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writerscarlet · 1 year
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Please direct your attention to @imalsoscarlet for more my content.
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writerscarlet · 2 years
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"So you knew."
"I didn't have time to tell you. I found out just as they-"
"Time is rarely on our side."
"I'm sorry."
"It's okay. Another dawn will rise."
"Just not for us."
"Only time will tell."
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writerscarlet · 2 years
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Writing is like - let's find out where the story will go, because I, the author, don't know. I like my stories to surprise me.
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writerscarlet · 2 years
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How to draw: Not white characters
How to draw a Black person
How to colour Black people skin tones
How to draw dreadlocks
How to draw African hair
How to draw curly hair
How to draw braids
How to draw braids part 2
How to draw cornrows
How to draw Bantu knots
How to draw two strand twists
How to draw an Asian person
How to colour darker skin tones with alcohol markers
How to draw hijabs/traditional Muslim hair coverings
How to draw a hijabi girl
All links and art provided by @ itsajart on TikTok
Before you go “mY aRt sTyLe iS dIfFrEnT tHoUgH” you can moderate it and play around with your style to get it to fit.
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writerscarlet · 2 years
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Mood
Me: I want to have written this fic. brain: Then write it. Me: You aren’t listening. I don’t want to write it. I want to have written it.
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writerscarlet · 2 years
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there's something so compelling about stories where a character's virtues intensify into flaws that lead to their downfall. loyalty and love becoming so all-consuming that compassion outside of them ceases to exist. duty overwhelming any moral compass until order becomes more important than justice. selflessness so intense it becomes self-destruction. let me watch while whatever saved the hero in the beginning destroys them. let me see them fall to their own worst impulses disguised as what once made them good.
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writerscarlet · 2 years
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I cannot emphasize enough how much you need to read thoroughly through the terms of any publication before you send your writing to them. It is mandatory that you know and understand what rights you’re giving away when you’re trying to get published.
Just the other day I was emailed by a relatively new indie journal looking for writers. They made it very clear that they did not pay writers for their work, so I figured I’d probably be passing, but I took a look at their Copyright policy out of curiosity and it was a nightmare. They wanted “non-exclusive, irrevocable, royalty-free, perpetual, worldwide license and right to use, display, reproduce, distribute, and publish the Work on the internet and on or in any medium” (that’s copy and pasted btw) and that was the first of 10 sections on their Copyright agreement page. Yikes. That’s exactly the type of publishing nightmare you don’t want to be trapped in. 
Most journals will ask for “First North American Rights” or a variation on “First Rights” which operate under the assumption that all right revert back to you and they only have the right to be the first publishers of the work. That is what you need to be looking for because you do want to retain all the rights to your work. 
You want all rights to revert back to you upon publication in case you, say, want to publish it again in the future or use it for a bookmark or post it on your blog, or anything else you might want to do with the writing you worked hard on. Any time a publisher wants more than that, be very suspicious. Anyone who wants to own your work forever and be able to do whatever they want with it without your permission is not to be trusted. Anyone who wants all that and wants you to sign away your right to ever be paid for your work is running a scam.
Protect your writing. It’s not just your intellectual property, it’s also your baby. You worked hard on it. You need to do the extra research to protect yourself so that a scammer (or even a well meaning start up) doesn’t steal you work right from under you nose and make money off of it.
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writerscarlet · 2 years
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Take a break to remember the idea you forgot or the plot point you came up with when you were busy
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writerscarlet · 2 years
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"you used to protect me,"
"Of course, you always stood behind me,"
"And now? What about now!?"
"Now you're against me,"
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writerscarlet · 2 years
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I’ll take memes nobody else can relate to for 600:
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writerscarlet · 2 years
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Check out my latest bit of poetry on Coffee House Writers!
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writerscarlet · 2 years
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You can never have too much of what you love. Even if it does kill you, isn't that a death in which you're happy to accommodate?
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writerscarlet · 2 years
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The ones we want to live forever are the ones who never will. The ones who should live short lives are the ones that live in infinity.
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writerscarlet · 3 years
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writerscarlet · 3 years
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I had a dream where someone was trying to say they were a "broken person" because they had gone through some kind of trauma and was still "dealing with it" years later. Instead of trying in vain to refute them, I simply tool out one of those little purse mirrors and smashed it with my fist. Then I said, "you and this mirror are not the same."
And then I woke up wanting to smash a mirror. You're not broken, whoever's reading this.
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writerscarlet · 3 years
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“I just don’t know how to love with anything less than my whole heart …”
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writerscarlet · 3 years
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Sad things you can do in a book other than killing of a character
Character death is sad, but it also has huge consequences on your plot that can’t be reversed. Not to mention, depending on your genre, character deaths are often reserved for later in the series as a way of telling the reader that things are getting serious. 
So, until that moment, here’s a quick list of things you can do to tug at your readers emotions: 
1.- Destruction of an item of value. For this to work you’re going to have to set this up early on, it could be a childhood toy they need to sleep at night, a necklace they swear gives them good luck, and old family trinket or any number of things. The important thing is you show just how important it is to the character, make them happy and excited just to talk about it. Later on your character will feel loss and so will the audience. 
2.- Arguing. Two characters with a strong bond arguing can be heartbreaking, even if you know the argument is going to resolve itself eventually, going from cuddles and banter to cold looks and the silent treatment, can easily hurt the audience just as much as the characters. 
3.- Betrayal. When well done, it’s worst than character death. When you as a reader fall head over heels in love with a character, only for them to betray the rest, it’s heartbreaking, especially if when you read back the foreshadowing was there. It was so obvious yet you were all so blind! As blind as the other characters. Also, unlike character death, they’re still there, there to taunt you with their mere existence. 
4.- Failure. We have probably all felt that emptiness, that feeling as the world crumbles around us, haplessness, when we failed an exam in school or just couldn’t get the house clean in time for that visit. Take that feeling and reflect it into your characters, it doesn’t have to be an exam, it can be anything, a task they’re parents asked them to do and they tried their best, a mission, anything. Just let them fail and feel the world crumble. 
5.- Being forced to stay behind. Following from point four, if a character is not good enough they can be left behind, perhaps it comes from a place of love, an attempt to protect them from enemies too strong, yet it still hurts. Perhaps they haven’t failed, perhaps they are left behind for another reason, because they are “too valuable”, or because they’ll be more useful back home. Either way, watching those close to you go of to fight for what you believe in, without you, can be painful. 
6.- Finding out something they believed in was a lie. It can be something relatively insignificant, an assumption they never bothered to question. Or something world shattering. Allow me to offer up an example with an unimportant spoiler from my second book (it’s not even out yet but oh well): in this book, while talking about some law, Henry realises his daughter believes he and her mother were married. This is an assumption Itazu made and never questioned. It affects nothing, nothing changes, yet finding out her mother and her father were not the happy married couple she’d always pictured, it’s painful. 
This could also be something huge, finding out you’re adopted for example. 
7.- History. Oh, history, how depressing it can be. And if you have a fantasy world you have many opportunities to go into this. From slaughters to slavery, finding out how society got to where it is, the base on which it is built. Well, it’s pretty depressing. Obviously be careful how much inspiration you take from real world history and always be respectful and do your research! 
8.- Scarring. An injury can be painful, it can be scary. And depending on what caused it, leave you with traumatising memories. Now add to that a physical visible reminder on your skin you can never remove. Well, that can be pretty horrible. Imagine the scar came from a battle the protagonist longs to forget, but can’t because every night before going to sleep they can’t help but glance at their arm where the nasty scars forever lies. 
As usual,  check out my book, stories I’ve written plus other social medias: here.
This another post I could probably do a part two on someday. Can you think of any books where any of these are done effectively? Do any of these happen in your owns book? Please tell me! I love hearing from you all. 
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