#I’d be fascinated but the mortifying ordeal of being known. Know

[oasisofgalaxies]

I love Kabru he scares me <3

#if someone was able to tell that much about me from like. two or three indirect interactions I’d just cry #I’d be fascinated but the mortifying ordeal of being known. Know #*yknow #nebula rambles

[priestessofspiders]

Ambulatory Flesh

A lot of your quirkier “I fucking love science” types will joke about us human beings as consisting of an intelligent organism, the brain, piloting around the body like some sort of fleshy mech suit. They’ll say that all this clumsy flesh is just a casing for the real life form within, the “man behind the curtain” so to speak. Rykors and kaldanes, y’know? But that’s all bullshit. It’s just a modern retelling of Cartesian dualism, an attempt at devising a secular conception of a soul. There is no meaningful distinction between some abstract, pseudoplatonic “mind” and the sweating, reeking hulks that are our bodies. We’re all just meat in the end, and no amount of philosophizing will ever truly be able to hide this fact.

It all started at a Japanese restaurant. I don’t remember the name of the place, it was a group excursion with friends and I didn’t get to pick where we went. Well, I say friends, but in all truth I don’t think I can even recall the names of the people I went with either, our only real point of connection was through my (former) friend Ted. Most people, I think, don’t actually have the energy to go out and make connections with other human beings, other ambulatory sacks of meat and bone. They get nervous, or overthink things, or are bad at managing time, et cetera, et cetera, an endless parade of excuses to avoid having to deal with the mortifying ordeal of being known. Ted, however, seemed to be able to ingratiate himself with nearly anyone imaginable. I have no idea how he maintained the intricate web of friendships and acquaintances that he possessed, and whenever I spent time with him he seemed to be introducing me to some new person he only met a week ago yet already knows their entire life story. I’d long since come to expect that whenever he asked to hang out, I wouldn’t be the only one attending.

I never really liked Ted much if you couldn’t already tell. He talked too much and too loudly, and never knew when to let a joke die. If there was a contest for beating dead horses, Ted would have won gold medal every time. But, he did possess some sort of natural charisma which caused folks to gravitate towards him, and I never was especially good at making friends, so whenever he sent out an invitation for his little get-togethers I would tag along out of the nagging fear that unless I spent time socializing on a semi-regular basis people might think I was a bit strange. Anything to keep up appearances, after all.

But, that’s not important. I’m rambling, trying to avoid getting to the point of what happened. It feels like maybe if I don’t think about it, if I don’t remember that night at the restaurant, it will have never happened, that maybe if I just go to bed I’ll wake up and everything will be normal again.

Ted was laughing slightly too loud at a joke that one of his new friends had said, and I could feel the prickle of second-hand embarrassment as I watched one of the other guests at the restaurant glance over to our table with a look of slightly detached judgment. My humiliation was cut short, however, when the waiter finally brought around our platter of food.

After a cringe inducing “arigato” escaped from Ted’s beaming, incredibly white mouth, we began divvying up the dishes to their corresponding diners. Usually I was somewhat cowardly when it came to ordering from restaurants, sticking to the beaten path with regards to what foodstuffs I felt comfortable ingesting, but for some Godforsaken reason on that particular day I had decided to be adventurous. I had ordered the sashimi. The plate full of raw fish was placed in front of me, and I gazed upon it with a sort of dull fascination.

I wasn’t disgusted, you must understand, I’m not some squeamish idiot who didn’t know that the raw fish I’d ordered would, indeed, be raw fish, but there was just something so simple about it, so… pure. No other ingredients, no fancy cooking techniques, just clean, uncooked fish, sliced into appealing portions and served with a side of soy sauce. I snapped the binding of the cheap wooden chopsticks before using them to pick up a piece gently, inspecting the sliced tuna for a few seconds as though I were observing some sort of laboratory specimen.

Ted peered up at me from his bowl of ramen with what I assume was meant as a look of encouragement. “Go on Delilah, are you gonna eat it or just look at it?” he asked, playfully.

I was about to respond when the tuna suddenly twitched on the end of my chopsticks. I’m not ashamed to admit that I shrieked as I pulled my hand away in alarm, causing the blob of fish to hit my plate with a meaty smack. Frankly under the circumstances I think it was a perfectly reasonable response.

All eyes turned towards me, and all I could do was point down at my plate, where the dismembered cut of fish was clumsily, blindly undulating towards me, like a slug having an epileptic fit. I was trapped in a booth seat, stuck between two strangers and unable to get out as this limbless blob of disembodied piscine tissue just kept twitching and spasming.

I wasn’t afraid for my life, I think. I don’t believe that I thought I was in any immediate danger, it’s not like the sashimi would be able to do anything. It had no teeth to bite with, no claws with which to cut me. What bothered me was simply that it was moving, and that it should not have been able to move. We don’t expect something which we are going to put into our mouths to still be twitching when we do so. The thought that I had very nearly been about to take a bite made me want to vomit.

Fortunately, my cry of terror had alerted one of the waiters, who, upon noticing the mobile meat, swiftly took the platter away while the rest of Ted’s friends tried their best to calm me down. The man himself, however, was too busy laughing to be of any assistance. He was still guffawing when I managed to extricate myself from the table and make my way back to my car. The moron never did know when to stop turning everything into a goddamn joke.

Now of course after I got home and calmed down a bit with the assistance of some Smirnoff, I took the time to look up what happened on the internet. A quick Google search confirmed that yes, sometimes, very rarely, raw meat can still move around a bit. Something to do with stored energy in the muscles, the cells not being quite yet dead. Fish seem to be particularly susceptible, but it appeared that all sorts of animals did something of a postmortem jig now and again. One particularly nauseating video showed the plucked, headless carcass of a chicken, spasming as though trying to escape as it lay atop a pile of its immobile comrades.

Now, knowing something is natural doesn’t necessarily make it stop being horrific. Understanding how static electricity functions doesn’t make a lightning strike any less shocking, if you’ll pardon the pun. But, at the very least, I was comforted by the knowledge that what I experienced was simply some sort of biological fuckup rather than a sign of the supernatural. At least, that’s what I thought at the time, anyway.

I remember the night after my first experience I had a particularly vivid nightmare. I was standing in the foyer of the Japanese restaurant, and it seemed very busy. A waiter ushered me over to a table, where a number of other people were already seated, including Ted who was guffawing loudly. Laying on the table was a blandly attractive naked woman, her body covered in sushi.

I never really understood the appeal of eating the sushi off of someone’s body, to be entirely honest, even accounting for my own heterosexuality. It’s not as though I’d want to eat off of a handsome man either. There’s something odd, the reduction of a human being into little more than a sexualized table. I mean it’s objectifying, obviously, but I suppose that’s the point, isn’t it? Regardless, I could feel my dream self’s skin crawl as I sat down in my appointed place, knowing that something horrible was about to happen.

As I watched, all of the little slices of fish began to wriggle free from their seaweed binding, squirming and twitching off of the beds of white rice. The woman on the table opened her mouth as the dozens of chunks of ambulatory flesh moved up towards her face. They began to crawl inside, stuffing her open mouth until she couldn’t breath, her face turning blue, but she just kept staying perfectly still, even as her exposed chest heaved up and down, desperately trying to get air into her blocked windpipe. All around me the other guests started to giggle and snicker at the sight, their mirth increasing in intensity as the woman slowly suffocated. When she finally stopped breathing entirely, the whole crowd was engaged in uproarious, hysterical laughter. After a few seconds, the corpse began to twitch and writhe in the same way the dead fish had, its glassy, blank eyes staring out from its lifeless face into nothing. I woke up sobbing.

It was a few weeks before I had my next encounter with unnaturally moving meat. In the intervening time I tried very hard to forget the whole matter, though I did make an effort to avoid Ted, social conformity be damned. Whenever I thought about his stupid laugh it made me feel sick all over again. As a matter of fact I spent a lot of time avoiding everyone, really. I prefer solitude, especially when after I’ve undergone something upsetting. It may seem silly that I’d go to all this fuss over a single piece of twitching sashimi, but I’ve always been fairly sensitive, and something about the whole concept of dead tissue still being able to move bothered me beyond belief. Maybe I just watched too many zombie films when I was a kid or something, who knows?

In any event, the second time happened at a company barbecue. Mandatory attendance, of course, it was that sort of a workplace, all focused on teamwork and working together “not just as a business, but as a family.” I don’t exactly know why I needed to be so focused on forming a bond with my coworkers when my own position as a data entry clerk left me working in blissful isolation for most of the time, but I imagine the overpaid men in suits who arranged these corporate equivalents of elementary school pizza parties instead of just giving out raises probably didn’t understand the concept of introversion. Anything to force employees back to the office after years of working from home, I suppose.

Fortunately I didn’t need to drive to the event, as it was just held in the parking lot during lunch hour, which I ordinarily spend sitting in my car curled up with a book (I could never stand the constant chatter of my coworkers in the break room). Like most corporate teamwork building events, it was simultaneously deeply awkward and a little bit sad. A few grills were set up with some bored looking catering staff cooking up burgers and steaks, while the halting half-laughter and polite tones of corporate enforced camaraderie emanated from the office drones clad in blandly professional outfits as they sat at the various card tables set up under white plastic tents.

I held out a paper plate like a priest soliciting donations from his congregation, and one of the underpaid pitmasters plopped a well-done steak onto it. I slathered it with a generous helping of barbecue sauce and then sat as far away from everyone else as I possibly could. Just because the powers that be could force me into attending this little gathering didn’t mean they could make me talk to anyone.

I sat glumly, stewing in my own petulance (I’m nothing if not self-aware) as I cut a piece off of my steak and popped it into my mouth without really looking at what I was doing. The texture was… off, somehow, and the flavor was unusual. I looked down at the steak to see that beneath the crispy, almost burnt exterior, the meat was quite rare, undercooked even, and was leaking blood onto my paper plate. It was thick too, not the watered down juices from a rare steak, but sticky, opaque, red as a bullfighter’s cape. Then, the hunk of charred flesh lunged towards me.

I don’t mean it twitched, I don’t mean it crawled, the thing leapt like a goddamned jackrabbit right at me. I fell backward in the cheap plastic folding chair, banging the back of my head against the concrete in the process which caused my vision to be filled with stars. I could feel the sticky, greasy piece of meat slithering across my chest, moving towards my open mouth, and I screamed in terror and pain. I could feel it pulsing as though it had a heartbeat, and the warmth from the grill made it feel sickeningly close to body heat.

It was only a few seconds before some of my coworkers rushed over to help, but it felt like an agonizingly long time as I lay there in pain, the quivering hunk of burnt flesh squirming closer to my face. Finally, someone helped me to my feet, and as though shy in the presence of other people, the steak seemingly lost its capacity for movement, falling to the ground with a wet splat.

Everyone wanted to know what happened, they kept asking me over and over again:

“Are you okay?”

“What’s wrong?”

“Are you hurt?”

The whole time I couldn’t focus on what they were saying for long enough to give a satisfying answer, I’d just see their red, fleshy tongues flapping in their mouths and feel sick all over again, feeling painfully aware of the blood that the steak had leaked all over my dress. They’re all just mounds of walking, talking, meat, covered in a thin layer of greasy, stinking skin and wrapped up in cloth to hide the truth of what they are. What we all are.

I managed to eventually stammer out some sort of excuse that my manager accepted as reason for me to take the rest of the day off, and I drove home after I calmed down enough to feel safe at the wheel. I didn’t tell anyone about the moving steak. I knew they wouldn’t believe me. It’s not like anyone else saw it that time.

When I got home I threw out all the meat in my refrigerator. Starving children in the third world be damned, I wasn’t going to risk having the fucking bologna try and smother me in my sleep. Call me paranoid if you want, but after what I’ve been through, I feel pretty goddamn vindicated. It’s not paranoia if they really are out to get you after all.

See, it didn’t stop with the steak. Even after I cut all meat out of my diet (I pretended it was a health thing), I still wasn’t free from dead flesh moving. It was little things at first. Dead flies on the windowsill twitching tiny legs previously held stiff with rigor mortis. Soggy worms that were still just moments before struggling to escape their watery tombs as I pass them by on the rain-soaked sidewalk. Hell, maybe it had been going on a while even before the sashimi incident and I just never noticed. But once I had an eye for it, it seemed to happen everywhere.

I knew it wasn’t natural. Once is happenstance, twice is coincidence, dozens and dozens of times afterwards over and over until you feel like clawing your fucking eyes out rather than see another roadkill squirrel try to drag itself across the pavement towards you is a sign that God just hates you. I can’t even walk into grocery stores anymore, I have to get everything by delivery, because if I even get within a hundred yards of the meat department I might see the sausages and chicken breasts and steaks and pork chops and dozens of other plastic wrapped corpses gently flopping and spasming and twitching, trying desperately to break free of their refrigerated prisons to get towards me. I know I’m not just going crazy. Usually, nobody notices, the meat quieting as soon as anyone else is around, but not always. I remember once watching a young girl start crying as she saw a T-bone steak crawling like an inchworm behind the glass case of the meat counter. She asked her mother why it wasn’t dead. Meat asking the meat it budded off from why the meat which should be still is moving.

Who are you supposed to talk to about this sort of thing? Where were you supposed to go? It’s not like a shrink would do me any good as I am in no respect delusional, and I certainly was not going to try and seek out the assistance of a priest. If anything the moving meat has more firmly cemented my disenchantment with the prospect of divinity; any God that allows such violations of nature to exist is not one who is worthy of worship. I wasn’t going to beg on my hands and knees for the help of a deity who presides over a broken world.

So I just dealt with it. I kept away from grocery stores and supermarkets, I turned a blind eye to the twitching bugs and spasming roadkill, and I stuck to my new vegetarian diet. I also had to remove all the mirrors in my house. I couldn’t bear to look at my reflection anymore, to be reminded of the meat that is me. Every twitch of an eye, every deep breath, it all just felt like that same unnatural mobility of dead flesh. Go ahead and call it denial if you want, my disposal of the mirrors, but it gave me at least some peace of mind. Besides, I didn’t like looking at the bags under my eyes that I was getting from all the nightmares.

This continued for a while, my coping with the impossible by simply ignoring it. Maybe a month or two, though it is hard for me to remember exactly how long. Things weren’t perfect, I drank a lot and had a few breakdowns here and there, but who wouldn’t under the circumstances? My point is I was getting on with things, to the best of my ability, and not just crumbling from the pressure. I wasn’t going to be beaten by a bunch of lifeless tissue being puppeted around by some unknowable force. I’m stronger than that.

Then came my father’s sickness. It happens to everyone in the end, doesn’t it? Meat spoils, after all. I don’t remember all the details, the doctors used a lot of fancy sounding medical terminology for it, something about blood clots and brain damage, but what it all boiled down to is that the man who raised me was on his deathbed, unconscious and unresponsive.

I never knew my mother. She ran off at some point shortly after I was born, leaving daddy dearest to take care of me the best he could. And he did do his best, I’m sure of that now. He fucked up along the way, but everyone’s parents do. They’re not perfect. Nobody is perfect. We’re all just meat, after all.

I started spending a lot of time with my father. He spent so much of his life caring for me when I had just entered this world, I felt like it was only fair I was by his side as he left it. I wasn’t deluded into thinking that he’d get better, or even that he would be aware of my presence, but it felt right for me to be next to him. I didn’t want him to die alone.

I’d sit there by his side, reading from one of my books. Sometimes, if the mood struck me, I’d read aloud to him. There was never any recognition in his eyes, he’d just stare blankly at the ceiling, his rattling breathing providing a distant background hum, but I didn’t mind. If anything I kind of appreciated that he didn’t do much. I was so used to things that shouldn’t move moving that it almost felt like a relief to see something which should move remain more or less stationary.

Now, they didn’t have him hooked up to life support machines or anything like that, you must understand. Nothing to monitor his vital signs, no machine to keep his heart beating, he was just laying in bed under scratchy hospital blankets. My father wasn’t afraid of death, and had demanded that he not be resuscitated in the event of something like this happening to him. Better to die with dignity than be forced to live with the help of machines.

It was because of this lack of monitoring that I didn’t initially notice when he finally stopped breathing. I was just sitting there, reading, when all of a sudden I was struck by how quiet the hospital room was. I put down my book and looked over to the bed, and my father’s chest had ceased to rise and fall. He was gone, and I hadn’t even realized when it happened. I knew it was coming, but I wanted to be there for him, I wanted to hold his hand as he crossed that final threshold. That this was taken from me made me start to cry.

I grabbed hold of his hand, hoping to experience at least my father’s warmth for one last time before he went cold. There was still the faintest touch of heat in his calloused, old fingers, and the tears flowed freely down my face.

“I’m sorry”, I said as I squeezed his hand, “I’m so sorry dad.”

He squeezed back.

Gasping in surprise, I looked up, hoping against all hope to see my father’s smiling face as he woke up, as if from a long dream, miraculously alive and okay. But that isn’t what I saw. This isn’t that kind of story. This isn’t that sort of world.

The corpse that was my father began to twitch and spasm, writhing and squirming as if made of a hundred tiny pieces each trying to break free from the whole. What was once my father’s head rolled lazily to face me, doll eyes blankly staring forward as the lifeless thing wriggled towards me.

It was like watching an octopus move, each limb in possession of a mind of its own, its hand in a vice grip against mine. I tried to pull free but I couldn’t, it was grasping too tight. I screamed for help, calling for anybody to get this corpse, this meat, away from me. My cries were cut off as its other hand grasped my throat, bent awkwardly at an impossible angle as I heard its bones snap.

My vision faded to black, and the last thing I saw before I passed out was my father’s face, lifeless and dead, staring into nothing.

I lived, of course. I wouldn’t be sitting here typing this if I didn’t. Whatever unnatural force was animating the corpse, it didn’t stick around long enough to do any lasting damage beyond leaving some bruises on my neck. A nurse found me unconscious on the floor, my father’s body laying on top of me stiffly.

They didn’t even try to come up with a realistic explanation for what happened, they just said my injuries must have been self-inflicted during a “psychotic break brought about by the traumatic event”, because no doctor is going to believe a woman who says her dead father tried to strangle her to death. The most they humored me was admitting that it was possible that I witnessed some postmortem muscle spasms. Meat that didn’t know it was dead yet.

I’m working through it though. I’m facing my fears. That’s what you’re supposed to do as an adult right? You just sit down and deal with things, you don’t make a fuss about it. And so that’s what I’m doing, I’m handling all this with maturity and grace.

I’ve even started eating meat again.

Little pieces.

Nice, bite sized chunks.

I’ve almost gotten used to how it feels as it wriggles down my throat.

#horror fiction #horror story #horror #writeblr #writers on tumblr #creepypasta

[mortuarybees]

Exclusively For People Made Feral By “You go too fast for me, Crowley.”

The kind of fanfiction I enjoy is the kind which requires me to take a decompression breather every paragraph or so because I’m repressed and tenderness is physically painful. i want there to be yearning and pining and brooding and ultimately, intimacy: fics which embody the mortifying ordeal of being known, as well as the reward of being loved in the end. So here are the fics I’ve read that satisfy this requirement, or in some cases are just extremely tender, in no particular order, with a quote that made me absolutely wild, as well as a few things that aren’t fic

another soul to cling to by strawberry_bee/my best friend @femmeaziraphale​

Crowley is born a run of the mill angel. There is only one catch though. He is given a prophecy by God to be the first and only angel to fall in love. That's clearly off the table when he falls from Heaven though, right? // in progress and the only in-progress fic on the list but it is Too Good and also i have a direct line to the author and they will finish it

“Do you promise to stay still if I turn out the lights?” Aziraphale asked.

“The dark is a demon’s favorite place to be,” Crowley joked, feeling the urge to make light of the situation. He rather felt like he was being taken on a jaunty little date, human skulls included just to woo a demon in the right sort of way.

“Quiet, foul fiend,” Aziraphale said, snapping his fingers again. They dove into darkness, and before Crowley could find some sort of clever quip, he felt Aziraphale’s arms about his waist. His brain turned to mush, the only thing he could think of being ‘oh, so this is love’ before he felt Aziraphale’s lips brush gently against the edge of his mouth.

“Thank you, my dear,” Aziraphale murmured, before pulling away. Crowley reached out blindly, coming up with nothing. He turned to the entrance, spotting the outline of Aziraphale as he ascended. Crowley leaned against a wall, hand resting against the forehead of a skull.

get religion quick (cause you’re looking divine) by brinnanza:

So it was fine. Even if Crowley couldn’t love him, he clearly liked him well enough, and that was almost the same thing.

It no doubt would have continued to be fine, or at least fine-adjacent, were it not for a narrowly averted apocalypse and several bottles of a really quite nice Riesling Aziraphale had found in the back room of his newly restored bookshop.

“I love you, do you see? Not for work. I’m - I suppose you could say I’m in love with you, to use a human phrase.”

Crowley went very still. Aziraphale withdrew his hands and folded them primly in his lap, moving back to their more customary distance. “It’s quite alright that you don’t love me,” he hurried to add. “It doesn’t change anything. I just wanted you to know in case... Well, anything could still happen with our superiors, you know? Neither side is probably very pleased with us at the moment.”

Crowley stared at him over the rim of his sunglasses, looking rather stricken, and he was making an odd, creaky sound like a strong wind through a poorly-sealed window. The mostly-empty wine bottle he’d been holding slipped out of his loose grasp and clattered to the floor, wine drops spattering on the hardwood. “Aziraphale,” he said finally, voice ragged, “what the fuck are you talking about.”

a home at the beginning of the world by stereobone (explicit)

"Oh," Aziraphale says. "I think Crowley might have moved in with me." // okayokayokay there’s Meaningful Interior Decorating and a couch metaphor and like the fact that they actually goddamn brought That Quote into it...unacceptable

"My dear boy," Aziraphale says. "You could have said something."

"But we never do that," Crowley says.

He's back to worrying at the fabric of his trousers.

"Besides," he says. "Didn't want to go too fast for you."

Aziraphale feels something swell in his chest, and it feels all encompassing. Like love and heartbreak at the same time. Like being back at the Eastern Gate watching Crowley slither up to him for the first time, question everything while Aziraphale himself was trying not to. He's spent so long, too long, telling himself he could never be ready for this. He reaches out and grabs Crowley's hand, stops him from worrying at his trousers any further.

the nuances of ‘together’ by mirawonderfulstar

Everybody in the whole world can tell Aziraphale and Crowley are a couple. Everyone except, apparently, Crowley.

“Oh, don’t look like that, my dear.” Aziraphale said airily. “I don’t mind sharing.”

“It’s—that’s not the bloody point.” Crowley exclaimed, his feelings from the last week finally coming to a head. “Why do people keep assuming we’re together and why do you keep letting them?”

Aziraphale froze, a forkful of chocolate cake halfway to his mouth. He looked like he’d just been slapped. He was focuing very hard on a spot over Crowley's shoulder and his eyes seemed rather wet. Crowley felt a panic begin to slither up his throat, constricting his breathing. He wanted very much to say something, anything at all to make Aziraphale stop looking like that, but he had no idea what.

a culmination of miracles by prettydizzeed

Crowley has chronic pain, and six thousand years later explains that to Aziraphale. I adore the small intimacy of Aziraphale asking him to print him articles about it so he can better understand, and their characterizations, and it seems so much like an exchange from the book I’ll likely have difficulty remembering it isn’t canon in the future, which I’m fine with.

“I don’t read books,” Crowley corrects. “The occasional article, well, maybe.” He figures he’s going to need to extend as many olive branches as he can find, so he adds, “Some of them help. Sometimes quite a lot, actually.”

“Could you—would you print some for me?” Aziraphale asks. “I’d like to understand better.”

“Yeah,” Crowley says, looking at him as long as he can bear. “I’ll do that.”

the hour/the spot/the look/the words by planethunter

Crowley watches Pride and Prejudice (2005) and it spurs a realisation. // fuck guys it’s literally about the hands and perfectly captures like nothing else does the feeling of watching Pride and Prejudice (2005)

One of his hands rests over the other, the tips of his fingers cold. He watches as Darcy takes Elizabeth's hand, gentle, like handling a bird, their fingers curling over each other's. He mimics the gesture with his own hands, brushing his fingers over one another. Slowly, slowly closing them to a grasp. Opening them again, brushing his knuckles with his thumb. He continues, back, and forward, watching with mild fascination. The sensation relaxes him, like a trance, and he only feels some sensation building inside him when it had risen so high that he had to sigh to release it. Now his hands lie still, holding each other limply. He releases them, letting his fingers brush past each other on the way. When he looks up, the television had cut to adverts. 

covet by mirawonderfulstar

pining aziraphale and an amazing confession scene that i absolutely adore.

Aziraphale, little good though it did him, wanted desperately. He wanted with an urgency that scared him. He wanted wine, and cocoa, and the occasional tea. He wanted gravlax with dill sauce, and Pappardelle Bolognese, and those awful little iced biscuits they had at Tesco at Christmastime. He wanted dinners at the Ritz and long walks in the park and late nights in the back room of his shop. He wanted Crowley. Fervently, achingly, he wanted Crowley.

a city wall and a trampoline by kafkian

5 times Crowley knows he’s in love with Aziraphale + 1 time he knows the reverse.

Crowley has a system in place for dealing with moments like these. He developed it sometime in the fifth century, when it became clear that the thoughts and feelings the angel inspired in him weren’t going to go away, and neither was the cast iron certainty that they were largely unreturned. The angel loves him, of course, but only in the slightly absentminded, mandated way he loves all other living things. Crowley has long since made his peace with this. It just stings a bit sometimes, like taking a sip of tea so hot it burns the roof of your mouth. (Not that Crowley himself has had this experience. He has gathered from the mental exclamations of many, many humans, however, that such a mishap brings forth a similar sense of aching hurt, betrayal and a wistfulness that things might be different.)

The best Crowley can do is just let himself feel it – let the love go through him, unnatural and sticky though it may be, always trying to glue itself to the inside of his veins – and wait for it to come out the other side. Sometimes it even works.

such surpassing brightness by handful_of_silence

The revelation that Aziraphale might have been in love with him for thousands of years is surprising. The fact that literal books have been written on the subject comes as even more of a shock.

Crowley had always assumed – perhaps disingenuously – that Aziraphale was like most other angels. Capable of grand expressions of love when it came to humanity, but generally avoidant of the topic personally. A love for all things, a love for Crowley even, but the love of a kind, well-meaning relative who sends birthday cards on the wrong day and with a fiver inside with a note to buy something nice like you're still at primary school. Love but distant, separate, and impersonal.

But now, at least according to the rumours, Aziraphale had spent most of the medieval ages playing wingman to a bunch of queer martyrs and church-folk. Which meant that there must be something there, a comprehension of love beyond his angel-standard, over-arching love for mankind. That Aziraphale could, and apparently did, pick favourites.

That he could, just possibly, feel love himself. On an individual level.

listen (he’s already told you five times) by darcylindbergh

Not everything Crowley says is said out loud. Aziraphale doesn't always hear him at first, but he's learning to stop being surprised. // love!!! languages!!

He wonders what Crowley can feel through this touch. He wonders if Crowley can feel him back.

“I’ve never felt anything like you,” he finally says, looking up to meet Crowley’s eyes. They’re wide, awaiting judgment: something in them is terribly resigned, but when Crowley tries to draw his hand back, Aziraphale doesn’t let him go. Instead he steps in closer and says, at nearly a whisper so as not to startle, “What I mean is, you’re beautiful.”

There is a pause, and then Crowley says, soft with surprise, “Oh.”

Aziraphale kisses him.

tell me all the ways by tinsnip

One little speck of sentiment: was it so much to ask? // crowley struggles to tell Aziraphale how he feels out loud; he finds a way around it. pairs well with the fic above, I think.

“I’m not smitten, angel. I wouldn’t say smitten.”

“Oh?” He’d looked at Crowley’s hand in his, looked back up. “And what would you say?”

Suddenly a change in Crowley’s posture, a tilt of his head; there was the sideways smile. “I’d say I lust after you, angel. I covet you. I idolize you. But... smitten? I mean, honestly.” And Crowley had shrugged, as if that had been that.

For some reason, this morning, that hadn’t been enough.

“And?”

“And... and what?” Crowley had looked a bit desperate.

Aziraphale’s mouth had tasted like tea and toast. “And you love me.”

penance by blissymbolics (explicit)

It’ll happen, Crowley tells himself. This time, it’ll finally happen. // it’s porn with feelings, crowley has a praise kink, just read the tags if you’re interested

Maybe being deprived of his right to come was a necessary component of being a demon. It was permanent, chronic proof of his disobedience. But fuck, God already gave him his snake eyes and revoked his retirement benefits. Messing with his dick was just foul play. It probably violated the Geneva Convention.

Around the turn of the twenty-first century, he began to think that maybe it’d be best to just accept his lot and call it quits. It’s obviously never going to happen. So why keep torturing himself?

Or at least, that’s how he felt before Aziraphale. Before a certain day in the year of our Lord, 2019. Before he felt a shift in the solar system, and knew that they were now spinning together as one gravitational unit. They shared the same space. The same time. And on one occasion, the same bodies.

Also, I wrote a fic: all i need, darling, is a life in your shape

it’s about repressed aziraphale and pining and it was inspired by strawberry blond by mitski.

Not Fics But Fuck, Man

Meta: why is aziraphale so gay? by dictionarywrites on ao3: a very extensive meta exploring how aziraphale canonically presents himself as a gay man, and why exactly he does that.

this crowley space meta and this crowley space meta really fcking did me in

the unadulterated yearning in this mitski-inspired art by @poladraws i think about it at least once a day and it is. A Lot

this from eden fan video on youtube

this two part amnesia post by @thealogie like i don’t even fcking like amnesia fic but like. “this discovery and several other little reactions of yours have led me to believe that the Other Me, that is the Me that has all his memories, has let standards slide and is not doting on you as he should be. are you cared for? do i need to kick my own butt?” oh my goddddd

@mulderswatch made a spotify playlist titled angels dined at the ritz hat makes me personally suffer every single time i hear it. he began it with predatory wasp of the palisades (”touching his back with my hand, i kiss him / i see the wasp on the length of my arm”) and ended it with strawberry blond by mitski (”can you hear the bumblebees swarm? / watching your arm / i love it when you look my way”) his  m i n d

The best anon in the world asked me for my mitski a/c song associations and here it is

#this is admittedly 90% reference for me in the future #henry speaks #good omens #crowley #aziraphale #ineffable husbands #fic rec #good omens reference post

[toddandersvn]

wuh oh i’m being a nerd on main again!

it’s well known that besse is a master of his art and sana’s trailer showed to be no different. I was left baffled and fascinated by it, so i analyzed the skamit season 4 trailer almost frame by frame and here is what i came up with (also i guess this is my entry for @skamitaliafandomevents week two day one: predictions a very late entry please forgive me i rly wanted to do this before the season started) 

also i just enjoy doing these i’m not a film student so i might be completely wrong so if you want to correct me or add anything please do:))

everything is under the cut... enter at your own risk;)

In this scene we can see a green backlit Sana on a phone call saying that she is italian as well. Green can be used to symbolize envy and/or jealousy, which in this case could be interpreted as Sana’s wish to be considered italian, and her “jealousy” of whoever is on the other side of that phone call for fitting in. Jealousy is in quotes because the backlighting can also suggest that it’s in the back of her head, not really apparent to others and even maybe to her. Green also has a history of being used to represent evil in Disney villains (evil step-mother’s eyes in Cinderella, Scar’s cove in Lion King, Dr. Facilier’s spirits in The Princess and The Frog and many more). If we take this scene from the point of view of the other person of the phone call, Sana could be seen as a villain due to stereotypes against muslims and the anger in Sana’s voice.

In the trailer, this scene was cut in two (well three, but one doesn’t really matter here), but if we watch the trailer in .25x speed like a maniac you can see that they probably fit together. In the first shot we see a blue backlit Sana hiding in a bathroom praying. Blue is usually used to show sadness and pensiveness, and as i said above, the backlit can represent the back of her mind, or her neglecting it, hiding how she truly feels. Knowing the background/back story for this clip, which i can only imagine is the clip at the end of the first episode, she is hiding from everyone at the party to prey, and this physical hiding can be used to emphasize emotional hiding.

The next moment in that clip is the camera panning from the blue backlit scene to an orange frontlit scene, which emphasizes contrast as orange and blue are two complementary colours. Orange is used to show interest and optimism, which can be how she feels towards Malik, which leads me to think the shadow we see could be him. However, it can also symbolize vigilance, which can also be her feelings towards the couple making out and bursting in, if besse follows the original storyline.

Sana is looking longingly at Malik surrounded by grass, which is a lighter, warm green that can represent admiration, trust and acceptance. She is staring at him from a distance, which is a very passive way of acting, staying in the shadows, in her black outfit which is a symbol for modesty in islam, basically she is keeping her feelings for herself. Another colour important in islam and relevant to his scene as well is green. Green in islam symbolizes paradise, which Malik just so happens to be surrounded by…. i see you Sana, i do, you can’t fool me

Le matte are by the canal trying to cheer Sana up, in a very cool toned scene. Cool tones can represent sadness and or detachment, which Sana is probably feeling at this point towards the girl squad or herself, given that they are trying to cheer Sana up. Them comforting with a rather cool toned scene can indicate this scene is either pre-falling out or a reconciliation scene.

What stood up for me in the trailer is the drastic contrast between when Sana is alone or with Malik with very warm and loving tones, and when she is with the girl squad with rather cool tones. This reinforces and supports Sana’s feelings of feeling like she doesn’t belong, or has to tone down who she is in order to be friends with them.

This scene is airy and light, which represents pure and heartfelt feelings and peace. Both characters are smiling at each other, which only emphasizes these assumptions. The next shot is in the kitchen that can imply domesticity and comfort, as well as the blue tones from the hijab and walls that represent pensiveness and shyness. It passes the vibe check.

In this scene Sana is wearing a warm yellow hijab that can represent serenity and joy. This particularly stands out from the black one we are used to see her wear and have seen her wear around Malik earlier. She is in a greenhouse surrounded by nature, the green of admiration and growth but also the green of paradise. She is also surrounded by windows that can indicate she has moved to an active way of acting, instead of staring from a distance. This assumption is supported by her waving at Malik through the window. She is letting herself go through the mortifying ordeal of being known, which is a huge change from her usual secretive self and first few dark shots of the trailer.

Here Besse used a wide angle lens most likely to show the surroundings, or lackthereof, of the two characters. Both of them are alone and isolated together. At this moment in time, there are no outside factors matter, it is just them and their thoughts. i imagine this is the scene when malik tells Sana about the nico x mikael kiss, which is a very pivotal chapter point in the season and it is important to show them alone and Sana having to “reset” her thoughts.

Again, they are surrounded by green/lime: trust and acceptance, which links to the talk they are having with malik choosing accpetance> religion and stopping believing in Allah.

When her and her friends are sitting on the couch, they are mostly dressed in blue, all looking awkward/embarrassed. It is possible that it is sadness/grief from them having to share the house in Mykonos, as the audio over that scene suggests, but then again it could also just be from the two characters we can see on the mirror kissing. I’m obsessed and i watched and rewatched and i’m almost 100% sure the girl is Covitti, which by elimination process lets me think the guy is Canecoso, which justifies the awkwardness on Eva and Silvia’s face.

When Sana is on her bed calling Ele, she is leaning against her green wall, but looking towards a warm orange light. This can be seen as many things related to her finally accepting her feelings for malik. She can move from the shadows to the light (from staring longingly to actually talking to him), moving from a passive to an active way of acting (like going to see him with her yellow hijab) and lastly moving from green jealousy to orange happiness. All of these clues lead me to think this clip happens before the greenhouse house clip. POETIC F*CKING CINEMA I COULD COLLAPSE

I’m assuming this is the karaoke equivalent party, because of the way it is lit. If it is, it would be the party where both of Sana’s worlds (her brother & friends and her school friends) meet. We can see some scenes of clashing in the trailer, however having the scene lit up with red and green, two complementary (opposite on the colour wheel) colours, it prepares the audience  for a contrast. It can be a contrast of feelings, but in this case i’m lead to think it’s of background, and probably ideas as well, if it follows the OG. A justification of the use of green and red could be the feelings associated with each colour, like red with anger/annoyance and red with surprise. I won’t spoon feed you and tell you why but you get it.

In this scene, we see Sana and Malik in a street with a lit up red cross in the background. It can be seen as reference to Romeo + Juliet by Baz Luhrmann, but also as a reference to the OG with the OHN. In the OG, isak is running away from a blue cross, running away from the sadness he’d been feeling for the past days and weeks, which is a contrast both in colour, direction and pace to Sana walking with Malik towards a red cross, walking towards romance.  It is for that reason i think this will be their date scene towards the end of the season. Also, they are walking and not running which can symbolize them taking it slow, and deciding to be friends again before anything else. It looks like the cross is also moving towards them as well, which can symbolize a middle ground/finding a balance between her religion and her country’s religion. Besse you magnificent bastard i love you, vibe check passed.

Sana is submerging herself in a pool, with oddly very blue water. This oddly blue water matching her burking makes the colour stand out and can highlight its importance in the scene. Blue can symbolize shyness, it can symbolize peace, stability, and tranquility, depending on the shade and hue, but in this case this turquoise signifies the latter. She is letting herself float in it, bathing and soaking it in, and her face is at peace, which only strengthens my assumptions that this clip happens towards the end once everything is almost resolved.

And that’s all i came up with. I also think that the beach clips will be the last episode and they will all be from different povs, but that’s just wishful thinking at this point i’m sure. These are all obviously theories, however i think it is fascinating how Besse chose so many different colours as well as different way of lighting the scene to convey Sana’s emotions and feelings at different moments of the seasons. I am probably a clown about most of it but that’s just part of the skam experience, but either way i am very hyped to see the master at it again!

i’m repeating it here again, but if you have things to add or further questions please let me know i’d be more than happy to read what you have to say!🌻 that’s all have a great day:))

#cinnamon tography #maya's mumbles #skam italia