What is your favourite thing about nevermoor (series)?
Omg this is suuuuuch a hard question for me to answer!!! I love basically every aspect of the series, from the characters and their dynamics, to the settings, to the story...... idk if I can truly give One Singular Answer to this because I love it all! There's something truly special with the series that really makes it resonate with me and has kept me glued to it for almost 5 years and will keep me into it for many more.
IF I had to choose One Thing to answer this....... I would probably say the lore of the series and the magic and the way that the worldbuilding relates to those and fleshes out the world, giving it a history that makes Nevermoor (the city and the series) feel full of so much depth. You really get a sense that things, both big and small, happened in the past that affect the present day, and that things in the present day will have an effect on the future. It makes it fascinating to think about how the world was Pre-Massacre, and how things have changed in the last 100 years since then, and why things were the way they were and are the way they are now! I love thinking about Wundersmiths and their role in society and their rise and eventual downfall!!! Ahhhh!!!!! There's just so much I could say.
I just love everything about the worldbuilding and the lore and in-world history Jess has created. You can tell as you read that literally every aspect of the world has so much thought behind it that probably only exists inside Jess's head, but it oozes through the pages anyways and makes the world seem so full of life. I swear once she mentioned possibly releasing some sort of “rule book” / notebook companion book sort thing that explains a lot of behind the scenes lore and how the world and everything works, why stuff is the way it is, etc. after the series and I hope that happens because I can't stop thinking about it.
A silly comparison: I don't really know how to explain it to those unfamiliar with the 2000s guide books, but the worldbuilding of Nevermoor kinda reminds me of the worldbuilding of Uglydolls (no relation to the terrible 2019 movie) and I think maybe that’s partially why I love it so much lmao. Everything was so wacky and weird yet somehow it made sense. I remember reading the books and looking at the spreads of the city or the pictures of the weird vehicles and thinking about where I'd like to go and what I'd do if I lived in that universe LOL. It just felt full of life and for some reason reading Nevermoor reminds me of reading those as a kid.
Also: I've said this before (but maybe not on here?) that I credit a big part of why I'm SO into Nevermoor to the fact that I discovered it like a month or so before Adventure Time ended. I was a HUGE fan of the show (always will be!) and was really into analyzing it and theorizing about it and knew so much about it. I read Nevermoor independent of that, but I think the fact that Wundersmith releasing like a month or two after Adventure Time ended and it being the first new interest I had had in awhile just made my brain "transfer over" as I like to say. The energy I bring to overanalyzing and theorizing about Nevermoor stuff comes directly from how I was when Adventure Time was still airing.
Fun fact: My media overanalyzing led to me correctly guessing how Adventure Time would end, and I am eager to try and do the same with Nevermoor as the series continues.
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3, 14, 19 for Balthazar/Tristian for the OTP ask game :)
3. Do they wear each other’s clothes? (sweatshirt, bandana, necklace, etc.)
Not much, really. In a practical sense, it would be difficult. Balthazar’s a bit smaller and a lot more slight than Tristian, so Tristian borrowing clothes wouldn’t exactly be comfortable. And Balthazar has some terribly awkward wings by the time the two of them are together- his clothes have to be tailored to him to accommodate the wings, and it’s difficult to wear clothes that haven’t been altered. Although it doesn’t stop him from occasionally stealing Tristian’s cloak or robe just in the spirit of mischief (and slowing down the process of getting dressed).
Not clothing per se, but Balthazar enjoys using his own brooches to fasten Tristian’s cloak whenever he helps Tristian get dressed- something to serve as a subtle touch of connection even when they’re apart. Tristian always waits until they’re apart to check what he’s been given. It’s a pleasant ritual to discover it, and it’s a point of comfort to reach for over the course of the day. He always returns Balthazar’s things very carefully at the end of the day.
14. How do their personalities complement each other? How do they clash?
The ways they clash are probably more obvious. Tristian is earnest to a fault and a person with very strong moral principles that he lives by (theoretically), while Balthazar is an ambitious person who often gets what he wants through deceit and trickery. There's a lot of natural tension between them- for a long time after meeting they really didn't like each other at all. Balthazar was quick to write Tristian off as dull and uptight, while Tristian rankled at the callous disregard Balthazar had for others. Tristian is also someone who clings a lot to an ideal of celestial virtue that Balthazar has spent most of his life trying to get away from. Even though the initial hostility faded there's still always some degree of friction. It can seem that Balthazar is too careless or too cold, or that Tristian demands too much without compromise. Always some arguments in there.
As for complementing... really, some of the clashes can be ways they cover each other's weaknesses at times. Neither cold pragmatism nor strong optimism can solve every problem- there's a sort of balance there, in a way. Or at the least a way to keep Balthazar's Machiavellian tendencies in check. And also I guess I'd like to think that their positive traits can influence one another as well- Tristian being a bit more flexible and better able to see nuance in a situation, and Balthazar becoming more open and trusting. Maybe this doesn't really count as a "complementary" thing but also like... the ability to be very earnest with one another. Balthazar is someone who doesn't let his guard down easily, but over time he begins to trust Tristian to understand his experiences without condescending to him about them. While Tristian isn't as obviously closed off as Balthazar is, he still doesn't put himself out there easily and feels a lot of shame confronting things about himself. Balthazar doesn't judge Tristian for any of his choices. He has a lot of empathy for the situation that makes beginning to sort through it easier. (And Balthazar does sincerely love Tristian's flaws, even if Tristian doesn't)
19. How do they feel about PDA?
Not at all self-conscious, that’s for sure. There aren’t a lot of big, dramatic gestures, but certainly there are plenty of small, intimate ones: entwining fingers, leaning into one another, gently brushing hair away from the face, a soft kiss pressed to the hand… It’s about the reassurance of knowing the other is present. It’s also the case that Balthazar is a bit clingy (something that surprises him) and Tristian is somewhat touch starved so…
It's embarrassing to watch, really.
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This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.
I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.
(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)
Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.
And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.
I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.
And no insult to the instructor, but they kept checking in. Which was fine the first few times.
But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.
But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.
And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.
So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.
And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.
But what if I hadn't known how to do that?
What if I hadn't been talented, or "special"?
What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?
My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.
And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?
How many of us are made to feel defective because we aren't doing things beautifully?
I have a lovely piece of art I didn't want to make.
I think I'm gonna frame it.*
(*I think I'm gonna burn it in my yard.)
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