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Scarlet-rumped Trogon (Harpactes duvaucelii), male, family Trogonidae, found in SE Asia

photograph by ardpixtures

#birds #art

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also "ough life-saving essential medical equipment uses so much plastic" in this country you can purchase an artificial ballsack for your pickup truck

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I gave my soapbox speech about how weight loss is mostly bullshit to two different patients in a row yesterday and so help me I’m pretty sure one of these days someone is going to say “but SURELY you agree I’d be HEALTHIER if I lost weight!” bc you can see the disbelief in their eyes. And like. Sure, maybe! You might see some improvement in biomarkers like LDL and A1c, and your knees would probably feel better. But you would be amazed at how much more good you can do for yourself by focusing on things you can actually meaningfully change without resorting to making yourself miserable. Eat more fresh fruits and vegetables—it’s hard bc they’re more difficult to prepare and more expensive per calorie and go bad faster than other foods, but they’re what we evolved eating the most of so they’re what our bodies need the most of. And walk around more; sure, cardio is great for you, but if it sucks so bad you don’t do it, it isn’t doing shit for you. And we evolved to walk very very long distances, a little bit at a time, so our bodies respond actually very well to adding walks into our schedules, which is vastly easier than adding workouts that are frankly designed to be punishing when the definition of punishing is “makes you less likely to do it again in the future.”

You get one life. It is shorter than you can begin to imagine. Don’t waste it hating yourself because somebody is going to make money off that self-hatred. You deserve better than to be a cash cow for billionaires who pay aestheticians and dermatologists to make them (or at least their trophy wives) look thin and beautiful no matter what they actually do.

#always reblog #fatphobia #health

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We’ve been hearing report after report of antisemitism at encampment protests, video after video, photo after photo, documenting people being physically assaulted, threatened, having antisemitic vitriol yelled at them.

And then people have the audacity to say that we’re accusing people of antisemitism for “criticizing israel.” What an absolute barrel of horse shit

#antisemitism

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David Tennant and Alexandra Gilbreath for the RSC’s Romeo and Juliet (2000)

#romeo and juliet #david tennant #alexandra gilbreath

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DERRY GIRLS (2018 - 2022) Season 2 | Episode 1

#derry girls

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It cannot be stressed enough that Israel is the ONLY country "Leftists" feel comfortable talking about this way.

No support for anti-war and anti-government protests on the ground (you know, the protests that might actually make a difference)

No empathy for or solidarity with civilian victims (only when it comes to Israeli civilians are you going to hear self-described Feminists and Leftists explain why rape is fine, actually)

No understanding of the difference between the state and its' citizens (or even the Jewish people, generally)

No desire to actually learn about the history of the region and conflict comprehensively (the expulsion of over 700,000 Palestinians during the Nakba was horrific, and a crime that needs to be addressed. Out of curiosity, what was happening to the 800,000-1,000,000 Jews living in the surrounding Arab nations around then?)

All understanding of complexity and nuance? Of the concerns of minority, queer, disabled, and other vulnerable populations with the country? It's all out the window. It's all just one big Evil Zionist Entity.

This is how even accurate criticisms and condemnations of Israel can end up being antisemitic. You are viewing the Israeli state through a lens that you hold to no other nation-state on Earth. (and then holding random Jews to account for that).

You can do better and still advocate for Palestinian liberation and autonomy. It's actually not that hard.

#antisemitism #leftist antisemitism

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due to a certain asshole spewing bullshit in spacelazarwolf's notes, I wanna emphasize something:

YOU DON'T HAVE TO KNOW HEBREW TO BE JEWISH

YOU DON'T HAVE TO LEARN HEBREW TO BE JEWISH

YOU DON'T HAVE TO WANT TO LEARN HEBREW TO BE JEWISH

the only thing you need to be Jewish is to be Jewish. a Jew is a Jew.

(this message does not include messianic jews)

#antisemitism #leftist antisemitism #jewish positivity

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crowley + sitting in the background

+ bonus

#good omens #crowley #gifs

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which is definitely not an omen

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Excuse me babygirl I am trying to work

#cat

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Let's bust a popular myth!

David Tennant was NOT filming the upcoming Dr Who specials while also filming GO season 2!

Good Omens s2 filmed from Nov 2 2021 - Mar 1 2022; the Doctor Who specials filmed May 3 - July 25 2022.

So... what's with Crowley's s2 shifting sideburns and tattoo? Everything is meant. (And if you're not sure about the crew's over-the-top attention to detail, please read this post about the antique sink recreation.)

(pics above, all from s2: "oh no, it's not like that", the love confession, and planning to do a half miracle each)

It seems like Dr Who could be an easy excuse to mask s3 hints hidden within s2...

Here's the first theory/analysis I've seen, by @f0ul-f13nd. What do YOU think??

Have some more pics to study:

(pics above: before the beginning, s1 wall slam with subtext, s2 watching the awning of a new era)

Someone should ask Neil, PROPERLY! (I'm teasing, with the utmost admiration, but also a tiny bit serious here...)

(pics above: lots of angles and both sides of his face during the s2 love confession and kiss)

(pics above, from s2: learning about Azi's French lessons, threatening Jim!Gabriel)

And don't get me started on his multiple wigs and headbands during Job, or his trimmed mausoleum mutton chops. (Details with links are filed under "inconsistencies" in my pinned collection of Clues and metas, if you want them!) There's at least one unreliable narrator at play here, but the question is WHY? WHO? WHAT does it MEAN??!

#good omens #good omens meta #snake tattoo

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Here's a neat detail:

Not to talk about season 1 Good Omens in the year of our Lord and Season 3 announcement 2023, but I kind of just realized another little moment that's very sweet and true to real life.

I really like that Crowley isn't just fine again after he learns Aziraphale survived the bookshop burning after all. Normally in stories when there's a "surprise, I'm alive!" moment, the characters just kind of celebrate for a minute and then move on business as usual. But Crowley doesn't, he continues to be visibly be shaken and a little unfocused throughout his conversation with Aziraphale, and when he has to explain what happened, he starts crying again.

I don't know I just thought that was a really nice detail because anyone who's experienced similar whiplash in real life knows about that... residual grief period I guess? I think this was a core memory that informed a lot of Crowley's behavior in season 2, you don't ever really forget that moment you lost them no matter how brief. There's just something very loving and vulnerable in him being like "I thought you were gone, and even though I know now you're ok, I want you to know just thinking about it upsets me deeply."

#good omens #crowley #aziraphale

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#cave paintings #mountain lion

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#my so called life

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Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

#macbeth #david tennant #cush jumbo