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thunderstruck9 · 5 months

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Sakti Burman (French/Indian, 1935), Untitled, 1958. Acrylic on canvas, 45 1/2 × 28 1/5 in.

#sakti burman #french art #indian art #still lfe #violin #violins #fruit #Shakti burman #Sakthi burman #Shakthi burman

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bollywoodirect · 3 months

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42 Years of Satte Pe Satta (22/01/1982). Satte Pe Satta was directed by Raj N. Sippy and written by Satish Bhatnagar, Kader Khan, and Jyoti Swaroop. It was produced by Romu N. Sippy. The film stars Amitabh Bachchan, Hema Malini, Amjad Khan, Ranjeeta Kaur, Sachin Pilgaonkar, Sudhir, Shakti Kapoor, Kanwarjit Paintal, Kanwaljit Singh, and Vikram Sahu. Kader Khan also served as the narrator. The cinematography was done by Anwar Siraj, and the music was composed by R.D. Burman. The lyrics for the songs were written by Gulshan Bawra, with 'Dilbar Mere' written by Anand Bakshi.

#satte pe satta #raj n sippy #amitabh bachchan #hema malini #amjad khan #ranjeet kaur #sachin pilgaonkar #shakti kap

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common-man · 5 months

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Tribute 796.

Tribute to Actor Rajesh Khanna 796

Today, I am compelled to feature another fascinating personality from the Bollywood film industry, none other than the late Rajesh Khanna, in my blogs. Four decades ago, his dominance in Bollywood was not an exaggeration. He held the title of the first superstar and the highest-paid actor for nearly a decade. Known for his versatile acting and stylish looks, he left a significant impact on cine fans. His films were infused with enchanting songs, music, compelling stories, and, above all, wonderful cinematography.

The collaboration between the late director Shakti Samanta, music stalwart S.D. Burman, and Rajesh Khanna's performances created magic in the industry that no one can deny. Working with top-class actors and directors like the late Manmohan Desai and Raj Khosla added to his illustrious career. Shakti Samanta played a crucial role in giving Rajesh Khanna a breakthrough and establishing his stardom.

Among the many memorable films to his credit, I've personally enjoyed classics such as Bawarchi, Anand, Aradhana, Kati Patang, Andaz, Sachaa Jhutha, Dushman, Amar Prem, Apna Desh, and others that slip my mind at the moment. Even though he has left us, his memorable songs and films remain a testament to his talent. Rajesh Khanna received numerous accolades, including a feature in the popular Outlook magazine, recognizing him as one of the outstanding stars of his time.

Remembered as one of the finest and most charming actors by millions of fans, I am pleased to pay tribute to this stalwart.

K. Ragavan. 11-12-23 Until we meet again next week.

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indiejones · 1 year

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A TALE OF 2 GENIUSES: RAJESH & RAHUL

Didya know that Rajesh Khanna, aside of being the magical actor, was also a proficient musician!? Yup, accounts from his school & college friends infact reveal he was a quite a drums & bongo player himself! And twas this interest in music, that brought him close to R. D. Burman from the very start of his career, & whom he regarded & continued to regard till the end as as one of his best friends, in & outside of films. This blog is about how some of their off-film camaraderie accidentally resulted in some o' legendary works of cinema! It so happened that the 2 were returning home via flight, from Pahalgam in Kashmir, after shooting for Rajesh's 3rd film 'Baharon ke sapne'. Now R. D. had a peculiar habit of randomly extemporaneously blurting out some original tune at the instant or moment of inspiration anywhere. So also here, just as the flight took off from Pahalgam, Pancham took off on his own humming spree, belting out some really melodious tunes. Infact one such tune was so catchy, that Rajesh immediately took a note of it, & asked Pancham to use it for his next film! But Pancham being the habitual original hummer, took it as mere compliment from a friend, & didn't care too much to remember. Cut to just couple of yrs down the line, Rajesh Khanna already the biggest ever superstar of Hindi cinema, from his 1969 rampage of 6 straight all-time blockbusters in year, & his jodi with R. D. Burman already legendary, were working on their project 'Kati Patang' with director Shakti Samanta, in their music studios ("Tis a known fact how they'd all appreciate Khanna being around the studios during music recordings, having the fine musical taste & ability he had. Though 'tis said, from unconfirmed sources, Khanna always avoided any recording sessions where his duets would be sung ie when Lata Mangeshkar would be performing). So on one such solo recording sitting, the trio kept banging their heads for the right tune, for a situational song which demanded a waltz like meter. Just then Rajesh suddenly remembered this tune Pancham had hummed on that Pahalgam flight years back, & how it fit perfectly with this situation! Problem being, Pancham had forgotten all about it! But Rajesh didn't give up, & began trying to search his memory for that exact tune, & actually came up with it, to great applause from the directors! Know which song it resulted in?! https://www.youtube.com/watch?v=XxrEISBLhY0 Similarly, on another gallivanting vacation in Kashmir, as the duo were coming down the stairs of a Shiva temple, the temple bell sounds invoked another spontaneous Pancham humming spree. One such tune again caught Rajesh's amazement, who catching hold of Pancham, asked him to pls remember his tune this time, & use it well! The 2 had a hearty laugh, to which Pancham assured him he wouldn't just use the tune, but gift the melody as tribute to his friend, in his very next film! Know which song we're talking about!? https://www.youtube.com/watch?v=Mpy0UzbHNr0 Jai Jai!

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divinelascl · 2 years

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Satrangi sasural episode 100

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Watch Aishwarya Rai & ShahRukh Khan in the remix version of the iconic song 'Ishq Kameena' from the movie 'Shakti' Song Credits: Singer(s): Sonu Nigam & Alka Yagnik Music Director: Anu Malik Lyricist: Sameer Movie Cast & Crew: Producer: Sridevi Kapoor Director: Krishna Vamshi Cast: Shahrukh Khan, Nana Patekar, Karisma Kapoor & Sanjay Kapoor Song Lyrics: Daiyya Re Daiyya Sorry Bhaiya But I Love.

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The desi serial is aired on Zee TV Completed Shows. Vinod Rathod has received nominations for Filmfare Award for Best Male Playback Singer in 1993: Aisi Deewangi and 1994: Nayak Nahin Kahlnayak Hoon Main He is the uncle of music composers Sanjeev-Darshan, brother of music composer/singer Roop Kumar Rathod and music director Shravan Rathod. Me akser aik larki ko khuwab mein Dekhta Hun Jin k sath mera koi rishta nai he Mager mein unko janta Hun kiyu k mein un k pas perhta Raha Hun. Mein itna dukh meinhun,lekin phirbhi mera jiban ka ses lakhya hai ki, mera ye sarir ka ant hojaye, use pehele mein dusro ka seba karu. Indian Star Plus Drama Serials Ek hazaaron Mein meri Hai 25th November. Watch Ek Hazaron Me Meri Behna Hai June 14th, 2012 Online Video HQ Saas Bina Sasural (1) Saath Nibhaana Sajda Tere Pyaar Mein (20) Sapne Suhane Ladakpan Ke.The show promises to fulfill the dreams and desires of the common people.

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theautomobileindia · 2 years

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Balika Badhu is a 1976 Hindi romantic comedy-drama movie produced by Shakti Samanta and directed by Tarun Majumdar. The movie is founded on the Bengali novel by the exact name of Bimal Kar. This idealistic comedy-drama stars Sachin with Rajni Sharma, Asrani, A. K. Hangal, Asit Sen, Paintal, and Om Shivpuri. The music is by R. D. Burman and lyrics by Anand Bakshi, who authored several blows in the film including "Bade Achchhe Lagte Hain…", which was singer Amit Kumar's first hit, and featured on the Binaca Geetmala annual list in 1977 at 26. It was the second movie by Mrityunjay Sil.

#balika vadhu #old songs #old music #bollywood #bollywood music

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my-window-reflection · 5 years

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Amar Prem (1972) dir. Shakti Samanta

“Doli Mein Bithai Ke"

#Amar Prem #Shakti Samanta #bollywood #sharmila tagore #hindi film #sd burman #indian cinema #classic bollywood #70s movies #RD Burman #anand bakshi

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favouritemoments · 6 years

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Sharmila Tagore & Rajesh Khanna

Kora Kagaz Tha Yeh Man Mera

#sharmila tagore #rajesh khanna #kora kagaz tha yeh man mera #lata mangeshkar #kishore kumar #sd burman #aradhana #shakti samanta #bollywood #film #song #classic #couple #chemistry #romance #color coordination #beauty #moments

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lyricsbest · 3 years

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Kora Kagaz Tha Ye Man Mera Lyrics

Enjoy this Classic romantic Hindi song “Kora Kagaz Tha Ye Man Mera Lyrics in Hindi” along with lyrics from the super hit Hindi movie Aradhana (1969). This romantic song is sung by Kishore Kumar, Lata Mangeshkar. Lyrics of the song is written by Anand Bakshi and music composed by S. D. Burman. Starring Rajesh Khanna and Sharmila Tagore in the lead. कोरा कागज़ था ये मन – Song Details SongKora…

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bollywoodproduct · 3 years

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Lyrics Maangi Thi Ek Dua Jo Kubool Ho Gayee

Lyrics in English | Maangi Thi Ek Dua | Shakti (1982) | Dilip Kumar, Rakhee Maangi Thi Ek DuaJo Kubool Ho GayeeMaangi Thi Ek DuaJo Kubool Ho GayeeUmmeed Ki Kali Khil KePhool Ho GayeeMaangi Thi Ek DuaJo Kubool Ho Gayee………. Hum Sochte Thai YeDil Muft Me DiyaHum Sochte Thai YeDil Muft Me DiyaKitna Hansee MagarTohfa Hame MilaKeemat Hamaare Pyar KiWasool Ho GayeeMaangi Thi Ek DuaJo Kubool Ho…

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#A to Z Bollywood Songs #A to Z Hindi Retro Romantic Songs #A to Z Hindi Songs #A to Z Songs #All Time Best Songs of Dilip Kumar #Anand Bakshi and R. D. Burman #Antakshari Songs from M #Best Romantic Songs of Dilip Kumar #Bollywood Songs of 1982 #Dilip Kumar Songs #Hindi Song Lyrics Starting from M #Lyrics Starting from M #Rakhee Songs #Romantic Songs of 1982 #Songs composed by R. D. Burman #Songs from Shakti (1982)#Songs Starting from "M"#Songs written by Anand Bakshi

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bollywoodirect · 4 months

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"Ek pardesi mera dil le gaya Jaate jaate mithha Mithha gham de gaya Ek pardesi mera dil le gaya"

Remembering Qamar Jalalabadi today on his 21st death anniversary (09/01/2003).

He was an amazing poet and lyricist for Hindi movie songs. Born Om Prakash Bhandari in 1917 in Jalalabad, near Amritsar, he started writing Urdu poetry at just seven years old. Even without support at home, he found encouragement from a traveling poet, Amar, who gave him the pen name Qamar, meaning 'moon', and added 'Jalalabadi' from his hometown.

After finishing school in Amritsar, he wrote for Lahore newspapers like Daily Milap and Daily Pratap. Moving to Pune in the 1940s, he started his film career. His first big hit was in the 1942 movie Zamindar. The song "Duniya me garibonko aaraam nahi milta" became a big hit.

He then went to Bombay, writing songs for almost 40 years. Famous singers like Mohammad Rafi and Lata Mangeshkar sang his songs, and he worked with composers like S.D. Burman. Some of his hits include "sunti nahi duniya kabhi fariyaad kissi ki" and "Dil kis liye rota hai".

Some of his memorable songs from his early include "sunti nahi duniya kabhi fariyaad kissi ki" (Renuka, 1947) and the ghazal "Dil kis liye rota hai...pyar ki duniya me, aisa hi hota hai" (sung by Naseem Banu for the film Mulaquat in 1947). The noted dancer Sitara Devi performed some of his songs in Chand (1944). Chand was one of the earliest of Qamarji's successful and memorable films.

As a lyricist, Qamar Jalalabadi was very versatile. On one hand he wrote mesmeric duets like "sun meri saanwari mujhko kahin tum bhool na jana…" sung by Lata Mangeshkar and Mohd. Rafi (film: Aansoo 1953) and on the other hand he penned comic relief songs like “khush hai zamana aaj pehli tarikh hai” endured with full throttle gusto by Kishore Kumar (film: Pehli Tarikh-1954). This song turned into veritable anthem and was played on Radio Ceylon on the first of every month for decades, and it probably still is.

The film Howrah Bridge (1954) skyrocketed his career as lyricist to unpredescented heights. Songs like "Mera Naam Chin Chin Chu" (Geeta Dutt) and "aaiye meherbaan, baithiye janejaan…." (Asha Bhonsle) became highly popular. In his long career span he worked for several Film Companies like; Prabhat Film Company, Pancholi Pictures, Filmistan Ltd., Famous Pictures, Minerva Movietone, Prakash Pictures, Wadia Films Ltd., Filmkar Ltd., Sippy Films, N.C Sippy Films, Shri Shakti Films, Mitra Productions and many more.

He worked with many film companies and was a founder member of the Film Writers Association & IPRS in Mumbai. He also read poetry at mushairas across India. A true legend, his work still inspires many.

#bollywoodirect #bollywood #Qamar Jalalabadi #lata mangeshkar #mohammed rafi #poet #lyricist

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spotonbollywoodnarender · 2 years

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5 MOST MEMORABLE MOVIES OF AMITABH BACHCHAN WITH SHASHI KAPOOR

Amitabh Bachchan and Shashi Kapoor have shared the big screen a lot of times throughout their careers. Take a look at 5 Most memorable movies of them together.

Amitabh Bachchan and Shashi Kapoor have shared the big screen lot of times throughout their careers. Both of them together were most popular in the industry and did some of the biggest blockbusters of Bollywood.

5 Most memorable movies of Amitabh Bachchan and Shashi Kapoor together

1). Trishul

Trishul, a revenge drama was released in 1978. It was written by Salim-Javed, music by Mohammed Zahur Khayyam, directed by Yash Chopra and produced by Gulshan Rai. The film starred Amitabh Bachchan as Vijay, Shashi Kapoor as Shekhar, Sanjeev Kumar as R.K.Gupta, Raakhee as Geeta, Hema Malini as Sheetal, Poonam Dhillon as Kusum, Sachin as Ravi and Prem Chopra as Balwant Rai. The plot revolves around Business tycoon R K Gupta who abandons Shanti, his first love, to marry a rich heiress. Later, Vijay, R K Gupta and Shanti’s illegitimate son, seeks revenge from R K Gupta for the injustice his mother had faced.

2). Deewar

Deewar, an action crime drama was released in 1975. It was written by Salim-Javed, music by Rahul Dev Burman, directed by Yash Chopra and produced by Gulshan Rai. The film starred Amitabh Bachchan as Vijay Verma, Shashi Kapoor as Inspector Ravi Verma, Nirupa Roy as Sumitra Devi, Parveen Babi as Anita, Neetu Singh as Veera Narang, Yunus Parvez as Rahim Chacha and Madan Puri as Samant. The plot revolves around brothers Vijay and Ravi. Tortured by the past, Vijay turns to crime and Ravi, his younger brother, becomes an honest police officer. But, destiny had some other plans and Inspector Ravi gets an order to arrest Vijay.

3). Silsila

Silsila, a romantic drama film was released in 1981. It was written by Yash Chopra, Sagar Sarhadi & Romesh Sharma, music by Shiv-Hari, directed and produced by Yash Chopra. The film starred Amitabh Bachchan as Amit Malhotra, Shashi Kapoor as Squadron Leader Shekhar Malhotra in special appearance, Rekha as Chandni, Jaya Bachchan as Shobha Malhotra and Sanjeev Kumar as Dr. V. K. Anand. The plot revolves around Amit who sacrifices his love and marry Shobha, who is pregnant, after his brother Sqdr. Leader Shekhar Malhotra dies in the Indo-Pakistani War. One day, Amit accidentally meets his ex Chandni and he decides that he quit his loveless marriage to Shobha and wishes to reconcile with Chandni.

4). Suhaag

Suhaag, an action drama film was released in 1979. It was written by Kader Khan, Prayag Raj and K.K. Shukla, music by Laxmikant–Pyarelal, directed by Manmohan Desai and produced by Rajinder Kumar Sharma, Ramesh Sharma, Shakti Subhash Sharma & Prakash Trehan. The film starred Amitabh Bachchan as Amit Kapoor, Shashi Kapoor as Kishan Kapoor, Rekha as Basanti, Parveen Babi as Anu, Nirupa Roy as Durga Kapoor, Amjad Khan as Vikram Kapoor, Ranjeet as Gopal and Kader Khan as Jaggi. The plot revolves around lost brothers Amit and Kishan, who is Inspector. And they are not aware that they are brothers. One day, their criminal father Vikram hires Amit to kill Inspector Kishan.

5). Roti Kapada Aur Makaan

Roti Kapada Aur Makaan, an action drama film was released in 1979. It was written, directed, and produced by Manoj Kumar. It was written by Kader Khan, Prayag Raj and K.K. Shukla, music by Laxmikant–Pyarelal, directed by Manmohan Desai and produced by Rajinder Kumar Sharma, Ramesh Sharma, Shakti Subhash Sharma & Prakash Trehan. The film starred Manoj Kumar as Bharat, Zeenat Aman as Sheetal, Amitabh Bachchan as Vijay, Shashi Kapoor as Mohan Babu, Moushmi Chatterjee as Tulsi, Prem Nath as Harnam Singh, Dheeraj Kumar as Deepak, Kamini Kaushal as Bharat’s mother, Aruna Irani as Poonam, Madan Puri as Nekiram and Raza Murad as Hamid Miya. The plot revolves Bharat, an unemployed graduate, who is not able fulfil basic needs of his family. Bharat joins hands with Nekiram in his illegal activities. His brother Dheeraj joins police force and is appointed to arrest Bharat. Then Bharat and Vijay join forces and with Mohan Babu and Sardar Harnam Singh stop Nekiram and jail him with his troops in the end.

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djfloops · 3 years

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Shakti De Maa with Lyrics | शक्ति दे माँ | Chandrashekhar Gadgil | R.D Burman

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shankarjaikishanfansassnintl · 4 years

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Interesting e-mail discussion by Jay Subramanyam on SJ Yahoo group

Dear Shri Murthy Sir,

I wanted to respond to this mail of yours earlier but couldn't as I wanted to send in my response in detail. You have made a very interesting and a wonderfully balanced study of the last but the most controversial phase of S-J as a duo on which, theorists and music aficionados have submitted a whole roster of views and opinions. Yours of course, was (as always is) a most pragmatic view but there are so many who, with less reason and more out of convenience, have stated over the years that S-J's stocks had begun to plummet even before Jai expired so tragically in '71.

And I must say hats off to you for having highlighted Dada Burman's amazing resurgence during this very period Ã¢â‚¬" '69 -'71 when he gave some of most exquisite scores ever heard in Hindi cinema. While we talk about the trio of duos Ã¢â‚¬" SJ, KA and LP and their monopoly, Dada who rarely believed in hype or signing films by the dozen, quietly and unobtrusively came up with a slew of scores which were nothing short of remarkable Ã¢â‚¬" `Aradhana', `Prem Pujari', `Talash', `Gambler', Ishq Par Zor Naheen', `Sharmilee' and to an extent, `Jyoti'. Undoubtedly, for quality, Dada was the musical torch-bearer and not the trio of duos, during this period. As they say, once a genius, always a genius.

As for Jai hitting the bottle, I on a personal level would exercise circumspection on the issue as no such evidence has been unearthed that it had to do with his professional upheavals. Surely the vivisections that marked Jai's personal life in the later years did have their own repercussions but according those who were close to him, including Hasrat, it was primarily a force of habit, which led to Jai's chronic alcoholism and eventually took on alarming proportions.

I agree with you totally with regard to almost 2/3rds of your post. If you would allow me Sir, I have a slightly different take on the point that you have raised towards the end Ã¢â‚¬" that the big banners, who were queing to sign S-J earlier, were now deserting them, one by one. If you look at it closely, among the established producer/directors, J. Om Prakash, Subodh Mukherjee & L.V. Prasad (although his assistant and later an independent director, T. Prakash Rao stood by S-J) were perhaps, the only ones who shifted loyalties wholesale. Besides these, there was Mohan Kumar, who had also worked with Madan ji [`Anpadh', `Aap Ki Parchaiyan'] initially so he cannot be called an S-J regular as such, just as there were others like Ramanand Sagar and Kishore Sahu who did work with S-J in a couple of films but then they worked with the likes of Anil da, Salil da, Chitragupta as well, so here again, it wasn't exactly a case of their deserting the duo as such.

Besides let us remember that for a handful of those who left S-J, there were several big time producers/directors who were rock steady in their partnership with them right till the end Ã¢â‚¬" Raj ji himself, F.C. Mehra, Lekh Tandon, Bhappi Sonie, Aatmaram, K. Shanker, T. Prakash Rao and Ajit Chakraborty. These were as big names in the film fraternity as anybody else during that period. And for good measure, there were those who after a brief sabbatical, returned to the S-J fold during this very '69-'71 phase [something which had been pointed out so very rightly by Abhay ji] Ã¢â‚¬" Kishore Sahu [with `Sindoor' which was later shelved], Raja Nawathe [with `Bhai Bhai'], Ramanna [with `Aankh Michaoli'], Shridhar [with `Dharti' and Duniya Kya Jaane'] and to top them all, even J. Om Prakash, who was the first of the major filmmakers to have drifted away, came back to S-J [with `Aankhon Aankhon Mein']. Even the prestigious AVM banner came back to S-J after almost a decade with `Main Sundar Hoon', which was their biggest hit in years. In addition, we had G.P. Sippy and Shakti Samanta, both among the front-runners, who were working with S-J right till the end with `Andaz' and `Jaane Anjaane', respectively. Plus, there were those fringe filmmakers who were fast coming up like Deven Verma [starting with `Yakeen'], Shyam Behl [starting with `Duniya'], Sohanlal Kanwar [starting with `Pehchaan'], Rajendra Bhatia [starting with `Kanyadaan'], M.C. Ramamurthy [starting with `Sachchai'] and Satish Wagle [starting with `Pyar Hi Pyar'] who had just about started their partnerships with S-J (each of them repeated S-J in their subsequent films) and would surely have continued with them had Jai not expired so suddenly. Then there were new filmmakers whose loyalties were never towards S-J, who were now filtering in Ã¢â‚¬" like Ravindra Dave and Kewal Kashyap, both K-A loyalists at one stage, who started working with the duo with

`Nagina' [that was shelved] and `Chori Chori', respectively; Tejnath Zar, who used to work with the low-key Bipin Babul, now took S-J for `Vachan' [launched in 1970] and subsequently for `Garam Khoon'; Hari Walia who did some films with Roshan, shifted towards S-J with `Latt Saheb' and `Door Naheen Manzil'. Finally, there were some like Pachchi and P.N. Arora, who may not have been staunch S-J loyalists but were with them for a major part.

Thus, as we can see there was neither a dearth of prominent banners or quality work for S-J at any stage right until 1971 and a majority of their regular producers/directors never really left them. Though on occasion, everybody is entitled to look around a bit. As said earlier, S-J even by that '70-'71 stage, had cultivated a whole new set of prominent/upcoming filmmakers, besides still having their loyal supporters, so at no stage, did they ever go out of reckoning/lose their standing in the market. Yes, as you have rightly said, their quality of works now compared a bit infavouably with their past but at that stage as school-goers, we just enjoyed what we heard. It is with age & experience that you learn to look back and do a critical analysis.

As for S-J losing their numero-uno status, I think this business of identifying Nos 1, 2 and 3 was as much a tight-rope walk then as it is today in the case of the three ruling Khans of Bollywood Ã¢â‚¬" Shahrukh, Salman and Aamir. One hit and the press is tom-toming about one of the three as the current No.1. I wonder who has framed rules to the effect that if one goes up, the other has to mandatorily come down. Can't people just co-exist in the popularity sweepstakes? I wouldn't for a moment think that S-J were anywhere other than the top even as late as September, 1971.

Regards,

Jay

#Jay Subramanyam #Yahoo #SJ group on Yahoo #shankar jaikishan #shankar #jaikishan #shankarsinghramsinghraghuvanshi #shankarsinghraghuvanshi #Shankarsingh Ramsingh #Jaikishan Dahyabhai Panchal

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my-window-reflection · 5 years

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Amar Prem (1972) dir. Shakti Samanta

"Chingari Koi Bhadke"

#Amar Prem #Shakti Samanta #bollywood #rajesh khanna #sharmila tagore #RD Burman #anand bakshi #kishore kumar #indian cinema #hindi film #classic bollywood #70s movies #Old Bollywood songs

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kishorekumarlyrics · 4 years

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Mere Naina Sawan Bhadon Lyrics by Kishore Kumar

Movie: Mehbooba (1976)

Singer: Kishore Kumar

Music: Rahul Dev Burman

Lyric: Anand Bakshi

The song mere naina sawan bhadon lyrics was sung by Legendary singer Kishore Kumar. It is from the movie Mehbooba(1976). Directed by Shakti Samanta and produced by Mushir Riaz. Superstar Rajesh Khanna, Hema Malini and Prem Chopra was the lead rolls.

Mere Naina Sawan Bhadon Lyrics Starts From Here

Hhmmmmm ahaahaaa

Mere Naina Sawan Bhadon

Phir bhi mera man pyasa

Mere naina sawan bhado

Phir bhi mera man pyasa

Aye dil deewane

Khel hai kya jane

Dard bhara ye

Geet kahaan se

Inn honto pe aaye…….

Door kahin le jaaye

Bhool gaya kya

Bhool ke bhi hai

Mujhko yaad zara sa

Phir bhi mera man pyasa

Baat puraani hai

Ek kahaani hai

Ab sochoon tumhe

Yaad nehi hai

Ab sonchoo nahi bhule…..

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