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tasksweekly · 6 years

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[TASK 095: GUYANA]

There’s a masterlist below compiled of over 120+ Guyanese faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever character or whichever project you desire.

Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!

THE TASK - scroll down for FC’s!

STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!

STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!

STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)

STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.

THINGS YOU CAN MAKE FOR THIS TASK - examples are linked!

Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.

Screencaps

RP icons [of all sizes]

Gif Pack [maybe gif icons if you wish]

PNG packs

Manips

Dash Icons

Character Aesthetics

PSD’s

XCF’s

Graphic Templates - can be chara header, promo, border or background PSD’s!

FC Masterlists - underused, with resources, without resources!

FC Help - could be related, family templates, alternatives.

Written Guides.

and whatever else you can think of / make!

MASTERLIST!

Shakira Caine (1947) Indo-Guyanese-British [Kashmiri] - actress and fashion model.

Pauline Melville (1948) Guyanese [Unspecified Indigenous, Afro Guyanese, Scottish] / English - actress and writer.

C.C.H. Pounder (1954) Afro Guyanese - actress.

Flora Cheong-Leen (1959) Guyanese [Chinese] / Hong Konger - actress.

Carol Kenyon (1959) Afro Guyanese - singer.

Dawnn Lewis (1961) Guyanese / African-American - actress and singer-songwriter.

Des’ree / Desiree Annette Weeks (1968) Guyanese / Barbadian - singer-songwriter.

Nicole Narain (1974) Guyanese [Afro Guyanese / Indo Guyanese, Chinese] - model and actress.

Stephanie St. James (1974) Guyanese / Russian Jewish - actress and singer.

Deborah Cox (1974) Afro Guyanese - singer-songwriter and actress.

Alison Hammond (1975) Afro Guyanese / Afro Nevisian - tv personality.

Tina Barrett (1976) Guyanese / English - actress, singer-songwriter, and dancer.

Abiola Abrams (1976) Afro Guyanese - tv personality, internet personality, filmmaker, and author.

Vanessa Cobham (1976) Guyanese - actress.

Nikhol Hing (1978) Guyanese [Chinese / Afro Guyanese, Portuguese] - reality tv personality.

Emma Heming (1978) Indo Guyanese / English - model and actress.

Andrea Drepaul (1979) Guyanese, Portuguese - actress.

Angel Coulby (1980) Afro Guyanese, possibly Indian / English - actress and singer.

Yaani King / Yaani King Mondschein (1981) Guyanese [Carib, Afro Guyanese] - actress.

Su-Elise Nash (1981) Afro Guyanese, possibly other - singer and tv personality.

Maiko Watson (1981) Guyanese - singer-songwriter.

Thara Prashad (1982) Indo Guyanese / African-American, Irish - singer, pianist, and model.

Anjulie / Anjulie Persaud (1983) Indo Guyanese - singer-songwriter, percussionist, guitarist, and pianist.

Sarah-Jane Crawford (1983) Afro Guyanese [including Nigerian, Beninese, Togolese] / Irish, possibly other - actress, tv presenter, and radio presenter.

Melanie Fiona (1983) Guyanese [Afro Guyanese, Indo Guyanese, Portuguese] - singer-songwriter.

Shaya / Marianna Hansen (1983) Indo Guyanese, Greenlandic Inuit, Greek / Danish - singer and dancer.

Nicole Holness (1984) Guyanese, Unspecified Caribbean, Unspecified Native Canadian, Scottish - singer and tv host.

Vanessa Lee Chester (1984) Guyanese - actress.

Leona Lewis (1985) Afro Guyanese / Italian, Irish, Welsh - singer-songwriter.

Jade Eshete (1985) Guyanese / Ethiopian - actress.

Lyric Greene (1985) Afro Guyanese - reality tv personality.

Skyla Marista (1986) Jamaican, Guyanese, Chinese - producer.

Racquel Natasha (1987) Guyanese - blogger.

Shari McEwan (1987) Guyanese, Barbudan, Antiguan - model.

Dana Jeffrey (1988) Ojibwe, Cree, Afro Guyanese, Icelandic - actress.

Arti Cameron (1988) Guyanese - model.

Runa Lucienne (1988) Guyanese, African-American - model and actress.

Danielle Peazer (1988) Guyanese / Italian, English - model and dancer.

Kara Lord (1988) Guyanese - Miss Guyana 2011.

Kylie Bunbury (1989) Afro Guyanese / Polish, Swedish, English, German - actress.

Sammi Maria (1989) Afro Guyanese, Chinese / English - youtuber.

Tasie Lawrence (1990) Guyanese / English - actress and singer-songwriter.

Katherina Roshana (1990) Indo Guyanese - Miss Guyana 2013 and Miss India Guyana 2013.

Sonal Sagaraya (1990) Indo Guyanese - youtuber.

Niketa Barker (1990) Guyanese - model.

Ruqayyah Boyer (1990) Guyanese [Dutch, possibly other], Afro Surinamese - actress, singer-songwriter, and model.

Candace Charles (1990) Guyanese - beauty ambassador and model.

Sandhja / Sandhja Kuivalainen (1991) Indo Guyanese / Finnish - singer.

Sheriza R (1991) Guyanese - youtuber.

Lisa Punch (1992) Afro Guyanese - singer-songwriter, actress, and dancer.

Melinda Shankar (1992) Indo Guyanese - actress.

Letitia Wright (1993) Afro Guyanese - actress.

Sherryanna Balkaran (1996 or 1997) Guyanese [Patamona] - Miss Indigenous Heritage Guyana 2017.

Holly Hendrix (1997) Guyanese / Unspecified Other - actress and model.

Leah Allyannah (1997) Indo Guyanese / Afro Guyanese, Chinese - youtuber.

Dolly Chambers (1998 or 1999) Guyanese [Pemon] - Miss Indigenous Heritage Guyana 2017 second runner-up.

Narefa Allicock (1998 or 1999) Guyanese [Lokono] - Miss Indigenous Heritage Guyana 2017 Region 2.

Anastacia Harripersaud (1999 or 2000) Guyanese [Lokono] - Miss Congeniality for the Miss Indigenous Heritage Guyana 2017.

Junisha Ann Johnny (1999 or 2000) Guyanese [Macuxi] - Miss Indigenous Heritage Guyana 2017 first runner-up.

Shanna Boyle (1999 or 2000) Guyanese [Lokono] - Miss Indigenous Heritage Guyana 2017 third runner-up.

Roberta Alpin (1999 or 2000) Guyanese [Lokono] - Miss Indigenous Heritage Guyana 2017 fourth runner-up.

Cassie Junior (1999 or 2000) Guyanese [Lokono, Afro Guyanese] - Miss Indigenous Heritage Guyana 2017 Region 4.

Selina George (2000 or 2001) Guyanese [Lokono] - Miss Indigenous Heritage Guyana 2017 Region 3.

Rose Windross (?) Afro Guyanese - singer-songwriter.

Simone Denny (?) Guyanese - singer.

MC Chickaboo / Jeanine Green (?) Guyanese - rapper.

Alyson Cambridge (?) Guyanese / Danish - singer.

Sabra Williams (?) Guyanese, Carib, Russian, Romanian, British - actress and presenter.

Alicia Thorgrimsson (?) Guyanese, Icelandic, Scottish - actress.

JaNae Armogan (?) Guyanese, Unspecified Other / Unspecified Other - actress.

Nadine Bhabha (?) Guyanese, South African, Indian - actress.

Shanna Armogan (?) Guyanese Indian / Black American - actress.

Celeste Sully (?) Afro/Indo Guyanese / Irish, German, French, Norwegian - actress.

Rohshan Juliana (?) Guyanese / Unspecified - actress.

Janice MacGregor (?) Guyanese, possibly other - actress.

Portia Freno (?) Guyanese, Sicilian, English - actress.

Maia Watkins (?) Guyanese, Russian / Jamaican - actress.

Rianna Scipio (?) Guyanese - actress.

Olivia Rose Wallace (?) Guyanese / Irish, Italian - actress and writer.

Christa Simmons (?) Guyanese - Miss Guyana 2008.

Tony Tornado (1930) Guyanese / Brazilian - actor and singer.

Eddy Grant (1948) Guyanese [Indo Guyanese, Afro Guyanese] - singer, guitarist, bassist, drummer, and keyboardist.

Rafael Cameron (1951) Guyanese - singer-songwriter.

Gordon Warnecke (1962) Indo Guyanese, German - actor.

Damon D’Oliveira (1964) Guyanese [Portuguese, possibly other] - actor and producer.

Joe Dixon (1965) Afro Guyanese - actor.

Tricky / Adrian Thaws (1968) Afro Jamaican / Guyanese [English, Unspecified Other] - singer, keyboardist, harmonicist, actor, and producer.

Maestro / Wesley Williams (1968) Afro Guyanese - rapper, MC, actor, producer, author, and motivational speaker.

Sean Patrick Thomas (1970) Afro Guyanese - actor.

Tony Momrelle (1973) Afro Guyanese - singer.

Derek Luke (1974) Guyanese / Nigerian - actor.

Giles Terera (1976) Afro Guyanese - actor, musician, composer, and filmmaker.

Red Café / Jermaine Denny (1976) Afro Guyanese - rapper.

Vaughn Lal (1978) Guyanese - bassist.

Saukrates / Karl Amani Wailoo (1978) Afro Guyanese - rapper, singer-songwriter, and producer.

Dave Baksh (1980) Indo Guyanese - singer, guitarist, and producer.

McLean / Anthony McLean (1980) Afro Guyanese - singer-songwriter.

Phaldut Sharma (1981) Indo Guyanese - actor and dancer.

Eon Sinclair (1981) Guyanese - bassist.

Asher D / Ashley Walters (1982) Afro Guyanese - rapper and actor.

Smoke DZA / Sean Pompey (1984) Afro Guyanese - rapper.

Dev Hynes (1985) Guyanese / Sierra Leonean - singer-songwriter, multi-instrumentalist, composer, producer, and author.

Wretch 32 / Jermaine Scott Sinclair (1985) Afro Guyanese / Afro Jamaican - rapper and singer-songwriter.

Frenchie / Greg Hogan (1985) Guyanese, African-American - rapper.

Donae’O / Ian Greenidge (1985) Guyanese / Ghanaian, Nigerian - singer and rapper.

Smiler / Joseph Barlett-Vanderpuye (1985) Guyanese, Jamaican, Zambian - rapper.

Ukweli Roach (1986) Guyanese / English - actor.

P Reign / Raynford Humphrey (1986) Afro Guyanese - rapper-songwriter.

JDiggz / Jonathan Matthew Poirer (1986) Guyanese / French - rapper and producer.

Never Yet Contested / Joshua Solomon Jeremiah Jordan (1987) Afro Guyanese / Afro Grenadian - rapper-songwriter, producer, and artist.

Edward Prince (1987) Guyanese - youtuber.

Nick Sagar (1988) Guyanese / Jamaican - actor.

Raymond Ablack (1989) Indo Guyanese - actor.

Jermain Jackman (1985) Afro Guyanese - singer.

Roy Woods (1996) Afro Guyanese - singer-songwriter.

Ryan Madray (1995) Guyanese - actor.

More or Les / Leslie Seaforth (?) Afro Guyanese - rapper, DJ, and producer.

Terry Gajraj (?) Indo Guyanese - musician.

Odario Williams (?) Afro Guyanese - musician and broadcaster.

Rich London / Richard Davidson (?) Afro Guyanese - rapper.

Keith Waithe (?) Guyanese [Macuxi, Afro Guyanese] - musician.

Jon Madray / JonOne (?) Guyanese - youtuber.

Ian Collins (?) Guyanese Canadian / Scottish Canadian - actor.

Mahadeo Shivraj (?) Guyanese - actor.

Shemar Jonas (?) Guyanese - actor.

Gregory Omar Osborne (?) Guyanese - actor and dancer.

Jotae Fraser (?) Guyanese, African-American - actor.

NB:

Rose Brescenio (1997 or 1998) Guyanese [Warao] - Tida Wena - Miss Indigenous Heritage Guyana 2017 Region 1.

Problematic:

Rihanna / Robyn Rihanna Fenty (1988) Afro Guyanese / Afro Barbadian, English, Scottish, Irish - singer-songwriter, model, and actress - appropriated and sexualized the Japanese kanzashi and kimono, appropriated and sexualized the Indian bindi and sari, sexualized the Hindu deity Shiva, appropriated Egyptian culture, consistently referred to a Vietnamese woman (Karrueche Tran) as “rice cakes”/”rice”, and did “c***k eyes”.

#guyanese fc #fc list #poc fc #rph #underused fc #task: 095 #task: guyana

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metalshockfinland · 3 years

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DEE SNIDER Co-Stars In New Broadway Show 'Rock Me Amadeus'; New Teaser Video Available

DEE SNIDER Co-Stars In New Broadway Show ‘Rock Me Amadeus’; New Teaser Video Available

[Photo Credit: Stephanie Cabral] New York City’s Broadway theatres have been out of commission for almost a year now. This prolonged pause has not stopped world-renowned opera singer Alyson Cambridge and guitar virtuoso Tony Bruno from creating a new show: Rock Me Amadeus. After first announcing the upcoming show last fall, they are releasing their newest music video, “Love Hurts Uninvited,” as…

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larryland · 5 years

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by Roseann Cane

Show Boat, first produced by Florenz Ziegfeld in 1927, marked a turning point in theater history.. Appearing during a time when frothy entertainment like light-hearted operettas and revues packed the theater scene, this was likely the first musical driven by a serious plot, the first musical where book and music merged. An enormous success, it forever changed the course of American musical theater.

The Glimmerglass Festival in Cooperstown, NY, has created a production of Show Boat that not only honors the historical importance of the show, it has spectacularly succeeded in putting together an electrifying, soul-searing work of art that is remarkably satisfying on so many levels.

Edna Ferber, the author of the novel upon which the play is based, was born in 1885 to an immigrant father and an American-born mother. Her father suffered from poor health, and the impoverished family moved frequently throughout the Midwest. Frequently the brunt of anti-Semitic attacks (she recalled adult men spitting on her when, as a young child, she delivered her father’s lunch to his place of work), Ferber would grow up to become an internationally recognized journalist, novelist, and playwright, and her difficult childhood would inform her work, in which she examined the effects of bigotry and the lives of outsiders. When Jerome Kern approached her about basing her 1926 novel, Show Boat, into a musical, she balked. Kern convinced her that he and Oscar Hammerstein II were devoted to maintaining the novel’s weighty subject matter.

In the 1920s, audiences were familiar with show boats, which were essentially floating theaters housing actors as they traveled along various U.S. rivers, bringing melodramas and comic revues to otherwise isolated pioneer towns from the late 1800s through the 1930s. (One can easily imagine why Ferber was drawn to show boats, where the occupants were always outsiders, always traveling.)

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The Cotton Blossom, the show boat of the title, travels along the Mississippi River. The play begins in 1887, when the Cotton Blossom docks in Natchez. Cap’n Andy Hawkes (Lara Teeter), who lives on the boat with his wife, Parthy (Klea Blackhurst) and daughter, Magnolia (Lauren Snouffer), introduces the interested townsfolk to his cast, including beautiful leading lady Julie La Verne (Alyson Cambridge), and Julie’s husband and leading man Steve Baker (Charles H. Eaton). A fight breaks out between Steve and Pete (Maxwell Levy), a crude engineer who has been making passes at Julie. Cap’n Andy fires Pete, who warns he knows a secret about Julie and will use it to get his revenge.

Magnolia, affectionately called “Nolie,” adores Julie and aspires to become an actress herself. When a dashing gambler, Gaylord Ravenal (Michael Adams), strolls near the Cotton Blossom, 18-year-old Nolie strikes up a conversation with him; each becomes smitten. Julie warns her that Ravenal could be just a “no-account river fellow”; she is also warned by dock worker Joe (Justin Hopkins) and his wife, the ship’s cook, Queenie (Judith Skinner). Nolie declares that she’d love Ravenal no matter what, prompting Julie to sing a few lines of a favorite song, “Can’t Help Lovin’ Dat Man,” and Queenie, who, like her husband, is black, expresses surprise that Julie knows the song, since she has only heard “colored folks” sing it.

In the next port we learn about Pete’s revenge. He has snatched Julie’s photo from a sandwich board and brought it to the local sheriff, who raids the boat announcing that Julie and Steve had broken miscegenation laws–laws in the South that prohibited white people and black people from marrying or having a sexual relationship. Julie has “Negro blood.” But Steve, who with Julie had prepared for such a crisis by cutting Julie’s finger and swallowing a bit of her blood before the sheriff’s raid, foils the sheriff by reminding him that Mississippi defined a Negro as any person who has a drop of Negro blood in him. Since Cap’n Andy and his family had witnessed Julie’s finger-cutting, they are able to swear that Steve has at least a drop of Negro blood.

Julie and Steve must flee Mississippi for the North; Nolie, who knows all of Julie’s lines, becomes the leading lady, and Ravenal becomes the leading man.

The action unfolds during a 40-year period, punctuated by the reminder that no matter what turns individual lives take, time will go on: “Ol’ Man River” just keeps rolling along. As Joe, Justin Hopkins’s rendition of the song is painfully beautiful, rich, and resonant. Indeed, every member of this Show Boat cast seems a world-class opera singer, and I found it utterly thrilling to hear a score that I love embraced so elegantly. The acoustics, as befits the opera house, are wonderful, pure, and clear. (As also befits a contemporary opera house, there are supertitles designed by Kelley Rourke projected above the stage, and I was pleasantly surprised to see them used for Show Boat.) Eric Sean Fogel’s choreography was charming and fun, and what a pleasure it was to watch such gifted dancers in action.

Paul Tazewell’s costumes are downright gorgeous and period-perfect, and they play brilliantly on Peter J. Davison’s clever, evocative set. Mark McCullough’s lighting is spectacular, crowning the visual feast that is this production of Show Boat.

Show Boat, Music by Jerome Kern, Book and Lyrics by Oscar Hammerstein II, Based on the novel Show Boat by Edna Ferber, and Directed by Francesca Zambello runs July 6- August 24 at the Glimmerglass Festival, 7300 State Highway 80 in Cooperstown, NY. Conducted by James Lowe. John DeMain, Musical Supervisor. E. Loren Meeker, Co-Director. Eric Sean Fogel, Choreographer. Peter J. Davison, Set Designer. Paul Tazewell, Costume Designer. Loren Shaw, Associate Costume Designer. Mark McCullough, Lighting Designer. Samantha M. Wootten, Hair & Makeup Designer. Kelley Rourke, Projected Titles.

CAST: Lauren Snouffer as Magnolia Hawks, Michael Adamsas Gaylord Ravenal, Alyson Cambridge as Julie La Verne, Lara Teeter as Cap’n Andy Hawks, Klea Blackhurst as Parthy Ann Hawks, Judith Skinner as Queenie, Justin Hopkins as Joe, Schyler Vargas as Frank Schultz, Abigail Paschkeas as Ellie Mae Chipley, Grant Wenaus as Jake, Charles H. Eaton as Steve Baker/Max, Kameron Lopreore as Sheriff Vallon/Bartender, Spencer Hamlin as Pete, Maxwell Levy as Hotel Manager/1st Drunk/Emcee, Tucker Reed Breder as Beau/Dancer, Joshua Kring as Beau/Dancer, Spencer Britten as Beau/Dealer/Dancer, Joanna Latini as Miss/1st Girl/Lottie/Mother Superior, Kayla Siembieda as Miss/2nd Girl/Landlady/Dolly, Rachel Kay as Miss/Dancer, Haley Ayers as Miss/Teen Kim/Dancer, Marie Woodward as Miss/Lady on the Levee, Edward Graves as Stevedore, Aaron T. Jenkins as Stevedore, Camron Gray as Stevedore, Allen Michael Jones as Stevedore, Burke Herrick as Stevedore, Ben Guevara-Chancey as Stevedore, Austin Odell as Stevedore, Jawan Cliff-Morris as Stevedore/Bellhop 1/Waiter/Dancer, Jorrell Lawyer-Jefferson as Stevedore/Bellhop 2/Waiter/Dancer, Imara Miles as Working Gal, Brea Renetta Marshall as Working Gal, Mia Athey as Working Gal/Dancer, Danielle Jackman as Working Gal/Dancer, Jasmine Harris as Working Gal/Dancer.

REVIEW: “Show Boat” at The Glimmerglass Festival by Roseann Cane Show Boat, first produced by Florenz Ziegfeld in 1927, marked a turning point in theater history..

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jdrespling · 3 years

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DEE SNIDER Sings 'Love Hurts' In New Video From Creators Of 'Rock Me Amadeus'

DEE SNIDER Sings ‘Love Hurts’ In New Video From Creators Of ‘Rock Me Amadeus’

New York City’s Broadway theatres have been out of commission for almost a year now. This prolonged pause has not stopped world-renowned opera singer Alyson Cambridge and guitar virtuoso Tony Bruno from creating a new show: “Rock Me Amadeus”. After first announcing the upcoming show last fall, they are releasing their newest music video, “Love Hurts Uninvited”, as part of a series of videos to…

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tabloidtoc · 4 years

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Life & Style, July 6

Cover: Prince William and Princess Kate to vacation in L.A. and bringing the family to visit Prince Harry and Meghan Markle

Page 1: Photo Flash -- Courteney Cox diving into a pool

Page 2: Contents

Page 4: Twinning! -- Marisol Nichols vs. Jessica Biel, Hannah Ann Sluss vs. Jennifer Lahmers, Emilia Clarke vs. Erin Doherty

Page 6: Danny Masterson’s shocking arrest -- charged with three counts of rape by force or fear and released on $3.3 million bail

Page 8: Vanderpump Rules’ Faith Stowers tells all, Meghan Markle’s longtime pal Jessica Mulroney has apologized for threatening to sue black lifestyle blogger Sasha Exeter after the pair got into an argument over the Black Lives Matter movement but Jessica still lost her contributing gig with Good Morning America and her reality show I Do Redo was canceled and it destroyed her relationship with Meghan, it’s only been a month since Kristin Cavallari and Jay Cutler split but she has no plans to sit around pining -- she’s ready to re-enter the dating scene

Page 10: The Week in Photos -- Jennifer Lopez and Alex Rodriguez on a bike ride around their Bel Air neighborhood (full page)

Page 12: Justin Bieber playing golf (full page)

Page 13: Prince Charles and Camilla Parker Bowles met with frontline workers at the Gloucestershire Royal Hospital, Gabrielle Union kisses daughter Kaavia

Page 16: Stars Behaving Badly -- Hugh Jackman caught with his pants down on the Louisiana set of his upcoming sci-fi flick Reminiscence, Rich the Kid and Tori Brixx swap spit at a red carpet event in L.A., Lewis Capaldi flips the bird

Page 18: Say What?! Shailene Woodley on the drinks making it into her toasting rotation, Alyson Hannigan on staying positive, John Legend on his early dreams, Lisa Kudrow on the show that shot her to fame

Page 20: Khloe Kardashian and Tristan Thompson are back together

Page 21: Michelle Williams and husband Thomas Kail have welcomed their first child together

Page 22: Cover Story -- Prince William and Kate Middleton coming to America -- The Cambridges make plans to fly to L.A. with their kids to see Prince Harry and Meghan Markle and Archie -- William offered an olive branch to Harry shortly after he and Meghan moved to L.A. this spring when William realized that life is too short to hold a grudge and has come to terms with the fact that Harry was miserable in London

Page 26: Kelly Clarkson is desperate to finalize her divorce -- things turn nasty between the estranged couple

Page 28: Brad Pitt and Angelina Jolie bury the hatchet -- after years of fighting Brad and Angie talk through their differences and reach a truce

Page 30: Jason and Brittany Aldean: the haters made us stronger -- a controversial start failed to derail this country duo’s happiness

Page 32: Who Lives Here? Krysten Ritter

Page 34: Entertainment

Page 36: Fashion -- star-spangled style -- Kristin Cavallari

Page 38: Beauty Beat -- take it back to the ‘70s with this season’s retro-inspired long fringe -- Elizabeth Olsen, Dakota Johnson, Hilary Duff, Selena Gomez

Page 40: Diva or Down-to-Earth? Down-to-Earth Leonardo DiCaprio shops for groceries, diva Gigi Hadid gets a professional prepping, down-to-earth Christina Milian pumps her own gas

Page 42: Social Stars Posts of the Week -- David Beckham and his dogs, Tamra Judge and Vicki Gunvalson of RHOOC, Sarah Michelle Gellar, John Legend and son Miles

Page 44: Horoscope -- Cancer Camila Mendes, They’re Not Together But They Should Be -- Sagittarius Rita Ora and Gemini Scott Disick

Page 46: Made Ya Look -- Gigi Hadid on Beat Bobby Flay

Page 48: What I’m Into -- Chrishell Stause

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ghostcultmagazine · 3 years

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We caught up with Alyson Cambridge and Toby Rand of Rock Me Amadeus. The incredible show pulls together the worlds of Broadway Musicals, Heavy Metal, Pop music, Opera, and classical music. This show has brought together veterans from the stage as well as features Metal legends like Dee Snider in their ensemble with mash-ups of all these styles. We talked to Alyson, one of the co-creators of the show and singer toby Rand, who splits time between Broadway and his rock band all about the show, the genesis of the idea, how the material was chosen and arranged, the music videos, and singles that help promote the show, how important Broadway is in musical culture, how the cast came together, and much more! Interview by Ghost Cult Keefy (https://ift.tt/2LlAx1W). Video editing by Omar Cordy of OJC Photography (https://www.instagram.com/ojcpics). Theme music by Salted Wounds (https://ift.tt/31seIpV). Produced by Alyson Cambridge and Tony Bruno, “Black Hole Soleil” features internationally acclaimed vocalists from the worlds of Opera, Broadway, Rock and R&B: Victor Ryan Robertson (tenor), Alyson Cambridge (soprano), Tony Vincent, Toby Rand, Chloe Lowery and Kia Warren. Guitarist Tony Bruno is also the musical arranger of this newest mashup, with video editing by Simon Wheeldon. Filmed in NYC, the LA canyons and Nashville, the video follows the story of a girl who's searching to find her light again in a moment of darkness – the sun after the rain, hope after despair. Video director Matthew Stiller describes his vision for the video, saying “I'm looking for the viewer to reflect on when they may have felt this way themselves, and to root on our hero along the way. We're exploring this adventure through a comic-type look to magnify the absurd vanity that our hero is up against.” Look out for updates on the Rock Me Amadeus opening date and venue in New York City on RockMeAmadeusLive.com. More video teasers and exclusive behind-the-scenes footage will be released via the show’s Website, Facebook, Instagram and YouTube every month through May 2021 to give fans a taste of the unique experience to come. More about Rock Me Amadeus Rock Me Amadeus is a new show that combines classics from different centuries and musical genres. It brings the grandeur of classical music, the opulence of opera and the powerful emotions of classic rock and pop songs into one electrifying concert experience. Internationally-acclaimed opera soprano Alyson Cambridge and rock guitar virtuoso/composer Tony Bruno join forces to create and co-produce Rock Me Amadeus, blending an all-star cast of rock, pop and classical vocalists and instrumentalists with a full rock band, symphony orchestra and choir. The show is currently slated to open in Fall 2021 in New York City. For show info, updates and more new music videos: https://ift.tt/3g9QA21 Follow on IG and FB: https://ift.tt/3vSRCX1 Gear we use: Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Set up B: Canon 80D - https://amzn.to/3ye8WqV Sigma MC-11 - https://amzn.to/3brZdU2 Sigma 18-35 - https://amzn.to/3tLlEd7 Tokina 11-16 - https://amzn.to/3bty9Uk Feelworld T7 Monitor - https://amzn.to/2Re9hta Audio: Sound Devices MixPre-3 - https://amzn.to/3tKkJd2 Gearlux XLR Mic Cable - 3 Pack - https://amzn.to/3w3zN6Y Deity D3 Microphone - https://amzn.to/3tRa6W2 Fifine Usb Mic - https://amzn.to/3w8JHEG Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Lightstands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo And our iconic Rope Light https://amzn.to/3ycdmyz For the full list of Ghost Cult gear: http://bit.ly/OJCPicsKit This video includes a shoutout to Mothman and the Thunderbirds (https://ift.tt/3iifdfD). To get your band a shoutout in one of our future videos, subscribe to Ghost Cult on YT, IG, and Twitter, and then check out pinned Tweet for the details! by Ghost Cult Magazine

#IFTTT #YouTube

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dichoticwomanism · 4 years

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UConn Women's Lacrosse Alumnae Fighting COVID-19

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Strand 1: Theorising Moving Images

1. Ontology

Reading:

André Bazin, "The Ontology of the Photographic Image.” In What is Cinema?. Volume I. Hugh Gray, ed. and trans. (Berkeley: University of California Press, 1967), pp. 9-16.

Alessandre Raenga, On the Sleeve of the Visual: Race as Face Value (Dartmouth, NH: University Press of New England), pp. 21-51.

Stanley Cavell, The World Viewed. Cambridge, Massachusetts: Harvard University Press, 1979), pp. 10-25; 118-133.

Jean-Luc Nancy, "The image--the Distinct.” In Nancy, Jean-Luc. The Ground of the Image. Jeff Fort, trans. (New York: Fordham University Press, 2005), pp. 1-14.

Further Reading

Martin Heidegger, 'The Question Concerning Technology', The Question Concerning Technology and Other Essays, William Lovitt, trans. (New York: Harper Perennial, 1977), 3-35.

Screening

Electrocuting an Elephant (Edison, 1903)

Study in Choreography for the Camera

How It Feels to Be Run Over (Hepworth, 1900)

Blow Job (Andy Warhol, 1963)

(nostalgia) (Hollis Frampton, 1971)

The Girl Chewing Gum (John Smith, 1976)

2. The Aesthetic

Reading

Immanuel Kant, The Critique of the power of judgment, Paul Guyer and Eric Matthews, trans. (Cambridge: Cambridge UP, 2000 [1790]), pp. 89-127; 182-187.

Gilles Deleuze, 'Having an Idea in Cinema', Deleuze & Guattari: New Mappings in Politics, Philosophy and Culture Eleanor Kaufman and Kevin Jon Heller, eds. (Minneapolis and London: University of Minnesota Press, 1994), pp. 14-19.

Jacques Rancière, The Politics of Aesthetics, Gabriel Rockhill, trans. (London: Continuum, 2004), pp. 12-34 and 42-45.

Further Reading

Jacques Rancière, 'What Aesthetics Can Mean', From an Aesthetic Point of View: Philosophy, Art and the Sciences, Peter Osborne, ed. (London: Serpent's Tail, 2000), 13-33.

Douglas Burnham, An Introduction to Kant's Critique of Judgement (Edinburgh University Press, 2000)

Fiona Hughes, Kant's Critique of Aesthetic Judgement: A Reader's Guide (London: Continuum, 2010)

Screening

Bamako (Abderrahmane Sissako, 2006)

Mothlight (Stan Brakhage,1963)

Study in Color and Black and White (Stan Brakhage,1993)

3. Form and Medium

Reading

G.W.F. Hegel, Aesthetics: Lectures on Fine Art, T.M. Knox, trans. (Oxford: Clarendon Press, 1975 [1835]), pp. 1-55.

Karl Marx, Capital, Vol. I, Ben Fowkes, trans. (London: Penguin 1990), Chapter 7, Part 1 'The Labour Process', pp. 283-292.

Maya Deren, An Anagram of Ideas on Art, Form, and Film, in Essential Deren, Bruce R. McPherson, ed. (Kingston, NY: Documentext, 2005), pp. 85-109.

Bernard Siegert, ‘Doors: On the Materiality of the Symbolic’, John Durhan Peters, trans. Grey Room 47 (Spring 2012), pp. 6-23.

Further Reading

Erwin Panofksy, Perspective as Symbolic Form, Christopher S. Wood, trans. (New York: Zone Books, 1997)

Peter Bürger, Theory of the Avant-Garde, Michael Shaw, trans. (Minneapolis: University of Minnesota Press, 1984), pp. 55-82.

David Bordwell, Narration in the Fiction Film (Madison, WI: University of Wisconsin Press, 1985), pp. 3-47; 48-62.

Eugenie Brinkema, The Forms of the Affects (Durham, NC: Duke University Press, 2014), pp. 26-46.

Lorenz Engell, ‘Ontogenetic machinery’, Radical Philosophy 169 (September-October 2011), pp. 10-12.

Screenings

Ritual in Transfigured Time (Maya Deren, 1946)

Playtime (Jacques Tati, 1967)

4. Watching

Reading

· Karl Marx, Capital, Vol. I, Ben Fowkes, trans. (London: Penguin 1990); Chapter 1, Section 4, 'The Fetishism of the Commodity and its Secret', pp. 163-177.

· Sigmund Freud, 'Fetishism' (1927), The Complete Psychological Works of Sigmund Freud, Vol. XXI, James Strachey, trans. (London: Hogarth and the Institute of Psychoanalysis, 1950), pp. 147-157.

· Laura Mulvey, 'Visual Pleasure and Narrative Cinema', Screen 16:3 (Autumn 1975), pp. 6-18.

· bell hooks, 'The Oppositional Gaze: Black Female Spectators'. In Black Looks: Race and Representation (Boston: South End Press, 1992), pp. 115-152.

· Jonathan Beller, The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Dartmouth College Press, 2006), pp. 1-33.

Further Reading

· Theodor Adorno and Max Horkheimer, 'The Culture Industry: Enlightenment as Mass Deception', in Dialectic of Enlightenment, John Cumming, trans. (London: Verso, 1997 [1944]), pp. 120-167.

· Jean-Louis Baudry, 'Ideological Effects of the Basic Cinematographic Apparatus', trans. Alan Williams, Film Quarterly, 28.2 (Winter 1974-5), pp. 39-47.

· Jean-Louis Baudry, 'The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema', Camera Obscura 1 (Fall 1976), pp. 104-128.

· Christian Metz, Psychoanalysis and Cinema: The Imaginary Signifier. Celia Britton, trans. (Basingstoke: Macmillan, 1982)

Screening

· Imitation of Life (Douglas Sirk, 1959)

5. Time

Reading

Mary Ann Doane, 'The Representability of Time', in The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA.: Harvard University Press, 2002), pp. 1-32.

Mary Ann Doane, 'Zeno's Paradox: The Emergence of Cinematic Time', in The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA; London: Harvard University Press, 2002), pp. 172-205.

Laura Mulvey, 'Passing Time', in Death 24x a Second: Stillness and the Moving Image (London: Reaktion, 2006), pp. 17-32.

Laura Mulvey, 'Uncertainty: Natural Magic and the Art of Deception', in Death 24x a Second: Stillness and the Moving Image (London: Reaktion, 2006), pp. 33-53.

David Rodowick, 'The Virtual Life of Film', in The Virtual Life of Film (Cambridge, MA: Harvard University Press, 2007), pp. 1-24.

Garrett Stewart, 'Introduction: An Optical Allusion', in Framed Time: Toward a Postfilmic Cinema, (Chicago: University of Chicago Press, 2007), pp. 1-19.

Screening

La Jetée (Chris Marker, 1962)

L'Année dernière à Marienbad (Alain Resnais, 1961)

Arrebato (Iván Zulueta, 1979-80)

6. Sensation

Reading

Viktor Shklovskii, 'Art as Device', (1919), in Theory of Prose, trans. and ed. Benjamin Sher (Illinois: Dalkey Archive Press, 1990), pp. 1-15.

Dziga Vertov, 'The Cine-Eyes. A Revolution', (1923), in Richard Taylor and Ian Christie, eds., The Film Factory: Russian and Soviet Cinema in Documents (London : Routledge, 1994), pp. 89-94.

Sergei Eisenstein, 'The Problem of a Materialist Approach to Form' (1925), in Richard Taylor, ed., S. M. Eisenstein: Selected Writings 1922-34, Selected Works, Vol.1 (London: BFI, 1998), pp. 59-64.

Béla Bálazs, Béla Bálazs: Early Film Theory, Erica Carter, ed.; Rodney Livingstone, trans. (Oxford: Berghahn, 2010), pp. 1-15; 40-45. See also Erica Carter, 'Introduction,' pp. xxiv-xxv.

Walter Benjamin, 'The Work of Art in the Age of Mechanical Reproduction', in Illuminations, Hannah Arendt, ed.; Harry Zohn, trans. (New York: Schocken, 1969), pp. 217-251.

Miriam Hansen, 'The Mass Production of the Senses: Classical Cinema as Vernacular Modernism', Modernism/Modernity 6:2 (April 1999), pp. 59-77.

Malcolm Turvey, 'Balázs: Realist or Modernist?', October 115 (2006), pp. 77-87.

Screening

Man with a Movie Camera (Dziga Vertov,1929)

Further screening

Film Eye (Dziga Vertov, 1924)

Three Songs of Lenin (Dziga Vertov, 1934)

The New World (Terence Malick, 2005)

7. Exclusions

Reading

Frank Wilderson, Red, White, Black: Cinema and the Structure of U.S. Antagonisms (Durham, NC: Duke University Press, 2009), pp. 1-32.

Lee Edelman, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004), pp. 1-31.

Meg Wesling, ‘Queer Value’, glq: A Journal of Lesbian and Gay Studies, 18:1 (2012), pp. 107-125.

Hito Steyerl, 'In Defense of the Poor Image', in The Wretched of the Screen (Berlin: Sternberg Press, 2012), 31-45.

Further Reading

Saskia Sassen, Expulsions: Brutality and Complexity in the Global Economy (Cambridge, MA: The Belknap Press of Harvard University Press, 2014)

Colin Dayan, The Law is a White Dog: how legal rituals make and unmake persons (Princeton: Princeton University Press, 2011)

Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (Routledge: 1993), pp. 121-140.

bell hooks, ‘Is Paris Burning?’. In Black Looks: Race and Representation, (Boston: South End Press, 1992) , pp. 145-156.

Eva Cherniavsky, Incorporations: Race, Nation, and the Body Politics of Capital (Minneapolis; London: University of Minnesota Press, 2006), pp. 71-99.

Susan Sontag, ‘Notes on Camp’. In Against Interpretation (New York: Dell Publishing, 1966), pp. 275-292.

Silvia Federici, Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (Oakland, CA; Brooklyn, NY: PM Press; Autonomedia, 2012).

Alyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart, L.A. Rebellion: Creating a New Black Cinema (Oakland: University of California Press, 2015).

Cheryl Harris, 'Whiteness as Property', Harvard Law Review 106:8 (June 1993), pp. 1707-91.

Screening

Several Friends (Charles Burnett, 1969)

Looking for Langston (Isaac Julien, 1989)

Formation (Beyoncé Knowles, Melina Matsoukas, 2016)

Further Screening

Paris is Burning (Jenny Livingston, 1990)

Mariposas en el Andamio (Butterflies on the Scaffold, Margaret Gilpin and Luis Felipe Bernaza; 1996)

Daughters of the Dust (Julie Dash, 1991)

8. Periodisation

Reading

Fredric Jameson, Postmodernism, Or the Cultural Logic of Late Capitalism (Durham, NC: Duke University Press, 1991), pp. 1-54.

Fredric Jameson, ‘Historicism in The Shining’. In Signatures of the Visible (New York and London: Routledge, 1992), pp. 112-134.

Steven Shaviro, Post Cinematic Affect (London: Zero Books, 2010).

Screening

The Shining (Stanley Kubrick, 1980)

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