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watermelonlipstick · 3 years

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Dreams, Chapter 4

If you haven’t read this series before, you might want to start on Chapter 1, or check out the Dreams Masterlist! Here’s the series description:

When Dean dies for good leaving Sam and his girlfriend (the reader) behind, they must figure out how to carry on without him. Alone, reeling, and unsure what to do next, trying to honor Dean’s memory and follow their hearts gets even more complicated when their nightmares become dreams that feel a little too real.

If you have been reading this series....things are going to start happening....

Title: Dreams, Chapter 4

Pairing: (past) Dean Winchester x Reader, (eventual) Sam Winchester x Reader

Word Count: 3773

Summary: For Sam and the reader, a winter night working together leads to an uncomfortable confrontation and a confusing dream.

Warnings: angst, fluff?, alcohol, swearing, slow burn, I think that’s it!

The tree was still up a few days later when you were throwing together sandwiches. It was a gloomy afternoon, stealing from the already meager offering of sunlight you got each day, but at least you could see the Christmas lights as you worked in the little kitchen and listened to Me Talk Pretty One Day. Brushing crumbs off your hands, you ducked your head into the bedroom to tell Sam lunch was ready.

He was sitting on the bed with his legs crossed under him, looking surprisingly young with his long limbs folded. He glanced over at you briefly with a noncommittal nod before turning his gaze back to the wall. You walked into the room when you understood; following his eyes to the photos where you’d taped them up. Toeing off each of your boots, you climbed onto the mattress with him and gently put your arm around his broad shoulders. “He would’ve loved this,” Sam murmured, and it was almost too low for you to hear.

“Which part?” you asked, trying to match his tone.

“This cabin, the bar, Christmas.”

“I think you’re right.”

You looked over at the pictures, a tight row intentionally placed a little too low so you could see them as you fell asleep. Sam tilted his head to rest on yours.

“We had a lot of fun though, didn’t we?”

You considered the memories and the heat coming off of him under your cold fingers. “Yeah, we did.” After a beat you opened your mouth again. “Getting that tree was fun.”

Sam pulled back and you looked up at him. A sad smirk was tugging at the corner of his mouth. “That was fun, wasn’t it?”

You curved your head back into him. “Dean would’ve liked that too.” He was silent for a moment.

“There’s no way he would’ve worked at the bar and not made every night a party.”

He was right. Even just passing through, bars like the one you worked at were Dean’s favorite—no frills, honest people, décor not so nice it couldn’t tolerate some spills in the name of a good time. In the right mood Dean would’ve been everyone’s best friend in an hour, taking shots with the owners and playing pool with anyone who had a spare minute.

You sat upright and tucked your hair behind your ears. “Okay, then tonight’ll be a party.”

Sam looked at you in surprise. “Uh, what?”

“You heard me. Tonight, we’re doing tequila shots and dancing on tables and talking to people longer than to take their orders.”

“It’s a Monday.”

“Wouldn’t have stopped Dean. Now come eat this sandwich I slaved over, you’re a lightweight on an empty stomach.”

Sam’s smile was tired, but he obediently untangled his legs and got off the bed to head to the kitchen. You padded after him, letting a deep breath out through your nose. Dean would be so pissed if he saw you weren’t being strong for Sammy, just a little tougher, come on. By the time Sam sat down at the tiny breakfast bar to eat, you’d screwed your face back together.

In some ways, it was better that you’d had this sudden change of heart on a Monday, when there weren’t so many customers to watch you crumble if it came to that. You had a propensity for being a sad drunk even in the best circumstances, and this first time truly drinking around people since losing Dean was about the worst circumstance as you could imagine.

A few shots in Sam’s cheeks were flushed and you could feel the heat in yours as you sucked hard on a lime wedge. He was pretending to know about some football controversy with the over-shoulder towel that was ever present when he worked, his legs crossed and accentuating the long, relaxed line of his body. It was an especially cold night and condensation clouded the windows of the bar where hot air met the freezing glass. You watched as a woman about your age—you were pretty sure her name was Megan but had only served her a handful of times—traced lazy shapes in it before replacing the moisture with a hot breath and starting over. It was almost hypnotic and you didn’t know how long it was until you snapped back to reality when Sam’s warm hands wrapped over your shoulders.

“You okay?” he asked, low and private, straight into your ear.

“Uh, yeah, sorry. Just tired,” you lied.

Sam gently and half-consciously kneaded the muscles in your shoulders. Before you realized what you were doing, muscle memory bobbed your head to the side, kissed his rough knuckles, and pressed your cheek to his hand. You both froze.

“Aw, so cute,” Steve sang out from across the bar top.

You took your chance to step forward out of Sam’s grip. “Yeah, yeah. Refill?” Steve nodded, and you snatched another Miller High Life out of a mini fridge under the bar and popped the cap with a fluid practiced motion. About a week ago you’d realized that the twist-bottle callus you had just below the first joint of your index finger had come back, a recurrent souvenir that had lasted years after you’d quit bartending last time. You were thankful for it as much as the distraction from your bizarre reflexive step over the unspoken boundary between you and Sam. It wasn’t that the contact was unprecedented, obviously, you could only catch even chunks of sleep tightly wound around Sam and kept your fingers wrapped around his forearm as he drove, but Dean was the last person whose skin your lips had touched. Until now, you corrected yourself. It was a very specific kind of closeness in a relationship already stretching the limits of what appropriate intimacy could possibly be.

You jammed a cold metal scoop into the ice machine to break up chunks and buy some time. The same grief-hungry part of your brain that searched Sam for facial tics and habits that Dean had couldn’t stop repeating how much those hands felt the same, dry and warm and firm under your lips, under your cheek, and you wanted to clutch at them, a phantom of Dean’s that first stitched you up in Bobby’s kitchen all those years ago when life was easy and bloody, so nervous to touch you his hands shook and the scar still remained to this day. You crashed through those thoughts with a solid thump of This Is Sam Not Dean Sam Your Friend Sam The Only Thing You Have In This World, and how cruel it was to triple distill him down to only the parts that were reminiscent of someone else. Sam, who chopped wood to keep you warm, who restocked beer in the little life you’d created here. Sam, who in his own unfathomable sadness let you latch onto him as a steady point in a storm and kept you afloat just as you had him.

“Hello?” Joe repeated, a touch of concern peeking through his annoyance.

“Yeah, sorry! What’s up?” you asked, hearing the shrillness of your voice as you tried to overcompensate.

“I’m trying to buy you a drink, hon. 5 shots, dealer’s choice.”

“You, me, Jake, Steve and who?” you asked, racking up 5 sturdy shot glasses.

“Your Paul Bunyan over there, unless you’re trying to take his too. I’ve never seen you guys really drink before, gotta jump on my chance,” he winked.

“Oh, okay. Uh, Sam—” you called out across the bar. He was wiping up a spill you knew didn’t exist from the way he focused too hard on the bar top, trying to look busy. He looked up at his name and walked over with his hands jammed in his pockets. His unease was palpable, and your heart sank as you let go of any possibility that he wouldn’t have registered the fleeting kiss and the shift was only in your head. “—Joe’s trying to get you drunk.”

“Careful, Joe, you think you can carry me home?” Sam joked, and you thought you would be the only one who’d be able to detect the tightness in his throat underneath it. He rubbed a lime wedge on the web of his thumb and poured salt over it before handing you the shaker. You almost dropped it when your fingertips grazed his.

“To the only people dumb enough to move up here in the winter,” Steve proclaimed, touching his glass to the counter before shooting it. You all followed suit, politely chuckling at the teasing. When you took the lime wedge out of your mouth, Sam had his palm open in front of you. You dropped the rind in his hand and let him take the stack of glasses to the sink.

It didn’t get as crazy as Dean likely would’ve gotten which was probably good for the bar’s bottom line and your drive back to the cabin, but Sam did end up somewhat accidentally hustling Jake for $100 over a game of pool and singing along to Shania Twain when you put it on. You were careful not to touch him or stare too long the rest of the evening, and by the time you were flipping chairs up for the night you had almost convinced yourself that nothing was different save for a little softness around the edges of the ever-present bolus of sadness in your stomach.

Sam had two cases of Miller Lite from the basement in his grip, the veins on his forearms popping out as he set them on the ground in front of the beer cooler and crouched to replace the ones that had been drunk that night. You double checked that the cash drawer of the register was even and hopped up to sit on a spare spot of counter.

“That’s the last one?”

“Yeah, I already did the Coors and Bud.”

“Are you good to drive or do you want me to?” You wiggled your toes in your shoes, feeling the ache of standing for hours in the balls of your feet.

“No, I’m good to drive,” Sam said, shaking hair out of his face. He looked up at you, hazel eyes hard to read with fatigue or fear or pity or some murky combination thereof. You drew tight spirals over orders you’d taken that night, feeling the pen press impressions into the small notepad. The absence of words spread out to close the distance between you, feeling cloying and claustrophobic even as the Nate Bargatze standup you’d cued up piped out through the bar’s speakers.

“Hey, I—”

“Are you—” Sam started at the same time. You held out a palm to signal for him to continue, not truly wanting to speak yourself. “Uh, sorry. I just…I—I’m not Dean. I can’t be Dean.”

The words and deflation in his shoulders made you wish you’d been set ablaze. Stunned, you felt your mouth open and close around words that weren’t materializing, just collecting in your throat and hardening there, the backup starting to choke you.

“I, uh—I know,” you finally managed to squeak past the lump.

And part of you wondered if he was right in thinking you were using him as a stand-in. As atypical as the whole situation was, you couldn’t imagine that it was normal to sleep in the same bed and spend virtually every minute together. You began to feel sick at the thought that Sam would be out living up to his potential somewhere if it weren’t for you, back to law school or righting the wrongs of the world rather than in a Northwoods dive bar restocking domestic beers at 2:30 on a Tuesday morning. The selflessness of it seemed unfathomable and yet so entirely something Sam would do. Suddenly it felt like the walls were collapsing around you.

The moment stretched out and Sam stood up, leaning on the counter across the bar from you. His jaw was set hard and he tilted his head the way he did when he was trying to stop himself from teetering over the edge of tears. “Sam, I—I’m so sorry. I didn’t mean to—”

He cleared his throat but looked down at the nonstick mats on the floor. “No, ah, you don’t need to apologize. I just need you to know I can’t be him for you.”

You didn’t dare look up in case you met Sam’s eyes as you nodded, so eviscerated and humiliated you were having a hard time taking a deep breath. After a long minute you heard the clink of bottles as Sam finished restocking, grabbed your coat to mumble something about warming up the car, and went to the small parking lot. You managed to make it into the Impala before your vision started swimming and the potential enormity of the situation crashed against you; was this the end of your carved out hideaway, full of grief and memories and comfort and little moments of affection and joy you had just barely started to accept? All for some stupid thought that Dean would be happier if you were out getting wasted, an idea that reduced him to a drifter barfly instead of the complex man who’d been more loyal and loved more deeply than anyone you’d ever met. The tears dried up quickly as self-disgust rolled over you and started ringing in your ears. You didn’t hear Sam coming and jolted when he opened the door, recoiling against the passenger side to give him as much space as possible. He glanced over at you with eyes so pitying that you couldn’t bear to look at them, staring out the window at the abject darkness the rest of the drive home.

Sam didn’t turn on the stereo.

Back in the cabin, you quickly shucked off your coat and snatched what you needed out of the bedroom before barricading yourself in for a shower. You didn’t bother taking your makeup off first, allowing the sting of mascara to get washed away in the water. It was too hot and you didn’t care; you only came out when you realized you were going to leave Sam in a cold shower in the last week in December.

You brushed your teeth in the mirror and took a few deep breaths before sliding out, heading past the open bedroom door straight to the kitchen in order to gulp down a panicked glass of water. Mercifully, you heard the bathroom door lock when Sam entered it quietly. You took the opportunity to grab your pillow out of the bedroom, tossing it on the couch and pulling the throw off the sofa’s back to cover yourself. Your eyes were closed tight and ramming up against your racing mind when Sam came out.

“You don’t have to sleep on the couch,” he said softly from behind you.

You opened your eyes but didn’t move your head to seek him out. “It’s okay.”

Sam appeared in front of you, legs bending severely to perch on the short coffee table. His bare chest still glistened a little from the shower and you knew the green flannel pants he was wearing were soft and thick to the touch. Earnest hazel eyes meeting yours, Sam braced his elbows on his knees.

“Sam, I’m really sorry. It was a weird reflex and it was unfair for me to—”

“No, I, it—it wasn’t that. It’s just like, sometimes when you look at me, you look like you’re seeing a ghost. I’m just—I need to know you’re not staying here because I’m the closest you can get.”

If your heart hadn’t been shattered and re-shattered over the last almost- two-years and today, the fear and resignation in his eyes would’ve sent you to pieces. You pushed up to sitting in order to give Sam the respect he deserved.

“I can’t—I won’t lie and say you don’t remind me of him, but you’re my best friend—been my best friend since I first met you guys—and I am so, so, sorry I made you feel…I could never try to replace him, Sam.” You were barely making sense, having a hard time stringing together how you felt. “The only place I want to be is with you. You’re all I’ve got.”

It felt desperate and needy but it was true and Sam deserved the truth. You didn’t shy away from him, stayed there holding his gaze until he seemed content having searched your eyes for anything hiding from the light. After a moment he nodded tightly against lips pressed in a firm line. “Okay.”

Sam stood up, the broad planes of him catching the glitter of the Christmas tree lights. When he spoke again, his voice was quiet and tentative. “Can you, uh, can you come back?”

It took a moment to process before you nodded, standing up and snagging your pillow before following Sam into the bedroom. You climbed into your side of the mattress, close to the wall and your tiny precious gallery, and Sam folded around you, his warm skin seeping through your t-shirt onto your back. You felt tense and comfortable all at once, safe and uneasy. The two of you sat there for a long time, the relatively light weight of Sam’s arm over you betraying that he wasn’t asleep either. When drowsiness finally began to tug your eyelids closed, he pressed his lips to a spot on your shoulder exposed from the looseness of its sleeve. The last thing you remembered was his arm going heavy like an anchor across yours.

The sun is hot and delicious on your cheeks, baking the cotton of your jeans and t-shirt into you and turning the roof tiles under you into a frying pan. Wispy clouds move with no urgency across the sky above you and you can’t think of anything better than this, glancing down to worn laces on Dean’s boots undone to give his feet some air as his t-shirt clings half-humid to him. You know his freckles are going to be darker by dinner and it makes you smile to think about it but you’ll never tell him—it makes him shy to be reminded of the spray of pigment that makes him feel alternatively feminine or juvenile but never stunning the way you think it should. You press up to your elbows, barely registering the sting of heat and grit of the roof underneath you and kiss the spot on Dean’s arm where his shoulder slopes into his bicep. He smiles down at you, a lazy half-open smirk perfectly framed by the blue sky behind him like a painting.

“You’re so weird,” he chuckles. “Who kisses someone’s arm?”

“Then come down here,” you toss back, exaggerated pout ready for him. He ducks down to you, the warmth of his lips on yours like a cookie fresh out of the oven, like sliding down the hallway on new fuzzy socks, like the summer’s first plunge into water.

Sam’s head peeks out from under the gutter. “Bobby’s putting brats on the grill, do you want any?”

“Hell yeah, extra onions,” Dean yells down, grinning smugly when you make a face.

“Me too!” you call out, watching Sam squint up at the roof.

“No onions though, right?”

“You’re the best, Sam.”

Sam beams up at you, dimples almost high enough to reach the squint-crinkled skin around his eyes. He nods and ducks back out of sight.

“Come on, I’m thirsty,” Dean says, standing up. He reaches a hand down to you and takes a half step back to brace himself, stepping on the lace of his other boot. He stumbles and it’s a quick shuffle and you realize he’s too close to the edge his next step is into thin air like Wil E. Coyote and you’re grabbing at that same thin air and you can see his face change when he realizes and some part of your subconscious that’s even deeper than this can feel it’s happening again and the sound is so final, such a wet crack but you scrabble to the edge anyway because you have to see and Dean’s lying there.

He’s clutching his left leg bent against his chest like a stretch. “Son of a bitch, what the fuck!” he mutter-yells, and you hear the thump of Sam and Bobby running through the old house and skittering to a stop in front of him as you carefully shimmy down the porch post with your hands tearing on the gutter’s rusty edge, jumping down when you feel the railing beneath you.

“Dean! Are you okay?” Sam yells over Bobby who’s cursing out the goddamn idjit told you not to climb up there it’s like having a bunch of teenagers in this goddamned house and Dean winces and nods angrily.

You’re lifting up the hem of his jeans and gingerly taking off his boot and Dean hisses when you peel off his sock, but nothing is poking through the skin and that’s better than you expected. “Can you stand up?”

He nods again and you can practically taste him biting back the string of expletives when you and Sam each take an arm and lift him to standing. You snake a hand into his pocket and grab the keys to the Impala, leaning behind Dean to say to his brother, “I’ll take him to the ER.”

Dean doesn’t argue and it’s yet more evidence that it’s pretty bad, but you feel fine, elated almost, that he’s still warm under your palm and against your side, that he still smells like fresh laundry and domestic beer and a little bit of salt and engine grease. Sam’s long arm opens the door when you get there and slides Dean in and you promise to text when you know how bad it is as you round the car and get to the driver’s side. You turn the key in the ignition and throw your arm around Dean’s seat to reverse out of the driveway. Dean’s looking at you as you throw the car back into drive, staring almost, and his face is soft even around the broken ankle.

“I’m always going to love you,” he says, smooth and sure of himself. You tug your eyes away from the road with half a question on your face but Dean doesn’t explain why he’s saying this now. “I’ll be okay and I’m always going to love you, no matter what.”

It doesn’t make any sense and you open your mouth to tease this unexpected sappiness, remind him the ankle is just one more in a long string of injuries he’ll owe you for, and then Dean’s gone, the car’s gone, and the heat is coming from Sam’s chest in front of you.

Continue to Dreams, Chapter 5

Thanks again for reading! If you liked it, check out my Masterlist or send me a request!

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shemakesmusic-uk · 3 years

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Simpson is a Richmond-based singer and rapper who you may also know as Babe Simpson, one-fourth of the Tumblr-born rap collective Barf Troop. They dazed the internet back in the early 2010s with their uncensored, forward-thinking rhymes and aesthetics, and even got the attention of Drake. Though the collective has gone silent in recent years, Simpson has since cultivated her own steady following around her soft, and ruminative tunes. Her latest is 'Cherry Ice Cream Sundae,' a song about "treating ourselves with as much tenderness as we treat everyone else," she says, and is backed by a lush landscape of jazzy guitars and drums — a sound that could be considered a close sibling to the rap lullabies of Noname. Simpson's now sharing the song's peculiar video, which features a charming but eerie cast of marionette puppets. Over email, Simpson explains that she wrote the song after experiencing "a feeling that I’ve always been trying to put into words but I don’t think I was mature enough to be able to sing. I reached my breaking point where I was like, f*ck it, whatever happens, happens, and I’m gonna look on the bright side everywhere I can. I’m going to 'smile because I can.' I actually changed the original opening lyrics from 'The world is in the shitter' to 'Life is kind to who’s kind to it back.' The world has always been in the shitter, but that hasn’t made it any less special or sweet. I think that’s made me much more of a realist. I recorded it tipsy, upside down, hanging off my bed as a freestyle, and it felt so natural saying and listening to it back made me feel so proud." [via NYLON]

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Earlier this week, Lana Del Rey revealed the artwork and tracklist for her new album Chemtrails Over The Country Club. Back in October, Del Rey shared the album’s lead single 'Let Me Love You Like A Woman.' It was the first song she shared from the album after postponing its planned September release. Now, she’s sharing the album’s second single and title track. She’s also announced that Chemtrails Over The Country Club will be out March 19. In a lengthy interview with BBC Radio 1 — during which she talked about the Trump insurrection and her album cover controversy — she mentioned that Jack Antonoff produced much of the album, minus 'Yosemite,' which was produced with Rick Nowels. Watch a music video for the album’s title track, directed by BRTHR, above. In a different kind of statement, prior to the release of the 'Chemtrails Over The Country Club' music video, Del Rey explained why she is wearing a cast in it: "When you see my second video for this album, don’t think that the fact I’m wearing a cast is symbolic for anything other than thinking I was still a pro figure skater. I wiped out on my beautiful skates before the video even began after a long day of figure eights and jumps in the twilight of the dezert. Anyways my fracture isn’t that bad kind of goes with my new bucket hat. Thanks to my beautiful family for my gifts." [via Stereogum]

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Joining forces for the new uplifting track, G Flip and mxmtoon are sharing new empowerment anthem ‘Queen’, produced by Rostam Batmanglij. "'Queen' was written about the strong women around me, the queens that raised me and the queens I’ve met through my years,” G Flip explains. “My idea of a queen is not necessarily linked to gender; queens come in all forms and walks of life. To me a queen embodies power and strength; they embrace all they are fiercely yet gracefully. The song was written one sunny day in LA, I was chillin on Rostam’s lovely white couch and he turned around to me and said ‘how about we write a song about Queens’ and I replied with ‘F@!K yeah!’. I’m also super stoked to have mxmtoon on the track with me, she is an absolute queen. I first was introduced to her when I was trying to find ukulele chords to a Khalid song and found her cover on YouTube years ago. She makes awesome music and her voice has such a cruisy timbre to it so I was thrilled to have her jump on 'Queen' with me. She is also an avid croc lover and part of the LGBTQIA+ community, so obviously it just made sense!” mxmtoon adds, “So happy to be a part of ‘Queen’ with G! she and Rostam were such a joy to work with and so so much fun to collaborate with on creative as well. I’m so glad that it’s still possible to make art and music with someone even when they’re on the other side of the world, and I’m lucky that I got the opportunity to feature on G’s song. ‘Queen’ is a power anthem for any person, and I’m so excited for people to love it as much as we do!” [via DIY]

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With her hotly-anticipated new album Magic Mirror out now, Pearl Charles gave us our latest teaser of what to expect earlier this week, sharing new glitzy bop ‘Only For Tonight’. “‘Only for Tonight’ tells the story of a currently bygone era of wild nights out on the town - the highs and lows of one night stands and the crashes of the morning after,” she explains. “The music video, directed by Bobbi Rich, leans into those excesses, paying a sparkly homage to the late-night musical television shows of the 70’s, from Soul Train to The Midnight Special, as well as the gauzy, Vaseline’d lens of ABBA’s music videos. With an added sprinkling of VHS special effects, you’re likely to feel like you’re watching a home-taped recording of a lost episode of Top of the Pops.” [via DIY]

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Alt-pop trailblazer dodie has shared her new single 'Hate Myself' in full. Everything the songwriter touches seems to turn into melodic gold, with her debut album Build A Problem landing this Spring. Out on March 5, it's led by new single 'Hate Myself', which made its bow as Annie Mac's Hottest Record In The World. It's an apt title, with this instantly-viral moment offering an "inner monologue" that touches on some of dodie's inner-most feelings. The song depicts "someone who seems to find themselves in relationships of any kind with people who deal with their feelings internally - unfortunately resulting in assuming the issue is with them." dodie co-directed the video alongside Sammy Paul, shooting at the Cornish seaside village Polperro. The pair "excitedly landed on the silly idea of the training leading up to becoming a post-lady, and thoroughly enjoyed planning the many bizarre exercises she would have to perfect. Our excellent Art Director, Louis Grant, worked on bringing her home and training station to life. Though jogging on cliff tops in the rain, carrying a large sack and slipping in the mud was certainly cold and exhausting, I think I preferred it to slowly feeling sicker, licking stamps on a swaying boat by the Excel." [via Clash]

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Berlin-based indie five-piece People Club are back with new single and video 'Francine', following on from their last release 'Lay Down Your Weapons', which focused on police brutality. The new single 'Francine' tackles the topics of addiction and lovelessness. In the words of the band: "The song speaks from the voice of a lamenting partner whose lover (Francine) is helplessly addicted to drugs. Francine lost interest in her relationship with the narrator a long time ago. It's a song about commitment and how love can fade away leaving only wickedness behind." Regarding the visuals, the band said "The 'Francine' video is a play on the old idiom of 'being your own worst enemy'. A phrase which quite beautifully captures the inner critic which we know so well, especially during the course of the pandemic - we've had to learn to each give ourselves a break. The video was shot in the depth of the harsh Berlin winter, in the depth of the pandemic." Director Felix Spitta added "I love the band and I love the different personalities. It is always heaps of fun working on creative output together. Riding through Berlin only with bikes and all the film equipment in the freezing cold almost felt like a masochistic idea from Saxon. It's inspiring to be surrounded by so many creative minds.”

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Pale Waves are back with 'Easy', the third single to be shared from their highly-anticipated second album Who Am I?. Lead vocalist Heather Baron-Gracie describes the new track as "a song about how love can change your whole entire perspective on life itself. It’s saying ‘being in love with you is so easy, you finally make sense in my life because nothing did before'." The new single is accompanied by a James Slater-directed video that shows Baron-Gracie performing at a Tim Burton/medieval-style wedding in an abandoned church. Baron-Gracie adds, "I wore a wedding dress throughout and we shot the video in an old abandoned church. I’m really inspired by the gothic medieval aesthetic and at the time I was thinking of the video I was watching a lot of Tim Burton films whose creativity really inspires me." Pale Waves' second album will follow their 2018 debut LP My Mind Makes Noises. Baron-Gracie says of their upcoming album, "For me, music and art is for people not to feel so alone and isolated. I want to be that person my fans look up to and find comfort in." [via the Line Of Best Fit]

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The official video for Zoe Wees’ new single, 'Girls Like Us,' is online now. Like the song, the clip sends a message of togetherness and solidarity to girls around the world who are feeling the pressures of society. Zoe Wees says, “It’s not always good to think about how you look to the rest of the world. It’s much more important to think about how you feel inside. It is not easy to call yourself beautiful but being confident helps you to accept and love yourself.” The 18-year-old Hamburg, Germany-based artist adds, “We’re walking through a world with blinded eyes. At the end of the day, we all go to bed without make-up with the ugliest clothes and wake up with the messiest hair on earth.”

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Julien Baker has shared a new taste of her forthcoming album Little Oblivions by way of a new single ‘Hardline’. Julien says, “A few years ago I started collecting travel ephemera again with a loose idea of making a piece of art with it. I had been touring pretty consistently since 2015 and had been traveling so much that items like plane tickets and hotel keycards didn't have much novelty anymore. So I saved all my travel stuff and made a little collage of a house and a van out of it. I wanted to incorporate it into the record and when we were brainstorming ideas for videos we came across Joe Baughman and really liked his work so we reached out with the idea of making a stop-motion video that had similar aesthetic qualities as the house I built did. I don't know why I have the impulse to write songs or make tiny sculptures out of plane tickets. But here it is anyway: a bunch of things I've collected and carried with me that I've re-organized into a new shape.” The video for ‘Hardline’ was directed by Joe Baughman, who notes: “Man, even after having spent 600 hours immersed in ‘Hardline’ and having listened to it thousands of times, I am still moved by it. It was a fun and ambitious challenge creating something that could accompany such a compelling song. The style of the set design, inspired by a sculpture that Julien created, was especially fun to work in. I loved sifting through magazines, maps, and newspapers from the 60s and 70s and finding the right colors, shapes, and quotes to cover almost every surface in the video.”

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Teenage Joans are staying true to their world and unveiling 'Something About Being Sixteen', a new single that's sure to cement their 2021 as victorious. It's the perfect successor to 'Three Leaf Clover' and a track that makes it two-for-two for Teenage Joans, further capturing the excitement and energy within Cahli and Tahlia as they trade catchy riffs and thriving choruses with the combo of light-heartedness and intimateness that seems to define Teenage Joans' work, and how they're able to look in at themselves (and out at the world around them) through a lens that keeps it fun and digestable. "'Something About Being Sixteen' is undoubtedly Teenage Joans' great take on the classic coming of age rock tune, generally closing our live sets with audiences singing along every time without fail," the duo say on the single. [via Pilerats]

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Kate Hollowell took a risk going by the moniker Number One Popstar when she released her debut single 'Psycho.' However, Hollowell didn’t mind if that choice set her up for failure or not. She goes with the flow. Luckily, that mentality has advanced her even farther. Now, Number One Popstar releases her second single, 'I Hate Running.' New Year’s resolutions are, most of the times, created for the wrong reasons. It’s also no surprise that majority of people’s goals center around exercising and weight loss. 'I Hate Running', however, challenges that mindset, satirizing the toxic nature of exercise industry and diet culture. Hollowell said herself, “The song explores facing the hard, emotional work instead of the physical. I really don’t enjoy running, and I wanted to troll the exercise industry and write an anti-motivational song.” In terms of sound, 'I Hate Running' shares similar vibes to her first single with its classic 80s pop of saturated synths. But, this time, there’s a hint of disco with the zealous psychedelic guitar and electric drums and keys. The interludes consist of a symbolic, robotic, and almost sinister snippet from a workout instructor. It all complements well with Hollowell’s escapist lyrics. Even though the lyrics say otherwise, the track’s sound might just spark that motivation to workout or dance, doing mindful movement that makes us feel good. Exercise should never feel like a punishment, and Number One Popstar is here to remind us. She makes us want to stick it to the exercise industry, proving to it that we will only work out for the right reasons. [via Earmilk]

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Alt-pop riser Chloe Rodgers has shared her new video 'The Algea' in full. The Nottingham based talent sparkled in 2020 in spite of the pervasive gloom, releasing two startling singles. Her third release could be her best yet, with 'The Algea' hitting streaming services just before Christmas. The video captures those mid-winter chills, while providing a platform for Chloe to express herself. Constructed alongside creative director Kate Lomas, it was shot at Newstead Abbey in Nottingham. Chloe comments... "I wanted to use a music box in the video to represent being objectified and getting stuck in the same cycles, as that’s largely what the song is about. I wrote the song when I was 18, but didn’t add the verse at the end about claiming my power back until a couple of years later when I felt a bit stronger. We tried to reflect this in the video too with the Chloe in white sort of protecting the other Chloe of the past." Kate Lomas adds: "This was such a joy to watch come together, the video concept is based around the idea that Chloe is the character in a music box, she’s the performer that’s spinning round on an endless cycle for other people’s entertainment. The video tells the tale of Chloe definitely breaking this cycle and no longer playing this role." [via Clash]

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Jaguar Jonze has announced her ANTIHERO EP will be released on April 16 via Nettwerk Records. With the EP announcement, Deena shares the official music video for her latest single, 'ASTRONAUT,' the follow-up to two previously released videos for 'DEADALIVE' and 'MURDER'. Each of the five music videos for the forthcoming ANTIHERO EP will come together through bold-palette videos that transform into an antihero character “in a cyberpunk, anime, futuristic, graphic, almost sci-fi world,” says Deena. Deena adds, “as ‘ASTRONAUT’ delves into my anxiety, I wanted the film to reflect that in a simple way that helped portray how my anxiety can sometimes manifest - a contradiction between feeling lost in vast spaces and trapped in claustrophobic spaces. I had a specific idea in mind, which meant that I had to undergo stunt training with professionals and learn how to maneuver in a wire harness. Most of the video had to be shot in a single take because of the stunts' nature in safety preparation, time consumption, and impact on the body. I'm still recovering from the bruises, but it was all worth it, and the team was amazing in pulling it all together. I'm proud of this one as it is 3 minutes of my rawest vulnerability, visually interpreted. I'm also finally ready to share it.” 'ASTRONAUT' is the sound of Deena liberating herself from a lifelong battle with anxiety. “It is a human trait. It’s how we survive in the wild,” she says. “We’re all wired as humans to be quite anxious. As females more so, because we’re more susceptible to danger.”

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Rising star Mulay shares the smoking visuals for her new single, ‘Antracyte’. It’s the culminating release in a three-part video series from the Berlin-based alternative R&B singer-songwriter/producer/artist, ahead of her highly anticipated EP, which comes out at the end of the month via Groenland Records. Mulay explains about the single, “'ANTRACYTE' is the intro and title track to my debut EP. It’s the soundtrack to the birth of a villain and captures the moment of complete honesty to yourself about the awareness of doing wrong by the ones you love while feeling the inability to turn around. It’s about the desire to taste forbidden fruits, to cross and explore what lies beyond the line and the self-empowering feeling of playing by your own rules defeating the fear of consequences and the power of moral concepts. 'ANTRACYTE' tells a story of contradicting emotions, a story of love, lust, pain and a longing for more. It’s about facing your own darkness and sins, about self-revelation, emancipation and about paying its price, resigning to your fate.”

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Only a band like shallow pools could make a blast of 'ice water' sound refreshing and necessary in the dead of New England winter. But the Massachusetts indie-pop group is usually pushing against the current of what we’d normally expect, and now the quartet hits us with a dose of cold reality through their new single and video. 'ice water' is a vivid new single that confronts the mental health struggles brought on by quarantine and isolation, and even the shallow pools aesthetic has reflected this by shifting from bright glowing neons to a more subdued color palette of beiges and browns. Call it a sign of the times, and call 'ice water' the sound of now; upbeat and jovial on the surface, a comet of pop smarts and hooks, but with the darker shine that resides in our lives when we’re positioned away from the screens and digital scenes. As Glynnis Brennan sings “Every day’s the same and / There’s no breaking out / Like I’m stuck here / Going through the motions now” well, we feel that. shallow pools describe “ice water” as “a departure from the music we’ve made in the past, but it’s the perfect bridge between our old and new sound.” That is certainly the case, and 'ice water' continues to showcase the group as one of New England’s sharpest, following a string of 2020 singles that included pop standouts like 'Haunted' and 'Afterlight'. “We wrote the song with our friend and producer, Chris Curran, and learned a lot about the type of music we want to be making in the process,” the band adds. “The song is about the impact that the state of the world has had on our mental health, specifically in the last year. We’re excited to share it and hope that anyone who has had similar experiences will find some comfort in knowing that there are others who can relate.” [via Vanyaland]

#videos of the week #simpson #lana del rey #g flip #mxmtoon #pearl charles #dodie #people club #pale waves #zoe wees #julien baker #teenage joans #number one popstar #chloe rodgers #mulay #jaguar jonze #shallow pools

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Six Celebrities Who Honestly Believe The Earth Is Flat

In case you needed a reminder, yes we are in the year 2017, and yes there are people that think Earth is flat.

And not just your regular “Mad Mike” characters. Oh no, a number of celebrities in the past few years have come out in favor of the bizarre theory.

From basketball players to musicians, a number of celebrities are jumping on the flat Earth bandwagon. You’d hope that most of these aren’t actually being serious but, hey, a climate change denier is currently President of the United States. Anything goes it seems.

So here are a few celebrities who, for one reason or another, have expressed the view that they think the Earth is flat. I’m looking forward to seeing what exciting conspiracy theory makes its way into the public mainstream in 2018.

Kyrie Irving

Kyrie Irving has backed away from his flat Earth comments. Jamie Lamor Thompson/Shutterstock

Kyrie Irving is the celebrity that arguably started this recent bout of flat Earthness. In early 2017, the Cleveland Cavaliers’ guard said he thought Earth was flat.

“This is not even a conspiracy theory,” he said in February. “The Earth is flat. The Earth is flat. It’s right in front of our faces. I’m telling you, it’s right in front of our faces. They lie to us.”

Irving doubled down on his beliefs multiple times. But in September, he claimed that the whole thing had just been a “social experiment“, and he had spun the world “into a frenzy”.

So, it was all just a joke? I guess. Haha. Very funny.

Sammy Watkins/Draymond Green/Wilson Chandler/Shaquille O’Neal

Shaq claims he was just kidding. Karen Struthers/Shutterstock

Irving may have been joking, but that didn’t stop a number of other basketball players coming out in support of the flat Earth theory.

Los Angeles Rams receiver Sammy Watkins supposedly also believes Earth is flat, although maybe he was in on the “joke” too.

There’s also Golden State Warriors forward Draymond Green, who said he didn’t know if the Earth was flat, “but it could be“.

And there’s Denver Nuggets forward Wilson Chandler, who in February tweeted: “I agree with him” in response to a now-deleted tweet about Irving.

Shaquille O’Neal, too, also got involved, later claiming he had been joking that he thought the Earth was flat.

Who’s being truthful? Is anything real? Is Earth really flat?! I just don’t know.

B.o.B

While we’re not sure if those basketball players were just pulling our leg or not, rapper B.o.B seems pretty adamant the Earth is flat. At the start of 2016, he tweeted a string of bizarre comments supporting the idea.

“A lot of people are turned off by the phrase ‘flat earth’ … but there’s no way u can see all the evidence and not know… grow up,” he said.

“No matter how high in elevation you are… the horizon is always eye level … sorry cadets… I didn’t wanna believe it either.”

This led to a now rather infamous “rap battle” with astrophysicist Neil deGrasse Tyson, who took it upon himself to debunk most of B.o.B’s musings.

Yes, B.o.B could have been joking too. But a cursory glance at his Twitter feed suggests that’s probably not the case.

Just a few days ago, for example, he sent this bizarre tweet: “now realize that there is no earth… there is only now.” Yep.

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He shot to the fore again in September, when he was apparently seeking money for a crowdfunding campaign to send a satellite into orbit and test if Earth was flat.

That looks like it might have been fake, however, so perhaps B.o.B will never get the answers he’s seeking.

Tila Tequila

Tila Tequila holds some… interesting views. Tinseltown/Shutterstock

I’m not 100 percent clear on who Tila Tequila is, let alone how she became famous. I hear it has something to do with Myspace, but hey, apparently she’s a celebrity.

And last year, she made headlines (again?) when she repeatedly tweeted that she thought Earth was flat, and wanted someone to tweet her evidence it wasn’t.

“I WILL STOP MY #FLATEARTH TALK IF SOMEONE CAN SEND ME A GOD DAMN PHOTO OF THE HORIZON WITH A CURVATURE!” she eloquently wrote. Lovely.

She also queried why buildings in New York would stand straight up, rather than tilt, if Earth was round. Please don’t make me explain why this isn’t the case.

Aside from thinking Earth is flat, the Trump supporter also appears to have some questionable views in favor of Hitler, and has been pictured making a Nazi salute at a far-right rally. How nice.

Freddie Flintoff

Flintoff is a cricket person. Featureflash Photo Agency/Shutterstock

Those of you in the US might not know who Freddie Flintoff is, but here in the UK he’s a pretty famous cricketer who was instrumental in England’s defeat of Australia in the 2005 Ashes series.

He might be good at cricket, but it appears he’s not that good at science. Speaking on a podcast for BBC 5 Live in the UK last week, he expressed some rather bizarre views and said there was evidence suggesting the world wasn’t round.

“If you’re in a helicopter and you hover, why does the Earth not come to you if it’s round?” he asked his co-hosts. The answer, dear Freddie, is relativity.

He also didn’t understand why water stayed still if we were hurtling through space (gravity), and why you can see a laser that you fire into the distance. Not sure what he’s going on about here.

“The middle is the North Pole, around the outside is the South Pole which is like a big wall of ice,” he said. “This is why all governments now have bases on the South Pole.”

I, uh… okay. I see.

A. J. Styles/Sherri Shepherd

Shepherd infamously once said she didn’t know if Earth was flat. Rena Schild/Shutterstock

Okay, so WWE wrestler Styles didn’t explicity say he thought Earth was flat, but he did make some comments that alluded to the fact he might believe just that.

“I don’t think the world is flat, I’m just saying there’s some stuff about it,” he said earlier this year. “That’s all. I’m not a flat earther. I’m just saying there’s some things about it that make sense.”

Uh huh.

Then there was Sherri Shepherd, who was given quite a hard time for comments she made on The View back in 2007.

When asked if the world was flat by Whoopi Goldberg, she responded: “I don’t know. I never thought about it Whoopi. Is the world flat? I never thought about it. I tell you what I thought about, how I’m going to feed my child.”

Shepherd got a huge amount of stick for the comments, and later clarified that she didn’t think the Earth was flat.

But it goes to show that, when it comes to Earth being flat, you’re probably best to stick on the side of science.