The Open Ears podcast with Tom is online.
https://open.spotify.com/episode/07kgDM3wW9mXNIkFh98q5v?si=GlNWH-ceTiuX6ZdVoLGnLQ
Thank you!
Or on Apple for those who prefer...
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Arvo Part - Salve Regina (Full)
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Arvo Part and Philip Glass. Shared by Philip on his social media.
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Arvo Part - Passio (Hilliard Ensemble)
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Pärt: Sequentia
“I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.” Arvo Pärt
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A small clay pot painted by Arvo Pärt, with the handwritten date “4.3.77” inside.
This flowerpot marks a certain period in the composer’s journey toward developing his own musical language, which became known as tintinnabuli. A few years before reaching this breakthrough, when the composer was in a deep creative crisis, he was advised to experiment with other art forms that were unfamiliar to him. It was suggested that having the courage to make mistakes and fail might lead him out of a creative deadlock. Paper and canvas seemed too pretentious to the composer and his wife, Nora Pärt, so they ended up with flowerpots.
Eventually, there were hundreds of painted flowerpots at the composer’s home.
Cr. Arvo Pärt Centre
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Alice Sara Ott – A PATH TO WHERE / Arvo Pärt: Für Alina
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Arvo Pärt, Fratres.
Stanislav Kochanovsky, director
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Summa (version for string orchestra) : Summa for Strings
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