#Edition 2/5 + 2AP

[jokeanddaggerdept]

`

#Anima Mundi 37-3 Ed. #2016/2019 #Acrylic painted on plastic foil #18 1/10 × 14 1/5 in #46 × 36 cm #Edition 2/5 + 2AP #imi knoebel

[garadinervi]

From: María Teresa Hincapié, Vitrina, (photograph; pigmented inks on 188 g PhotoRag paper mounted on 2 mm Forex), 1989, Edition of 2/5 + 2AP [1 Mira Madrid, Madrid. MACBA, Barcelona. © María Teresa Hincapié]

#art #performance #visual writing #photography #maría teresa hincapié #1 mira madrid #macba #1980s

[cosmicanger]

Lou Escobar

Street Fighter, Belleville, 2021

Photograph : Fujiflex paper print laminated on aluminium

20 1/2 × 27 3/5 × 2 in | 52 × 70 × 5 cm

Editions 1-5 of 1-5 + 2AP

[abwwia]

Yushi Li (Chinese, b. 1991) The Feast, 2020

Handmade analogue C-Type

41 3/10 × 51 1/5 in (105 × 130 cm)

Editions 2-3 of 3 + 2AP

#yushi li #male gaze #feminist art #women's art

[thinkingimages]

BRUCE CONNER | BREAKAWAY, 1966. 16mm, b&w/sound, 5 min, music by Ed Cobb, vocals by Toni Basil edition 6 of 6 + 2AP

While visiting Los Angeles in the fall of 1964, San Francisco-based artist Bruce Conner (1933-2008) began working on a film with his friend, the dancer, choreographer, and singer Toni Basil (b. 1943). Completed in 1966, BREAKAWAY features Basil dancing energetically against an empty black backdrop to an upbeat soundtrack, a Motown-inspired pop song called “Breakaway” that she released in 1966 as the B-side to her first single, “I’m 28.” Throughout the film’s five minutes, Conner deploys dizzying camera zooms, stroboscopic effects, and rapid-fire cuts that transform Basil’s choreography into a psychedelic spectacle of pulsating, blurred, ecstatic movement. Whereas the film’s first 2 and 1/2 minutes is synched to the duration of the song, once the bass line starts to fade, both the flow of images and the soundtrack unexpectedly begin to play again in reverse, rewinding Basil’s performance back to the beginning—an audiovisual demonstration of the “breakaway from the everyday” called for in the lyrics. – Johanna Gosse, Art and Film Historian.

#Bruce Conner #Toni Basil #Ed Cobb #Breakaway #1966

[ferrerocubo]

MEHRETU, JULIE

Nació en 1970 en Etiopía.

IMAGEN 1 - Stadia II, 2004, Ink and acrylic on canvas, 107 2/5 × 140 1/10 × 2 1/5 in, 272.73 × 355.92 × 5.71 cm

IMAGEN 2 - Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, open bite Hahnemühle Bütten 350 gr., 97 3/5 × 226 × 2 in, 248 × 574 × 5 cm, Edition 3/16 + 2AP

IMAGEN 3 - Untitled (Court), 1998, Ink and oil on Mylar and vellum, 24 × 18 in, 61 × 45.7 cm

IMAGEN 4 - Easy Dark, 2007, Offset Lithograph, 55 × 35 1/4 in, 139.7 × 89.5 cm

IMAGEN 5 - Entropia (review), 2004, 32-color lithograph and screenprint, 33 1/2 × 44 in, 85.1 × 111.8 cm, Edition of 45

https://www.mariangoodman.com/artists/51-julie-mehretu/

#MEHRETU JULIE #MEHRETU #M #WOMAN #EAST LANSING HIGH SCHOOL #CHEIKH ANTA DIOP #ESCUELA DE DISEÑO RHODE ISLAND #KALAMAZOO COLLEGE #ARTE VISUAL #VISUAL #ESTADOS UNIDOS #PINTURA #PAISAJE #ABSTRACTO #PINTURA ABSTRACTA #DIBUJO #GRABADO #Etiopía #Museo de Bellas Artes de Houston #moma #MOMA #Museo de Arte Moderno de San Francisco #High Museum of Art #ARTE ABSTRACTO #PRESENTE #ACRÍLICO #GRAN FORMATO #TINTA

[oculablog]

Ralf Peters, Petrol Stations - green / white (1998). C-print; c-print, diasec. 20 x 27 cm | 7 3/4 x 10 2/3 inches. Edition of 10 + 2AP. 60 x 80 cm | 23 2/3 x 31 1/2 inches. Edition of 5 + 2AP. Courtesy Bernhard Knaus Fine Art.

#ralf peters #photography #photographer #bernhard knaus fine art #contemporary art #ocula #ocula art #ocula gallery

[annawestphotography]

Group Presentation Week 7

Metamorphoses 2014 - 2018, Karen Knorr

1. How are these indvidual images constructed visually and what is their relation to each other?

In the series Metamorphoses by Karen Knorr, various wild animals can be seen in the Villa Farnese in Caprarola. What makes these images a series, is the fact that the animals that normally live in the wilderness are photographed in the colorful and extravagant rooms of the villa. The animals blend into the colorful background of the rooms through their fur / plumage.

2. Use of photographic terminology.

The pictures are all taken from the same point of view, also all pictures were taken with a wide angle. The background is just as sharp as the subject and in focus. The lighting conditions are similar in all pictures, but come from different directions and sources. The pictures are clear and bright.

3. Is the sequencing of the images relevant?

Since the images have no specific order, the sequencing does not matter in this case.

4. Information that accompanies the images:

Metamorphoses 2014-2018

Hahnemühle Fine Art Pearl paper

Edition of 5 + 2AP

122 X 152 cm

80 X 100 cm

60 X 76.2 cm

5. Who produced the images and why?

Karen Knorr produced the images. Metamorphoses explores Italian legacy in Europe using Ovid’s Metamorphoses as frame in which to consider heritage and mutability in today’s Europe. Pagan stories overlap with christian ones, as an anxious response to recent global migrations that may transform the remnants of old Europe into a pluralistic dynamic federation or a closed fortress.

[tineanders]

WEEK 7:

Group Presentation Week 7

Metamorphoses 2014-2018, Karen Knorr

1. How individual images are constructed visually, and their relation to each other ?

In the series Metamorphosis by Karen Knorr, various wild animals can be seen in the Villa Farnese in Caprarola. What combines these images is that the animals that normally live in the wild are photographed in the colorful and extravagant rooms of the villa. The animals blend into the colorful background of the rooms through their fur/plumage.

2. Use of photographic terminology:

The pictures are all taken from the same point of view, also all pictures were taken with a wide angle. The background is just as sharp as the subject and in focus. The lighting conditions are similar in all pictures, but come from different directions and sources. The pictures are clear and bright.

3. Is the sequencing of the images relevant?

Since the images have no specific order, the sequencing does not matter in this case.

4. Information that accompanies the images:

Metamorphoses 2014-2018

Details:

Hahnemühle Fine Art Pearl paper

Edition of 5 + 2AP

122 X 152 cm

80 X 100 cm

60 X 76.2 cm

5. Who produced the images and why ?

Karen Knorr produced the Series. Metamorphoses explores Italian legacy in Europe using Ovid’s Metamorphoses as frame in which to consider heritage and mutability in today’s Europe. Pagan stories overlap with christian ones, as an anxious response to recent global migrations that may transform the remnants of old Europe into a pluralistic dynamic federation or a closed fortress.

[art-now-usa]

Modern Anatomy - Limited Edition 2 of 5, Javiera Estrada

36 x 60 Archival Pigment Print Limited Edition of 5 + 2AP 43 x 72 Archival Pigment Print Limited Edition of 3

https://www.saatchiart.com/art/New-Media-Modern-Anatomy-Limited-Edition-2-of-5/730100/4412509/view

#fineart #conceptual #surrealism #javieraestrada #portraiture #modern

[imaniiiart]

Gabriel Orozco

Lotus Leaves (Full Leaf), 2004

Soft ground etching on gampi, mounted between UV resistant plexi-glass in wood frame

25 1/2 × 28 1/2 × 5 1/4 in

64.8 × 72.4 × 13.3 cm

Buda, 2013

Pigment print

50 4/5 × 40 3/5 in

129 × 103.1 cm

Edition 2/5 + 2AP

Manguera verde, 2015

Pigment print

20 × 16 in

50.8 × 40.6 cm

Edition 2/5 + 2AP

Dé vertèbres, 2018

Limestone

11 3/4 × 11 3/4 × 11 3/4 in

29.8 × 29.8 × 29.8 cm

Lights Sign # 1 (Korea), 1995

Synthetic polymer plastic sheet and light box

39 2/5 × 39 2/5 × 7 4/5 in

100 × 100 × 19.7 cm

[garadinervi]

From: María Teresa Hincapié, Vitrina, (photograph; pigmented inks on 188 g PhotoRag paper mounted on 2 mm Forex), 1989, Edition of 2/5 + 2AP [1 Mira Madrid, Madrid. MACBA, Barcelona. © María Teresa Hincapié]

#art #performance #visual writing #photography #maría teresa hincapié #1 mira madrid #macba #1980s

[cosmicanger]

Barber & Osgerby

Signal R Monochromatic, 2022

Lacquered aluminium, Murano glass, cast bronze base

51 1/5 × 16 9/10 × 17 1/2 in | 130 × 43 × 44.4 cm

Edition of 8 + 2AP

[martalosada]

JULIE MEHRETU, ETIOPÍA, 1970

https://www.mariangoodman.com/artists/51-julie-mehretu/

Stadia II, 2004, Ink and acrylic on canvas, 107 2/5 × 140 1/10 × 2 1/5 in, 272.73 × 355.92

Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, open bite Hahnemühle Bütten 350 gr., 97 3/5 × 226 × 2 in, 248 × 574 × 5 cm, Edition 3/16 + 2AP

Untitled (Court), 1998, Ink and oil on Mylar and vellum, 24 × 18 in, 61 × 45.7 cm

Easy Dark, 2007, Offset Lithograph, 55 × 35 ¼ in, 139.7 × 89.5 cm

Entropia (review), 2004, 32-color lithograph and screenprint, 33 ½ × 44 in, 85.1 × 111.8 cm, Edition of 45

#MEHRETU #m #me #JULIE MEHRETU #Etiopia #ESCUELA DE DISEÑO RHODE ISLAND #KALAMAZOO COLLEGE #MoMA #SFMOMA #Museo de Bellas Artes de Houston #High Museum of Art #pintura #abstracción #gran formato #grabado #tinta #CHEIKH ANTA DIOP #paisaje

[ferrerocubo]

STURTEVANT

Elaine Frances Sturtevant, también conocida profesionalmente como Sturtevant, era una artista estadounidense. Ella logró el reconocimiento por sus repeticiones cuidadosamente inexactas de las obras de otros artistas. Nació en 1924 y falleció en 2014.

IMAGEN 1 - Warhol Diptych, Diptych - silkscreen inks, synthetic polymer and acrylic on canvas

IMAGEN 2 - STUPIDITY, 2013, Digital film, color, sound

IMAGEN 3 - Duchamp Untitled, 1997, 15 × 13 3/5 in, Photograph and laser photocopy collage on paper, 38 × 34.5 cm

IMAGEN 4 - Trilogy of Transgression (Stills), 2004, 3 channel video installation, Edition of 5 + 2AP

https://www.moma.org/calendar/exhibitions/1454

#STURTEVANT #s #MOMA #WOMAN #Teachers College #Columbia University #Universidad de Iowa #APROPIACIONISMO #arte conceptual #Ohio #estados unidos #moma #figura humana #woman #muerte #pop art #arte pop

[oculablog]

Paul Mpagi Sepuya, Between a Mirror and a Ground, Study (0X5A7437) (2018). Archival pigment print, edition 2/5 + 2AP. 170 x 127 cm. 66 15/16 x 50 inches. Courtesy Modern Art.

#paul mpagi sepuya #print #photography #photographer #contemporary art #contemporary artist #modern art #ocula #ocula art #ocula gallery