work BEGS you to do just that #but you can’t have an adequate critique of something you refuse to even see for what it is #if you are expecting a normative genre piece from mxtx #you will leave disappointed with the ways in which she specifically breaks those norms #you will walk away without understanding how or why she chose to do so #and you’ll misunderstand her intentions and her works by foregoing this understanding