Am I the only one who thinks that the bishop did not kill someone with that clove tea, but either helped some woman to get rid of an unwanted pregnancy or used it to cause a miscarriage to prevent the birth of an heir in one of the kingdoms?
Or perhaps to make sure no one knows who the father was since the child‘s looks are a dead giveaway in this realm? Perhaps the woman was even raped?
Something that is canon in my mind that I forget to tell people:
The reason why Steve can’t get bitches in his Scoops Ahoy era is because there’s a rumor going around that he’s gay (probably because someone caught him hooking up with Eddie)
the disastrous life of saiki k its only a comedy anime because we see everything from kusuo's pov and the things that's happens in the episode are just a normal day for him so he sees everything like normal and even comedic
I just KNOW that if it was from someone else's pov the anime would turn into psychological horror
excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
...okay, so I'm probably not the first person to notice this.
But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:
actually looks pretty similar to the pieces of the necklace the count used to create the servamps:
The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.
So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.
Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.
Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.
The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.
Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:
Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.
It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.
I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.
Ghost King Danny AU where he meets the past OFA holders in the ghost zone and gets to know them personally, they're the ones that ask him to go to the future to help with some long awaited fight, to ensure that another person didn't die by AFOs hands. Clockwork reluctantly agrees and that's why he is there.
ideal ggy reveal for me right now is some sort of game whatever format theyd use (for example sb vs hw is very different storytelling) about vanny killing dr rabbit and it leads up to the beginning of sb at the end
Did Jason open up his trauma to Jazz? Since she is the group team mom
Oh my Ancients, yes. She cracked that boy open like a walnut. It took a bit, but Jazz reminds him somewhat of Barbara and Harley, so he warmed up to her fairly quickly overall. She really taught him what it's like to have a big sibling(sorry, I love Dick but he was a shit older brother before Jason died).
Jason will talk to Jazz about things he'd never say to anyone else. He actually opens up to Ember and Kitty too, but they're more for when he wants someone to cry with and to have get all enraged on his behalf. Jazz is who he talks to when he wants to fix it.
It wasn't always like that. He had to learn how to differentiate. Had to learn when he needed help, when he had things that needed to be fixed. He had to unlearn the emotional constipation and phobia of talking about his feelings he learned from Bruce too. But Jazz is used to dealing with teenage boys who won't admit they're hurting even on pain of death. She's good at subtly working their pain out and helping them confront it. (She learned a lot from helping Danny and from her Psych classes so she's more crafty about it too)
Jazz is one of the biggest reasons Jason is as stable and emotionally healthy as he is. He's not healed completely. He won't be until he gets closure with Bruce and the Joker. And there's some things that will always stick around. Trauma leaves scars. But without Jazz, we wouldn't have the Jason we do in TKAHRK we'd have someone far closer to the Jason from UTRH.
So as one does with their OCs........... (shoves them into an AU).
Cafe AU where Clifford is a younger new hire and the person who's supposed to train him is just kinda. Apathetic at first. But quickly melts and decides they would die for this little guy. This is their new favorite person. It's totally normal to demand to be on as many of the same shifts as possible as a coworker. And every shift the mentor tries to Be Normal (aka just uh huh's when Cliff talks to him and not prod and pry into his entire life). And mentor is just super good at latte art so they love to show off to Cliff.
Which pays off when Clifford's mom shows up one day and is talking to him while mentor stands at a slight distance (to be normal) and hears "and this is my best friend!" and welp. That sealed it. They will now commit a murder for their favorite coworker if required.
(Katale and Rudyard also exist but they're not coworkers so they're not here. Also in the AU, Clifford just has a name tag for Cliff and mentor doesn't use their real name on their tag but writes Maverick..... based on a tumblr post someone linked me.)
God I can’t believe we’re still dragging out the Clark and Lana ship. And I still have another full season of this to go plus the little arc in s8. I am so tired of this “Clark&Lana foreva!!!! they are meant for each other 🫶” nonsense, as though Lois hasn’t been running around for 3 season now.
What they should have done is have Lana break up with Clark in both versions of the “Reckoning” timeline, the first time around because she has PTSD from the black ship Kryptonians and finding out Clark is also an alien, the same kind even, is something she needs time to process and she wants them to take a break. And then obviously in the do over timeline she breaks up with him because she can’t handle the constant secrecy (plus honestly it would be pretty of shitty of Clark to continue to date her once he knows for a fact she wouldn’t want to be in a relationship with him if she knew the truth).
This, her breaking up with him regardless of whether he tells her his secret or not, should have been the wake up call he needed that maybe the girl he had a crush on in high school isn’t his one true love. And after that the Clana ship should have been dead. They can still care about each other and we can even have a few moments of implied lingering feelings, but the idea of them actually having a romantic relationship should be completely off the table.
When Kaeya gives out hugs, they’re almost always a little too tight. If asked, he will answer it’s because he wants to test how sturdy they are or teasingly ask if his hugs are not to their liking and offer to never do them again. Really, he’s just microdosing on the sort of hug he craves without having to ask for it.