#you can already see them laying the groundwork

[katnissdoesnotfollowback]

Do you have a favorite Bridgerton book/storyline?

Favorite/Least Favorite changes book to show?

So let me start this answer by saying that I haven’t watched any of season 3 yet. 🫣 Part of that is money reasons. We pared down our streaming services to the minimum when money was tight and I just haven’t gotten around to renewing my Netflix. Probably will once the rest of season 3 drops because… (book spoilers below the cut)

My 3 favorite books/storylines are:

1) When He Was Wicked (Francesca & Michael Stirling) because holy damn and hell and everything holy in between. Michael Stirling is the epitome of making consent sexy. That's all I'm gonna say about that, but I've seen enough talk and gif's floating around here to know that they've introduced John Stirling already and I am HERE for them laying the groundwork for a season five or six focused on Francesca and Michael Stirling.

2) Romancing Mr. Bridgerton (Colin & Penelope) asfklsjfksanfs. I loved how sweet their story is, enough that I am mildly concerned about how they're going to deal with the massive change on the show, i.e. the fact that book!Lady Whistledown didn't nearly bring ruin and humiliation down on the Bridgerton family at all, let alone twice. On the one hand, I understand why show!Penelope did this and I kind of love that they've given her this massive mistake, this huge flaw for her and Colin to work through. But also 🫣 I don't have an excessive amount of faith in them handling these kinds of changes well on the show because the show is all about The Drama. Which brings me to...

3) The Viscount Who Loved Me (Anthony & Kate) Look. I absolutely love some of the changes they've made while translating the books to screen. And I don't even care all that much for the historical accuracy of the show. They threw it out the window with season one and made it a brilliant alternate universe that allows them the freedom to not only give us a diverse cast but also give the middle finger to anyone who says "that' never would've happened." So I'm willing to forgive a lot of changes. Buuuuutttt.... having Anthony actually propose to Edwina, having Edwina actually believing she wanted to marry Anthony, changed the characters in a way that didn't sit very well with me. At least not with the way it was handled on the show.

So that covers my least favorite change they've made on the show so far, now for my two favorite changes.

Benedict. Gah he's so much better, such a more interesting and fleshed out character on the show than he is in the book. They've maintained his fantastic sense of humor and relationships with his siblings and somehow made it better by bringing in the pseudo underground culture of artists, the introduction of queer characters, and his cravats! I could write an ode to show Benedict's wardrobe it is FABULOUS. And while I know I said above that I don't really care for the changes made to Anthony's story, I'm kind of hoping they flip book!Benedict's story on it's head and see where they can take it. Because that book was one of my least favorites. Give him a man. Or give him a woman built like Luisa Madrigal but who sometimes dresses as a man and can pull it off. I don't care but do SOMETHING ELSE besides the nonsense that happens in his book and GIVE HIS PARTNER SOME FUCKING AGENCY.

Queen Charlotte. Look. She's not even in the books, but she's one of my favorite characters on the show. She and Lady Danbury own my whole heart, okay? And her spinoff show... I've only been able to watch it once because (other than the money issue mentioned above), I was crying literal buckets starting somewhere around episode five until the end and I binge watched that shit so what is that like six hours straight crying???? Also, having her as a character gave us Brimsley and Reynolds. (*whispers my poor overworked and beleaguered babies*) I wasn't overly fond of the role she played in dragging out the drama surrounding Anthony and Edwina, but that could've been avoided entirely if you'd given show!Edwina even an ounce of book!Edwina's compassion and understanding of her sister and had her do something equally dramatic like, oh I don't know... TURN HIM DOWN?!?!? (Can you tell I'm still salty about this?)

Alright, that's enough of that. I have a job interview to prepare for, but this was a nice distraction from my inevitable nerves.

Love,

kdnfb

#mollywog #look at that ask

[randombrambles]

I guess I'm in the minority because I came away from the Ahsoka finale more of a Sabezra shipper than before and more convinced they might be going in a canon Sabezra direction. Nothing ship killing happened in the finale...they are both alive and neither of them are romantically involved with anyone else.

And I'll say this, if Filoni wants Sabine and Ezra to be platonic, as people keep insisting, then he didn't communicate that very clearly, or at all, to the actors and the directors because Ezra and Sabine come across like they are in love. Like seriously Ezra's "I missed you" was pretty darn close to a love confession imo. The way he looked at her and the way he said it had me going "oh he is totally in love with her".

Sure them being separated, again, is a set back but its really a minor one for a scifi fantasy show. When Ezra got stuck nobody knew where he was or even how to begin finding him or if it was even possible. This time around Ezra knows exactly WHERE Sabine and Ahsoka are and HOW to get there. Its been established now that travel between galaxies is indeed possible and it doesn't even appear to be that hard? You just need the coordinates and a powerful enough hyperdrive. Ezra has either already stolen the coordinates from the Chimaera or he's working on a plan to do just that. This separation will be temporary and given that Thrawn is back in the main galaxy now, and there is no OT coming up in the timeline that Ezra needs to be MIA for, I'm betting it will be way, way shorter in universe that the last one. [how long we have to wait to see them reunited I have no idea, everything is so up in the air right now what was the just resolved writers strike and as yet to be resolved actors strike]

The big thing that's giving me pause on canon Sabezra at this moment in time is Sabine apparently committing to becoming a Jedi and her embracing being Ahsoka's apprentice. I just don't now where they are going to come down on the Jedi and romantic attachments thing. I'm worried they might revert back to the Jedi are forbidden romantic attachments angle to align with the BS they established with Luke regarding attachments for the Sequel Trilogy.

The fact that they didn't retcon the fact that Kanan was a Jedi, as I feared they would, and the fact that Carson didn't say "wait how can Jacen's father have been a Jedi? I thought Jedi weren't allowed to have families" gives me hope. And the obvious, to me anyway, "romantic coding" with Sabine and Ezra in Ahsoka gives me hope. But then I remember that they had Luke make Grogu chose between being a Jedi or seeing Din again in the Book of Bobba Fett and I get worried.

#sabezra #ashoka show #ezra bridger #sabine wren #long post #yes i'm still very bitter at what they did to luke in the ST #and it's had to watch them setting him up for that in the new content #as much as I wish they'd just retcon #the whole ST #I don't think they will #you can already see them laying the groundwork #for the ST in the mandoverse

[katakaluptastrophy]

So, it's the last days and a weird-looking guy called John is yelling about the end of the world.

AKA, it's Advent and we've reached the stage of Alectopause where I'm apparently writing Bible studies for the weird goth teens that hang out in graveyards... So let's talk about portentious guys called John and why a nun might have joined a necromancy cult.

Anyway, you know Advent, the cheerful and cozy time when we all think about cute baby Jesus as we get ready for Christmas, right?

WRONG

It's currently the second Sunday of Advent, and in lots of churches that follow the liturgical year, people will have been hearing about John the Baptist today (Me: "John". My phone: "Gaius?". Me: "John the-". My phone: "Necromancer?").

Without going into too much detail, John the Baptist is important because he's a prophet that points to the coming of Jesus. He first does this rather impressively in utero, but is probably best known for wandering the wilderness wearing camel hide and eating locusts, shouting about how the end is nigh and, hence the name, baptising people to cleanse them from their sins. People are pretty impressed by all this and start asking him if he is the promised messiah or one of the great prophets come again. He answers no, his job is to point towards one greater than him. He baptises Jesus, the heavens open, and not long afterwards John annoys the authorities and ends up with his head on an ornamental platter.

Now John the Baptist obviously isn't the main Biblical John evoked by John Gaius. That dubious honour probably goes to the beloved disciple John the Apostle, also known for The Gospel According To and The Apocalypse Of, aka the Book of Revelation, the Bible's account of the end of the world.

But John the Baptist (no, autocorrect, not "John the Necromancer") is relevant too, and not just because he's a guy called John, chosen by a higher power to lay the groundwork for better things to come and who falls afoul of the authorities with dramatic consequences.

Let's cycle back round to Advent for a moment. The reason Advent can both be aww cute little baby Jesus and also WHERE ARE YOU GOING WHEN YOU DIE?! is because in Christian theology, Jesus' birth and the end of the world are linked: the first and the second coming of Christ.

In Nona The Ninth, we learn that John and his friends are living in a world on the edge. Without some incredible plan - the cryo ships, the promise of FTL - everyone is going to die. Humanity has rendered the world uninhabitable. Although we get very few details of the broader geopolitical situation, we have to assume it's one rife with natural disasters and conflict.

In the Bible, Jesus talks about a world with famines and earthquakes, wars and rumours of wars, where to find yourself in those days with children would be a tragedy and to be pregnant even worse (maternity problem, anyone?). Specifically, this is when he talks about the signs of the end of the world and his second coming.

So what about M-'s nun? The first time we meet her is when she's advising John against his all-day Jesus Christ Superstar healing ministry.

And John's anxiety about meeting her is pretty apt. He says: "I was worried I was going to get the Antichrist bit from her too". Note the "too" - by this point, John has already been accused of being the Antichrist. Why? Because alongside those rumours of wars and earthquakes, Jesus gives another sign to watch out for: false prophets.

But M-'s nun saw John and his powers and - for reasons we never learn - believed they were miraculous, a gift from God. She appealed to the Vatican to investigate and recognise this. And her presence and this campaign apparently made a significant impact in reducing some of the issues they were facing. Somehow, she met awful, smarmy John and his corpse buddies and thought she was seeing the hand of God miraculously at work in the last days.

This bears repeating, because I've seen suggestions that she believed he was God, or was somehow converted to the cause of necromancy, but at least by John's narrative it's much simpler than that: right to the end she's praying for him in very Catholic terms to find clarity in his purpose.

This is the last we see of her:

She just smiled at me. She said, John, don’t misunderstand. I want to help you. I truly believe that in our most terrible hours we don’t instinctively reach out to God; we push ourselves away from Him. Don’t feel bad for not rising heroically to the occasion right now. Fear doesn’t help us achieve a state of grace; it deafens the heart. John, I truly believe you can save everyone. So concentrate, please. She said, Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. And she shot herself.

While obviously you are probably not walking a straightforwardly orthodox path if you're shooting yourself to help the leader of a self-proclaimed necromancy cult locate the soul, her language here is very focused on the Catholic understanding of sin and death. A "state of grace" refers to the condition of your soul when it's not burdened with serious sins. It's the state you're in after you're baptised or after you've been to confession. Being in a state of grace is one's soul being on a wavelength with God; it's the necessary state to enter heaven.

And the Hail Mary? Catholics believe that Mary has the power to intercede for them with God. And the most important moment at which she could intercede would be at the point of death where the state of your soul determines your eternal destination. This isn't a wacky necromancy cultist talking. I suspect she sees this less as a suicide (which the Catholic Church has historically not had the most nuanced views on...) than a fulfilment of Jesus' teaching to keep his commandments and that there is no greater love than to lay down your life for your friends.

We're not privy to exactly what she thought, and I don't think anyone's suggesting her approach was entirely orthodox, but if he's not the Second Coming, and he's not the Antichrist, and there are wars and rumours of wars and floods and earthquakes...did she see him as a prophet of the apocalypse? A sort of John the Baptist of the end times, who in demonstrating the reality of the soul would bring people to Christ before He came again?

Unfortunately for M-'s nun, John was not what she fervently believed him to be. And unlike John the Baptist, who said no when asked if he was something he was not, John used M-'s nun's death as a springboard to claim the trappings of both divinity and Catholicism for himself.

Unfortunately for John, judgement is coming in the form of an angry teenager Harrowing Hell and the very power he usurped, armed with a very big sword.

#the locked tomb #tlt #tlt meta #john gaius #cristabel oct

[dailyadventureprompts]

Tableskills: Creating Dread

I've often had a lot of problems telling scary stories at my table, whether it be in d&d or other horror focused games. I personally don't get scared easily, especially around "traditionally horrifying" things so it's hard for me to recreate that experience in others. Likewise, you can't just port horror movie iconography into tabletop and expect it to evoke genuine fear: I've already spoken of being bored out of my mind during the zombie apocalypse, and my few trips into ravenloft have all been filled with similar levels of limp and derivative grimdark.

It took me a long time (and a lot of video essays about films I'd never watched) to realize that in terms of an experience fear is a lot like a joke, in that it requires multiple steps of setup and payoff. Dread is that setup, it's the rising tension in a scene that makes the revelation worth it, the slow and literal rising of a rollercoaster before the drop. It's way easier to inspire dread in your party than it is to scare them apropos of nothing, which has the added flexibility of letting you choose just the right time to deliver the frights.

TLDR: You start with one of the basic human fears (guide to that below) to emotionally prime your players and introduce it to your party in a initially non-threataning manor. Then you introduce a more severe version of it in a way that has stakes but is not overwhelmingly scary just yet. You wait until they're neck deep in this second scenario before throwing in some kind of twist that forces them to confront their discomfort head on.

More advice (and spoilers for The Magnus Archives) below the cut.

Before we go any farther it's vitally important that you learn your party's limits and triggers before a game begins. A lot of ttrpg content can be downright horrifying without even trying to be, so it's critical you know how everyone in your party is going to react to something before you go into it. Whether or not you're running an actual horror game or just wanting to add some tension to an otherwise heroic romp, you and your group need to be on the same page about this, and discuss safety systems from session 0 onwards.

The Fundamental Fears: It may seem a bit basic but one of the greatest tools to help me understand different aspects of horror was the taxonomy invented by Jonathan Sims of The Magnus Archives podcast. He breaks down fear into different thematic and emotional through lines, each given a snappy name and iconography that's so memorable that I often joke it's the queer-horror version of pokemon types or hogwarts houses. If we start with a basic understanding of WHY people find things scary we learn just what dials we need turn in order to build dread in our players.

Implementation: Each of these examples is like a colour we can paint a scene or encounter with, flavouring it just so to tickle a particular, primal part of our party's brains. You don't have to do much, just something along the lines of "the upcoming cave tunnel is getting a little too close for comfort" or "the all-too thin walkway creaks under your weight ", or "what you don't see is the movement at the edge of the room". Once the seed is planted your party's' minds will do most of the work: humans are social, pattern seeking creatures, and the hint of danger to one member of the group will lay the groundwork of fear in all the rest.

The trick here is not to over commit, which is the mistake most ttrpgs make with horror: actually showing the monster, putting the party into a dangerous situation, that’s the finisher, the  punchline of the joke. It’s also a release valve on all the pressure you’ve been hard at work building.

There’s nothing all that scary about fighting a level-appropriate number of skeletons, but forcing your party to creep through a series of dark, cobweb infested catacombs with the THREAT of being attacked by undead? That’s going to have them climbing the walls.

Let narration and bad dice rolls be your main tools here, driving home the discomfort, the risk, the looming threat.

Surprise: Now that you’ve got your party marinating in dread, what you want to do to really scare them is to throw a curve ball. Go back to that list and find another fear which either compliments or contrasts the original one you set up, and have it lurking juuuust out of reach ready to pop up at a moment of perfect tension like a jack in the box. The party is climbing down a slick interior of an underdark cavern, bottom nowhere in sight? They expect to to fall, but what they couldn't possibly expect is for a giant arm to reach out of the darkness and pull one of them down. Have the party figured out that there's a shapeshifter that's infiltrated the rebel meeting and is killing their allies? They suspect suspicion and lies but what they don't expect is for the rebel base to suddenly be on FIRE forcing them to run.

My expert advice is to lightly tease this second threat LONG before you introduce the initial scare. Your players will think you're a genius for doing what amounts to a little extra work, and curse themselves for not paying more attention.

Restraint: Less is more when it comes to scares, as if you do this trick too often your players are going to be inured to it. Try to do it maybe once an adventure, or dungeon level. Scares hit so much harder when the party isn't expecting them. If you're specifically playing in a "horror" game, it's a good idea to introduce a few false scares, or make multiple encounters part of the same bait and switch scare tactic: If we're going into the filthy gross sewer with mould and rot and rats and the like, you'll get more punch if the final challenge isn't corruption based, but is instead some new threat that we could have never prepared for.

Art

#tableskills #horror #spooky #halloween #the magnus archives #dm tip #dm advice #dm tips

[milksnake-tea]

The Stellaron Hunters were a group renowned and hated across the galaxies, both feared and respected by the factions. But under those skillful manipulations and operations, was an organization as put together as a monkey circus. You should know this best, as a member of this menagerie.

stellaron hunter!reader (no specific pairings)

contains: cursing, possibly ooc, written before version 1.2, just a bunch of silly shenanigans, unedited, can be read as romantic and platonic !!

word count: 3.7k

a/n: i had to rewrite this like... 4 times bc tumblr kept deleting it :// anyways night dancer got me through this piece so :D u can tell i have a blade preference but listen he's hot

Before we get on with the sillies, let's lay down some groundwork.

Every Stellaron Hunter has a specific role in mind. Blade is the feral dog that you throw at people, Kafka pisses people off (and shoots ig), and Silver Wolf gets past all defenses.

You're the expert on espionage and disguise. With the power of masks, voice changers, and makeup, you can become basically anyone if you put your mind to it. Even people with completely different builds than you, you could pull off - as long as the holographs don't start glitching out.

You're often paired with Silver Wolf in order to infiltrate various bases. Silver Wolf can transcend any physical barriers, while you sweet talk your way into the inner circles of any leaders. Sometimes, you implant ideas into people's heads in order to guide them towards a certain path, sometimes you just do it for the fun of it.

Your favorite victim so far has been the Express. Ever since the Trailblazer joined, you've entertained yourself by posing as them or other members of the Express (the only ones you can't figure out are Welt Yang and the conductor, Pom-Pom).

And it was surprising, how easily you could trick March 7th and Dan Heng. You had no idea where the original Trailblazer was (probably up some poor soul's dumpster), but frankly, you didn't care.

You somehow managed to trick the two for the better half of a day. It wasn't until you didn't jump at the sight of the first trashcan on the Xianzhou Luofu that the duo realized that something was off.

"Who- Who are you?!"

March stepped back, Dan Heng already drawing his spear. But you weren't going to give in so easily. No, you wanted to see just how far you could take this.

"Guys?" You feigned hurt and confusion as you faced the two. "What're you..."

"Don't play dumb," Dan Heng cut you off, thrusting his spear under your chin. "You're not them. The real Trailblazer would've started ransacking that trashcan by now."

What kind of freak-

"C'mon guys, I have taste," you sighed, crossing your arms. "The trashcans here don't compare to the ones at Belobog. They're not as shiny."

"Trailblazer said that appearance doesn't matter when it comes to trash!" March shot back, her bow appearing in her hands. "Enough games, who are you really?"

You paused for a moment, contemplating your options. You could try to bullshit your way out of this, but you sincerely doubted you would be able to. What kind of freak personality did Silver Wolf program into the vessel, anyways?

You sighed, making the two tense up. Your face, still that of the Trailblazer's, twisted into a condescending sneer, before you doubled over in laughter.

"Ah... Damnit, and here I thought I was doing well!" You stretched your arms, March backing away from you. "Well, that just goes to show, I still have much to improve."

With a snap of your fingers, your disguise melted away, revealing your true appearnce.

"You're-!" March gasped. "You're one of the Stellaron Hunters!"

"Am I really that famous?" you pondered, leaning back on the railing. "And here I thought Kafka or Silver Wolf were more popular."

"What're you trying to pull," Dan Heng growled, "pretending to be the Trailblazer? What did you do to them?"

"Oh, nothing," you replied simply, popping your bone. "I just sent them a coupon for that restaurant down the street. So don't worry yourselves, I'm just here to have a little bit of fun."

Before the two could comprehend the stupidity of their companion, you jumped onto the railing, balancing on your toes.

"Well, it's been fun, Nameless." You waved cheerfully, taking a step back into the open air. "Let's meet again sometime soon, yeah?"

"Wait!" They rushed to the railing, adamant on catching you - but you had already vanished.

The world might see you as a complete weirdo, but honestly, you aren't even the worst of the Stellaron Hunters. In your humble opinion, you're the lesser evil compared to your comrades.

If you're going to survive in this job, you have to get used to Kafka bullying you. Don't worry, she does it to everyone, it's not just you. But signing up to become a Stellaron Hunter also means you sign up to a life of relentless teasing.

You roll your eyes at the feeling of a familiar gun barrel against your head. Kafka holds it against your temple firmly, but you know her finger isn’t anywhere near the trigger. It’s not like you’re Blade, who somehow survived getting thrown off a four-story building.

“Now who do we have here?” Kafka muses lazily. “A potential spy from the IPC? Or perhaps, one of the Xianzhou Cloud Knights?”

“Don’t fuck with me, Kafka,” you turn around, unimpressed. With one move, you pulled off your mask, glaring at her pointedly as you grab a bottle of water. “I know that thing isn’t loaded.”

“Oh, it’s you, [Name],” Your senior gasps mockingly, removing the gun. “When did you come in? I could’ve sworn an intruder-”

You throw the bottle at her. She dodges because of course she does.

And Kafka isn't even the least of your worries. At least she has a sense of financial responsibility.

There's no doubt that Silver Wolf is integral to the workings of the Stellaron Hunters, especially with her hacking abilities. She's certainly skilled with her work, and she has saved your ass many times before.

But sometimes, you have to play babysitter to her, because homegirl may or may not have a gambling addiction, especially when it comes to whatever those gacha games of hers. Whenever she visits the city's nearby arcade or casino, either you or Kafka have to be around so that she doesn't end up gambling all of your funds away. You would get Blade to do it, except he couldn't care less about your financial problems.

“Let me go! I’ve almost got it, I know I do!”

Silver Wolf kicked at your shoulders wildly as you hoisted her up. You paid her no mind as you left the arcade, Blade walking in tow. You kept a firm grip on his sleeve, making sure he didn’t run off and start any trouble. You saw the look he gave the claw machine. If you hadn’t dragged Silver Wolf away, he would’ve likely broken the thing out of impatience.

“I was so close!” The girl on your shoulder whined, like a kid who didn’t get their favorite toy.

“You already spent 500k on it,” you replied bluntly. “It’s a scam, don’t you know?”

“So what?” Silver Wolf retorted. “I would’ve won!”

“Yeah,” you shifted her up, your shoulder getting sore. You weren’t really built for hard labor. “After you spent another hundred thousand credits, sure.”

“I wasn’t!” She’d stopped fighting you, now hanging limply so that her entire weight pressed down on you. “I could’ve hacked it-”

“Really? You’d put that much effort into a claw machine?” Before Silver Wolf could argue, your phone dinged, as did Blade’s and Silver Wolf’s - successfully interrupting your bickering. You glanced at Blade as he checked his phone for the three of you.

“It’s Kafka,” he reported, typing out a quick response. “She says it’s time to go back.”

“Tell her we’ll be there in 10 minutes, if Silver stops her tantrum,” you said, looking pointedly at Silver Wolf. The hacker kicked you in response. 

“I am not throwing a tantrum,” she huffed. You rolled your eyes.

“Sure, whatever you say.”

Speaking of which, Blade is like your guard dog. A very intimidating guard dog. With a sword. And attitude issues.

Come to think of it, he's more like a cat if anything.

When he's not being launched at the faces of various enemies, Blade often finds himself acting as your shadow. He just follows you around, doesn't say anything, and the second he smells a whiff of a threat, the sword comes out and you have to talk him down before someone calls the cops.

It seems that you’re the only one unaffected by the suffocating tension clogging up the clothing store. There’s an obvious circle of space surrounding you and Blade as you browse through various suits, intent on finding one that would fit the man standing behind you. Elio’s next script required that Blade and Kafka go to a dinner party, and knowing Blade, the man didn’t have any clothes other than the ones you and the other Hunters got for him.

It wasn’t that Blade didn’t have an eye for fashion, rather, he simply didn’t care much for it. Shopping wasn’t exactly his cup of tea either. His hands itched for action, but he did have to admit that this was better than sulking around in his room all day.

You pulled out another suit that had caught your eye, a simple black one with a bronze lapel. It would fit the vest you’d already picked out for him. Holding it out in front of Blade, you squint as you try to picture what it’d look like on him.

Decent enough. You hummed in satisfaction, turning the suit around to show it to him. “What do you think?”

Blade shrugs, only giving the suit a brief glance. “It’s fine.”

You sigh, giving him a look. “Do you like it?”

“It isn’t the worst thing you’ve put me in,” he says nonchalantly. You huff, lightly hitting his chest. For a second, a glimmer of a smile flickers onto his face at your action.

“Watch your attitude,” you reprimand playfully. “Otherwise I’m giving you the shittiest suit I can find in here.”

“You wouldn’t,” Blade says easily as the two of you walk toward the cash registers. “Your heart couldn’t bear to do that to a face like mine.”

“Cheeky brat.”

You remember the day Blade was first brought to the base, picked up by Kafka and Elio like a stray cat. He had a strange resemblance to that of a drowned rat, being absolutely sopping wet.

Your seniors just kinda dropped him off into your room with the only instructions being "Make him look presentable", which didn't give you a lot to work with. You weren't sure how you were going to fix him, but after a lot of bathing, hair drying, and brushing, you soon discovered that the drowned rat had a pretty face.

So basically, you're the only reason why he looks remotely presentable.

And quite frankly, Blade does not make it easier on you. He doesn't care about how he looks, only how his enemies look - and that's dead and unmoving. Sir somehow manages to fuck up his fit every time he goes on mission, coming back with his very expensive clothes, mind you, covered in blood, and his hair messed up.

The audacity of him, to just walk into your room unannounced, clothes completely torn and hair a mess, and plop himself down on your perfectly clean chair and wait for you to fix him up. Granted, you'll do it (you wouldn't allow any of your comrades to leave without a decent haircut), but that doesn't mean you won't rattle his ear off with a scolding.

“Just what did you do to it this time?”

You grumbled as you cut away at Blade’s hair, the man in question sitting in your salon chair and scrolling through his phone. He had just come back from a mission, and this time he somehow managed to cut off the bottom half of his long locks, resulting in a horrendously uneven cut.

“You’re literally so photogenic and then you go and do this?” you huffed, blowing his hair into his face with a blowdryer.

“You can fix it, can’t you?” Blade didn’t even look up from his screen as he texted Silver Wolf, likely using this as an excuse to escape her pleas to game with her.

You scowl, venting your anger as you brushed his hair, cutting a few extra strands. “Just because I can, doesn’t mean I always have the time to do so! Now sit still.”

Oh, and another thing? There's no such thing as privacy when you're with the Stellaron Hunters.

You first learned this when you came back from a particularly grueling mission, early on in your career with the Hunters. You were covered in blood that wasn't (or was it?) yours, drenched from the rain and safe to say, not in the greatest of moods. All you wanted was to take a shower, and preferably, take an undisturbed nap on your warm bed.

Unfortunately, Kafka had other plans.

You opened the door to find her lounging on YOUR bed, IN THE DARK, ruffling through your makeup collection like it was normal. She didn't even seem bothered when you flicked on the light, didn't even acknowledge you until you threw a knife at her.

And what did she say when you made it abundantly clear that she shouldn't be in here? Nothing. She just scrunched up her nose and told you to take a shower.

And that is how you learned that having your own room is utterly useless because every single Hunter could pick a lock. You could try to use an electric one. Silver Wolf sure did. And to her credit, it worked, until a certain dog named Blade came around and just kicked the door down.

Out of all the Stellaron Hunters to creep around in your room, Sam was by far the worse. You could handle Kafka going through your makeup, or Blade judging your taste in books. You can deal with Elio having his fucking shoes on your bed because he's your boss and honestly what are you going to do against an actual seer? Exactly. Nothing. At least his shoes are usually clean.

But Sam? He doesn't visit so that he can go through your things, or just hang around. No. He comes around with the pure intention of scaring the shit out of you.

He just waits?? Outside your door?? In the dark?? Until you open it and he jumps you. It usually ends with someone getting punched, but honestly, it's nothing either of you couldn't handle.

Silver Wolf likes to pretend that she isn't as bad as the other because in her words, she "gives you a warning". Said warning is "You better be decent" before she barges in and starts rambling about the new game she bought.

One time you were not decent and someone had to pay the price. That someone was not you.

There is one good thing that comes out of all this invasion of privacy. Because whatever the others do to you, you get to do right back to them. 

“What does this button do?”

“Don’t touch that.” Kafka playfully whined as Silver Wolf snatched away the console in her hands. The hacker was less than pleased, having returned to her room only to discover that she’d been chosen as the Hunters’ victim for today.

You lean against Kafka’s shoulder, pouting alongside her at your latest toy being confiscated. “C’mon Silver, let us have some fun at least.”

“After you two invaded my room? Not a chance,” she replied, tossing the console to somewhere you and Kafka couldn’t reach. Kafka merely hummed at the loss, leaning back onto Silver Wolf’s messy bed.

“You know, you should really clean up around here,” she commented. “They nearly killed themselves tripping over a stack of DVDs.”

“Agreed, although I wouldn’t mention that last part,” you said, picking up another one of Silver Wolf’s consoles. This one had a fighting game on it. Silver Wolf rolled her eyes as you quickly busied yourself with fighting the boss she had left off on.

“If you don’t want to get hurt, then don’t come in,” she said, plopping down on the bed next to you. Kafka smiled.

“Sure, but where’s the fun in that?” she asked, watching you tap away at the screen. “It was just a suggestion, no need to get all worked up.”

“I’m not, but okay.” Silver Wolf hissed as your character took damage. “If you get my character killed-”

“I won’t,” you retorted, swiftly defeating the boss. You tossed Silver Wolf the console. “See?”

“You’re half dead,” Silver Wolf deadpanned.

“Doesn't matter. I still won.”

Your group chat is an absolute mess, with no one understanding Silver Wolf's slang or dialect. Blade's outdated brain short-circuited the first time he touched a phone, while Kafka just silently accepted her fate. You often have to translate because Silver Wolf sure wasn't going to.

Gambling Addict: Ykw blade

Gambling Addict: This is why u pull no bitches

Gambling Addict: Bc if [name] didnt yassify u 

Gambling Addict: U would have zero rizz

Gambling Addict: Negative rizz actually

You: I see no lie here

Gambling Addict: So stfu about my social life at least i can pull bitches

DONT PICK UP: [Name], translate

Gambling Addict: [Name] i have ur closet at gunpoint 

You: She means Blade can't attract maidens bc he has as much charisma as a blobfish

You: Also stfu silver I know you can't shoot for shit

Gambling Addict: [NAME]

Gambling Addict: Actually no, ur right

DONT PICK UP: Oh, I see

You: I'm always right 💅✨

DONT PICK UP: That does sound like Bladie

Gambling Addict: Listen

Gambling Addict: All i know is that blades been real quiet since i said that

Blade: Silver Wolf.

Gambling Addict: And so he speaks!

Blade: Count your days.

You like to fuck with the others by pretending to be them. Blade nearly murdered you because one time you got bored, and decided that slandering his nonexistent image would be ample entertainment.

In minutes, you turned yourself into Blade's lookalike, and spent the afternoon prancing around in a maid dress because what else were you going to use it for? Unfortunately, that also put you as a target for Blade's wrath. Fortunately, you have a lot of experience escaping people you pissed off.

Silver Wolf still has the pictures. Kafka laughed her ass off until you did the exact same thing to her. And that's when she started shooting.

"I can't believe you did this," you sniffed dramatically, fake tears falling from your face. In your hands was what used to be your pride and joy, the beautiful maid dress that you'd spent millions on (lie).

What used to be a gorgeous garment with frills and lace, was now in tatters from Kafka's bullets and Blade's sword. The two aforementioned culprits weren't the slightest bit guilty as they watched you lament over your clothes.

"You should've thought of that before you started walking around like that," Kafka blew at her smoking gun. Blade nodded firmly in agreement, holding his sword close to his chest.

"It was cute!" you huffed, shaking your head. You weren't actually mad at them. You could always buy another dress to mess with them. Besides, you already got what you wanted.

Your gaze met with Silver Wolf's, who grinned back, holding her phone in between her fingers.

None of the Stellaron Hunters know basic first aid, and that includes you. Most of you just slap on a few bandages, some weird smelling ointment, and call it a day. Silver Wolf doesn't even do that, she just downs three bowls of rice and walks off the broken arm like a Sunday hangover.

But one day, just as your luck would have it, you came back to base with an injury that you couldn't just bandage away. No one knew what to do, and you were bleeding out fast. So what did this hardened group of criminals do?

They googled it. They fucking googled it.

Silver Wolf deadass just searched up how to fix you while you were bleeding out next to her. Kafka, to her credit, did hold your hand to try and comfort you (albeit mockingly), and Blade just stood back and watched. If Elio foresaw a way to help you, well, he didn't say anything.

But it all turned out all right in the end. Eventually, Silver Wolf gave up and simply shoved a bowl of her fried rice in front of you. You still don't know how or why, but it somehow worked. It shouldn't have, but it did.

The scene in front of you reminded you of a bunch of school children watching a chemistry experiment for the first time. The Stellaron Hunters crowded around you, eyes trained onto your closing wound with unnerving fascination. Even Blade, who rarely had any emotion at all, was watching you with the faintest glimmer of awe.

"What the hell did you put in that thing?" you turned in disbelief to Silver Wolf, the only unphased person in the room. The hacker was already somewhere else, her thumbs tapping rapidly as she played another one of her rhythm games.

"Trash."

"WHAT." You almost throttled her before she quickly teleported a safe distance away, clutching her phone to her chest.

"Kidding, kidding, no need to get all worked up!" She sighed, clearing a level without looking.

"Just some solid water and protein rice, that's all."

"You mean ice?" You swatted at Kafka, who was poking at where your wound used to be.

"No."

Safe to say, the Stellaron Hunters are an... interesting bunch, to put it lightly. They're all assholes, including you, and seem to thrive over inconveniencing each other. The only time you all can somewhat work together is when you're acting out one of Elio's scripts.

But you'd be lying if you said you hated working at this job. You live for the thrill of things, and being a Hunter was the most fun you've had in a long, long time, even if your coworkers occasionally annoyed you to death.

None of you would ever say it aloud, but you wouldn't trade each other for anything in the world.

#honkai star rail #honkai star rail x reader #hsr #hsr x reader #hsr blade #hsr kafka #hsr silver wolf #honkai star rail blade #honkai star rail kafka #honkai star rail silver wolf #blade #kafka #silver wolf #reader insert #y/n #reader #scenario #long post !! #stellaron hunters #series : a day in the life #archives 🏵️

[nalyra-dreaming]

Holy shit?!

src

“Louis is still fighting to get to something, to unlock the memories that have curiously evaded him. "The pursuit of memory and truth is the driving force this season. It motivates Louis to get to where we're going to get to by the end of it," said Zaman. "Season 1 proved that his memory's completely shot in lots of ways, but who, or what, did that — that's the question I think we're going to have to answer."…

“It all begins with Louis, a textbook unreliable narrator, though Jones and Anderson both bristle a bit at the term. "One self delusion knits itself to the rest of your life," Jones said. He argued that Louis' memory might be "80-90 percent" correct, though it only takes one mistaken detail to muddle a timeline and cancel someone out entirely. "To unwind that, you call into question all this stuff. It doesn't mean that all this stuff isn't right. It's just this thing has altered it a little bit."

…

To Anderson, Louis' unreliability matters less than the vivid reality of his feelings. "It's not necessarily that Louis is a quote-unquote unreliable narrator," he said. "He is, because what he's saying is completely subjective. But I think it has just as much to do with how something felt, the feeling of a person or the feeling of an experience, than it is him actively trying to deceive anybody." That comes out most strongly in Dubai, particularly in the second season. "He's really, genuinely trying to find the closest thing to an objective recalling of events that he possibly can."…

“I like writing for Sam Reid, and I think in terms of how this thing is structured and what's going on in this headspace, it wasn't a big leap to go, 'Oh, he's haunting. He's inside Louis,'" Jones said. When we see Lestat at the beginning of the season, he manifests as what Anderson and Reid referred to as "dream Lestat" — not quite himself, not quite a ghost, not quite a memory, but some blend of all three, filtered through Louis' guilt and grief.

…

"Who is Louis remembering, and how is Louis remembering [Lestat] is always on my mind," said Reid when we first spoke at the Television Critics Association winter press tour in February. "I'm always thinking about it, and I'm always talking about it, much to the chagrin of pretty much everyone." (From across the table we were crowded around, Anderson heckled, "I can vouch for that.") Later, when we met one on one over Zoom, Reid elaborated, "Louis is speaking to himself, so he speaks like Louis. But he's also speaking to Lestat, and he's choosing to speak to Lestat when he's speaking to himself." The first time we see Lestat in Season 2, he materializes before Louis as a gory vision during a moment of mental deterioration, vengeful and overbearingly loving all at once. What was already a blurry line between the ex-lovers has now become indistinguishable.“…

“With dream Lestat assuming a number of dispositions, all dictated by Louis' headspace, separating dream Lestat from the real Lestat was crucial to Reid. "It's clear that Louis is putting the words into his mouth," Reid said. "Who's the guy that he's forced to see looking back at him, saying the words that he thinks he should be saying?" The presence of dream Lestat means that the state of the real Lestat is unclear when the season opens, but becoming this slightly unreal version of his character built on the groundwork Reid had already been laying. Going back to the first season, he often rejected Anderson's impulse to play their scenes together as if they were true. "I know this is not how this happened," he said of Louis' version of events, "which allowed me to kind of lean into the more sow's ear version of Lestat in specific moments, because I knew that we might be revisiting them."…

“For Claudia, Lestat's influence will always linger. "That's his daughter," Hayles said simply. "He doesn't need to be a ghost. He's in her." Louis and Claudia know each other inside and out, and Louis' love for Claudia is all-encompassing, but she sees the writing on the wall the moment he meets Armand: What happened with Lestat will happen again as Louis chooses another man over her.“

(much more behind the link!!)

UPDATE: link to the author’s tweet, Allison Picurro

#tv guide #interview #sam reid #jacob anderson #delainey hayles #assad zaman #eric bogosian #interview with the vampire #iwtv #amc iwtv #amc interview with the vampire #iwtv amc #rolin jones

[sleeplesssmoll]

Hot Take/Analysis: Sonetto went from the Foundation's cage to Vertin's leash.

Sonetto has more freedom in a physical sense. She can explore the world, experience new things, all that good stuff.

But mentally, she's still trapped.

Sonetto believes she's merely a supporting character in Vertin's story, almost admitting this to Sophia in the most recent chapter. She perceives her role as clearing the path for more significant figures capable of making an impact.

This echoes her mindset from her time with the Foundation.

Despite her undeniable prowess, Sonetto humbly sees herself as a tool for advancing supposedly "more important" causes, thus undervaluing her own worth.

When Sonetto and Vertin save Regulus and the Investigators from Manus, Sonetto's teammates express relief upon seeing her, trusting in their captain to save the day. Though Vertin initiates the action by reacting to the threat faster (her perception and ability to sense arcanum is beyond many other arcanists), Sonetto's swift response and strength play a crucial role. Despite their collaborative effort, she credits Vertin disproportionately, attributing their success mostly to Vertin's guidance and perception. It's a reocurring pattern for Sonetto to downplay her own brilliance. This leads into my next point.

LOOK AT VERTIN'S FACE WHEN SONETTO IS IN DANGER. Sonetto is so quick to defend Vertin, she ends up stressing the Timekeeper out. She was ready to die a martyr, now she's ready-- too ready to die for Vertin.

While we know Vertin has expressions, their usually subdued because she's "stoic". For her to spring up out her chair like that and show real panic is something we haven't seen from her thus far. For example, we know she gets furious with Arcana because her bangle starts searing into her skin, but her expression just looks a little mad without displaying the full extent of her fury. Btw I go more in depth Sonetto's effect on Vertin in this post and this one I made later if you're interested.

Sonetto is highly competent, but completely dependent on others in the fact that her "purpose", her "value", is assigned to her by others.

Sonetto doesn't need Vertin to shine, but only Vertin seems to get that out of the two of them. At least she dotes on the puppy? She didn't put the leash there but at the same time...

Do you think Vertin would want to remove it? Isn't it a nice safeguard if Sonetto thinks she needs Vertin? If the puppy is happy, isn't it fine to keep the leash their so it doesn't wander too far? Maybe she'll let Sonetto break this habit on her own instead of giving her insight as usual.

Vertin asks for nothing, wants for nothing, and is always ready to share joy with others.

So can't she be a little selfish this time? Can't she have just one thing in her life that? She's already lost so much.

Is this post just an excuse to lay the groundwork for Toxic TK14 due to codependency??

Codependency: An unhealthy dependence on relationships. The co-dependent will do anything to hold on to a relationship; to avoid the feeling of abandonment. An extreme need for approval and recognition. A sense of guilt when asserting themselves. A compelling need to control others. Codependency is a circular relationship in which one person needs the other person, who in turn, needs to be needed

#reverse 1999 #reverse 1999 analysis #sonetto #vertin #i think i posted this before #that or at some point in time i really did write that fic

[ineffably-human]

It honest to God took me a month to rewatch the last two episodes of this season of Shadows, because I'm still so mad about how they handled Guillermo's decision. And I'm probably going to always be mad. I think this season wasted a lot of time that could have been spent laying better groundwork, for both Guillermo's decision and for Nadja and the Guide's subplot.

But something did click into place for me in that very last scene, where Derek's being ushered down by Topher to meet the other zombies. Season Three was unofficially about power and protection. Season Four was officially about change. I thought this season was going to be about secrets. But it's actually about belonging to a community.

The vampires were out in the world a lot more this season. Colin runs for public office (passing among humans as he can), which drags him into the interests of the community of energy vampires. Nadja connects to a community from her homeland, and winds up caring about them more than she ever expected. Laszlo's mostly focused on the experiments, but his natural ease with Sean (and humans in general) is on display a few times - and when the vampires think he's in distress, they throw a whole party to rally him. The Guide, of course, struggles the whole season with feeling like an outsider who can't be part of the group she cares for.

Sean links the vampires to the pride parade, not just celebrating the queer community, but making the vampires the face of queerness, of immigration, of Staten Island itself. (And Guillermo gets his first taste of Pride, and of a community he'd never been able to claim until recently.) At the same time, it's shown that vampires always feel like they're a step away from being found out by humans, of their surrounding community turning on them and forcing them out.

Nandor struggles throughout the season with social awkwardness, communicating, being misunderstood; he fails to connect with strangers without hypnosis guiding the conversation the way he wants it to go. But the other vampires have become his home, in a way that's evolved past their relationship during Season Three. He rallies them successfully during Local News. He and Colin Robinson look out for each other. Keeping Guillermo's secret is just as much about protecting Nandor as it is protecting Guillermo.

(It's still Guillermo he's always calling out for, though. With the certainty of someone who already knows where home is, he just hasn't named it yet.)

And as always, Guillermo is stuck in between two worlds. He can't connect fully with his bio family, but can't truly step away from them. He wants to be a vampire, but his transformation fights him and he can't see humans as prey. He wants to come when Nandor calls, but can't tell him about the biggest thing that's happening to him.

By the finale he feels more isolated from the vampires than ever, to the point that he can't see what's actually happening: by the time they all know his secret, the others have rallied around him, and are seeing him as another member of the family in need of protecting.

And once Nandor realizes that he cares more about losing Guillermo than his own pride, he deliberately brings that community to Guillermo: he introduces Guillermo as the fifth of their household, and throws him a birthday party to bookend the one at the start of the season. He makes Guillermo a ceremony, invites everyone they know, and asks if he's willing to become one of them forever.

And it's not that Guillermo doesn't want to be a vampire. He does, desperately. It's that he can't stop also being a human.

So instead it's Derek (a vampire basically living as a human, and deeply lonely for it) who is ushered into a new community ready to welcome him, something Guillermo has always been hoping for.

("Do you like eating human flesh? Heh, you will!")

Guillermo still doesn't have The Thing he wants, not really. He still has to name exactly what it is. But Nandor helped guide him towards where home is. And Laszlo helped him pick up the pieces. The vampires don't love Guillermo like a fellow vampire, but they love him like Guillermo, and like with Colin last year that doesn't just reset. It can't. The roots are in too deep, it's already bound everyone stronger.

We'll just have to wait to see what it turns into.

#fandom: wwdits #wwdits #what we do in the shadows #i am a meta gremlin #otp: nandermo #nandermo

[noosayog]

[IT'S ALWAYS BEEN YOU] - ft. knight! iwaizumi hajime

warnings/content: princess! reader x knight/personal guard! iwa. a bit of angst, a little segue into the final chapter. no reader in this part, just a bit of groundwork for the final chapter

wc: 700

part 4.5. directory here.

--

The next course of action is not ideal for Iwaizumi. He has no choice but to return to Aoba Johsai by himself per your orders. And upon his return, he gathers Toru, Hanamaki, and Matsukawa to debrief them on the situation.

Hanamaki and Matsukawa are quick to disparage the foreign prince, calling him a sleazy womanizer and threatening to turn him into fried chicken (a slight to his unruly hair), but Toru remains uncharacteristically quiet.

“Well,” Toru says. “It is not uncommon for royal marriages. And my sister’s marriage is exactly that. Just a union of families and a show of good faith for foreign relations.”

“The Princess deserves to be happy!” Iwaizumi fires back, genuinely shocked at your brother’s clinic response.

Toru tilts his head in confusion. “You couldn’t have not known that this was a possibility with the years you’ve spent with my father.”

Iwaizumi freezes.

“To be honest, Iwa, I’m not sure I can support whatever you’re planning. You had years to act on my sister’s feelings but you always prioritized following father’s orders. How is this any different?” 
“How can you even say that,” he yells. “This is not about me. This is about your sister’s happiness. They aren’t even married yet and the Nekoma prince already has no intentions to make her happy!”

“You could have made her happy. But you chose not to. I fail to see how this is different. Why is okay for you to hurt her but not someone else?”

“I-“

“And,” Toru barrels on. “You don’t know that she won’t be happy. This might actually be a nice arrangement for her. She might finally get the freedom she has always wanted.”

Iwaizumi falls silent at this, all his flimsy excuses sliced cleanly through.

Toru lays a heavy hand on Iwaizumi’s shoulder. “I won’t help you if you’re not willing to admit why you’re really doing all this.” he says with finality, before getting up and leaving the group behind.

—

Iwaizumi drags Hanamaki to the training grounds to clear his head later that evening. The frustration growing a tangled knot in his ribcage shows no signs of loosening as he swings his wooden sword, Toru’s words still echoing.

What more does he need to admit than the shameful acknowledgement that he, your knight, has fallen in love with you and yearns for something above his station?

“- thinking about?” He hears Hanamaki ask.

Iwaizumi grunts, swinging again.

Hanamaki parries the weak blow. “Are you still thinking about what Oikawa said?”

Iwaizumi doesn’t respond, bringing his sword down again. Hanamaki swings easily, knocking Iwaizuimi’s weapon out of his hands.

“I’ll give you a hint. You should think about what happens after. Even if you are able to stop the wedding, what happens to the princess after? She comes back home and His Majesty finds another match for her? Would that make her happy?”

With a hard clap to Iwaizumi’s shoulder, Makki takes off for the night. 

Frustrated, Iwaizumi throws a fist to the ground. Don’t you think he’d entertained the thought of whisking you away the second he realized he loved you? Risk treason to be with you? 

What would make you happy? 

He’s sure now that being able to be together would make you happy. But how could that happen without you abandoning your family, your friends, your beloved home? And he, himself. He didn’t want to leave the knights and Toru behind either. Is it even possible to  find a solution where he could be with you and you both could be with the people you love? 

“You could talk to him, you know?” 

Iwaizumi snaps around at Toru’s voice. 

“My father,” the prince clarifies. “You can convince him of most anything. Can’t you tell by now that he values your opinion more than any of us?” Toru grins ruefully. “Guess your years of being obedient to him have paid off for this moment.” 

Iwaizumi realizes then that while he was hurt from having his value tied to Toru since youth, the King’s words impact Toru equally. His own father, constantly comparing. 

“Let’s do it,” Iwaizumi says, finding courage in the newfound camaraderie with the prince. “I want to make the princess happy.” 

Toru grins, offering his hand. 

Iwaziumi takes it.

#noos writes #haikyuu imagines #haikyuu angst #haikyuu fluff #haikyuu scenarios #haikyuu x y/n #haikyuu x reader #haikyuu x you #hq x reader #hq x y/n #hq fluff #hq imagines #hq angst #iwaizumi hajime x reader #iwaizumi hajime x you #iwaizumi hajime angst #iwaizumi hajime fluff #iwaizumi x reader #iwaizumi x you #iwaizumi fluff #iwaizumi angst

[celestie0]

notes on kickoff ch.7

hellooo if you're here thank you for taking the interest! i just had some creative notes i wanted to get off my chest with the release of ch.7 lol i felt compelled to do so with this one i'm basically journaling here. you can read this after reading ch7 here!

I. on gojo's feelings

as for why didn't gojo just tell reader how he felt at the end of the chapter, and instead only says what he does. i think i rewrote this ending like five different times, he was never supposed to tell her at this point based on my story planning, but i did explore the idea of a dramatic confession here regardless, and it didn't fit for lots of different reasons for one, i think he's finally able to put himself in reader's shoes. it's true he's pretty dense and obviously has commitment issues/valid fears that keep him from opening up, but that still doesn't mean he hasn't hurt reader in a lot of different ways already. he realizes, whether intentionally or not, he's led her on and to do a complete turnaround within a few hours while she's already trying to process rejection as she is clearly withdrawn from him i believed would've been selfish on his part, and could possibly cause even more hurt over the fact that he could come off ingenuine. gojo is finally emotionally aware of her enough to recognize it, but he's not a perfect person so it still slips through that he's distraught at the thought of never seeing her again. in general i'm of the opinion that if someone asks for space, you respect that unless they say otherwise of note, just because he realizes that he has these feelings, doesn't necessary change his fears, as no single moment can undo years of trauma, so i think that's why he bites his tongue too. i'm not keen on making this a "woman fixes man" story but i moreso want to embrace the sentiment that you don't need to resolve every single bad thing that's ever happened to you in order to embrace love or happiness.

II. on gojo's commitment issues

i know it was brought up in the first gojo pov that he has issues committing to just one woman, but i wanted this chapter to reveal that it's really just his fear of opening up to people due to the still raw loss he feels of losing someone he loved. i aim with his pov to be more of a stream of his own consciousness rather than from an omniscient observer, which may explain the ambiguity. he's not sure if he's able to open up to a person in a way he knows is normal and healthy, so he settles on shallow connections instead. just wanted to clear this up, and say that it won't be any sort of plot point in which he struggles to be sincere or faithful when he seriously wants to commit to someone as he has no issues with that if he truly wants to be with them (unlike the whore he's been so far in the series lmao)

III. on strawberry vanilla soda

btw i've never had this flavor of soda i'm not even sure where i came up w it loool or if it even exists. i was kind of toying with the idea of gojo seeing reader's message on the can during the match, and that would maybe help him get more focused on the field (sooo sports romance cliche but i still love it haha) but i settled on him seeing it afterwards to kinda parallel the clumsiness he's had with reader so far. for some reason, the universe just doesn't want him to get his timing right with her lol

IV. on angst/conflict

i know ch7 was a bit differentttt less gojo x reader and more just gojo lmfao, it was also a bit angsty. it definitely won't stay angsty throughout the remaining chapters. this was just gojo's lore drop chapter LOL. there will still obviously be angst here and there, but i've got a lot of fun, cute, tense, silly, passionate, messy scenes still planned similar to ch5&6 because i prefer writing those kinds of scenes haha. ultimately this story was always meant to be a full-circle romance, so ch7 was to lay some of the emotional groundwork that gets brought up as the story builds to its climax

that's all i have to saayyy if you actually read this whole thing i love you?? lol. ch7 really emotionally resonated with me as i wrote it, both as someone who understands how gojo feels but also as someone who understands how reader feels, and if it resonated with you too then that makes me very happy and that's ultimately every writer's dream haha. was very cathartic to share these thoughts. i hope to see you in the next oneeee <3 have a wonderful rest of your day!

#kickoff #gojo satoru #fanfiction

[bee-a-lover]

let’s talk about the shadow and bone s2 ✨controversy✨

here’s my two cents. obviously, beware spoilers ahead.

specifically, this is going to be about how they handled the crows. and as a little disclaimer, you obviously don’t have to agree with me.

what i’ve seen people most upset about is how they took events from crooked kingdom (kaz’s revenge on pekka), or created scenes that somewhat resembled those events (kanej bandage scene, etc) and squashed them into the first four episodes of s2 with no build up. and i can agree that when you view it like that, it’s upsetting and underwhelming.

here’s the thing- i don’t view it like that.

the way i see it, the crows content we got in the first half of season 2 were teasers for what’s to come in their spin-off. a preview for the character development they’re about to go through in their spin-off, and laying groundwork for what’s ahead.

for example, the kanej bandage scene we got in the show was not the bathroom scene from the books. their conversation was not the same and didn’t hold nearly the same weight because it was a conversation from early in six of crows before they had relationship development. what differed was the setting and the actions, but even so, kaz attempting to clean inej’s wounds with his gloves on and telling her simply that pekka rollins killed his brother, having the “tells” convo, WAS NOT kaz opening up about his trauma while pushing himself to clean inej’s wounds without gloves and having that intense intimate moment with her. i keep seeing people say that that WAS the bathroom scene, to which i strongly disagree. what i think will happen is that in the future of the show, we will get the bathroom scene, and we’ll have that on-screen full-circle moment to when kaz was cleaning her wounds in s2 and could barely do so.

and i think that goes for all of the ck-resembling content we got from s2. save for the alby confrontation, which was directly from the books. we did get a version of the slat fight— and based on what i’ve seen with the writer’s talking about the spin-off, we’ll get something equal in emotional weight when the time is right for it. perhaps something with even higher stakes than in the books. because let’s face it, pekka rollins is probably going to be back to haunt kaz. he’s already teaming up with matthias. that guy’s gonna be back, and that’s going to mean something. the new content that will generate is almost like getting six of crows 3 and mixing it into the plot of soc and ck.

and i’m excited for that. i’m excited for the new relationship dynamics we have to work with. inej is getting a taste of her dream going with sturmhond, but we know that isn’t the end for her. she hasn’t had her arc yet where she realizes that she needs to hunt slavers for herself. when she comes back for the six of crows story, it’ll be interesting to see how the realization that something is still missing in her journey to reclaim her life will affect her.

and then there’s kaz, who’s going to be dealing with the realization that revenge is not the end, and like was lightly touched upon in the latter half of the show, he needs to figure out what’s next for him.

and sure, jesper’s getting more comfortable with being a durast where the show leaves him, but what happens when he realizes that his gambling debts have doomed his father? what happens when colm comes back into the picture? those questions from the books are still left unanswered in the show.

wylan in particular i think was done so brilliantly in the show. people were mad that they dropped that he couldn’t read early, but i think it’s genius, because it just leads casual viewers who haven’t read the books away from his other secret even more. people like my mom who haven’t read the books but seen the show just assume that he’s illiterate because he was never taught to read, because he’s presented as just some penniless guy in ketterdam with no money for food. when his true story is revealed, it’ll come as even more of a shock, and put the casual viewer in the same boat as the characters— we thought we knew this guy, but turns out we don’t know him at all. and with wylan and jesper already being in a relationship? something tells me jesper isn’t going to take that well— hence the “merchling” teasing will ensue, and the tension. if anything, their established relationship just ups the stakes. jesper thinking his friend and crush is on the ferolind when it blows up in the books is one thing, but jesper thinking his BOYFRIEND is on the ferolind when it blows up in the show? jesus christ, we aren’t ready for kit young.

what i’m trying to say is, it might help your enjoyment of the show to not view the crows scenes as THE scenes from the books, because with all my heart i don’t think that’s what they are. i’m not saying these “teaser” scenes were necessary, but that goes back to the crows’ inclusion in the shadow and bone plot being forced and unnecessary. which is unfortunate, because the crows deserve to get to the good stuff in their story, but at the moment they’re in a holding position because they just don’t have enough time sharing the screen with s&b to do their story justice. which is WHY GETTING THE SPIN-OFF IS SO IMPORTANT. if you want the storylines we love the crows for, if you want the REAL crooked kingdom scenes with their buildup and emotional impact, we gotta help the crows get their own show. even if that means watching them be filler in the s&b show. which is still completely possible to find enjoyment in, at least from my perspective— you just gotta view it less critically and more like foreshadowing for what’s to come, getting to see these characters build relationships early so that they might in fact be stronger when we get to their story in the show.

and when you view it like that it can be exciting! what’s worse than pekka that the crows will have to deal with? what confrontation will inej wiitness kaz have that affects her view of him like witnessing the alby confrontation in the books did, since she missed it in the show? how will seeing the alby confrontation affect jesper and nina’s perception of kaz (we can still get “who the hell is jordie” guys, jesper doesn’t know kaz’s brother’s name). the s&b show expanding on the crows content, even if the storylines are messy and rushed and unnecessary, is also building their relationships and characters. so when we do get the proper soc storyline, we’re ready for them in a different way than when we started the books.

#six of crows #soc #shadow and bone netflix #sab netflix #shadow and bone s2 #sab s2 #shadow and bone #this is a psa to not give up hope!!

[utilitycaster]

I’ve always been very interested in what you think about Caleb and Veth’s relationship. They’re not romantic, but not platonic, but not familial, but at the same time they are, but it’s different? I’m rambling. I find their relationship very interesting and I wanted to see what your take was on them :)

Also have a good day if you’re not having one already and if you are, have an even greater day

Hi anon, thanks! I assume you are asking specifically for my take but I follow a lot of people who have like, 20 times more thoughts on them than I do so I feel a little ill-equipped.

With that said: I personally did not seriously ship it romantically, but that was purely a matter of what I'm specifically into. I do think that a romantic reading of their relationship is an extremely valid one and there was, undeniably, a romantic element, which is why it's not clearly platonic. It reads as familial but in my opinion it is genuinely a relationship that only makes sense within a found family framework, ie, while early on Veth attempts to frame it as a mother and child, it really isn't that, either; that's just how she can best put what they are to each other into words because more apt ones don't exist. They care about each other and they care for each other and they did so at a time when each of them thought they had no future, even before they could admit that's what they were doing. I think that's the best way to describe it.

Something that has struck me - and that is one of the things I want to keep an eye out for when I finally one day have time to rewatch Campaign 2 - is how despite their relationship being one of convenience and coincidence (ended up in jail together, broke out, found it easier to travel together) and some degree of self-interest (Caleb benefited from having someone who could steal and who would remind him to take care of himself; Veth benefited from someone who wouldn't be chased out of shops and was interested in what a wizard could do for her; both did better with a partner for scams) it still lasted for months with no plans of separating. It didn't matter that Caleb wasn't telling Veth most of his past nor Veth telling him hers - or even her real name. They were lonely and it was better to travel with someone else, and they felt better for doing so, even if they told themselves (not even incorrectly) that it was purely a pragmatic matter.

My favorite early scenes between them are first, Caleb asking Veth if she'll leave with him should his reveal of his past to Beau go badly; and secondly and more importantly Veth saying she loves the rest of the party and that this isn't just pragmatism that's leading them to rescue the others. She's talking about the kidnapped party members; but again, because Veth and Caleb have never really defined what they have as anything but a partnership of convenience it feels like she is obliquely telling him how she feels as well.

I also of course love their scene in Felderwin - when Sam goes fully serious it's nearly always going to be a great time, and Veth's anger and drunken accusation and Caleb's intense guilt is a highlight, as is the way they are both able to move past it soon after due to the strength of their relationship.

I also think Liam and Sam did a fantastic job of laying the groundwork. Everyone did so beautifully for their Mighty Nein characters but I think Veth and Caleb's uneasy six months together feels incredibly vivid and real and are a standout among the pre-existing relationships. That might just be because Fjord and Jester had only been traveling together for a very brief amount of time, and because between Molly's death and Yasha not being around much we couldn't see as much of their friendship, but I still think about the list of grifts Caleb and Nott had together and how they were still running them mid-campaign. It was a level of work I think all players should aspire to when playing characters who knew each other in advance. There need to be inside jokes and a history and plans they've made together to breathe life into a pre-existing relationship that's more than a month long (give or take), otherwise it will fall flat and feel forced.

I think this focuses pretty heavily on their earlier relationship and that's because as time goes on they build stronger relationships with the rest of the party and develop a bit more distance. I think this is healthy! Again, a lot of their relationship - particularly on Caleb's side - came from a belief that this was the best they could hope for, and so it necessarily evolves, particularly once Veth and Yeza are reunited. I think Xhorhas/Angel of Irons arc Caleb isn't sure how to approach the relationship for a while until he finds a means of giving Veth her body back; Caleb is always someone who shows affection more through action than words. But I think that even as they build separate lives, Veth returning to a renewed version of the one she thought she lost and Caleb making something entirely different, they still mean a lot to each other and later in the campaign they are able to adjust and adapt their relationship with each other as well.

#answered #Anonymous #no one has ever blurred the platonic/romantic line like them thus far #like while that tends not to be my personal bag for romance (I tend to fall on the platonic side for those types of relationships) #i respect when one is done well bc it's hard to do and it can often feel really forced and caleb and veth NEVER do #caleb widogast #veth brenatto

[bonzos-number-1-fan]

TMAGP 16 Thoughts: Aave Maria

This was an interesting one. I don't think I loved it but I do think there is a surprising amount to dig into. I also think this is showing more of the form of TMP. A bigger focus on a rogue's gallery and unlike TMA is more more in the thick of it to start with. We're not piecing together an unseen world, we're in the world and getting our bearings.

Spoilers for episode 16 below the cut.

It's really great to see some immediate follow up on Alice's run in with Drowning Victim. I was a little worried it'd be something she pushes down and ignores like everything else in the job. Because she didn't I think there might be a change in her perspective. Previous she's been very uninvested in the specifics of the cases and now she's basically been in one I do wonder if it'll effect her work. We definitely saw more of a reaction from her from this incident than we've ever seen before. So I'm wondering where that will lead her. I'll also be interested to see how this ties back into the Institute. The Drowning Victim is obviously connected but it makes me think Connor Dyer (found in CHBD, see master sheet below) might not be her dead name. I wasn't a fan of the idea of both main protagonists having the same backstory but the way she alluded to the death of her parents here makes me think the Institute might have had something to do with it. Not that I think she knows that but that the narrative placement of it might be laying the groundwork for that connection to be revealed.

For the incident itself I don't have a load to get into I don't think. I thought it was pretty effective in showing Madame E to be kind of a tool but then giving us more and more reason to be sympathetic towards them. Ink5oul's first voiced appearance was remarkably understated too. I was expecting them to feature more here but I think I'm glad they didn't. As I mentioned there is more of a rouge's gallery here and with a couple of really loud characters already it's quite nice to see one more understated than that. They've got a bit of an M.O. forming here too. Part ironic "punishment", part graverobbing plagiarist. DIG. Which does lead me to wonder about how they'll end up kicking the bucket. It feels like a set up waiting for a punchline. The way they give the "clients" what they're after in a twisted sense has a lot of room for interesting stories so I'm interesting to see where that goes. It's also interesting just how similar this was to Daria's incident. Very similar incidents overall but to different ends. What I think is a more interesting concept in those is how it totally differs from the tattoo that showed up in Marked. The tattoo in both of Ink5oul's works have been afflictions on the tattooed but Marked's tattoo was something that affected those that viewed it. Whether that's a consequence of they're plagiarism or a different "school" of tattoo technique remains to be seen.

Also fun fact: from.vision.ruled really is a location in Highgate Cemetery. There is a map app called what3words that is a grid of 3 metre squares over the globe and then each square gets a three word code. It's so you can give a more precise location than something like an address or broad location. So in this case you don't need to say "Meet me outside the Circle of Lebanon in Highgate East" you can say "Meet me at from.vision.ruled" and get a more accurate location. It's great if you want to meet people where there isn't much or any signage, point people towards the entrances to places when it's not obvious from a address, and stuff like that.

Post-incident was really great too. It's lovely to see Lena be so clearly angry and lose her typical collected nature. Not only because it shows she's got range but because it really hammers home just how scary a character like Lady M. is going to be. Gwen not taking her shit for it is also great. I think bringing Lady M. to the OIAR as a power play was pushing it hard but I also think Lena treats Gwen like shit and needs a lesson or two as well. This power struggle they've got going is always captivating to see and I can't wait to see more of it.

------------------------------------------------------------------------------

Incident/CAT#R#DPHW Master Sheet (Now with terminology/theory cheat sheet)

DPHW Theory: 1565 is about where I was expecting this would end up. 1 in Death in an episode where someone died already seems to be a sticking point for people. I personally don't understand that particular framing. Every Power in TMA had a massive body count but only one of them was the Power about death, and not all of them focused on stuff that'd outright kill you. So while a person did die this episode it's not an episode about Death as a concept/theme/subject.

CAT# Theory: CAT1 is very interesting given how the other tattoos have been placed thus far. But I'm going to leave that for the time being. I've got an essay in the works about the current more common CAT# theory. Should be out over the weekend.

R# Theory: B seems about right for this. It's weird and publicised but, ostensibly, medically explainable. So it happened and we can agree it happened but it's just an unfortunate illness in the eyes of most.

Header talk: Tattoo (Influencer) -/- Cardiac is interesting in the same way the CAT# is so I'll leave some of that for later. What I do want to talk about in that subsection. Influencer as a subsection is intriguing because it's very unlike Smirke's methodology. That was fairly rigid but Influencer in this context is such a modern term that it implies this methodology is reacting to how things change and express more rapidly, or it's not as old as I think has been implied so far.

#the magnus protocol #tmagp #tmagp theory #tmagp speculation #klaus = kl4-u5

[hobiebrownismygod]

i have not yet seen a single discussion that between the start of the chase for Miles and the time Gwen returned to her dimension, no more than an hour passed and during THIS time Hobie managed to assemble a fully functioning analogue of the watch and deliver it to Gwen’s dimension, although I don’t think that the device for moving through the universe is simple technology. has he been working on this project for a long time? HOW LONG ago? do you have any thoughts on this?

(and sorry for my bad English! /g )

Like I said in my previous post on Hobie’s canon event and the way the watch works into it (here) I think he’d been working on that watch and his plan for a long time prior to ATSV for the following reasons.

He only stole a few parts in the movie

We only see Hobie stealing parts for the watch in the movie, twice. Once when he’s talking to Miles, which most of us noticed, and one more obscure time in the scene where Jess is first talking to Ben Reilly. If you watch Hobie closely you can see him grabbing a part from a passing Spider-person during Jess’s line, “we actually need you here right now for some reason”.

There’s no way he built that entire watch in an hour with just a few parts. There needs to be more than two or three parts to it, and he definitely didn’t decide to steal immediately after meeting Miles. He had a plan.

Nobody called him in.

We never see Jess or Lyla tell Gwen that Hobie’s arriving to help in Mumbattan. And Hobie probably wasn’t already in Mumbattan, because Pavitr looked surprised to see him as well.

Miguel also seemed angry with Hobie when he saw him, saying “I can’t with you right now”, but Hobie never gave him a reason to be mad. All Hobie did was arrive in Mumbattan, help them fight Spot and come with Gwen and Miles to the Spider Society. He didn’t mess with any canons, so why was Miguel mad at him?

He wasn’t supposed to be there.

I think that Hobie was off the grid prior to the events of ATSV but somehow, found out Gwen was in trouble and portaled to Mumbattan to help her. I think the reason Miguel was mad at him was because he hadn’t been showing up, he’d turned off his location (which I also talked about in my other post) and because he randomly appeared in Mumbattan when he wasn’t supposed to be there.

Project Bootleg

Hobie had a name for this plan. On the watch he gave to Gwen, he wrote the name Project Bootleg on it. I think he had made this plan before he went to Mumbattan and that laying the groundwork for Miles to escape, stealing extra parts for the watch, and formally leaving the Society was all part of this plan.

So to answer your questions:

Yes I believe he's been working on this project for a while.

Timeframe is probably no more than a few weeks, considering the fact that Miguel and Jess didn't seem too surprised to see him and Gwen hadn't mentioned anything about his absence.

He probably built the watch in a week, taking a little bit longer to actually steal the parts, considering that he's canonically an intellectual genius. It being a fairly complicated design wouldn't stray him.

#across the spiderverse #atsv #hobie brown #miles morales #atsv hobie #spiderman atsv #beyond the spiderverse #hobie #astv hobie #hobie brown headcanons #hobie my beloved #hobie spiderverse #spiderverse hobie #spider punk #hobart brown #btsv prediction #btsv #spiderman: across the spiderverse #spiderman across the verse #accross the spiderverse #spider man across the spider verse #spiderman across the spiderverse #across the spider verse #spiderverse #spider man #spiderman #Hobie brown headcanons #project bootleg #gwen stacy #spidergwen

[aftokrator-official]

some Thoughts on chapter 13 now that i've finished:

I LOVE HOEDERER.... i already did but like. Really enjoyable to get his POV in this event and see more of his inner thoughts and motivations. I'm fond of characters who are so tired and worn down and jaded, but manage to hold onto some scrap of hope regardless, even against their own better judgment. A lot like Mlynar in that way, tbh.

regrettably this chapter sold me on hoederines a little. i'm CONFLICTED because i love wines so much, dammit. (and manhoe, but there's not as much of a conflict with my headcanons there.) But their relationship is so good regardless of whether you read it as romantic or platonic.

speaking of, Ines was a delight in this chapter. Love her role as the resident non-Sarkaz Sarkaz who is completely unaffected by whatever arcane bullshit is getting to Hoederer and W in any given moment, so she can yell at them to snap out of it and save all of their lives lmao. I love her deep loyalty and care for them that she expresses in everything but words. ugh ugh i love her

the little subplot with Vendela and the Sarkaz commander who tried to keep her safe was sweet and sad, I wish he'd gotten a unique sprite at least. I kind of want to see her meet Flamebringer now and her reaction to the friendship between him and Perfumer... I feel like there's some parallels there.

We're starting to see some payoff to the buildup with Siege in this arc, and I'm so glad! I've never really understood the hate her arc gets - I know it's partly that I'm biased, she was my first 6* so I'm rather fond of her, and I just really like the whole concept of the Glasgow Gang. And I think it doesn't help that ch12 was (imo) the weakest part of act 2 so far. But also, it was always really clear to me that we've been just... laying the groundwork with her up til now, I didn't really expect her to have big moments or turning points yet? Idk. i kind of want to write a whole post about her arc and my thoughts on it at some point. BUT, I really liked her in ch13, seeing her start to really come into her own and how all the events of act 2 up until now have shaped her decisions.

I'M REALLY SAD ABOUT GUARD ACTUALLY??? :( Tbh I have not really cared much about New!Reunion until this chapter, except for Talulah, but I'm finally getting invested. And Talulah's confrontation with Eblana was AMAZING. I've always seen her as a foil to Talulah - while Talulah started down her path with good intentions and ideals, Dublinn seems to have been like late-stage Reunion from the very start, because Eblana has always cared more about seeking power than about the oppression of the people around her. SO FUCKING SATISFYING to see Talulah, of all people, calling her out on that, and protecting Reunion from her. I really hope we get more of these two in future, and also more Reed in main story please please pleeeaseee.

This chapter was wonderfully cohesive with the themes of tradition and bloodlines vs forging a new path. Siege, Delphine and Horn, all beginning to break away from their inherited roles in Victoria's hegemony and fight on their own terms instead. The Kazdel flashbacks, the spacetime feranmut, and Hoederer's POV - a character who wants to see a better future for Kazdel, while still remembering and learning from its past. Nine, Guard and Talulah dealing with what Reunion means as a symbol, and figuring out what it should become. Shining and Nightingale, confronting the Confessarii and their own past. Even Vendela, having to let go of the life and traditions she'd grown up in, the townspeople clinging to familiarity and the hope that things would go back to normal to the point that it was literally going to kill them. The confrontation with the Sanguinarch was such a great culmination of all of this, with his fixation on blood purity and the glorious lost past of the Teekaz. And he's defeated by several people who all soundly reject his vision of what the Sarkaz "should" be - Amiya, the outblood King; Logos, who does have a "pure" bloodline by the Sanguinarch's standards but refuses to be defined by the role he inherited; Hoederer and W, two of the mixed-race "commoner" Sarkaz he's so contemptuous of (and Hoederer specifically rejecting the idea that the Sarkaz's destiny must always be soaked in blood); Ines, who isn't a Sarkaz at all, except she is, because her family is Sarkaz, and she's always going to be one of them. It was! So fucking good!

#arknights #i need to properly write up my thoughts on act 2 in general at some point but. #CH13 WAS REALLY GOOD

[melfinawins]

I originally posted this in a reblog to @melonatures, but I'ma post it here.

Since you posted this, I haven't been able to forget it. I love it, but it took a little bit to figure out why these two gifs are particularly great.

I love your gifset. Let me explain all the ways:

"No, no, no. Fak's not my best friend."

I love how Carmy's face is turned away from the camera for a moment. And he hesitates and looks towards his front door where Syd just left. But then he agrees that Neil is his best friend. Which is totally fine! But I wonder if he was pressed by say, Nat or Richie he'd say the same thing. Fak is best friends to everyone, but is he Carmy's? I dare say Carmy's best friend is Syd, considering we're shown in the show how they are quietly and steadily laying the groundwork for a long, strong and substantial partnership. A partnership that is also a relationship.

We know that Carmy is working with Syd to reach her goal of a Michelin star, stars he thinks are bullshit. This is her goal but he's more than happy to help her reach it, to the point that he's willing to give her hands-on training on how to perfect a dish. Perfection requires fine tuning and precise decisions. Syd is an amazing chef early in her career, and has the makings of a wunderkind on the food scene if she can harness her natural abilities and training. I think Carmy sees that in her and admires it. I think he's attracted to her love of food and by spending time with her on the menu and just hanging out, it's reminding him that, even if he became a chef to spite Mikey, he actually loves it, he just didn't want to do it alone.

In working together to make the menu for The Bear, which will also help Syd get the star she covets, they've gotten close (more close than sitting behind the shop and commiserating), even if it's how they each come to their ideas about menus. In Honeydew, Luca tells Marcus that he experiences life and that's a part of what makes him a better chef. Sydney already does this. We see in Sundae how Syd gets inspiration for dishes, as well as her getting ideas in dreams (shortrib and risotto). Carmy is by the book, but I think he likes the way Syd thinks. That man would have never put chips on Nat's omelette! But I think Syd craves his wealth of knowledge and experience and ability to edit himself. We see in an episode where she realizes she's doing too much to a dish with Tina. Carmy helps her by hearing the ingredients and giving advice; I love Tina and everybody else, but only Carmy can provide that for her. They really do compliment each other, and learn about each other through their cooking.

"I fe- sorry, I feel like I should have known that, or, or- something--"

Makes sense that Carmy was mistaken! I think he's gotten to know aspects of Syd over a short period of time and in this scene he's maybe noticing that Syd holds things close to her chest. Omission plays a big role in her psyche. He can't just assume that she's okay or that she's an open book, because she's not.

Like mentioned above, I think Carmy is learning a lot about Syd through their menu creating. He's listening to her stories and anectdotes, laughing at her humor and learning about what she values through the food she creates. They have such symmetry through food, he assumed (incorrectly) that he knew more about her than he did. Because Syd is bringing back his love of food and the two of them really do communicate their desires through food. Syd loves taking care of people. But so does Carmy! They both don't want to use tweezers on food they don't care about. They want to use tweezers to show how much they love people lol

I love his stuttering in this gif because this man lost the plot and thought he could substitute communicating through food with actual communication. Example: Bro really was confused when Syd wasn't happy about the wall being torn down. By his logic, he tore the wall down for her, like he's working on the menu for her, so what's the big deal? (Someone save this man.) He's very action oriented, so it flew right by him that making a menu with Claire for Syd wasn't it, because he thought doing this action was what she wanted--like he said in that particular scene. But Syd wants communication and hands-on training (😏😏😏), because they're doing this together and if he just wants to put a menu together without her, she can just go somewhere else and make bullshit no-love tweezer dishes. They're supposed to be doing this for the love of food, not to just make money.

And even though they talk to each other via food, it doesn't make up for the other way they can and should communicate: straight up talking.

But The Table ™️ scene shows, in my opinion, that he's learning that. "Say more, please."

Anyway! I love this gifset melonatures. Sorry if this broke any Tumblr edicate. I loved your gifset. Thanks for making it! ❤️

#sydcarmy #carmen berzatto #sydney adamu #carmy x sydney #syd x carmy