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tinyshe · 3 years

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WASHINGTON, DC (Catholic Online) - “I started this list as the 100 Best Pieces of Sacred Music, but I decided instead to recommend specific recordings. Why? No matter how fine the music, say Bach's Mass in B minor, a poor performance will leave the listener wondering where the "greatness" went. So the recommendations below represent a merging of both: All of the compositions are among the very best sacred music ever written, but the recorded performances succeed in communicating their extraordinary beauty.

“I also dithered over whether or not to make a list of "liturgical" music, or "mass settings," or "requiems." Each of these would make interesting lists, but I chose the broader "sacred music" with the hope that this list might be of interest to a wider spectrum of people. Composers are not limited to any denomination -- some are known to have been non-believers -- although the music belongs to the Christian tradition.

“I've also decided to limit my choices to recordings that are presently available on CDs, DVDs, Blu-rays, or digital downloads. I don't expect those who are curious about a particular title to start hunting down LPs, especially since these vinyl recordings are suddenly in great demand and prices are rising.

“This list is alphabetized, rather than listed in chronological order. This was necessary, since recordings will often include several pieces composed years apart, perhaps much more. Thus, to reiterate, there has been no attempt to arrange them in order of preference -- all 100 are among "the best" recordings of sacred music currently available. The recording label is indicated in parentheses.

What I would call 'Indispensable Sacred Music Recordings' are marked with an ***.

1.Allegri, Miserere, cond., Peter Phillips (Gimell).*** 2.Bach Mass in B Minor, cond., Nikolaus Harnoncourt (1968 recording;Teldec).*** 3.Bach, St. Matthew Passion, cond., Philippe Herreweghe (Harmonia Mundi).*** 4.Bach, Cantatas, cond., Geraint Jones and Wolfgang Gonnenwein (EMI Classics). 5.Barber, Agnus Dei, The Esoterics (Naxos). 6.Beethoven, Missa Solemnis, cond., Otto Klemperer (EMI/Angel). 7.Bernstein, Mass, cond., Leonard Bernstein (Columbia). 8.Berlioz, Requiem, cond. Colin Davis (Phillips). 9.Brahms, Requiem, cond., Otto Klemperer (EMI/Angel).*** 10.Briggs, Mass for Notre Dame, cond., Stephen Layton (Hyperion). 11.Britten, War Requiem, cond., Benjamin Britten (Decca). 12.Brubeck, To Hope! A Celebration, cond. Russell Gloyd (Telarc). 13.Bruckner, Motets, Choir of St. Mary's Cathedral (Delphian).*** 14.Byrd, Three Masses, cond., Peter Phillips (Gimell). 15.Burgon, Nunc Dimittis, cond., Richard Hickox (EMI Classics). 16.Celtic Christmas from Brittany, Ensemble Choral Du Bout Du Monde (Green Linnet) 17.Chant, Benedictine Monks of Santo Domingo de Silos (Milan/Jade). 18.Charpentier, Te Deum in D, cond., Philip Ledger (EMI Classics). 19.Christmas, The Holly and the Ivy, cond., John Rutter (Decca). 20.Christmas, Christmas with Robert Shaw, cond., Robert Shaw (Vox). 21.Christmas, Cantate Domino, cond., Torsten Nilsson (Proprius).*** 22.Christmas, Follow That Star, The Gents (Channel Classics). 23.Christmas, The Glorious Sound of Christmas, cond., Eugene Ormandy (Sony). 24.Christmas: Moravian Christmas, Czech Philharmonic Choir (ArcoDiva) 25.Desprez, Ave Maris Stella Mass, cond., Andrew Parrott (EMI Reflexe). 26.Dufay, Missa L'homme arme, cond., Paul Hillier (EMI Reflexe). 27.Duruflle, Requiem & Motets, cond. Matthew Best (Hyperion) 28.Dvorak, Requiem, cond. Istvan Kertesz (Decca). 29.Elgar, The Dream of Gerontius, cond. John Barbirolli (EMI Classics).*** 30.Elgar, The Apostles, cond. Adrian Boult (EMI Classics). 31.Elgar, The Kingdom, cond., Mark Elder (Halle). 32.Eton Choirbook, The Flower of All Virginity, cond., Harry Christophers (Coro). 33.Faure, Requiem, cond., Robert Shaw (Telarc). 34.Finnish Sacred Songs, Soile Isokoski (Ondine). 35.Finzi, In Terra Pax, cond. Vernon Handley (Lyrita). 36.Gabrieli, The Glory of Gabrieli, E. Power Biggs, organ (Sony). 37.Gesualdo, Sacred Music for Easter, cond., Bo Holten (BBC). 38.Gonoud, St. Cecilia Mass, cond. George Pretre (EMI Classics). 39.Gorecki, Beatus Vir & Totus Tuus, cond. John Nelson (Polygram). 40.Gospel Quartet, Hovie Lister and the Statesman (Chordant) 41.Guerrero, Missa Sancta et immaculata, cond., James O'Donnell (Hyperion) 42.Handel, Messiah, cond., by Nicholas McGegan (Harmonia Mundi)*** 43.Haydn, Creation, cond., Neville Marriner (Phillips). 44.Haydn, Mass in Time of War, cond., Neville Marriner (EMI Classics). 45.Hildegard of Bingen, Feather on the Breath of God, Gothic Voices (Hyperion). 46.Howells, Hymnus Paradisi, cond., David Willocks (EMI Classics).*** 47.Hymns, Amazing Grace: American Hymns and Spirituals, cond. Robert Shaw (Telarc).*** 48.Lauridsen, Lux Aeterna & O Magnum Mysterium, cond. Stephen Layton (Hyperion).*** 49.Lassus, Penitential Psalms, cond. Josef Veselka (Supraphon). 50.Leighton, Sacred Choral Music, cond., Christopher Robinson (Naxos). 51.Liszt, Christus, cond., Helmut Rilling (Hannsler). 52.Liszt, The Legend of St. Elisabeth, cond., Arpad Joo (Hungaroton). 53.Lobo, Requiem for Six Voices, cond., Peter Phillips (Gimell). 54.Martin, Requiem, cond. James O'Donnell (Hyperion). 55.Machaut, La Messe de Nostre Dame, cond., Jeremy Summerly (Naxos). 56.Mahler, 8th Symphony, cond., George Solti (Decca). 57.Mendelssohn, Elijah, cond. Rafael Frühbeck de Burgos (EMI 58.Monteverdi, 1610 Vespers, cond., Paul McCreesh (Archiv). 59.Morales, Magnificat, cond., Stephen Rice (Hyperion). 60.Mozart, Requiem, cond. Christopher Hogwood (L'Oiseau-Lyre). 61.Mozart, Mass in C Minor, cond. John Eliot Gardiner (Phillips). 62.Nystedt, Sacred Choral Music, cond., Kari Hankin (ASV). 63.Organum, Music of the Gothic Era, cond., David Munrow (Polygram). 64.Palestrina, Canticum Canticorum, Les Voix Baroques (ATMA). 65.Palestrina, Missa Papae Marcelli, cond. Peter Phillips (Gimell). 66.Part, Passio (St. John Passion), cond., Paul Hillier (ECM New Series). 67.Parsons, Ave Maria and other Sacred Music, cond., Andrew Carwood (Hyperion). 68.Pizzetti, Requiem, cond., James O'Donnell (Hyperion). 69.Poulenc, Gloria & Stabat Mater, cond., George Pretre (EMI Classics). 70.Poulenc. Mass in G Major; Motets, cond., Robert Shaw (Telarc). 71.Puccini, Messa di Gloria, cond., Antonio Pappano (EMI Classics). 72.Purcell, Complete Anthems and Services, fond., Robert King (Hyperion). 73.Rachmaninov, Liturgy of St. John Chrysostom, cond., Charles Bruffy (Nimbus). 74.Rachmaninov, Vespers, cond., Robert Shaw (Telarc). 75.Respighi, Lauda Per La Nativita Del Signore, cond., Anders Eby Proprius). 76.Rheinberger, Sacred Choral Music, cond., Charles Bruffy (Chandos). 77.Rossini, Stabat Mater, cond., Antonio Pappano (EMI). 78.Rubbra, The Sacred Muse, Gloriae Dei Cantores (Gloriae Dei Cantores). 79.Rutter, Be Thou My Vision: Sacred Music, cond., John Rutter (Collegium).*** 80.Russian Divine Liturgy, Novospassky Monastery Choir (Naxos). 81.Rutti, Requiem, cond., David Hill (Naxos). 82.Saint Saens, Oratorio de Noel, cond., Anders Eby (Proprius). 83.Schubert, 3 Masses, cond., Wolfgang Sawallisch (EMI Classics). 84.Schutz, Musicalische Exequien, cond., Lionel Meunier (Ricercar). 85.Spirituals, Marian Anderson (RCA).*** 86.Spirituals, Jesse Norman (Phillips) 87.Telemann, Der Tag des Gerichts, cond., Nikolaus Harnoncourt (Teldec). 88.Thompson, Mass of the Holy Spirit, cond., James Burton (Hyperion). 89.Shapenote Carols, Tudor Choir (Loft Recordings) 90.Stravinsky, Symphony of Psalms, cond., Robert Shaw (Telarc). 91.Tallis, Spem in alium & Lamentations of Jeremiah, cond., David Hill (Hyperion).*** 92.Tschiakovsky, Liturgy of St. John Chrysostom, cond, Valery Polansky (Moscow Studio). 93.Taneyev, At the Reading of a Psalm, cond., Mikhail Pletnev (Pentatone). 94.Vaughn Williams, Five Mystical Songs, cond., David Willcocks (EMI Classics).*** 95.Vaughn Williams, Mass in G, cond. David Willcocks (EMI Classics). 96.Vaughn Williams, Pilgrims Progress, cond., Adrian Boult (EMI Classics).*** 97.Verdi, Requiem, cond., Carlo Maria Guilini (EMI Classics).*** 98.Victoria, O Magnum Mysterium & Mass, cond., David Hill (Hyperion).*** 99.Victoria, Tenebrae Responsories, cond., David Hill (Hyperion). 100.Vivaldi, Sacred Music, cond., Robert King (Hyperion). “ -----

Deal W. Hudson is president of the Pennsylvania Catholics Network and former publisher/editor of Crisis Magazine. Dr. Hudson also a partner in the film/TV production company, Good Country Pictures.

#choral #music #instrumental #classical music

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dj-bouto · 4 years

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(La Bande Adhesive)

0:00:00 - Happy Mail [Hoahio] 0:03:43 - Planting Trees Creating Beauty [Arve Henriksen] 0:08:02 - Rapsodie Espagnole, Prélude À La Nuit [Maurice Ravel] 0:11:40 - Feel So Different [Sinead O'Connor] 0:18:04 - As Complicated And As Beautiful As Always [Alog] 0:24:49 - Hive [Ikue Mori] 0:29:55 - Chet [Jamie Saft] 0:34:31 - Machine Gun [Portishead] 0:39:10 - Lookout [Wibutee] 0:43:58 - L'éternel Retour [François Couturier] 0:47:36 - The Miraculous Mandarin, Third Seduction Game [Béla Bartók] 0:49:16 - Motets, Komm, Jesu, komm [J.S.Bach] 0:56:02 - Pavane Pour Une Infante Défunte [Maurice Ravel] 1:02:15 - Le Banquet céleste [Olivier Messiaen] 1:08:10 - 2/1 [Brian Eno] 1:16:27 - Lux aeterna [Ligeti] 1:24:20 - Padmasambhava Tsechu Sadhana [David Lewiston] 1:37:13 - Contemplation Part 2 [Fred Gianelli] 1:48:16 - Áhccái, Mix by Future Prophecies [Mari Boine] 1:56:56 - Red Mystic [Monolight] 2:02:18 - Drunk Dj's [Alog] 2:07:00 - Chatchat [Hoahio] 2:09:16 - Clapper [Ikue Mori] 2:12:00 - Up And Away [Wibutee] 2:14:59 - Hymne À La Muse [Roberto Gerhard] 2:15:54 - White Gravel [Arve Henriksen] 2:17:53 - South Orange Sunset [Massacre] 2:21:58 - All Natural [Tetsu Inoue] 2:23:38 - Pierrot Lunaire, Sérénade [Schoenberg] 2:25:59 - Mode De Valeurs Et D'intensités [Olivier Messiaen] 2:29:47 - Chamber Symphony #1 In E Schoenberg] 2:59:10 - Exodus [Edward Artemiev] 3:05:50 - Signal to Noise II [Robert Henke] 3:14:12 - Etude pour Orgue [Ligeti] 3:20:14 - Kuvio 4 [Philus aka Mika Vainio] 3:29:02 - Recipe [Ikue Mori] 3:33:01 - Jellybrain [Tore Elgaroy] 3:34:56 - Once Upon A Time In The West [Ennio Morricone / John Zorn] 3:43:00 - Azure Blue [Gabor Szabo] 3:47:12 - Jolene [Dolly Parton] 3:50:39 - Adagio , Symphony #9 In D [Mahler] 4:11:48 - Masonic Funeral Music [Mozart] 4:17:13 - Introitus, Requiem In D Minor [Mozart] 4:21:49 - Dream [Edward Artemiev] 4:28:19 - Aghora [Bill Laswell] 4:38:00 - Cook Islands [Phonophani] 4:40:45 - T'khelet [Jamie Saft] 4:47:09 - Less Than Lovers, More Than Friends [Hoahio] 4:53:28 - Agai [Tv Victor] 5:55:55 - END

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1714-konzertmeister · 4 years

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Bach-Werke-Verzeichnis

The Bach-Werke-Verzeichnis (BWV; English. Bach works catalogue; German: ( Bach-Werke-Verzeichnis ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV 2a, was published in 1998. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions.

The first edition of the Bach-Werke-Verzeichnis was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition for the collation (e.g. BG cantata number = BWV number of the cantata):

Kantaten (Cantatas), BWV 1–224

Motetten (Motets), BWV 225–231

Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243

Passionen, Oratorien (Passions, Oratorios), BWV 244–249

Vierstimmige Choräle (Four-part chorales), BWV 250–438

Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524

Werke für Orgel (Works for organ), BWV 525–771

Werke für Klavier (Keyboard compositions), BWV 772–994

Werke für Laute (Lute compositions), BWV 995–1000

Kammermusik (Chamber music), BWV 1001–1040

Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)

Kanons (Canons), BWV 1072–1078

Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

The Anhang of the BWV listed works that were not suitable for the main catalogue, in three sections:

I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)

II – works of dubious authenticity (Anh. 24–155)

III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue. Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. Several compositions were repositioned in the over-all structure of chapters organised by genre and Anhang sections. In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV 2a, contained a few further updates and collation rearrangements.

New additions (Nachträge) to BWV2/BWV2a included:

BWV 1081–1126

BWV Anh. 190–213

An upper case R was used as an addition to a BWV number to indicate a reconstructed version, that is a conjectured earlier version of a known composition. Numbers above BWV 1126 were added in the 21st century. A new revised version of the Bach-Werke-Verzeichnis has been announced by the Bach Archive for publication in 2020.

#bach-werke-verzeichnis #bwv #bach works catalogue #j.s. bach #johann sebastian bach #german composers #baroque composers #text post

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thearbourist · 3 years

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The DWR Friday Baroque Interlude - Rheinberger - Abendlied

The DWR Friday Baroque Interlude – Rheinberger – Abendlied

Abendlied (Evening song), Op. 69/3, is a sacred motet by Josef Rheinberger for a six-part mixed choir (SSATTB). It has been regarded as his best-known sacred composition.[1] He wrote the first version in 1855 at the age of 15. The text is a verse from the biblical narration of the Road to Emmaus appearance according to Luke 24:29 in Martin Luther’s German version of the bible: Bleib bei uns, denn…

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sheet-music-for-teachers-school · 4 years

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Promenade Parisienne Op. 78 By Bernhard Krol - Set (Score & Parts) Sheet ... - #-

Promenade Parisienne Op. 78 By Bernhard Krol - Set (Score & Parts) Sheet ...

Promenade Parisienne Op. 78 By Bernhard Krol - Set (Score & Parts) Sheet Music For 2 Trumpets, Horn, Trombone And Tuba (Buy Print Music BT.SCHBB3000369 From Bote Und Bock At Sheet Music Plus)

Shop and Buy Promenade Parisienne Op. 78 sheet music. 2 Trumpets, Horn, Trombone and Tuba sheet music book by Bernhard Krol: Bote und Bock at Sheet Music Plus: The World Largest Selection of Sheet Music. (BT.SCHBB3000369).

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mangaiwanttoread · 7 years

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Reading

YOSHIWARA HANA OBORO AHO GIRL read: 12 chps FETISH BERRY read: 9 chps Like Doodling read: 2 chps King of Hell 5 Page 19 B Gata H Kei SENGOKU STRAYS read: 33 chps Usotsuki Boyfriend read: 1chp MY BARBARIC GIRLFRIEND read:vol 2 chp:7 Nozoki Ana read: 52 chps JIUJIU read:11 chps VAGABOND read:370 chps BEELZEBUB read:234 chps Oedo wa Nemuranai! read:22 chps PERFECT GIRL EVOLUTION read: 127 chps Nurarihyon no Mago 157 Page 21 B Gata H Kei 218 v07 Page 2 Love So Life 66 Page 1 KAMISAMA HAJIMEMASHITA read:107 chps HAIKYU!! read: 107chps Nekoka Danshi no Shitsukekata read: 9 chps 24 Jikan Eigyouchuu 6 Page 7 Suki Dakedo! 2 v01 Page 22 Cosplay Deka 5 CHERRY BOY, THAT GIRL read:5 Ookiku Furikabutte 23.3 Page 23 OUJI TO HERO read: 12 chps http://www.mangahere.com/manga/akuma_to_love_song/v08/c058/6.html ULTIMATE VENUS read: 33 chps ITSUWARIBITO UTSUHO read: 114 chps YAMADA-KUN TO 7-NIN NO MAJO read: 97 chps YANKEE-KUN TO MEGANE-CHAN read: 206 chps Kunoichi Joshikousei Otonashi-san 11 CHARI NI NORENAI! read: 12 chps POCHAMANI read:11 chps BUYUDEN read:132 chps CHOCOLAT (KUBONOUCHI EISAKU) read: 67 chps HONTO YAJUU read: 15 chps KUROKO NO BASKET read:251 chps NORAGAMI read: 17 chps HANA NI NARE read: 65 chps LOVE AND BASEBALL read 1 chp PURE LOVE LABYRINTH read: 29 chps GIRL THE WILD’S read: 127 chps Stay Gold - Koi no Lesson A to Z 2 Page 32 ORE MONOGATARI!! read: 7 chps WITCH CRAFT WORKS read: 29 chps AO HARU RIDE read: 37 chps MEI-CHAN NO SHITSUGI 7 SENCHI! read: 8 chps GODLY BELLS read:62 chps NEKO TO WATASHI NO KINYOUBI read: 4 chps HER read: 3 chps BUTTER!!! read:12 chps BARAOU NO SOURETSU read: 3 chps OTOMEN read:68 chps KAMI-SAMA X ORE-SAMA X DANNA-SAMA!? read: 1 chps BARAKAMON read: 24 chps TOKYO INNOCENT read: 37 chps FUSHIGI NA SHOUNEN last read: chp 20 STEALTH SYMPHONY read:4 chps Sankarea 22 Page 7 Minamoto-kun Monogatari 27 Page 1 KAMISAMA NO IUTOORI NI read:58 chps Hikaru no Go 159 Page 3 Menkui! 1.2 Page 11 Aitsu no Daihonmei 19 Page 34 Chuchun ga Chun 8 Page 34 KOUNAGO SENSEI read: chp 1 & chp 3 Sweet Tale 4 Sweet Tale 1 Touch Me Again 6 Touch Me Again 1 HONEY SWEET KITCHEN read: 6 chps HIMANANODE HAJIMETE MIMASHITA. red: 2chps SCHOOL IN THE WILD read: 9 chps Konya mo Nemurenai 7 Page 14 http://www.mangago.com/read-manga/koi_wa_itsumo_arashi_no_youni/ chp-4 Kare wa Diablo! read: 6 chps http://www.mangago.com/read-manga/bloody_kiss_furumiya_kazuko/tr/108185/page/94/ Koyubi wa amaku sasayaku 1 Page 23 http://www.mangahere.com/manga/pig_bride/v04/c015/5.html http://www.mangahere.com/manga/hirunaka_no_ryuusei/v01/c021.5/10.html Until Death Do Us Part 9 Page 19 Akumetsu 73 Page 12 Masamune-kun no Revenge 15 HEART NO KAKUREGA read: 13 chps TOKYO ESP read: 32 chps UQ HOLDER!: 29 chps LINK - BOKU TO KIMI NO AIDA read: 2 chps http://g.e-hentai.org/s/b837ca45cb/656468-40 MONOCHROME MYST read: 8 chps COUSIN read: 23 chps Life, Love (Yaoi) read: 4 chps AKATSUKI NO YONA read: 43 chps Soredemo Sekai ha Utsukushii read :15 chps Acid Town read: 26 chps re-reading : 18 chps SHOKUGEKI NO SOMA read: 113 chps SARASAH read: 28 chps TOUKYOU KUSHU read: 66 chps +C: SWORD AND CORNETT read: 39 chps Absolute Witch 18.6 Page 13 LION MARU G read: 3 chps EOHWADUNGDUNGNAE BOREUMI read: 7 chps Hayate the Combat Butler 80 Page 5 Himitsu Ga Hanazono read: 1 chp http://www.mangahere.com/manga/yurara_no_tsuki/v05/c018/32.html http://www.mangago.com/read-manga/angel_devil/an/angel-devil-chapter-3.html/12/ Kono S o, Mi yo! read: 86 chps AKAGAMI NO SHIRAYUKIHIME read: 52 chps Ryoute Ni Darling read: 2 chps http://www.mangago.com/read-manga/saint_dragon_girl/an/saint-dragon-girl-chapter-2.html/43/ Room Share (isino Aya) read: 10 chps Soredemo Sekai ha Utsukushii read: 17 chps Kami-sama No Iutoori (moegi Yuu) read: 3 chps Koi dano Ai dano read: 28 chps KOIBANA! KOISEYO HANABI read: 30 chps SAKAMOTO DESU GA? read: 11 chps MOMOCHI-SAN CHI NO AYAKASHI OUJI read: 5 chps DENNOU ALICE TO INABA-KUN read: 9 chps KAMISAMA NO INAI NICHIYOUBI read: 22 chps HONEY BITTER read: 27 chps http://www.mangago.com/read-manga/cantarella/mf/v03/c000/19/ LUCKY DOG 1 BLAST read: 16 chps Kimi No Sei - Kizuato read: 5 chps CLEAR UP AFTER RAIN read: 20 chps http://www.mangago.com/read-manga/heart_o_uchinomese/mf/v01/c002/3/ SILVER SPOON read: 102 chps KAIZOKU TO NINGYO read: 15 chps KEMONO NO SOUJA read: 3.2 chps BOKU GIRL read: 16 chps KIKOU SHOUJO WA KIZUTSUKANAI read: 40 chps OOKAMI NI KUCHIZUKE read: 4 chps Caste Heaven read: 1 chp Keishichou Tokuhanka 007 read: 22 chps Hima na no de Hajimete Mimasu read: 4 chps Kainushi wa Akuma read: 7.2 chps OKOBORE HIME TO ENTAKU NO KISHI read: 7 chps SACHIUSU read: 5 chps A-BOUT! read: 20 chps wild ones read: 48 chps http://www.mangago.com/read-manga/gokuraku_cafe/mf/v01/c002/22/ TORIKAGO NO TSUGAI read: 12 chps HANA WA SAKURA YORI MO HANA NO GOTOKU read: 6 chps TENKUU SHINPAN read: 190 chps JORMUNGAND read: 50 chps AVANT-GARDE YUMEKO read: 5 chps AJIN read: 65 chps RAN TO HAIIRO NO SEKAI read: 39 chps SECOND BRAIN read: 3 chps BREAK BLADE read: 71 chps RATMAN read: 56 chps SIDOOH read:128 chps TORIBAKO HOUSE read: 4 chps BALANCING TOY read: 9 chps NIGERU OTOKO read: 5 chps YABAI ME DE MINNA YO!! read: 2 chps Teiden Shoujo To Hanemushi No Orchestra read: 12 chps THE QUEEN’S KNIGHT read: 15 volumes chps 4 Gakkou no Ojikan 34 Page 1 http://www.mangahere.co/manga/zetman/v15/c174/7.html http://www.mangahere.co/manga/haigakura/v01/c004/32.html AKAYA AKASHIYA AYAKASHI NO read: 11 chps BEAR BEAR read: 5 chps LAST NOTES read: 9 chps Denpa Kyoushi read: 116 chps TOKYO RAVENS read: 23 chps Rainbow 38 Page 18 Trinity Seven 10 Page 13 YUKI WA JIGOKU NI OCHIRU NO KA read: 1 chp GREEN WORLDZ read: 22 chps HAKKENDEN read: 16 chps BTOOOM! read: 69 chps http://www.mangahere.co/manga/world_embryo/c035/9.html APHORISM read: 57 chps KAMIKAMI KAESHI read: 11 chps Hot Triangle read: 1&3 chps Ten Count read: 10 chps YUME NO SHIZUKU, OUGON NO TORIKAGO read: 13 chps AGAIN!! read: 85 chps 1-NEN 5-KUMI IKIMONO GAKARI read: 8 chps WATASHI GA MOTETE DOUSUNDA read: 46 chps SHIXIONG read: 2 chps KIGURUMI BOUEITAI read: 5 chps ATEYA NO TSUBAKI read: 9 chps Gokukoku No Brynhildr read: 107 chps http://www.mangahere.co/manga/gapz_garden/v03/c006/5.html http://www.mangago.com/read-manga/sainokami/mr/sainokami/1/21/ NOBARA NO HANAYOME read: 7 chps ITAZURA NA KISS read: 44 chps FUKIGEN CINDERELLA read: 15 chps KINKYORI RENAI read: 17 chps HANA YAMATA read: 4 chps HANA TO USO TO MAKOTO read: 4 chps SCARLET PALACE read: 21 chps GEKKAN SHOUJO NOZAKI-KUN read: 52 chps TERA GIRL read: 1.2 chps INARI, KONKON, KOI IROHA read: 41 chps Umi Ni Nemuru Hana read: 10 chps http://www.mangago.com/read-manga/hua_hua_you_long/tr/141933/page/37/ SUMIKA SUMIRE read: 10 chps Gakuen Ouji read: 27 chps 3 AM Dangerous Zone read: 12 chps Hana To Usagi read: 3 chps http://www.mangago.com/read-manga/clover_chiya_toriko/mf/v01/c003/23/ Choco Strawberry Vanilla read: 4 chps SAESANG BRING IT ON! read: 16 vol chp 1 LITTLE FOREST read: 16 chps ARACHNID read: 34 chps http://www.mangago.com/read-manga/hataraki_man/mh/c006/5/ OOKAMI-HEIKA NO HANAYOME read: 28 chps OUJI TO MAJOU TO HIMEGIMI TO read:13 chps MOMOGUMI PLUS SENKI read: 22 chps ZERO IN read: 67 chps EBICHU MINDS THE HOUSE read: 4 chps GANG KING read: 40 chps Life, Love read: 7 chps Black Sun Doreiou 5 Page 3 FLOW read: 56 chps GUNJOU SENKI read: 1.2 chps Buster Keel! 5 Page 43 Hana ni Arashi 4 Page 7 Hibi Chouchou 16 Page 3 AKAME GA KIRU! read: 51 chps FAIRY TAIL ZERO read: 2 chps Bloody Monday 43 Page 5 Over Drive 8 Page 12 YOWAMUSHI PEDAL read: 166 Aozora Yell 9 Page 13 HOST MAN read: 16 chps Baby Steps 23 Page 14 BILLION DOGS read: 28 chps NAN EOMMA NUN APPA read: 34 Shinobi Yoru Koi Wa Kusemono 7 Page 6 Oboreru Hitomi 1 Page 28 50 RULES FOR TEENAGERS read: 26 chps GUN X CLOVER read: 26 chps ALL FOR YOU! read: 1 chps A Girl by the Sea read: 14 chps ORENCHI NO FURO JIJOU read: 15 chps http://www.mangahere.co/manga/shounan_junai_gumi/c038/8.html YAMIKIN USHIJIMA-KUN read: 26 chps HITSUGIME NO CHAIKA read: 25 chps CHEONSAENG YEONBUN read: 46 chps THE GAMER read: 60 chps THE BREAKER: NEW WAVES read: 177 chps BIRTHDAY (TANABE YELLOW) read: 1 chps REAL ACCOUNT read: 10 chps ANA SATSUJIN read: 68 chps SHISHUNKI NO IRON MAIDEN read: 36 chps P to JK read: 16 chps FUUKA read: 37 chps DATE A LIVE read: 6 chps SEISHUN OTOME BANCHOU! read: 1 chps MAHOU SHOUJO OF THE END read: 16 chps JITSU WA WATASHI WA read: 50 chps Terra Formars 54 Page 5 Hana Kimi 18 Page 8 TOKYO GHOUL:RE read: 4 chps AKA AKATORETACHI NO MONOGATARI read: 28 chps RAIN read: 48 chps SM HUNTER read: 31 chps HORIMIYA read: 43 chps FULL AHEAD! COCO read: 61 chps SHIGATSU WA KIMI NO USO read: 23 chps Prince of Tennis 29 Page 7 WITCH SHOP read: 10 chps Hidoku Shinaide read: 21 chps http://www.mangago.com/read-manga/w_juliet/mh/v02/c006/6/ *TOTSUGAMI read: 34 chps Demon Sacred 1 Page 43 Myuzu no Gakuen de Aou read: Vol 2 chps 5 http://www.mangago.com/read-manga/takumi_kun_series/mf/v03/c001/ http://www.mangago.com/read-manga/not_equal/mh/c007/24/ BABA-YAGA read: 4 chps LEGAL FRIENDS read: 13 chps KYOU O ARUKU read:4 chps FLYING WITCH (ISHIZUKA CHIHIRO) read: 15 chps KAERU NO OSSA read: 24 chps BOKU NO HERO ACADEMIA read: 156 chps RENAI BOUKUN read: 16 chps HAJIME-CHAN GA ICHIBAN! read: 2 chps NAMAIKIZAKARI. read: 12 chps MARGINAL read: 18 chps GIRL MAY KILL read: 19 chps Metsuko ni Yoroshiku read: 5 chps http://www.mangago.com/read-manga/afuresou_na_pool/mf/v03/c016/12/ SHOUKOKU NO ALTAIR read: 53 chps Shiny Star (Nanami) (Yaoi) read: 3 chps http://www.mangahere.co/manga/yongbyeong_maluhan/c006/17.html http://www.mangahere.co/manga/ah_my_goddess/c004/9.html DOMESTIC NA KANOJO read: 3 chps The Penisman read: 26 chps Ubel Blatt read: 128 chps World Trigger read: 85 chps FUKUMENKEI NOISE read: 23 chps Fudanshi-kun No Honey Days read: 5 chps ANI GA IMOUTO DE IMOUTO GA ANI DE read: 16 chps OKITENEMURU read: 18 chps SHISHUNKI BITTER CHANGE read: 21 chps MAGI read: 251 chps MAGI - SINBAD NO BOUKEN read: 46 chps Strike the Blood 8 Page 2 CHANG GE XING read: 40.1 chps HAIKEI DATE MASAMUNE-SAMA read: 7.01 chps APOCALYPSE NO TORIDE read: 38 chps MAOUSAMA CHOTTO SORE TOTTE!! read: 7 chps BLUECHAIR read: 58 chps OUTER ZONE read: 7 chps BOKURA NO KISEKI read: 35 chps REAL CLOTHES read: 67 chps ***** OCHA NIGOSU read: 104 chps http://www.mangahere.co/manga/number/v03/c015/12.html SOUL CATCHER(S) read: 22 chps VERDANT LORD read: 26 chps Mauri to Ryuu read: 3 chps http://www.mangago.me/read-manga/bokutachi_wa_asu_ni_mukatte_ikiru_no_da/mf/v01/c006/22/ http://www.mangahere.co/manga/zettai_karen_children/v17/c267/7.html INU YASHIKI read: 25 chps Ryoujoku Kyoushitsu read: 4.2 DÃ©jÃ -vu (monchi Kaori) read: 2 chps Jikan Akima Jinbutsu read: 3 chps HARU X KIYO read: 7 chps Tsume to Toge read: 2 chps Notpia read: chp 1 chp 6 chp 8 Amai Hari read: 1 chps Maria Boy (Yaoi) read: 1.3 chps Priapus (Yaoi) read: 3 chps http://www.mangago.me/read-manga/let_dai/th2/series/let-dai.html/Volume+15/77/ FUDATSUKI NO KYOKO-CHAN read: 6 chps BOKU NO CHOPIN - dropped MONEY FIGHT read: 34 chps HARELUYA II BOY read: 105 chps - dropped Caterpillar read: 11 chps God Among Men read: 28 chps Fat Cinderella!! read: 7 chps Azumi read: 90 chps Huanxiang Zhi Zhou read: 11 chps 19 Days read: 91 ? chps Mosspaca Advertising Department read: 13 chps SEKAIONI read: 53chps KONO BIJUTSUBU NI WA MONDAI GA ARU! read: 28 chps http://mangafox.me/manga/yu_yu_hakusho/v05/c002/7.html http://www.mangago.me/read-manga/princess/mf/v07/c002/14/ http://www.mangago.me/read-manga/octave/an/octave-chapter-8.html/39/ FUSHI NO RYOUKEN read: 17 chps OTONARI-SAN GAME read: 11 chps MAGIKA NO KENSHI TO SHOUKAN MAOU read: 14 chps http://www.mangahere.co/manga/my_love_tiger/c022/15.html Suna No Shita No Suimyaku (Yaoi) read: only chp 3 Sora o Daite Oyasumi (Yaoi) read: 9 chps *****STOP!! HIBARI-KUN! read: 39 chps ***********Hana wa Saku ka (Yaoi) read: 31 chps W X Y read: 18 chps MONSTER X MONSTER read: 9 chps VENOMANIA KOU NO KYOUKI read: 3 chps Kyou No Kira-kun read: 21 chps SHICHIFUKU MAFIA read: 8 chps ISSHUUKAN FRIENDS read: 29 chps YOUKAI SHOUJO - MONSUGA read: 28 chps GATE - JIETAI KARE NO CHI NITE, KAKU TATAKERI read: 45 chps http://www.mangago.me/read-manga/bring_it_on/mh/v05/c002/21/ http://www.mangahere.co/manga/dark_air/v01/c004/12.html BOKURA WA ITSUMO read: 44 chps Haru Matsu Bokura read: 8 chps …seishunchuu! read: 5 chps Moon Trick read: 12 chps ***********BLACK CLOVER read: 129 chps http://www.mangahere.co/manga/makai_ouji_devils_and_realist/v02/c012/22.html on hold MC is so awful HAMATORA read: 13 chps Uchuu Kyoudai read: 249 chps SPRITE read: 49 chps KIMI NI YOSERU BLUE read: 1 chps ½ PRINCE read: 72 chps **********Alice in Hell read: 17 chps http://www.mangago.me/read-manga/tropical_citron/an/tropical-citron-chapter-10.html/2/ http://www.mangago.me/read-manga/freesia/mf/v02/c012/7/ NISEKOI DOUMEI. read: 20 chps Naruto Gaiden: The Seventh Hokage and the Scarlet Spring Month read: 1 chps RIN (HAROLD SAKUISHI) read: 29 chps GUNJOU SENKI read: 10 chps LING BAO ZHI read:7 chps SUGARLESS (HOSOKAWA MASAMI) read: 30 chps HE IS A HIGH-SCHOOL GIRL read: 11 chps MAHOU SHOUJO ORE read: 2 chps KONO SHIMA NI WA MIDARA DE JAAKU NA MONO GA SUMU read: 11 chps http://www.mangago.me/read-manga/threads_of_time/mf/v09/c040/9/ http://www.mangahere.co/manga/the_god_of_high_school/c030/14.html http://www.mangahere.co/manga/bibi/v02/c010/20.html KOI TO KEMONO TO SEITOKAI read: 3 chps KEIJO!!!!!!!! read: 32 chps REALLY?! read: 31 chps **********KYOKOU SUIRI read: 1 chps http://www.mangahere.co/manga/hanza_sky/c023/5.html http://www.mangahere.co/manga/alice_19th/v02/c010/ POCHI KURO read: 3 chps DRAGONS RIOTING read: 22 chps HITORIBOCCHI NO OO SEIKATSU read: 8 chps ********** MURCIELAGO read: 55 chps DOLLY KILL KILL read: 40 chps TATE NO YUUSHA NO NARIAGARI read: 14 chps ******************** BOKU DAKE GA INAI MACHI read: 30 chps LOVE / DEATH read: 5 chps dropped KEKKON YUBIWA MONOGATARI read: 11 chps Mizutama Honey Boy read: 4 chps Miunohri To Swan read: 23 chps IMAWA NO KUNI NO ALICE read: 27 chps TRASH. read: 19 chps KOI TO USO read: 41 chps DUNGEON NI DEAI O MOTOMERU NO WA MACHIGATTE IRU DAROU KA read: 36 chps Gate 7 read: 22 chps Gamma read: 9 chps RAKUDAI KISHI NO EIYUUTAN read: 15 chps MOUSUGU SHINU HITO (HARUSE HIROKI) read: 14 chps KAGAMIGAMI read: 3 chps ***************TENSEI SHITARA SLIME DATTA KEN read: 30 chps SEKITSUI HOUSE read: 3 chps http://www.mangahere.co/manga/psyren/v04/c028/17.html ORE GA OJOU-SAMA GAKKOU NI “SHOMIN SAMPLE” TOSHITE RACHIRARETA KEN read: 40 chps HAI TO GENSOU NO GRIMGAL read: 1 chps KAZUKI MAKES LOVE HAPPEN?! AT ALL-BOYS HIGH SCHOOL read: 44 chps ************* FUJIMI LOVERS read: 7 chps DENKIGAI NO HONYA-SAN read: 54 chps THE RED BOOK read: 10 chps DOROTHY WA GOKIGEN NANAME? read: 2 chps http://www.mangahere.co/manga/koi_no_hanashi_ga_shitai/v01/c004/7.html http://www.mangahere.co/manga/toremorotora/c001/24.html http://www.mangago.me/read-manga/kyou_kara_maoh/mf/v04/c023/29/ http://www.mangahere.co/manga/shamo/v05/c047/5.html WATASHITACHI NI WA KABE GA ARU. read:6 chps TAKANE TO HANA read: 1 chps KOISURU HARINEZUMI read: 10 chps CENTAUR NO NAYAMI read: 62 chps "AOI" - HIKARU GA CHIKYUU NI ITAKORO...... read: 8 chps ORE NO SUKI NA KO GA BURAKON SUGIRU!! reaad: 1 chps completed????? RENGOKU NO KARUTAGURA read: 7 chps Kagerou Days 26 Page 7 ************Stretch 2 Page 6 http://www.mangago.me/read-manga/bukiyou_na_silent/an/bukiyou-na-silent-chapter-4.html/24/ SHIROJISHI NO KODOMO-TACHI read: 1 chps WORLD CUSTOMIZE CREATOR reaaad: 19 chps Kyousei Harem Keiyaku 30 Page 2 TOMO-CHAN WA ONNANOKO! read: 81 chps TSUJIURA-SAN TO CHUPACABRA read: 9 chps SUKI NATSUKI KOI read: 1 chps http://www.mangago.me/read-manga/border/mf/v01/c002/35/ http://www.mangago.me/read-manga/owari_no_seraph/bt/c019/pg-25/ ********** KOBAYASHI GA KAWAI SUGITE TSURAI!! read: 10 chps BOKURA WA MINNA KAWAISOU read: 62 chps GANGSTA read: 51 chps SENSEN SPIKE HILLS read: 41 chps *********** YORU TO ASA NO UTA read: 3 chps SAIYAKU WA BOKU O SUKI SUGIRU read: 16 chps KEDAMONO KARESHI read: 13 chps ************** TSUBAKI-CHOU LONELY PLANET read: 4 chps ******** TAIL STAR read: 20 chps BUTTERFLY read: 38 chps ONEDARI GIRL read: 3 chs, ON HOLD TSUBASA TO HOTARU read: 15 chps ********** HARE KON. read: 28 chps *********** KYOU KARA HITMAN read: 25 chps KOUDAIKE NO HITOBITO read: chp 0 SEIGI NO MIKATA read: 12 chps mangaiwanttoread Himitsu Ga Hanazono read: 1 chps http://www.mangahere.co/manga/joshi_kausei/c026/7.html Ousama ni Kiss! (Yaoi) read: 21 chps ****************** NICOICHI read: 30 chps TONGARI AIKOUKA : 1 chp NIJIIRO DAYS (MIZUNO MINAMI) read: 20 chps http://www.mangahere.co/manga/koukou_kyuuji_zawa_san/c008/2.html http://www.mangahere.co/manga/majo_no_shinzou/c001/3.html SHIMONETA TO IU GAINEN GA SONZAI SHINAI TAIKUTSU NA SEKAI - MANMARUBAN reaad: 6 chps ******************MONONOKE SOUSHI read: 26 chps ***************FENGLIN TIANXIA - WANGFEI SHISANSUI read: 21 chps YUUSHA GOJO KUMIAI KOURYUUGATA KEIJIBAN read: 20 chps KENGAI PRINCESS read: 6 chps **********BALLROOM E YOUKOSO read: 19 chps BAMBI TO DHOLE read: 1 chps ***********Sousei No Onmyouji read: 14 chps ************ IB - INSTANT BULLET read: 17 chps ************* Kamisama Gakuen @ Armeria read: 6 chps ************* Fukushuu Kyoushitsu read: 13 chps http://www.mangahere.co/manga/fujiyama_san_wa_shishunki/c005/ Tetsugaku Letra read: 22 chps ARUITOU read: 16 chps DUTCHOVEN GIRL OF LOVE read 1 ****************** Dorohedoro read: vol 20 chps 137 http://www.mangago.me/read-manga/kurozuka/mr/kurozuka/9/8/ Blue Wars read: 3 chps **************Ssg - Meimon Danshikou Keppuuroku read: 7 chps ************GOU - HIMETACHI NO SENGOKU read: 10 chps ******** Akaiito (MIYASAKA Kaho) read: 26 chps ***************** Historie read: 91 chps Youkai Apato no Yuuga na Nichijou read: 22 chps Sabaku No Harem read: 9 chps ************ Smokin’ Parade read: 17.1 chps Qishi Huanxiang Ye Manhua read: 40 chps *********** Kenka Shoubai read: 18 chps Okama Report read: 22 chps Voyeurs, Inc. read: 30 chps ******** KASANE read: 15 chps AKUMA MO FUMU O OSORERU TOKORO read: 8 chps ATSUMARE! GAKUEN TENGOKU read: 13 chps USO KANO read: 7 chps Osu Karatebu 18 Page 11 http://www.mangago.me/read-manga/akira/mr/akira/6/24/ ******* RE:MONSTER read: 18 chps EIYUU KYOUSHITSU read: 7 chps *** OVERLORD read: 9 chps http://www.mangago.me/read-manga/karamete_de_kudoite/tr/v01/c005/pg-6/ http://www.mangago.me/read-manga/eternal_sabbath/an/eternal-sabbath-chapter-54.html/6/ ****** SASEYO EROIKA read: 4 chps SENGOKU DANSHI HANA NO RAN read: 21 chps ***Blush-DC. read: 28 chps ****** RIKUDOU read: 39 chps ******* TENOHIRA SIZE read: 7 chps ******* BOY SKIRT read: 3 chps SHIROKURO-KUN TO ANZU-CHAN. read: 2 chps http://www.mangahere.co/manga/naki_no_ryuu/c007/20.html DROPPED http://www.mangahere.co/manga/ai_no_binzoko/c004/28.html http://www.mangago.me/read-manga/legend_of_nereid/mf/v14/c000/136/ http://www.mangahere.co/manga/hinomaru_zumou/c025/12.html Kengan Asura read 69 chps TOUKYOU LASTOCHIKA read: 7 chps ISEKAI DE “KURO NO IYASHI TE” TTE YOBARETE IMASU read: 1 chps ENEN NO SHOUBOUTAI read: 99 chps ************* Shut Hell read: 58 chps http://www.mangahere.co/manga/dragon_zakura/v04/c032/7.html ******** Yondemasu yo, Azazel-san read: 22 chps ICHIREI SHITE, KISS read: 6 chps *********SAIKI KUSUO NO PSI NAN read: 30 chps http://www.mangahere.co/manga/yoru_no_uta/c002/12.html ********** NANI MO NAI KEDO SORA WA AOI read: 2 chps ************ SASEN NO WARUKUNAI read:5 chps *********** MAJO TO NEKO NO HANASHI read: 1 chps KYOU KARA HITMAN read: 30 chps TOUMEI NINGEN KYOUTEI read: 2 chps KARAKUCHI SHOKUDOU read: 2 chps http://www.mangahere.co/manga/futari_ecchi/v05/c043/ real read: 84 chps *******Ikujinashi No Spectator read: 1 chps Hinekure Chaser read: 4 chps ***Ikujinashi No Spectator read: 2 chps ****** SORE O KOIGOKORO TO YOBU NO NARA read: 3 chps Mauri to Ryuu (Yaoi) read; 4 chps Razoku no Hanayome (Yaoi) read; 3 chps ****** Mahoroba Days (Yaoi) read; 1 chps **** Boku Wa Mari No Naka read: 66 chps Yarichin ☆ Bitch Club (Yaoi) read: 7 chps ????Odu-kun No Vita Sexualis (Yaoi) read:7 chps ******** Mob Psycho 100 read: 91.1 chps Hooky 7 Page 54 Household Affairs read: 23 chps Amanchu 7 Page 17 *****Phantom School read: 21 chps Choujin Gakuen read: 13 chps DROPPED so cringey **** Momoiro Meloik read: 10 chps **** Jibun Katte. (Yaoi) read: 1 chps ***** Ibara no Kanmuri read: 4 chps *** Boku wa Ohime-sama ni Narenai read: 19 chps http://www.mangago.me/read-manga/okusama_ga_seito_kaichou/bt/216935/Vol2_Ch6/4/ DROPPED Kuro Hakushaku Wa Hoshi O Mederu read: 10 chps ****** SUMARIN KANOJO-TACHI red: 49 chps http://www.mangahere.co/manga/aiki/v01/c003/ DROPPED **** Hanakoi Tsurane (Yaoi) read: 3 chps ******* Iro Otoko (Yaoi) read: 21 chps ******* Fukouchuu no Shiawase (Yaoi) read: 3 chps ******* Super Lovers (Yaoi) read: 23 chps Tsuburara read: 1 chps **** Souteigai Love Serendipity (Yaoi) read: 2 chps Namida Hanamizu Gusyogusyo Danshi (Yaoi) read: 3 chps ****** Tabun Sore ga Love Nanjanakarou ka reaad: 2 chps http://www.mangago.me/read-manga/mpd_psycho/an/mpd-psycho-chapter-54.html/16/ Loved Circus read: 2 chps Skin read: 1 chps Lucifer no Migite read: 7 chps **** E? Heibon Desu Yo?? read: 15 chps Junketsu No Maria read 12 chps Raising a Bat read: 27 chps ****** Dansai Bunri no Crime Edge read: 32 chps ******* Dimension W read:29 chps Hatarakimasen! reaad 4 chps Sakasa Moji nara Suki da to Ieru read 1 chps ten count read 29 chps Under One Roof read: 11 chps I Girl read: 2 chps KUROSAKI-KUN NO IINARI NI NANTE NARANAI reaaad: 16 chps ******* Golden Kamui read: 147 chps Crying Freeman read: 76 chps ?????Tsunagaru Koi read 1 chp ******** SHIMANAMI TASOGARE read: 5 chps At Each Other’s Throats read: 47 chps HAMMER SESSION! read: 36 chps Hamerare Host read: 1 chps Escape Journey read: 7 chps Koi ga Odoru New Town reaad: 2 chps Yatamomo read: vol 2 chp 1 Nejimaki Kagyu read: Vol.2 Ch.15 Fukigen Na Mononokean read: 49 chps ***** Takeo-chan Bukkairoku read: 14 chps Senpai, Sore Hitokuchi Kudasai! read: 21 chps Judgement Primary School read: 8.2 chps Daisaiyuuki Bokuhi Seiden - The Story of a Very Handsome Man read: 2 chps Teen Mom read: 3 chps Nejimaki Seirei Senki - Tenkyou no Alderamin read: 17 chps Taishau Wotome Otogibanashi read: 4 chps ****** B.s.s.m. - Blood Sugar Sex Magic read: 3 chps ****** ReRe Hello read: 17 chps ***** Samon-kun wa Summoner read: 9 chps DROPPED Bakuon!! sp x baby read: 7 chps 10,20 and 30 read: vol 2 chps 12 ***** Zetsubou Baby read: chps 1 Hakumei to Mikochi>Vol.2 Ch.11 http://www.mangago.me/read-manga/coffee_vanilla/mf/60e71564154fef5b/Vol1_Ch2/pg-21/ ********** Romantic Joutou read: 2 chps sanctuary read v01/c003/2/ *******Stay gold hideyoshico read: 7 chps Shuuden Elegy read: 4 chps Otokonoko No Koto Wa Nani Mo Shiranai (Yaoi) read: 2 chps ******** ADEKAN read: 30.2 chps The Private Report on My Lesbian Experience with Loneliness (KABI, Nagata) read: 1 chps **** TSUBAKI-CHOU LONELY PLANET read: 19 chps HIME NO DAMESHI read: 3 chps ******* JIGOKU NO ENRA read: 10 chps ***** KOIIJI read: 8 chps ***** IT’S MY LIFE read: 5 chps ****** TOMODACHI O TSUKUROU read: 66 chps Perfect XXX read: 7 chps *** THE NEW GATE read: 20 chps ****** GRANBLUE FANTASY read: 6 chps propose no okite read: 4 chps *******samurai ragazzi sengoku shounen seihou kenbunroku read: 12 chps *******inugamihime ni kuchizuke read: 14 chps ***** Shinjuku Swan read: 123 chps ******* Mr.gossip read: 1 chps ****** Bastard (hwang Youngchan) read: 67 chps Niehime to Kemono no Ou read: 12 chps Deathtopia read: 59 chps Speed Grapher read: 4 chps Seirei No Moribito>Vol.2 Ch.10 page 32 Renai Joshika read: 6 chps Mi Diaburo read: 1 chps Koneko-Chan, Kocchi ni Oide read: 1.2 chps *****Gugure! Kokkuri-san* read: 80 skips to 102 chps Choujin Sensen read: 27 chps ****** ITSUYA-SAN read: 6chps Devil’s Bride (kim Sae Young)>Vol.1 Ch.4 Pin to Kona 5 Page 36 Canis>Vol.1 Ch.5 ******* Sweet Heart Trigger read: 4.5 chps Chinrou Cantarella read: 2 chps Nabari no Ou 9 Page 31 Sayonara Koibito, Mata Kite Tomodachi read: 2 chps ********Never Understand read: 24 chps ******** Crackster read: 4 chps Kijima-kun read: 5 chps ******** Shinigami to Gin no Kishi read: 5 chps Akatsuki read: 7 chps Asa to Mitya reead: 6 chps KINDRED read: 10 chps COLETTE WA SHINU KOTO NI SHITA read: 14 chps Kataomoi To Parade read: 5.5 chps ********* Kuchi no Naka no Shita read: 1 chps ******** Color Recipe read: 6 chps ******* Killing Stalking read: 30 chps ******** Saezuru Tori wa Habatakanai read 24 chps Yajirushi read: 6 chps ******* What Lies at the End read: 45 chps Hello, I’m Your Stalker read: 4 chps BORUTO: NARUTO NEXT GENERATIONS read: 8 chps Konna Nichijou read: 2 chps lady snowblood read: 5 chps ***** Arte read: 10 chps ****** Koi ha Hikari read: 6 chps Oshigerinanshi - Rouchou Tanten no Yotogibanashi read: 5 chps Live or Not read: 10 chps Cupid no Itazura Nijidama read: 9 chps Shounen No Kyoukai read: 3 chps I-Ren 8.1 Page 2 Saru Lock read: 83 chps Otoyomegatari read: 65 chps The Magical Girl and Evil Officer read: 14 chps Nejimaki Seirei Senki - Tenkyou no Alderamin read: 26 chps Mielino Kashiwagi read: 22 chps Ore To Joushi No Kakushikoto read: 4 chps Self read: 23 chps Pumpkin Scissors read: 1 chps ******* Toukyou Tarareba Musume read: 1 chps ****** Baraou No Souretsu read: 6 chps ******* Kimetsu no Yaiba read: 97 chps Youjo Senki read: 11 chps ********* Hate Mate read: 18 chps ********* Touhou Suzunaan ~ Forbidden Scrollery read: 48 chps Mikado no Shihou read: 6 chps If you Hate me that much read: 11 chps ********* Hogu Hagyeongsu read: 25 chps Kokoro O Korosu Houhou read: 12 chps ********** Uratarou read: 26 chps ********* Rokudou no Onna-tachi read: 45 chps Hisohiso - Silent Voice read: 6 chps Dark Heaven read: 5 chps Lover Boy read: 17 chps ******** Warehouse read: 36 chps

All About Lust read: 25 chps

A Man Like You read: 23 chps

Happiness (OSHIMI Shuzo) read: 26 chps

****** Higanjima read: 114 chps

Mahou Tsukai no Yome read: 41 chps

Glow! read: 5 chps

***** Holiday Love read: 59 chps

***** Gunjou read: 24 chps

***** Houseki no Kuni read: 59 chps

Datte Maou-sama Wa Kare Ga Kirai dropped

Tadaima, Okaeri read: 5 chps

***** Tadaima, Okaeri Kagayaku Hibi read: 4 chps

Totsugimasen Kara! read: 5 chps

Kashikomarimashita, Destiny read: 5 chps

Talk To Me read: 11 chps

Darenimo Naisho de read: 3 chps

****** Ghost Wife read: 58 chps

***** arifureta shokugyou de sekai saikyou read: 14 chps

Feng Yu Jiu Tian Ch.5.2 DROPPED

Moyashimon Ch.10 DROPPED

******* Sabishisugite Lesbian Fuzoku Ni Ikimashita Report read: 5 chps

****** Lookism read: 105 chps

***** Innocent Rouge read: 50 chps

Kami Darake read: 2 chps

Mad Cinderella read: 11 chps

***** Tomino no Jigoku read: Vol 1 chps 3

Servamp>Ch.27.5 DROPPED

Devilman read Vol 3 1.3 chps

Miss Kiryu Doesn't Know What Love Is read: 6 chps

Kaguya Wants to be Confessed to: The Geniuses' War of Love and Brains read: 66 chps

World Teacher – Other World Style Education & Agent read: 6 chps

****Tomodachi Game read: 23 chps

Sekinin Torasete! read: 2.5 chps

Aka To Kuro (katsura Komachi) read: 2 chps

Black lagoon read: 63 chps

Yasashii Anata read: 1 chp pg 109

Yononaka Wa Bokura Ni Amai read: 12 chps

NeNeNe read: 7 chps

***** Royal Servant read: 39 chps

*** Sodatechimaou read: 50 chps

***** Devils Line read: 52 chps

If you Hate me that much read: 31 chps

Paradigm Shift read: 1 chps

Kurui Naku no wa Boku no Ban Beta read: 5 chps

***** Moon-led Journey Across Another World read: 28 chps

***** Kami-sama, Ki-sama O Koroshitai. read: 27 chps

??? Principle SACHIMO (Side Hentai) read: 4 chps

Survival: Shounen S no Kiroku read: 23 chps

*** 5-nin no Ou read: 1 chps

*** Their Circumstances read: 5 chps

**** Maou-jou de Oyasumi read: 44 chps

Gods X Myself X Brides read: 2 chps

Goodbye Harlequin read: 3 chps

Vinland Saga read: 143 chps

***** The Fable read: 8 chps

***** Sheriff Evans' Lies read: 29 chps

****** Kiyona Yubisaki, Bukiyona Tsumasaki read: 3 chps

My Male Friend read: 12 chps

Sanctuary Vol.7 Ch.4 : Vol 07

Circle (wang Zi Ying) Manhua read: 48 chps

**** Kusuriya no Hitorigoto read: 2 chps

Geten no Hana read: 8 chps

Nanba MG5 read: 24 chps

Ashita wa Docchi Da! read: 11 chps

**** Tensai Family Company read: 36 chps

Kami Tori Yawa read: 5 chps

***** Rengoku No Karma read: 16 chps

**** Undercover read 6 chps

**** Musuko ga Kawaikute Shikataganai Mazoku no Hahaoya read:28 chps

Unfather read: 4 chps

Bokutachi ga Yarimashita read: 28 chps

***** Yakusoku no Neverland read: 66 chps

hiniiru read: 16 chps

Drifters read: 51 chps

**** Pop Team Epic read: 32 chps

**** No Guns Life read: 19 chps

Hyakujitsu no Bara read: 12 chps

Bakuman read: 34 chps

**** Hidamari ga Kikoeru read: 19 chps

**** Scent of a Witch / trace of a witch read: 31 chps

**** Save Me read: 53 chps

How Sweet is a Sugar Daddy read: 12 chps

*** Cherry Blossoms After Winter read: 31 chps

** Otte Otte, Koi O Shite read: 2 chps

******* Kuzu Seito to Stalker-sensei read: 7 chps

Dekiai Keiyaku read: 1 chps

Stalker Danshi read: 1 chps

Seito Kaichou ni Chuukoku read: 55 chps

Yume No Kodomo read: 6 chps

Ranma 1/2 read: 27 chps

Bungou Stray Dogs read: 32 chps

Mahou Shoujo Site read: 80 chps

Juuyoku Porno read: 4 chps

Please, Marry Me!! read: 4 chps

Aniki no Shigoki! read: 4 chps

Kangoku Jikken read: 28 chps

Sengoku Vamp read: 8 chps

****** Tongari Boushi No Atelier read: 17 chps

***** Kumo desu ga, nani ka? read: 28.2 chps

Eto Royale read: 10 chps

Isekai De "kuro No Iyashi Te" Tte Yobarete Imasu read: 28 chps

***** Musume no Iede read: 21 chps

***** Kokuei No Junk read: 13 chps

**** Desert Punk read: 103 chps

Hadakeru Kaibutsu read: 5 chps

**** banana_fish/v08/c002/13

asagao to kase-san read: 4 chps

Saga (comic) read: 53 chps

****** Ohana Holoholo read: 21 chps

****** To Your Eternity readL 74 chps

Jigokuraku (Yuuji Kaku) read: 21 chps

Biorg Trinity read: 17 chps

**** Kimi no Knife read: 55 chps

Nibun no Ichi Boyfriend read: 5 chps

Prince, Don’t Do this! read: 133 chps Escape Devildom read: 55 chps

*** Delicious in Dungeon read: 47 chps

Out (Makoto Mizuta) read: 43 chps

gokushufudou the way of the house husband read: 17 chps

Haruka 17 read: 129 chps

12 notes · View notes

danielpico · 7 years

Text

Women on Noise...

women and tracks:

1. Glynis Jones : Magic Bird Song (1976) 2. Doris Norton : Norton Rythm Soft (1986) 3. Colette Magny : « Avec » Poème (1966) 4. Daphne Oram : Just For You (Excerpt 1) 5. Laurie Spiegel : Clockworks (1974) 6. Pauline Oliveiros : Bog Bog (1966) 7. Megan Roberts – I Could Sit Here All Day (1977) 8. Suzanne Ciani : Paris 1971 9. Laurie Anderson : Tape Bow Trio (Say Yes) (1981) 10. Glynis Jones : Schlum Rooli (1975) 11. Ruth White : Mists And Rains (1969) 12. Wendy Carlos : Spring (1972) 13. Ann McMillan : Syrinx (1978) 14. Delia Derbyshire : Restless Relays (1969) 15. Maggi Payne : Flights Of Fancy (1986) 16. Else Marie Pade : Syv Cirkler (1958) 17. Daniela Casa : Ricerca Della Materia (1975) 18. The Space Lady : Domine, Libra Nos (1990) 19. Johanna Beyer : Music Of The Spheres [1938] 20. Maddalena Fagandini : Interval Signal (1960) 21. Eliane Radigue : Chryptus I (1970) 22. Ruth White : Owls (1969) 23. Ursula Bogner : Speichen 24. Beatriz Ferreyra – Demeures Aquatiques (1967) 25. Doris Norton : War Mania Analysis (1983) 26. Tera De Marez Oyens : Safed 27. Daphne Oram : Rhythmic Variation II (1962) 28. Mireille Chamass-Kyrou : Etude 1 (1960) 29. Laurie Spiegel : Drums (1983) 30. Teresa Rampazzi : Stomaco 2 31. Teresa Rampazzi : Esofago 1 32. Suzanne Ciani : Fourth Voice: Sound Of Wetness (1970) 33. Ursula Bogner : Expansion (1979) 34. Alice Shields : Sacrifice (1993) 35. Megan Roberts and Raymond Ghirardo : ATVO II (1987) 36. Laurie Anderson : Drums (1981) 37. Doris Hays : Somersault Beat (1971) 38. Lily Greenham : Tillid (1973) 39. Ruth Anderson : Points (1973-74) 40. Pril Smiley : Kolyosa (1970) 41. Catherine Christer Hennix : The Electric Harpsichord (1976) 42. Joan La Barbara : Solo for Voice 45 (from Songbooks) (1977) 43. Slava Tsukerman, Brenda Hutchinson & Clive Smith : Night Club 1 (1983) 44. Monique Rollin : Motet (Etude Vocale) 45. Sofia Gubaidulina : Vivente – Non Vivente (1970) 46. Ruth White : Spleen (1967) 47. Doris Hays : Scared Trip (1971) 48. Daphne Oram : Pulse Persephone (Alternate Parts For Mixing) 49. Maggi Payne : Gamelan (1984) 50. Laurie Spiegel : The Unquestioned Answer (1980) 51. Ursula Bogner : Homöostat (1985) 52. Wendy Carlos : Summer (1972) 53. Suzanne Ciani : Princess With Orange Feet 54. Pauline Oliveiros : Poem Of Change (1993) 55. Suzanne Ciani : Thirteenth Voice: And All Dreams Are Not For Sale (1970)

#noise #experimental music

5 notes · View notes

poetryofchrist · 4 years

Text

Invitation to compose or arrange some music

In the table below are the passages to be read as part of the Revised Common Lectionary, June to November, Year A - over the next 5 months where there are no available performances of the music according to the interpretation of the accents of the Old Testament. The raw data for the musical cantus firmus or melody for the passages are all available through the music pages. Please see the earlier posts for available compositions and those relevant to the RCL in the upcoming months. If you are a student composer and would like to try your hand at setting one or more of these, please let me know in a comment. If you have questions, I can suggest a way to approach the work. E.g. have a look at this post. There are many examples of possible arrangements. At the moment I am staying away from the formality of a contest, but it is possible that if you try your hand and your music is chosen to be performed in its arrangement, there may be some reward, financial, publicity, and the joy of hearing your music performed. Here is roughly what I am looking for:

pieces suitable for liturgical use in translation from the default Hebrew in the raw data. This requires, at a minimum, the underlay of the notes with the new language. (I don't exclude Hebrew altogether since it is often ear-catching to use both Hebrew and translation especially if performing the Old Testament lesson. But the result should be comprehensible to the congregation in a liturgy. Also if you are in a Hebrew congregation, by all means use the Hebrew. The raw data is fully performable as a recitation with or without accompaniment.)

You may also consider that the work should have a chorus, a line of the text that can be sung responsively, perhaps by the congregation.

You may choose to divide the singers into decani and cantoris, or men and women, or even multiple characters if the text allows it. (We did this many years ago in Hebrew and English with 3 actors and a narrator for the story of David and the Philistine - you could hear a pin drop.)

You may choose to write a hymn or a motet for multiple or unison voices. Many Psalms lend themselves to strophic arrangements. Some do not.

The work may be unaccompanied recitative, or song, or accompanied by harp, piano, organ, percussion, or other instruments.

The major constraint is that the melody and its development must be derived from the raw data in the supplied PDF or MusicXML file. These melodies restore the tone of voice to the text.

You may vary the mode. For a discussion of mode see the posts under the label mode. Most of the raw data is in the default mode.

You may choose any passage. Perhaps set the recitation of the names of 1 Chronicles. This is not likely to be performed, however, but it is very interesting.

There is an enormous number of possibilities and more than enough information available. There are 929 chapters in the Hebrew Bible. The process is a great learning experience. My own learning process is exposed on this blog over the past 10 years.

Liturgical day

Date

Passage

Proper 6 (11)

14-JUN-20

Exodus 19:2-8a

Proper 6 (11)

14-JUN-20

Genesis (21:1-7)

Proper 6 (11)

14-JUN-20

Genesis 18:1-15

Proper 7 (12)

21-JUN-20

Genesis 21:8-21

Proper 7 (12)

21-JUN-20

Psalms 69:7-10,(11-15),16-18

Proper 7 (12)

21-JUN-20

Psalms 86:1-10,16-17

Proper 8 (13)

28-JUN-20

Jeremiah 28:5-9

Proper 8 (13)

28-JUN-20

Psalms 89:1-4,15-18

Proper 9 (14)

05-JUL-20

Genesis 24:34-38,42-49,58-67

Proper 9 (14)

05-JUL-20

Psalms 145:8-14

Proper 9 (14)

05-JUL-20

Psalms 45:10-17

Proper 9 (14)

05-JUL-20

Zechariah 9:9-12

Proper 10 (15)

12-JUL-20

Genesis 25:19-34

Proper 10 (15)

12-JUL-20

Isaiah 55:10-13

Proper 10 (15)

12-JUL-20

Psalms 119:105-112

Proper 10 (15)

12-JUL-20

Psalms 65:(1-8),11-13

Proper 11 (16)

19-JUL-20

Psalms 139:1-12,23-24

Proper 11 (16)

19-JUL-20

Psalms 86:11-17

Proper 12 (17)

26-JUL-20

1 Kings 3:5-12

Proper 12 (17)

26-JUL-20

Genesis 29:15-28

Proper 12 (17)

26-JUL-20

Psalms 105:1-11,45b

Proper 12 (17)

26-JUL-20

Psalms 119:129-136

Proper 12 (17)

26-JUL-20

Psalms 128

Proper 13 (18)

02-AUG-20

Genesis 32:22-31

Proper 13 (18)

02-AUG-20

Isaiah 55:1-5

Proper 13 (18)

02-AUG-20

Psalms 145:8-9,14-21

Proper 13 (18)

02-AUG-20

Psalms 17:1-7,15

Proper 14 (19)

09-AUG-20

1 Kings 19:9-18

Proper 14 (19)

09-AUG-20

Genesis 37:1-4,12-28

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09-AUG-20

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09-AUG-20

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2700fstreet · 5 years

Photo

CLASSICAL / 2018-2019

CHANTICLEER

STUDENT GUIDE

PERFORMANCE / DEMONSTRATION

School show: April 2

Teacher and Parent Guide: Chanticleer

So, What’s Going On?

They take the stage, their voices filling the auditorium with vocal sounds as rich as a symphony. But unlike a symphony, there are no instruments with them on stage…except their voices, of course. Meet Chanticleer—12 men whose choral strains have filled concert halls for 37 years, known worldwide as “an orchestra of voices.”

Chanticleer (pronounced SHAN-teh-kleer) is a choral chamber ensemble that performs almost entirely a cappella (solo or group singing with no instrumental accompaniment). For nearly four decades, the group has performed all kinds of music from early Renaissance to jazz, gospel, and modern compositions in concert halls across the globe. Its name originated from the rooster in The Nun’s Priest’s Tale in Geoffrey Chaucer’s medieval collection The Canterbury Tales. Chaucer had borrowed this character from the ancient French tale Renard the Fox. The word “chanticleer” comes from the French chanter—“to sing” and clair—“clear.”

One of the group’s goals is to encourage worldwide appreciation for the art of ensemble singing. The performers showcase their flexibility by performing not just the expected range of classical works, but music as varied as the group’s members. Watch Chanticleer perform Freddie Mercury’s “Somebody to Love” (yep, the Queen song):

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Wait! What’s a Chamber Ensemble?

Chamber music might make you think of a small group of instruments, like a string quartet or woodwind quintet. In classical chamber music, each instrument typically carries a musical part on its own, unlike an orchestra where multiple instruments play a part. And like instrumental music, in a choral chamber group, the singers typically sing an individual part, as opposed to a choir, where multiple voices per part are present. Chanticleer has only 12 members, but they blend their voices into one sound, even as they sing different parts.

Speaking of parts, Chanticleer's voices from lowest to highest are:

contrabass: the deepest, or lowest, male voice, an octave below a typical bass

bass: a low male voice, singing the lowest notes in the vocal range of most males

baritone: a medium-low male voice singing in the range between tenor and bass

tenor: a high male voice, singing in the range between countertenor and baritone

countertenor: the highest male singing voice, equivalent to a female contralto or mezzo-soprano

alto: typically a female voicing, male altos sing higher than tenors and lower than sopranos

soprano: the highest female voicing, achieved by some male countertenors through the use of falsetto (a method of voice production used by male singers, especially tenors, to sing notes higher than their normal range)

Who’s Who

Chanticleer was founded in San Francisco, California, in 1978 when music student Louis Botto invited nine men to sing around his dining room table. He thought it was strange that the vocal music of the medieval and Renaissance periods wasn’t being performed and founded a group to remedy that. One of the founding baritones, Charlie Erikson, was reading Geoffrey Chaucer’s Canterbury Tales at the time and suggested they name the group Chanticleer after the name of the "clear-singing" rooster.

One of Botto’s goals was to provide full-time, salaried employment for its members, a challenging goal the group finally achieved in 1991. The group had gained notoriety by touring the country in a van, and eventually earned international recognition in Europe. Over time, they were able to release an album that included many original compositions written specifically for the group.

Currently, the group consists of 12 men, including two basses, one baritone, three tenors, and six countertenors.

Andy Berry, bass Zachary Burgess, bass-baritone Brian Hinman, tenor Matthew Knickman, baritone Matthew Mazzola, tenor Cortez Mitchell, countertenor Gerrod Pagenkopf, countertenor and Assistant Music Director Kory Reid, countertenor Alan Reinhardt, countertenor Logan S. Shields, countertenor (soprano) Andrew Val Allsburg, tenor Adam Ward, alto

Chanticleer has been led by Music Director William Fred Scott since 2015, following decades of successful years conducting and directing various opera houses, symphonies, and choral schools.

Caption: Musical Director, William Fred Scott

Check This Out…

During the performance and demonstration, Chanticleer will perform a varied repertoire stretching from early Renaissance music to arrangements of jazz and spirituals. The performance list includes:

“Gaude gloriosa” by Giovanni Pierluigi da Palestrina (jaw-VAH-nee pyer-loo-EE-jee dah pal-uh-STREE-nuh) (c. 1525–1594) is a motet (pronounced MOH-tet; a sacred choral composition) honoring The Virgin Mary.

Read this translation of the Latin lyrics of the motet. Notice how the words profess adoration for Mary.

Gaude gloriosa,

Rejoice, glorious one,

super omnes speciosa,

surpassing all others in beauty,

Vale, valde decora,

Fare you well, fair Lady,

et pro nobis semper Christum exora.

and intercede for us to Christ.

Palestrina was known for his perfection of counterpoint, a musical technique where different melodic lines are combined to create harmony using strict rules. Listen for the intricate way the voices simultaneously sing individual melodies and interact with one another to form harmonies.

Get a glimpse into the life of Chanticleer while listening to Gaude gloriosa:

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"Duo Serarphim” is a motet written by Jacob Händl (1550–1591), a Slovenian composer and monk who was also known as Jacobus Gallus. He wrote both sacred and secular works including musical settings of the mass, passions, and motets. (The Catholic mass was often set by composers into major compositions with sections like the Kyrie and the Gloria.)

Read the translation of the Latin lyrics of the motet.

Duo seraphim clamabant alter ad alterum:

Two seraphim cried to one another,

Sanctus Dominus Deus Sabaoth.

Holy is the Lord God of Sabbath.

Plena est omnis terra gloria ejus.

The whole earth is full of His glory.

“Duo Seraphim” is a polychoral piece, meaning it utilizes two different choruses that alternate singing. This type of composition is a hallmark of the Venetian school in the late Renaissance period. See if you can hear where the two choruses answer one another throughout the music.

Händl (pronounced HAHN-del) was criticized in his time for music that was too complex, both for their large number of voice parts (some of his pieces included up to 24 individual parts), and for the intricate counterpoint of his music. Hear "Duo Seraphim":

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“Nude Descending a Staircase” by Allen Shearer (b. 1943) utilizes a poem by X.J. Kennedy and is based on a painting by Marcel Duchamp (DOO-shawn; 1887–1968). About the song, Shearer writes, “Because I am a singer myself, writing vocal music is a particular pleasure for me. Setting this whimsical poem provides a diversion.”

Nude Descending a Staircase, No.2 (1912) is a Modernist painting that depicts an abstract human figure walking down a flight of stairs. The original reception of the painting was not favorable, and it was largely regarded with jokes and ridicule. View the painting:

Image Source

Now listen to this description of the painting:

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If the painting represents overlapped images of a person walking down steps, how does the musical interpretation do the same? Listen for complex rhythms, humorous asides, and thick musical texture (there's a lot going on at once here!). Hear Chanticleer sing "Nude Descending a Staircase":

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DID YOU KNOW…Some info on Cubism and Futurism

In Nude Descending a Staircase, No. 2, Shearer combined Cubist and Futurist artistic styles. Cubism was an early 20th-century art movement using geometric shapes and interlocking planes. Futurism was an early 20th-century Italian art movement emphasizing speed, technology, industrial objects, youth, and velocity. Both art movements extended their influences to the period’s music, dance, literature, and film.

Quatre petites prières de Saint François d'Assise (Four small prayers of Saint Francis of Assisi) by Francis Poulenc (1899–1963) is a group of four motets based on the prayers of Saint Francis of Assisi, a Catholic friar who is considered the patron saint of animals.

Image Source

The piece was written by Poulenc (poo-LINGK) in 1948 for an a cappella men’s chorus and premiered by Franciscan monks. It alternates moments of chant, similar to Gregorian chant (a single melody of unaccompanied singing as a form of prayer), with more complex harmonies. Poulenc’s harmonic passages uses homophony—a musical texture where a strong melody is supported by harmonies.

Hear Chanticleer perform the piece:

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“Fröhlich im Maien” from Drei Männerchöre, Op. 45 by Richard Strauss (REE-card strauss) was written for a male singing-society in Germany in the 1930s. Best known for his operas, tone poems (orchestral music that illustrates the text of a poem) and Lieder (poetry set to polyphonic music with several simultaneous melodies), Strauss (1864–1949) wrote several little-known works for such singing societies. This piece is set to the text of Friedrich Rückert (FREED-rik REUK-ehrt; 1788–1866), a German Romantic poet.

“Fröhlich im Maien” (“Joyous in May”) is the third männerchöre (or men’s chorus) in Drei Männerchöre, a song that encourages everyone to dance joyously in May. Listen for surprising harmonies, a hallmark of Romantic music.

The piece alternates verses with a chorus. See if you can follow along with the sheet music in this video as Chanticleer performs the piece:

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“Dúlamán” arranged by Michael McGlynn (b. 1964) is set to a traditional Irish folk text. McGlynn uses classical and medieval music as inspiration and is best known for founding the vocal ensemble Anúna (Ah-NOO-nah).

The text of “Dúlamán” (DOO-lah-mahn) tells of a marriage involving the king of seaweed and was traditionally sung by people gathering seaweed from the unfertile coast of Ireland. The seaweed was laid on the land, and the land was eventually used for planting crops.

McGlynn’s musical setting combines traditional Irish folk music with his own musical ideas. Listen especially for the song’s alternating rhythms. Watch “Dúlamán” performed by McGlynn’s musical group Anúna:

youtube

“Creole Love Call” is frequently attributed to Duke Ellington (1899–1974), an American jazz composer and pianist who made the song famous. It was actually written, however, years before Ellington first performed it and given to him by saxophonist Rudy Jackson, who claimed it was his own composition. After Ellington performed it with jazz singer Adelaide Hall in 1927, both musicians skyrocketed to international fame. Ellington was granted publishing rights in 1928, but jazz musician Joe “King” Oliver quickly sued Ellington for plagiarism after noting that the song was eerily similar to “Camp Meeting Blues,” which Oliver had first recorded in 1923. Even though Oliver lost the suit over a paperwork error, Rudy Jackson was fired.

This arrangement of “Creole Love Call” was performed by the pre-World War II German jazz-influenced vocal ensemble the Comedian Harmonists, led by an unemployed actor named Harry Frommerman, who wrote the arrangement. This group of five male singers and a pianist was known for the ability to blend their voices. Listen to see if the members of Chanticleer are able to do the same.

The arrangement treats all of the voices as if they are instruments. Try to pick out what the individual instruments might be. (Hint! Think big band instruments like trumpet, trombone, clarinet, piano, and even a Hawaiian ukulele!)

“I Want to Die Easy” is a traditional spiritual arranged by Alice Parker and Robert Shaw with a beautiful solo tenor melody, full harmonies, and counterpoint between voices. The text describes the thoughts of a slave who has toiled in the fields and is ready to see heaven. Read the moving words:

I want to die easy when I die Shout salvation as I fly I want to die easy when I die.

I want to see my Jesus when I die Shout salvation as I fly I want to see my Jesus when I die.

I want to go to heaven when I die Shout salvation as I fly I want go to heaven when I die.

Listen for the slow, easy tempo; the emotion the tenor’s melody conveys; and the swing rhythm (a rhythm that, instead of using “straight” eighth notes counted one-and-two-and, etc., uses a triplet subdivision). It’s hard to explain but easy to feel in the music. Watch for a few quick examples of straight v. swing rhythm:

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Hear Chanticleer perform “I Want to Die Easy”:

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“Straight Street” is a traditional gospel song arranged by Joseph Jennings and has become one of Chanticleer’s most-often performed pieces. The song was originally written by J.W. Alexander and Jesse Whitaker from the traveling gospel ensemble the Pilgrim Travelers, whose energy and percussive foot tapping was legendary. Music from the Pilgrim Travels influenced singers like Ray Charles and Lou Rawls.

Introduced to the group by its arranger in 1980s, “Straight Street” was debuted by Chanticleer just as they began to explore repertoire outside of their traditional early music sets. Listen for the differences in vocal techniques used by the group in this song as compared to when they sing Renaissance music.

Follow the words as you watch Chanticleer perform “Straight Street”:

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Well, I used to live up on Broadway Right next to the liar’s house My number was self-righteousness Had very little guide of mouth So I moved, I had to move And I’m living on Straight Street now.

One day my heart got troubled All about my dwelling place I saw the Lord ‘round my settlement And He told me to leave that place So I moved, I had to move And I’m living on Straight Street now.

Oh since I moved, I’m really living I got peace within. I thank the Lord for ev’ry blessing I’m glad I found new friends.

Before I moved over here Let me tell you how it was with me Old Satan had me bound up And I had no liberty So I moved, I had to move And I’m living on Straight Street now.

Think About This…

One unique feature of Chanticleer is the mix of voices, from soprano down to contrabass. How do the voices intermingle to create one sound? When a soloist takes center stage, how do the other voices blend to support him?

How is music influenced by art, and vice versa? Think of Nude Descending a Staircase, No. 2. How does the musical interpretation of the poem and the painting expand your understanding of its meaning? What other examples can you think of to exemplify music and art working together?

How do you compare Chanticleer’s group performances with the type of music you usually hear performed—from classical to popular? You may not listen to a lot of early music or even jazz and spirituals, but are there aspects of Chanticleer’s performance that seem familiar? What sets Chanticleer apart from other live music you’ve experienced?

Take Action: Transforming Art

Many of the pieces Chanticleer performs are music set to art or poetry. “Fröhlich im Maien” is music set to a poem, while “Nude Descending a Staircase” represents music set to both a poem and visual art. Throughout history, composers and performers have been inspired by existing art, transforming that inspiration into song.

Think of a piece of art (poetry, painting, sculpture, dance, etc.) that inspires you. Choose a way to use that inspiration to create your own piece of art—whether that’s composing a song to represent a poem, or creating a dance to accompany an existing piece of music. Consider the elements of the art you're representing, and how they'll come through in your new creation. Share your innovation (and the artwork you transformed!) with a friend or trusted adult.

EXPLORE MORE

Go even deeper with the Chanticleer Extras.

All Chanticleer photos by Lisa Kohler

Writer: Tori Friedrich

Content Editor: Lisa Resnick

Logistics Coordination: Katherine Huseman

Producer and Program Manager: Tiffany A. Bryant

David M. Rubenstein Chairman

Deborah F. Rutter President

Mario R. Rossero Senior Vice President Education

Gianandrea Noseda Music Director National Symphony Orchestra

The Fortas Chamber Music Concerts are supported by generous contributors to the Abe Fortas Memorial Fund, and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas.

Major support for educational programs at the Kennedy Center is provided by David M. Rubenstein through the Rubenstein Arts Access Program.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

#classical #chanticleerat2700F

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eve-readssweetmanga · 3 years

Text

Kiss Him, Not Me CHAPTER 24: Something Precious

Ooooooohhhhh cause she changed her appearance 😂 ahhh thats funny

Ahhhhhh

Haha you mean amane right she basically stole the spotlight in that photo

Salute that man

Cute

Becomes yandere

Mans really went out to eat 😭

Oh to be with them

Look at him slouching down gotta love him

---------------------------

Chapter 1: https://evereadssweetmanga.tumblr.com/post/645929837409730560/kiss-him-not-me-chapter-1-unbelievably-this-is

Previous part: https://evereadssweetmanga.tumblr.com/post/650448769747435520/kiss-him-not-me-chapter-24-something-precious

Part 8: https://evereadssweetmanga.tumblr.com/post/650449956396728320/kiss-him-not-me-chapter-24-something-precious

wow this is going over 7 parts jskjjjsjsjsjj

#kiss him not me #watashi ga motete dousunda #manga #Kiss him not me chapter 24 part 7

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yourjuhyunghan · 6 years

Text

Les XX and Pierre de Bréville (French, 1861-1949)

#LesXX and Pierre de Bréville (French, 1861-1949) Les XX and Société Nationale de Musique Pierre de Bréville (French, 1861-1949) - Sonate en ré bémol - Marie-Catherine Girod https://youtu.be/fZLuJWTtsPw

Pierre Onfroy de Bréville (21 February 1861 – 24 September 1949) was a French composer.

Pierre de Bréville was born in Bar-le-Duc, Meuse. Following the wishes of his parents, he studied law with the goal of becoming a diplomat. However, he abandoned his plans after a few years and entered the Conservatoire de Paris. He began his musical studies with Théodore Dubois (1880–1882), later taking courses under the direction of César Franck.

He became a professor, teaching counterpoint at the Schola Cantorum in Paris (1898–1902). Following a twelve-year break, he taught classes in chamber music composition at the Conservatoire de Paris (1914–1918).

He established himself as a music critic and became well known for his reviews and commentary in Mercure de France, Le Courrier musical and La Revue blanche. He died in Paris.

Although de Bréville was not prolific, he lavished attention to his own compositions, producing several highly original works remembered for their quality. He also completed the orchestration of César Franck's unfinished opera Ghiselle with Vincent d'Indyand Ernest Chausson.

Selected compositions[edit]

Stage L'anneau de Çakuntala (The Ring of Shakuntala), Incidental Music for the play Abhijñānaśākuntalam by Kālidāsa Le Pays des fées, Incidental Music La Princesse Maleine, Opera Les Sept Princesses (The Seven Princesses), Incidental Music Éros vainqueur (Eros, Conqueror), Lyric Opera in 3 acts, 4 scenes (1905); libretto by Jean Lorrain; first performance 7 March 1910, Théâtre de la Monnaie, Brussels(with Claire Croiza in the title role) Les Egyptiens, Ballet, an overture to a piece by Maurice Maeterlinck Orchestral works La Nuit de décembre Stamboul, Orchestral Suite Concertante Tête de Kenwark, Scène lyrique for cello and orchestra after a dramatic poem by Leconte de Lisle Chamber music Sonata No.1 in C♯ minor for violin and piano (1918–1919) Une flûte dans les vergers for flute and piano (1920) Pièce for oboe (or flute, or violin) and piano (1923) Poème dramatique for cello and piano (1924) Prière (D'après le Cantique de Molière) for cello and organ (or piano) (1924) Sonatina for oboe (or flute, or violin) and piano (1925) Sonata No.2 "Sonate fantaisie en forme de rondeau" for violin and piano (1927) Sonata in D minor for cello and piano (1930) Fantaisie appassionata for cello and piano (1934) Sonata for violin and piano (1942) Sonata for violin and piano (1943) Sonata for viola and piano (1944) Concert à trois for violin, cello, and piano (1945) Sonata for violin and piano (1947) Fantaisie for guitar Trio à cordes Trio d'anches Organ Suite brève for organ (or harmonium) (1896) Prélude, méditation et prière for organ without pedals (1912) Deuxième suite brève en cinq parties for organ (or harmonium) (1922) Piano Fantaisie: Introduction, fugue et finale (c.1900) Portraits de maîtres (Portraits of Masters) (1907) Gabriel Fauré Vincent d'Indy Ernest Chausson César Franck Impromptu et choral (1912) Stamboul: rhythmes et chansons d'Orient, 4 Pieces (1921) Prélude et fugue (1923) Sonate en ré bémol (Sonata in D♭) (1923) Sept esquisses (7 Sketches) (1926) Quatre sonates (1939) Fantasia appassionata Vocal La forêt charmée for voice and piano (1891); words by Jean Moréas Epitaphe for voice and piano (1899); words taken from the tombstone of Marie Dupuis in the "Église de Senan" Le Furet du bois joli for voice and piano (1899); words by Jean Bénédict Poèmes de Jean Lorrain mis en musique (Poems of Jean Lorrain Set to Music) (1899?) La mort des lys La belle au bois La petite Ilse Quatre mélodies pour voix moyennes (Four Songs for Medium Voice) with piano accompaniment (1912) Une jeune fille parle; words by Jean Moréas Venise marine; words by Henri de Régnier Berceuse; words by Henri de Régnier Sous les arches de roses; words by Charles van Lerberghe Héros, je vous salue for voice and piano (1916); words by Henri de Régnier France for voice and piano (1917); words by Henri de Régnier Sainte for voice and piano (1922); words by Stéphane Mallarmé Bonjour mon cœur for voice and piano (1925); words by Pierre de Ronsard La Terre les eaux va buvant for voice and piano (1925); words by Pierre de Ronsard Ô mon ange gardien for voice and piano (1925); words by Francis Jammes Baiser for voice and piano (1926); words by Émile Cottinet Cantique de 1ère communion for soprano, violin and organ (or piano) (1926); words by Henry Gauthier-Villars La Cloche fêlée for voice and piano (1926); words by Charles Baudelaire 12 Rondels de Charles d'Orléans for voice and piano (1930); words by Charles d'Orléans Bernadette La Petite Ilse Cœur ardent L'Heure mystique Choral Hymne à Venus, Vocal duo or chorus in 2 parts in phrygian mode (c.1885); words by Auguste Villiers de l'Isle-Adam Messe (Mass) for soprano, tenor, baritone, mixed chorus (STB), string quartet, harp and organ (1890s) Sainte Rose de Lima, Scène mystique for soprano, female chorus and orchestra (1890s); words by Félix Naquet Tantum ergo sacramentum veneremur cernui, Hymne au Saint Sacrement for mezzo-soprano, female chorus and organ (c.1900) Les Cèdres du Liban (Cedars of Lebanon) for mixed chorus a cappella Motets pour la messe des morts Salut for soloists, female chorus and organ or harmonium Writings[edit]

Les Fioretti du père Franck, (1935–1938), a biography of César Franck Une histoire du théâtre lyrique en France https://en.wikipedia.org/wiki/Pierre_de_Bréville

Artist Biography by Uncle Dave Lewis

French composer Pierre de Bréville originally prepared to take a law degree in order to join the diplomatic corps and please his parents, but changed his mind and went into music instead. Brévillestudied at the Conservatoire with Theodore Dubois, but was most significantly impacted by his later studies with César Franck and considered himself among Franck's "circle." Bréville traveled to Bayreuth alongside Debussy and Fauré in 1888 and made the acquaintance of Vincent d'Indy there, met with Liszt somewhat earlier, and was acquainted with Edvard Grieg. A trip to Constantinople in the early 1890s accounts for a certain "Orientalist" strain found in Bréville's music, particularly as exemplified in the symphonic poem Stamboul (1895). Bréville remained close friends with d'Indy, who named him to his first teaching position at the Schola Cantorum in 1898; together they worked along with other members of the "Bande de Franck" to complete Franck's unfinished opera Ghisèle.

Bréville was best known in his lifetime as a teacher and critic; he wrote for Mercure de France and other publications throughout his career and taught at both the Paris Conservatoire and the Schola Cantorum; he succeeded d'Indy as head of the Société Nationale de Musique. Bréville also wrote a significant memoir of Franck, Les Fioretti du père Franck, which appeared in serialized form in Mercure de France between 1935 and 1938. As to his compositions, Bréville considered the opera Eros vainqueur, completed in 1905, to be his most important achievement; it was not given in a full-scale production until 1932, but an early concert performance presented in 1910 featured soprano Claire Croiza, who also championed Bréville's songs and other works. Bréville's worklist is geared in the main toward vocal music, and his songs -- mainly the earliest ones from the 1880s and '90s -- gained the greatest amount of traction among any of his works during his lifetime. In addition to the songs, Bréville composed another unfinished opera St. François d'Assise, incidental music for plays, an overture and a handful of symphonic poems, sacred and secular music for chorus, chamber music (including five sonatas for violin and piano; the first (1918) being exceptionally important), and works for piano and organ; his last completed piece, in 1946, was a saxophone quartet. Stylistically, Brévillemoved from Franckian post-romanticism to a mildly impressionist idiom, but little of Bréville's music has been heard since his death in Paris at the age of 88. https://www.allmusic.com/artist/pierre-de-breville-mn0001623473/biography

Pierre de Bréville (French, 1861-1949) - Harmonie Du Soir (Baudelaire) https://youtu.be/rMJ2bUodA6I

Claire Croiza, Pierre de Breville: "Une jeune fille parle" https://youtu.be/3X1DgCgAj5k

LES XX http://www.worldlibrary.in/articles/eng/Les_XX 1891

Stéphane Mallarmé gave a lecture on Auguste Villiers de l'Isle-Adam; Edmond Picard discusses Maurice Maeterlinck, Emile Verhaeren and Charles Van Lerberghe.[13]

Three concerts were given, with the first centered on Belgian composers like Auguste Dupont, Léon Soubre, Joseph Jacob, Paul Gilson and Gustave Huberti.[3] The second and third concert focused on the French composers, with works by Fauré, Franck, d'Indy, and Castillon in the second concert. Vincent d'Indyperformed his Symphonie Cévenole in the third concert.[19] Other composers whose work was performed were Fauré, Franck, Bréville, Bordes, Chausson, Albéric Magnard and Paul Vidal.[3]

Exhibits by invited artists including Odilon Redon,[14] Paul Cézanne,[2] Paul Signac, Henri de Toulouse-Lautrec,[7] Alfred Sisley, Paul Gauguin and Vincent van Gogh.[13] Durint the 1890 expo was sold the only painting Vincent van Gogh sold during his lifetime.[18]

1890 In July, Les XX had an exhibition in Amsterdam, The Netherlands.[11] At the first concert, the music was composed by César Franck, Pierre de Bréville, Ernest Chausson, Gabriel Fauré and Julien Tiersot. The music was played in part by the Quatuor Ysaÿe, as happened in the next few years.[3] The second concert was centered on Gabriel Fauré, with additional music by d'Indy, Charles Bordes and Henri Duparc.[3]

[10].Vision After the Sermon Included is Gauguin's masterpiece [4]

http://www.worldlibrary.in/articles/eng/Les_XX

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dj-bouto · 6 years

Link

smntm #50 tracklist :

0:00:00 - Happy Mail [Hoahio] 0:03:43 - Planting Trees Creating Beauty [Arve Henriksen] 0:08:02 - Rapsodie Espagnole, Prélude À La Nuit [Maurice Ravel] 0:11:40 - Feel So Different [Sinead O'Connor] 0:18:04 - As Complicated And As Beautiful As Always [Alog] 0:24:49 - Hive [Ikue Mori] 0:29:55 - Chet [Jamie Saft] 0:34:31 - Machine Gun [Portishead] 0:39:10 - Lookout [Wibutee] 0:43:58 - L'éternel Retour [François Couturier] 0:47:36 - The Miraculous Mandarin, Third Seduction Game [Béla Bartók] 0:49:16 - Motets, Komm, Jesu, komm [J.S.Bach] 0:56:02 - Pavane Pour Une Infante Défunte [Maurice Ravel]

1:02:15 - Le Banquet céleste [Olivier Messiaen] 1:08:10 - 2/1 [Brian Eno] 1:16:27 - Lux aeterna [Ligeti] 1:24:20 - Padmasambhava Tsechu Sadhana [David Lewiston] 1:37:13 - Contemplation Part 2 [Fred Gianelli] 1:48:16 - Áhccái, Mix by Future Prophecies [Mari Boine] 1:56:56 - Red Mystic [Monolight]

2:02:18 - Drunk Dj's [Alog] 2:07:00 - Chatchat [Hoahio] 2:09:16 - Clapper [Ikue Mori] 2:12:00 - Up And Away [Wibutee] 2:14:59 - Hymne À La Muse [Roberto Gerhard] 2:15:54 - White Gravel [Arve Henriksen] 2:17:53 - South Orange Sunset [Massacre] 2:21:58 - All Natural [Tetsu Inoue] 2:23:38 - Pierrot Lunaire, Sérénade [Schoenberg] 2:25:59 - Mode De Valeurs Et D'intensités [Olivier Messiaen] 2:29:47 - Chamber Symphony #1 In E Schoenberg] 2:59:10 - Exodus [Edward Artemiev]

3:05:50 - Signal to Noise II [Robert Henke] 3:14:12 - Etude pour Orgue [Ligeti] 3:20:14 - Kuvio 4 [Philus aka Mika Vainio] 3:29:02 - Recipe [Ikue Mori] 3:33:01 - Jellybrain [Tore Elgaroy] 3:34:56 - Once Upon A Time In The West [Ennio Morricone / John Zorn] 3:43:00 - Azure Blue [Gabor Szabo] 3:47:12 - Jolene [Dolly Parton] 3:50:39 - Adagio , Symphony #9 In D [Mahler]

4:11:48 - Masonic Funeral Music [Mozart] 4:17:13 - Introitus, Requiem In D Minor [Mozart] 4:21:49 - Dream [Edward Artemiev] 4:28:19 - Aghora [Bill Laswell] 4:38:00 - Cook Islands [Phonophani] 4:40:45 - T'khelet [Jamie Saft] 4:47:09 - Less Than Lovers, More Than Friends [Hoahio] 4:53:28 - Agai [Tv Victor]

5:55:55 - END

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b0gvvitch · 6 years

Audio

Arandel ‎/ Bog Bog – The Electronic Ladyland Mixtape (2016)

I can’t find the words to express the jaw dropping quality of this one. The compilation, which was released by InFiné Music in early 2016 as a podcast, but since issued as a cassette, is easily one of the greatest assemblies of avant-garde electronic music ever made. It’s incredible, engrossing, and indispensable for anyone interested in the history of the avant-garde, electronic music, or in feminism. This single effort goes a long way to correcting many of the biases through which we have guided to see the past. For the most part its contents (I mean seriously… look at that list!) are concentrated around the 1970’s, the period which saw electronic music cross countless social, political, and creative boundaries, but whose history is largely centered around men. The Electronic Ladyland Mixtape tells a different tale – a remarkable one of the radical voices and approaches of women who are too often overlooked. Hosting 55 tracks, skirting across 4 decades, the moment I began to listen I was hooked. I doubt I’m alone. This one is absolutely essential. Set some time aside in your day. You can stream the entirety below, and pick up the cassette version here. I hope you enjoy, and that it will remind you to further explore the work of these incredible artists.

-Bradford Bailey

#oh fuck yes

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bern33chaser · 6 years

Text

50 Synonyms for “Song”

Numerous words that describe various types of musical composition are listed and defined below. (Note that in the definitions below, popular denotes not a musical form that is widely enjoyed, but a song of a type traditionally derived from common people and folk traditions rather than from professional composers. Forms of the word accompany refer to instrumental support.)

1. Air: any of several types of songs or songlike compositions, including ballads and folk songs 2. Anthem: a song or hymn of joy or praise or, by extension, a rousing pop song that resonates with a certain class of listeners 3. Aria: a complex solo accompanied melody, especially in opera 4. Art song: a solo accompanied melody often performed on a formal social occasion 5. Ballad: a narrative composition with rhythmic verse, or a popular slow romantic or sentimental song 6. Barcarole: a work song with a beat that alternates between strong and weak to suggest the rhythm of rowing a boat 7. Cantata: a composition for one or more voices with solos, duets, choruses, and speechlike parts 8. Canticle: a song based on scripture and performed during a church service 9. Carol: a song or hymn of joy, performed popularly or during a church service 10. Chanson: the type of song sung in a cabaret or a music hall 11. Chant: as monotonous but rhythmic song or other vocalization; see also plainsong 12–14. Chantey/chanty/shanty: a rhythmic sailors’ work song 15. Chorale: a hymn or song sung by a group in church 16. Cover: a song composed by someone other than the performer(s) 17. Descant: a melody sung as a counterpoint to another melody 18. Dirge: a song of mourning 19. Ditty: a simple, lighthearted popular song 20. Drinking song: an upbeat song appropriate for group singing during social drinking 21. Elegy: see dirge 22. Fight song: an inspirational song to encourage athletes during team competition 23. Folk song: a popular song with a simple melody and a verse/refrain structure 24. Glee: a part-song, generally one performed by men 25. Hallelujah: a song of praise or thanks 26. Hymn: a song of joy or praise, especially in a religious context 27. Noel: a carol sung at Christmastime 28. Jingle: a short, catchy, repetitive song, including one used to advertise a product or service 29. Lament: see dirge 30. Lay: a simple song or other ballad 31. Lullaby: a simple rhyming song sung to soothe children or prepare them for sleeping 32. Madrigal: see glee and part-song 33. Medley: two or more songs, or parts thereof, performed as one composition 34. Melody: a rhythmic composition 35. Motet: a choral composition, usually unaccompanied, based on a sacred text 36. Paean: a hymn or song of praise, thanks, or triumph 37. Part-song: a usually unaccompanied song for two or more voices, one of which carries the melody 38. Psalm: a sacred song sung during religious services 39. Remix: a variation of a song that includes additional or rearranged elements 40. Requiem: see dirge 41. Rocker: an upbeat, energetic song in the style of the rock genre 42. Round: a song in which multiple singers sing the same melody and lyrics 43. Roundelay: a simple song that includes a refrain 44. Serenade: a courting song, vocal or instrumental or both 45. Spiritual: a simple, emotional religious song of a form developed by black slaves in the American South 46. Standard: a familiar song that is among those typically performed by a certain category of musicians 47. Threnody: see dirge 48. Torch song: a popular sentimental song, usually referring to the end of a love affair or to unrequited love 49. Vocal: a song for voice accompanied by one or more instruments 50. Work song: a song structured to aid in the performance of a rhythmic group task

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Original post: 50 Synonyms for “Song” from Daily Writing Tips https://www.dailywritingtips.com/50-synonyms-for-song/

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hippooohe-blog · 7 years

Text

Start to know Mozart?

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. This section would mainly introduce his life and career.

Early life

Family and childhood

Wolfgang Amadeus Mozart was born on 27 January 1756 to Leopold Mozart (1719–1787) and Anna Maria, née Pertl (1720–1778), at 9 Getreidegasse in Salzburg.[4] This was the capital of the Archbishopric of Salzburg, an ecclesiastic principality in what is now Austria, then part of the Holy Roman Empire.[5] He was the youngest of seven children, five of whom died in infancy. His elder sister was Maria Anna Mozart (1751–1829), nicknamed "Nannerl". Mozart was baptized the day after his birth, at St. Rupert's Cathedral in Salzburg. The baptismal record gives his name in Latinized form, as Joannes Chrysostomus Wolfgangus Theophilus Mozart. He generally called himself "Wolfgang Amadè Mozart"[6] as an adult, but his name had many variants.

When Nannerl was 7, she began keyboard lessons with her father, while her three-year-old brother looked on.

Mozart's birthplace at Getreidegasse 9, Salzburg

In his early years, Wolfgang's father was his only teacher. Along with music, he taught his children languages and academic subjects.[12] Solomon notes that, while Leopold was a devoted teacher to his children, there is evidence that Mozart was keen to progress beyond what he was taught.[12] His first ink-spattered composition and his precocious efforts with the violin were of his own initiative, and came as a surprise to Leopold,[13] who eventually gave up composing when his son's musical talents became evident.[14]

1762–73: Travel While Wolfgang was young, his family made several European journeys in which he and Nannerl performed as child prodigies. These began with an exhibition in 1762 at the court of Prince-elector Maximilian III of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, spanning three and a half years, taking the family to the courts of Munich, Mannheim, Paris, London,[15] The Hague, again to Paris, and back home via Zurich, Donaueschingen, and Munich.[citation needed] During this trip, Wolfgang met a number of musicians and acquainted himself with the works of other composers. A particularly important influence was Johann Christian Bach, whom he visited in London in 1764 and 1765. The family again went to Vienna in late 1767 and remained there until December 1768.

Mozart wrote his first symphony when he was eight years old. It is probable that his father transcribed most of it for him.[16]

The Mozart family on tour: Leopold, Wolfgang, and Nannerl. Watercolor by Carmontelle, ca. 1763[17]

The family trips were often difficult, and travel conditions were primitive.[18] They had to wait for invitations and reimbursement from the nobility, and they endured long, near-fatal illnesses far from home: first Leopold (London, summer 1764),[19] then both children (The Hague, autumn 1765).[20]

After one year in Salzburg, Leopold and Wolfgang set off for Italy, leaving Anna Maria and Nannerl at home. This tour lasted from December 1769 to March 1771. As with earlier journeys, Leopold wanted to display his son's abilities as a performer and a rapidly maturing composer. Wolfgang met Josef Mysliveček and Giovanni Battista Martini in Bologna, and was accepted as a member of the famous Accademia Filarmonica. In Rome, he heard Gregorio Allegri's Miserere twice in performance, in the Sistine Chapel, and wrote it out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican.[21][22]

In Milan, Mozart wrote the opera Mitridate, re di Ponto (1770), which was performed with success. This led to further opera commissions. He returned with his father twice to Milan (August – December 1771; October 1772 – March 1773) for the composition and premieres of Ascanio in Alba (1771) and Lucio Silla (1772). Leopold hoped that these visits would result in a professional appointment for his son, and indeed ruling Archduke Ferdinand contemplated hiring Mozart but owing to his mother Empress Maria Theresa's reluctance to employ "useless people", the matter was dropped [23] and Leopold's hopes were never realized.[24]

Toward the end of the final Italian journey, Mozart wrote the first of his works to be still widely performed today, the solo motet Exsultate, jubilate, K. 165.

1773–77: Employment at the Salzburg court

After finally returning with his father from Italy on 13 March 1773, Mozart was employed as a court musician by the ruler of Salzburg, Prince-Archbishop Hieronymus Colloredo. The composer had a great number of friends and admirers in Salzburg[25] and had the opportunity to work in many genres, including symphonies, sonatas, string quartets, masses, serenades, and a few minor operas. Between April and December 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five (the only ones he ever wrote), which steadily increased in their musical sophistication. The last three—K. 216, K. 218, K. 219—are now staples of the repertoire. In 1776, he turned his efforts to piano concertos, culminating in the E-flat concerto K. 271 of early 1777, considered by critics to be a breakthrough work.[26]

Despite these artistic successes, Mozart grew increasingly discontented with Salzburg and redoubled his efforts to find a position elsewhere. One reason was his low salary, 150 florins a year;[27] Mozart longed to compose operas, and Salzburg provided only rare occasions for these. The situation worsened in 1775 when the court theater was closed, especially since the other theater in Salzburg was largely reserved for visiting troupes.[28]

Two long expeditions in search of work interrupted this long Salzburg stay. Mozart and his father visited Vienna from 14 July to 26 September 1773, and Munich from 6 December 1774 to March 1775. Neither visit was successful, though the Munich journey resulted in a popular success with the premiere of Mozart's opera La finta giardiniera.[29]

1777–78: Journey to Paris

In August 1777, Mozart resigned his position at Salzburg[31] and on 23 September ventured out once more in search of employment, with visits to Augsburg, Mannheim, Paris, and Munich.[32]

Mozart became acquainted with members of the famous orchestra in Mannheim, the best in Europe at the time. He also fell in love with Aloysia Weber, one of four daughters of a musical family. There were prospects of employment in Mannheim, but they came to nothing,[33] and Mozart left for Paris on 14 March 1778[34] to continue his search. One of his letters from Paris hints at a possible post as an organist at Versailles, but Mozart was not interested in such an appointment.[35] He fell into debt and took to pawning valuables.[36] The nadir of the visit occurred when Mozart's mother was taken ill and died on 3 July 1778.[37] There had been delays in calling a doctor—probably, according to Halliwell, because of a lack of funds.[38] Mozart stayed with Melchior Grimm, who, as personal secretary of the Duke d'Orléans, lived in his mansion.[39]

While Mozart was in Paris, his father was pursuing opportunities of employment for him in Salzburg.[40] With the support of the local nobility, Mozart was offered a post as court organist and concertmaster. The annual salary was 450 florins,[41] but he was reluctant to accept.[42] By that time, relations between Grimm and Mozart had cooled, and Mozart moved out. After leaving Paris in September 1778 for Strasbourg, he lingered in Mannheim and Munich, still hoping to obtain an appointment outside Salzburg. In Munich, he again encountered Aloysia, now a very successful singer, but she was no longer interested in him.[43] Mozart finally returned to Salzburg on 15 January 1779 and took up his new appointment, but his discontentment with Salzburg remained undiminished.[44]

Among the better known works which Mozart wrote on the Paris journey are the A minor piano sonata, K. 310/300d and the "Paris" Symphony (No. 31), which were performed in Paris on 12 and 18 June 1778.[45]

Vienna

1781: Departure

The Mozart family c. 1780. The portrait on the wall is of Mozart's mother.

In January 1781, Mozart's opera Idomeneo premiered with "considerable success" in Munich.[46] The following March, Mozart was summoned to Vienna, where his employer, Archbishop Colloredo, was attending the celebrations for the accession of Joseph II to the Austrian throne. For Colloredo, this was simply a matter of wanting his musical servant to be at hand (Mozart indeed was required to dine in Colloredo's establishment with the valets and cooks.)[47] But Mozart was planning a bigger career even as he continued in the archbishop's service.

Mozart did indeed soon meet the Emperor, who eventually was to support his career substantially with commissions and a part-time position.

In the same letter to his father just quoted, Mozart outlined his plans to participate as a soloist in the concerts of the Tonkünstler-Societät, a prominent benefit concert series;[49] this plan as well came to pass after the local nobility prevailed on Colloredo to drop his opposition.[50]

Colloredo's wish to prevent Mozart from performing outside his own establishment was in other cases, however, carried through, raising the composer's anger; one example was a chance to perform before the Emperor at Countess Thun's for a fee equal to half of his yearly Salzburg salary.

The quarrel with the archbishop came to a head in May: Mozart attempted to resign and was refused. The following month, permission was granted, but in a grossly insulting way: the composer was dismissed literally "with a kick in the arse", administered by the archbishop's steward, Count Arco. Mozart decided to settle in Vienna as a freelance performer and composer.[51]

The quarrel with the archbishop went harder for Mozart because his father sided against him. Hoping fervently that he would obediently follow Colloredo back to Salzburg, Mozart's father exchanged intense letters with his son, urging him to be reconciled with their employer. Mozart passionately defended his intention to pursue an independent career in Vienna. The debate ended when Mozart was dismissed by the archbishop, freeing himself both of his employer and his father's demands to return. Solomon characterizes Mozart's resignation as a "revolutionary step", and it greatly altered the course of his life.[52]

Mozart's new career in Vienna began well. He performed often as a pianist, notably in a competition before the Emperor with Muzio Clementi on 24 December 1781,[51] and he soon "had established himself as the finest keyboard player in Vienna".[51] He also prospered as a composer, and in 1782 completed the opera Die Entführung aus dem Serail ("The Abduction from the Seraglio"), which premiered on 16 July 1782 and achieved a huge success. The work was soon being performed "throughout German-speaking Europe",[51] and fully established Mozart's reputation as a composer.

Near the height of his quarrels with Colloredo, Mozart moved in with the Weber family, who had moved to Vienna from Mannheim. The father, Fridolin, had died, and the Webers were now taking in lodgers to make ends meet.[53]

Marriage and children Aloysia, who had earlier rejected Mozart's suit, was now married to the actor and artist Joseph Lange. Mozart's interest shifted to the third Weber daughter, Constanze.

The courtship did not go entirely smoothly; surviving correspondence indicates that Mozart and Constanze briefly separated in April 1782.[54] Mozart faced a very difficult task in getting his father's permission for the marriage.[55] The couple were finally married on 4 August 1782 in St. Stephen's Cathedral, the day before his father's consent arrived in the mail.[55]

The couple had six children.

1782–1786 In the course of 1782 and 1783, Mozart became intimately acquainted with the work of Johann Sebastian Bach and George Frideric Handel as a result of the influence of Gottfried van Swieten, who owned many manuscripts of the Baroque masters. Mozart's study of these scores inspired compositions in Baroque style and later influenced his personal musical language, for example in fugal passages in Die Zauberflöte ("The Magic Flute") and the finale of Symphony No. 41.[8]

In 1783, Mozart and his wife visited his family in Salzburg. His father and sister were cordially polite to Constanze, but the visit prompted the composition of one of Mozart's great liturgical pieces, the Mass in C minor. Though not completed, it was premiered in Salzburg, with Constanze singing a solo part.[57]

Mozart met Joseph Haydn in Vienna around 1784, and the two composers became friends. When Haydn visited Vienna, they sometimes played together in an impromptu string quartet. Mozart's six quartets dedicated to Haydn (K. 387, K. 421, K. 428, K. 458, K. 464, and K. 465) date from the period 1782 to 1785, and are judged to be a response to Haydn's Opus 33 set from 1781.[58] Haydn in 1785 told Mozart's father: "I tell you before God, and as an honest man, your son is the greatest composer known to me by person and repute, he has taste and what is more the greatest skill in composition."[59]

From 1782 to 1785 Mozart mounted concerts with himself as soloist, presenting three or four new piano concertos in each season. Since space in the theaters was scarce, he booked unconventional venues: a large room in the Trattnerhof (an apartment building), and the ballroom of the Mehlgrube (a restaurant).[60] The concerts were very popular, and the concertos he premiered at them are still firm fixtures in the repertoire. Solomon writes that during this period Mozart created "a harmonious connection between an eager composer-performer and a delighted audience, which was given the opportunity of witnessing the transformation and perfection of a major musical genre".[60]

With substantial returns from his concerts and elsewhere, Mozart and his wife adopted a rather plush lifestyle. They moved to an expensive apartment, with a yearly rent of 460 florins.[61] Mozart bought a fine fortepiano from Anton Walter for about 900 florins, and a billiard table for about 300.[61] The Mozarts sent their son Karl Thomas to an expensive boarding school,[62][63] and kept servants. Saving was therefore impossible, and the short period of financial success did nothing to soften the hardship the Mozarts were later to experience.[64][65]

On 14 December 1784, Mozart became a Freemason, admitted to the lodge Zur Wohltätigkeit ("Beneficence").[66] Freemasonry played an important role in the remainder of Mozart's life: he attended meetings, a number of his friends were Masons, and on various occasions he composed Masonic music, e. g. the Maurerische Trauermusik.[67]

1786–87: Return to opera Despite the great success of Die Entführung aus dem Serail, Mozart did little operatic writing for the next four years, producing only two unfinished works and the one-act Der Schauspieldirektor. He focused instead on his career as a piano soloist and writer of concertos. Around the end of 1785, Mozart moved away from keyboard writing[68][page needed] and began his famous operatic collaboration with the librettist Lorenzo Da Ponte. 1786 saw the successful premiere of The Marriage of Figaro in Vienna. Its reception in Prague later in the year was even warmer, and this led to a second collaboration with Da Ponte: the opera Don Giovanni, which premiered in October 1787 to acclaim in Prague, but less success in Vienna in 1788.[69] The two are among Mozart's most important works and are mainstays of the operatic repertoire today, though at their premieres their musical complexity caused difficulty for both listeners and performers. These developments were not witnessed by Mozart's father, who had died on 28 May 1787.[70]

In December 1787, Mozart finally obtained a steady post under aristocratic patronage. Emperor Joseph II appointed him as his "chamber composer", a post that had fallen vacant the previous month on the death of Gluck. It was a part-time appointment, paying just 800 florins per year, and required Mozart only to compose dances for the annual balls in the Redoutensaal (see Mozart and dance). This modest income became important to Mozart when hard times arrived. Court records show that Joseph's aim was to keep the esteemed composer from leaving Vienna in pursuit of better prospects.[71]

In 1787, the young Ludwig van Beethoven spent several weeks in Vienna, hoping to study with Mozart.[72] No reliable records survive to indicate whether the two composers ever met.

Later years

1788–90