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#MORISAKI WIN
ariddletobesolved · 1 year
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Spy x Family Musical | 2nd Day Curtain Call (Matinee Show)
Bonus, The Forgers after the extra bows:
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2nd Day Curtain Call (Evening Show)
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ambafaerie · 2 years
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The Spy x Family Musical 2023 Cast Visuals!
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choueiyuusubs · 10 months
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Ore koso Only One - MORISAKI WIN Chou Eiyuusai 2023
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save-the-data · 11 months
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KAMEN RIDER W | S01E07
Japanese Drama - 2009, 49 episodes  
~ Episode List ~ |  ~ Japanese Drama Master List ~  
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tokusongs · 1 month
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"Don't Boo! DonBrothers", ED of Avataro Sentai DonBrothers (2022). Performed by Morisaki Win.
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rz-jocelyn · 1 year
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[VIDEO] Musical JAMIE: The Musical "JAMIE" is Now Available to Watch Online
With the double cast of Morisaki Win and Takahashi Fuu as Jamie New, both versions of the Musical "JAMIE" have been made available to watch online.
Both versions feature Sato Ryuji as Dean Paxton.
NOTE: On the broadcast day, Yabe Masaki (the W-cast for Dean) had been a close contact of someone who had tested COVID-19 positive. During this time, Ryuji took on the role as an emergency replacement. Because of this, Ryuji performed for five consecutive performances on three consecutive days without a break.
PERSONAL HIGHLIGHT
Dean Paxton is a classmate of Jamie who bullies Jamie for being gay and for wanting to be a drag queen. However, Ryuji puts his own spin on the role, bringing to life a Dean whose confidence and popularity hides a boy who is as conflicted and insecure as the Jamie he bullies. 
Even as he watches Jamie grow into his own, Dean finds himself being pushed to the fringes, and we watch as Dean’s shields crumble, leading to the final explosive but also incredibly sweet confrontation between him and Jamie. 
Ryuji’s Dean has a subtly different relationship with Win’s Jamie and Fuu’s Jamie, and an incredible chemistry with both of them. 
CAST
Morisaki Win / Takahashi Fuu (WATWING) as Jamie New (W-cast)
Aran Kei as Margaret New
Tamura Meimi / Yamaguchi Nonoka as Pritti Pasha (W-cast)
Sato Ryuji / Yabe Masaki (DISH//) as Dean Paxton (W-cast)
Ito Kanoko as Fatimah
Ota Masaki as Mickey
Kawahara Kazuma as Sayid
Konishi Eito as Cy
Suzuki Emiko as Bex
Tano Yuuka as Vicki
Frank Rina as Becca
MAOTO as Levi
Higuchi Asami / Misaki Rion as Miss Hedge (W-cast)
Nagano Akihito as Tray Sophisticay, Laika Virgin
Keigo Yoshino as Tray Sophisticay, Hugo Battersby / Loco Chanelle
Izumi Yohei as Laika Virgin
Hosaka Chizu as Ray
Ishikawa Zen as Hugo Battersby / Loco Chanelle
Imai Kiyotaka as Jamie's Dad, Sandra Bollock
STORY DESCRIPTION
The Japanese version of the West End production "Everybody's Talking About Jamie", the Musical "JAMIE" follows the story of Jamie New, a 16-year-old teenager who fights against prejudice and bullying to become a drag queen.
TO WATCH THE STREAMS
Streams of both the Morisaki Win and Takahashi Fuu versions are available. Ryuji plays Dean in both versions. 
To watch the streams, please refer to this link: HERE
NOTE: VPN is required to watch the streams. 
Source(s): ( x , x , x , x , x )
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dengswei · 2 years
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YAMADA RYOSUKE as Maruya Kosuke and MORISAKI WIN as Yamashiro Yamato in Ore no Kawaii wa Mousugu Shohikigen!? (2022) episode eight
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pulaasul · 7 months
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It really is a shame that Win Morisaki didn't blow up in Hollywood... he's a decent actor from what I've seen in both W (when he was still a teen) and in Ready Player One.
Yes, I'm talking about Donbrothers's theme song singer, Win Morisaki.
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cultfaction · 1 year
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Preview- Avataro Sentai Donbrothers Ep. 42: Off-Putting Family
Preview- Avataro Sentai Donbrothers Ep. 42: Off-Putting Family
In Avataro Sentai Donbrothers Ep. 42: Off-Putting Family, when Taro delivered a package to Shinichi’s house, Haruka and Tsuyoshi were also living together. In fact, Haruka is the “younger sister” and Tsuyoshi is the “father” and “mother”. Furthermore, Tsubasa and Jiro are Haruka’s boyfriends?! The secret of the Saruhara family… Now, where is the truth and where is the lie?
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waitmyturtles · 2 years
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Alright, taking a breather from my Eclipse posts to handle a couple things! (Long post!)
1) New ep of Kabe Koji: LOVELY. Ooooooh, the sloooooooowww burn. Mamocchi’s emotion at touching Issei and inspiring him. Issei’s slow growth into leadership and determination. These characters are taking their time with showing their facets. I’m really loving it. 
2) Japanese Twitter (and English Twitter reporting on doramas) have noted that the show Silent is quite popular right now in Japan, so I’m picking it up on Viki. Watched the first episode last night, and it is just lovely, reflective of a lot of what I like about doramas and Japanese literature. The pace is very much akin to Shinya Shokudo -- it takes its time with telling its story. It focuses on a young woman who is about to move in with her boyfriend, a high school friend. But she runs into another high school classmate -- her ex-boyfriend, who had suddenly dumped her after graduation. While she thought she had been dumped for another woman, her ex-boyfriend had actually lost his hearing. I’m only through episode one, and there are three on Viki so far, but I’m going to dive into this -- I feel like the pace and storyline are super calming, and the acting is wonderful so far. The lead actress is Kawaguchi Haruna, who I haven’t watched before, but she’s splendid. 
I’m so appreciating the increase in dramas that feature characters with disabilities in lead or prominent roles -- Drive My Car, Extraordinary Attorney Woo, and now (for me) Silent. I’m only through episode one, but it seems like this art is being respectfully and deeply done. It’s a nice foil to the intensity of The Eclipse, and I think I’m picking up Big Dragon once The Eclipse is over, so considering how insane Big Dragon looks, I’ll need a calmer dorama to balance things out!
3) OMG, I am FINALLY publishing this review: Three Star Bar in Nishi Ogikubo, yay!
I finished this cute mid-season 2021 dorama much later than I expected; I started it last month, and had to pause while my partner had COVID. But this six-episode series was otherwise a quick watch. I’m going to offer some gentle criticism, but this show did help me cross another dorama off my Machida Keita rabbithole list. 
The show focused on three former high school classmates, now adults, who take over the bar of the deceased grandfather of one of the classmates. The bar focuses on classic cocktails and only serves canned food (somewhat of a common occurrence in shows about food in Japan). Machida as Amamiya is a former salaryman; Fujiwara Kisetsu as Nakauchi is a former high-end chef who transforms the canned foods into unique dishes, and Morisaki Win as Kobayashi is a struggling author and current owner of the bar.
So I think that this dorama would have actually been slightly better if it had been a fall or early winter dorama, which sounds kinda of weird, but hear me out: the three main actors are all amazing in their own right -- we’ve seen them in other works that totally showcased their acting chops. 
[Having now watched a couple Machida works, and with more on my list, I’m really getting convinced that Cherry Magic was his prime acting showcase of his career so far. Watching Teppachi! was fine, shrugs, and Super Rich is going along (Akaso Eiji outacts Machida in Super Rich), but those shows aren’t challenging, or like, dramatic. Live Like a Girl, Alice in Borderland, that taiga he was in, and probably some movies I’m missing, may prove me wrong, but I gotta watch them first before I judge. I think we were deeply spoiled by the actual quality of the filming and writing of CM, regardless of its BL status, for both Machida and Akaso.]
Anyway, I think that if Three Star Bar were a fall or early winter show, it may have been written with a little more depth -- instead, I think it served as a mid-season quick filler for MBS. I think the three guys (sparkles sparkles, they were all cast together for a reason) were ultimately underutilized, and the customer focal points of each episode were slightly weak and hyperbolized. There was a lot of potential -- the dorama was sweet, but the writing was on the edge of something much more complicated and interesting that didn’t quite get there.
I wrote earlier that episode two punched me in the gut -- it was an episode about an actress-turned-mother who was struggling with balancing her career and raising her child. Lord, can I relate. 
So I think that episode could have really gone places! Japan has deeply entrenched issues with supporting career women who become mothers. I think the episode documented the actress’s struggles well. But the guys were left to respond kind of with....not a lot. The actress’s husband comes to the bar and says, “we’ll manage.” Like, cool, but give us more. What I wanted to see was how the husband would compromise himself and his family’s structure to accommodate his wife’s career -- it wouldn’t have taken too much more writing to get to that point. Or the guys talking about their own views of this problem more deeply. 
I think I’m being critical enough of this show because the potential for human revelations in the context of being alone in a quiet bar are so high. I’m working out in my head a separate meditation on the beauty of eating and drinking alone, and how Japan handles this so beautifully in their many shows about the topic. I really wanted Three Star Bar to join those ranks, but ultimately, the dorama was designed to tell a different story. 
For the sake of that different story -- getting three cute classmates together to figure out their early mid-life crises as a team -- it was a sweet show, especially the last episode, with an ex-pat coming back home to Japan to discover her father’s life in the old bar with Kobayashi’s grandfather. I truly do love shows that showcase food and cocktails, and honestly, I think Machida as a bartender did the best he could with what he was given from a writing perspective. 
And Amamiya’s and Kobayashi’s life revelations at the end were satisfying. Amamiya’s character was written as a little milquetoast, but -- the guy clearly need to move away from society’s demands that he turn into a run-of-the-mill salaryman. By finding his life in the bar and living creatively, Amamiya took a risk that a man like himself would have otherwise likely struggled to accept. The true winner of this show, in my opinion, was Morisaki Win as Kobayashi. His Kobayashi was the perfect brooding foil to Amamiya’s cheerfulness, and I think Kobayashi’s revelatory story of conquering writer’s block did nail what a quiet bar inspires -- aloneness can oftentimes bring light to darkness.
I would recommend this as a quick watch! If you LOVE shows about people sitting at bars and working out their very deep issues, Shinya Shokudo is the dorama for that; but Three Star Bar is perfect for a fast binge. AND, SWEETLY: two cute future BL cameos are in this, with Nishigaki Sho as a young Amamiya, and Matsuoka Koudai from beloved Kabe Koji as a fellow chef. Nishigaki playing a young Amamiya was particularly cute and made me giggle; I wonder what Minato Akira/Rokkaku would have thought. 
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wabisabiheart · 2 years
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~ Three Star Bar in Nishi Ogikubo (2021)
Nishiogikubo Mitsuboshi Youshudou [2021]
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ariddletobesolved · 1 year
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Musical Spy x Family Curtain Call | Masuda Risa’s Last Tokyo Performance as Anya
Bonus, this cute exchange when Loid (Morisaki Win) asked Yor (Yuzuki Fuka) to give a speech:
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jpopstreaming · 6 months
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🆕🎶 「 Dear 」 new single by MORISAKI WIN is now available worldwide! 🌐 Listen now and discover new sounds from Japan on our weekly updated playlist 🎧 https://spoti.fi/3lgjH73
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choueiyuusubs · 5 months
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Don’t Boo! Donbrothers - MORISAKI WIN Avataro Sentai Donbrothers Final Live Tour (Show 3)
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save-the-data · 1 year
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FAKE MOTION: Takkyu no Osho | s01e01
Japanese Drama - 2020, 8 episodes
~ Episode List ~
Never actually gave this a proper GIF episode treatment, just created sets for each character, so time to fix that. 
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dailyjpop · 1 year
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MORISAKI WIN - My Place, Your Place
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