#Marcello Cruz | Explore Tumblr Posts and Blogs

princesssarisa · 20 days

Text

Opera on YouTube 6

Pagliacci

Franco Enriques studio film, 1954 (Franco Corelli, Mafalda Micheluzzi, Tito Gobbi; conducted by Alfredo Simonetto; no subtitles)

Tokyo Bunka Kaikan, 1961 (Mario del Monaco, Gabriella Tucci, Aldo Protti; conducted by Giuseppe Morelli; Japanese subtitles)

Herbert von Karajan studio film, 1968 (Jon Vickers, Raina Kabaivanska, Peter Glossop; conducted by Herbert von Karajan; no subtitles)

Franco Zeffirelli film, 1983 (Plácido Domingo, Teresa Stratas, Juan Pons; conducted by Georges Prêtre; English subtitles) – Part I, Part II, Part III, Part IV, Part V, Part VI

Metropolitan Opera, 1994 (Luciano Pavarotti, Teresa Stratas, Juan Pons; conducted by James Levine; Spanish subtitles)

Ravena Festival, 1998 (Plácido Domingo, Svetla Vassileva, Juan Pons; conducted by Riccardo Muti; Italian subtitles)

Zürich Opera House, 2009 (José Cura, Fiorenza Cedolins, Carlo Guelfi; conducted by Stefano Ranzani; no subtitles)

Chorégies d'Orange, 2009 (Roberto Alagna, Inva Mula, Seng-Hyoun Ko; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2011 (Marcello Giordani, Angeles Blancas, Vittorio Vitelli; conducted by Daniele Callegari; English subtitles – ignore the silly references to Norse mythology and aliens that the translator threw in, they're not in the actual libretto)

Latvian National Opera, 2019 (Sergei Polyakov, Tatiana Trenogina, Vladislav Sulimsky; conducted by Jānis Liepiņš; no subtitles)

Die Entführung aus dem Serail

Dresden State Opera, 1977 (Armin Ude, Carolyn Smith-Meyer, Barbara Sternberer, Rolf Tomaszewski; conducted by Peter Gülke; no subtitles)

Bavarian State Opera, 1980 (Francisco Araiza, Edita Gruberova, Reri Grist, Martti Talvela; conducted by Karl Böhm; English subtitles)

Royal Opera House, Covent Garden, 1988 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Moll; conducted by Georg Solti; English subtitles)

Salzburg Festival, 1989 (Deon van der Walt, Inga Nielson, Lillian Watson, Kurt Rydl; conducted by Horst Stein; no subtitles)

Théâtre du Châtelet, 1991 (Stanford Olsen, Luba Orgonasova, Cyndia Sieden, Cornelius Hauptmann; conducted by John Eliot Gardiner; French subtitles)

Vienna State Opera, 1989 (Kurt Streit, Aga Winska, Elzbieta Szmytka, Artur Korn; conducted by Nicolaus Harnoncourt; Hungarian subtitles) – Act I, Act II

Teatro della Pergola, 2002 (Rainer Trost, Eva Mei, Patrizia Ciofi, Kurt Rydl; conducted by Zubin Mehta; Spanish subtitles)

Gran Teatre del Liceu, 2012 (Christoph Strehl, Diana Damrau, Olga Peretyatko, Franz-Josef Selig; conducted by Ivor Bolton; Catalan subtitles)

Bankhead Theatre, 2018 (David Walton, Alexandra Batsios, Elena Galvan, Kevin Langan; conducted by Alex Katsman; English subtitles)

Theatro São Pedro, 2023 (Daniel Umbelino, Ludmilla Bauerfeldt, Ana Carolina Coutinho, Luiz-Ottavio Faria; conducted by Cláudio Cruz; Brazilian Portuguese subtitles)

Un Ballo in Maschera

Tokyo Bunka Kaikan, 1967 (Carlo Bergonzi, Antonietta Stella, Mario Zanassi; conducted by Oliviero di Fabritiis; Spanish subtitles)

Royal Opera House, Covent Garden, 1975 (Plácido Domingo, Katia Ricciarelli, Piero Cappuccilli; conducted by Claudio Abbado, English subtitles)

Teatro alla Scala, 1978 (Luciano Pavarotti, Mara Zampieri, Piero Cappuccilli; conducted by Claudio Abbado; Italian subtitles)

Metropolitan Opera, 1980 (Luciano Pavarotti, Katia Ricciarelli, Louis Quilico; conducted by Giuseppe Patané; no subtitles)

Royal Swedish Opera, 1986 (Nicolai Gedda, Siv Wennberg, Carl Johan Falkman; conducted by Eri Klas; sung in Swedish; Swedish subtitles)

Salzburg Festival, 1990 (Plácido Domingo, Josephine Barstow, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Leipzig Opera House, 2006 (Massimiliano Pisapia, Chiara Taigi, Franco Vassallo; conducted by Riccardo Chailly; English subtitles) – Part I, Part II

Teatro Regio di Torino, 2012 (Gregory Kunde, Oksana Dyka, Gabriele Viviani; conducted by Renato Palumbo; no subtitles) – Part I, Part II

Chorégies d'Orange, 2013 (Ramón Vargas, Kristin Lewis, Lucio Gallo; conducted by Alain Altinoglu; French subtitles)

Arena di Verona, 2014 (Francesco Meli, Hui He, Luca Salsi; conducted by Andrea Battistoni; no subtitles)

Cavalleria Rusticana

Giorgio Strehler studio film, 1968 (Gianfranco Cecchele, Fiorenza Cossotto; conducted by Herbert von Karajan; no subtitles)

Metropolitan Opera, 1974 (Franco Tagliavini, Grace Bumbry; conducted by John Nelson; no subtitles)

Franco Zeffirelli film, 1983 (Plácido Domingo, Elena Obraztsova; conducted by Georges Prêtre; no subtitles)

Ravenna Festival, 1996 (José Cura, Waltraud Meier; conducted by Riccardo Muti; Italian subtitles)

Ópera de Bellas Artes, 2008 (Alfredo Portilla, Violeta Dávalos; conducted by Marco Zambelli; Spanish subtitles)

Zürich Opera, 2009 (José Cura, Paoletta Marrocu; conducted by Stefano Ranzani; no subtitles)

Chorégies d'Orange, 2009 (Roberto Alagna, Beatrice Uria-Monzon; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2011 (Marcello Giordani, Ildiko Komlosi; conducted by Daniele Gallegari; Spanish subtitles)

Mikhailovsky Theatre, St. Petersburg, 2012 (Fyodor Ataskevich, Iréne Theorin; conducted by Daniele Rustioni; English subtitles)

Vienna State Opera, 2019 (Younghoon Lee, Elina Garanča; conducted by Graeme Jenkins; English subtitles)

#opera #youtube #complete performances #pagliacci #die entführung aus dem serail #the abduction from the seraglio #un ballo in maschera #cavalleria rusticana #ruggero leoncavallo #wolfgang amadeus mozart #giuseppe verdi #pietro mascagni

5 notes · View notes

paulinedorchester · 2 years

Text

Latinx singers of classical music: a list so incomplete as to be positively embarrassing

What I wrote in the previous post in this series applies here as well:

Some of these artists are up-and-comers; some of their careers were at their height in the 1970s, when I first began paying attention; a few go back further than that.

Although in this case it’s more than a few — which, along with the fact I kept finding more and more younger artists, is why I decided to end my research and post this now.

I’ve included many of the younger ones solely on the basis of reputation, without having heard them. Not all are or were A-listers, but they are all people who sing or sang Western classical music for a living, or taught others to do so, or a combination of the two.

Assembling this list has required me to consider some questions of inclusion. Do the children of European immigrants who, in some cases, didn’t even bother to give their children Latinate names belong here? Undoubtedly many people will say no; I disagree. (I have drawn the line, however, at Spanish or Portuguese artists who decamped to their countries’ former colonies.)

Fedora Alemán (1912-2018), soprano, Venezuela Elaine Alvarez, soprano, USA Marcelo Álvarez, tenor, Argentina Fanny Anitúa (1887-1968), contralto, Mexico Francisco Araiza, tenor, Mexico Iván Ayón-Rivas, tenor, Peru Aldo Baldin (1945-1994), tenor, Brazil René Barbera, tenor, USA Vanessa Becerra, soprano, USA Ricardo Bernal, tenor, Mexico Jessica Bogado Corvalán, soprano, Paraguay Javier Camarena, tenor, Mexico Teresa Castillo, soprano, USA Ian Castro, tenor, USA Arturo Chacón-Cruz, tenor, Mexico Mario Chang, tenor, Guatemala Claudia Chapa, mezzo-soprano, Mexico Luis Chapa, tenor, Mexico Lisa Chavez, mezzo-soprano, USA José Coca Loza, bass, Bolivia Eliane Coelho, soprano, Brazil John J. Concepcion, tenor, USA Natacha Cóndor, mezzo-soprano, Ecuador Paul Corona, bass, USA Gloria Criscione Pineda, soprano, Paraguay Gilda Cruz-Romo, soprano, Mexico José Cura, tenor, Argentina Alfredo Daza, baritone, Mexico César Delgado, tenor, Mexico Juan José de León, tenor, USA Fernando de la Mora, tenor, Mexico Justino Díaz, bass-baritone, Puerto Rico Gabriella Di Laccio, soprano, Brazil Nahuel di Pierro, bass, Argentina Oralia Dominguez (1925-2013), contralto, Mexico Rubén Domínguez (1935-2015), tenor, Venezuela Cecilia Duarte, mezzo-soprano, Mexico Gabriella Enríquez, soprano, USA Consuelo Escobar (1887-1967), soprano, Mexico Franco Fagioli, counter-tenor, Argentina Bernarda Fink, mezzo-soprano, Argentina Juan Diego Flórez, tenor, Peru Cristina Gallardo-Domâs, soprano, Chile Karen Gardeazabal, soprano, Mexico Ricardo Garcia, tenor, USA Raúl Giménez, tenor, Argentina Adriana González, soprano, Guatemala Joshua Guerrero, tenor, USA Carlos Guichandut (1914-1990), tenor, Argentina Levi Hernandez, baritone, USA Ramón Iriarte, baritone, Venezuela Edgar Jaramillo, tenor, USA Maria Katzarava, soprano, Mexico Yunuet Laguna, soprano, Mexico Valeriano Lanchas, bass, Colombia José Lemos, counter-tenor, Brazil Laura León, soprano, Cuba Isobel Leonard, mezzo-soprano, USA Luis Lima, tenor, Argentina Cecilia Violetta López, soprano, USA Zulimar López-Hernández, soprano, Puerto Rico Ricardo Lugo, bass, Puerto Rico Sergio Mandujano, tenor, USA José Mongelós, tenor, Paraguay Larisa Martínez, soprano, Puerto Rico Julio Mascaro, tenor, Guatemala José Mojica (1895-1974), tenor, Mexico Albert Montañez, counter-tenor, Colombia Maria José Morales, soprano, Guatemala Rafael Moras, tenor, USA Octavio Moreno, baritone, Mexico Adelaida Negri (1943-2019), soprano, Argentina Salvador Novoa (1937-2021), tenor, Mexico Richard Ollarsaba, bass-baritone, USA Lisette Oropesa, soprano, USA Jehú Otero, tenor, Puerto Rico Beatriz Parra Durango, soprano, Ecuador Miguel Pedroza, bass-baritone, Venezuela Ángela Peralta (1846-1883), soprano, Mexico Ailyn Pérez, soprano, USA Natalie Pérez, mezzo-soprano, Argentina Rodrigo Porras Garulo, tenor, Mexico Marcello Puente, tenor, Argentina Gustavo Quaresma Ramos, tenor, Brazil Rayén Quitral (1916-1979), soprano, Chile Ernesto Ramirez, tenor, Mexico Gabriella Reyes, soprano, USA Iván Ayón Rivas, tenor, Peru Ricardo José Rivera, baritone, Puerto Rico Gaston Rivero, tenor, Uruguay Mario Rojas, tenor, Mexico Manuel Salazar (1887-1950), tenor, Costa Rica Zoraida Salazar, soprano, Colombia Renato Sassola (1927-2013), tenor, Argentina Bidú Sayão (1902-1999), soprano, Brazil Erwin Schrott, bass-baritone, Uruguay Rosita Serrano (1912-1997), soprano, Chile Nadine Sierra, soprano, USA Efraín Solís, bass-baritone, USA José Sosa Esquivel (1923-1968), tenor, Mexico Paolo Szot, baritone, Brazil Ricardo Tamura, tenor, Brazil Jonathan Tetelman, tenor, Chile Camila Titinger, soprano, Brazil Matthew Treviño, bass, USA Eduardo Valdes, tenor, Puerto Rico Ramón Vargas, tenor, Mexico Héctor Vásquez, baritone, USA Vanessa Vasquez, soprano, USA Hugo Vera, tenor, USA Denis Vélez, soprano, Mexico Fabián Veloz, baritone, Argentina Elena Villalón, soprano, USA Verónica Villarroel, soprano, Chile Rolando Villazón, tenor, Mexico Ramon Vinay (1911-1996), tenor, Chile Ariana Wehr, soprano, Brazil Renato Zanelli, tenor, Chile

#classical vocal music #inclusion #i had to do some drastic and arbitrary editing #to get this post to fit within #tumblr's 4096-character per-post limit #nevertheless this is #a long post for sunday

4 notes · View notes

amazoniaonline · 4 months

Text

Sespa inicia campanha do Janeiro Roxo para conscientizar população sobre hanseníase

Ao longo do mês de janeiro a Secretaria de Estado de Saúde Pública do Pará (Sespa) vai realizar a campanha do “Janeiro Roxo”, que consta no calendário do Ministério da Saúde e é voltada para a conscientização sobre a hanseníase. A doença é caraterizada pelo aparecimento de nódulos dolorosos em todo o corpo, falta de sensibilidade e força muscular nos pés e mãos além de manchas com alteração da sensibilidade térmica e comprometimento dos nervos periféricos. “Logo no início de janeiro vamos fazer um ciclo de capacitações, já trabalhando os indicadores da doença junto às Regionais de Saúde e os municípios, onde nós vamos abranger os 13 centros regionais e os 144 municípios, já preparando para um trabalho em que o município protagoniza o combate à hanseníase durante todo o ano de 2024 e não apenas em janeiro. Então nesse momento, será feita essa atividade e posteriormente, vamos incentivar os municípios a trabalhar a sua própria campanha, porque eles são executores e lidam diretamente com a população”, disse Luís Augusto Costa de Oliveira, coordenador do Programa de Controle de Hanseníase da Sespa. A capacitação dos municípios acontecerá de forma online para que todos tenham oportunidade de participar. O tratamento da hanseníase acontece, primeiramente, na Atenção Primária e por isso é tão importante que as secretarias municipais de saúde estejam envolvidas e trabalhem para a diminuição dos casos. “Em 2023, no Pará, o número foi de 1.349 casos novos, sendo que 92 deles eram casos de pessoas menores de 15 anos. A situação da hanseníase no Estado, se a gente for fazer uma avaliação da série histórica dos últimos 10 anos, está em declínio. E isso se deve às ações que estão sendo feitas como, por exemplo, as ações de capacitação junto aos 144 municípios do Estado, onde equipes de médicos e enfermeiros da Atenção Primária são capacitados para diagnosticar a doença de forma precoce e assim o tratamento é eficiente, em 6 ou 12 meses”, completou o coordenador. A transmissão da hanseníase ainda é um fator preocupante já que ocorre quando uma pessoa com hanseníase, na forma infectante e sem tratamento, elimina o bacilo para o meio exterior e infecta as demais pessoas do ambiente que estejam suscetíveis à doença. Foto: Melina Marcelina/Ascom SespaDiagnóstico e tratamento - Casos mais graves são encaminhados para a Unidade de Referência Especializada (URE) Marcello Candia, em Marituba. O médico Carlos Cruz, que atua no local explica que há medidas importantes para reduzir os índices da doença. “É necessário que realizem exame de todos os contatos intradomiciliares do caso novo, mantendo-os em observação por mais 5 anos e isso permite o diagnóstico precoce. Além disso, é necessário realizar a aplicação da vacina BCG em todos os contatos que não apresentarem sintomas da doença, mesmo que já apresentem cicatriz vacinal”, disse. O diagnóstico é feito por exame físico geral dermatológico e neurológico que identifica se há lesões ou áreas de pele com alteração de sensibilidade e/ou comprometimento de nervos periféricos. Já em crianças, o diagnóstico necessita de uma avaliação mais criteriosa, já que é difícil realizar os exames nesse público. No dia 28 de janeiro, último domingo do mês, a Sespa vai realizar na Praça da República uma programação voltada a sensibilização da população que estiver no local. Reprodução Agência Pará. Read the full article

0 notes

delaruecaalapluma · 5 months

Text

El papa autoriza la beatificación de Ana de Jesús

Próxima beata carmelita

Hoy jueves, 14 de diciembre de 2023, fiesta de S. Juan de la Cruz, durante la audiencia concedida al Cardenal Marcello Semeraro, Prefecto del Dicasterio para las Causas de los Santos, el papa Francisco ha autorizado al mismo Dicasterio a promulgar varios decretos, entre los cuales se encuentra el decreto relativo a un milagro atribuido a la intercesión de Ana de Jesús (Lobera). Este decreto…

View On WordPress

#Ana de Jesús

1 note · View note

earaercircular · 9 months

Text

When the treasure consists of scrap

Alfametal recycling facilities in Santa Cruz de Tenerife

Alfametal benefits from the boost in the consumption of recycled iron due to the new legislation and invoices 210 million euros, four times more than just three years ago.

The scrap business is one of the oldest.[1] Family businesses that used to be located on the outskirts of big cities or in towns and that collected and dissected everything from household appliances to used cars and then sold it to steel mills and foundries. It is an activity that generates an economic value equivalent to 1% of Spanish GDP, according to the Spanish Recycling Federation (FER)[2], and in which more than 33,000 people work.

Today these companies are experiencing a 180 degree change. From being a highly fragmented sector, concentration is giving rise to larger groups[3], a trend that is also taking place in the rest of Europe. In addition, this activity has become increasingly professionalized by more efficient and sustainable companies. One of them is Alfametal,[4] based in Rubí (Barcelona), specializing in the recovery, transport, storage and marketing of metals, especially industrial and consumer waste[5], such as end-of-life vehicles.

Its story begins in the Canary Islands in 2016 when Marcos Manzanares and Marcello Perillo, founders of Alfametal, had the opportunity to buy the only disused vehicle fragmentation plant in Las Palmas de Gran Canaria, which was in the hands of a group of investors who were not doing well. [6] “Marcello saw that it was a good opportunity and he called me to face this purchase together. It needed economic muscle because this sector is not cheap, you not only have to buy, but also to manage," explains Manzanares, who had already worked as director of a scrap management plant a few years earlier at Celsa, a company that produces circular steel.

In these seven years of existence, Alfametal, which maintains a shareholding divided between the two founders without specifying the participation of each one, has grown exponentially thanks mainly to the rise in demand for recycled iron as a result of the new legislation that encourages its use and the rise in the price of raw materials. [7] In addition, it has just entered the Financial Times ranking of the 1,000 fastest growing companies in Europe[8] and its numbers account for this rise, placing it as the third company in the sector in Spain out of a list of more than 2,000.

In 2020, its turnover was estimated at 50 million euros and then climbed to 164 in 2021. Last year, the figure rose to 210 million, with an operating margin of 5% on sales. The main drivers of the business are ferric scrap (iron), which contributes 60% of the turnover, copper (20%) and the rest comes from materials such as aluminum, tin and nickel, among others. Materials that arrive from Spain, "we don't import anything," says Manzanares, and that they sell to foundries and steel mills, especially national ones.

Exports represent 40% of its turnover, with destinations such as Morocco, Portugal and Asia. Of its production, between 20% and 25%, is iron material and is destined for Moroccan steel mills. “They need a lot of scrap, they have little industry and little production. Morocco is a very good market, it is close and the freight is short”, points out Perillo. At the moment, it does not plan to increase exports or reach other countries “because everything we have is sold. In addition, the national steel mill is not excited about taking the raw material out of its area or region, but if you do it well and explain it, there is no problem”, Manzanares stresses. In any case, the rise in sales does not seem to be in danger in a context such as the current one, in which variables such as the relative scarcity of second-hand cars have entered the scene, due to the sales boom. "It has affected us little, just like when there is a Plan Prever (Foresee Plan)[9], which is more difficult to provide for, but the end-of-life vehicle business is based on an average age of the car that is not affected by local policies," argues Manzanares. Nor the arrival of the electric car. “The same is true 20 years from now, but until it is recycled there is a long time left. Plants like ours don't have supply problems for now”, he adds.

Nine plants

The launch of new locations has also contributed to the growth of the company that manages the treatment and recycling of end-of-life vehicles,[10] electric motors, the purchase and treatment of classic scrap that comes from construction or industry and WEEE (waste from electrical and electronic equipment). "We are specialised in a very broad WEEE: from a hair dryer to a computer, although we want to focus on computer and technology waste, a material from which precious metals such as gold and platinum, among others, are extracted," explains Perillo. Thus, for example, a cathode tube television can contain half a gram of gold and up to 400 grams of copper, and a ton of mobile phones can add up to 350 grams of gold.

Currently, Alfametal has nine plants spread between Catalonia (Rubí, Port of Barcelona and El Pont de Vilomara); Zaragoza (Calatayud), acquired in 2020; Canary Islands (Arinaga, Puerto de Arinaga and Santa Cruz de Tenerife), and Andalusia (Port of Motril and El Padul). The latter, with more than 30,000 square metres, that was in bankruptcy proceedings, was recently acquired for six million euros and will come into operation at the end of the year. "A plant that was inoperative and whose launch has been more painful than the purchase," Perillo smiles.

Without a strategic growth plan for the future, their forecasts point to raising their turnover by 10% in 2023. "At the moment we are going step by step, first we have to digest the investment in El Padul[11] in the Granada province and after that it will depend," Perillo specifies. What they are clear about is that they will continue to bet on organic and inorganic growth. “We are in a process of concentration and professionalisation. Now there are many people who sell this type of business because they do not want to continue facing it or cannot. This was a family business that passed from father to son and now there are third or fourth generation actors, economically well off, who no longer feel like fighting or consolidating. These are not businesses with great benefits, they have tight margins and this offers many opportunities”, concludes Manzanares.[12]

Source

Pilar Calleja, Cuando el tesoro está en la chatarra, in: El País, 10-7-2023, https://elpais.com/economia/negocios/2023-07-10/cuando-el-tesoro-esta-en-la-chatarra.html

[1] Read also: https://www.tumblr.com/earaercircular/703622189276086272/from-willebroek-scrap-dealer-to-european-recycling?source=share

[2] The Federación Española de la Recuperación y el Reciclaje (Spanish Federation for Recovery and Recycling) brings together the interests of the waste recycling sector and defends them in different economic, social and environmental fields at a national and international level. https://www.recuperacion.org/fer/nosotros/

[3] Read also: https://www.tumblr.com/earaercircular/702458249537011712/spanish-gestamp-buys-333-of-gescrap-for-its?source=share

[4] Alfametal is one of the main industrial recoverers of ferrous and non-ferrous materials in Spain. Distributed throughout the Spanish geography, its plants are specialized by type of metals and production processes. Through the processes of fragmentation, selection and refining of metals, VFU, WEEE and electric motors, we actively contribute to the circular economy and sustainability. https://www.alfametal.es/nosostros/

[5] Brussels proposes to reduce food waste by 30% in supermarkets, restaurants and homes. European Commission has launched several circular economy proposals, along with legislative initiatives to regularize the gene editing of crops and achieve more resistant crops.

[6] The Netherlands shields the use of the bicycle in the political debate. With 20 million velocipedes for 17.8 million people, its network of lanes now totals 35,000 kilometers

[7] When the treasure consists of scrap. Alfametal benefits from the boost in the consumption of recycled iron due to the new legislation and invoices 210 million euros, four times more than just three years ago

[8] https://www.ft.com/ft1000-2023

[9] Un Plan Prever. The Ministry of Agriculture intends to carry out a PREVER plan that encourages the change of outdated machinery for another that has the latest innovations in terms of safety and comfort. Crush and entrapment damage take the cake for field accidents. They are also the accidents with the most serious consequences. https://cadenaser.com/aragon/el-campo-necesita-un-plan-prever-radio-huesca/

[10] Read also: https://www.tumblr.com/earaercircular/655495481014861824/innovations-at-the-service-of-the-environment?source=share

[11] El Padul is a municipality of south-eastern Spain, in the province of Granada, within the comarca of el Valle de Lecrín. The population on 2008 was 8.440 inhabitants. This town is situated 13 km at the south of the city of Granada. Its altitude is 744 meters above the sea level.

[12] Read also: https://www.tumblr.com/earaercircular/707326337365442560/recycling-raw-materials-from-urban-mines-are?source=share & https://www.tumblr.com/earaercircular/670292335907815424/e-waste-an-ecological-bomb-how-to-get-rid-of?source=share

#circular economy #waste recycling #scrap #recycling metals

0 notes

supironotur · 10 months

Text

Quando Deus disse: que seja feito o fim

Meu sorriso se ascendeu na escuridão do Éden

Os anjos abaixaram a cabeça e o Diabo fez o sinal da cruz

Deus então me chamou e disse que as minhas mãos

Eram as mãos de uma parteira e as de um assassino em série

E que sete palmos de terra são o suficiente

Pra igualar todos os homens

Minha presença é um suspiro da eternidade

Sou eu quem trabalha com o cupido escrevendo o futuro dos netos

Com a caligrafia dos avós

Sou eu quem mata o fim da noite pra que uma nova manhã nasça

Sou eu aquela que ama tanto a vida que ao toca-la

Levo-a comigo fazendo de suspiros finais um tapete vermelho

E de extremas unções pedidos de casamento, até que a os separe

Com o passar do tempo entendi que o sol é uma estrela

Que supernova é a morte de uma estrela

E que pra algumas crenças o sol era um Deus

Na minha mão até um Deus pode morrer

- Linda de morrer , marcello gugu

0 notes

wondernwriter · 2 years

Text

Excellent movie 🍿 ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️ Was skeptical considering I’m not a fan of movies with a lot of star power & this had 3 Oscar winners but this film killed it. There were no talk-fighting scenes which I hate. Anyone who kickboxes or even shadowboxes knows you don’t have the energy to chitchat. Why they put that in movie I’ll never know but this was great!!

#the 355 #movies

0 notes

tonin-terets · 2 years

Video

vimeo

Montblanc x Device from Device on Vimeo.

Montblanc has a worldwide reputation for their craftsmanship, innovation and longevity – now they’re taking that same philosophy and applying it towards more sustainable goals. We worked together on their new campaign pledging for a greener future, to showcase the steps the company’s currently taking towards achieving net-zero.

Directed by: Device Director: Raül Peix Produced by: BOL Executive Producer: Marcello Buselli Agency: W+K Amsterdam Producer: Tamara Sefcovicova Illustrator: Luis Mendo Additional Illlustration: Eudald Salarich Cel Animation: Fernando Abaca, Giorgio Gore, Eze Cruz, Javi Vaquero 3D Animation: Raül Peix Clean-Up: Eze Cruz, Daniel Soms, Núria Just, Pau Anglada Compositing: Raül Peix

0 notes

kedaikopitepijalan · 2 years

Text

Kenapa Kopi selalu Identik dengan Anak Senja?

Mungkin sebagian dari kalian sering melihat bio Instagram seseorang yang selalu mengkaitkan senja dan kopi di dalam kehidupan yang mereka anggap indie/senja. Yap, anak dengan round eyeglass, flannel, jeans, dan Converse lengkap dengan tote bag yang menemani tiap langkahnya.

Terus kenapa harus kopi? Bukan thai tea atau mungkin minuman dengan bubble yang enak banget dikunyah?

Sebenarnya, selain teman minum saat bersilaturahmi, kopi bagi mereka adalah sebuah energi yang dapat menyuntik semangat. Bukan tanpa alasan, caffeine yang terkandung dalam kopi dapat mencegah produksi neurotransmitter yang bernama adenosine. Adenosine memiliki peran sebagai indikator tubuh. Ketika sudah mencapai batasnya, dia akan mengirim sinyal ketubuh untuk segera istirahat atau tidur.

Dengan menekan produksi adenosine, kopi akan membuat tubuhmu tetap terjaga karena sel tubuh tetap bekerja.

Inilah kenapa beberapa orang, lebih tepatnya tidak semua orang bisa kebal kantuk setelah meminum kopi. Namun, ada juga beberapa orang yang tetap mengantuk meski sudah habis tiga cangkir double shot espresso. Salah satu faktor penyebabnya adalah gen.

Nah, hal positif lain yang didapat dari kopi untuk otak kita adalah meningkatkan kemampuan otak kita sebanyak 10% berdasarkan research dari Marcello Solinas dalam jurnal neuroscience. Lebih tepatnya, caffeine yang ada di dalam kopi dapat meningkatkan ingatan kita karena menjadi “oli” yang baik untuk otak. Inilah kenapa ada istilah coffee break untuk menyegarkan kembali pikiran serta membuat kembali fokus dengan secangkir kopi lengkap dengan cemilannya.

Tak ayal, banyak sekali orang yang butuh inspirasi menyempatkan diri untuk meminum secangkir kopi. Salah satunya seperti anak-anak muda yang sering kita sebut sebagai anak indie.

Nah, selain jadi “oli” buat otak, Kopi juga bisa jadi salah satu minuman yang bisa kamu konsumsi sebelum berolahraga. Selain mempercepat metabolisme energi, kopi juga bisa membuat kamu lari lebih kencang dan jauh, melompat lebih tinggi, hingga bersepeda semakin lama.

Rogério Santos de Oliveira Cruz dari Santa Catarina State University dalam penelitiannya menunjukkan sebuah fakta menarik bahwa ada peningkatan oksidasi lemak saat partisipan penelitiannya mengkonsumsi kopi dibandingkan sebelum mengkonsumsi kopi.

Selain itu, caffeine dalam kopi juga memberi efek positif pada time to exhaustion di dalam keadan MLSS atau saat laktat di dalam tubuh memasuki fase tertinggi. Sehingga tubuh bisa semakin kuat berolahraga.

Idealnya, tubuh dapat mentolerir caffeine sebanyak 500 mg atau setara dengan lima cangkir kopi. Lalu bagaimana kalau lebih? Banyak banget bahayanya! Selain bisa bikin jantung berdebar, terlalu banyak meminum kopi dapat meningkatkan tekanan darash serta menyebabkan anxiety alias gangguan kecemasan. Jadi, tetap diparhatikan porsinya ya!

#kedaikopitepijalan

0 notes

aboutanimation · 2 years

Video

vimeo

Montblanc x Device from Device on Vimeo.

0 notes

barbiebraganca · 2 years

Photo

AMANDA VIDAL | HEAD OF STAFF — barbara doesn’t handle her own staff, she has a person assigned for that job only. amanda has worked for their family long enough, having once been her grandmother’s lady-in-waiting. she is now barbara’s most powerful employee: the only person above amanda is barbara herself. anyone else answers to her. she does the hiring, the firing and anything else that falls into her area of expertise, all barbara does is tell her what she’s in need of or not happy about

MARIANA BRAZ | ROYAL ADVISOR — it was only recently ( three years ) that barbara hired an advisor of her own and mariana started travelling with her. before, the position would be filled by general employees of the palace and that’s where they’d stay. mariana, just as most of her staff, is of noble blood and has history of working alongside the braganças.

ADRIAN GONÇALVES | ASSISTANT — there is only one man in this world that barbara blindly trusts and that is adrian. he is with her at all times, be it at meetings or the gym. wherever barbie goes, adrian is right behind her. he’s been working with and for barbara since she was fifteen as a coiffeur and earned his position as her closest and most trusted man over the years.

ALICE D’OLIVEIRA | HEAD OF SECURITY — her second closest and most trusted employee. just as adrian, alice has been with her since her fifteenth year, her father is king henrique’s head of security and got her the spot to work as a bodyguard back then and she earned her way to the same position as him, making daddy proud and all that.

OLÍVIA DA VEIGA | BUSINESS MANAGER — even though her businesses are barbara’s favourite things to work in, she could never really do that on her own. hence olívia. she handles her branding and everything else in that field so that barbie only needs to hear from her what’s most important and sign shit.

BEATRIZ ÁLVARES | HEAD OF LEGAL — the legal team has five members but barbara doesn’t feel like she needs to travel with every single one of them so beatriz alone will do. the other four stay back in portugal and/or travelling if it’s necessary, dealing with everything they must while bea stays with barabara as a counselor.

CAROLINA ALBUQUERQUE | HEAD OF PUBLIC RELATIONS — the most likely hardest working one of her team, the poor woman. if people can sometimes forget barbie’s wrongdoings you have this woman and her team to thank for. has been with barbara for ten years.

MADALENA VAZ | LADY-IN-WAITING

ANA COIMBRA | STYLIST

SARA CRUZ | NANNY

CAMILA MARRONE | NANNY

MARIA BRAZ | NANNY — mariana’s sister.

EINAR SOUSA | DANIEL’S TUTOR

ALEXANDRE GOMES | DANIEL’S FOOTBALL COACH

DIEGO CARDOSO | DANIEL’S MARTIAL ARTS COACH

GUILHERME FRANCO | BODYGUARD

MARCOS MENDES | BODYGUARD

LUCAS COSTA | BODYGUARD

RICARDO SILVA | BODYGUARD

JOSUÉ FRANCO | BODYGUARD

MARCELLO SERRA @mvrcellc | BODYGUARD

#she has a small army as u can see #this is long af and i didn't even write a lot #hshqtask028 #* ⠀ ⠀ 🐝 ⠀ ⠀ / ⠀ ⠀ viii.⠀ ⠀ 、 ⠀ task ⠀ ❫

2 notes · View notes

trans-and-baby-names · 4 years

Text

Masculine Names

Aaron Abdul Abe Abel Abraham Abram Ace Achilles Adair Adam Adonis Adrian Adriel Ahmed Ajax Ajay Aiden Alan Albert Alejandro Alex Alexander Alfonso Alfred Alistair Alister Allen Alonzo Amadeo Amadeus Amani Amari Ambrose Amir Anders Anderson Andre Andreas Andrew Andy Angel Angelo Angus Ansel Anson Anthony Antonio Apollo Aries Archer Archie Aristotle Arlo Arnaldo Arnold Arsenio Arthur Arturo Arwin Asa Asher Aslan Atlas Atticus Aubrey August Augustin Augustine Augustus Aurelio Aurelius Austin Axel Aziz

Balthazar Bane Barnabas Barnaby Barney Baron Barrett Basil Bastian Bear Beau Beck Ben Benjamin Benji Bentley Bernard Bertram Bertrand Blake Blaze Blue Bobby Bodhi Booker Boris Boston Bowie Boyd Brad Bradford Bradley Bram Bramwell Bran Brandon Brandt Braxton Braylen Brayden Brendon Brent Brett Brian Briar Brick Bridge Bridger Brock Brody Brogan Bronx Brook Brooks Bruce Bruno Brutus Bryce Bryson Buck Bud Buddha Buddy Buck Burt Burton Buster Buzz Byron

Cade Caden Cain Cairo Caius Calder Caleb Callum Calvin Cam Cameron Camillo Campbell Carl Carlisle Carlito Carlo Carlos Carlton Carmine Carson Carter Casper Caspian Cassian Cassias Cato Cecil Cedar Cedric Cesar Chad Chadwick Chance Charles Charlton Chase Chauncey Chester Chidi Chip Christoff Christoph Christopher Christian Chuck Cian Cillian Clarence Clark Claud Clay Clayton Cliff Clifford Clint Clinton Clyde Coby Cody Colby Cole Collin Colt Colton Conan Connor Conrad Constantine Cooper Copper Corbin Cornelius Cory Cosmo Cosmos Costas Craig Crispin Cruz Curt Curtis Cyrus

Dale Dallas Dalton Damien Damon Dan Dane Daniel Dante Darius Darrel Darren Dash Dashiell Davey David Dawson Dax Daxton Deacon Dean DeAndre Declan Demetrius Denali Dennis Denny Denzel Derek Derrick Des Desmond Dewey Dex Dexter Diego Diesel Dion Dirk Dixon Dmitri Dominic Donatello Donovan Dorian Doug Douglas Draco Drew Duke Duncan Dustin Dusty Dwayne Dwight Dylan Dyson

Earl Easton Edgar Edmund Eduardo Edward Edwin Egon Eli Elijah Elias Elliott Ellis Elroy Elton Emanuel Emeric Emerson Emery Emil Emiliano Emmett Emrys Enrique Enzo Eric Ernest Ernesto Ernie Esteban Ethan Eugene Eustace Euvan Evan Evander Everett Ezekiel Ezra

Fabian Fabio Falcon Faustus Felix Ferdinand Fergus Ferguson Fernando Fidel Fido Finbar Findlay Finn Finnley Fionn Fisher Fitz Fletcher Flint Florence Florian Ford Forrest Fort Foster Fowler Fox Francesco Francis Francisco Franco Frank Frankie Franklin Fred Freddy Fredrick Frederico

Gabe Gabriel Gael Gage Gale Galen Garfield Garrett Gaston Gatsby Gavin Geoffrey Geordie George Gerald Gerard Gideon Gil Gilbert Gilberto Giovanni Glenn Gordon Gordy Grady Graham Grant Gray Grayson Gregg Gregory Grey Griffin Griffith Grover Gunner Gunther Gus Gustavo Guy

Hades Hal Hamilton Hank Hans Harley Harrison Harry Hawk Hayden Hayes Heath Hector Henrik Hendrix Henry Herb Herbert Herbie Hercules Hermes Hershel Hiram Holden Howard Howie Hudson Hugo Humphrey Hunter Hux Huxley

Ian Igor Iker Irvin Isaac Isaiah Ivan

Jace Jack Jackson Jacob Jaques Jaden Jake Jalen Jamal James Jameson Jared Jason Jax Jay Jed Jedidiah Jefferson Jeffrey Jeremiah Jeremy Jerome Jerry Jesus Jethro Jett Jim Jimmy Joe Joel Johan Johannes John Johnny Jonah Jonas Jonathan Jones Jordan Jose Joseph Joshua Josiah Juan Juanito Judah Judas Judd Jude Jules Julian Julien Julio Julius Junior Jupiter Jurgen Justice Justin Justus

Kaden Kai Kaiser Kale Kaleb Kane Keane Keanu Keaton Keegan Keenan Keith Kellen Kenan Kendrick Kenneth Kenzo Keoni Kevin Khalid Kian Kieran Kiernan Kingsley Kingston Killian Kip Kwan Kyle

Lachlan Lake Lamar Lance Lancelot Landon Lane Larkin Larry Lars Laurence Laurent Lawrence Lawson Lazlo Legend Leif Leith Leland Leo Leon Leonardo Leopold Leroy Levi Liam Lincoln Linden Logan Loki London Lonnie Lonny Lorcan Lorenzo Lou Louie Louis Luc Luca Lucas Lucian Lucky Luke Lupe Luther

Maddox Maksim Malachi Malachy Malakai Malcolm Malik Manfred Manny Marcel Marcello Marcellus Marcio Marcius Marco Marcos Marcus Marian Marino Mario Marius Mark Marlin Marlon Marmaduke Marques Mars Marshall Martin Marty Marvel Marvin Massimo Mason Matt Matteo Matthew Maurice Maverick Max Maximilian Maximus Maxwell Melvin Mercury Meredith Merritt Micah Michael Miguel Miles Milo Mitchell Moe Monte Montgomery Murdoch Murphy Murray Murtagh Murtaugh Myles

Nathan Nathaniel Ned Nelson Nemo Neo Neon Neptune Neville Newt Newton Nick Nicky Nicola Nicolai Nicholas Niko Noah Noel Nolan Norm Norman Novak

Obadiah Octavio Octavius Odin Olaf Oleg Oliver Olivier Omar Orion Orlando Orville Osborn Oscar Oso Osvaldo Oswald Ottis Otto Owen Oz Ozzy

Pablo Palmer Panther Parker Pascal Patrick Paul Paxton Pedro Penn Percival Percy Perseus Peter Peyton Phil Philip Phineas Phoenix Pier Pierce Pierre Pilot Pluto Porter Poseidon Preston Prince Prosper

Qadir Quincy Quinn Quinton

Raiden Ralph Ramone Ramses Randall Randolph Randy Raphael Ravi Ray Raymond Red Reece Reggie Reginald Regis Reid Remington Reuben Rex Reynald Reynaldo Reynard Rhett Rhys Ricardo Richard Richie Richmond Rick Ricky Rico Ridge Riley Rio Riordan River Robert Roberto Robbie Rocco Rocky Rodney Rodrigo Roger Ricky Riley Rod Rodrick Roger Roland Roman Romeo Ross Rowan Rudy Rufus Russell Ryder Ryker Rylan Ryland

Salem Salvador Salvator Sam Samir Sampson Samson Samuel Sander Sandford Sanjay Santiago Saul Sawyer Scott Sean Sebastian Septimus Serge Sergio Seth Seus Seymour Shane Shawn Shayne Sheldon Shepherd Sherlock Sherman Shin Sidney Sigmund Silas Silver Silvester Simon Sinclair Sinjin Sirius Slade Slate Sol Solomon Sonny Sparrow Spartacus Spencer Spike Soren Stan Stanford Stanley Steele Stephen Steven Stevie Stone Sven Summit Sullivan Sully Sylvester

Tad Tag Talon Tanner Tate Ted Teddy Teo Teodor Teodoro Terence Terrell Terry Tex Thad Thaddeus Thane Thatcher Theo Theoden Theodore Thomas Thor Thorn Tiberius Tiger Tito Titus Timothy Titus Tobias Toby Tommy Tony Topher Trace Travis Trent Trenton Trev Trevor Trey Tristan Troy Truman Tucker Tudor Tullio Tullius Tully Tycho Tyler Tyrell Tyrese Tyrone Tyson

Uberto Ulric Ulrich Ulysses Uriah Urban Urijah Uriel

Van Vance Vaugn Victor Vince Vincenco Vincent Vinny Virgil Vlad Vladimir

Wade Walden Waldo Walker Wallace Wally Walt Walter Warner Warren Watson Waylon Wayne Wendall Wesley Westley Weston Wilbert Wilbur Wilder Wiley Wilfred Will William Winston Wolf Wolfe Wolfgang Woodrow Wyatt

Xander Xavier Xavion Xenon

Yael Yahir York Yosef Yousef Yusef

Zac Zach Zachariah Zacharias Zachary Zack Zander Zane Zayden Zeke Zeus Ziggy Zion Zoltan

759 notes · View notes

jartitameteneis · 3 years

Text

Ángela Molina (3 de octubre de 1955), actriz española perteneciente a una célebre familia de artistas. Es la tercera de los ocho hijos del cantante y actor Antonio Molina, sus hermanos Paula, Miguel, Mónica y Noel también se dedican a la interpretación y a la música. Su hija Olivia Molina también es actriz.

Sus comienzos cinematográficos, que incluyen trabajos para Luis Buñuel y Manuel Gutiérrez Aragón, la convierten en una de las actrices más representativas de la Transición Española. Actuó también en Italia, Francia y Latinoamérica, superando el centenar de películas y atesorando premios como el David de Donatello de la Academia italiana y la Concha de Plata del Festival de San Sebastián.

Estudió ballet clásico, danza española y Arte Dramático en la Escuela Superior de Madrid. Trabajó en un circo en Francia y ejerció como profesora de baile clásico español antes de aparecer en su primera película, "No matarás" (César F. Ardavín, 1974), a raíz de un reportaje fotográfico publicado en "Fotogramas". A partir de sus diecinueve años su dedicación al cine es absoluta.

Llegada la Transición, trató de desvincularse del auge comercial del destape y enfocó su carrera hacia producciones que reunieran cierta calidad y compromiso, a menudo de temática social, política o histórica.

En 1976 interpretó papeles relevantes en "La ciutat cremada", de Antoni Ribas y en "Las largas vacaciones del 36", de Jaime Camino.

En 1977, Luis Buñuel la elige para protagonizar, junto a Fernando Rey, "Ese oscuro objeto del deseo", película que le proporciona renombre internacional y le abre las puertas de la cinematografía europea. En ella comparte personaje con la actriz francesa Carole Bouquet y exhibe un temperamento vivo y enigmático, que luego trata de combinar con su aspecto dulce y suave.

En 1979 actuó en "La Sabina", de José Luis Borau. Por entonces y a lo largo de la década de 1980, Ángela Molina se convierte en rostro habitual de la gran pantalla, reafirma su presencia en España y la amplía en Francia e Italia, con incursiones en el cine alemán y norteamericano. Habla varios idiomas, por lo que a menudo no necesita ser doblada. Interviene en "Operación Ogro", de Gillo Pontecorvo; en "Bearn o La sala de las muñecas", de Jaime Chávarri, encarna a "La Bella Otero" en una coproducción española para la televisión italiana y rueda a las órdenes de Jaime de Armiñán, Luigi Comencini, Ricardo Franco, Marco Bellocchio, Bigas Luna o Lina Wertmüller.

Una fructífera colaboración con el director cántabro Manuel Gutiérrez Aragón afianza su carrera y ahonda en su potencial dramático mediante papeles principales en "Camada negra", "El corazón del bosque", "Demonios en el jardín" y "La mitad del cielo", obras que componen un retrato alegórico de la España ominosa del franquismo y en las que la ideología, el núcleo familiar y la presencia femenina cobran especial importancia. «Esas películas marcaron mi alma y mi forma de trabajar», diría más tarde la actriz.

En 1985 se le concede el Gran Premio de la Crítica de Nueva York y al año siguiente se convierte en la primera actriz extranjera en recibir el David de Donatello que otorga la academia italiana de cine. También en 1986 consigue (por "La mitad del cielo") la Concha de Plata a la mejor actriz en el Festival de San Sebastián y es nominada en la 1ª edición de los Premios Goya.

En esos años prueba suerte en el mundo de la canción, edita un disco (Con las defensas rotas) y canta Muertos de amor a dúo con Georges Moustaki. Sin embargo, es en las dos partes de Las cosas del querer (Jaime Chávarri, 1989 y 1995), donde desarrolla con éxito su faceta musical, dando vida a un personaje muy querido en su carrera. Poco antes rueda "Esquilache", que protagoniza Fernando Fernán Gómez para Josefina Molina.

En 1990 destaca en "Sandino" (de Miguel Littín) y en "El hombre que perdió su sombra", de Alain Tanner, junto a Francisco Rabal. Trabaja con Marcello Mastroianni en "Le voleur d'enfants" y aparece en "1492: La conquista del paraíso", superproducción de Ridley Scott que protagoniza Gérard Depardieu. En 1995 rueda "Gimlet", junto a Viggo Mortensen.

En 1997 filma "Carne trémula", de Pedro Almodóvar, un trabajo que no se aleja del todo de la chica sensual de sus comienzos, pero la aproxima ya a la mujer madura, marcada por las huellas de la vida, que representa en los últimos años. El rodaje con Almodóvar supone ciertas dificultades para la actriz, pero vuelve a saborear el reconocimiento profesional. Consigue su cuarto Fotogramas de Plata y logra una cuarta candidatura al Goya.

Posteriormente, protagoniza la comedia televisiva "Hermanas" y ofrece un variado registro en proyectos muy dispares, a menudo independientes y comprometidos, tanto españoles como extranjeros. Destacan: "El mar", "Punto de mira" ("One of the Hollywood Ten"), "Sagitario", "Al sur de Granada", "Los Borgia" y "La caja".

En 2002 llega su primera incursión teatral en el Festival de Teatro Clásico de Mérida con el espectáculo "Troya, siglo XXI". En 2005 encarna a la seductora Mrs. Robinson en "El Graduado", montaje que dirige Andrés Lima y comparte con su hija Olivia en papeles antagónicos. Regresa tres años después a los escenarios con "La dama del mar", adaptación de Susan Sontag del texto de Henrik Ibsen bajo la dirección de Robert Wilson.

En 2007 estrena "El destino de Nunik", crónica del genocidio armenio a cargo de Paolo y Vittorio Taviani que protagoniza junto a Paz Vega, además de encarnar a una combativa asistente social en la serie de televisión francesa "La Commune". Tras colaborar en dos películas de Giuseppe Tornatore, repite con Almodóvar en "Los abrazos rotos", dando vida a la madre de Penélope Cruz.

Con Emilio Gutiérrez Caba encabeza el reparto de la serie "Gran Reserva" en La 1 desde 2010.

En reconocimiento a su extensa carrera cinematográfica, recibe en 2002 el primer Premio Málaga otorgado en el marco del Festival de Cine Español de Málaga e inaugura un monolito en su honor en el Paseo Antonio Banderas de la ciudad andaluza. En el 2013 la Academia de Cine le otorgó la Medalla de Oro por "ser un rostro clave e indispensable de la cinematografía española y haber desarrollado una prolongada carrera, aún en activo, tanto en España como en el ámbito internacional".

*****************************

"Si no hubiera tenido hijos, creo que me habría hecho madre de mí misma. Siempre he sentido que mi familia es la cuna de lo que soy. Mi vida entera nace, no sólo físicamente, de mi padre, del mundo de mi padre. Él es el manantial. Como si todo mi mundo, como si el mundo entero, estuvieran ahí, en él y en los que le rodeaban y trabajaban a su lado".

"Yo sólo actúo cuando ejerzo. No soy nada actriz en la vida real. Ni tengo teorías sobre mí. Lo mío no tiene nombre. Me veo, desde siempre, como alguien que forma parte de un grupo, que es mi familia, la que me hizo a mí y la que he formado yo."

-Ángela Molina-

5 notes · View notes

elcinelateleymickyandonie · 3 years

Text

Marcello Mastroianni.

Filmografía

1939 - Marionette, dir. (Carmine Gallone)

1941 - La corona de hierro (Alessandro Blasetti)

1942 - Regeneración (Mario Camerini)

1944 - I bambini ci guardano (Vittorio De Sica)

1948 - I miserabili (Riccardo Freda)

1949 - Vent'anni (Giorgio Bianchi)

1950 - Cuori sul mare (Giorgio Bianchi)

1950 - Domenica d'agosto (Luciano Emmer)

1950 - Vita da cani (Vida de perros) (Mario Monicelli y Steno)

1950 - Atto d'accusa (Giacomo Gentilomo)

1951 - Parigi è sempre Parigi (París, siempre París) (Luciano Emmer)

1951 - L'eterna catena (Anton Giulio Majano)

1952 - Le ragazze di piazza di Spagna (Tres enamoradas o Las muchachas de la plaza de España) (Luciano Emmer)

1952 - Sensualità (Clement Fracassi)

1952 - Storia di cinque città (episodio: Passaporto per l'Oriente, Romolo Macellini, [RE: 1949])

1952 - La muta di Portici (Giorgio Ansoldi)

1952 - Il viale della speranza (Dino Risi)

1953 - Gli eroi della domenica (Los héroes del domingo) (Mario Camerini)

1953 - Penne nere (Oreste Biancoli)

1953 - Febbre di vivere (Claudio Gora)

1953 - Lulù (Fernandino Cerchio)

1953 - Non è mai troppo tardi (F. W. Ratti)

1954 - Tragico ritorno (Pier Luigi Foraldo)

1954 - La valigia dei sogni (Luigi Comencini)

1954 - Cronache di poveri amanti (Carlo Lizzani)

1954 - Tempi nostri (Nuestro tiempo) (episodio: Il pupo, Alessandro Blasetti)

1954 - La principessa delle Canarie (Tirma) (P. Moffa, C. Serrano de Osma)

1954 - La schiava del peccato (La esclava del pecado) (R. Matarazzo)

1954 - Casa Ricordi (C. Gallone)

1955 - Giorni d'amore (Días de amor) (G. De Santis)

1955 - Peccato che sia una canaglia (La ladrona, su padre y el taxista) (Alessandro Blasetti)

1955 - La bella mugnaia (La bella campesina) (Mario Camerini)

1955 - Tam tam mayumbe (Cuando suena el tam-tam) (Gian Gaspare Napolitano)

1955 - La fortuna di essere donna (La suerte de ser mujer) (Alessandro Blasetti)

1956 - Il bigamo (El bígamo) (Luciano Emmer)

1957 - Padri e figli (Padres e hijos) (Mario Monicelli)

1957 - Le notti bianche (Noches blancas) (Luchino Visconti)

1957 - La ragazza della salina/Harte manner heisse liebe (Frantisek Cáp)

1957 - Il momento più bello (Luciano Emmer)

1957 - Il medico e lo stregone.

1958 - I soliti ignoti (Rufufú) (Mario Monicelli)

1958 - Racconti d'estate (Sirenas en sociedad) (G. Franciolini)

1959 - Un ettaro di cielo (Una hectárea de cielo) (Aglauco Casadio)

1959 - La legge (La ley) (Jules Dassin)

1959 - Amore e guai (Angelo Dorigo)

1959 - Contro la legge (Fiavio Calzavara, [RE:1950])

1959 - Il nemico di mia moglie (El enemigo de mi mujer) (Gianni Puccini)

1959 - Tutti innamorati (Papá se ha enamorado) (Giuseppe Orlandini)

1959 - Fernando I, re di Napoli (G. Franciolini)

1960 - La dolce vita (Federico Fellini)

1960 - Adua e le compagne (Adua y sus amigas) (A. Pietrangeli)

1960 - Il bell'Antonio (El bello Antonio) (Mauro Bolognini)

1961 - La notte (La noche) (Michelangelo Antonioni)

1961 - L'assassino (El asesino) (Elio Petri)

1961 - Fantasmi a Roma (Fantasmas de Roma) (A. Pietrangeli)

1961 - Divorzio all'italiana (Divorcio a la italiana) (Pietro Germi)

1962 - Vie privée (Una vida privada) (Louis Malle)

1962 - Cronaca familiare (Crónica familiar) (Valerio Zurlini)

1963 - Otto e mezzo - 8½ (Ocho y medio) (Federico Fellini)

1963 - I compagni (Los camaradas) (Mario Monicelli)

1964 - Ieri, oggi, domani (Ayer, hoy y mañana) (Vittorio De Sica)

1964 - Matrimonio all'italiana (Matrimonio a la italiana) (Vittorio De Sica)

1965 - Casanova '70 (Mario Monicelli)

1965 - La decima vittima (La víctima nº 10) (Elio Petri)

1965 - Oggi, domani, dopodomani (episodios: L'uomo dei 5 palloni, L'ora di punta, La moglie bionda) (E. De Filippo, Marco Ferreri, L. Salce)

1965 - L'uomo dei cinque palloni (Marco Ferreri)

1966 - Io, io, io... e gli altri (Yo, yo, yo... y los demás) (Alessandro Blasetti)

1966 - Spara forte, più forte, non capisco (Dispara fuerte, más fuerte, no lo entiendo) (E. De Filippo)

1967 - Lo straniero (El extranjero) (Luchino Visconti)

1968 - Questi fantasmi (Renato Castellani)

1968 - Amanti (Vittorio De Sica)

1968 - Diamonds for Breakfast (Christopher Morahan)

1970 - Giochi particolari (Franco Indovina)

1970 - Dramma della gelosia - tutti i particolari in cronaca (El demonio de los celos) (Ettore Scola)

1970 - Los girasoles (I girasoli) (Vittorio De Sica)

1970 - Leo the Last (John Boorman)

1971 - Fellini Roma.

1971 - Correva l'anno di grazia 1870 (TV) (Alfredo Giannetti)

1971 - Permette? Rocco Papaleo (Ettore Scola)

1971 - Scipione detto anche l'africano (Luigi Magni)

1971 - La moglie del prete (Dino Risi)

1971 - Ça n'arrive qu'aux autres (Nadine Trintignant)

1972 - Liza / La cagna (Marco Ferreri)

1972 - What? (Roman Polanski)

1973 - L'événement le plus important depuis que l'homme a marché sur la lune (Jacques Demy)

1973 - Allonsanfan (Paolo y Vittorio Taviani)

1973 - Mordi e fuggi (Dino Risi)

1973 - La Grande Bouffe (Marco Ferreri)

1973 - Muerte en Roma (Rappresaglia, de George P. Cosmatos)

1973 - Salut l'artiste (Yves Robert)

1974 - Ne touche pas à la femme blanche (Marco Ferreri)

1974 - C'eravamo tanto amati / Una mujer y tres hombres / (Nos habíamos querido tanto) cameo (Ettore Scola)

1975 - La pupa del gangster (Giorgio Capitani)

1975 - Per le antiche scale (Por las antiguas escaleras) (Mauro Bolognini)

1975 - La donna della domenica (Salvatore Santamaria)

1976 - Todo modo (Elio Petri)

1977 - Una giornata particolare (Ettore Scola)

1978 - Bye bye monkey (Marco Ferreri)

1978 - Cosi come sei (Alberto Lattuada)

1980 - Città di donne (Federico Fellini)

1981 - La piel (Liliana Cavani)

1983 - Gabriela, Cravo e Canela (Naib)

1983 - Historia de Piera (Marco Ferreri)

1985 - Le due vite di Mattia Pascal (Mario Monicelli)

1985 - Maccheroni (Ettore Scola)

1986 - Ginger e Fred (Federico Fellini)

1987 - Ojos negros (Nikita Mikhalkov)

1987 - O melissokomos (El apicultor) (Theo Angelopoulos)

1989 - Splendor (Ettore Scola)

1990 - Stanno tutti bene de Giuseppe Tornatore .... como Matteo Scuro

1991 - Le voleur d'enfants (Christian de Chalonge)

1992 - Used People (Romance otoñal), de Beeban Kidron

1993 - Un, deux, trois, soleil, de Bertrand Blier

1993 - De eso no se habla (Maria Luisa Bemberg)

1994 - Prêt-à-porter (Robert Altman)

1995 - Al di là delle nuvole (Michelangelo Antonioni y Wim Wenders)

1995 - Sostiene Pereira (Roberto Faenza)

1995 - Trois vies & une seule mort (Tres vidas y una sola muerte) (Raúl Ruiz)

1995 - Las cien y una noches (Agnès Varda)

1997 - Viagem ao Princípio do Mundo (Viaje al principio del mundo) (Manoel de Oliveira).

Premios y nominaciones

Premios Oscarː

1963 - Mejor Actor: Divorcio a la italiana

1978 - Mejor Actor: Una jornada particular

1988 - Mejor Actor: Ojos negros

Festival Internacional de Cine de Cannes

1970 Mejor actor

1987 Mejor actor

Distinciones honoríficas

- Caballero Gran Cruz de la Orden al Mérito de la República Italiana (1994)

- Gran Oficial de la Orden al Mérito de la República Italiana (1987).

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Marcello_Mastroianni

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

12 notes · View notes