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#Spirit cesar
shmorp-mcdurgen · 8 months
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Monster au Cesar doodle, Heehoo-
(Uncensored version below)
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earlgodwin · 11 days
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neil jordan has the opportunity to pull the most galaxy-brained idea possible by announcing the borgias film focusing on cesare's redemption arc and his final years and adopt francis ford coppola's style in the godfather part iii with a similar plot in a renaissanic way since cesare is michael corleone's counterpart. as he tries to patch it up with lucrezia for putting his ambitions above her just like how michael did with kay, being remorseful over murdering juan to take his army like how michael was remorseful over murdering fredo...give it to me now!
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galeru · 3 months
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After death--what?
by Lombroso, Cesare, 1835-1909.
❧ig
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mustangs-flames · 4 months
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HTB! Mark and/or Alt!Cesar
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gdjdhdjdj yeah, considering how alt!Cesar really doesn't understand that aspect of being human at all he would answer with something like that lol
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anatomygame · 10 months
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// Even the iron still fears the rot //
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urne-buriall · 9 months
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july 21, 1997
It's time for everyone's favourite part of a daily substack: the main character trying new recipes!
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confettiemoji · 1 year
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this thing but i do it in my non srs art style because im too lazy
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angelsdean · 2 years
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baby boyyyyyy. realizes he’s gay, immediately calls queer elder cesar the next day to ask if they can bake together waaahh
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the-music-keeper · 1 year
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Well, Objective #12 is done, so that finishes off all the reading I need to do this week.
Now I just need to start the writing...
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princesssarisa · 6 months
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The Top 40 Most Popular Operas, Part 1 (#1 through #10)
A quick guide for newcomers to the genre, with links to online video recordings of complete performances with English subtitles.
Mozart's Die Zauberflöte (The Magic Flute) (Wolfgang Amadeus Mozart)
The most frequently performed opera worldwide: Mozart's fascinating, philosophical fairy tale opera, which appeals to both children and adults.
San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklosa, Georg Zeppenfeld; conducted by Donald Runnicles)
Verdi's La Traviata
Tragic romance with social commentary, based on Alexandre Dumas fils' novel The Lady of the Camellias, which was also the basis for the classic 1936 Greta Garbo film Camille.
Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazon, Renato Bruson; conducted by James Conlon)
Bizet's Carmen
The fiery tragedy of a seductive, free-spirited Spanish Romani woman and her loves, with some of opera's most iconic music.
Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann, Ildebrando d'Arcancelo, Norah Ansellem; conducted by Antonio Pappano)
Puccini's La Bohéme
Relatable slice-of-life romance that blends comedy and tragedy. The inspiration for the popular musical RENT.
Studio film, 1965 (Mirella Freni, Gianni Raimondi, Rolando Panerai, Adriana Martino; conducted by Herbert von Karajan)
Mozart's Le Nozze di Figaro (The Marriage of Figaro)
The best loved of Mozart's Italian operas, a great comedy of class conflict and sexual intrigue.
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt, Marie-Ange Todorovich; conducted by Bernard Haitink)
Puccini's Tosca
Political intrigue, lust, and bloodshed amid the splendor of Rome – some call it a "shabby little shocker," others call it thrilling.
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato)
Mozart's Don Giovanni
Arguably the greatest retelling of the legend of Don Juan, with comedy, drama, and Mozart's glorious music.
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Anton Dermota, Lisa della Casa, Erna Berger, Walter Berry Deszö Ernster; conducted by Wilhelm Furtwängler)
Puccini's Madama Butterfly
Puccini's iconic "Japanese tragedy." Controversial from a racial standpoint, but a tearjerker nonetheless, and the inspiration for the musical Miss Saigon.
Feature film, 1995 (Ying Huang, Richard Troxell, Ning Liang, Richard Cowan; conducted by James Conlon)
Rossini's Il Barbiere di Siviglia (The Barber of Seville)
The lighter and more madcap prequel to The Marriage of Figaro, known as the quintessential comic opera.
Vienna State Opera, 2019 (Rafael Fingerlos, Juan Diego Flórez, Margarita Gritskova, Paolo Rumetz, Sorin Coliban; conducted by Evelino Pidò)
Verdi's Rigoletto
A richly melodic tragedy of a hunchbacked jester, his daughter, a lecherous duke, and a self-fulfilling curse.
Studio film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly)
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shmorp-mcdurgen · 8 months
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What happened to Cesar in tmc monster au?
In the events of this au's Vol 1, Mark was actually the one that called Cesar. It was during a storm that caused a power outage, and even if their friendship was kinda rocky, Cesar decided to stop by Mark's place due to how scared Mark sounded and how abruptly the phone call ended.
Cesar went to Mark's house to check on him, and after finding Mark in his bedroom, deteriorating and becoming more shadow-monster than human, Cesar ended up getting attacked due to his light shining in Mark's eyes and causing him to snap.
The shadows basically. ate him alive within the span of a few seconds. Nothing left.
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earlgodwin · 9 months
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thinking about how lonely juan was on this fine day. the fact that he had no one at all which is why he was invasively fixating on cesare and lucrezia (how they feel for each other + how they feel for him) and desperately wanting them to love him so he acts clingy to them (his "do you love me, brother?" to cesare) and i've always found it oddly funny how he always gets extremely jealous (how he was pissed off with lucrezia and djem flirting, going berserk when paolo tried to speak with her, calling her a slut when she snuck out of her room to meet paolo, etc.) and making sexually charged comments and gestures towards both cesare and lucrezia. then david oakes spilled the tea about juan being jealous of not being part of their relationship. which makes the vision juan saw when he was in the opium of himself and cesare being happy and close and loving each other clearer because it was just one of the first steps for him to end his pain and probably was an ask for cesare to let him join his affair with lucrezia but it was too late for juan as cesare decided to stab him and get rid of him.
another interesting part is david oakes' statement that if juan came back on the show, he would come back as a spirit to help cesare at the war against the kingdom of navarre. judging from david's interpretation, that despite juan's death being at cesare's hands in life, there was still a bond of brotherhood or love from their good old pre-papacy days that transcended their earthly conflicts. (i wish he talked more about juan/lucrezia though but that's all we got right now.)
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teecupangel · 1 year
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A Desmond who feel for older than he is due to the knowledge that his ancestors memories gave him. Time travels back to any period and just decides to become a fisherman. He accidently becomes know as that old man with wisdom that fishes all the time even tho he isn't actual that old. Some people assume he just has very good features that make him seem younger than he is. Just a thought I had at 12 am again :0
I don’t know if you mean that I get to choose where he timetravels to or if you mean that he can freely time travel but think of the hilary of:
Desmond: the time-hopping fisherman
Everyone who sees him just thinks he’s some chill old(ish) man who likes to fish in the weirdest places.
Have a small fic for your 12 am musing XD
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Altaïr always sees him in Acre docks fishing and he doesn’t even know if people are allowed to fish there. The guards ignore him even though he heard whispers from the people near the docks that they all believe he’s… well… not all there in the head. Altaïr never approached him at all but, when he needed to hide after assassinating Sibrand, the fisherman simply smiled at him and patted the space next to him which, coincidentally, had an unused fishing rod. The guards didn’t even bother to look in their direction, too used to ignoring the fisherman. They didn’t say anything to one another and Altaïr simply said ‘my thanks’ before leaving once the coast was clear. But then he saw him in Cyprus, fishing as usual and that caught Altaïr’s interest. Because he kept on fishing even when Altaïr used the Apple to command everyone to return to their homes.
There was a fisherman who always fished on Tiber Island. Ezio had observed him for a few days just to be sure he wasn’t a Borgia spy or anything of the kind but all the fisherman did was fish for the entire day and then go to a small home on Tiber Island once the sky became too dark to continue to fish. Ezio wasn’t even sure if he caught any fish but he was just a harmless fisherman so Ezio didn’t bother him. Then a few of his recruits suddenly started getting better at observing and they all say that they got ‘tips’ from the lonely fisherman of Tiber Island. That caught Ezio's interest but he was too busy trying to dismantle the Borgia's influence in Rome to do anything about it by then. When Ezio finally talked to him after returning from Spain, finally ending his feud with the Borgia with Cesare’s ‘accident’, the fisherman turned to smile at him and patted the space next to him. Ezio sat and took the extra fishing rod that the fisherman gave him as he asked for the fisherman’s name. The fisherman was quiet for a moment before he finally answered, “Nowadays, I have so many names I don’t remember all of them anymore. But I guess… to you? I will always be Desmond.”
Ratonhnhaké:ton assumed he was part of the homestead. Just one of the many people trying to build a new life here on the homestead. Ratonhnhaké:ton introduced himself because it was the polite thing to do and because he was curious about all the people who made their life here in Achilles’ homestead. He was not one of the many people Ratonhnhaké:ton invited. He had been here even before Ratonhnhaké:ton and had even given Ratonhnhaké:ton fish to eat while he had been hunting during the time he stayed in Achilles’ stables. Now, it became a habit to fish with the lone fisherman at least once every time he was on the homestead. Fishing became a way for Ratonhnhaké:ton to simply breathe and rest for a bit. To remember the beauty of the world. So when Achilles told him that the homestead never had a fisherman, Ratonhnhaké:ton had wondered if he had been talking to a spirit this entire time. Yet, the fisherman was flesh and bones when he held his wrist. His skin was warm and he looked at Ratonhnhaké:ton with curious light brown eyes that seemed to glow in the sunlight. Ratonhnhaké:ton finally asked what he was doing here in the homestead and the fisherman simply replied with a smile, “Just fishing.”
Edward Kenway had seen the weirdest shite but this… this was strange. “What are you doing here, old man?!” “Fishing!” Yes, Edward could see that. That wasn’t the point. The point was… “You’re fishing in an abandoned ship covered in fog!” The laughter he heard was light and absent of any panic. That day, Edward Kenway wondered if they had accidentally boarded a ghost ship and they were now cursed as they found no gold in the ship but the fisherman stayed in Jackdaw and continued to fish even when Jackdaw gets boarded. Everyone just agrees that he was some kind of sea curse and that trying to throw him overboard would bring them bad luck.
Shay saw him every time he was in the homestead. A lone fisherman that always seemed to be fishing no matter the time or the weather. Liam ignored him so Shay ignored him as well. Until he returned from Lisbon, shaking and angry. The red haze in his mind had been so thick he barely heard someone call to him. Yet, he stopped and turned to where the voice had come from. It was the fisherman. He patted the space next to him and Shay wasn’t sure what made him walk toward him. The softness of his voice? The kindness in his smile? The understanding in his eyes? Shay didn’t know at all. His hands trembled as he took the extra fishing rod the fisherman handed to him. And Shay just… fished. In the warm silence between them, he could feel everything he tried to hold in finally let go. Tears fell from his eyes as his shoulders begin to tremble. He felt the fisherman’s hand rub his back as, for the first time since his father died, Shay cried once more.
Every time Arno leave the Parisian Brotherhood’s headquarters from the sewers, he would see him. A fisherman just… fishing away in the Seine river. Arno wasn’t sure if he was even part of the Brotherhood. None of the other Assassins that Arno worked with ever talked to him and he never saw the fisherman enter the sewer or even Café Théâtre. Arno just ignored him. Until Élise left him, too focused on avenging her father to even take the time to listen to Arno. And the Brotherhood… well… Arno had been debating if he should even report to the Brotherhood anymore. He just felt… so lost. Maybe that had been the reason why he finally approached the fisherman and asked him what he was fishing for. The fisherman simply patted the space next to him and handed Arno an extra fishing rod when the young Assassin sat. Instead of drinking the day away, Arno fished with a man he didn’t even know the name of, listening to the fisherman as he talked about a man he used to know who was faced with an impossible choice.
It was Jacob who approached him. The fisherman of Thames, they call him. All the gangs ignored him. Just another one of the poor men of London. But Jacob had been curious. He wanted the Rooks to be more than just any gang. He wanted them to be like the Ezio Auditore’s Brotherhood that his father used to tell him and Evie when they were children. But less restricted by the tenets. A… friendly neighborhood gang just like how his father described them when they were still young and didn’t know better. No matter what the books and journals Evie read say about the real Italian Brotherhood, Jacob didn’t care about that. His Rooks was based on what they heard when they were kids, not the brutal reality they live in. So, Jacob tried to talk to the fisherman to see what his deal was. If he was trying to fish to survive, he’d offer him a place with the Rooks. Maybe even get him something to eat that didn’t smell like Thames for once. Jacob and the fisherman sat for hours, fishing together. When Jacob returned to the train, Evie saw the expression on his face and asked what had happened with concern in her tone. Both Evie and Henry only grew more confused when Jacob replied with wide eyes, “I think I just talked to God, Evie.”
It was shameful for Bayek to admit it but it took a while before he noticed him. At first, it had been because he had been too focused on avenging Khemu. Then it was because he was busy trying to help Aya. But now… Well, he was still busy but it was hard not to notice the fisherman humming the same tune that has been stuck in his head ever since he left Siwa. He didn’t even realize that he had heard it from the fisherman until now. So when he asked what the fisherman was doing and all he got was that the fisherman was fishing, Bayek couldn’t help the exasperation in his voice as he said, “You’re fishing… in an oasis… in the middle of the desert.” The fisherman simply shrugged and replied that he wanted to try it out. Bayek couldn’t help but wonder if he was actually talking to a hallucination and there was really no fisherman and no oasis at all.
“I’m sorry, I know this is a very important conversation and all of that but who is that?” “That… is the fisherman.” “The fisherman?” “Yes.” “That’s all you’re going to give me?” “Yes.” “And you’re not going to explain why he’s fishing straight into that strange water-like gate that you just told me leads to Atlantis?” “……… Yes.” “… I need a drink.” “So do I.”
Eivor frowned as she entered an empty bureau, no Hytham at sight at all. She walked out of his small bureau and looked around. It was easy enough to find Hytham with his Hidden One robes. What she did not expect was finding him by the docks, fishing with a person she had never seen before. Perhaps someone who came to Ravensthorpe while she was away? She walked towards them and Hytham immediately turned to smile at her, asking her to sit and fish with them. She had wanted to say no, to tell him that she was looking for him to give him more medallions. Instead, she sat on Hytham’s other side and took the fishing rod that Hytham gave her. They spent the entire afternoon fishing and, by the end of it, Eivor wondered if perhaps one of the old gods have come to fish in Ravensthorpe.
(If it looks strange that this is not in chronological order but instead ordered by release, that’s because Desmond is time-hopping in that exact order)
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mustangs-flames · 9 months
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this gives me htb!mark energy but he's talking to thatcher and the others HELP
The 3 people giving it a 'yeah' are Thatcher, Dave, and alt!Cesar lmfaooooo
(on a serious note though, there are a couple of scenes planned out where Mark actually comes to terms with his sexuality and processes it in a healthy way and I love that for him! <3 )
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anatomygame · 10 months
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the silliest beast
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urne-buriall · 10 months
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june 19, 1997
It must be great that Jesse and Cesar get so much Best Friend Time together.
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