#Acme Art Salon

[shelleytheodore]

CV

SHELLEY THEODORE Born in Brisbane, Australia Lives and works in London, Barcelona and France https://shelleytheodore.tumblr.com/ https://www.axisweb.org/p/shelleytheodore/ EDUCATION 2012 MA Visual Art (Fine Art), Camberwell College of Art, University of the Arts, London 1995 Bachelor of Fine Art (Hons), Goldsmiths College, University of London 1992 Dept of Continuing Education, Goldsmiths College, University of London, Certificate in Art 1980 Bachelor of Social Work, University of Queensland, Australia SELECTED EXHIBITIONS AND PUBLICATIONS 2022 Artist Feature Special Issue: Best Artists of 2022 Magazine 43, Hong Kong 2022 Magazine 43 Film Friday featured artist April 2022 https://magazine43.substack.com 2021 Deptford X Festival, Art in the open Supported Application Guide shapeslewisham introducing@shelley_theodore 23 March 2021 Deptford London 2021 Post Analogue Labyrinth IV, virtual exhibition, https://www.artsteps.com/view/ 6092eeaca33cc06fe89a823f 2019 Post Analogue Labyrinth Ill, as part of DEPTFORD X FRINGE, AAJA Deptford 2018 Post Analogue Labyrinth 11, Sister Midnight Records 4 Tanners Hill London Gaze, Axisweb: Contemporary Art UK Network, online exhibition Aesthetica Issue 81, p157, Artists' Directory, Published on Jan 24,2018 2017 Drawing Open, 26 -28 May, No Format Gallery, Arch 29, Rolt Street, Deptford 2016 Prison Drawing Project, Dean Road Prison, Scarborough, UK Artrooms Fair 2016, Melia Whitehouse Hotel, London 2015 Uncertain States Annual, Mile End Art Pavilion, Mile End 2014 Pala, an online digital program of artist's film and video works curated by Laura Mansfield 2013 Bloomberg New Contemporaries 2013, Spike Island, Bristol, and ICA, London 8 STUDIOS FROM HERE, Faircharm Studios, Deptford Postcard From My Studio, Acme Project Space 44 Bonner Road, Bethnal Green, London 2012 Crash OPEN, Charlie Dutton Gallery, 1a Princeton Street, London The Salon Art Prize Exhibition 2012, Matt Roberts Art, 25b Vyner Street, London Jerwood Drawing Prize Exhibition 2012, Jerwood Space, London No Now, Space Station Sixty Five, Kennington Bend over Shirley, Beaconsfield Contemporary Art 2011 CCW Artist Moving Image, HMV Curzon, Wimbledon 'Chain letter' worldwide exhibition 2011, GIBSMIR family, Zurich, Switzerland. Flash in the Pan, curated by Naomi Sidefin and David Crawford, Beaconsfield Contemporary Art The Unsung Heroes of the studio, ASYLUM, The Chapel, Caroline Gardens, Peckham 2010 Peckham Space Open, Peckham Space, Peckham Deptford X Fringe Award, Deptford X Fringe Nunhead Open Art Exhibition, The Surgery, Nunhead 2009 Creekside Open, selected by Mark Wallinger, APT Gallery, Deptford Creekside Open, selected by Jenni Lomax, APT Gallery, Deptford 2008 London Art Fair, Islington, Beverley Knowles Fine Art 2007 London Art Fair, Islington, Beverley Knowles Fine Art RESIDENCIES 2022 Studio Residency, San Quirze Safaja, Barcelona 2021 Photography Workshop with Architect Lisa Harmey and architecture students University of Cardiff, UK 2015 'Backs to the Future' Residency, FIVE YEARS 66 Richmond Studios, 8 Andrews Road, E84QN 2014 2014 LUX Critical forum, London 2012 Gasworks Curatorial Workshop, Gasworks 2011 Urban fabric 2 (UF2) Paradox Conference, Crawford College of Art and Design, Cork, Ireland 'Sculptural Drawing Collaboration', The Woodmill Project Space, Bermondsey

#film #vimeo #mannequins #Bloomberg New Contemporaries #L1Architecture

[edvarie]

Ed. Varie is pleased to announce Moisés Salazar Tlatenchi's debut solo exhibition Nuestro Juramento, opening on Saturday May 21, 2022 from 6-9pm at Ed. Varie, 184 E. 7th Street, New York, NY, 10009. As Ed. Varie is always looking for ways to nurture our artists and build our community, we created a unique residency for Moisés to experience art making in their homeland of Mexico. The works in the exhibition Nuestro Juramento, translated to Our Oath, are from their time in Mexico City, with two additional works created stateside in reflection of their residency. Moisés Salazar Tlatenchi lives and works in Chicago. They have a BFA from The School of the Art institute, Chicago, IL. They have shown widely in group exhibitions since 2018, and have had solo exhibitions with Hairs + Nails, Minn., Red Arrow, Nashville, and Mindy Soloman, Miami. Salazar Tlatenchi has also participated in art fairs such as NADA, Chicago; Spring Break, NY; and Salon Acme, Mexico City. Nuestro Juramento will be Moises Salazar Tlatenchi's first solo exhibition with Ed. Varie. Nuestro Juramento will open on May 21st and will be on view through June 12th. Gallery hours are Saturday and Sunday 12–6pm, and also by appointment. For any additional information, or to schedule a viewing  please contact the gallery, [email protected] #edvarie #moisessalazartlatenchi (at Ed. Varie) https://www.instagram.com/p/CdsvewnLAGP/?igshid=NGJjMDIxMWI=

#edvarie #moisessalazartlatenchi

[brieucgwalder]

My virtual museum

Let’s start with a small Van Gogh, shall we? Atelier des lumières, Paris. Two years ago. They have put up several splendid shows with lights and projectors in an old warehouse in Paris. I don’t know how they can survive the current situation. Live performance has been suspended just about anywhere. Bird family, by Norval Morrisseau (1931-2007). (c)ourtesy Alex. She bought it in Toronto a little…

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#Acme Art Salon #Botero #Cazenave #Equinoxio #Hugo Pratt #Klimt #lichtenstein #Maillol #Marta Palau #martin-onraet #Morrisseau #Susanne Valadon #toulouse-lautrec #Van Gogh #Willy Ronis

[obrasdeartecomentadas]

"Cuerpos desechables" (2019) de Moisés Salazar. 

El artista creció en Chicago pero es de padres inmigrantes.  Las figuras que creó son frágiles y se asemejan a las piñatas, aluden a los centros de detención en EEUU, al trato inhumano que reciben l@s migrantes en ellos. 

#arte contemporaneo #salon acme #moises salazar #las chicas del cable #chicano art

[lucigzz]

Femininity. #art #femeninity #female #body #skin (en Salon ACME) https://www.instagram.com/p/BtpRoTcHMC7/?igshid=1ecd23e81u3w7

#art #femeninity #female #body #skin

[jerrygarcia]

Beautiful Gabriel Rico installation in a corner of a room at Salon Acme NO.5 in Mexico City this week.

#Gabriel Rico #salon acme no.5 #art #contemporary sculpture #contemporary art

[inspirenations]

Living in Canyon Trails Boynton Beach FL - Best place to live in South Florida

So you're thinking about moving to South Florida and Boynton Beach is high on your list of places to consider and why wouldn't it be ?

 With the real estate market heating up and what feels like a mass exodus from the northeast.

 Now more than ever I’m getting call and texts from people up North looking to relocate and move down to Boynton Beach.  Which we love so if there's ever anything in the world we can do to help you please call, text or leave a comment down below and we will be happy to help.

 People are specifically looking for newer homes in luxury communities in West Boynton specifically Canyon Trails. I live in Canyon Trails so I may be a bit biased about how great it is to live here and I made this video to showcase exactly what it's like to live in Canyon Trials.

 More importantly I hope to answer the main question everybody calling seems to have these days.

Is it still possible to score a great deal on a incredible single family pool home with its own private tropical oasis featuring upgrades galore in a safe gated luxury community with resort style amenities access to the best schools, parks,and  shopping - set up specifically for families to thrive and be happy all while soaking up the best of the best in South Florida Living, without breaking the bank ?

 Canyon Trails is the newest collection to the Canyon communities in west Boynton Beach, Florida.

 Its Located in Palm Beach County, on Acme Dairy Road off Boynton Beach Boulevard and just west of the Florida Turnpike.

 Canyon Trails is a family friendly, gated community with 540 single family estate homes. It was Built by GL Homes  in 2012 and  there are a wide variety of floor plans to choose from.  

 Private residences range in size from 1,700 square feet to just over 5,000 square feet.  

Many residences  feature swimming pools, spas, brick paved lanais, and summer kitchens in their private backyards.

 Homeowner association dues in Canyon Trails are low and including the 24-hour manned security gate and maintenance of all common areas. The 8,000 square foot clubhouse  features a state of the art fitness center, aerobics room, dance studio, a kids only activity center, an arcade center, and elegant social hall with a catering kitchen, a large, resort style pool, as well as many more indoor sports facilities and other amenities.

 Canyon Trails is within minutes of Canyon Town Center which include a Publix supermarket, banking, postal services, pharmacy, dry cleaning, several restaurants, salons, fitness, child care, children’s clothing, boutiques, medical facilities and so much more!

#moving to boynton beach #living in boynton beach #Living in Canyon Trails Boynton Beach

[night-dessert]

El arte, la estructura y mi reacción. . . . #salonacme #salonacme2018 #art (en Salon ACME)

#art #salonacme #salonacme2018

[mariodelopez]

Salon Acme Mexico City #salonacme2020 #mexicocity #homegrown #regional #contemporary #art #artweek #youngandbold (at SALÓN ACME) https://www.instagram.com/p/B8XOrh0AgYB/?igshid=ahzde88k7n4y

#salonacme2020 #mexicocity #homegrown #regional #contemporary #art #artweek #youngandbold

[switchcheek14-blog]

Is South Street's retail apocalypse coming to an end?

A downturn decades in the making

The boom-bust business cycle may point to a coming revitalization for the eastern blocks of South Street, but the corridor has a particularly persistent hole to dig out of. For several years, business owners and the local business improvement district have been trying to bring more customers to the street with mixed results, even as the national economy has improved and shopping districts in Center City have experienced a boom.

That’s partly a legacy of South Street’s previous renaissance in the 1970s, which began after older businesses fled to make way for a proposed expressway that was later called off. Cheap rent attracted artists’ galleries, rock clubs, and cafes, run and patronized by young people. Steinberg, who lived in Queen Village in the 1980s, said the youth-centered business model enlivened the corridor, but it didn’t support retail stability and resulted in an “incredible amount of turnover.”

The youthful crowds also caused a major image problem when some 50,000 revelers descended on the street for Mardi Gras in February 2001, leading to riots that made national news. They smashed windows, looted a dozen stores, and threw bottles at police, resulting in 100 arrests and a clampdown on Fat Tuesday celebrations in the years since. “That cast a negative shadow on South Street,” Steinberg said. “That doesn’t happen anymore.”

During the recession, scores of businesses closed and were not replaced for years, prompting some landlords to donate their storefronts to arts organizations for use as low-cost galleries and art studios. Anchor stores like Gap, Tower Records and Blockbuster shut down. The rise of online shopping took a toll. Meanwhile, shoppers began discovering other cool places to spend their time and money.

The variety of alternatives is something the street has “wrestled with over the years and still wrestles with,” said Michael Harris, executive director of the South Street Headhouse District business association. “Frankly, South Street used to be the only game in town, in the 80s and 90s. But the heat map moves, the areas of popularity move, so now you have Fishtown and North Liberties and East Passyunk.”

While the internet and changing shopping habits have challenged retailers everywhere, Center City’s retail market is booming. Some 2 million square feet of new retail space is in development from Vine to South streets, according to a 2017 report from Center City District, “expanding Philadelphia’s prime retail district and reactivating long-dormant downtown shopping streets.”

On Walnut and Chestnut streets west of Broad, the retail vacancy rate dropped below 5 percent last year, CCD said. The vacancy rate citywide hovered around 8 percent as of mid-2018, according to Collier’s International. Meanwhile, South Street struggles with a vacancy rate of 16 percent, nearly twice the citywide average, Harris said.

The loss of businesses on South Street is reflected in stagnant retail rents. Storefronts there rent for about $40 per square foot, well below the amounts charged in the core of Center City, according to a report by the real estate firm CBRE. That figure is almost unchanged from 13 years ago, while asking rates on Chestnut, Walnut and Market streets have risen steadily since then.

Yet with so many buildings vacant, rents should arguably be even lower. Landlords’ unwillingness to accept less profitable lease arrangements may explain why some spots remain empty for months or even years. A similar phenomenon is occurring in parts of Manhattan, where landlords are reluctant to lower rates despite a supposed retail apocalypse driven by online competition.

“There are people still expecting to get rents much higher than I think the street can support, so they’re holding out and holding properties vacant against the dream that has probably changed as retail is facing ever more pressure from the internet,” said Paul Levy, CCD’s chief executive and a resident of nearby Society Hill. “A lot of the property owners have made decisions to wait for certain types of tenants who may not be coming.”

South Street’s future may depend on embracing the model of the neighborhood main street. Levy, Harris, and the brokers agree that the best bet for the long-time tourist attraction may be catering to the affluent residents who have moved in over the last few decades.

“You’ve got incredibly strong market demand on either side of the street, from Society Hill and Queen Village, from Washington Square and from Bella Vista. This is not like a marginal commercial corridor struggling for businesses,” Levy said.

That would mean accelerating the street’s shift from its youth-oriented focus of the 1980s and 1990s, which depended on weekend visitors from around the region, to a balanced model that brings in more local shoppers on weekdays.

“Part of our challenge, and part of our opportunity, is that we have to service both the neighborhood and tourists,” Harris said. A recent survey of people on the street found visitors from 20 different states, he said. “We are a tourist destination and we want that to be a good experience for people, but at the same time we want to be serving all the neighbors that live around here, which are lots of families, and lots of people with disposable income. It’s kind of finding that balance of things that work for both. If you can get the right mix, both sets of consumers will be happy.”

An indication of what that could look like can be found right off South Street, on 4th Street’s Fabric Row, where boutiques, salons, cafes and restaurants like Hungry Pigeon thrive off a steady stream of local customers. One popular boutique, Moon + Arrow recently opened an offshoot shop, Little Moon + Arrow, catering to the organic-onesie-wearing, wooden-toy-playing children of their customers.

Nearby residents are particularly eager to see a grocery store fill the long-vacant storefronts of Abbotts Square. Ahold Delhaize, the Dutch company that owns Giant and other supermarket chains, reportedly leased space in the building in 2016 to open a smaller-sized, higher-end market, but the owner has encountered difficulties that have slowed redevelopment of the complex.

Harris and Steinberg said Ahold recently announced that the 16,000-square-foot market is coming soon. A spokeswoman for Giant Food Stores would not confirm a date or address for a new South Street store, but she said the company is planning to announce several new locations in Philadelphia in the coming months. A Giant Heirloom Market is set to open in December at 24th and Bainbridge, close to South Street West in Graduate Hospital.

The South Street Headhouse District already has Whole Foods and ACME at 10th Street, as well as Essene natural foods and two small markets on 4th Street. There’s also a small ACME on 5th Street in Society Hill. 

Another prospective anchor business is the small-format Target proposed for 5th and Bainbridge, where buildings have already been demolished in preparation for construction of the store, a parking garage and apartments. Steinberg said a “highly regarded” national fast-food chain is also working on a deal to open a restaurant on South Street.

“That’s the kind of happening that gives us hope,” he said. “What we’re hoping happens is there are some stabilizing-type tenants that are looking [to occupy space] on the street, that may not have the funky panache that some of the other retailers have had on South Street, but add national stability, which make it a safer destination for retailers and adds more interest.”

Apart from individual anchor stores, what South Street needs are developers who gain control of several properties that are close to each other and pursue visions for cohesive, attractive shopping areas, Levy and Weiss said. Similar approaches worked well for East Passyunk, Frankford Avenue in Fishtown, and 13th Street in the Gayborhood, among other areas, they said.

To that end, Weiss’s firm is working on transactions with large investors who would acquire a whole portfolio of properties at once, he said.

“It will take some time to turn around,” he said. “It’s not going to be one landlord at a time. It will be larger, well-capitalized landlords who have a vision and patience to execute that vision, not to open another hookah shop.”

A promising development along those lines was the sale of several properties owned by New York developer Michael Axelrod to Midwood Investment & Development in 2016. Axelrod has reportedly owned more than 40 South Street buildings and kept many vacant for years, apparently holding out for high-profile tenants willing to pay higher rents. Since the sale, Midwood has started filling the spaces, including a former McDonald’s that was vacant for a decade but recently reopened as a nail salon.

“There are a lot of property owners who are willing and interested in negotiating [with prospective tenants],” Harris said. “There's no magic wand that suddenly cures it all, and the needle doesn't move as fast as I want, but I think there are a tremendous number of great restaurants and great retail down here that we want to remind people of.”

Source: http://planphilly.com/articles/2018/11/20/is-south-street-s-retail-apocalypse-coming-to-an-end

#read more #see more #check it out #interesting #learn more

[egoschwank]

al things considered — when i post my masterpiece #733

first posted in facebook august 24, 2019

ion pacea -- "still life with flowers and apples" (ca. 1960?)

"to a western eye not tuned to the ideological sensitivities of soviet-occupied romania, when he first exhibited at the 'official salon' in bucharest in 1947, pacea’s compositions might look ordinary. but at a time when other painters were confined to painting official portraits of communist leaders or the great achievements of the motherland, pacea had the rare freedom to explore purely aesthetic avenues towards an abstract use of colour. he was exempted from paying tribute to ideological doctrine because he was being pushed forward as a showcase of artists’ pseudo-freedom in romania" ... alex popescu

"[the bombastic eulogies which were written about him, even a couple of decades after socialist realism, speak for themselves:] 'a full-grown artist, in full command of all his gifts, having reached the acme of a tenacious progression, maturely perfected by time: so, here is ion pacea himself, ablaze now with the inner light and warmth of a fresh and superbly generous freedom'" ... dan haulica

"by contrast, more than a decade later in 1982, in a 155-page book entitled ‘romanian painting’ written in english, vasile florea condenses ion pacea’s entry to just five lines: 'ion pacea (born 1924) is mainly concerned with a solid construction of forms, with clear contours separating the various planes, and his penchant for simplification and stylisation often leads him into the area of abstract art'" ... alex popescu

"i dunno ... i think i'd take five lines remembering my bombastic pseudo-freedom in america" ... al janik

#ion pacea #still life with flowers and apples #alex popescu #western eye #ideological #romania #communist #socialist realism #dan haulica #vasile florea #bombastic #pseudo-freedom #al things considered

[tsgmobilebayalabama]

February

February is a busy time in Mobile Bay with Valentine’s Day and the kick off to Mardi Gras. There are so many fun festive activities throughout the month to enjoy. Here is a round up of what we are looking forward to!

Parading Through Time

January 17th – April 19th |  Mobile History Museum 

Roll through four centuries of Mardi Gras history at the History Museum of Mobile! Discover the origins of Mobile's Carnival traditions, mystic societies and more. | More info

Warehouse Sale

Wednesday, January 30th- Friday, February 1st |  9:00am - 5:00pm | Atchison Home

Atchison Home is cleaning out their show room and making room for lots of new arrivals. During this annual warehouse sale receive 50% off Wednesday, January 30th, 60% off Thursday, January 31st and 70% off Friday, February 1st. | More info

Brothers Osbourne

Friday, February 1st |  8:00pm |  The Saenger Theatre.

Brothers Osborne is a twang-and-crunch duo that blends equal parts country and rock into one of the freshest, most identifiable sounds to come out of Nashville in recent years. The singer/songwriter siblings recently earned back-to-back ACM Vocal Duo of the Year Awards along with ACM Music Video of the Year for their Top 10, GRAMMY-nominated single, “It Ain’t My Fault.” | More info

Matt Bush: Live at Bayside Grill

Friday February 1st |  5:30pm | The Grand Hotel Golf Resort & Spa, Autograph Collection

Live music on the Bayside Grill patio every Friday & Saturday night from 5:30pm-8:30pm | More info

Yes They Can! 

Friday, February 1st |  2:00pm |  Fairhope Brewing Company

Fairhope Brewing Company is making the switch to cans! The release party will be held in their tap room this Friday. To celebrate the occasion they will have live music by Brittany Grimes starting at 2pm and Green & Grain Food Truck starting at 3pm. In addition to the usual 15 beers on tap, they will have their new cans available for purchase "to go". Yes they CAN! | More info

Fairhope’s First Friday Art Walk

Friday February 1st |  6:00pm |  Downtown Fairhope

Stroll through the streets of Downtown Fairhope celebrating the arts! Explore this free monthly showcase of visual and performance arts and enjoy the works of local artists and artisans while supporting downtown merchants.

Stephen Sylvester: Live at Bayside Grill

Saturday, February 2nd |  5:30pm |  The Grand Hotel Golf Resort & Spa, Autograph Collection 

Live music on the Bayside Grill patio every Friday & Saturday night from 5:30pm-8:30pm | More info

Prenatal Yoga | 4 Week Series

Sunday, February 3rd |  4:30pm |  Soul Shine Yoga 

 Prenatal yoga gives a woman energy to enjoy her pregnancy, serenity to build a deeper intimacy with her own body and baby, and the presence of mind to expect the unexpected and be present. The benefits are numerous: release stress, enhance the ability to relax, boost physical strength, increase flexibility, improve balance, ease discomforts of pregnancy, open hips and pelvis, strengthen pelvic floor, build confidence, and expand a woman’s circle of community support. Take this time to foster a deeper connection to your self, to your body, to your baby. | More info

Grand Hotel Career Fair

Monday, February 4th |  10:00am |  The Grand Hotel Golf Resort & Spa, Autograph Collection

The Grand Hotel Golf Resort & Spa in Point Clear, Alabama will host a career fair in the Magnolia Ballroom on February 4, from 10:00am-5:00pm. Applications must be completed online before attending the career fair on 2/4. The Grand Hotel is seeking associates with a passion for hospitality and customer service in the following areas: culinary/kitchen, restaurant servers, bartenders, front desk, accounting, salon, maintenance, housekeeping, and more. | More info

Candlelight Meditation at Kudzu Aerial 

Monday, February 4th |  7:15pm-8:30pm |  Kudzu Aerial 

Join Soul Shine Yoga for their Monthly series on the first Monday of the month. Go experience a relaxing meditation while hanging in the vines! Cushions will be provided if you prefer to sit on the floor. Guided meditation by Nena and a brief dharma talk with candle-lighting to follow. No experience is necessary. Beginners and experienced meditators are welcome. | More info

CoolSculpting Event

Monday, February 4th | 11:30am |  Haley Dermatology 

Join them for lunch to learn all about the fat-freezing CoolSculpting procedure and if it’s the right treatment for you. Special event pricing for attendees. | More info

Eskata Event

Tuesday, February 5th |  11:30am |  Haley Dermatology 

Lunch & Learn – Unmask your spotless skin this Mardi Gras season with Eskata. Attendees save $50 off 1 treatment. | More info

Kid’s Yoga | 4 Week Series 

Tuesday, February 5th |  4:30pm-5:15pm |  Soul Shine Yoga

It’s never too early to explore the world of Yoga! This series of classes is designed to be FUN and taught by a Licensed Next Generation Kids Yoga Instructor. Alive with flowing sequences, balancing poses, breathing exercises, creative relaxation techniques, and cooperative yoga games, children are sure to relish in their selves. These classes encourage a deeper sense of body awareness, self-exploration and interpersonal skills resulting in a more confident, flexible, focused and joyful child! | More info

$5 Yoga on Tap

Tuesday, February 5th |  6pm-8pm |  Fairhope Brewing Company 

Soul Shine Yoga’s Hoppy Hour meets at the Fairhope Brewing Company. It's a fun 60 minute Vinyasa Flow class for all levels. Come for the yoga, stay for the outstanding local beer! Bring a mat and a friend. (All levels, unheated) | More info

Weight Loss Surgery Seminar

Thursday, February 7th |  5:30pm |  Surgical Association of Mobile, P.A. 

 Surgical Association of Mobile, P.A. offers weekly seminars on the surgical treatment of morbid obesity. Laparoscopic and Robotic procedures discussed are Roux-en-Y Gastric Bypass, Sleeve Gastrectomy and Adjustable Gastric Band. | More info

Tasting with Fairhope Brewing at Bayside Grill Restaurant

Thursday, Febuary 7th | 6pm | The Grand Hotel Golf Resort & Spa, Autograph Collection

Learn about Fairhope Brewing Company and taste a variety of beers presented by Brian Kane, Fairhope Brewing Co. Managing Partner.  Tasting includes appetizers provided by Bayside Grill. Cheap Sunglasses Koelsch, Fairhope 51, Bayway IPA, Judge Roy Bean, Along Came a Cider | More info

The Southern Art of Jollification, A solo show by Ardith Goodwin

Thursday, February 7th |  5:30pm-7:30pm |  Sophiella Gallery

The Artwork of Ardith Goodwin will be on display as the first solo show happening at Shophiella Gallery through March 20th. Come by and show your support for these two fellow Scouted members at the show's opening night. | More info

Food Truck Friday

Friday, February 8th |  4:00pm |  Fairhope Brewing Company

Great eats and for some of the best craft beer in the South while you shake 'dem bones at Fairhope Brewing Company. Food trucks at 4pm, music at 7pm. | More info

Buti Glo Yoga 

Friday, February 8th |  5:30pm - 7:15pm |  Soul Shine Yoga @ 256 Young Street

This is super fun 75 minute Buti class under the black lights! This calorie-scorching workout fuses power yoga with cardio-intensive tribal dance + body sculpting primal movement. Fueled by an exciting and varied mix of music, Buti Yoga is designed to get your energy flowing and you sweating with intention on your mat! Wear white, neon or glow in the dark yoga attire for the best black light display. Class location is at Blue Sky - 265 Young St, Fairhope. Body paint starts at 5:15 pm and class starts at 6:00 pm. Arrive early to get ready with provided glowing body markers and glow sticks. | More info

LoDa Art Walk

Friday, February 8th|  6pm-9pm | Downtown Mobile 

Stroll downtown Mobile celebrating the arts! Explore this free monthly showcase of visual and performance arts and enjoy the works of local artists and artisans while supporting downtown merchants. | More info

Boat Show

Friday, February 8th– 10th |  Arthur Outlaw Convention Center 

The annual Mobile Boat show will feature a huge selection of 2019 boats and marine products! There are special events for the whole family! Presented by Hancock Whitney. | More info

The Goddess Gang | 3 Week Yoga Series 

Saturday, February 9th |  4pm-6pm |  Soul Shine Yoga

Now is your inner goddess time! This three part series will incorporate several elements. Music, Movement, and Meditations will be intertwined to create a magical memory for all who attend. Led by D'Vora Power- who will lovingly guide you from the Opening Shaman Ceremony to the closing fire side chats. Come, be a part of this Mystical Experience!+ $30 for 3 part series | More info

Matt Bush: Live at Bayside Grill

Saturday, February 9th |  5:30pm |  The Grand Hotel Golf Resort & Spa, Autograph Collection 

Live music on the Bayside Grill patio every Friday & Saturday night from 5:30pm-8:30pm | More info

Mobile Mardi Gras 2019

Friday, February 15th|  6:30pm |  Downtown Mobile 

Mobile Mardi Gras kicks off in Downtown Mobile on February 15 with the Conde Cavalier parade and ends on Fat Tuesday, March 5! Our Carnival is a family-friendly time of parties, balls, parades and revelry. Find your spot and get ready to catch Moon Pies, beads and trinkets. And not to forget the man who kept Mardi Gras alive, Joe Cain Day is observed the Sunday before Fat Tuesday.  Click Here for the full parade schedule.

Corey Rezner: Live at Bayside Grill 

Friday February 15th |  5:30pm |  The Grand Hotel Golf Resort & Spa, Autograph Collection 

Live music on the Bayside Grill patio every Friday & Saturday night from 5:30pm-8:30pm | More info

Partner Flow Yoga Classes

Friday, February 15th |  6pm-7pm |  Soul Shine Yoga

Partner Yoga can help one experience the basic human need for caring, connection, and touch. In this class, you will explore a yoga flow made for two with helpful assists throughout. Come explore a deeper and more playful practice with a partner. No previous yoga experience required. | More info

Grand Beverage Academy: History of the American Cocktail

Friday, February 15th |  5:30pm-7:00pm |  Grand Hotel Golf Resort & Spa, Autograph Collection 

Each month, the Beverage Team at the Grand Hotel will be teaching classes at the resort's Beverage Academy. The classes are aimed at expanding the participants’ knowledge of beverage basics while also incorporating more advanced techniques. Whether you are a beginner or an expert, the classes are fun, hands-on experiences that will have people raving about your beverage skills. In each Grand Beverage Academy, you will receive a one- hour beverage demonstration, recipes and beverage sampling. Cocktails are an American cultural icon, join us as we mix a few classic cocktails and discuss how the American cocktail culture has evolved over the years. Featured cocktails include a Whiskey Sour and a Tom Collins.Participants must be 21 years of age or older to attend. | More info 

Mobile King Cake Off

Saturday, February 16th |  11:00am - 2:30pm |  Azalea Manor 

Who has the best King Cake in Mobile? You be the judge! Get your taste buds ready for a day of traditional and non-traditional King Cake tastings, specialty cocktails, and food truck grub. This family-friendly event will have something for everyone - food, drinks, kids activities, live music, and a grand finale Second-liners walk with the Excelsior Band to the 2:30 parade! Children 12 and under are free. A cash bar will be available during the event. A portion of event proceeds will go to benefit Fuse Project, a local organization that invests in initiatives promoting the health, fitness, education and social responsibility of our children. Adults $15 in advance | $20 at the door (if available)Children 12 and under are FREE. | More info

Grand Culinary Academy: Cooking Essentials II: Saucier

Saturday, February 16th| 10:00am-11:30am |  Grand Hotel Golf Resort & Spa, Autograph Collection 

Each month, a Chef at the Grand Hotel will be teaching classes at the Resort’s Culinary Academy. These classes focus on expanding the participants’ knowledge of the culinary basics while also incorporating techniques that are more advanced. Whether you are a beginner or an expert, the Chef’s classes are fun, hands-on experiences that will have people raving about your culinary skills. In each Grand Culinary Academy, you will receive an in depth cooking demonstration, recipes, food sampling and a diploma.In this class, you will learn the five mothers, their daughters and some specialty sauces. | More info

Grand Valentine’s Dinner Theatre 

Saturday, February 16th |  6:30pm-9:30pm |  Grand Hotel Golf Resort & Spa, Autograph Collection 

Enjoy a night of love, laughs and dinner with your sweetheart at the Grand Hotel Golf Resort & Spa. Start your evening with passed appetizers and cash bar with wine list available at the 6:30pm Reception followed with Dinner and Show starting promptly at 7:00pm. The Detectives Mystery Dinner Theatre will present their live interactive romantic comedy "The Night After" during your delicious three-course dinner prepared by the hotel's talented culinary team.Dinner & Show Only-General Seating Admission: One (1) Ticket per person ~ $79.50**per Ticket **Excludes tax and processing fee. Each ticket includes: Dinner, glass of champagne with dessert, theatre ticket, and service charge for one person.Seating is limited. Non-Refundable Advance Purchase. | More info

Mindfulness

Monday, February 18th | 7:30pm-8:30pm |  Soul Shine Yoga

Mindfulness with Megrez meets for an hour on the 3rd Monday of Each Month.For beginners and all levels of meditation experience. Students will choose a cushion, mat, or hammock to meditate in. The first part of the session will be an intro on meditation, followed by a guided sequence and then a period of meditation in silence. After the meditation, there will be a follow-up on your experiences and tips on how to deepen ones own at-home meditation practice.  | More info

Mardi Gras 2019 in Baldwin County

Friday, February 22nd |  Baldwin County 

Mardi Gras 2019 in Baldwin County kicks off with it’s first parade of the season, The Apollo’s Mystic Ladies in Daphne. Click here for Baldwin County’s full parade schedule. | Click here for the full parade schedule 

Weight Loss Surgery Seminar

Monday, February 25th |  5:30pm |  Surgical Association of Mobile, P.A. 

Surgical Association of Mobile, P.A. offers weekly seminars on the surgical treatment of morbid obesity. Laparoscopic and Robotic procedures discussed are Roux-en-Y Gastric Bypass, Sleeve Gastrectomy and Adjustable Gastric Band. | More info 

Tell Them Scout Sent You!

[micaramel]

Artist: ektor garcia

Venue: Empty Gallery, Hong Kong

Exhibition Title: Oax.D.F.L.A.N.O.H.K.

Date: June 20 – August 22, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Empty Gallery, Hong Kong

Press Release:

Empty Gallery is pleased to present Oax.D.F.L.A.N.O.H.K., Mexican-American artist ektor garcia’s first solo exhibition in Asia. Working between the media of ceramics, sculpture, textiles, and metalwork, garcia’s practice synthesizes an interest in traditional folk-crafts with queer and Chicanx aesthetics. His sculptural assemblages gesture towards a process of intersubjective meaning-making in which embodied histories are made manifest through the intelligence of the hands and the affective sphere of internal time.

Oax.D.F.L.A.N.O.H.K., the cryptic neologism which garcia has chosen as the title for this exhibition, is an abbreviated list of the different locales inhabited by the artist during the gestation of these works: Oaxaca, Mexico City, Los Angeles, New Orleans, Hong Kong. These were the national lines (different time-zones, cultures, political situations, trade-routes) criss-crossed by the artist’s body, and his works; fragile vessels hurtling through the fraught (but still sublime) interstices of cumulus clouds and air traffic control towers. It may seem strange to speak of travel during this particular moment of closed borders and restricted movement. However, the sense of spiritual restlessness, of perpetually re-negotiated borders and interstices, (and by extension, of dwelling within the transitory and liminal) invoked by garcia’s title are fundamental to the being of the works themselves.

Thresholds recur within garcia’s practice, motifs resembling doorways or windows mirror themselves across different surfaces and materials. A series of hanging works in the show are entitled Portale(s), from the spanish word for “portal”. Possessing the outward dimensions of enlarged doorways, these intricate networks of animal skin or metal gently defray the physical gesture of entry while simultaneously pointing towards a more metaphysical mode of access. Crocheted by garcia in materials such as copper wire and leather, these pliable materials are patiently and methodically interwoven into delicately tesselating webs which shimmer in the darkness; encoded not only with the singular pulse of garcia’s individual labor but with the fraught multiplicity of many intersecting histories.

The portales are accompanied by a series of ceramics; quasi-totemic vessels which extend garcia’s interest in re-interpreting Meso-American craft traditions. Created primarily using the coil-building technique, garcia’s ceramics are characterized by their generous and roughly potted forms, which readily reveal the hand of their maker. Bulbous surfaces are activated by rhythmic dimples and undulating frills, calling to mind archaistic genitalia or the epidermis of some underwater creature. These vessels are arranged throughout the gallery in a series of discrete groupings which are at once numinous and intimate, recalling both the altar and the workbench. They draw us into a space of personal ritual and everyday labor, while elegantly circumventing the engrained modes of viewing endemic to contemporary art.

ektor garcia received his BFA from the School of the Art Institute of Chicago in 2014, and his MFA from Columbia University, New York in 2016. Solo exhibitions include Sculpture Center, Long Island City, USA; Cooper Cole, Toronto, Canada; Mary Mary, Glasgow, Scotland; Museum Folkwang, Essen, Germany; Progetto, Lecce, Italy; kurimanzutto, Salon ACME, Mexico City, Mexico. Group exhibitions include LAXART, Los Angeles; New Museum, Marianne Boesky Gallery, Luhring Augustine, Salon 94, Sargent’s Daughters, New York; Chicken Coop Contemporary, Portland, USA; Museo de Arte de Zapopan, Guadalajara, Mexico; ACCA, Melbourne, Australia. garcia lives and works in between Mexico, New York, and elsewhere.

Link: ektor garcia at Empty Gallery

from Contemporary Art Daily https://bit.ly/30AyjEF

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[mastcomm]

Artist-Run Galleries Defy the Mega-Dealer Trend in Los Angeles

LOS ANGELES — The gallery M+B sold out its show of surreal, cloud-dappled landscapes by Leo Mock over the summer. The work was enigmatic, with images of long, birdlike legs stepping through the paintings. The official “artist bio” was also mysterious, saying only that Mr. Mock had graduated from ArtCenter College of Design and “lives and works in Los Angeles.”

But those in the know soon discovered that Leo Mock was actually the alias of one Steve Hanson, a local art dealer pursuing his sideline career. Leo was his uncle’s name; Mock, his mother’s maiden name — but it works as a jab at the art market, too: “People don’t like artists having two careers,” said Mr. Hanson, a founder of the pioneering Chinatown gallery China Art Objects. “I’m an old punk rocker and all of those musicians take pseudonyms,” he explained by phone.

How to exhibit your own work is just one of the challenges facing artists who open up shop as dealers, a deep-rooted tradition that is thriving these days across this art-obsessed city. Another is juggling the demands of making art while running a gallery, two careers not known for reliable revenue streams. But a surprising number of artists in Los Angeles have been opening commercial spaces anyway, giving the city’s gallery scene a scrappy energy all its own and providing a strong counternarrative to the idea that visual culture here is defined by the recent influx of New York and international galleries.

These spaces run the gamut from funky weekend-only apartment venues to larger spaces with regular hours, but they tend as a whole to have a more adventurous spirit. As Mr. Hanson puts it, “The Home Depot-fication of galleries is one reason why artist-run spaces are so important.”

Last year alone saw the opening of Real Pain Fine Arts by the artist Peter Harkawik near the Underground Museum; Murmurs, a welcoming gallery-cafe complex downtown founded by Morgan Elder and Allison Littrell; and La Loma Projects, which Kirk Nelson runs out of his living room and garage in Pasadena — not far from the artist Dani Tull’s two-year-old gallery Odd Ark. More established examples include Smart Objects, Five Car Garage, Bel Ami, Big Pictures L.A., Moskowitz Bayse, Night Gallery, Commonwealth and Council and the Pit. (The last three will have booths at Frieze Los Angeles, the art fair running Feb. 14-16, in a special section devoted to local galleries.)

Most of these galleries follow a traditional 50-50 sales split with artists, but none are as high-overhead and profit-driven as the blue-chip galleries now in town.

“L.A. has a long history of artist-run galleries — it’s where so much experimentation and innovation take place,” said Bettina Korek, the director of Frieze Los Angeles. She called the model an alternative to the usual white cube and “a great reminder that art can happen anywhere.”

Amy Bessone is a Los Angeles painter and sculptor with a high-profile New York gallery (Salon 94) but she still supports artist-run galleries at home: She had a solo show at the Pit last year and has work in a group show at La Loma Projects now. She credits these spaces with generating a “sense of solidarity and community,” as well as “bringing a lot of artists out to see their shows.” Their openings are also inclusive, she said, complete with “children, dogs, friends of friends, and sometimes tacos,” minus the fancy after-opening dinners.

Chadwick Gibson, founder of Smart Objects, contends that “making art makes you more attuned to what’s going on” in the culture. “A lot of galleries will say they show new or emerging artists,” he added, “but if you go back you’ll find that they showed at three artist-run spaces first.”

He started his gallery in Echo Park at the end of 2012 specifically to hold an exhibition of his own work — screen shots of gallery and museum interiors he printed from Google Art Project, where the operator’s camera is caught in the image, a way of turning the Google eye on itself. He has just leased more space next to the gallery with plans to turn it into an arcade.

Devon Oder and Adam Miller, the wife-and-husband founders of the Pit,

met while getting their M.F.A.s at ArtCenter. Both worked for the artist Sterling Ruby, and in 2014 they opened the gallery next to their studios in Glendale, in a former mechanic’s garage. (The mechanics’ pit is a still-visible feature of the space.) She shows her photography with the Portland gallery Fourteen30 Contemporary, while he exhibits his obsessively patterned paintings at various local spaces.

“In our branding, we like to say we’re an artist-run space,” said Mr. Miller, calling their business “collaborative” in the spirit of musician-run record labels like Dischord Records or Lookout Records. They produce zines for many of their shows (doing designs, printing and binding in-house) and are known for their flexibility in scheduling.

He remembers a big fair two years ago when four out of five artists could not make their deadline for delivering artworks to be photographed. He supplied older artwork instead and rescheduled the shoot. “When those things happen, instead of hammering artists about deadlines, we are more likely to pivot and accommodate the creative process,” he said.

As a figurative painter, Emma Gray of Five Car Garage said she realizes “how long it can take for an artist’s vision to come in — I hold the torch for them.” Her old-fashioned training in portraiture at the Heatherley School of Fine Art in London (“no electric lighting was allowed”) also helps her “talk to painters about painting.”

She founded the gallery in 2013 after moving to a home in Santa Monica that had a large custom-built garage for a car collector. Now, the garage is the gallery, with a meditation studio on the property that she uses for community sound baths, breath work, and performances involving her artists, such as Alison Blickle (a practicing witch) and Lazaro (or “L,” an alchemist). In her own studio next door, Ms. Gray is currently working on a series of “fire” paintings based on her experience fire-walking in Santa Fe.

Eve Fowler, a co-founder of seminomadic Artist Curated Projects, says that giving artists agency was the goal of her program, started in 2008 out of her own apartment with a colleague, Lucas Michael. “We had so many friends who were good artists and didn’t have shows. We also felt like artists don’t have any power,” she added — so early on, they invited artists to share the decision-making and organize the shows.

Her last show featured optically “tricky” paintings by a graduate student in fine arts, Kate Mosher Hall. But now that Ms. Fowler’s own queer-forward, text-based art is gaining traction — a recent film is heading to the New Museum in New York for a screening — she is not sure she will continue the gallery.

On the flip side, some artists who found their calling as gallerists have decided to postpone their own art careers, perhaps permanently. Davida Nemeroff of the downtown destination Night Gallery, says she stopped making work in 2016 when her gallery partner left and she had to take over all operations. “I realized from my own artists how much time and energy you need to put into your practice, and I just didn’t have that,” she said.

Young Chung, a founder of Commonwealth & Council in Koreatown, said he “went back in the closet as an artist” and stopped making work in 2012, two years after opening the space in his apartment. At that time, he said, “a Getty curator came to see one of our artist’s works but then the conversation gravitated to my own work — in that moment, I realized I had a conflict of interest.”

Every artist-dealer contacted for this story acknowledged the potential conflicts when juggling the two roles: whose work are you really promoting? Most have included their own work in an occasional group show but said they would not give themselves a solo show, with Ms. Gray saying she feels like it’s “largely unethical to cross the line.” Ms. Fowler said: “I just didn’t think it would look good. I thought other opportunities would come up, which they did.”

But Mr. Gibson, who opened his space to have a venue for his Google project, conceded, “I understand why people might think it’s tacky, ” adding, “it’s O.K. if the artists you show are good with it.”

Some gallerists sidestep the conflicts by refusing to promote their own art. Robert Gunderman rarely showed his own work while running the influential gallery ACME with Randy Sommer for 22 years. But after the gallery closed in 2017, Mr. Gunderman reinvented himself as an artist, with two strong shows of his lushly textured abstract paintings organized by the curator Lauri Firstenberg.

It turned out that Mr. Gunderman had been painting fairly consistently, and discreetly, all along. “Only a few people knew I had a studio,” he said. “And I would tell them I had six cats there ” to keep them away. (Visitors to Frieze can see his work in a pop-up space called The Street & The Shop on the backlot of Paramount Studios.)

As for Leo Mock, better known as Steve Hanson, he is now busy painting in Mérida, Mexico, where he recently moved with his wife, Tuesday Yates. But he has not given up his idea of running a gallery. To that end, the couple is currently rehabbing part of an old bus depot in Mérida. Still confounding the art world, they plan to call it China Art Objects.

The Pit, 918 Ruberta Avenue, Glendale, Tuesday-Saturday

Smart Objects, 1828 Sunset Boulevard, Los Angeles, Thursday-Saturday

Five Car Garage, open Saturdays and by appointment, [email protected].

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Chicago isn’t anon associated with technology’s beat in the accepted imagination. But Arcade 400’s accepted exhibition, “Chicago New Media 1973-1992,” focuses on the city’s addition to new media history through a ample accession of video games, agenda art, video art, and archival materials. The oldest photograph is a 1910 still from Uptown’s Essanay Studios assuming a casting of cowboys with horses airish below the busy (and abundant looking) electric flat lights. Not alone is this angel affirmation of how, as babysitter Jon Cates puts it, Chicago was “an aboriginal contender” for the blur industry, it shows a absolute alternation amid representations of the iconic west and the technology that produced it.

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With abetment from Chaz Evans, Jonathan Kinkley and the Video Game Art (VGA) Gallery, Cates highlights the way “new media”—video art, video games, and cyberbanking music—evolved through a abolitionist association of Chicago-based aboriginal adopters in the aboriginal 70s. “This aesthetic ability of collaborative communities aggregate calm consistently to accomplish in assorted configurations about during anniversary Cyberbanking Visualization Events on the campus of the University of Illinois at Chicago,” he says. “Their access were social, artistic, educational, and technological.” The exhibition shows how bodies like Dan Sandin, Phil Morton, Tom DeFanti, Ted Nelson, Jamie Faye Fenton, and others affiliated bartering gaming, bookish research, and absolute art authoritative in a way that assuredly impacted the industry. These figures, Cates says, “fostered ethical commitments through new kinds of art, atypical in their anatomy and content.”

Aloft entering the show, the aboriginal affair you see are two free-standing, free-to-play arcade- appearance video games, Mortal Kombat (1992) and Defender (1981), both fabricated by Chicago-based companies Midway Amateur and Williams Electronics Inc. (now alleged WMS Amateur and based out of Nevada). Behind these, a looping affairs of added than 20 films from 1973 to 2007 by Sandin, DeFanti, Morton, Annette Barbier and Richard Mandeberg, Nancy Bechtol, and added is projected on the wall. These videos are all adopted from the Video Data Bank archive—a bounded library of videos and media art that Morton began in the 70s, accession video fabricated by artists experimenting with then-new video tools. As Cates puts it, the films in appearance collapse “distinctions amid what is artwork, documentation, or tutorial.”

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While abounding abstruse systems present in the appearance were originally spearheaded by the accumulated accomplishment of university and aggressive resources—the Internet, for example, began as a government action developed by universities to decentralize advice exchanges during the Cold War—young bodies acclimated the aforementioned innovations for their own aesthetic and ethical experimentation, an advantage that coincided with the development of added claimed technology. Accoutrement like the video camcorder, the claimed computer, and reel-to-reel recording accessories created new possibilities for self-expression. “A abolitionist about-face against aberrant opportunities for change provided new pathways for accretion alertness and aggregate will through the conception of new genres, voices, and visions of art,” Cates says.

Most of these innovations acquire become so chip in our circadian lives, it’s difficult to bethink that they are not alone contempo but additionally shaped, at atomic partly, by Chicagoans. Cates and his ally acquire created a acute accession with about 100 accidental artists, scientists, developers, and accessible affairs participants. The consistent advertise of once-innovative equipment, archival materials, academy curricula, alternate timelines, and video amateur not alone captures the activity of comedy but additionally the processes by which we see ourselves today.

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To the larboard of the arcade access is Backwoods (1991), a basic backwoods that admirers can alone appointment through a VR headset, by Ellen Sandor and (art)n: Stephan Meyers, Janine Fron, and Craig Ahmer. Jane Veeder’s Montana (1982) loops adjacent on a flat-screen TV. The deceptively simple three-minute action appearance awkward animation forms of an hawkeye and mountains. Similarly illustrated barrio and a brace of opposing camcorders boring appropriate aloft the illustration until argument ancestor up: “Good luck electronically visualizing your futures!” Given that a accepted action for acclamation altitude change today is abstruse innovation, this assignment seems decidedly prescient.

Flickering through the absolute arcade is a massive bull’s-eye bump by Jason Salavon. Everything, All at Once (Part III) (2005) uses custom architecture software to catechumen a alive television advertisement into what the artisan describes as “a amphitheater of concentric stripes of color,” which changes according to the boilerplate colors of its affiliated program. During my visit, the amphitheater was mauve, purple, white, and gray, and a baby low-to-the-ground television flitted amid the Ellen Degeneres Appearance and a account address of the Camp Fire in Butte County, California. Although this bond was coincidental, the aftereffect accumulated with added works and materials, like that aboriginal 1910 photograph, to advance how representations of American landscapes are and acquire consistently been absolutely affected with technology, whether because 19th aeon painters went out on analysis trips to map the country’s geologic appearance or because their abstract pictures wouldn’t acquire been believable after accurate evidence. Further echoes of this affair action after in the appearance with Siebren Versteeg’s post-9/11 assignment Emergency (2002). Played on a flat-screen television, this video appearance the acme of summer copse and sky while a accompanying affairs produces sounds of emergency vehicles.

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The American fantasy of the borderland arguably afflicted these new media antecedents to the admeasurement that they insisted aloft chargeless information, experimentation, and self-expression. Perhaps what is additionally American is the abnegation to acquire acceptable hierarchies that would contrarily analyze aerial art (painting, for instance) from consumerist ability (video amateur or—back in the day—photography)—a abnegation Cates marks through his advised bond of video games, artist-made video games, art videos, and abstruse tools. While “Chicago New Media 1973-1992” is the aboriginal exhibition to articulation Chicago’s new media association to companies like Bally, Midway, and Williams, bookish institutions, and ad hoc art communities, Cates, (who additionally teaches at SAIC) shows how “an aboriginal appearance of playfulness, interactivity and sharing” grew and expanded. This 1970s Chicago Media Arts character, he argues, “becomes massively and broadly accessible starting in the 1990s with a abiding appulse from again on up to and including today.” v

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