if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)
an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.
my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.
which is really sad given all that he has been through.
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@raventhekittycat
hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms
There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.
But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!
Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)
But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.
For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.
Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.
There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.
The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.
But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.
So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.
Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.
It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.
Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.
I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it
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Safu doujinshi!
The Safu doujinshi I ordered came in! They’re really wonderful so I wanted to share a bit! Disclaimer tho that my Japanese is at like a kindergartner’s level (if I’m being generous lol) so this will not be very comprehensive or in depth. Also apologies for my shoddy phone pics. But here they are!
I mentioned before that one was advertised as Nezumi x Safu, which is on the left! I ended up getting the one on the right too, which was labeled Shion x Safu, and I’ll start with that one, cuz it’s more just little snippets involving Safu.
First one is Safu underwater (?) with some dolphins (??) talking to Elyurias. Honestly worth it for this panel alone, the way this artist draws Safu is soooo cute.
SO CUTE. Second story is about Shion and Safu when they’re kids!
Third one is about Nezumi, Shion, Karan, and Rico in the underground room. It opens with Nezumi walking in on this crude picture they drew? lol. I’m not gonna pretend I understand the context for this one at the moment.
Last one is about Shion and Safu meeting up some time after Shion’s been kicked out of Chronos, and Safu has a nice conversation with Karan :)
& that’s basically it! As for the Nezumi x Safu one, there are actually two stories!
First one I understand the least!!! (I’m a coward with kanji!) It seems to be about Nezumi, Shion, and Safu when they’re in college. Safu and Nezumi do a lot of talking on park benches. Safu also seems to be doing some experiment with rats, and brings them to the park bench to show Nezumi at one point. The panel layout is interesting, as the pages are drawn to look like files in a folder.
Honestly worth it for this panel alone, lol.
Second story is about Nezumi, Shion, and Safu in high school. It opens with Safu apparently doing the whole “I want to have s*x” thing to Shion and getting rejected, and then venting to Nezumi on the rooftop about it.
The next day at school gives this adorable hair ruffling panel with Nezumi (assumedly) teasing Shion for being a dingus in how he rejected Safu. Things don’t stay awkward for long, tho, as Safu gives Shion a hand-knitted scarf and the three of them seem to be good.
Then we get another scene of Nezumi and Safu on a park bench, lol. I don’t know what they’re talking about, but Eve comes up a few times, so Nezumi’s alter ego shows up in this high school AU, apparently.
The next day back at school, the three meet up again, and I’m not sure what they’re talking about but all that matters is the panel below.
So sweet! Always wanted to see the three of them like this! <3 My wish to see them all interacting as friends, and Nezumi and Safu specifically interacting in a more positive, light-hearted situation has been fulfilled.
The last most important thing to mention is on the reverse cover for this doujin Nezumi is, indeed, wearing crocs.
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3, 4 and 7 for the ask x
thanks for the ask!📚
3. What’s something you read recently and wanted to argue with (either with the book or the author or the fans)?
buckle up for a good ol' book rant!
so the dreamhealers series - a cozy slice of life scifantasy story about two neurodivergent individuals forming a queerplatonic partnership - is, it turns out, the origin story of the characters which the author mca hogarth has conceived a long time before as side characters in a completely different arc in her peltedverse. i assume she started developing said arc when she was a teen and wrote the dreamhealers when she was already an adult. the result is two stories that tonally and structurally couldn't be more different but that both feature these two characters which naturally resulted in characterization consistency problems. you can't take a weird lil guy from a pastoral novel where everyone just vibes and put him into a high stakes high fantasy plot without it taking a toll on their personality. now, this is not a problem if you finish the dreamhealers and just stop after book 4, however comma goodreads shows that there's this novella following the last book and you assume it's gonna be some sort of cute epilogue and you pick it up and it turns out it's not that but rather a short backstory of the characters mca hogarth wrote for her high stakes arc BEFORE she wrote the full version of their backstory aka the dreamhealers. are you still following? anyways i read the novella and was appalled at how jarring the difference is between jahir and vasiht'h in the series and this novella which, if you read in the order i'm reading in, basically serves as a link between the dreamhealers and prince's game. on the one hand, it's cool to see how much mca hogarth grew as a writer and how much more nuanced and relatable she made her characters in the course of their development. but on the other, it made me have unpleasant ruminations about what is canon and what isn't. this novella feels like a retcon designed to make jahir and vasiht'h fit a new narrative. however, it was written before the dreamhealers - does that then make dreamhealers a retcon and not as canon? both things can't be canon bc jahir and vasiht'h in the series would never do things they do in the novella. which makes it feel like a fanfic written by someone who doesn't understand the source material.
phew did it feel good to get all of this off my chest! tl dr please read the dreamhealers but under no circumstances read "family"
4. What are your top 3 comfort reads?
to be completely honest i don't typically re-read books for comfort purposes. that's what fanfics are for!✨ the top 3 i used to re-read the most (but not in quite a while tho) are lessons (aftg), astray (captive prince) and this unfinished theseus/the minotaur fic which i believe was called asterius und which, as i was distraught to discover, had been privated by the author😭 such tasteful monsterfucking literature i have never known before or since
7. What book do you love but usually not recommend because it’s weird or intense, etc?
i love aftg but i will rather bleach my soul by reading that fandom's discourse again than recommend it to anyone. and to be clear, it's not bc i think the seires is weird or poorly written or not good enough for general audiences - it's bc no one is worthy of studying the sacred texts except for me and a couple other initiated intellectuals
book ask
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