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cinemapremi · 4 months

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Top Hindi Movies of 2023: Stories That Touched Hearts

Explore the top Hindi movies of 2023. In 2023, Hindi movies gave us a bunch of really good films. There were exciting thrillers and touching dramas that people all over the country loved. We've picked out the best ones for you. Join us on a journey through the top-rated Hindi movies of 2023. Get ready for captivating stories, amazing acting, and movies that make you think. It's going to be a cinematic adventure you won't forget! 15 Must Watch Movies of 2023: Top Rated Movies! Top 10 Inspiring Hindi Movies!

Table of Contents

S.No.MovieDescription1.Joram: A Gripping TaleDiscover the intense and exciting story of 'Joram' with amazing acting that will stay with you.2.12th Fail: Impressive DramaGet inspired by '12th Fail,' a drama that impresses and leaves a mark with every scene.3.Dhak Dhak: Wholesome AdventureJoin a wholesome adventure in 'Dhak Dhak' that will make you want to go on a journey, whether on the road or in your heart.4.Khufiya: Engaging Spy StoryDive into the spy world with 'Khufiya,' a story inspired by true events that mixes intrigue and personal loss.5.Gold Fish: Emotional Caregiver's JourneyExperience the emotional journey of caregivers in 'Gold Fish' as they make sacrifices for their loved ones.6.Ghoomer: Abhishek Bachchan's TriumphWitness triumph in 'Ghoomer' as Abhishek Bachchan shines in a sports-survival drama.7.Sirf Ek Bandaa Kaafi Hai: Unmissable DramaDon't miss the exceptional drama of 'Sirf Ek Bandaa Kaafi Hai,' especially with Manoj Bajpayee's outstanding performance.8.Shiv Shastri Balboa: Family EntertainerEnjoy a complete family entertainer with 'Shiv Shastri Balboa,' despite a few subplots and a legal battle towards the end.9.Daman: Simple and Uplifting TaleFind beauty in simplicity with 'Daman,' a heartwarming movie that gives hope in challenging situations.10.Farrey: Compelling Watch with SurprisesDespite some loose ends, 'Farrey' is a compelling watch with energetic performances, and Alizeh Agnihotri's impressive debut. Top Hindi Movies of 2023 with Details and Review

1. Joram: A Gripping Tale

"Joram" is a gripping Hindi-language thriller film released in 2023. The screenplay and direction are credited to Devashish Makhija, and the film is produced by Zee Studios in collaboration with Makhijafilm. The stellar cast includes Manoj Bajpayee, Tannishtha Chatterjee, and Smita Tambe. Joram stands out as a gripping thriller with a powerful socio-political message. The intense storytelling and stellar performances make it a must-watch, leaving you thinking about our impact on Mother Nature. Release: 1 February 2023 Director: Devashish Makhija Language: Hindi https://www.youtube.com/watch?v=XOCbjto_DFk "The movie is fast-paced, with great music and cinematography, capturing the local language and culture well. The actors, especially Mohd Zeeshan Aiyub and Medha Mathur, deliver impressive performances. The film uses symbols and visuals to tell its story, addressing issues like displacement, corporate politics, and the exploitation of tribal areas. It's a refreshing watch, offering a break from the usual grind, similar to the impact of the film "Animal." Plus, Manoj Bajpayee's acting is a highlight, making "Joram" a must-watch for that alone."

2. 12th Fail: Impressive Drama

Manoj Kumar Sharma, an IPS officer, courageously decides to restart his academic journey and take charge of his destiny. He chooses to pursue his education in a place where millions of students strive to conquer the world's most challenging competitive exam: UPSC. 12th Fail is a top-class drama that impresses and inspires. Director Chopra brings out the best in each character, creating a memorable cinematic experience. Release date: 27 October 2023 (India) Director: Vidhu Vinod Chopra Based on: 12th Fail; by Anurag Pathak https://www.youtube.com/watch?v=WeMJo701mvQ "Vidhu Vinod Chopra's 'The 12th Fail' is a gripping tale of resilience and success. Vikrant Massey shines as Manoj Kumar Sharma, a 12th-grade dropout turned IPS officer. The film, raw and emotional, explores Manoj's journey from struggles to aspirations. Medha Shankar and the supporting cast deliver outstanding performances. Chopra's direction is exceptional, portraying a realistic narrative. The movie's brilliance lies in its relatable storytelling, heartfelt moments, and a climax that is both tearful and inspiring. A must-watch on Disney Plus Hotstar, this 2023 gem stands out with its engaging execution and powerful message of honesty and perseverance."

3. Dhak Dhak: Wholesome Adventure

Four women are taking the journey of a lifetime, riding motorcycles from New Delhi to the highest mountain pass in Ladakh, India. Dhak Dhak takes you on a wholesome adventure with four riders on the storm. It's a tale that inspires you to embark on your own journey, whether on the road or following your heart. Release: 13 October 2023 Director: Tarun Dudeja Producers: Taapsee Pannu, Pranjal Khandhdiya, Aayush Maheshwari, Ajit Andhare Music by: Jasmine Sandlas; Rishi Dutta; Osho Jain; Mohan Kannan; Anurag Saikia; Raghav–Arjun https://www.youtube.com/watch?v=lhBrQWWCV7g "Attention travelers! Check out 'Dhak Dhak'—a film for adventure lovers. It's about four diverse women embarking on a bike trip to Khardungla from New Delhi, addressing the challenges and freedom they experience. The movie beautifully captures the essence of self-discovery, emotions, and female empowerment. Filmed in Himachal Pradesh, it showcases the stunning landscapes and challenges faced by travelers. Notably, 'Dhak Dhak' also highlights the positive role men play in supporting women during their journeys. After watching, you'll be inspired to pack your bags for a getaway."

4. Khufiya: Engaging Spy Story

An agent from the Indian intelligence agency R&AW is tasked with uncovering a mole selling defense secrets. Along the way, she wrestles with the challenges of her double life as both a spy and a lover. Khufiya weaves an engaging spy story inspired by true events. Amidst the intrigue, the film also portrays personal loss, creating a captivating experience for the audience. Release: 5 October 2023 Director: Vishal Bhardwaj Distributed by: Netflix https://www.youtube.com/watch?v=ByojhBwG_-E "Khufiya is a well-written spy thriller by Vishal Bhardwaj. The cast, including Tabu and Ali Fazal, delivers outstanding performances. Wamiqa Gabbi adds charm with her playful yet intense acting. A surprise comes from Navindara Behl as Ali Fazal's mother, excelling in her role. The film's direction is raw and realistic, capturing great locations. While the storyline is simple, lacking major suspense, it's still enjoyable and unpredictable. The slow-burn screenplay may not suit everyone, but for spy thriller fans, Khufiya is a must-watch. The music and songs are beautiful, with a great ending, though the background music could be better."

5. Gold Fish: Emotional Caregiver's Journey

Anamika comes back to her childhood home when her mom, Sadhana, is diagnosed with dementia. With the help of her caring neighbors, Anamika tries to face the memories from her past and mend her relationship with her mother. In Gold Fish, the challenges faced by caregivers take center stage. The film delicately captures the sacrifices made for loved ones, delivering an emotionally charged viewing experience. Initial release: 2022 Director: Pushan Kripalani Producer: Amit Saxena https://www.youtube.com/watch?v=8aDO8KFaR8Y "Great movie! The acting is excellent and feels very real. The direction is impressive. It's a must-watch film that tackles a sensitive topic. Finally, found some great content in 2023. All the actors did an amazing job. Well-made movie!"

6. Ghoomer: Abhishek Bachchan's Triumph

Young cricket talent Anina loses her right hand right before her first international match. A former unsuccessful cricketer comes into her life, giving her fresh hope. Through unique training, she becomes a bowler for the Indian cricket team, and together, they create a new bowling style. Ghoomer sees Abhishek Bachchan and Saiyami Kher shine in this sports-survival drama. The film blends exceptional storytelling, drama, and powerful dialogues, making it a must-watch. Release: 12 August 2023 Director: R. Balki Producers: Abhishek Bachchan, R. Balki, Gauri Shinde, Rakesh Jhunjhunwala, Ramesh Pulapaka https://www.youtube.com/watch?v=S5ixGOMTliE "With a stellar history of movies like Cheeni Kum and Paa, expectations were high for R. Balki's Ghoomer, and he doesn't disappoint. The film is an emotional and motivational rollercoaster, capturing the essence of cricket fever surrounding the Asia Cup and ICC World Cup. Shabana Azmi, Abhishek Bachchan, Saiyami Kher, and Angad Bedi deliver outstanding performances. The climax resonates with a powerful message: 'You were born to be a player. You were meant to be here. This moment is yours.' Ghoomer stands out as a must-watch, offering a compelling narrative and brilliant acting for audiences of all ages."

7. Sirf Ek Bandaa Kaafi Hai: Unmissable Drama

A lawyer, armed with the truth, takes on a case to seek justice for a victim of sexual assault, challenging a powerful and wealthy spiritual leader. Don't miss Sirf Ek Bandaa Kaafi Hai for its exceptional storytelling, drama, and dialogues. Manoj Bajpayee's extraordinary performance, particularly as Advocate PC Solanki, deserves cheers. Release: 13 May 2023 Director: Apoorv Singh Karki Cinematography: Arjun Kukreti Language: Hindi https://www.youtube.com/watch?v=MWH7lfZdP-8 "This courtroom drama is a gem, the best Bollywood movie I've seen in ages. Based on real events, it follows small-town lawyer PC Solanki (Manoj Bajpayee) taking on a major case against a powerful godman. Despite threats, he ensures justice prevails. Bajpayee's performance is exceptional, surpassing even his role in Gangs of Wasseypur. The cast, storyline, and Apoorv Singh Karki's direction create an engaging film. After Aspirants, Karki proves his mettle again. The movie ends on a powerful note with a meaningful social message. Don't miss the goosebumps moment! Catch it on ZEE5 for a brilliant watch."

8. Shiv Shastri Balboa: Family Entertainer

Retired Indian, Shiv Shastri, a big fan of the 'Rocky' movies, moves to the United States. He unexpectedly goes on a road trip through the American heartland, discovering that it's never too late to start afresh and reinvent oneself. Despite a subplot overload, Shiv Shastri Balboa is a complete family entertainer. It introduces a legal battle, adding a twist, but manages to keep the audience engaged. Release: 25 September 2022 Director: Ajayan Venugopalan Language: Hindi Produced by: Kishore Varieth https://www.youtube.com/watch?v=8Acp006qJPQ "Do not judge movie by its name, no big banners, and no famous young actors. Being someone who likes different things in movies and music, I decided to give it a shot for time pass. To my surprise, I found myself smiling throughout the movie. I enjoyed every frame. Kudos to Anupam Kher for his acting. The story and screenplay are nice, a bit emotional and motivational. It felt like reading an amazing book in one go. I recommend everyone to watch it at least once. It's not for action and fiction lovers. Thanks to the 'Shri Shastri Balboa' team. I felt the same way I did when watching 'Rocky Balboa.'"

9. Daman: Simple and Uplifting Tale

DAMaN, short for Durgama Anchalare Malaria Nirakarana, is a 2022 Odia adventure drama film in India. It was written and directed by Vishal Mourya and Debi Prasad Lenka, with Deependra Samal as the producer. Daman excels in simplicity, delivering a tale of a doctor's indomitable spirit. The film's realism and ability to inspire hope in a hopeless scenario make it a winner. Release date: 4 November 2022 (India) Directors: Vishal Mourya, Lenka Debiprasad https://www.youtube.com/watch?v=MOckS35r8yE

10. Farrey: Compelling Watch with Surprises

After getting a scholarship to a top school, a smart orphan gets caught up in cheating when her wealthy friends persuade her to help them. Farrey is a compelling watch, despite some loose ends. Alizeh Agnihotri's impressive debut adds to the film's resonance, making her someone to watch out for in the future. Initial release: 24 November 2023 Director: Soumendra Padhi Producers: Salman Khan, Alvira Khan Agnihotri, Atul Agnihotri, Naveen Yerneni, Nikhil Namit, Y. Ravi Shankar, Sunir Kheterpal https://www.youtube.com/watch?v=WUbl1870N7c The year 2023 showcased the diversity and richness of Hindi cinema. These top-rated movies not only entertained but also left a lasting impact on the audience. Whether you're a fan of intense thrillers, heartwarming dramas, or thought-provoking shorts, there's something for everyone in this cinematic journey. So, grab your popcorn and immerse yourself in the magic of these compelling stories from the world of Hindi cinema. 1. What made 'Joram' stand out among the top-rated movies of 2023? Answer: 'Joram' distinguished itself with its gripping narrative, powerful socio-political message, and exceptional performances. It not only entertained but also left viewers pondering over the impact of human actions on Mother Nature. 2. Why is 'Sirf Ek Bandaa Kaafi Hai' a must-watch? Answer: 'Sirf Ek Bandaa Kaafi Hai' earns its must-watch status due to exceptional storytelling, powerful drama, and outstanding dialogues. Manoj Bajpayee's extraordinary performance, especially as Advocate PC Solanki, adds to the film's allure. 3. How does 'Daman' differ from other dramas in 2023? Answer: 'Daman' stands out for its simplicity and uplifting tale of a doctor's indomitable spirit. Unlike other dramas, it doesn't rely on unnecessary frills but effectively touches the heart with its realistic portrayal. 4. What surprises can viewers expect from 'Farrey'? Answer: Despite some loose ends, 'Farrey' offers a compelling watch with energetic performances. Alizeh Agnihotri's impressive debut is a standout, providing unexpected surprises throughout the film. Read the full article

#2023 #hindi #manojbajpayee #movies #mustwatch #newmovies #topmovies

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ajokeformur-ray · 3 years

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Hello Erica! I'm kinda new to all this self-shipping stuff, so if I understand correctly, you are in some kind of relationship with Arthur? Can you explain how that happened? How did you two meet?

Hello, darling!💚

Welcome to the wonderful realms of ✨self-shipping✨! It’s a real life changer, and I’m not kidding! Yes, you understand correctly! I consider myself to be in a very real, committed marriage to Arthur Fleck; I wear wedding rings, I celebrate anniversaries, the works. With my wonderful husband I have finally come into myself and I’ve never been more at peace with who that woman is; deeply flawed and less than ideal as she is (in my opinion; I struggle with self-loathing and Arthur helps me with that, too).

UNDER THE CUT TW; MENTIONS OF TRAUMA FROM AN ABUSIVE ROMANTIC RELATIONSHIP, NIGHTMARES, DISSOCIATION, EMOTIONAL HEAVINESS. I WENT HARD ON THIS ANSWER.

Arthur and I met on the 4th October 2019; it was the very first release date in the UK and ever since the trailer had first aired, I had... a tugging in my gut that I had to see Joker. No negotiations, no questions asked... I had to see the film. That feeling never faded and I actually booked my tickets an entire week before the very first showing on the 4th of October. I left work an hour early to make sure that I had plenty of time, I was an hour early to the cinema and everything. I very nearly didn’t go, tbh, even after all of my planning, because I have... trauma associations with Leto’s!Joker (abusive ex-boyfriend who literally modelled himself after Leto’s Joker and always called me “his Harley” and expected me to call him “Mr. J” etc. so as you can imagine, I have troubles with Harley and Leto’s Joker even three years after I escaped the relationship in fear of my life), but the tugging in my gut was too much for me to ignore and I went.

And oh. my god. Nonnie. I fell in love with Arthur before I even knew his name. Carnival was spinning his sign on the streets of Gotham and I remember my entire body went still and my mind went quiet and the only coherent thought I had was, “oh, there you are”. Arthur’s everything I never knew I needed until I did and he was a literal splash of colour; I was in a very dark place when he found me. Nightmares, dissociation, falling behind in university to the point of being almost unable to catch up, struggling with my job, panic attacks... and then Arthur found me and he saved me. Not physically, that was another battle and I was saved by someone else, but he saved my soul. I was at the point of giving up on myself and on my life and just at that point when I couldn’t take it any more and I began to seriously consider stepping out in front of a bus...

There he was.

I saw the film a total of four times at the cinema. I still have the stubs. I saw him on the 4th of October, the 15th, the 22nd and the 12th November. It was a massive struggle to wait until the 10th February for the DVD to be released in the UK but I held on, and Arthur was with me the entire time. He’s been with me every single day and we’ve had our moments, we’ve had our times of doubt and we’ve wondered if it’s worth it... but it is. He’s the only person who can make me cry tears of pain and love at the same time. He’s the reason I make an effort to eat more than once a day, the reason I even graduated university the first time and decided to pursue a second degree in psychology with counselling because I want to devote my life to helping people like Arthur. He saved my soul, he changed my life, and I will never be able to say thank you or I love you enough to him. It’s ironic, really, when one considers my hobby of being a semi-decent writer.

The relationship happened naturally, I just... felt an instant, very intense connection. I’ve been a self-shipper for my entire life, even before I knew what it was called, and I’ve always known that when I feel a pull inside me, it means that something is real, right, and it’s meant for me. These rings I wear for him are comfort items, a symbol of love and devotion to Arthur, but also a symbol of commitment to myself. To take care of me, to be kind to myself (failing at that last one right now but I’m trying)... to try. I love Arthur Fleck very dearly and I never want to live another day without him now that I know the magic of his existence. He’s the reason I’m so soft and kind even when I just want to be cold and bitter and angry. He’s the reason I’m here today, my love, and I’ll never be able to live in such a way that my gratitude and love will be adequately expressed. I love him. So much.

I’m crying from love right now and my heart’s squeezing in my chest and it actually hurts physically but I love this ache. This soul deep yearning for someone not in this reality, but someone who’s arguably more real than any of us are because after we’re all dead, Arthur will remain. He’s forever. He’s my forever. I won’t ever love like this again and I don’t want to. I identify as aro-ace in reality so this marriage to him is ideal for me, just like he is. He’s perfectly imperfect and I love him and... I’m out of words. He always brings me to the point where words run dry.

So, anyway. sksksk thank you so much for your questions, darling, and for your curiosity, it means a lot to me! I hope that I’ve answered you properly and if you have any more questions, then please let me know! I hope that you’re safe and well!💖

#erileck #self-shipping #nonnie #requests closed

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nico-404 · 4 years

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_SRCHPRTY_ Video Diaries Analysis

These are my collected notes on the video diaries so far. Is this probably all bs? Yeah. Is it probably Not That Deep? Yeah. Am I gonna subject y’all to it anyways? Absolutely. These are just my personal ramblings so they might not make much sense. Gonna try to keep this updated as more diaries get released.

Video 1

A test broadcast. No meaningful speech, although it is likely important to note that, unlike in the other video diaries, it seems the investigator’s voice is unobscured. A test beep plays over the top of the entire video. A rose-like symbol appears at the start of the transmission, after the colour test bars. The same symbol appears at the start of Social Climb, which is supposed to be part of the Thought Reform Tapes. Perhaps this implies that the _SRCHPRTY_ tapes were found by Tellexx? Or, as the symbol appears as a part of the IDKHow logo, that the band were secretly attempting to rebel against the corporation? The video says, “TRIAL BROADCAST 7/31” (31st of July) but it was released on the IDKHow website on the 5th of August.

Video 2

The date in the top left corner is the same as the date of release on the website this time. The symbol appears again. The investigators voice is deepened and distorted, and his face hidden. This is likely out of fear of Tellexx coming for him. He speaks of several tapes in the basement of his parents’ home, which are of the band. These tapes, of course, contain the music videos of the band. There is supposedly no other evidence of their existence, which would be consistent with the thought of a failed experiment. After all, wouldn’t want a damaged reputation. He goes on to explain how the timeline of the videos makes no sense, as the dates jump around but the band never change at all. The time bracket mentioned is mid-60’s to early-80’s. This would support the already extremely strong theory for Tellexx experimenting with time travel. There is apparently no information on Tellexx. At the end of the video, you can hear the beginning of the Bleed Magic lyric video. This, in my opinion, heavily implies that Tellexx have gotten their hands on these videos. The fact that the video is seemingly filmed after the disappearance of Tellexx seemingly references time travel again, but I have a crazier thought. What if Tellexx never left in the first place? What if they simply faked their death, so to speak? That would imply they had succeeded at their first goal, and decided their next steps were best taken from the shadows. On the website, user zomeyes posted a comment on the 12th of June 1994;

“'Tellexx’ appears to have been a pseudo governmental corporation that was publicly active for a brief period of time in the early 1960s. After 1977 it appears that they shut down and vanished completely..”

This means, that with the time frame of 60’s to 80’s in mind, Tellexx were in fact likely active after their supposed dissolution.

Video 3

The investigator references a _SRCHPRTY_ website, which was shut down in 1996. From what he says in the video, it is implied that _SRCHPRTY_ were attempting to expose what Tellexx were doing. If they were publicly active, but still were hiding things, the question that needs answered is obvious; what were they hiding? What exactly did they not want people to know that would have stopped their progression? The investigator mentions thought reform, a theme that has appeared many times throughout the music videos of IDKHow, and states it is difficult for him to stay focused on his own. Perhaps Tellexx have developed successful thought reform techniques, and implanted suggestions into all information about them to demotivate anyone who may find out about them, and attempt to uncover the truth. I’m getting pretty demotivated from this myself to be honest… and I don’t understand why…

Video 4

This one is about the stress evaluation, which we are all by now familiar with. The investigator says he feels as if something is blocking his memory. This is possibly as a result of thought reform. The question is, when did Tellexx have an opportunity to apply these techniques to him? Knowing who he is would make this a whole lot easier…

#i dont know how but they found me #idkhbtfm #idkhow #ryan seaman #ryan idkhow #dallon weekes #dallon idkhow #srchprty #tellexx #razzmatazz #leave me alone

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charliefromtheuniverse · 5 years

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The Story of “SAVE ME”

Save Me is a 15-episode webtoon that BigHit released in April 2019. The webtoon was announced on a Twitter account called Smeraldo Books and is currently available for free on the Naver webtoon app and website.

The HYYH story of the Bangtan Universe features seven main characters, one that takes the name of each BTS member. Even though we’ve got all seven as main characters, the HYYH storyline does focus a bit more on Seokjin’s character as the protagonist. This webtoon follows him and his actions, and he’s the only character we have real insight into here.

Save Me is set in Year 22, after the backstory established in the HYYH Notes leading up to April 11th of that year. There are more HYYH Notes that take place after Save Me, so it falls somewhere in the middle, during some of the rising action. This follows the trend of BTS’s content often being released in media res, or in the middle, rather than from the beginning.

That being said, reading Save Me on its own prior to dealing with the mammoth that is the HYYH Notes can be beneficial, as it does contain story that introduces some really important events that become a central focus of the overall narrative.

Save Me tells the original story of the HYYH timeline that takes place in Year 22 before Seokjin enters the time loop. We know the HYYH storyline actually starts in Year 9, (see Note from HYYH Book 1 dated in October Year 9). This Note is from when Seokjin is a child—the Year corresponds to Seokjin’s age. The later Notes follow the seven characters sporadically throughout the following years, ending (for now) in Year 22. If we assume that the real-world age differences between the Bangtan members were carried over to their characters, then we can figure out the age of any character for any give Note.

Leading up to Year 22, we have HYYH Note entries from all the characters that establish their individual backstories as well as the group meeting each other and then falling apart. There are definitely important events mentioned in these Notes, so I explain some of the relevant backstory where needed in the summary below.

Though there is backstory before Save Me, this webtoon provides the original course of events; as in, this is what happened to this group of friends after they went their separate ways, before Seokjin interferes. The Save Me logo contains a zero, and the HYYH Notes book contains a one, which indicates that Save Me happens before some of the content of the HYYH Notes. There are some crossovers with what happens in Save Me and what happens in the Notes, since Seokjin re-lives certain days many times.

Below is a summary of each episode, and there’s a brief discussion at the end.

Summary of the Episodes

In the prologue, Taehyung is backing away from a broken bottle with blood on his hands. Namjoon sits in jail with a lollipop which he drops to the floor, and Jungkook is walking along the edge of a rooftop. We see Hoseok fall down the stairs while in a hospital gown and Yoongi in a room that's on fire. Jimin sits alone in a hospital room, hooked up to an IV. Seokjin stands in front of a window with white shades, which he opens and sees himself reflected in the window. These are all images we’ve seen in the “I Need U” music video and Seokjin’s short film titled “Awake.”

Episode 1

Seokjin sits on an airplane from L.A. to Incheon. He later wakes up in the room with the window. He says it's been two years, and though he hasn't been away for all that long, he doesn't feel at home. He leaves the house. In the next scene, he's driving in his truck, and we know it's April 11th from the radio report. He drives past the school, which he hasn't been back to since high school, and he sees Jungkook standing in the crowd of students that are about to cross the street.

There's a flashback to when they were all in school together. A teacher fusses at them for being lazy and gives them all detention. We see the storage classroom, which became their hideout. There's a scene of them enjoying their time together in that classroom. In the HYYH Notes text, we learn how important this room became to them.

In the present, cars are honking at Seokjin to go, and he drives away. At a gas station while he's getting his gas pumped, Seokjin sees Namjoon working on a different car. He looks at him in his mirror but doesn't talk to him.

Next, Seokjin is in his room, reading a red book. The main reason I mention this here is because in the HYYH Notes from later in Year 22, Seokjin picks up a red diary that a girl drops. I don’t think this has any correlation, since this happens in April of the same year.

Later, he seems to have a dream where he's floating in water and all of the other guys are ahead of him with their eyes closed. Seokjin reaches out his hand to them, but then he wakes up. It's May 22nd now, and he wonders how they are and whether he should have walked up to them previously.

Seokjin leaves and goes to the gas station where Namjoon works and asks for him. The other worker tells him Namjoon isn't there and is currently locked up. A news report is seen on the TV in the background that reads "A high school student arrested for killing his father." From the HYYH Notes, we know this is referring to Taehyung rather than Namjoon.

Seokjin goes to visit Namjoon. He offers to help if there’s something he can do, but Namjoon tells him there’s nothing to do. He says the person he beat up berated him for being poor. We get a flashback to Namjoon working at the gas station, where a rude customer yells at him for bumping into the mirror of his expensive car. The money the customer had tried to give him for the gas ends up on the ground, and the customer demands it back. He insults Namjoon and Namjoon responds by slamming the man onto his car. They go to the police station to file a report and the officer comments that the man isn't even really that injured and they should just settle. The rude guy laughs and asks if Namjoon can afford a settlement. Namjoon refuses to settle, so he ends up in jail. Seokjin recalls that it happened on April 11th, the day he saw him at the gas station and didn't speak to him. Namjoon tells him it was bound to happen since he's broke, so Seokjin should just leave him there.

Seokjin asks about the others, but Namjoon says he doesn’t keep in touch. Then, Namjoon drops the real bombshell: Jungkook is dead, and so is Yoongi. Hoseok is in the hospital after a bad accident. He says he doesn't know what happened to Taehyung or Jimin. Seokjin is visibly shaken, but he's asked to leave as visiting time is over.

Walking outside, Seokjin wonders if Namjoon would have not ended up in jail if he had just spoken to him at the gas station that night. He sees a crowd of reporters shouting at someone, asking if they really murdered their father. Seokjin realizes it's Taehyung, walking in a line of criminals with rope tied around his wrists and body. He calls out to him. Taehyung turns around to look at him. Of course, there’s nothing he can do.

In the next scene, Seokjin is alone at the beach as he recalls them all being together and happy at the beach. He says they used to be happy just being together, but now everyone is miserable. He wonders if any of them were happy since they split up. As he sits on the beach clearly upset, a white cat appears and seems to speak. "If you could turn back time, do you believe you can straighten out the errors and mistakes and save everyone?" it says. This text appears graphically different than other speech bubbles—it’s stylized and blue. Seokjin looks at the cat and wonders if he's seeing things, but he says that he'd do anything to fix all the mistakes and make everyone happy.

There's a graphic effect like a mirror shattering, and Seokjin wakes up in his room. He thinks he had a dream, but the date on his phone shows April 11th. As we’ll see going forward, this effect is employed each time Seokjin fails and gets sent back in time.

Episode 2

The first scene opens at the gas station where Seokjin sees Namjoon but doesn't approach him. As he drives off, Seokjin says he should have said hi to Namjoon. Suddenly, there's a loud thud and Seokjin's truck screeches to a stop. A body has fallen on top of the hood, and he recognizes that it's Jungkook. He's clearly dead, and Seokjin starts to panic inside his car. Someone asks him to step out of the car to see if he's okay, and everything starts to go blurry. The shattering effect appears again, and Seokjin wakes up in his room, thinking he had a dream, but he doesn't remember the details.

Seokjin looks at the photo of himself and his friends, dated June 12th from when they were together in high school at the beach (cross-reference: HYYH Note Book 1, Jungkook entry dated June 12 Year 19). He says he misses them and wonders how they are, and he notes that something feels strange.

Seokjin leaves and drives near the school, hearing the same traffic report as we saw in Episode 1. It's April 11th again. Seokjin sees Jungkook walking with other students, and his heart starts racing like it did when Jungkook's body landed on his car in his "dream." He wonders why that's happening, and the cars behind him begin to honk at him to move, so he drives off.

At the gas station, Seokjin leaves without speaking to Namjoon again. As he drives away, he notices he feels like he's forgetting something important. He stops near a convenience store where a cop car passes by and he starts walking down the sidewalk. Suddenly, Jungkook falls to the pavement behind him, and Seokjin turns around to see him dead again. Everything shatters.

Another speech bubble that resembles the one that appeared next to the cat appears now in a different color. It reads: "Am I too late? You could've been the one I was looking for. If you've already sealed the pact, open up your eyes and see straight." Seokjin gets up and shouts "Who are you?" at the voice. The unique speech bubbles appear again and read: "This is the world you have to live in and the fate you must go through. You won't make it out here alone in this entangled destiny. Here's how to remember the loop. Once you open your eyes..." Everything shatters again and Seokjin seems to recall memories of everything up to this point: Namjoon in jail, Taehyung being arrested, and Jungkook dying. He also recalls the first time a voice spoke to him (which appeared in blue text instead of yellow). Seokjin stands in his room, trying to process what's happening. He doesn't have a clue, but notes that the voice was different from last time. Then he realizes that the days seem to be repeating themselves.

Episode 3

The scene opens where Episode 2 left off, and Seokjin realizes he's gone back in time. He gets in his truck and notes that it's April 11th again. There are some scenes showing Taehyung drawing graffiti, Hoseok working in a fast food restaurant, Yoongi playing the piano, Jimin sitting alone in a hospital room, and Jungkook sitting at his desk in school. Seokjin wonders if he can make everything right.

At the gas station, Seokjin greets Namjoon this time (cross-reference: scene from the end of the “Blood, Sweat, and Tears” Japanese music video.) Seokjin tells Namjoon he just got back to Korea, and then Namjoon has to go help another customer. Seokjin watches the rude customer yell at Namjoon and throw money at him. Seokjin steps in and picks up the money, handing it back to the jerk and telling him to leave. He prevents Namjoon from punching the guy and the guy finally leaves (cross-reference: HYYH Notes from ANSWER, Seokjin entry dated 11 April Year 22). Namjoon awkwardly thanks Seokjin and asks him why he's there. Seokjin thinks back to Jungkook jumping off the roof and knows he has to find him before the end of the day. Seokjin asks Namjoon if he keeps in touch with Jungkook, but Namjoon says no. Seokjin rushes, saying he doesn't have time and must find him now. Namjoon asks if he's in trouble, but Seokjin says there's no time to explain now. Namjoon tries again, but Seokjin tells him that one day they'll all be together again and that they should go to the beach when that happens. Seokjin hurries off and Namjoon stands there confused.

Seokjin goes to Jungkook's house to ask where he is. The voice over the doorbell says that he should still be at school and won't be home until after 10pm. He goes to the school and asks the teacher, but he isn't there. Seokjin doesn't know where to go, but he remembers the building, so he tries to go there.

Namjoon is walking around when he spots Jungkook by chance. He calls out to him, but he can't cross the street until the light changes. When he crosses, Jungkook is nowhere to be seen.

Seokjin is in the vicinity of the building he thinks Jungkook is at. He recognizes the convenience store and the police car. He sees a crane and thinks he has the right building, so he rushes up to the roof, but Jungkook isn't there. He wonders if he can really trust his memories.

Episode 4

Jungkook walks alone and brushes past some punks on the street. They call out to him, and he just keeps walking. They go after him and beat him up (cross-reference: seen in “I Need U” and HYYH Note from HER, Jungkook entry dated 11 April Year 22).

Seokjin recalls his memory and realizes it isn't the right building. On another building, Jungkook climbs up on the ledge (cross-reference: “Euphoria” music video, HYYH Notes from ANSWER and HER, Jungkook entries dated 11 April Year 22). Someone calls out to him before he can jump.

Namjoon is yelling at him from the street below, telling him not to move. Jungkook stumbles and starts to fall, but Seokjin catches him. Seokjin tells him he's been looking for him all day and asks him what he was doing out here alone. That triggers a memory for Jungkook where his mother fusses at him, asking him where he had been all day and telling him not to worry his father (cross-reference: seen in HYYH Note from HER, Jungkook entry dated 11 April Year 22, where we learn a bit of Jungkook’s family background).

Seokjin asks again why Jungkook was up there, and Jungkook tells him no reason. Namjoon comes running up to the roof to where they stand. At that moment, Jungkook’s cell phone rings and we can see that it's Yoongi. The scene cuts to Yoongi's phone, which shows several unanswered calls to Jungkook. He's flicking a lighter on and off as he sits in a motel room (cross-reference: “I Need U” music video). In his mind, he sees a burning piano and himself as a young boy.

Episode 5

We pick back up with Seokjin asking Jungkook why he was on the roof. Jungkook brushes it off. Namjoon asks what happened to his face, and he lies and says he bumped into a wall. Namjoon knows it's a lie, but Seokjin gives him a look that say not to push it. Seokjin asks Jungkook if his parents wouldn't be worried that he's out late, but he doesn't respond. His phone rings, and it's Yoongi.

In the next scene, Jungkook, Seokjin, and Namjoon rush into the emergency room, so it seems that someone call Jungkook's number from Yoongi's phone since it was the last number dialed. They watch as doctors work on Yoongi, who has burn marks and an oxygen mask. Yoongi starts to code and the doctors try to shock him back to life, but he flatlines. As they watch him die, everything shatters again and Seokjin wakes up in his room with tears in his eyes. He leaves his home again.

We're back at the scene where Jungkook is about to get beaten up by the punks on the street, but before he can, Seokjin grabs him by the hood and pulls him into an alley. Seokjin tells Jungkook and Namjoon to stay there, and they're both confused as to what's happening, and Jungkook is confused as to where Seokjin came from. Seokjin runs off and Jungkook asks Namjoon why he's there, and Namjoon says he was dragged there too. Namjoon asks if Jungkook keeps in contact with Yoongi. Suddenly, Namjoon gets a call from someone, saying something about police.

Seokjin ends up at a motel, asking if Yoongi is there. The woman working the front won't give out guest information, but when Seokjin tells her he might set fire to the building, she suddenly pays attention.

Namjoon and Jungkook go to the police station, where Namjoon grumbles that Seokjin left them and they don't know where he is. Namjoon turns to Taehyung, who they had gone to the police station to pick up, and asks him if he has kept in touch with Yoongi since Seokjin was looking for him. Taehyung says he's seen Yoongi in his dreams. A group of policemen rush by, saying a suspected arsonist is at large.

Episode 6

Seokjin and the woman from the motel are watching security footage, trying to find Yoongi. Seokjin thinks they found him on the tape, but the guy turns around and it's not him. He looks out the window across the street and sees fire coming from a different motel. Everything shatters again.

Seokjin re-lives April 11th again, this time stopping the first time he sees Jungkook at the crosswalk at the school. He immediately asks if he keeps in contact with Yoongi. Jungkook is surprised but Seokjin is in a hurry so he presses him. Jungkook recalls the last time he heard from Yoongi, where Yoongi seems to be lying down depressed. In that memory, he tells Jungkook to get lost. Jungkook doesn't tell Seokjin any of this. Jungkook admits that he's seen Yoongi.

Seokjin puts Jungkook in the car with himself and Namjoon, and Taehyung is also there. They drive to the part of town where Jungkook saw him last, and Taehyung interjects that this isn't where he saw Yoongi. Namjoon points out that Taehyung only saw him in a dream. As Seokjin wonders why Yoongi's location keeps changing each time when Namjoon and Jungkook's location doesn't, a truck skids on the road in front of them and Seokjin can't stop in time. He hits it head on, and it appears that the others are either severely injured or dead. Seokjin seems to be barely conscious as he thinks that it's his fault. He says that the future keeps changing because he keeps making changes in the past. Everything shatters again.

Seokjin is in his room again, this time drawing a map and trying to strategize how to save everyone. He plans it out exactly, thinking that if he does it just right, he can save everyone.

In the next scene, Seokjin has saved Jungkook and had him call Yoongi. Yoongi is at a restaurant drinking. He answers, and Seokjin asks him where he is. Yoongi hangs up and ignores other calls. Yoongi seems to recall his father yelling at him about music and the piano, saying that he's like his mom and that if he wants to kill himself the same way she did, then go ahead. Yoongi ends up back at the motel with his lighter. He lights a piece of composition paper on fire and drops it onto some spilled alcohol, causing a fire to start.

Episode 7

There's a flashback to Yoongi playing the piano in high school in the storage classroom. Jungkook comes in and puts a couple of desks together so he can lie down and listen (cross-reference: HYYH Note from HER, Jungkook entry dated 25 June Year 20). A teacher comes in and finds them, and he slaps Jungkook, knocking him down. Yoongi steps in between the teacher and Jungkook. After this, there's a notice of expulsion for Yoongi posted. It's marked June 25th.

Seokjin sees smoke coming out of a motel that he's driving by, so he stops there and runs to Yoongi's room. He pounds on the door and when no one answers, he gets the fire axe and busts the door open. He carries Yoongi out who seems to faintly recognize that it's Seokjin.

At the hospital, Seokjin waits for Yoongi to wake up, hoping that everything is fixed now. When he wakes up, Yoongi blames Seokjin for not letting him die. He asks him why he saved him. Seokjin realizes that he thought he had saved him, but it wasn't enough.

A month later on May 11th, Taehyung is drawing graffiti when the police spot him and he begins to run. He ends up at Namjoon's container house and goes inside. Namjoon asks him what he did this time, and they hear the police looking for him outside. Taehyung asks if he can stay the night.

Episode 8

Taehyung has a dream that he's submerged in water, much like Seokjin had in the beginning. He sees Jimin and tries to reach for him, but Jimin is being pulled down by an unknown hand. Taehyung wakes up in Namjoon's container and asks him where he thinks Jimin is.

In the next scene, Jimin is sitting alone in the hospital. A little kid asks him why he's there and then suddenly collapses. Jimin calls for help, but Hoseok, who was in the next bed, says that it's okay. He says the boy fell asleep like he does because he’s narcoleptic. Hoseok is in the hospital because he fell outside by himself and smacked his head, from the supposed narcolepsy he’s had since he was young (cross-reference: HYYH Note from Persona, Hoseok entry dated 10 May Year 22).

Hoseok recalls that they saw each other last two years ago, when Jimin had a seizure at the bus stop. Jimin says he doesn't know how long he's been here because his clock stopped ticking (cross-references with “Run” music video and HYYH Notes from ANSWER and the HYYH Book, Hoseok entry dated 12 May Year 22 and Jimin entry dated 11 May Year 22).

In the next scene, Jimin overflows a sink with water and puts his head in. It's not clear what he's doing. He seems to recall the Flower Arboretum sign, blood spatter on the floor, and himself as a child running away. He gets scared and struggles, and we see the scene of him submerged in water being pulled down by an unknown person. Jimin snaps out of it and takes his head out of the sink.

Taehyung and Namjoon walk down the train tracks and Taehyung tells him that he's been having a weird dream. He says he sees Yoongi trapped inside a fire and Jimin drowning in water. Namjoon tells him it's nonsense and asks if he wants to go see Hoseok. He perks up at that and runs ahead. As he does do, Namjoon sees bruises on the back of Taehyung's neck.

Namjoon and Taehyung go to Two Star Burger where Hoseok works, but they tell them he's in the hospital. They go to the hospital to look for him.

While walking down the hall, Hoseok overhears some of the medical staff talking about Jimin, overhearing that Jimin's parents forced him to be hospitalized.

The medical staff walk down the stairs, and further down, we see Seokjin waiting.

Episode 9

Seokjin thinks back to when Yoongi asked him why didn’t he just let him die. He apologized to him and asked him if he could turn back time, would he go back to when they met and change anything. Yoongi just tells him to leave. Seokjin leaves while contemplating if he can really save Yoongi, since he saved him against his will. He thinks that there may be no point, but even so, he can’t give up.

Seokjin goes to find Yoongi in the hospital, but they tell him Yoongi was discharged last month.

In the next scene, Yoongi is with Namjoon, Taehyung, and Jungkook at the hospital. Hoseok is in Jimin’s room and receives a phone call. He asks Jimin if he wants to see the others, but Jimin refuses. Hoseok goes to see the others alone, and Taehyung asks if he keeps in touch with Jimin because he’s been thinking about him. Hoseok doesn’t answer.

Namjoon runs into Seokjin in the hallway and asks if he’s there to see Hoseok—Seokjin hadn’t known Hoseok was there.

The next day, Hoseok thinks he sees a woman who looks like his mom. He starts to slip down the stairs. The scene cuts to Seokjin running into Jimin at the hospital. Medical staff rush through the area with an injured patient, and Seokjin sees Hoseok lying on the gurney with a very injured ankle. Everything begins to shatter again.

Episode 10

Seokjin wakes up again on April 11th. He is still determined to fix everything. He tapes the photo they took at the beach on June 12 to his rearview mirror and puts sticky notes of the guys and their locations on the dash of his truck. He checks off Namjoon and Jungkook, leading us to believe he saved them again.

On May 10th, he goes to the bridge Hoseok is going to fall on. He catches him, puts him in the truck, and drives off. Hoseok wakes up, surprised to see him. He takes his medication and there’s not much else he can do. Seokjin asks if he knows what’s causing the narcolepsy, and Hoseok doesn’t answer. Hoseok has to go to work, but before he gets out of the truck, he notices the sticky notes on Seokjin’s dash. He asks what it is, but Seokjin won’t tell him. At work, Hoseok wonders what’s going on.

Later, Hoseok meets up with Namjoon and tells him how Seokjin showed up at the right time. It happened to Namjoon too, and he feels like something is off. Hoseok gets on a scooter and Namjoon warns him that they’re dangerous (cross-reference: HYYH Note from Book 1, Namjoon entry dated 17 December Year 21, where Namjoon previously slid on a scooter and another young boy in the village died from a scooter accident).

As if it were foreshadowing, Hoseok nearly gets into a wreck on the scooter when he cuts across traffic to try and catch up to Seokjin’s truck. He had sent him a text, but Seokjin hadn’t responded yet. This leads into the beginning of Episode 11.

Episode 11

Hoseok barely avoids being hit by a car. As Seokjin drives down the road, he sees Yoongi walking. Yoongi goes to a motel with his lighter, and we see him light some music on fire.

Hoseok eats at a convenience store, wondering why Seokjin hasn’t answered him. He sees Seokjin drive by, so he rushes out of the store to follow him. He sees Seokjin carrying Yoongi out of a burning motel. They rush Yoongi to the hospital and as the doctors tend to him, Hoseok recalls the sticky notes. Hoseok asks Seokjin if he knew it was going to happen. He continues to question him, but Seokjin tells him he can’t explain right now. Hoseok goes to the lobby to wait.

Hoseok thinks he sees Jimin in the hospital, but it turns out not to be him. He nearly slips on the stairs, and Jimin shows up behind him to stop him from falling. They sit down to talk and Hoseok realizes that Jimin has been there ever since he had a seizure at the bus stop. Hoseok recalls being abandoned by his mom as a child and says he knows what it feels like to feel stuck in time. Hoseok asks Jimin if he wants to get out of the hospital, and Jimin struggles to answer.

Episode 12

Namjoon gets a call at night from Hoseok, who yells into the phone that something is definitely going on. Taehyung is there with Namjoon.

Seokjin sits at Yoongi’s bedside and says he doesn’t remember how many times he’s been through this. But, he still says he won’t stop trying. Seokjin runs up the stairs to find Jimin but is met with Namjoon, Hoseok, and Taehyung all coming down the stairs with Jimin. They’re there to break Jimin out, but Seokjin worries that this time loop will fail and he doesn’t know what would happen if they break Jimin out. He’s worried about a bigger accident. Seokjin blocks their path. Taehyung argues with him, and Seokjin thinks about how he hasn’t seen Jimin’s final moments and doesn’t even know why he’s in the hospital. Hoseok tells Seokjin how Jimin is there because his parents locked him up for two years. Seokjin relents and tells Jimin it’s his decision.

Jimin flashes back to his mother leaving him in the hospital because she can’t handle him. Jimin seems to envision a black substance around his feet, which he attempts to scratch off in a tub full of water, appearing to even damage his skin with the force of his scratches. Next, Jimin is submerged in water again, and he recalls the Flower Arboretum and the blood spatter. He sees the black substance dripping off his body and then flashes back to the present, where he sees it around his feet again. He tells them he wants to get out.

They make a run for it, but they run into Jimin’s mother. She makes him go back to his room and asks if those were the kids from high school. They fight about Jimin’s hospital stay and Jimin yells that locking him up isn’t right and that she’s just embarrassed of him. His mother slaps him and blames him for his seizures. She complains that he puts her and his father through hell. Jimin cries, alone in his room, noting that in the two years he’s been there, today was the first day he had visitors.

On May 12th, Seokjin sits at the hospital when he hears medical staff yelling for Jimin. He’s locked himself in the bathroom, and they pry open the door. Seokjin bursts in to find Jimin in a tub full of water, likely attempting to drown. He goes to pull him out.

Episode 13

Seokjin shakes Jimin who is still alive and wonders how much pain he has to go through and if he can save them. Jimin asks Seokjin to get him out, and Seokjin runs with him and puts him in the truck. While they drive, Jimin sees the Flower Arboretum sign and freaks out, jumping out of the car and running into a construction zone. Seokjin wakes up again on April 11th. The white cat is in Seokjin’s room.

Seokjin doubts that he’s able to save everyone, even though he thought he could. He sits in his room all day, upset at his inability to save the others. Since he does nothing, April 11th starts over again.

This time, Taehyung shows up at Seokjin’s door. Seokjin is confused, and Taehyung says he saw Seokjin in his dream but he’s surprised to actually find him at home. That gives Seokjin the strength to carry on. Seokjin acknowledges that if he does nothing, the cycle won’t end.

After a cut, Seokjin shows up at Namjoon’s container with Jimin, and the other guys are all there too. Namjoon offers to let Jimin stay there until he’s ready to go back home. It seems that Seokjin succeeded, and he says they should go to the beach.

Episode 14

All of the guys play around with sparklers, happy while spending time together. On May 20th, Taehyung comes out of the police department and walks home, not wanting to go in. Taehyung walks in to his dad in a rage, yelling at him and slapping his sister. He flashes back to the past where he was a child and his sister (or possibly mother) tells him to hide in his room when his father is beating her. Not able to watch or take the abuse any longer, Taehyung takes an alcohol bottle and runs at his father. In the next scene, Taehyung cries as he looks at the blood on his hands and clothes (cross-reference: “Prologue” video).

Elsewhere, Namjoon and Seokjin talk about Jimin looking happier now. Seokjin asks about Taehyung, and Namjoon says he missed his call and tried to call back, Taehyung didn’t answer. Namjoon recalls the bruises on Taehyung and how he tends to hide his personal life. The episode ends with Hoseok pulling up to where Namjoon and Seokjin are, saying that something happened with Taehyung.

Episode 15

The final episode opens with Seokjin rushing to the police station where there’s a crowd of media around Taehyung, just like in the beginning. They’re asking him why he murdered his father and why he didn’t speak up about the abuse sooner. Seokjin pushes through the crowd and calls out to Taehyung, and everything shatters again.

Seokjin wakes up in his room again, realizing that he got careless and wasn’t able to save Taehyung. He’s determined not to fail this time.

Fast forward to May 20th, and Taehyung is coming out of the police station. He meets Seokjin outside. In the truck, Seokjin asks what’s happening at home and Taehyung won’t answer. Seokjin doesn’t force him to talk and instead tells him to talk when he’s ready. Taehyung says there’s something he wants to talk about and tells Seokjin he’s been having a strange dream where Yoongi is trapped in a fire, Jungkook falls from a building, Hoseok has an accident, and Namjoon is in prison. He says he has the dream every night and Seokjin wonders how he knows these things. Taehyung says he’s in the dream, but he can’t remember what happens to himself. Seokjin’s alarmed.

Seokjin drops Taehyung off at his house, and they can hear his dad yelling from outside. Taehyung runs off and Seokjin follows. Taehyung hits his father with the alcohol bottle and is about to stab him with the broken bottle when Seokjin bursts in. He grabs Taehyung and tries to stop him, but Taehyung pushes him off. Seokjin tries again, and Taehyung accidentally stabs Seokjin with the bottle instead. Taehyung begins to cry, and as he’s dying Seokjin wonders if he’s succeeded this time or if he’ll really die. Everything shatters again.

Seokjin wakes up, and it’s April 11th. He recalls the words spoken to him: “You won’t make it out here alone… in this entangled destiny.” He realizes he can’t do it on his own, no matter how many times he tries. The webtoon ends with him looking at the photo they took on June 12th at the beach and the words “Once again, just like before, together with you all.”

Discussion

Even though Save Me was released after some of the HYYH Notes, since it has that zero in the logo, it best fits as the first string of events that take place in Year 22. Basically every note we have prior to April 11th in Year 22 is static—that story doesn’t change. In the webtoon and the notes, we get multiple repeat days as Seokjin tries to save them all.

Time loops in narratives often operate on the idea that the character or characters involved will gain some sort of knowledge that will eventually allow them to get out of the loop. We definitely see that with Seokjin here, and Taehyung does have dreams that are actually true memories from previous iterations of the timeline. He has even more of those dreams in the HYYH Notes, and some of the notes lead me to believe that Taehyung eventually starts to figure it out. It’s possible that this story won’t be fully resolved until they all work together to fix it.

The Butterfly Effect also seems to be at play here because sometimes when Seokjin alters the past, it changes the future events, sometimes leading to character deaths. For example, when he gets several of them in the car to save them, but he ends up wrecking and killing them anyway. He quickly learns he can’t know what will happen from his change in actions—he could end up saving everyone or end up starting over on April 11th again.

We also know that Seokjin can’t die. He dies at the end when Taehyung stabs him, but that just takes him back to April 11th, so he has to survive too. Back before we had so much information on this story, some theorized that Seokjin might need to die in order to save the others, but we know that won’t work either. His death won’t bring about a resolution.

We still don’t know much about the white cat or how the time loop really works. Time travel is logically impossible, but it’s often used in science fiction or fantasy to create interesting “what if” situations—since it’s widely used in various ways, it’s possible that the BigHit creative team has made up their own rules surrounding this time loop and the white cat for example. We can’t really know until we get the full story. Some previously thought the white cat was a kitsune/gumiho, but it’s been confirmed to be a cat, based on the release of the HYYH Art Toys on Bighit’s merch app Weply.

I do not think we're dealing with parallel universes or anything related to the many worlds theory. I've not seen anything to indicate that this is anything other than a time loop used as a narrative device.

I think it’s also interesting that we see a little bit of something called the Novikov self-consistency principle. This principle basically states that the past cannot be altered, so even if someone goes back in time, they can’t change the outcome of events. Sometimes this principal is applied in fiction—stories that use this principle often have characters who try to go back in time to change something but either fail or end up causing the event to happen that they’re trying to prevent. An example of this is the fatal car crash that occurs when Seokjin tries to gather up some of his friends—he tries to prevent their deaths only to cause them. Even though we may see this principle sometimes, I don’t think it’s end-game. I do believe we’ll eventually get a resolution that doesn’t involve the characters ending up dead or miserable.

September 3, 2019

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fearsmagazine · 3 years

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COME TRUE - Review

DISTRIBUTOR: IFC Midnight

SYNOPSIS: Sarah is a High school student who has hit her lowest point. When she runs away from home she finds herself with no one to rely on and struggling with recurring nightmares. She chances upon a university sleep study that offers the promise of nightly safety and money. The opportunity also brings her an unexpected friend and confidant in the overseeing scientist Jeremy. Being under observation seems to make Sarah’s disturbing dreams even worse. As nights pass Sarah senses something curious about proceedings. As the darkness of her nightmares begins to close in, it’s soon clear that Sarah has unknowingly become the conduit to a horrifying, new discovery.

REVIEW: COME TRUE is a real wow of a film. A mind-blowing visual experience that calls to mind Christopher Nolan’s “Inception,” but is a more intimate and personal film with an honesty and character driven film like his earlier work “Momento.”

Like any good science fiction story it starts from a piece of scientific fact. So, apparently researchers at MIT have come up with a new wearable device they call Dormio and a method called Targeted Dream Incubation (TDI) to help them study and record dreams. It’s new technology we discussed on the radio show I co-host over the summer. Filmmaker Anthony Scott Burns has taken that concept to the next level to craft a fantastical story of a character's quest to find herself.

There are times when I will discuss what a problem it can present when a filmmaker wears the hat of more than one job/discipline on a film. That is far from the case with Anthony Scott Burns and COME TRUE. This is such an incredibly stylized film, such a clear purpose of vision, that it only works with him at the helm of these key elements. I know people talk about various art installations that can be a “multimedia experience” and that is how I feel about this film. There is the hypnotic lighting design, the Bosch meets Giger design to the nightmares, the gritty technology designs contrasted by the sleek sleep study suits, the ying & yang relationship between the characters, and the haunting and brilliant musical score that seduces the viewer into the dream like quality of the film. These aspects of the film are reminiscent of Douglas Trumbull’s “Brainstorm,” Adrian Lyne’s “Jacob’s Ladder, and the breathtaking visions in Tarsem Singh’s “The Cell.” Still there is something innocent and raw that one could compare to the early films of David Cronenberg or Ridley Scott. For all those comparisons, COME TRUE is a distinct visual narrative that engages the senses that encounter it.

Burns starts with a simple tale of a girl's journey for self discovery and weaves in other components in the tapestry of his plot to create a striking visual narrative. Like a true master of illusions he lets us only see and know what he wants us to as he hypnotically draws the viewer into the tale. We empathise for Sarah, never questioning what we are and are not seeing, until he delivers the crescendo of the climax, achieving a similar blow as the build up and reveal that award-winning screenwriter Christopher McQuarrie did with “Usual Suspect.”

Actress Julia Sarah Stone’s performance is a tour de force. She is able to resonate a strength, while still allowing us to empathize. She presents an air of mystery and innocence that rounds out the character to allow the viewer to identify with her plight and experience the emotional roller-coaster of her journey. While she is able to emote the complex emotional spectrum of the character, there is something about her face that the director exploits through composition and lighting that reflects the dream-like quality of the film.

There is so much that could be discussed when it comes to the score. It is elegant, adding subtle tones that create an impressive resonance to both the live action and nightmare sequences. At times it skillfully reflects Sarah’s state of mind enhancing her performance. What he achieves should be used as a masterclass in how to use sound and music to enhance the visual elements and manipulate the viewer.

I’ve been a big fan of the films of Vincenzo Natali. From his feature debut “Cube,” to his contribution to “Paris, je t'aime” and beyond, to his work on series like “Hannibal” and “The Starin.” He is a talented visual artist that never fails to captivate and it is no surprise that he should be the executive producer on COME TRUE. It was author Sir Arthur Conan Doyle who said, “Mediocrity knows nothing higher than itself, but talent instantly recognizes genius.” Natali has given us the chance to experience cinematic genius. COME TRUE is an exceptional cinematic experience.

If you have not seen Anthony Scott Burns first feature, “Our House,” I recommend it.

CAST: Julia Sarah Stone, Landon Liboiron, Carlee Ryski, Tedra Rogers, Christopher Heatherington. CREW: Director/Screenplay/Cinematographer/Score/VFX - Anthony Scott Burns; Producers - Steven Hoban & Mark Smith; Score - Pilotpriest & Electric Youth; OFFICIAL: www.ifcfilms.com/films/come-true FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/PHcIQYPgE_w RELEASE DATE: In Select Theaters, Digital & Cable VOD Friday, March 12th, 2021

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

#film review #movie review #come true #ifc midnight #anthony scott burns #julia sarah stone #landon liboiron #science fiction #horror #joseph mauceri #joseph b mauceri

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fmdjaewonarchive · 4 years

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► alarm.

date(s): 25 july - 20 august 2020 mentions of: soo (very briefly, like, literally once) word count: 1,439 warnings: n/a details: a solo for the first two episodes of our songs filming, mainly focussed on the creative process behind writing alarm.

‘i’m feeling pretty confident’ had been one of jaewon’s closing remark when they had interviewed him as they had finished the first day of filming when they had just received the mission.

of course, that was a big fucking lie.

jaewon’s confidence was nowhere to be found, neither were any actual ideals as to how to tackle the mission. all there was was the overwhelming anxiety about how he was going to mess this up, how he was gonna fail before he even got to properly try.

a song that would convince everyone to listen to his music, that had to be a damn joke right? jaewon couldn’t name a single reason as to why anyone should listen to his music, he just made something that sounded good to his own ears and hoped anyone would share the sentiment. the longer he thought about it, the more he felt like truly he had nothing to do on this show.

what had he gotten himself into?

-----------------------------------------------------

the thing was, jaewon wasn’t a composer. he had dabbled around in it a little bit but none of it had ever been shared with the world and that was for a very simple reason, he didn’t think his work was anywhere near professional enough to be released for other people to hear.

dimensions entertainment seemed to agree with that, which was why the had put him in one of the companies many studios with one of the in-house producers.

(a part of jaewon felt like this was cheating. surely, plenty of the other contestants possessed the skill to manage the entire creative process behind their songs themselves. didn’t that in itself mean they were much more talented than he was? what did they still need this fucking show for?)

“the theme is identity right?” the producer asked. he knew the man decently well, they’d worked together on a few songs through the years which at least meant that he was familiar with jaewon’s music to some degree. “so what of your currently released songs describes your identity the most? that should give us a decent starting point for creating an instrumental you can work with.”

jaewon’s eyebrows furrowed together at the question. a long, silent moment passing as he contemplated the answer. “anything from biorhythm.” he responded, expression wry as he remembered his last album, what a mess that had been. “roommates only or still if you want me to get specific.”

“and you want another song like those on biorhythm?” the producer asked. it was a fair question. if there was one thing jaewon had been guilty of so far with his music it was probably getting stuck in his comfort zone, any songs that he had a big creative input in had always been written for himself, not because he had been tasked to do so but because they came easily to him. he had yet to really branch out of that safe zone.

but this mission was about his identity and if anything described his identity well, it was probably the biorhythm album.

“yeah, for now i do.” jaewon admitted with a light nod. “might i actually manage to get somewhere on this show i can worry about experimenting or thinking outside the box or whatever.” if he would even get that far and with how it was going so far, jaewon didn’t know if he dared to hope for that. “for now i think i need something familiar, something that fits in well with the rest of my music.” in an afterthought he added “like, my actual music, not whatever dimensions decided my sound was for that cluster fuck of a last album.” and the comment earned him a humored scoff from the producer before they got to work.

they ended up working way longer than the initially scheduled studio time, evening bleeding into the night before either of them really realized it. but the hard work paid off because by the time he bids the producer a good night and goes home, jaewon has the bare bones of a song. so far, the track was a gentle piano tune that blended into a deep, more electronic bass sound in the chorus that added to the overarching melancholic feel of the song.

most importantly, it sounded like his song. the producer had painstakingly made sure that every sound, every beat had been to jaewon’s liking, perfectly tailored to a song that sounded so entirely his that it felt like the man had been reading his mind. only it sounded better than anything jaewon could have ever made with his own two hands.

it managed to calm his nerve some, having a solid starting point to start working from. maybe, this wasn’t doomed to go wrong after all, maybe jaewon could manage to stand his ground in this competition after all. for the first episodes then at least.

also, he really owed this poor producer something for keeping him up till like 3 am.

-----------------------------------------------------

logically, the next step was to write the lyrics, simple enough right?

except it wasn’t.

it hadn’t been for a lack of trying, there had been multiple days so far where jaewon had locked himself in his home studio, trying to force himself to write the damn song already with very little success. there had been a few drafts, all of which he had abandoned long before they could really take a solid shape. none of it was simply good enough.

how was he gonna prove himself as a songwriter if he couldn’t even write one fucking song?

the biggest problem was that jaewon was slowly running out of time. he had told himself to make sure he had the bulk of his work done by the 7th of august. not because he would be pushing the deadline too soon otherwise, hell, the final version didn’t have to be in till the 30th. but unity made their comeback on the 7th (their first one in over a year) and jaewon knew it would take a huge toll on the time he had to write, he had to be done before then.

instead, the 7th came and went without a single lyric written.

it was the 12th already (or maybe technically the 13th already judging by how late at night it was) when he found time to withdraw himself into his home studio again and truth be told, jaewon had little faith he would actually be able to get anything done. he was absolutely drained, the day had been long and hectic and judging from the fact he had to do the whole circus over again the next day as well, starting way too early in the damn morning, he probably direly needed his sleep.

god, all jaewon wanted was to sleep in, just one day, no alarms or anything.

now wait a damn minute…

maybe tonight would amount to something after all.

for someone that had been so lethargic mere minutes ago, jaewon managed to pull up audio file of the track in mere seconds, listening to the instrumental in it’s entirety a time or two, tapping his fingers along on the desk to the music before he began writing.

don’t set it today alarm, alarm, alarm, close, close, close your eyes

he finished the entire first draft that night, only forcing himself to put the pen down so he would at least sleep. the irony of the situation mocked him as he put his alarm for 6am before getting in bed and wrapping himself around soo for a mere 2 hours of sleep but he didn’t dwell on it.

-----------------------------------------------------

it took him another two late night sessions to finish up the lyrics for the final product but truth be told, said studio time was divided between nearly falling asleep and actually writing as unity’s promotions began to weight down on him harder the more they progressed.

not that there was much of a rush. the official recording was only scheduled for the 20th of august to incorporate whatever working points that had come from the live preview he had given during filming a few days earlier into the final version of the song.

he was yet again aided by the same producer that he had been working with before, the one that had so kindly composed the instrumental for him. “you ready?” the man asked through microphone connecting to the recording booth.

“yeah, yeah let’s do this.” jaewon responded, words followed with a half-hearted thumbs up before adjusting the headphones on his head. he looked almost confident in the whole thing.

almost.

#fmdos1 #*:･ﾟ♛– «filled with all these empty moments» // solos.#«our songs // era.»

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blackkudos · 4 years

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Chance the Rapper

Chancelor Johnathan Bennett (born April 16, 1993), known professionally as Chance the Rapper, is an American rapper, singer, songwriter, actor, and activist.

Born in Chicago, Illinois, Chance the Rapper released his debut mixtape 10 Day in 2012. He began to gain mainstream recognition in 2013 after releasing his second mixtape, Acid Rap, which gained critical praise. He then released his third mixtape, Coloring Book, in 2016, which garnered further critical acclaim and attention. It earned him three Grammy Awards, including the award for Best Rap Album; upon winning, it became the first streaming-only album to win a Grammy Award, and peaked at number eight on the Billboard 200. His debut studio album The Big Day was released on July 26, 2019.

Alongside his solo career, Chance the Rapper is a member of the Chicago collective Savemoney, and is the vocalist for the band the Social Experiment; they released the album Surf in May 2015, led by trumpeter Nico Segal. He is also involved in social activism in the Chicago community where he resides.

Early life

Chancelor Johnathan Bennett was born in Chicago, Illinois. His father, Ken Williams-Bennett, was an aide to the late Chicago mayor Harold Washington and then-Senator Barack Obama. His mother, Lisa Bennett, worked for the Illinois Attorney General. Bennett grew up in the middle-class neighborhood of West Chatham on Chicago's South Side. When Bennett was sixteen, his father began to work in the Department of Labor during President Barack Obama's first term. Bennett personally met President Obama in his youth and discussed his aspirations to be a rapper, to which Obama responded with "word". Bennett was originally going to move to Washington, D.C. following Obama's win in the 2008 presidential election, though those plans eventually fell through. Bennett attended Jones College Prep High School where he was a member of the Jewish Student Union.

Bennett's interest in music began with Michael Jackson, who he exclusively listened to on cassettes until the fifth grade. Growing up, Bennett's parents were constantly playing music, including Billie Holiday, Sam Cooke and other artists in the jazz and gospel genres. Bennett began listening to hip-hop after hearing "Through the Wire" by Kanye West on the radio while walking through Hyde Park, Chicago. After finding out the song was on West's debut album The College Dropout, Bennett purchased the album, making it the first hip-hop album that Bennett listened to. Bennett considers West a huge influence on him and has said that he was inspired to begin rapping by West. Bennett and West met each other in August 2014 at Bonnaroo Music Festival.

Bennett began rapping in the sixth grade when his cousin let him start using his studio. In his freshman year at Jones College Prep High School, Bennett formed the hip-hop duo Instrumentality alongside a friend. Many of Chance's earliest performances took place at the YOUmedia Lyricist Loft at Harold Washington Library in Chicago. After placing second in a local songwriting contest, Bennett met then-Chicago Mayor, Richard M. Daley who enjoyed his music. Bennett spent most of his junior year and a small amount of his senior year writing a draft for his debut project, 10 Day, which was later released after Bennett was suspended for ten days after being caught smoking cannabis.

Music career

2011–2012: Career beginnings and

10 Day

At Jones College Prep High School, some of his teachers ridiculed his aspirations to become a musician. In early 2011 during his senior year, following a 10-day suspension for marijuana possession on campus, Bennett recorded his first full-length project, a mixtape entitled 10 Day (also known as #10Day). In December 2011, he released a song titled "Windows", and publicly announced his 10 Day project. In February 2012, Bennett was highlighted as one of Complex magazine's "10 New Chicago Rappers to Watch Out For". Bennett says he spent "about eight months recording, writing, and making connections off of the hunger to put out something". Bennett released the mixtape on April 3, 2012, and it has since been downloaded over 500,000 times via mixtape-sharing site DatPiff. The mixtape was well-received locally and helped Bennett make connections with producers such as Chuck Inglish, Kenny Jame$ and Blended Babies. The mixtape also grabbed the attention of Forbes magazine, which featured it in the publication's Cheap Tunes column.

2012–2015: Acid Rap and The Social Experiment

In July 2012, Bennett appeared on American rapper Childish Gambino's sixth mixtape, Royalty, on the track "They Don't Like Me". Gambino would go on to ask Bennett to join on his first concert tour of North America as his opening act.

On April 30, 2013, Bennett released his second mixtape, Acid Rap, on DatPiff. The record has been downloaded over 1.5 million times. Bennett enlisted guest appearances from Twista, Vic Mensa, Saba, BJ the Chicago Kid, Action Bronson, Childish Gambino and Ab-Soul. Acid Rap was well-received by critics. At Metacritic, the mixtape received an average score of 86, based on 21 critics, which indicates "universal acclaim". It was nominated for Best Mixtape at the 2013 BET Hip Hop Awards. On May 6, 2013, the song "Paranoia" (produced by Nosaj Thing), after initially being featured as a hidden track on Acid Rap, was released as a contribution to Yours Truly and Adidas originals' "Songs from Scratch" series.

In June 2013, Bennett was featured in a commercial for MySpace as part of their relaunch, alongside fellow American rappers Mac Miller, Pharrell Williams and Schoolboy Q, among others. In July 2013, Acid Rap debuted at number 63 on the Billboard Top R&B/Hip-Hop Albums chart, due to downloads on iTunes and Amazon. In August 2013, Bennett performed at the Chicago music festival Lollapalooza. Acid Rap was listed on multiple 50 best albums of 2013 lists, including 26th for Rolling Stone, 12th on Pitchfork's list, and ranked 4th by Complex. It was also listed as one of NPR Music's 50 Favorite Albums of 2013. Bennett began his Social Experiment Tour in Champaign, Illinois, on October 25, 2013, lasting until December 19, 2013.

In March 2014, Bennett appeared in a shoppable online video for Dockers, promoting the brand's spring line, in which Bennett talks his style, love for creating music, and how it feels to live in Los Angeles. On May 5, 2014, XXL revealed Bennett was included in their annual freshman class, alongside fellow up-and-comers Isaiah Rashad, Ty Dolla $ign, Rich Homie Quan, Vic Mensa, August Alsina, Troy Ave, Kevin Gates, Lil Bibby, Jon Connor, Lil Durk and Jarren Benton. During Fall 2014, Bennett and other artists participated in Verge Campus tour. In November 2014, Bennett was presented Chicago's "Outstanding Youth of the Year Award" by Mayor Rahm Emanuel.

In January 2015, Bennett was listed number 7 on the "Forbes 30 Under 30" 2015 music list. In March 2015, Bennett released a short film called Mr. Happy, which was directed by Colin Tilley. Mr. Happy centers around the main character, named Victor, who is struggling from depression and was attempting to commit suicide. After many failed attempts to kill himself, he discovers Mr. Happy. On April 30, 2015, Bennett gave a lecture at Harvard University's Hiphop Archive & Research Institute. Just before midnight on May 28, 2015, Surf was released for free on the American iTunes store as an iTunes Exclusive. The album received high acclaim from music critics, receiving an aggregate score of 86 on review site Metacritic, which indicates "universal acclaim", based on 17 reviews. In June 2015, Bennett performed at the Bonnaroo Music Festival in the superjam concert collection. He also made a guest performance with fellow rapper Kendrick Lamar, on stage with Earth, Wind & Fire. On July 19, 2015, Bennett and Lil B announced that they recorded a collaborative mixtape. The two rappers released it on August 5, titled Free (Based Freestyles Mixtape).

On October 13, 2015, Bennett released a video for a new song, titled "Family Matters", on his website. The song, which shares the same name as his fall 2015 tour with D.R.A.M., Metro Boomin, Towkio (and Hiatus Kaiyote on select dates), is a rework of the Kanye West song "Family Business" from his 2004 album The College Dropout. A few days before this, a video surfaced online of Bennett performing a new song live, ending the song by saying the words "third mixtape", leading many to believe the wait might be coming to a close for his next release. On October 27, 2015, Bennett premiered a new song, titled "Angels" featuring Saba, on The Late Show with Stephen Colbert. On December 12, 2015, Bennett performed on Saturday Night Live, on a new song, titled "Somewhere in Paradise".

2016–present: Coloring Book and The Big Day

In 2016, Bennett was a prominent figure on Kanye West's album The Life of Pablo, co-writing and appearing on several tracks, including "Ultralight Beam", "Father Stretch My Hands Pt. 1", "Famous", "Feedback", and "Waves". According to West, the album's release was delayed due to Bennett's desire for "Waves" to make the album's final cut. Bennett was also featured on a track titled "Need To Know" on Macklemore & Ryan Lewis's album This Unruly Mess I've Made. The following March, Bennett was featured on Skrillex's remix of Hundred Waters' "Show Me Love". On April 16, 2016, Chance and other musicians, including Alicia Keys, Busta Rhymes, Janelle Monáe, and J. Cole, met with President Obama at the White House to discuss the My Brother's Keeper Challenge initiative.

On May 12, 2016, Chance's third mixtape, Coloring Book (promoted as Chance 3), was released, streaming exclusively on Apple Music. In the first week, the mixtape was streamed over 57.3 million times, which was equivalent to 38,000 units sold, debuting at number eight on the US Billboard 200 chart. It became the first release to chart solely on streams. The mixtape was met with widespread acclaim from music critics, and on review aggregator site Metacritic, received an average score of 89, based on 21 critics, which indicates "universal acclaim". On July 13, at the 2016 ESPY Awards show, along with Kareem Abdul-Jabbar, he performed a tribute song titled "I Was A Rock" for the late Muhammad Ali. On August 16, 2016, Chance wrote the single "We the People" paired in a Nike commercial titled "Unlimited Together", a film directed by Hiro Murai. A second commercial was released on October 4, by Nestlé, to promote the Kit Kat bar, with Chance starring in costume remixing their jingle. On September 15, 2016, Chance began his Magnificent Coloring World Tour in San Diego.

Bennett announced the Magnificent Coloring Tour with an event called Magnificent Coloring Day Festival at Chicago's Guaranteed Rate Field, with a line up including Lil Wayne, Young Thug, Skrillex, Tyler, the Creator and Lil Uzi Vert, taking place on September 24, 2016, being the first-ever music festival at U.S. Cellular Field. This one day festival event also featured a surprise appearance by Kanye West. Bennett launched a campaign in conjunction with rapperradio.com to get his music on the radio on August 17, 2016.

In September 2016, H&M solicited Bennett to headline their new campaign. In November 2016, he continued on the Magnificent Coloring World Tour, but cancelled the rest of his shows on the European leg due to personal reasons. In November 2016, Bennett announced during an interview with DJ Semtex that he was working on his debut album. Bennett was offered a chance to sign with Kanye West's GOOD Music in December 2016, though he refused due to his popularity as an independent artist and the freedom of not being attached to a label. In an August interview about his debut album, Bennett said he may sell the album, a departure from his previous projects' free distribution format. After a report was leaked claiming that audio distribution platform SoundCloud was close to bankruptcy and had laid off most of its workers, Bennett had a phone call with SoundCloud CEO Alex Ljung. Following the phone call, Bennett went onto Twitter, posting that SoundCloud is "here to stay". It was later reported that Bennett was just reflecting on what Ljung had previously published in a press release following the leak. Soon after, Bennett released a SoundCloud exclusive track with Young Thug called "Big B's" to benefit the platform, a surprise move that was planned in response to the SoundCloud bankruptcy leak.

In February 2017, Bennett performed at the 59th annual Grammy Awards, receiving 7 nominations and winning 3 Grammys. His performance featured Kirk Franklin and Tamela Mann, along with a gospel choir and orchestra conducted by Tom Brooks. On July 13, Bennett performed a NPR Tiny Desk Concert where he recited an original poem. The poem, entitled "The Other Side", was crafted on his ride from his hotel, in Washington D.C., to the NPR music offices and was written with black marker on typing paper. Chance also performed, "Juke Jam", a song off of his album Coloring Book, and a cover to Stevie Wonder's song "They Won't Go When I Go" released in 1974.

In July 2017, Bennett was nominated for an Emmy Award for his song "Last Christmas" that was performed on Saturday Night Live. He shares the nomination with Kenan Thompson, Eli Brueggemann, and Will Stephen in the category for Outstanding Original Music and Lyrics. In August 2017, Bennett headlined day three of Lollapalooza at Grant Park in his hometown of Chicago. His performance drew record crowds with some estimates making it the largest attended performance in the event's history. In November 2017, Bennett curated and headlined the Obama Foundation community event at the Wintrust Arena in Chicago. The event capstoned the inaugural Obama Summit event which featured special guests including former President Barack Obama, First Lady Michelle Obama, Andra Day, Gloria Estefan, Aziz Ansari, Lena Waithe, Lin-Manuel Miranda, and more.

In 2018, he featured on "Logout", a song from Saba's album Care for Me and "Best Life" from Cardi B's debut album Invasion of Privacy, and released 4 new songs in July. Bennett performed at Mac Miller: A Celebration of Life on October 31, 2018, a tribute concert celebrating the recently passed rapper Mac Miller. On November 29, 2018, Bennett released 2 new songs, "My Own Thing" and "The Man Who Has Everything", and announced on February 11, 2019, that his debut album would be released sometime in July of that same year. During Super Bowl LII Bennett appeared alongside The Backstreet Boys in a commercial for Doritos with the two artist performing a remix of "I Want it That Way" In May of that year Bennett was featured in Ed Sheeran's song "Cross Me" On July 26, 2019, Bennett released his debut studio album The Big Day.

In 2019, he wrote the song "True Kinda Love" for Steven Universe: The Movie alongside Rebecca Sugar, James Fauntleroy, Macie Stewart, and Julian Sanchez, with vocals being performed by Estelle and Zach Callison. In December 2019, Bennett cancelled his "The Big World Tour" for the second time in order to spend time with his newborn daughter.

In January 2020, it was announced that Bennett will be the host of the reboot of Punk'd that will air on the streaming service Quibi.

Artistry

Musical style

Bennett has stated in interviews with XXL and Complex that Kanye West, James Brown, MC Hammer, Prince, Lupe Fiasco, Common, Young Thug, Lil Wayne, Esham, Eminem, Souls of Mischief and Freestyle Fellowship have influenced him. When asked about the gospel influences in his music, he also has stated that Kirk Franklin is one of his favorite artists, and his favorite composer.

Bennett's music has been described as versatile and uplifting. His music generally contains jazz-inspired melodies and gospel influences. Bennett's lyrics usually have references to Christian theology, his struggles with his faith and his upbringing. Chance incorporates choirs into his music to attempt to maximize the gospel undertones. Sharde' Chapman at HuffPost has described Bennett's lyrics as "creative" and "colorful".

Bennett often does traditional singing songs, and possesses a light-lyric tenor voice with an expansive vocal range that spans three octaves. Bennett's vocal range reaches its extreme low at the bass F♯ (F♯2), and rises to its peak high at the tenor high F (F5).

Fashion

Bennett's fashion style is a large part of his public image, and he has taken interest in the industry. Bennett has designed hats for the Chicago White Sox. The Hollywood Reporter has said that Bennett is "redefining fashion" with his style of generally wearing overalls and contesting traditional hip-hop fashion norms. Bennett wore a suit that was meant to imitate Michael Jackson at the 2017 BET Awards. Bennett was seen wearing Thom Browne clothing at the 2017 Grammys. Bennett has been known to wear a signature hat with the number three on it. “I’ve rationalized it to myself that it stands for the third mixtape, the Holy Trinity, and the three-pronged family of myself, my daughter, and my girl.” Bennett said in an interview in regards to the meaning of the number three.

Activism and politics

Bennett's father, Ken Bennett, has been involved in Democratic Party politics on the local and national level. Ken Bennett worked for Barack Obama as a presidential appointee and as an aide. Ken Bennett also worked on Obama's presidential campaign in 2008, and has worked as an aide to Mayor of Chicago Rahm Emanuel and as 2019 Chicago mayoral campaign co-chair for Toni Preckwinkle. Despite his family's ties to the Democratic Party, Bennett has called himself an independent voter, though he has a history of supporting Democrats. Bennett volunteered with Barack Obama's reelection campaign by phonebanking in Hyde Park, Chicago and has given speeches at the University of Chicago Institute of Politics.

In November 2014, Emanuel named Bennett as Chicago's Outstanding Youth of the Year for his activism. Bennett's work to support Chicago youth includes hosting Open Mike nights for Chicago-area high school students in collaboration with Chicago Public Library, which drew the attendance of fellow Chicago natives and celebrities like Hannibal Buress and Kanye West. In December 2015, Bennett joined with Detroit-based nonprofit group Empowerment Plan to start an initiative called Warmest Winter 2016. The initiative raised money to give 1,000 specially manufactured coats, which doubled as sleeping bags and shoulder bags, and were manufactured by homeless citizens of Detroit, to homeless citizens of Chicago. In June 2016, he hosted the Teens in the Park event, a free youth festival on Chicago's Northerly Island that drew an attendance of 3,300.

Bennett co-created a new nonprofit called SocialWorks in September 2016, an extension of his Open Mike program which aimed to create youth programs for residents of Chicago, among other goals. Open Mike nights and the Warmest Winter initiative later became part of SocialWorks.

Bennett has actively fought to combat gun violence in his hometown of Chicago and in 2014, along with his father, promoted the "#SaveChicago" campaign. The campaign sought to stop gun violence over Memorial Day Weekend. During 2014's Memorial Day weekend, Chicago went 42 straight hours without a shooting. Bennett met with President Obama at the White House on April 16, 2016, to discuss My Brother's Keeper Challenge, an initiative of the United States Federal Government to promote intervention by civic leaders in the lives of young men of color to address their unique challenges and to promote racial justice, with other musicians, including Alicia Keys, Busta Rhymes, Janelle Monáe, J. Cole, and others. Bennett started a Twitter campaign for May 23, 2016 using #May23 to stop gun violence for 42 hours.

On March 6, 2017, after a meeting with Governor Bruce Rauner that did not go well only days before, Bennett announced his intention to donate $1,000,000 to Chicago Public Schools in order to help offset the lack of government funding provided. Following this, a movement arose to try and inspire Bennett to run for mayor of Chicago. This was backed by fellow media personalities including musician Drake.

Bennett is an outspoken critic of President Donald Trump, having criticized him numerous times and drawn comparisons to former President Barack Obama. During the 2016 Presidential election, Bennett said he was not scared of a Trump presidency. When asked why by GQ, Bennett said "You gotta just understand, like, shit has been fucked-up, right? Like, 'Make America Great Again', that's not a real thing because shit ain't really switched up for [white middle class]". Bennett endorsed Democratic candidate Hillary Clinton on October 6, 2016, expressing concerns about the way she was treated in the media and also expressing that she could "fix Chicago" and led a "march" to numerous polling stations with thousands of Chicagoans. Following the victory of Donald Trump in the 2016 presidential election, Bennett said "Trump was going to win, anybody in the world who's surprised by the election of Donald Trump has been ignorant of racism, and the tides and patterns of American history and world history." In February 2017, Bennett posted publicly on Twitter that he was worried President Trump was going to change constitutional term limits. Bennett has compared Trump's fascination with Chicago to "going to war". In August 2017, Bennett claimed to have a "bigger voice than Donald Trump". Bennett also became an outspoken critic of Chicago Mayor Emanuel later in his term, though his father had worked for Emanuel and he himself had earlier accepted Emanuel's support.

Bennett has been an active Twitter user, with several of his tweets on social issues going viral. For example, Bennett garnered attention from Time magazine when he tweeted criticism of an article titled "In Wake of Weinstein, Men Wonder If Hugging Women Still OK". Following Kanye West's Tweets announcing his support of Donald Trump in April 2018, Bennett tweeted in support of West's freedom to choose to be Republican, sparking controversy among his fanbase. Trump later tweeted thanking Bennett for his support of West, though Bennett disavowed Trump's praise.

In July 2018, Bennett purchased the Chicago journalism website Chicagoist from WNYC. The website had been inactive since it was abruptly shut down by former owner Joe Ricketts in November 2017, and Bennett planned to relaunch the website later in 2018. Chicagoist did not relaunch in 2018, and it is currently planning a 2019 reopening, according to its website.

In the 2019 Chicago mayoral election, Bennett was an active supporter of Amara Enyia. Bennett initially endorsed Enyia at a press conference in October 2018. Bennett campaigned with Enyia and made major donations to her mayoral bid. Fellow rapper and Chicago native Kanye West also donated to Enyia's campaign. In the February 2019 election, Enyia finished fifth out of fourteen candidates, and did not advance to the mayoral runoff. Lori Lightfoot and Preckwinkle, who had hired Chance's father as campaign co-chair, instead advanced to the runoff. In the runoff, Bennett endorsed Preckwinkle, criticizing Lightfoot as having worked against the interests of Chicago's black community.

In 2020, Bennett will be honored by Unicef at their annual gala in Chicago with the UNICEF Chicago Humanitarian Award.

Personal life

Bennett lives in his hometown, Chicago. Bennett once shared a house in North Hollywood with James Blake. Describing his time in North Hollywood, Bennett called it "ungodly". After graduating from high school, Bennett attended a community college for a week before dropping out. Bennett has taken numerous recreational drugs during his lifetime, including LSD and Xanax, but has since stepped away from them.

Family

His younger brother, Taylor Bennett, is also a rapper. Both brothers began rapping at the same time and have a similar style. Both the rappers also draw inspiration from Chicago native Kanye West.

In July 2015, Bennett announced that he was expecting his first child with his girlfriend Kirsten Corley, whom he began to date in 2013. In September 2015, Corley gave birth to their daughter, Kensli. Kensli was kept out of social media until December 31, 2016, when Bennett posted a picture of her on Instagram. In May 2016, after they had stopped living together, Corley wanted the courts to declare Bennett as the father of their daughter, requiring him to pay child support.

In February 2017, Bennett's child support case reopened in an attempt to work out child support terms and a parenting schedule as Bennett and Corley moved to separate residences. The Chicago Sun-Times published an article about a dispute between the two in March 2017. Bennett replied to the article saying "Y'all better do y'all jobs and stop worrying about how good my family is. Just a friendly reminder. Don't let anybody get between you and your family." On March 21, 2017, the dispute was settled out of court. Corley and Bennett reconciled, and on July 4, 2018, they became engaged after 5 years together. The two married on March 9, 2019 at the Pelican Hill Resort in Newport Beach, California with guests including Kim Kardashian and Kanye West.

Bennett spends much of his free time with his daughter, and frequently takes her on outings. These have included a Chicago Bulls basketball game, meeting the Obamas and working out.

In September 2019, Chance's wife Kirsten announced they had their second daughter named Marli.

Christianity

Bennett is a Christian and refers to Jesus Christ in many of his songs. Bennett was raised as a Christian by his grandmother but later fell out of the faith. He rediscovered his faith when his daughter was born with atrial flutter. Speaking about the situation, Bennett said "[I just] pray a whole lot, you know, and need a lot of angels and just see shit in a very, like, direct way. And…you know, God bless everything, it worked out well." Bennett wrote on Twitter following the situation on January 31, 2016, "Today's the last day my old life, last day smoking cigs. Headed to church for help. All things are possible thru Christ who strengthens me."

Bennett has labelled himself as a Christian rapper following the release of his mixtape Coloring Book. Bennett believes that God is to thank for his blessings and his success. He has attended multiple dates for Kanye West's Sunday Service, most notably performing his verse on "Ultralight Beam" at Coachella 2019 and in his hometown at Chicago's Huntington Bank Pavilion.

Discography

10 Day (2012)

Acid Rap (2013)

Coloring Book (2016)

The Big Day (2019)

#04/16

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ilovemybarricadebabies · 5 years

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My incredibly personal story of how I fell in love with Les Mis, and by extension, Enjoltaire.

I was first introduced to Les Mis through singing “Castle on a Cloud” when I was an 8th grader in my junior/high school choir. At this time, the film of the musical had just been released. After hearing my choir director talk about it, I had an interest in seeing it in the movie theatre, but was never able too. However, that summer, on either July 12th or 13th, 2013 (I only remember the date because I distinctly remember watching it, and then learning about Cory Monteith’s death (despite never watching Glee), my mother came home with the DVD of the film, and we watched it. At first, I didn’t really understand what was going on, but I ended up falling in love with “Do You Hear The People Sing?” and I listened to that song on repeat for days following. Apart from “Castle on a Cloud”, “DYHTPS?” was the first song that I truly knew from the musical.

Then, my freshmen year of high school, we sang “Bring Him Home” at our Fall Festival concert, and then, in the weeks following leading up to Christmas/holiday break, we watched the film in choir class. But that still wasn’t what made me fall in love. I enjoyed the music, but at this point, I wasn’t big on musical theatre. But that all changed that holiday break.

When holiday break came around, I sat down with my laptop, and pulled up The Phantom of the Opera from my iTunes account (now, I know this my LM story, but we need to go through my POTO phase first), and I absolutely fell in love with POTO. It was like a switch flipped and my whole world had came into focus. POTO was my segue into the world of musical theatre. Everything revolved around POTO for weeks. As I went through my POTO phase, I introduced myself to more musicals. I started first with the more mainstream (POTO, Wicked, Les Mis, and so many more that are considered mainstream) and then, I found the musicals that weren’t as popular. And I went through a time were I felt that my love for theatre needed to remain a secret because there was another girl in my school who was obsessed with musical theatre and I felt somewhat intimidated by her, so I kept it secret from everyone except my family. There wasn’t a day that went by that I wasn’t checking the Playbill website or reading about musicals on Google. I followed all the musical accounts on social media that I could. During this time, I had listened to the entirety of Les Mis and I had also understood the story better thanks to Google. Les Mis quickly became my second favorite musical, but nothing was going to take POTO from this spot.

But as I entered my sophomore year, my POTO phase had pretty much ended, and my Once Upon a Time phase began, but that only lasted for about six months. I was still obsessed with musicals, but my main focus was know OUaT. Then, I was in between phases for a while. Finally, that spring, after begging my parents for months and months, they gifted me with a trip to New York City in May 2015 (my second time going to that city, my first was in June 2013 with my mother on a mother/daughter bonding trip, where we saw the musical, and my first Broadway musical, Once), and I was able to see POTO on Broadway.

However, nearing the end of my sophomore year, my entire world turned upside down when my parent’s divorced and everything that I knew had changed.

But then, on Saturday, June 6th, 2015, I found my way to FanFiction.net (I had been reading Wicked fanfiction, but I was getting tired of it), and I found my way into the Les Mis category on FFN.net, and I found my way to reading Enjoltaire fanfiction. Granted, I soon learned that most of the fanfiction on there was Enjolras/Éponine, and that wasn’t at all what I wanted.

Now, when I first watched Les Mis way back in June 2013, I didn’t really care for the characters, yet. I watched it for the entertainment reasons. However, once I entered the world of musical theatre, and I watched Les Mis again (this time it was the 25th anniversary concert), my eye caught on to the dynamic that Enjolras and Grantaire had and what Hadley Fraser and Ramin Karimloo did with said dynamic in the 25th anniversary. That was when I started shipping it, and it became my Les Mis OTP.

After making my way through the Enjoltaire category on FFN.net, I made my way over to Ao3, and that was where the rabbit hole began. Every spare moment of my time was spent either reading Enjoltaire fanfiction on Ao3 or in the Enjoltaire tag on Tumblr. If my phone was in my hand and my eyes were to my phone chances it was Enjoltaire fanfiction that I was reading. I went to the lake with my mom’s side of the family at the end of June 2015, and while I did chat with my family, most of the time my phone was in my hand while I continued to read Enjoltaire fanfiction. I had also shown my cousin the 25th, someone who had never seen it, and even she started to low key ship it. Also, at this time, I had watched the movie more times than I could count, and I had also gone down the rabbit hole that is loving Aaron Kyle Tveit. I had learned everything that I could and I had watched everything that I could get my hands on that had him in it. I also discovered that while the dynamic that Hadley and Ramin had in the 25th was nothing compared to what the movie portrayed, or I should say what George Blagden portrayed, in the movie. My Tumblr account was covered in all things Enjoltaire, it was wonderful. My life revolved around Enjoltaire. I started writing and gaining many, many, many ideas for Enjoltaire fanfiction (I have 8 stories on Ao3. One in the process of being published, seven are complete and available for reading). I loved both Enjolras and Grantaire, separately (Enjolras I loved just a little bit more because he was my favorite character, still is and will always be my favorite character of the musical and of all-time, but nevertheless I loved them both) and I loved them as a couple. They were, and still are, my babies and OTP of OTP’s. They are the couple that I have stayed with the longest. When I’ve entered my fandom phases in the past, I usually lasted with the couple that I shipped for about six months. I still loved them after that, but not to the extent of what I had. My love for Enjoltaire has stayed for over four years and is still going strong. These two will probably stay with me forever.

Now, by this point, I still hadn’t seen it live. It had been revived on Broadway in March 2014, with Ramin as Valjean. At this point, the show in London didn’t hold any of my attention because I had had no hope of ever seeing it there. I did my best to keep up to date with it, but I failed miserably at that. Most of what I knew about the London production came from Tumblr or Google. I did follow the London actors and the Les Mis London account on Twitter. I was also aware that it was the original production in London, but like I said, I had no hope whatsoever that I would be able to see it there. I would have loved to see it, but living in the U.S., I doubted that I would ever see it. The only version that I wanted to see and could afford to see at the time was the one on Broadway, and I wanted to see that version BECAUSE of the fact that Ramin was Valjean, and I had already loved and adored him because of POTO and the 25th anniversary. I followed this production as much as I could. I was rooting for it during the 2014 Tony Awards and was absolutely pissed when it didn’t win. I had had the opportunity to see Ramin as Valjean at the same time that I saw POTO in May 2015, but instead, I decided that the other show that we would see during that NYC trip would be Wicked because Matt Shingledecker (the Fiyero (who is my favorite Fiyero) at the time was someone that had caught my attention through Kara Lindsay’s Broadway.com Wicked vlog, “Think Pink”) and I just wanted and was desperate to see and meet him, so I chose Wicked, a decision to this day that I still don’t regret. And overall, to me, I didn’t care that it wasn’t the original version, to me it was a story that I loved and adored.

Now, we are getting into the personal part of the story. My junior year of high school, my parent’s divorce had grown to the point where I think the best word to describe it would be bitter. My dad was butting in to my mom’s business, and my mom wanted nothing to do with my dad unless it had to do with me and my two siblings or my two nephews. My dad would drag me into the middle of all of it because I was the only one of my siblings still at home. My parent’s divorce was a mess. Some of my teachers knew about the divorce, but they didn’t know that I felt like I was drowning. I had kept up with my schoolwork and still had good grades, but I didn’t talk about the divorce because I didn’t want to drag people in to something that they had no reason to be part of. I was clearly in pain and I felt so alone, but I was good at hiding it, that no one knew. The one thing that I clutched to, the thing that was my absolute fucking lifeline was Les Mis/Enjoltaire.

Whenever I needed it, Les Mis was the thing that was there for me. To be honest, it felt like it was the only thing that was there for me. The story, the music, and of course, boatloads of Enjoltaire fanfiction. The only thing that got me through the day was repeating the line: “Even the darkest night will end, and the sun will rise”, every minute of every day. If I was having a bad day or cheering up, the only thing that would pull me out of it was either Les Mis or Enjoltaire.

It was because of this that Les Mis became my absolutely favorite musical of all-time because it was the reason that I was still living. The story and music gave me hope and it was because of those two things that I knew that everything was going to be okay.

All while I was feeling like I was drowning, it was announced on December 2nd, 2015, that the Broadway revival was closing (by this time, Ramin bad left the production, Alfie Boe was Valjean, and John-Owen Jones has been announced as the replacement for Alfie once he left and would continue with the production until it closed) on September 4th, 2016. After this was announced, I told my father that he had nine months to take me to see the show, and he did because on May 14, 2016 at the Imperial Theatre, I was witnessing for the first time ever the story and hearing the music that I loved so much live. I was absolutely in awe of what I was seeing. To me, it didn’t matter that it wasn’t the original production, all that mattered was that I was seeing the story and the characters that I loved so much play out 100 feet in front of me. I was sobbing and my breath was taken away. My eyes didn’t leave the stage, once. I loved and adored every moment of it. On the day, the revival closed, I was working, and I was taking my lunch break when they live streamed the curtain call for the final performance on Facebook. I was sobbing as I watched it.

Then, I started my senior year of high school, and unlike my junior year, it was so much better. My junior year was my worst year of high school. Part of what helped me make it through my senior year was that my sister (who hadn’t been talking to my family for over 12 years) came back to the family. I now had someone to talk to about what had happened, and it made me feel so much better.

Now for the last year or so, I knew that my father had been planning to gift me with a trip to anywhere in Europe that I wanted to go for my graduation present. It was originally that I wanted to go to Italy, but then I changed my mind and decided on Paris and London. I chose Paris mostly because it’s one of my favorite cities in the world and it’s the settling of my favorite time period in Les Mis. Then, I chose London because I had always wanted to go there too, plus like Paris and NYC, it’s one of my favorite cities in the world. While we were planning the trip, my dad asked me what shows I wanted to see. The only shows that I knew for sure were Les Mis, POTO, and Wicked. Now, like I said earlier, I knew that Les Mis was the original production, but while that was part of the reason why I wanted to see it. The other reason, the much, much, much bigger reason, was because I knew that I would be once again witnessing the story and characters that I loved so much come alive 100 feet in front of me. And I got those three shows, as well as seven more, on the trip itinerary.

On June 5th, 2017 at the Queen’s Theatre, I was able to witness, my favorite show and characters that meant so much come alive, once again, 100 feet in front of me. While I was amazed with the revolving stage and how the original production was put together, it wasn’t what made the story special for me. Like the Broadway revival and every version of the story that I have listened to/watched, I was sobbing by the end and my breath was taken away. At the end of it, I didn’t care that what I was seeing was the the original production. All that mattered to me was that it just my favorite musical. On the plane ride home from London, I needed to experience it again, that I watched the movie on my iPad through Amazon Prime. Like with Broadway, I had been in a Les Mis slump, that all I wanted was too watch/listen to anything regarding my favorite show.

As the next year went on, I started college and I had to deal with people asking me why such a mainstream musical was my favorite, I didn’t know what to say. They had no business in knowing why it meant so much to me. Before I started college, the announcement of the U.S. tour cast was announced, and while I had already been hoping to see it if it came anywhere near me, once I discovered that Matt Shingledecker would be playing Enjolras, I was more determined than ever to see the tour.

When it was announced that the tour would be coming at the Orpheum Theatre in December 2018 in Minnesota which was the closest that it’s come to me, it took quite a lot of convincing from me for my father to get me tickets to see it for my birthday in December. He was reluctant because I had already seen it twice already, but all I needed to say was that it was my favorite musical and he got me the tickets.

And on December 29th, 2018, I saw my favorite musical for the third time, and once again, not caring what production it was, I was seeing my favorite characters and story come alive in front of me. I was sobbing and breath was taken away. After the curtain call and the lights came up, I cried for like another five minutes. And once again was in a Les Mis slump for days afterward.

Now, not to bring up a bad subject, but with the change that is occurring in London, while I am heartbroken over it, I also don’t really care. The staging of the show doesn’t hold any sentimental value for me, not like I know it does for some people. What part of Les Mis that holds the sentimental value for me is the story, the characters, the music, and of course, Enjoltaire. Without the story, without Enjoltaire, I wouldn’t be on this Earth anymore. This story had already meant so much to me that when I saw it live, it was just the cherry on top of a beautiful, wonderful, delicious ice cream sundae. I have/will watch/listen to the musical no matter what staging it’s given, or even lack of.

Now, while I am slowly, like snail’s pace slow, making my way through the book. I am determined to finish it one day. All of my knowledge that I know from the book is from the people that I follow on Tumblr, who have read it. While I’m slowly making my way through the book, I have read other passages in it, and from just those I know that I will love the book, and it will give me even more reason to love it more than I already do.

This musical has meant to so much to me that when I finally get the money for my first tattoo, it will be “Even the darkest night will end, and the sun will rise” on my upper arm between my shoulder and elbow, written in the logo’s font. That quote is my favorite in the musical and it’s the quote that has meant the most to me. It was my mantra my junior year. And after that tattoo, I want to get another Les Mis related one, but I want that one centered on Enjoltaire, but I’m not sure. Either way, I know that I will get the first one for sure.

And I think that pretty much covers why this musical means so much to me. And this story is obviously incredibly personal, just like I’m sure everyone else’s story regarding this musical is. But this one is unique to me because it’s my story.

#les mis was my crutch during one of the hardest times in my life #les mis #enjoltaire #personal post #personal #my story that i’ve never shared with anyone before

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superduperinformation · 2 years

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RAJ KUMAR RAO SHORT BIOGRAPHY

Raj Kumar Rao was born 31 August 1984 is an Indian actor known for his work in Hindi flicks. He’s the philanthropist of several awards, including a National Film Award, three Film chow Awards, and an Asia Pacific Screen Award.

Rao graduated from the University of Delhi and he learnt acting at the Film and Television Institute of India. He also moved to Mumbai and made his film debut with Dibakar Banerjee’s plant footage florilegium film Love Coitus Aur Dhokha (2010). After a many supporting places in flicks like Gangs of Wasseypur – Part 2 and Talaash The Answer Lies Within (both 2012), his advance came with the social drama Kai Po Che! in 2013. He rose to elevation with his depiction of the late counsel and mortal rights activist Shahid Azmi in Hansal Mehta’s critically accredited biographical drama Shahid (2013), for which he was awarded the National Film Award for Stylish Actor and the Filmfare Critics Award for Stylish Actor.

Rao went on to point in the largely successful comedy- drama Queen (2014), Aligarh (2016) and Trapped (2016). Trapped earned him a alternate Filmfare Critics Award for Stylish Actor. Among his 2017 releases, the romantic comedy Bareilly Ki Barfi and the black comedy Newton were both critical and marketable successes and also won him several accolades; the Filmfare Award for Stylish Supporting Actor for the former and the Asia Pacific Screen Award for Stylish Actor for the ultimate. In 2018, he starred in the horror- comedy Stree, which is the loftiest-grossing film of his career to date. He also starred in Roohi, a effect to Stree which released in 2021. Rao got married to his lady love Patralekha Paul on 15 November 2021.

Starting life and Personal Life

Rajkummar Rao was born as Raj Kumar Yadav on 31 August 1984 in Prem Nagar, Gurgaon, Haryana, India. He’d two aged siblings and three relatives in his extended family. His father, Satya Prakash Yadav, was a government hand in the Haryana profit department, and his mama, Kamlesh Yadav, a partner. His mama and father failed in 2016 and 2019 independently. He completed his 12th standard from Blue Bells Model School, where he shared in academy plays. He graduated from The Atma Ram Sanatan Dharma College, (University of Delhi) where he was contemporaneously doing theatre with Kshitij Theater Group and the Shri Ram Centre in Delhi.

Rao said that he decided to come an actor after seeing Manoj Bajpayee and being” largely told”by his performance. In 2008, he enrolled in a two- time acting course at the Film and Television Institute of India, Pune, and moved to Mumbai to pursue a film career. Rao is a submissive. He changed his surname to Rao from Yadav in 2014 and also added an redundant’m’to his name. He said the reason for this was,”Rao or Yadav, I can use either of the surnames as both are family names. As far as the double’m’in the first name is concerned, it’s for my mama. She believes in numerology. Rao had been in a relationship with actress Patralekha Paul since 2010. He married her on 15 November 2021. He’s formally trained in taekwondo.

Debut and other workshop (2010 – 2012)

After graduating from the FTII in 2008, Rao spent the coming time visiting workrooms and meeting casting directors. He made a small, underrated appearance as a news anthology in Ram Gopal Varma’s 2010 political suspenser Rann. After reading in a review announcement that mentioned Dibakar Banerjee was looking for beginners for his plant footage florilegium film Love Coitus Aur Dhokha (2010), he auditioned for the film and was named. The film consists of three stories; Rao appears in the alternate story contrary Neha Chauhan. He played Adarsh, a supermarket administrator who cons an hand into sleeping with him so he can record the act on a retired camera and vend it. To fit the part, he’d to lose 6 kilograms in a month. The film and Rao’s performance met with critical sun. It also turned out to be a profitable box- office adventure.

After the success of his debut film, patron Ekta Kapoor offered Rao the supereminent part in the plant footage horror film Ragini MMS (2011). He was reticent originally to accept it, as it sounded analogous to his former work, but he took up the offer at casting director Atul Mongia’s asseveration. Despite an inimical critical response, the film was a box- office success. His coming release was Bejoy Nambiar’s crime suspenser Shaitan (2011), in which he played a muddy police officer. Raja Sen, who was critical of the film, praised Rao’s performance by calling him reliably atrocious.

Director Anurag Kashyap had liked Rao’s performance in Love Sex Aur Dhokha and cast him in Gangs of Wasseypur – Part 2 (2012), a followup to his crime film Gangs of Wasseypur – Part 1. He played the supporting part of Shamshad Alam for which he visited Wasseypur to perfect his accentuation and character. The film was a critical and fiscal success. His posterior part was that of independence activist Lokenath Bal in Bedabrata Pain’s literal drama Chittagong (2012), which was grounded on the Chittagong armoury raid. His final release of the time was Reema Kagti’s suspension suspenser Talaash The Answer Lies Within, where he played a bobby. The film, starring Aamir Khan, Rani Mukerji, Kareena Kapoor, Nawazuddin Siddiqui and Shernaz Patel, had worldwide earnings of over ₹1.74 billion to crop as the time’s eighth loftiest-grossing Hindi film. Rajeev Masand reflected that in just one scene Rao shows”what a good actor can bring indeed to a small part.

Abhishek Kapoor’s social drama film Kai Po Che! (2013) was Rao’s coming adventure. Co-starring Sushant Singh Rajput and Amit Sadh, the film is grounded on Chetan Bhagat’s 2008 new The 3 Miscalculations of My Life. The film was released in India on 22 February 2013 and entered critical sun, with praise for the lead performances. Shilpa Jamkhandikar of Deccan Herald felt that Rao stood out and played off the part”beautifully”. Rao was nominated for the Filmfare Award for Stylish Supporting Actor for his performance in the film.

Shahid and advance (2013 – 2016)

In 2013, Rao appeared in the Hansal Mehta- directed biographical drama Shahid, where he plays the title part of late counsel Shahid Azmi. To prepare for the part, Rao met Azmi’s family and spent time with them to understand the man and his personality. He also studied the Quran and attended courtrooms to understand how attorneys bear. Rao said he was”emotionally drained”as the character was grueling and complex. The film and his performance met with critical sun upon its release. Anupama Chopra called the film Rao’s” triumph”;”His Shahid has strength, anguish and a controlled wrathfulness, but also real charm.”The film was also a box- office success Rao entered the National Film Award for Stylish Actor at the 61st National Film Awards form and the Filmfare Critics Award for Stylish Actor at the 59th Filmfare Awards. His other 2013 release was the comedy film Boyss Toh Boyss Hain.

In 2013, Rao played the supporting part of a manipulative fiancé in the comedy drama Queen. The film had its world premiere at the Busan International Film Festival and was released theatrically in India on 7 March 2014. It was a critical and marketable success, grossing ₹ 970 million (US$ 14 million) worldwide. Saibal Chatterjee of NDTV noted that Rao”brings remarkable restraint to bear upon his interpretation of the disgustingly conservative megacity slicker who can not see beyond his nose”.

The same time he acted in a short film named Bombay Mirror directed by Shlok Sharma along with Vijay Maurya. He banded with Mehta on his drama film CityLights (2014). Co-starring Patralekha Paul, the film tells the story of a poor ranch family from Rajasthan that comes to Mumbai in hunt of a livelihood. To prepare for the part, Rao lived in the small city of Sadri in the Pali quarter of Rajasthan for a month, grew a moustache and came well- clued with the shoptalk. Critics praised the film and Rao’s performance. Sweta Kaushal of Hindustan Times writing that he slips” painlessly”into the part. It proved to be a moderate fiscal success.

In 2015, Rao appeared in a supporting part in the romantic comedy Dolly Ki Doli,co-starring Sonam K Ahuja, Pulkit Samrat and Varun Sharma. It met with mixed reviews and had only an average gross at the box- office. Its followup was the Mohit Suri- directed romantic drama Hamari Adhuri Kahani (2015), where he plays an vituperative hubby to Vasudha Prasad ( played by Vidya Balan). He returned to work with Mehta in the biographical drama Aligarh. Grounded on the life of Professor Ramchandra Siras, Manoj Bajpayee has the supereminent part, while Rao plays a intelligencer who tries to dig up the story. Aligarh met with critical sun upon its release, with particular praise for Bajpayee and Rao’s performances. Sukanya Verma called Rao” pitch-perfect”in his part of” curious intelligencer”. Rao was nominated for Filmfare Award for Stylish Supporting Actor for his performance in the film.

Rao banded with Vikramaditya Motwane for his managerial adventure, the survival drama Trapped (2016). It tells the story of a man trapped in his apartment without food, water and electricity for days. Rao plant the part of Shaurya to be one of his most grueling to date. He’d to lose weight and to maintain it remained on a carrot and coffee diet throughout the course of filming. Despite being a vegan, Rao ate meat in some scenes for the first time in his life, as Motwane claimed on literalism. Trapped premiere at the 2016 Mumbai Film Festival and was released theatrically on 17 March 2017 to positive reviews. (57) SubhashK. Jha wrote that Rao”immerses himself in the judiciously assembled plot with similar radiant authenticity that after a while we cease to watch the skill that underlines the outstanding performance”. (58) Rao won the Filmfare Critics Award for Stylish Actor for his performance in the film.

Marketable success (2017 – present)

Rao’s first release in 2017 was the romantic comedy Behen Hogi Teri with Shruti Haasan; it met with an inimical critical response though critics praised Rao’s performance. He followed this with another romantic comedy named Bareilly Ki Barfi, directed by Ashwiny Iyer Tiwari andco-starring Kriti Sanon and Ayushmann Khurrana. The film and Rao’s performance met with largely positive reviews. Namrata Joshi wrote”Rao is a hoot and brings the house down with his trimmer turn and ridiculous timing – simpering simpleton one nanosecond, full of swagger the coming; a part that could have come a mock in the hands of a lower actor. The film was a marketable success and Rao won a Filmfare Award for Stylish Supporting Actor.

AmitV. Masurkar’s black comedy film Newton was Rao’s coming film. In it, he plays the part of an upright government clerk transferred on election duty to a Naxal- controlled city. He asked the director if he could coil his hair and blink his eyes continuously to make the character distinct; Masurkar agreed. The film premiered at the 67th Berlin International Film Festival and was released in India on 22 September 2017. Newton met with critical sun as did Rao’s performance. Rajeev Masand reflected,”It’s hard to separate the actor from the character, and not numerous of our artistes can claim to retain that gift. The part earned him the Asia Pacific Screen Award for Stylish Actor and a nomination for Filmfare Critics Award for Stylish Actor. He also made a gem appearance in Dinesh Vijan’s Raabta (2017). He’d to apply prosthetic’s for five to six hours every day to look like a 324- time-old man.

His final theatrical release of the time was Shaadi Mein Zaroor Aana with Kriti Kharbanda, which met with mixed critical response. He also made his digital debut with ALTBalaji’s literal biographical webmini-series Bose Dead/ Alive. Grounded on the 2012 book India’s Biggest Cover-up by Anuj Dhar, he portrays nationalist leader Subhash Chandra Bose. For the part, Rao gained 13 kilograms (29 lb) and went half bald. Anvita Singh of India Today felt it wasn’t Rao’s stylish performance, but because of his skill as an actor he”does snare your attention”.

Rao reunited with Mehta for the biographical crime film Omerta, where he portrays the part of terrorist Ahmed Omar Saeed Sheikh. To prepare for the part, Rao watched several vids, pictures and detest speeches by Sheikh to” gather a lot of abomination and wrathfulness”inside himself. He said he was” disturbed”while shooting the film because of the character he was portraying and called it” fluently the toughest character”he has played until also. The film had its world premier at the 2017 Toronto International Film Festival and was released in India on 4 May 2018. The film and Rao’s performance met with critical sun, with Saibal Chatterjee of NDTV calling it a” pitch-perfect performance.

He starred next in the musical comedy Fanney Khan (2018) with Aishwarya Rai Bachchan and Anil Kapoor. A remake of the 2000 Belgian film Everybody’s Famous!, the film was a critical and marketable failure. Stree (2018), the Amar Kaushik- directed horror comedy was his coming release. Grounded on the Bangalore civic legend known as Nale Ba, the film also starred Shraddha Kapoor. The film, and Rao’s performance, met with positive critical feedback. Rachit Gupta of The Times of India noted that Rao”handles the numerous tones of comedy, horror and love with great ease. It also earned him a nomination for Filmfare Award for Stylish Actor. (80) Stree was a major fiscal success. In the same time Rao appeared compactly in Tabrez Noorani’s Love Sonia which was about coitus trafficking. His final release of 2018 was 5 Marriages.

Ek Ladki Ko Dekha Toh Aisa Laga (2019), a film about a closeted lesbian, was Rao’s first film of 2019. Co-starring Sonam K Ahuja, Anil Kapoor and Juhi Chawla, critics entered the film warmly for its positive representation of homosexuality. Still, it failed to do well commercially. He appeared coming with Kangana Ranaut in the black comedy Judgementall Hai Kya. His performance earned him another Filmfare Critics Award for Stylish Actor nomination. (86) His final amusement adventure was Mikhil Musale’s comedy film Made in China where he plays a Gujarati businessman who receives a offer to vend a Chinese aphrodisiac in India. The film, grounded on the namesake novel by Parinda Joshi, met with mixed critical response. AnnaM.M. Vetticad, who was critical of the film, praised Rao”The stylish thing about it are Rao and (Boman) Irani who are a pleasure to watch indeed in this middling affair. The film fared relatively well at the box- office.

Rao’s first release of 2020 was Ramesh Sippy’s romantic comedy Shimla Mirchi, which had been delayed for several times. It met with negative reviews from critics and was a box office disaster. His coming amusement adventure, the Anurag Basu- directed florilegium film Ludo also featuring an ensemble cast of Abhishek Bachchan, Aditya Roy Kapur, Sanya Malhotra, Fatima Sana Shaikh and Pankaj Tripathi, was directly streamed digitally on Netflix due to COVID-19 epidemic. Anupama Chopra called him one of the” notables”of the film and wrote There’s similar agreeableness in his craving. Of course, Alloo is an emotional fool but Rajkummar does not play him for laughs. The film also earned him a nomination for Filmfare Award for Stylish Actor. The same time, he also reunited with Mehta for the sports comedy Chhalaang to play a Haryanvi physical educator. In which he was paired contrary Nushrat Bharucha. It was premiered on Amazon Prime Video.

In 2021, Rao made his Hollywood debut with Ramin Bahrani’s The White Tiger, which was grounded on the eponymous novel by Aravind Adiga. Co-starring Priyanka Chopra and Adarsh Gourav, the film started streaming on Netflix on 22 January and met with positive critical event. David Rooney from The Hollywood Journalist noted that Rao adroitly balances a Western- lessoned appetite to tell himself he is a fair-inclined man with the unmistakable air of privileged annuity. His posterior release was the horror- comedy Roohico-starring Janhvi Kapoor. The film met with mixed critical feedback but proved to be a box- office success.

As of January 2021, he has started shooting with Bhumi Pednekar for Badhaai Do, a spiritual effect to the 2018 comedy- drama Badhaai Ho. He has committed to begin work for the Hindi remake of the 2020 Telugu suspenser Megahit The First Case. Rao reunited with Kriti Sanon in comedy drama film Churr Do Hamare Do, which releases directly on Disney Hotstar on 29 October 2021.

In the media

Forbes India featured Rao in their 30 Under 30 list of 2014. People for the Ethical Treatment of Creatures (PETA) listed him as India’s Hottest Vegetarian Celebrity in 2017. The same time, he appeared on Forbes India’s Celebrity 100 list and GQ magazine’s list of 50 Utmost Influential Young Indians. He has served as the brand minister for Actimaxx, Seventh Street and Food Safety and Standards Authority of India’s eat right movement.

Rao bestowed an undisclosed quantum of plutocrat to the PM CARES Fund, the Maharashtra Chief Minister’s Relief Fund and Zomato’s Feeding India to help feed families in need because of the COVID-19 epidemic in India.

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24hrsallnews · 2 months

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Ustad Bhagat Singh Update: Pawan Kalyan's Bhagat Blaze video has been dropped

We will read about, "Ustad Bhagat Singh Update: Pawan Kalyan's Bhagat Blaze video has been dropped." Ustad Bhagat Singh is a big budget project of Pawan Kalyan, about which a lot of excitement, expectation and madness is being seen among the fans. There is a lot of excitement, discussion and excitement among fans about the film.

Pawan Kalyan's Bhagat Blaze video has been dropped

Bhagat Blaze is going to give a fantastic cinematic experience in 62 seconds, and fans have a lot of expectations from the film Ustad Bhagat Singh. There is a lot of hope, excitement and buzz among the fans from the Ustad Bhagat Singh film. Pawan Kalyan has appeared as a police officer in many films like Bheemla Nayak, Gabbar Singh, Sardar Gabbar Singh. Pawan Kalyan's character of a police officer was highly appreciated. Pawan Kalyan "Bhagat Singh"'s appearance as Strom in Bhagat Blaze is both hair-raising, jaw-dropping and unexpected. The Bhagat Blaze video will have exciting action scenes and intense talks. Harish Shankar and Pawan Kalyan will team up again. In 2012, they both worked in Gabbar Singh, a blockbuster film. Mythri Movie Makers posted from its official Twitter handle and wrote, "#UstaadBhagatSingh is here with all guns firing 𝐁𝐇𝐀𝐆𝐀𝐓'𝐒 𝐁𝐋𝐀𝐙𝐄 out now." At the beginning of Bhagat Blaze, some people attack the priests, then Pawan comes to the rescue. Fans really liked the glass dialogue in Bhagat Blaze. We hope you will enjoy the film's engaging storyline and excellent cinematography along with its thrilling action sequences. Fans gave positive comments and feedback. Get ready to lose yourself in the magic of classic movies as several eagerly awaited movies are arriving in theatres. About Ustad Bhagat Singh Ustaad Bhagat Singh is a Telugu action drama film directed by Harish Shankar. The film was written by Mithun Chaitanya and produced by Ustaad Bhagat Singh Naveen Yerneni, C.V. Mohan and Ravi Shankar. The music for the film is by Devi Sri Prasad. The film's production company is Mythri Movie Makers. The film stars Pawan Kalyan, Sreeleela, B. S. Avinash, Ashutosh Rana, Nawab Shah, Sreeleela, Chammak Chandra and many other notable stars. The cinematography of the film is by Ayananka Bose and editing is by Ujwal Kulkarni. Read More - 12th fail movie Review: Vidhu Chapora 12th Fail Will Inspire You To Start - Crakk Movie Review: Vidyut Jammwal is a great action hero in every way. - Bhool Bhulaiyaa 3 Update: Kartik Aaryan teases 'mystery girl' in Bhool Bhulaiyaa 3 - Yodha teaser: Sidharth Malhotra is going to be seen once again in Cop uniform - Bad Newz Update: Bad Newz in theaters on July 19, 2024! - Gabru Gang Teaser is out now - Devara Update: The release date of JR NTR starrer Devara film has been postponed - Must-Watch Bollywood Movies Releasing in March 2024: Get Ready for an Unforgettable Cinematic Extravaganza! - Article 370 review: Article 370 is a gritty, gutsy and emotional political drama full of patriotism - Crakk and Article 370 box office comparison | Aditya Jambhale delivered chapter-by-chapter narration, providing additional impactful insights. Read the full article

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mrmichaelchadler · 5 years

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#351 April 2, 2019

Matt writes: The full line-up for our 21st annual Roger Ebert's Film Festival (a.k.a. Ebertfest), running Wednesday, April 10th, through Saturday, April 13th, is now available on RogerEbert.com. We are dedicating the festival this year to the memory of one of our favorite actors and frequent guests, Scott Wilson, whose great 1984 film "A Year of the Quiet Sun" is among the selections. We also look forward to celebrating the longtime on-air partnership Roger had with Richard Roeper, who will be on hand for two special screenings, as well as the legacy of "Rachel Getting Married" director Jonathan Demme. Click here to find the complete schedule and all the info you'll need on how to purchase tickets. We look forward to seeing you there!

Trailers

Once Upon a Time in Hollywood (2019). Written and directed by Quentin Tarantino. Starring Margot Robbie, Leonardo DiCaprio, Brad Pitt. Synopsis: A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles. Opens in US theaters on July 26th, 2019.

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Mary Magdalene (2019). Directed by Garth Davis. Written by Helen Edmundson, Philippa Goslett. Starring Rooney Mara, Joaquin Phoenix, Chiwetel Ejiofor. Synopsis: The story of Mary Magdalene. Opens in US theaters on April 12th, 2019.

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The Last Black Man in San Francisco (2019). Directed by Joe Talbot. Written by Joe Talbot and Rob Richert. Starring Jimmie Fails, Jonathan Majors, Danny Glover. Synopsis: A young man searches for home in the changing city that seems to have left him behind. Opens in US theaters on June 14th, 2019.

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Savage Youth (2019). Written and directed by Michael Curtis Johnson. Starring Grace Victoria Cox, Tequan Richmond, Will Brittain. Synopsis: Six young lives collide in the most horrific and twisted of ways. Based on true events. US release date is TBA.

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Scary Stories to Tell in the Dark (2019). Directed by André Øvredal. Written by Guillermo del Toro, John August, Marcus Dunstan, Patrick Melton, Dan Hageman and Kevin Hageman (based on the book by Alvin Schwartz). Starring Zoe Margaret Colletti, Michael Garza, Austin Zajur. Synopsis: A group of teens face their fears in order to save their lives. Opens in US theaters on August 9th, 2019.

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The Silence (2019). Directed by John R. Leonetti. Written by Carey Van Dyke and Shane Van Dyke (based on the novel by Tim Lebbon). Starring Kiernan Shipka, Stanley Tucci, Miranda Otto. Synopsis: The story of a family struggling to survive in a world terrorized by a deadly, primeval species who have bred for decades in the pitch darkness of a vast underground cave system, hunting only with their acute hearing. Debuts on Netflix on April 12th, 2019.

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Christ Stopped at Eboli (1979), re-release. Directed by Francesco Rosi. Written by Francesco Rosi, Tonino Guerra and Raffaele La Capria (based on the novel by Carlo Levi). Starring Gian Maria Volontè, Paolo Bonacelli, Alain Cuny. Synopsis: In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation. US release date is TBA.

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Grass (2019). Written and directed by Sang-soo Hong. Starring Min-hee Kim, Joobong Kee. Synopsis: A guest in a small café prefers to observe but not interact with the other guests herself. US release date is TBA.

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The Tomorrow Man (2019). Written and directed by Noble Jones. Starring John Lithgow, Blythe Danner, Derek Cecil. Synopsis: Ed Hemsler spends his life preparing for a disaster that may never come. Ronnie Meisner spends her life shopping for things she may never use. In a small. These two people will try to find love. Debuts on Netflix on May 22nd, 2019.

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The Professor and the Madman (2019). Directed by Farhad Safinia. Written by Farhad Safinia, John Boorman and Todd Komarnicki (based on the book by Simon Winchester). Starring Natalie Dormer, Mel Gibson, Sean Penn. Synopsis: Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century, and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum, Dr. William Minor. Opens in US theaters on May 10th, 2019.

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The Perfect Date (2019). Directed by Chris Nelson. Written by Steve Bloom and Randall Green. Starring Laura Marano, Noah Centineo, Camila Mendes. Synopsis: To save up for college, Brooks Rattigan creates an app where anyone can pay him to play the perfect stand-in boyfriend for any occasion. Debuts on Netflix on April 12th, 2019.

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Tell It To the Bees (2019). Directed by Annabel Jankel. Written by Henrietta Ashworth and Jessica Ashworth (based on the novel by Fiona Shaw). Starring Anna Paquin, Holliday Grainger, Gregor Selkirk. Synopsis: In 1950s small town Britain, a doctor develops a relationship with her young patient's mother. Opens in US theaters on May 3rd, 2019.

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Body at Brighton Rock (2019). Written and directed by Roxanne Benjamin. Starring Karina Fontes, Casey Adams, Emily Althaus. Synopsis: A park ranger spends the night guarding a potential crime scene on a remote mountain trail. Opens in US theaters on April 26th, 2019.

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Dora and the Lost City of Gold (2019). Directed by James Bobin. Written by Matthew Robinson and Nicholas Stoller (based on the series created by Chris Gifford, Valerie Walsh and Eric Weiner). Starring Isabela Moner, Eva Longoria, Temuera Morrison. Synopsis: Dora, a teenage explorer, leads her friends on an adventure to save her parents and solve the mystery behind a lost city of gold. Opens in US theaters on August 2nd, 2019.

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Annabelle Comes Home (2019). Written and directed by Gary Dauberman. Starring Emily Brobst, Patrick Wilson, Mckenna Grace. Synopsis: The third film in the franchise about a super-creepy doll. Opens in US theaters on June 28th, 2019.

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Brightburn (2019). Directed by David Yarovesky. Written by Brian Gunn and Mark Gunn. Starring Elizabeth Banks, David Denman, Matt Jones. Synopsis: What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? Opens in US theaters on May 24th, 2019.

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El Chicano (2019). Directed by Ben Hernandez Bray. Written by Ben Hernandez Bray and Joe Carnahan. Starring Logan Arevalo, Jose Pablo Cantillo, David Castañeda. Synopsis: A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law. Opens in US theaters on May 3rd, 2019.

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Unicorn Store (2019). Directed by Brie Larson. Written by Samantha McIntyre. Starring Brie Larson, Samuel L. Jackson, Bradley Whitford. Synopsis: A woman named Kit receives a mysterious invitation that would fulfill her childhood dreams. Debuts on Netflix on April 5th, 2019.

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R.I.P. Agnès Varda (1928-2019)

Matt writes: One of Roger's most cherished filmmakers, Agnès Varda, passed away last Friday at age 90, leaving behind one of the most revered legacies in the history of cinema. In addition to reading Dan Callahan's obituary, make sure to read our edition of Roger's Favorites detailing the critic's coverage of Varda's career as well as his wonderful 2009 tribute, "Saint Agnès of Montparnasse."

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Jordan Peele's "Twilight Zone"

Matt writes: Jordan Peele's new version of "The Twilight Zone," which premiered yesterday on CBS All Access, is on par with Rod Serling's landmark original series, according to Brian Tallerico's review. Tallerico also recommends five episodes of Serling's show to watch after seeing Peele's latest hit thriller, "Us," now in theaters.

Free Movies

Ride in the Whirlwind (1966). Directed by Monte Hellman. Written by Jack Nicholson. Starring Jack Nicholson, Cameron Mitchell, Millie Perkins. Synopsis: Three cowboys, mistaken for members of an outlaw gang, are relentlessly pursued by a posse.

Watch "Ride in the Whirlwind"

The Trip (1967). Directed by Roger Corman. Written by Jack Nicholson. Starring Peter Fonda, Susan Strasberg, Bruce Dern. Synopsis: After his wife leaves him, a disillusioned director dives into the drug scene, trying anything his friend suggests.

Watch "The Trip"

The Passenger (1975). Directed by Michelangelo Antonioni. Written by Michelangelo Antonioni, Mark Peploe and Enrico Sannia. Starring Jack Nicholson, Maria Schneider, Jenny Runacre. Synopsis: A frustrated war correspondent, unable to find the war he's been asked to cover, takes the risky path of coopting the identity of a dead arms dealer acquaintance.

Watch "The Passenger"

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poetryofchrist · 4 years

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Biblical Studies Carnival for February 2020

Welcome to Février Gras.

This is The Biblical Studies Carnival 3x7x23

completing 168 monthly editions since the inaugural BS carnival 180 months ago, music, poetry, art in celebration of those studying the ancient texts.

Official colours of Mardi Gras

The Krewe of TNK The head of the first parade is Deane Galbraith presenting Marc Zvi Brettler's lecture on Jewish Biblical Scholarship. Torah

Day 1 - The earth was a right old mess2

All sorts of free goodies distributed from this krewe. Laurent Sangpo gives us a 5 minute reception history on Le Déluge de Michel-Ange."...il suit ainsi l’exégèse ancienne, qui voyait dans la catastrophe la représentation symbolique de notre monde."

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Mark Leuchter and Zev Farber describe the relationship of the siblings, Moses, Miriam, and Aaron, "partners of similar standing in redeeming the people". Carol Meyers asks Who wrote the song? Athalya Brenner-Idan has updated an essay from 2016, Are female readers included in the Decalogue?

Sandra Jacobs writes on Exodus 21:22-25: Accidental Injuries in a Public Brawl, 3 interpretations of the degree and type of compensation required. A d'varling from the Velveteen Rabbi, "if you keep making that face, you'll get stuck that way." Prophets

... wasn't it something to behold that mess

Pete Enns brings up the violence against the Canaanites. Aaron Koller writes on Composing the Song of Deborah, "here we have two empirical models with clear parallels to the biblical Song of Deborah, and both are well attested and fairly well understood."

Judges 5:2 (The whole song is here.)

Saul was Tall by Brian Doak, Bodies speak ... Solomon has no body of significance. ... Hezekiah possesses no beauty... Josiah is a complete ghost. Brant Pitre introduces the lessons for the Presentation in the Temple with particular emphasis on Malachi and the Twelve. Writings

... A symphony of voices

A hole in the parchment, through which the word 'gratiam' ('grace') is visible

Kate Thomas presents a medieval manuscript in praise of the Psalms. De laude psalmorum. "This short Latin treatise explains why saying the Psalms was considered spiritually beneficial, and which Psalms were good for which purposes. It opens a window onto how medieval people understood one of the most important liturgical and devotional books of the Middle Ages, the Psalter."

Brent Niedergall posts on a textual issue in Ruth. "What if an English Bible translation translated a Hebrew word meaning 'he' as 'she'?"

Esther: Girls of marriageable age in the ancient world were much younger than brides today in the western world.

Marg Mowczko begins a series on Esther, and continues with a second post, For such a time as this. The girls "weren’t volunteering for a wonderful opportunity. They weren’t competing for a marvellous prize. Most may well have been taken against their will and against the hopes of their families who might never see their girls again."

Daniel became a writer

Phillip Long continues the unrolling of Daniel. "Belshazzar can look no worse, his mother publicly rebuking his cowardice! (Did she stop to comb his hair and tell him to tuck his shirt in as well?)" He must be nearly right through to the end - if that's not the end, it's close.

Daniel 5:25 - setting the words, the accents in their simplest form

Announced this month via the Times of Israel: A 616-page codex that was written in 1028.

Psalm 150 Karaite

An article with some images is available here from The Jewish Quarterly Review. "NEARLY A THOUSAND YEARS have passed since Zechariah Ben 'Anan finished the demanding work of copying Ketuvim (Writings), the third part of the Hebrew Bible, in a manuscript found by sheer happenstance on a dusty shelf in the Karaite synagogue of Cairo in late July 2017" The tail of the Krewe of TNK

Your host posted a tabular comparison of two strategies for explaining the accents of the TNK and a brief on reading with the music stimulated by the medieval book on the accents translated by Geoffrey Khan, The Tiberian Pronunciation Tradition of Biblical Hebrew. Benjamin Kantor officially launches the Tiberian Hebrew page here. Jonathan Orr-Stav responds to a question on Tiberian pronunciation. Jim Davila highlights an article on dating the Hebrew Bible through linguistics. And, via William Ross, the LXX has its international day. A quote from the obit for S. R. Driver (for links see the final parade below):

The Old Testament must remain an ever-fresh fountainhead of living truth, able to invigorate and restore, to purify and refine, to ennoble and enrich, the moral and spiritual being of man.

The Krewe of the NT

Travis Proctor heads the second parade with an exploration of the demonic body, "residual souls of antediluvian giants".

Gospels and Acts

... like the first glimmer of rising

If it quacks...

A few goodies distributed to the people from this krewe may require a payment. But there's enough even if you can't get into the post-parade-party. Bart Ehrman reviews a Newly Discovered gospel. "rarely does anyone actually discuss the actual *evidence*". His post reaches back into the archives. Ekaterini G. Tsalampouni points us to an article on the ending of Mark.

Jacob Prahlow completes his series on the Odes of Solomon and the Gospel of John. James McGrath posts his impressions of the Enoch Seminar's dedicated session at AAR/SBL on Adele Reinhartz's book Cast Out of the Covenant: Jews and Anti-Judaism in the Gospel of John. Johnson Thomaskutty writes on the Characterization of Thomas in the fourth Gospel. Andrew Perriman writes in response to Michael Bird, on the church and the mission of Jesus. "Did they succeed? Fail? Or did someone move the goalposts?" Ken Schenck points out his work on Mark and Acts as part of his project Through the Bible in Ten Years. Richard Beck continues his series on the gospel according to the Lord of the Rings.

A Matthean Thunderbolt?

Ian Paul republished a post on the influence of John on the synoptic gospels, and explores a spoof on choosing your own Jesus. It being that time of the year, he also did a review of the temptations of Jesus. Michael Pahl encourages following the teaching on economics from Jesus. Jim Gordon would have us consider ornitheology. His series for Lent holds promise. Here is the leap-day special, the pearl. Chuck Jones points out Vizualizing Acts, graphic online support for reading Acts.

Letters

... What do you say

James Tabor writes about What Paul claimed to have seen.

Tim Gombis explores chapters 2 to 5 of Romans with particular reference to boasting. Andrew Perriman posts on theological prisons vs historical readings of Romans.

Michael Kok continues his series on Corinthians, beginning with notes on Peter, and Apollos. James McGrath points to a note on Paul's letter carriers. Henry Neufeld writes about How to Read Hebrews 4. Revelation

... It won't be long

Very short parade. The tail of the Krewe of the NT Mike Aubrey wants more language resources for translation. Marg Mowcsko talks about "preaching" words in the NT. The tail of the first two Krewes Pete Enns and Jared Byas have some advice to their fellow citizens on how to read the Bible in 2020. Jim West reviews the Jesus Bible, i.e. how not to read the Bible.

Other Krewes

... How many powers

James McGrath posts on the SpaceX Rocket bouncing off the firmament. You can watch the whole thing with exegetical commentary from a booster seat. Just click on the image.

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Archaeology Jim Davila asks if Solomon's temple had competition? He also has some thoughts on information in a vitrified brain. And a list of posts on the BAR spring 2020 release including one from the original xkv8r. Todd Bolen reports on extensive ruins of a Canaanite temple dating to the 12th century BCE at Lachish. Yana Tchekhanovets and Leonid Belyaev write about Russian archaeology in The Ancient Near East Today. Textual criticism

Drew Longacre reports on Feature-extraction methods for historical manuscript dating based on handwriting analysis. James McGrath gets around to writing up the 2019 Digital Humanities AAR/SBL sessions in San Diego. Jim West quotes Jerome in defense of errors in his rendering of the Bible. Sarah Allen interviews Zachary Cole on his chapter in Myths and Mistakes.

Theology and Liturgy

Great St Mary's, the Selwyn Consort via the Minerva Festival

Sarah MacDonald presents "Silent in the Churches", an exploration of Music in the liturgy by female composers. NT Wright explains penal substitution, 'according to the Scriptures'. And here's a C.R.A.S.S.H course on explaining. Who knew that James McGrath was an award winning Mandaic poet? Matt Page is still blogging about Bible films. Here is an entry on the Netflix Messiah. Both Bosco Peters and Airtonjo have things to point out about Querida Amazônia. John Bergsma on the Sacred Page lays out the lessons for the sixth Sunday in Ordinary Time. Alex Finkelson at Scribes of the Kingdom wonders about the promises to David. A slightly early entry for the Revelation parade from Doug Chaplin. (Ah well, February is a short month and January is long, so let's give them 30 days each this year... and he is still writing occasionally.) Bart Ehrman has some interesting questions from Buddhists. John Jillions writes on the religious attitudes of some famous Roman skeptics. Journals and Reviews and other things James McGrath points out a new open-access Journal of Religious Competition in Antiquity. James also notes this announcement on Women interpreting the Scripture through music and the arts. Kelsi Morrison-Atkins reviews Moshe Blidstein. Purity, Community, and Ritual in Early Christian Literature. 'Blidstein guides the reader through the “web of allusions” that characterized early Christian purity discourses in the first through third centuries.' Noah Benjamin Bickart reviews Paula Fredricksen's When Christians were Jews. "If anything is missing in her excellent book, it is a more robust engagement with rabbinic texts." Steve Walton notes a set of essays from a conference, Healing and Exorcism in Second Temple Judaism and Early Christianity. Ben Witherington's book on Priscilla is reviewed by Kelley Matthews. Bart Ehrman has a very nice promotion of his book, Heaven and Hell.

Fetch

Brent Niedergall is working with Bel and the Dragon on a Reddit reading group here. Jim Davila points out Sonja Noll's book on the Semantics of Silence in Biblical Hebrew. And a collection of essays on Parables. "Essays cover parables in the synoptic Gospels, Rabbinic midrash, and parabolic tales and fables in the Babylonian Talmud. Three essays address parables in Islam and Buddhism." And Henk de Waard's Jeremiah 52, "Jeremiah 52 is not a mere appendix to the book, but a golah-oriented epilogue, indicating the contrasting destinies of pre-exilic Judah and the exilic community in Babylon." Kerry Sonia reviews Shawn Flynn's Children in Ancient Israel Kathleen Gallagher Elkins reviews The Bible and Feminism: Remapping the Field. BLT reports on Suzanne McCarthy's book as told to James McGrath by her sister Ruth Hayhoe. Phil Long reviews All Things New, Revelation as canonical capstone, by Brian Tabb.

Remembering

... And morning

Suzanne McCarthy 76 months ago reminded us of a riddle related to time. Here is a Sunday Superlatives post from the same year, 2013, from Rachel Held Evans. Jim Gordon reminds us of the 75th anniversary of the death of Bonhoeffer. The tail of the whole carnival is a reflection by Marc Zvi Brettler on the 106th yahrzeit of S. R. Driver of whom, it is said: He taught the faithful criticism and the critics faith. Read Marc's article to find out who said this and more importantly, why. And as a coda, this music, which as Matthew Larkin says, if you allow yourself the necessary time, "will leave you speechless".

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Next Carnivals

Brent Niedergall hosts in March 2020 (Due April 1). Phillip Long is looking for volunteers for the rest of 2020. Contact him at [email protected] or twitter dm @plong42 to volunteer to host! ----------

(1) The carnival number is an even number higher than 148, (June 2018 - 20 months ago). The number of this February carnival is the product of the first two perfect numbers, 6 and 28, and is also the count of primes less than 1000. There are 50 words in TNK with gematria = 168. See also. (2) right hand side linked poetry snippets by James McGrath.

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