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#Hideki Takahashi
fuckyeahmeikokaji · 10 months
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Hideki Takahashi (高桥英树), Jo Shishido (宍戸錠) and Meiko Kaji (梶芽衣子) in One Hundred Gamblers: Chivalrous Path (Bakuto Hyakunin Ninkyodo, 博徒百人 任侠道), 1969, directed by Takashi Nomura (野村孝)
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dare-g · 1 year
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Tattooed Life (1965)
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sexyfanganconfessions · 3 months
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Rewatching DRHR and this is basically Takiyama @ Hideki
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urfaveisayandere · 2 years
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Hideki Takahashi from Danganronpa: Hope Restoration is a yandere!
Requested by anonymous!
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byneddiedingo · 2 years
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Hideki Takahashi and Junko Asana in Fighting Elegy (Seijun Suzuki, 1966) Cast: Hideki Takahashi, Junko Asana, Yusuke Kawazu, Mitsuo Kataoka, Isao Tamagawa, Keisuke Noro, Hiroshi Midorigawa, Seijiro Onda, Chikaku Miyagi. Screenplay: Kaneto Shindo, based on a novel by Takashi Suzuki. Cinematography: Kenji Hagiwara. Production design: Takeo Kimura. Film editing: Mutsuo Tanji, Music: Naozumi Yamamoto. Seijun Suzuki's Fighting Elegy is a coming-of-age story, ostensibly about a hormone-crazed teenager (Hideki Takahashi) who tries to sublimate his lust for the pretty Michiko (Junko Asana) and to expiate his Catholic guilt for that lust by joining one of the warring gangs in his town. But what's really coming of age, as we find out at the film's end, is the militaristic imperialism of prewar Japan. So much of the film depends on Suzuki's mastery of tone as he shifts from the mostly comic story of young Kiroku's plight to the wholly tragic outcome. Kiroku becomes increasingly adept as a fighter, and his rebellious antics at school are not punished so much as increasingly tolerated -- even his father refuses to punish him, taking a boys-will-be-boys attitude. When he's forced to go live with his uncle and transfer to another school, he only gets more bellicose, but although the school has a motto that stresses the necessity of "seemly" behavior, at the end of his stay there the principal is so impressed by Kiroku's fighting skills that he removes his coat and challenges Kiroku to a duel. The scene ends with the two squaring off, suggesting that part of the reason for the military's takeover lies in the older Japanese generation's admiration for the violence of the young. The film ends with Michiko going into a convent, but not before she is forced off of the path she is traveling by a troop of jogging soldiers and her crucifix is trodden into the snow, and with Kiroku on the train to Tokyo, where he plans to join the fight for control of the government. It's not clear from the film which side Kiroku will fight on this time, although the novel on which it's based has him joining the army and dying in China. Suzuki scripted this part of the novel and planned to film it as a sequel before he was forced out of his job at the Nikkatsu studios. Fighting Elegy is an exhibition of Suzuki's original and innovative technique, which audiences loved but studio management thought was out of control.
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ragna-fck3r · 18 days
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LOLICON HIDEKI. I AM AN UTTER GENIUS!
hideki: 😭😭😭😭😭😭😭😭🦀🦀🦀🦀🦀🦀🦀🦀🦀🦀💢💢💢💢💢💢💢
takiyama: please shut up.
I don’t think he can control himself around little girls— *gets shot*
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ymofficial · 3 months
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frenchcurious · 9 months
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Bruno Giacomelli, Kunimitsu Takahashi et Hideki Okada - Porsche 962 CK6 - 24 Heures du Mans 1968. © Didier Laporte. - source Carros e Pilotos.
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slag0000 · 9 months
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3ヶ月ぶりに万物有情です。日程だけは決まっていたのですが、ひしょちさんとの2回の共演ののち、古川さんが抜け、ようやく詳細が決まった模様。今回参加の時岡さん、お名前は見かけるのですが、お会いしたことなく、フリー系の方、というくらいしか知りません。どんな感じになるのでしょう。
●2023-07-23(sun) 江古田 Cafe Flying Teapot “万物有情”
act: 時岡秀雄(sax) 橋本英樹(tp) 高橋直康(b) 島田透(dr) open 19:30 / start 20:00 charge 1500yen(+1d)
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gachael · 1 year
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Chimera / Bill Nelson (2005 Remaster)
Acceleration
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fuckyeahmeikokaji · 1 year
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Izumi Ashikawa (芦川いづみ), Jo Shishido (宍戸錠), Hideki Takahashi (高橋英樹), Masako Izumi (和泉雅子) and Meiko Kaji (梶芽衣子) in Blood-Stained Challenge (Chimatsuri Kenkajo, 血祭り喧嘩状), 1966, directed by Toshio Masuda (舛田利雄).
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mitjalovse · 5 months
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youtube
Ryuichi Sakamoto actually reminded me of the fact many debuts from those with long careers basically belonged to the special category of the pioneering works within their genres. Thus, Yellow Magic Orchestra also did a great introduction and, yes, I should be more objective here, but even then – what they did was astounding. I mean, what was their benchmark at the time? Kraftwerk, I agree, but we already heard Sakamoto moving beyond what they did and going towards the direction the German group never suggested. Moreover, Sakamoto, Hosono and Takahashi made electronica more fun. This might be their greatest legacy – moving the electronic music away from the stuffiness. Sure, Kraftwerk also did that, though their sense of humour remained less pronounced.
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sexyfanganconfessions · 4 months
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meltamorphosis · 7 months
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deciding to redesign my old drkg cast on a whim has left me in a hell of my own making . I will have to line and color this someday but that day will not be today
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suddenlymicah · 5 months
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death note birthdates(dd/mm/yyyy)
for most of these i used aliases, but for characters commonly known as otherwise (jack neylon/kal saydar) i used the more common of the two. these were all retrieved from volume 13: how to read, as well as being in the order they are stated. please please please tell me if i got something wrong!!!
Light Yagami, 28/02/1986
L, 31/10/1979
Mello, 13/12/1989
Near, 24/08/1991
Misa Amane, 25/12/1984
Teru Mikami, 07/06/1982
Kiyomi Takada, 12/07/1985
Soichiro Yagami, 12/07/1955
Touta Matsuda, 14/12/1978
Shuichi Aizawa, 11/05/1969
Kanzo Mogi, 12/07/1973
Hideki Ide, 29/09/1969
Hirokazu Ukita, 09/11/1977
Sayu Yagami, 18/06/1989
Sachiko Yagami, 10/10/1962
Raye Penber, 31/12/1974
Naomi Misora, 11/02/1976
Aiber, 17/07/1969
Wedy, 02/11/1974
Watari, 01/05/1933
Matt, 01/02/1990
Roger Ruvie, 29/04/1939
Kyosuke Higuchi, 06/06/1972
Reiji Namikawa, 03/08/1974
Takeshi Ooi, 31/03/1961
Shingo Mido, 25/01/1972
Eiichi Takahashi, 19/12/1963
Suguru Shimura, 21/07/1968
Masahiko Kida, 20/10/1971
Arayoshi Hatori, 22/03/1971
Anthony Rester, 06/01/1968
Stephen Gevanni, 01/09/1982
Halle Lidner, 18/02/1980
Rod Ross, 13/04/1968
Kal Saydar, 23/02/1973
Hitoshi Demegawa, 04/04/1966
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ragna-fck3r · 29 days
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Hideki should have a bratty, teasing, and overbearing lil sis is all i’m saying.
She constantly demands him for money, unaware that he’s probably gonna snap someday~
or hideki ends up liking it idk.
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