Catering to the food movie, 'The Taste of Things' serves up a mouthwatering feast
NEW YORK
Think of food and movies and your mind could quickly whip up a five-course meal. Maybe a few hard-boiled eggs, to start, from “Cool Hand Luke.” A side order of toast from “Five Easy Pieces,” followed by the soup from “Ratatouille.” A main course of octopus from “Oldboy.” And let’s wash all that down with a $5 shake from “Pulp Fiction.”
Since before Charlie Chaplin made bread rolls dance in “The Gold Rush,” cinema and cuisine have been as intertwined as the spaghetti of “The Lady and the Tramp.” But a real food movie — one that doesn’t just stop for noodles (“In the Mood for Love”) or take a trip to Katz’s (“When Harry Met Sally…”) — is a rarer delicacy.
Those movies that fully invest themselves in the making and consuming food are more all-your-eyes-can-eat buffets. Films like “Tampopo,” that wildly erotic ode to ramen; “Babette’s Feast,” with its sumptuous banquet; and “Eat Drink Man Woman,” Ang Lee’s nourishing family meal.
It’s a rich and savory tradition that gets a delicious new serving in Trần Anh Hùng’s “The Taste of Things.” If ever a film was a feast, it’s Hùng’s. The movie, starring Juliette Binoche and Benoît Magimel, opens with a glorious 40-minute scene set in a late 19th century French country kitchen where a meal is being prepared.
Butter is sizzling. Loins of veal are roasting. Fresh crayfish are peeled. A fish is gutted. Soup bubbles. Few words are said but the kitchen hums. Utensils clank. Merengue burns. Steam rises.
There’s no music but it’s a symphony. Eugénie (Binoche), the right-hand woman of top chef Dodin Bouffant (Magimel), works with quiet, assured mastery. It’s as riveting as any action-movie set piece.
“I told my crew: This is my car-chase scene,” says Hùng.
Hùng, the 61-year-old French-Vietnamese filmmaker, traces his love of cinema to his father, who would come home in South Vietnam with detailed descriptions of movies he had seen at the cinema, riveting Hùng. But his mother’s kitchen, he says, “gave me my first feeling of beauty.”
“The Taste of Things,” which opens in select theaters Friday, isn’t just about cooking. Like most movies about food, its appreciation of cuisine has as much to do with love and art as recipes and ingredients. Loosely inspired by Marcel Rouff’s classic 1924 novel “The Passionate Epicure,” “The Taste of Things" unfolds as a later-in-life love story, one with added poignance since Binoche and Magimel were, themselves, a couple 20 years earlier.
To Hùng, who recently spoke by phone during a trip to Vietnam (he lives in Paris), his mouthwatering opening scene, in all its sensory pleasures, is a paean to cinema.
“In musicals, it’s about harmony and the expression of love and pleasure,” says Hùng. “All of this was inside of me and I wanted to express it in this first scene in the kitchen where people move a lot. The level of gesture is enormous. How they move combined with complex camera movement, that came from musicals for me.”
France selected “The Taste of Things” as the country’s Oscar submission over the much-celebrated “Anatomy of a Fall." At last year’s Cannes Film Festival, it won best director for Hùng.
Hùng’s 1993 Oscar-nominated breakthrough “The Scent of Green Papaya” was likewise lush in atmosphere and sensuality. But while he admires some of the classic food movies — “Eat Drink Man Woman” especially — he doesn’t often feel they express what he wanted to accomplish with “The Taste of Things.”
“Today, I think films are really poor in cinema. Most of the time, it’s a theme of an important topic of the world today and then wrapped in very poor cinema. It looks like an illustration of a story,” he says. “To me, there is nothing to eat in that. I don’t feel full when I watch that type of film. There are too many like this. You can win the Palme d’Or with a very poor quality of cinema in the movie.”
Many reviews of “The Taste of Things” have come with a warning: Do not see this film on an empty stomach. But Hùng supplies no such caution.
“No, I think it’s interesting to be hungry, and waiting for the next meal,” he says, chuckling. “I never get panicked when I get hungry. I like to listen to it and wait so that what I have later is more delicious.”
Foodie photographs of a perfect plate have long been popular fodder for Instagram — the kind of gastronomy lampooned in the 2022 haute cuisine satire “The Menu.” But “The Taste of Things” is earthy and grubby. The food — none of which was artificially enhanced to look better — was all real. Famed French chef Pierre Gagnaire designed the dishes that were cooked on location by Michel Nave. For the film’s final meal, in which a triumphant pot-au-feu is prepared, some 90 pounds of meat were used.
Suffice to say, the cast and crew of “The Taste of Things” ate well.
“Everything we did was real,” says Hùng. "So at the end of the day, we had to eat everything. No waste at all.”
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Congratulations to Disney Theatrical Production who’s fabulous new production of Beauty and the Beast had its Australian premiere in Sydney at the Capitol Theatre on Thursday 22 June 2023.
Produced by Disney Theatrical Productions (Aladdin, The Lion King, Mary Poppins, Frozen) this new production of Beauty and the Beast brings back members of the original creative team from the ground-breaking Broadway musical to reimagine this much-loved classic tale. Olivier Award nominee Matt West directs and choreographs, leading a team that includes original composer Alan Menken, lyricist Tim Rice, book writer Linda Woolverton, scenic designer Stan Meyer and lighting designer Natasha Katz.
Based on the 1991 animated film, the original production of Beauty and the Beast played for more than 13 years on Broadway, remaining to this day one of the top 10 longest running shows in Broadway history, and touring to 37 countries worldwide. Sydney audiences will rejoice in the spellbinding songs of Alan Menken, Howard Ashman and Tim Rice including Belle, Gaston, Human Again and Be Our Guest.
The stellar Australian principal cast includes Shubshri Kandiah as Belle, Brendan Xavier as Beast, Rohan Browne in the role of Lumiere, Andy Cook as Gaston, Gareth Jacobs as Cogsworth, Jayde Westaby as Mrs Potts, Nick Cox as Le Fou, Rodney Dobson as Belle’s father, Maurice, Hayley Martin as Babette and Alana Tranter as Madame.
This is the third Disney production that P&P Co have had the pleasure to work on and we are thrilled to be involved once more.
Here is a teaser of the print media coverage we achieved in the lead up to the opening!
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Artists’ Book Display for the week of November 25th, 2019
Ricorsi by Lucretia Moroni- Milan, Italy: Fabia Calvasina Arte Contemporanea, 1995
Zeichnungen 1989-92 by Martin Assig- Berlin: Ranier Verlag, 1992
Yarn By Babette Katz- Rochester, NY, 1992
Declassified by Robert C. Morgan- New York: Horodner Romley Gallery, 1992
Learn to read art: artists' books by Felipe Ehrenberg- Hamilton Art Gallery of Hamilton, 1991
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Starter Showcase !!
Here is a lovely wee list of recent open starters that could use some loving. From today, I will be dating all reblogs with the month and year for easier finding, and as usual any event starters will be tagged with the event number too.
Travis Montgomery
Chelsea Katz
Babette Dust
Tiana Powell
Alice Little
Anna Arandelle
Elsabeth Arandelle
I’d like to encourage members to post open starters before closed ones. There are many characters already taken, but not many starters to show for it at the moment. You never know what amazing things can happen by speaking to a character you’ve never met before!
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watchlist for 2020
2020 reading list
last updated 8.1.2020
I know there aren’t a lot of films directed by women or non-Western directors on this list, so if any of you have any recommendations I would love to hear them! I’m going to do some of my own research, but if you guys know any lesser known ones I’d love to add them to my list!
Faust (1926) dir. F. W. Murnau
Rebecca (1940) dir. Alfred Hitchcock
Rope (1948) dir. Alfred Hitchcock
Secret beyond the Door (1948) dir. Fritz Lang
Noita palaa elämään / The Witch (1952) dir. by Roland af Hällström
North by Northwest (1959) dir. Alfred Hitchcock
1960s
Et mourir de plaisir (1960) dir. Roger Vadim
Persona (1960) dir. Ingmar Bergman
The Pit and the Pendulum (1961) dir. Roger Corman
Cleo from 5 to 7 (1962) dir. Agnès Varda
I tre volti della paura / Black Sabbath (1963) dir. Mario Bava
Lilith (1964) dir. Robert Rossen
Vampirisme (1967) dir. Bernard Chaouat; Patrice Duvic
The Satanist (1968) dir. Zoltan G. Spencer
Le viol du vampire (1968) dir. Jean Rollin
1970s
Le frisson des vampires (1970) dir. Jean Rollin
The Vampire Doll (1970) dir. Michio Yamamoto
La rose écorchée / The Blood Rose (1970) dir. Claude Mulot
Ovoce stromu rajských jíme / Full of Paradise (1970) dir. Vera Chytilová
+Trzecia część nocy / The Third Part of the Night (1971) dir. Andrzej Żuławski
Les Lèvres Rouges / The Red Lips (1971) dir. Harry Kümel
Una lucertola con la pelle di donna / A Lizard in a Woman’s Skin (1971) dir. Lucio Fulci
Viskningar och Rop / Cries and Whispers (1972) dir. Ingmar Bergman
Diabeł (1972) dir. Andrzej Żuławski
La notte dei diavoli / Night of the Devils (1972) dir. Giorgio Ferroni
Ángeles y querubines / Angels and Cherubs (1972) dir. Rafael Corkidi
The Blood Spattered Bride (1972) dir. Vicente Aranda
La morte negli occhi del gatto / Seven Deaths in a Cat’s Eye (1973) dir. Antonio Margheriti
Cannibal Girls (1973) dir. Ivan Reitman
+Ganja & Hess (1973) dir. Bill Gun
La Rose de Fer / The Iron Rose (1973) dir. Jean Rollin
Lady Snowblood (1973) dir. Toshiya Fujita
+Messiah of Evil (1973) dir. Gloria Katz & Willard Huyck
Female Vampire (1973) dir. Jesús Franco
Thriller – en grym film / Thriller: A Cruel Picture (1973) dir. Bo Arne Vibenius
Bloody Murder / …la main à couper (1974) dir. Etienne Périer
+La Bête / The Beast (1975) dir. Walerian Borowczyk
Dzieje grzechu / The Story of Sin (1975) dir. Walerian Borowczyk
La Marge / The Stalker (1975) dir. Walerian Borowczyk
+Sebastiane (1975) dir. Derek Jarman
Profondo rosso / Deep Red (1975) dir. Dario Argento
+Salomé (1976) dir. Téo Harnadez
+Die Marquise von O… / The Maquis of O… (1976) dir. Éric Rohmer
The Witch Who Came from the Sea (1976) dir. Matt Cimber
The Uncanny (1977) dir. Denis Héroux
Death Bed: The Bed That Eats (1977) dir. George Barry
Portret (1977) dir. Stanisław Lenartowicz.
Escalofrío / Satan’s Blood (1978) dir. Carlos Puerto
+Nosferatu: Phantom der Nacht (1979) dir. Werner Herzog
Les Sœurs Brontë / The Brontë Sisters (1979) dir. André Téchiné
A Mulher Que Inventou o Amor / The Woman Who Invented Love (1979) dir. Jean Garrett
+Fascination (1979) dir. Jean Rollin
Les héroïnes du mal / Immoral Women (1979) dir. Walerian Borowczyk
1980s
Aus dem Leben der Marionetten / From the Life of the Marionettes (1980) dir. Ingmar Bergman
La Dame aux camélias / The Lady of the Camellias (1980) dir. Mauro Bolognini
Inferno (1980) dir. Dario Argento
La nuit des traquées / The Night of the Hunted (1980) dir. Jean Rollin
+Dressed to Kill (1980) dir. Brian de Palma
Docteur Jekyll et les femmes (1981) dir. Walerian Borowczyk
+Possession (1981) dir. Andrzej Żuławski
Blow Out (1981) dir. Brian de Palma
La morte vivante / The Living Dead Girl (1982) dir. Jean Rollin
Tenebre (1982) dir. Dario Argento
Lovely Devil (1982) dir. Nobuhiko Obayashi
Angst (1983) dir. Gerald Kargl
The Gold of Love (1983) dir. Eckhart Schmidt
The Legend of Suram Fortress (1984) Sergei Parajanov
Body Double (1984) dir. Brian de Palma
+Caravaggio (1986) dir. Derek Jarman
+Der Rosenkönig (1986) dir. Werner Schroeter
Sous le soleil de Satan / Under the Sun of Satan (1987) dir. Maurice Pialat
Vlčí bouda / Wolf’s Hole (1987) dir. Věra Chytilová
+Babette’s Feast (1987) dir.Gabriel Axel
Nekromantik (1987) dir. Jörg Buttgereit
1990s
Mirror Mirror (1990) dir. Marina Sargenti
+Malina (1991) dir. Werner Schroeter
Raising Cain (1992) dir. Brian de Palma
The Piano (1993) dir. Jane Campion
Little Death (1995) dir. Francois Ozon
A Casa (1997) dir. Šarūnas Bartas
2000s
The Cell (2000) dir. Tarsem Singh
Trouble Every Day (2001) dir. Claire Denis
Stages of Mourning (2004) dir. Sarah Pucill
Perfume: The Story Of A Murderer (2006) dir. Tom Tykwer
À l'intérieur (2007) dir. Alexandre Bustillo and Julien Maury
Barbe Bleue / Bluebeard (2009) dir. Catherine Breillat
Viola di Mare (2009) dir. Donatella Maiorca
Le masque de la Méduse (2009) dir. Jean Rollin
2010s
Phyllis (2010) dir. Zina Saro-Wiwa
Crime d’amour / Love Crime (2010) dir. Alain Corneau
Passion (2012) dir. Brian de Palma
Goodnight Mommy (2014) dir. Veronika Franz & Severin Fiala
Cosmos (2015) dir. Andrzej Żuławski
The Lure (2015) dir. Agnieszka Smoczynska
Evolution (2015) dir. Lucile Hadzihalilovic
+Raw (2016) dir. Julia Ducournau
+As Boas Maneiras / Good Manners (2017) dir. Marco Dutra & Juliana Rojas
+Portrait de la jeune fille en feu (2019) dir. Céline Sciamma
+Parasite (2019) dir. Bong Joon Ho
Darlin’ (2019) dir. Pollyanna Mcintosh
Brian De Palma’s Filmography
Jean Rollin’s filmography
Alfred Hitchcock’s filmography
Dario Argento’s filmography
finished
A Girl Walks Home Alone at Night (2014) dir. Ana Lily Amirpour
Red Dragon (2002) dir. Brett Ratner
Faust (2011) dir. Alexander Sokurov
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Activity Check !! The following accounts have 48 Hours to message the main in response to the Monthly Interest Check, request a hiatus or become active, or their roles will be re-opened:
@sweetlikearosebryar
@thecomingofpanne
@kelpcake-dory
@oz-borror
@hatter-is-here
@positivelyminnie
The following players are on hiatus:
Claire (TJ Detweiler, Jane Porter)
Jane (Chelsea Katz, Merida Dunbroch)
Kit (Babette Dust, Ellie Fredricksen, Henrik Hera, Persephone Kore)
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Jahresgaben 2019 Bonner Kunstverein
7. - 22. Dezember 2019
Eröffnung: Samstag, 7. Dezember, 12 Uhr
Unsere diesjährigen Jahresgaben umfassen Gemälde, Zeichnungen, Collagen, Fotografien, Skulpturen und Druckgrafiken von 24 Künstlerinnen und Künstlern, darunter Unikate von Ulla von Brandenburg, Anna-Sophie Berger, Andreas Breunig, Cecilia Edefalk, Allison Katz, Sarah Lehnerer, Nicolas Pelzer, Benoît Platéus, Henrik Potter, Babette Semmer, Masar Sohail, Leslie Thornton und Josef Zekoff. Die beiden Peter Mertes StipendiatInnen von 2018, Robert Brambora und Stefani Glauber, stellen ebenfalls eine Jahresgabe zur Verfügung. Aus dem Atelierhaus des Bonner Kunstvereins nimmt dieses Jahr Arno Beck mit einer limitierten Edition von Letterpress-Drucken teil. Außerdem haben Neven Allgeier und Alex Grein exklusiv für den Bonner Kunstverein neue Editionen hergestellt. Weitere Jahresgaben erhalten wir von Judith Bernstein, Erica Baum, Ghislaine Leung und Susanne M. Winterling. Desweiteren bieten wir Werke aus dem Nachlass von Horst Ademeit und Adelhyd van Bender an.
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Latest story from https://movietvtechgeeks.com/see-movie-eat-meal/
See the Movie, Eat the Meal
From Eat, Pray, Love to Babette’s Feast, food has always played a big part in the movies. Often it’s because the scenes give the characters the chance to meet and talk free from other distractions, other times it’s to tell us something about the characters’ personality. Then again, sometimes, it's just for comic effect like the legendary scene in Katz’s Deli in When Harry Met Sally. And, just like the drinking games that challenge you to match the action on screen drink for drink, here are our suggestions for what to eat on the sofa while you’re watching these five classics.
Goodfellas
What else could it be but Italian to go with what many people think is the greatest of the Scorsese mafia movies? Food plays almost as big a part in the film as unexpected violence does, whether it’s mob members meeting up for dinner in New York’s fanciest restaurants or having authentic Italian ingredients shipped into prison for them so they can at least eat well when they’re serving time.
Pulp Fiction
It’s going to be time to send out for burgers and shakes when you settle down to watch Pulp Fiction for maybe the hundredth time. While you might not agree with Samuel L. Jackson’s character that the burger is “the cornerstone of any nutritious breakfast,” seeing him devour one in the diner is sure to get your own appetite going. Then, there’s the scene that’s sizzling with sexual tension as Uma Thurman enjoys a milkshake before taking to the dancefloor with John Travolta for a very different kind of dance from Saturday Night Fever.
Indiana Jones and the Temple of Doom
Poor old Indy certainly gets into some scrapes, whether he’s fighting the Nazis for the Ark of the Covenant or simply trying to hang on to an airborne plane for dear life. But few can have been more challenging than the Indian banquet he was subjected to by the Maharajah of Zalim Singh. It started well enough with roast boar, but when the second course of boa constrictor stuffed with baby eels arrived, things started to go downhill, reaching the absolute low point with monkey brains served from the skull. So, better stick to a jalfrezi or a madras yourself.
Splash
When you invite a mermaid out to dinner, you never know what to expect. But if, like the character played by Darryl Hannah in Splash, it’s lobster that she orders, then you can expect some pretty messy results. In the film she eats it up, shell and all, in front of her horrified date and, if you’re ordering in seafood, we hope that you’ll be a little more delicate in your eating habits.
Jurassic Park
Finally, to round off the perfect meal, what else but jello à la Jurassic Park? But watch out if its starts wobbling on the plate because it could mean that a T-Rex or two are heading your way, intent on turning you into dinner instead.
Movie TV Tech Geeks News
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Artists’ Book Display for the week of September 3rd, 2019
Normative trope of polymorphous perversity by I. Rose- New York: IRD Production, 1992
Some Notes on Drinking & Driving by Bill Culbert- Norfolk, England: Coracle,1994
Roisin Dubh = Black Rose by Julie McNiel- San Francisco, 1995
The Word Company : Vol.III by Adib Fricke- Berlin, Germany: EditionFricke & Schmid, 1997
At the Beach by Babette Katz- Rochester NY: Visual Studies Workshop Press, 1988
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Artists’ Book Display for the week of September 9th, 2019
Ad Reinhardt art comics and satires by Ad Reinhardt- New York: Truman Gallery, 1976
Annatomie, autonomie, annomalie by K.H. Hodice- Berlin: Rainier Verlag, 1976
My Flag by Babette Katz- Rochester, NY: Visual Studies Workshop Press, 1995
Fragments by Fernanda Fedi- Milan, Italy: Laboratorio, 1995
El Suspiro Del Moro by Jean-Michel Othoniel- Paris France, 1988
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